<h1>The Knights of Arthur</h1>
<p id="author">By FREDERIK POHL</p>
<p id="illustrator">Illustrated by MARTIN</p>
<p id="synopsis">With one suitcase as his domain, Arthur was
desperately in need of armed henchmen … for
his keys to a kingdom were typewriter keys!</p>
<div id="illo1" class="illo">
<ANTIMG src="images/illo1-sm.jpg" width-obs="658" height-obs="388" alt="An eyestalk coming from a case looks at a guy doing something with a screwdriver and a typewriter" />
<SPAN href="images/illo1-left.png" class="img_link">Left side image</SPAN>
<SPAN href="images/illo1-right.png" class="img_link">Right side image</SPAN></div>
<h2>I</h2>
<p class="first_paragraph"><span class="first_word">There</span> was three of us—I
mean if you count Arthur.
We split up to avoid attracting
attention. Engdahl just
came in over the big bridge, but I
had Arthur with me so I had to
come the long way around.</p>
<p>When I registered at the desk,
I said I was from Chicago. You
know how it is. If you say you’re
from Philadelphia, it’s like saying
you’re from St. Louis or
Detroit—I mean <em>nobody</em> lives in
Philadelphia any more. Shows
how things change. A couple years
ago, Philadelphia was all the
fashion. But not now, and I
wanted to make a good impression.</p>
<p>I even tipped the bellboy a
hundred and fifty dollars. I said:
“Do me a favor. I’ve got my baggage
booby-trapped—”</p>
<p>“Natch,” he said, only mildly
impressed by the bill and a half,
even less impressed by me.</p>
<p>“I mean <em>really</em> booby-trapped.
Not just a burglar alarm. Besides
the alarm, there’s a little surprise
<!-- <SPAN class="pagenum" id="page9" title="9"> </SPAN> Original location of right side of Illo 1-->
<SPAN class="pagenum" id="page10" title="10"> </SPAN>on a short fuse. So what I want
you to do, if you hear the alarm go
off, is come running. Right?”</p>
<p>“And get my head blown off?”
He slammed my bags onto the
floor. “Mister, you can take your
damn money and—”</p>
<p>“Wait a minute, friend.” I passed
over another hundred. “Please?
It’s only a shaped charge. It won’t
hurt anything except anybody who
messes around, see? But I don’t
want it to go off. So you come
running when you hear the alarm
and scare him away and—”</p>
<p>“No!” But he was less positive.
I gave him two hundred more and
he said grudgingly: “All right. If
I hear it. Say, what’s in there that’s
worth all that trouble?”</p>
<p>“Papers,” I lied.</p>
<p>He leered. “Sure.”</p>
<p>“No fooling, it’s just personal
stuff. Not worth a penny to anybody
but me, understand? So
don’t get any ideas—”</p>
<p>He said in an injured tone:
“Mister, naturally the <em>staff</em> won’t
bother your stuff. What kind of a
hotel do you think this is?”</p>
<p>“Of course, of course,” I said.
But I knew he was lying, because
I knew what kind of hotel it was.
The staff was there only because
being there gave them a chance
to knock down more money than
they could make any other way.
What other kind of hotel was
there?</p>
<p>Anyway, the way to keep the
staff on my side was by bribery,
and when he left I figured I had
him at least temporarily bought.
He promised to keep an eye on
the room and he would be on duty
for four more hours—which gave
me plenty of time for my errands.</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">I made</span> sure Arthur was
plugged in and cleaned myself
up. They had water running—New
York’s very good that way;
they always have water running.
It was even hot, or nearly hot. I
let the shower splash over me for
a while, because there was a lot
of dust and dirt from the Bronx
that I had to get off me. The way
it looked, hardly anybody had
been up that way since it happened.</p>
<p>I dried myself, got dressed and
looked out the window. We were
fairly high up—fifteenth floor. I
could see the Hudson and the big
bridge up north of us. There was
a huge cloud of smoke coming
from somewhere near the bridge
on the other side of the river, but
outside of that everything looked
normal. You would have thought
there were people in all those
houses. Even the streets looked
pretty good, until you noticed that
hardly any of the cars were moving.</p>
<p>I opened the little bag and
loaded my pockets with enough
money to run my errands. At the
door, I stopped and called over
<SPAN class="pagenum" id="page11" title="11"> </SPAN>my shoulder to Arthur: “Don’t
worry if I’m gone an hour or so.
I’ll be back.”</p>
<p>I didn’t wait for an answer.
That would have been pointless
under the circumstances.</p>
<p>After Philadelphia, this place
seemed to be bustling with activity.
There were four or five
people in the lobby and a couple
of dozen more out in the street.</p>
<p>I tarried at the desk for several
reasons. In the first place, I was
expecting Vern Engdahl to try to
contact me and I didn’t want him
messing with the luggage—not
while Arthur might get nervous.
So I told the desk clerk that in
case anybody came inquiring for
Mr. Schlaepfer, which was the
name I was using—my real name
being Sam Dunlap—he was to be
told that on no account was he to
go to my room but to wait in the
lobby; and in any case I would
be back in an hour.</p>
<p>“Sure,” said the desk clerk,
holding out his hand.</p>
<p>I crossed it with paper. “One
other thing,” I said. “I need to buy
an electric typewriter and some
other stuff. Where can I get
them?”</p>
<p>“PX,” he said promptly.</p>
<p>“PX?”</p>
<p>“What used to be Macy’s,” he
explained. “You go out that door
and turn right. It’s only about a
block. You’ll see the sign.”</p>
<p>“Thanks.” That cost me a hundred
more, but it was worth it.
After all, money wasn’t a problem—not
when we had just come from
Philadelphia.</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">The</span> big sign read “PX,” but it
wasn’t big enough to hide an
older sign underneath that said
“Macy’s.” I looked it over from
across the street.</p>
<p>Somebody had organized it
pretty well. I had to admire them.
I mean I don’t like New York—wouldn’t
live there if you gave me
the place—but it showed a sort of
go-getting spirit. It was no easy
job getting a full staff together to
run a department store operation,
when any city the size of New
York must have a couple thousand
stores. You know what I mean?
It’s like running a hotel or anything
else—how are you going to
get people to work for you when
they can just as easily walk down
the street, find a vacant store and
set up their own operation?</p>
<p>But Macy’s was fully manned.
There was a guard at every door
and a walking patrol along the
block-front between the entrances
to make sure nobody broke in
through the windows. They all
wore green armbands and uniforms—well,
lots of people wore
uniforms.</p>
<p>I walked over.</p>
<p>“Afternoon,” I said affably to the
guard. “I want to pick up some
stuff. Typewriter, maybe a gun,
<SPAN class="pagenum" id="page12" title="12"> </SPAN>you know. How do you work it
here? Flat rate for all you can
carry, prices marked on everything,
or what is it?”</p>
<p>He stared at me suspiciously.
He was a monster; six inches taller
than I, he must have weighed two
hundred and fifty pounds. He
didn’t look very smart, which
might explain why he was working
for somebody else these days. But
he was smart enough for what he
had to do.</p>
<p>He demanded: “You new in
town?”</p>
<p>I nodded.</p>
<p>He thought for a minute. “All
right, buddy. Go on in. You pick
out what you want, see? We’ll
straighten out the price when you
come out.”</p>
<p>“Fair enough.” I started past
him.</p>
<p>He grabbed me by the arm. “No
tricks,” he ordered. “You come
out the same door you went in,
understand?”</p>
<p>“Sure,” I said, “if that’s the way
you want it.”</p>
<p>That figured—one way or another:
either they got a commission,
or, like everybody else, they
lived on what they could knock
down. I filed that for further consideration.</p>
<p>Inside, the store smelled pretty
bad. It wasn’t just rot, though there
was plenty of that; it was musty
and stale and old. It was dark, or
nearly. About one light in twenty
was turned on, in order to conserve
power. Naturally the escalators
and so on weren’t running
at all.</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">I passed</span> a counter with pencils
and ball-point pens in a
case. Most of them were gone—somebody
hadn’t bothered to go
around in back and had simply
knocked the glass out—but I found
one that worked and an old order
pad to write on. Over by the
elevators there was a store directory,
so I went over and checked
it, making a list of the departments
worth visiting.</p>
<p>Office Supplies would be the
typewriter. Garden & Home was a
good bet—maybe I could find a
little wheelbarrow to save carrying
the typewriter in my arms.
What I wanted was one of the
big ones where all the keys are
solenoid-operated instead of the
cam-and-roller arrangement—that
was all Arthur could operate. And
those things were heavy, as I
knew. That was why we had
ditched the old one in the Bronx.</p>
<p>Sporting Goods—that would be
for a gun, if there were any left.
Naturally, they were about the
first to go after it happened, when
<em>everybody</em> wanted a gun. I mean
everybody who lived through it.
I thought about clothes—it was
pretty hot in New York—and
decided I might as well take a
look.</p>
<p><SPAN class="pagenum" id="page13" title="13"> </SPAN>Typewriter, clothes, gun, wheelbarrow.
I made one more note on
the pad—try the tobacco counter,
but I didn’t have much hope for
that. They had used cigarettes for
currency around this area for a
while, until they got enough bank
vaults open to supply big bills. It
made cigarettes scarce.</p>
<p>I turned away and noticed for
the first time that one of the elevators
was stopped on the main floor.
The doors were closed, but they
were glass doors, and although
there wasn’t any light inside, I
could see the elevator was full.
There must have been thirty or
forty people in the car when it
happened.</p>
<p>I’d been thinking that, if nothing
else, these New Yorkers were
pretty neat—I mean if you don’t
count the Bronx. But here were
thirty or forty skeletons that nobody
had even bothered to clear
away.</p>
<p>You call that neat? Right in
plain view on the ground floor,
where everybody who came into
the place would be sure to go—I
mean if it had been on one of
the upper floors, what difference
would it have made?</p>
<p>I began to wish we were out
of the city. But naturally that
would have to wait until we
finished what we came here to do—otherwise,
what was the point
of coming all the way here in the
first place?</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">The</span> tobacco counter was bare.
I got the wheelbarrow easily
enough—there were plenty of those,
all sizes; I picked out a nice light
red-and-yellow one with rubber-tired
wheel. I rolled it over to
Sporting Goods on the same floor,
but that didn’t work out too well.
I found a 30-30 with telescopic
sights, only there weren’t any cartridges
to fit it—or anything else. I
took the gun anyway; Engdahl
would probably have some extra
ammunition.</p>
<p>Men’s Clothing was a waste of
time, too—I guess these New
Yorkers were too lazy to do
laundry. But I found the typewriter
I wanted.</p>
<p>I put the whole load into the
wheelbarrow, along with a couple
of odds and ends that caught my
eye as I passed through Housewares,
and I bumped as gently as
I could down the shallow steps
of the motionless escalator to the
ground floor.</p>
<p>I came down the back way,
and that was a mistake. It led me
right past the food department.
Well, I don’t have to tell you what
<em>that</em> was like, with all the exploded
cans and the rats as big as poodles.
But I found some cologne and
soaked a handkerchief in it, and
with that over my nose, and some
fast footwork for the rats, I managed
to get to one of the doors.</p>
<p>It wasn’t the one I had come
in, but that was all right. I sized
<SPAN class="pagenum" id="page14" title="14"> </SPAN>up the guard. He looked smart
enough for a little bargaining, but
not too smart; and if I didn’t like
his price, I could always remember
that I was supposed to go out
the other door.</p>
<p>I said: “Psst!”</p>
<p>When he turned around, I said
rapidly: “Listen, this isn’t the way
I came in, but if you want to do
business, it’ll be the way I come
out.”</p>
<p>He thought for a second, and
then he smiled craftily and said:
“All right, come on.”</p>
<p>Well, we haggled. The gun was
the big thing—he wanted five
thousand for that and he wouldn’t
come down. The wheelbarrow he
was willing to let go for five hundred.
And the typewriter—he
scowled at the typewriter as
though it were contagious.</p>
<p>“What you want that for?” he
asked suspiciously. I shrugged.</p>
<p>“Well—” he scratched his head—“a
thousand?”</p>
<p>I shook my head.</p>
<p>“Five hundred?”</p>
<p>I kept on shaking.</p>
<p>“All right, all right,” he grumbled.
“Look, you take the other
things for six thousand—including
what you got in your pockets that
you don’t think I know about,
see? And I’ll throw this in. How
about it?”</p>
<p>That was fine as far as I was
concerned, but just on principle
I pushed him a little further. “Forget
it,” I said. “I’ll give you fifty
bills for the lot, take it or leave
it. Otherwise I’ll walk right down
the street to Gimbel’s and—”</p>
<p>He guffawed.</p>
<p>“Whats the matter?” I demanded.</p>
<p>“Pal,” he said, “you kill me.
Stranger in town, hey? You can’t
go anyplace but here.”</p>
<p>“Why not?”</p>
<p>“Account of there <em>ain’t</em> anyplace
else. See, the chief here don’t like
competition. So we don’t have to
worry about anybody taking their
trade elsewhere, like—we burned
all the other places down.”</p>
<p>That explained a couple of
things. I counted out the money,
loaded the stuff back in the wheelbarrow
and headed for the Statler;
but all the time I was counting
and loading, I was talking to
Big Brainless; and by the time I
was actually on the way, I knew
a little more about this “chief.”</p>
<p>And that was kind of important,
because he was the man we were
going to have to know very well.</p>
<h2>II</h2>
<p class="first_paragraph"><span class="first_word">I locked</span> the door of the hotel
room. Arthur was peeping out
of the suitcase at me.</p>
<p>I said: “I’m back. I got your
typewriter.” He waved his eye at
me.</p>
<p>I took out the little kit of electricians’
tools I carried, tipped the
<SPAN class="pagenum" id="page15" title="15"> </SPAN>typewriter on its back and began
sorting out leads. I cut them free
from the keyboard, soldered on a
ground wire, and began taping the
leads to the strands of a yard of
forty-ply multiplex cable.</p>
<p>It was a slow and dull job. I
didn’t have to worry about which
solenoid lead went to which
strand—Arthur could sort them
out. But all the same it took an
hour, pretty near, and I was getting
hungry by the time I got the
last connection taped. I shifted the
typewriter so that both Arthur and
I could see it, rolled in a sheet of
paper and hooked the cable to
Arthur’s receptors.</p>
<p>Nothing happened.</p>
<p>“Oh,” I said. “Excuse me,
Arthur. I forgot to plug it in.”</p>
<p>I found a wall socket. The typewriter
began to hum and then it
started to rattle and type:</p>
<p class="arthur_speak">DURA AUK UKOO RQK
MWS AQB</p>
<p>It stopped.</p>
<p>“Come on, Arthur,” I ordered
impatiently. “Sort them out, will
you?”</p>
<p>Laboriously it typed:</p>
<p class="arthur_speak">!!!</p>
<p>Then, for a time, there was a
clacking and thumping as he typed
random letters, peeping out of the
suitcase to see what he had typed,
until the sheet I had put in was
used up.</p>
<p>I replaced it and waited, as patiently
as I could, smoking one of
the last of my cigarettes. After fifteen
minutes or so, he had the hang
of it pretty well. He typed:</p>
<p class="arthur_speak">YOU DAMQXXX DAMN
FOOL WHUXXX WHY DID
YOU LEAQNXXX LEAVE ME
ALONE Q Q</p>
<p>“Aw, Arthur,” I said. “Use your
head, will you? I couldn’t carry
that old typewriter of yours all
the way down through the Bronx.
It was getting pretty beat-up. Anyway,
I’ve only got two hands—”</p>
<p><span class="arthur_speak">YOU LOUSE,</span> it rattled, <span class="arthur_speak">ARE
YOU TRYONXXX TRYING
TO INSULT ME BECAUSE I
DONT HAVE ANY Q Q</span></p>
<p>“Arthur!” I said, shocked. “You
know better than that!”</p>
<p>The typewriter slammed its
carriage back and forth ferociously
a couple of times. Then he said:
<span class="arthur_speak">ALL RIGHT SAM YOU KNOW
YOUVE GOT ME BY THE
THROAT SO YOU CAN DO
ANYTHING YOU WANT TO
WITH ME WHO CARES
ABOUT MY FEELINGS ANYHOW</span></p>
<p>“Please don’t take that attitude,”
I coaxed.</p>
<p class="arthur_speak">WELL</p>
<p>“Please?”</p>
<p>He capitulated. <span class="arthur_speak">ALL RIGHT
SAY HEARD ANYTHING
FROM ENGDAHL Q Q</span></p>
<p>“No.”</p>
<p class="arthur_speak">ISNT THAT JUST LIKE
HIM Q Q CANT DEPEND ON
THAT MAN HE WAS THE
<SPAN class="pagenum" id="page16" title="16"> </SPAN>LOUSIEST ELECTRICIANS
MATE ON THE SEA SPRITE
AND HE ISNT MUCH BETTER
NOW SAY SAM REMEMBER
WHEN WE HAD TO GET
HIM OUT OF THE JUG IN
NEWPORT NEWS BECAUSE</p>
<p>I settled back and relaxed. I
might as well. That was the trouble
with getting Arthur a new typewriter
after a couple of days without
one—he had so much garrulity
stored up in his little brain, and
the only person to spill it on was
me.</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">Apparently</span> I fell asleep.
Well, I mean I must have, because
I woke up. I had been
dreaming I was on guard post outside
the Yard at Portsmouth, and
it was night, and I looked up and
there was something up there, all
silvery and bad. It was a missile—and
that was silly, because you
never see a missile. But this was
a dream.</p>
<p>And the thing burst, like a
Roman candle flaring out, all sorts
of comet-trails of light, and then
the whole sky was full of bright
and colored snow. Little tiny flakes
of light coming down, a mist of
light, radiation dropping like dew;
and it was so pretty, and I took
a deep breath. And my lungs
burned out like slow fire, and I
coughed myself to death with the
explosions of the missile banging
against my flaming ears….</p>
<p>Well, it was a dream. It probably
wasn’t like that at all—and if
it had been, I wasn’t there to see
it, because I was tucked away safe
under a hundred and twenty
fathoms of Atlantic water. All of
us were on the <i>Sea Sprite</i>.</p>
<p>But it was a bad dream and it
bothered me, even when I woke up
and found that the banging explosions
of the missile were the
noise of Arthur’s typewriter carriage
crashing furiously back and
forth.</p>
<p>He peeped out of the suitcase
and saw that I was awake. He demanded:
<span class="arthur_speak">HOW CAN YOU FALL
ASLEEP WHEN WERE IN A
PLACE LIKE THIS Q Q ANYTHING
COULD HAPPEN
SAM I KNOW YOU DONT
CARE WHAT HAPPENS TO
ME BUT FOR YOUR OWN
SAKE YOU SHOULDNT</span></p>
<p>“Oh, dry up,” I said.</p>
<p>Being awake, I remembered
that I was hungry. There was still
no sign of Engdahl or the others,
but that wasn’t too surprising—they
hadn’t known exactly when
we would arrive. I wished I had
thought to bring some food back
to the room. It looked like long
waiting and I wouldn’t want to
leave Arthur alone again—after all,
he was partly right.</p>
<p>I thought of the telephone.</p>
<p>On the off-chance that it might
work, I picked it up. Amazing, a
voice from the desk answered.</p>
<p><SPAN class="pagenum" id="page17" title="17"> </SPAN>I crossed my fingers and said:
“Room service?”</p>
<p>And the voice answered amiably
enough: “Hold on, buddy. I’ll see
if they answer.”</p>
<p>Clicking and a good long wait.
Then a new voice said: “Whaddya
want?”</p>
<p>There was no sense pressing my
luck by asking for anything like
a complete meal. I would be lucky
if I got a sandwich.</p>
<p>I said: “Please, may I have a
Spam sandwich on Rye Krisp and
some coffee for Room Fifteen Forty-one?”</p>
<p>“Please, you go to hell!” the
voice snarled. “What do you think
this is, some damn delicatessen?
You want liquor, we’ll get you
liquor. That’s what room service
is for!”</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">I hung</span> up. What was the use
of arguing? Arthur was clacking
peevishly:</p>
<p class="arthur_speak">WHATS THE MATTER
SAM YOU THINKING OF
YOUR BELLY AGAIN Q Q</p>
<p>“You would be if you—” I
started, and then I stopped.
Arthur’s feelings were delicate
enough already. I mean suppose
that all you had left of what you
were born with was a brain in a
kind of sardine can, wouldn’t you
be sensitive? Well, Arthur was
more sensitive than you would be,
believe me. Of course, it was his
own foolish fault—I mean you
don’t get a prosthetic tank unless
you die by accident, or something
like that, because if it’s disease
they usually can’t save even the
brain.</p>
<p>The phone rang again.</p>
<p>It was the desk clerk. “Say, did
you get what you wanted?” he
asked chummily.</p>
<p>“No.”</p>
<p>“Oh. Too bad,” he said, but
cheerfully. “Listen, buddy, I forgot
to tell you before. That Miss
Engdahl you were expecting, she’s
on her way up.”</p>
<p>I dropped the phone onto the
cradle.</p>
<p>“Arthur!” I yelled. “Keep quiet
for a while—trouble!”</p>
<p>He clacked once, and the typewriter
shut itself off. I jumped
for the door of the bathroom, cursing
the fact that I didn’t have
cartridges for the gun. Still, empty
or not, it would have to do.</p>
<p>I ducked behind the bathroom
door, in the shadows, covering the
hall door. Because there were two
things wrong with what the desk
clerk had told me. Vern Engdahl
wasn’t a “miss,” to begin with;
and whatever name he used when
he came to call on me, it wouldn’t
be Vern Engdahl.</p>
<p>There was a knock on the door.
I called: “Come in!”</p>
<p>The door opened and the girl
who called herself Vern Engdahl
came in slowly, looking around. I
stayed quiet and out of sight until
<SPAN class="pagenum" id="page18" title="18"> </SPAN>she was all the way in. She didn’t
seem to be armed; there wasn’t
anyone with her.</p>
<p>I stepped out, holding the gun
on her. Her eyes opened wide and
she seemed about to turn.</p>
<p>“Hold it! Come on in, you. Close
the door!”</p>
<p>She did. She looked as though
she were expecting me. I looked
her over—medium pretty, not very
tall, not very plump, not very old.
I’d have guessed twenty or so, but
that’s not my line of work; she
could have been almost any age
from seventeen on.</p>
<p>The typewriter switched itself
on and began to pound agitatedly.
I crossed over toward her and
paused to peer at what Arthur was
yacking about: <span class="arthur_speak">SEARCH HER
YOU DAMN FOOL MAYBE
SHES GOT A GUN</span></p>
<p>I ordered: “Shut up, Arthur.
I’m <em>going</em> to search her. You! Turn
around!”</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">She</span> shrugged and turned
around, her hands in the air.
Over her shoulder, she said:
“You’re taking this all wrong, Sam.
I came here to make a deal with
you.”</p>
<p>“Sure you did.”</p>
<p>But her knowing my name was
a blow, too. I mean what was the
use of all that sneaking around if
people in New York were going to
know we were here?</p>
<p>I walked up close behind her
and patted what there was to pat.
There didn’t seem to be a gun.</p>
<p>“You tickle,” she complained.</p>
<p>I took her pocketbook away
from her and went through it. No
gun. A lot of money—an <em>awful</em>
lot of money. I mean there must
have been two or three hundred
thousand dollars. There was
nothing with a name on it in the
pocketbook.</p>
<p>She said: “Can I put my hands
down, Sam?”</p>
<p>“In a minute.” I thought for a
second and then decided to do it—you
know, I just couldn’t afford to
take chances. I cleared my throat
and ordered: “Take off your
clothes.”</p>
<p>Her head jerked around and she
stared at me. “<em>What?</em>”</p>
<p>“Take them off. You heard me.”</p>
<p>“Now wait a minute—” she began
dangerously.</p>
<p>I said: “Do what I tell you,
hear? How do I know you haven’t
got a knife tucked away?”</p>
<p>She clenched her teeth. “Why,
you dirty little man! What do you
think—” Then she shrugged. She
looked at me with contempt and
said: “All right. What’s the difference?”</p>
<p>Well, there was a considerable
difference. She began to unzip and
unbutton and wriggle, and pretty
soon she was standing there in her
underwear, looking at me as
though I were a two-headed worm.
It was interesting, but kind of embarrassing.
<SPAN class="pagenum" id="page19" title="19"> </SPAN>I could see Arthur’s
eye-stalk waving excitedly out of
the opened suitcase.</p>
<p>I picked up her skirt and blouse
and shook them. I could feel myself
blushing, and there didn’t seem
to be anything in them.</p>
<p>I growled: “Okay, I guess that’s
enough. You can put your clothes
back on now.”</p>
<p>“Gee, thanks,” she said.</p>
<p>She looked at me thoughtfully
and then shook her head as if
she’d never seen anything like me
before and never hoped to again.
Without another word, she began
to get back into her clothes. I had
to admire her poise. I mean she
was perfectly calm about the whole
thing. You’d have thought she was
used to taking her clothes off in
front of strange men.</p>
<p>Well, for that matter, maybe she
was; but it wasn’t any of my business.</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">Arthur</span> was clacking distractedly,
but I didn’t pay any
attention to him. I demanded: “All
right, now who are you and what
do you want?”</p>
<p>She pulled up a stocking and
said: “You couldn’t have asked
me that in the first place, could
you? I’m Vern Eng—”</p>
<p>“<em>Cut it out!</em>”</p>
<p>She stared at me. “I was only
going to say I’m Vern Engdahl’s
partner. We’ve got a little business
deal cooking and I wanted to talk
to you about this proposition.”</p>
<p>Arthur squawked: <span class="arthur_speak">WHATS
ENGDAHL UP TO NOW Q Q
SAM IM WARNING YOU I
DONT LIKE THE LOOK OF
THIS THIS WOMAN AND
ENGDAHL ARE PROBABLY
DOUBLECROSSING US</span></p>
<p>I said: “All right, Arthur, relax.
I’m taking care of things. Now
start over, you. What’s your
name?”</p>
<p>She finished putting on her shoe
and stood up. “Amy.”</p>
<p>“Last name?”</p>
<p>She shrugged and fished in her
purse for a cigarette. “What does
it matter? Mind if I sit down?”</p>
<p>“Go ahead,” I rumbled. “But
don’t stop talking!”</p>
<p>“Oh,” she said, “we’ve got plenty
of time to straighten things out.”
She lit the cigarette and walked
over to the chair by the window.
On the way, she gave the luggage
a good long look.</p>
<p>Arthur’s eyestalk cowered back
into the suitcase as she came close.
She winked at me, grinned, bent
down and peered inside.</p>
<p>“My,” she said, “he’s a nice
shiny one, isn’t he?”</p>
<p>The typewriter began to clatter
frantically. I didn’t even bother to
look; I told him: “Arthur, if you
can’t keep quiet, you have to expect
people to know you’re there.”</p>
<p>She sat down and crossed her
legs. “Now then,” she said. “Frankly,
he’s what I came to see you
<SPAN class="pagenum" id="page20" title="20"> </SPAN>about. Vern told me you had a
pross. I want to buy it.”</p>
<p>The typewriter thrashed its carriage
back and forth furiously.</p>
<p>“Arthur isn’t for sale.”</p>
<p>“No?” She leaned back. “Vern’s
already sold me his interest, you
know. And you don’t really have
any choice. You see, I’m in charge
of materiel procurement for the
Major. If you want to sell your
share, fine. If you don’t, why, we
requisition it anyhow. Do you follow?”</p>
<p>I was getting irritated—at
Vern Engdahl, for whatever the
hell he thought he was doing; but
at her because she was handy. I
shook my head.</p>
<p>“Fifty thousand dollars? I mean
for your interest?”</p>
<p>“No.”</p>
<p>“Seventy-five?”</p>
<p>“No!”</p>
<p>“Oh, come on now. A hundred
thousand?”</p>
<p>It wasn’t going to make any impression
on her, but I tried to explain:
“Arthur’s a friend of mine.
He isn’t for sale.”</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">She </span>shook her head. “What’s
the matter with you? Engdahl
wasn’t like this. He sold his interest
for forty thousand and was
glad to get it.”</p>
<p>Clatter-clatter-clatter from Arthur.
I didn’t blame him for having
hurt feelings that time.</p>
<p>Amy said in a discouraged tone:
“Why can’t people be reasonable?
The Major doesn’t like it when
people aren’t reasonable.”</p>
<p>I lowered the gun and cleared
my throat. “He doesn’t?” I asked,
cuing her. I wanted to hear more
about this Major, who seemed to
have the city pretty well under his
thumb.</p>
<p>“No, he doesn’t.” She shook her
head sorrowfully. She said in an
accusing voice: “You out-of-towners
don’t know what it’s like to
try to run a city the size of New
York. There are fifteen thousand
people here, do you know that? It
isn’t one of your hick towns. And
it’s worry, worry, worry all the
time, trying to keep things going.”</p>
<p>“I bet,” I said sympathetically.
“You’re, uh, pretty close to the
Major?”</p>
<p>She said stiffly: “I’m not married
to him, if that’s what you
mean. Though I’ve had my
chances…. But you see how
it is. Fifteen thousand people to
run a place the size of New York!
It’s forty men to operate the power
station, and twenty-five on the
PX, and thirty on the hotel here.
And then there are the local groceries,
and the Army, and the
Coast Guard, and the Air Force—though,
really, that’s only two men—and—Well,
you get the picture.”</p>
<p>“I certainly do. Look, what kind
of a guy <em>is</em> the Major?”</p>
<p>She shrugged. “A guy.”</p>
<p>“I mean what does he like?”</p>
<p><SPAN class="pagenum" id="page21" title="21"> </SPAN>“Women, mostly,” she said, her
expression clouded. “Come on now.
What about it?”</p>
<p>I stalled. “What do you want
Arthur for?”</p>
<p>She gave me a disgusted look.
“What do you think? To relieve
the manpower shortage, naturally.
There’s more work than there are
men. Now if the Major could just
get hold of a couple of prosthetics,
like this thing here, why, he could
put them in the big installations.
This one used to be an engineer
or something, Vern said.”</p>
<p>“Well … <em>like</em> an engineer.”</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">Amy</span> shrugged. “So why couldn’t
we connect him up with
the power station? It’s been done.
The Major knows that—he was in
the Pentagon when they switched
all the aircraft warning net over
from computer to prosthetic control.
So why couldn’t we do the
same thing with our power station
and release forty men for other assignments?
This thing could work
day, night, Sundays—what’s the
difference when you’re just a brain
in a sardine can?”</p>
<p>Clatter-rattle-<em>bang</em>.</p>
<p>She looked startled. “Oh. I forgot
he was listening.”</p>
<p>“No deal,” I said.</p>
<p>She said: “A hundred and fifty
thousand?”</p>
<p>A hundred and fifty thousand
dollars. I considered that for a
while. Arthur clattered warningly.</p>
<p>“Well,” I temporized, “I’d have
to be sure he was getting into good
hands—”</p>
<p>The typewriter thrashed wildly.
The sheet of paper fluttered out
of the carriage. He’d used it up.
Automatically I picked it up—it
was covered with imprecations,
self-pity and threats—and started
to put a new one in.</p>
<p>“No,” I said, bending over the
typewriter, “I guess I couldn’t sell
him. It just wouldn’t be right—”</p>
<p>That was my mistake; it was
the wrong time for me to say that,
because I had taken my eyes off
her.</p>
<p>The room bent over and clouted
me.</p>
<p>I half turned, not more than a
fraction conscious, and I saw this
Amy girl, behind me, with the
shoe still in her hand, raised to
give me another blackjacking on
the skull.</p>
<p>The shoe came down, and it
must have weighed more than it
looked, and even the fractional bit
of consciousness went crashing
away.</p>
<h2>III</h2>
<p class="first_paragraph"><span class="first_word">I have</span> to tell you about Vern
Engdahl. We were all from the
<i>Sea Sprite</i>, of course—me and
Vern and even Arthur. The thing
about Vern is that he was the lowest-ranking
one of us all—only an
electricians’ mate third, I mean
<SPAN class="pagenum" id="page22" title="22"> </SPAN>when anybody paid any attention
to things like that—and yet he was
pretty much doing the thinking
for the rest of us. Coming to New
York was his idea—he told us that
was the only place we could get
what we wanted.</p>
<p>Well, as long as we were carrying
Arthur along with us, we pretty
much needed Vern, because he
was the one who knew how to
keep the lash-up going. You’ve got
no idea what kind of pumps and
plumbing go into a prosthetic tank
until you’ve seen one opened up.
And, naturally, Arthur didn’t want
any breakdowns without somebody
around to fix things up.</p>
<p>The <i>Sea Sprite</i>, maybe you
know, was one of the old liquid-sodium-reactor
subs—too slow for
combat duty, but as big as a barn,
so they made it a hospital ship. We
were cruising deep when the missiles
hit, and, of course, when we
came up, there wasn’t much for a
hospital ship to do. I mean there
isn’t any sense fooling around with
anybody who’s taken a good deep
breath of fallout.</p>
<p>So we went back to Newport
News to see what had happened.
And we found out what had happened.
And there wasn’t anything
much to do except pay off the
crew and let them go. But us
three stuck together. Why not?
It wasn’t as if we had any families
to go back to any more.</p>
<p>Vern just loved all this stuff—he’d
been an Eagle Scout; maybe
that had something to do with it—and
he showed us how to boil
drinking water and forage in the
woods and all like that, because
nobody in his right mind wanted
to go near any kind of a town,
until the cold weather set in, anyway.
And it was always Vern,
Vern, telling us what to do, ironing
out our troubles.</p>
<p>It worked out, except that there
was this one thing. Vern had bright
ideas. But he didn’t always tell us
what they were.</p>
<p>So I wasn’t so very surprised
when I came to. I mean there I
was, tied up, with this girl Amy
standing over me, holding the gun
like a club. Evidently she’d found
out that there weren’t any cartridges.
And in a couple of minutes
there was a knock on the door,
and she yelled, “Come in,” and in
came Vern. And the man who was
with him had to be somebody important,
because there were eight
or ten other men crowding in close
behind.</p>
<p>I didn’t need to look at the oak
leaves on his shoulders to realize
that here was the chief, the fellow
who ran this town, the Major.</p>
<p>It was just the kind of thing
Vern <em>would</em> do.</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">Vern</span> said, with the look on his
face that made strange officers
wonder why this poor persecuted
man had been forced to spend so
<SPAN class="pagenum" id="page23" title="23"> </SPAN>much time in the brig: “Now,
Major, I’m sure we can straighten
all this out. Would you mind leaving
me alone with my friend here
for a moment?”</p>
<p>The Major teetered on his heels,
thinking. He was a tall, youngish-bald
type, with a long, worried,
horselike face. He said: “Ah, do
you think we should?”</p>
<p>“I guarantee there’ll be no
trouble, Major,” Vern promised.</p>
<p>The Major pulled at his little
mustache. “Very well,” he said.
“Amy, you come along.”</p>
<p>“We’ll be right here, Major,”
Vern said reassuringly, escorting
him to the door.</p>
<p>“You bet you will,” said the
Major, and tittered. “Ah, bring
that gun along with you, Amy.
And be sure this man knows that
we have bullets.”</p>
<p>They closed the door. Arthur
had been cowering in his suitcase,
but now his eyestalk peeped out
and the rattling and clattering
from that typewriter sounded like
the Battle of the Bulge.</p>
<p>I demanded: “Come on, Vern.
What’s this all about?”</p>
<p>Vern said: “How much did they
offer you?”</p>
<p>Clatter-bang-BANG. I peeked,
and Arthur was saying: <span class="arthur_speak">WARNED
YOU SAM THAT ENGDAHL
WAS UP TO TRICKS PLEASE
SAM PLEASE PLEASE
PLEASE HIT HIM ON THE
HEAD KNOCK HIM OUT HE
MUST HAVE A GUN SO GET
IT AND SHOOT OUR WAY
OUT OF HERE</span></p>
<p>“A hundred and fifty thousand
dollars,” I said.</p>
<p>Vern looked outraged. “I only
got forty!”</p>
<p>Arthur clattered: <span class="arthur_speak">VERN I APPEAL
TO YOUR COMMON
DECENCY WERE OLD SHIPMATES
VERN REMEMBER
ALL THE TIMES I</span></p>
<p>“Still,” Vern mused, “it’s all
common funds anyway, right?
Arthur belongs to both of us.”</p>
<p class="arthur_speak">I DONT DONT DONT REPEAT
DONT BELONG TO
ANYBODY BUT ME</p>
<p>“That’s true,” I said grudgingly.
“But I carried him, remember.”</p>
<p class="arthur_speak">SAM WHATS THE MATTER
WITH YOU Q Q I DONT
LIKE THE EXPRESSION ON
YOUR FACE LISTEN SAM
YOU ARENT</p>
<p>Vern said, “A hundred and fifty
thousand, remember.”</p>
<p class="arthur_speak">THINKING OF SELLING</p>
<p>“And of course we couldn’t get
out of here,” Vern pointed out.
“They’ve got us surrounded.”</p>
<p class="arthur_speak">ME TO THESE RATS Q Q
SAM VERN PLEASE DONT
SCARE ME</p>
<hr class="thoughtbreak" />
<p class="post_thoughtbreak"><span class="first_word">I said,</span> pointing to the fluttering
paper in the rattling machine:
“You’re worrying our friend.”</p>
<p>Vern shrugged impatiently.</p>
<p><span class="arthur_speak">I KNEW I SHOULDNT
<SPAN class="pagenum" id="page24" title="24"> </SPAN>HAVE TRUSTED YOU</span>, Arthur
wept. <span class="arthur_speak">THATS ALL I MEAN TO
YOU EH</span></p>
<p>Vern said: “Well, Sam? Let’s
take the cash and get this thing
over with. After all, he <em>will</em> have
the best of treatment.”</p>
<p>It was a little like selling your
sister into white slavery, but what
else was there to do? Besides, I
kind of trusted Vern.</p>
<p>“All right,” I said.</p>
<p>What Arthur said nearly
scorched the paper.</p>
<p>Vern helped pack Arthur up
for moving. I mean it was just
a matter of pulling the plugs out
and making sure he had a fresh
battery, but Vern wanted to supervise
it himself. Because one of
the little things Vern had up his
sleeve was that he had found a
spot for himself on the Major’s
payroll. He was now the official
Prosthetic (Human) Maintenance
Department Chief.</p>
<p>The Major said to me: “Ah,
Dunlap. What sort of experience
have you had?”</p>
<p>“Experience?”</p>
<p>“In the Navy. Your friend Engdahl
suggested you might want to
join us here.”</p>
<p>“Oh. I see what you mean.” I
shook my head. “Nothing that
would do you any good, I’m afraid.
I was a yeoman.”</p>
<p>“Yeoman?”</p>
<p>“Like a company clerk,” I explained.
“I mean I kept records
and cut orders and made out reports
and all like that.”</p>
<p>“Company clerk!” The eyes in
the long horsy face gleamed. “Ah,
you’re mistaken, Dunlap! Why,
that’s <em>just</em> what we need. Our
morning reports are in foul shape.
Foul! Come over to HQ. Lieutenant
Bankhead will give you a
lift.”</p>
<p>“Lieutenant Bankhead?”</p>
<p>I got an elbow in my ribs for
that. It was that girl Amy, standing
alongside me. “I,” she said,
“am Lieutenant Bankhead.”</p>
<p>Well, I went along with her,
leaving Engdahl and Arthur behind.
But I must admit I wasn’t
sure of my reception.</p>
<p>Out in front of the hotel was a
whole fleet of cars—three or four
of them, at least. There was a big
old Cadillac that looked like a
gangsters’ car—thick glass in the
windows, tires that looked like
they belonged on a truck. I was
willing to bet it was bulletproof
and also that it belonged to the
Major. I was right both times.
There was a little MG with the
top down, and a couple of light
trucks. Every one of them was
painted bright orange, and every
one of them had the star-and-bar
of the good old United States
Army on its side.</p>
<p>It took me back to old times—all
but the unmilitary color. Amy
led me to the MG and pointed.</p>
<p>“Sit,” she said.</p>
<p><SPAN class="pagenum" id="page25" title="25"> </SPAN>I sat. She got in the other side
and we were off.</p>
<p>It was a little uncomfortable on
account of I wasn’t just sure
whether I ought to apologize for
making her take her clothes off.
And then she tramped on the gas
of that little car and I didn’t think
much about being embarrassed or
about her black lace lingerie. I was
only thinking about one thing—how
to stay alive long enough to
get out of that car.</p>
<div style="break-after:column;"></div><br />