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sporting chance, on the rise in values.[74] <hr style="width: 65%;" /> <h2>IV.—My Unknown Friend</h2> HE STEPPED into the smoking compartment of the Pullman, where I was sitting alone. He had on a long fur-lined coat, and he carried a fifty-dollar suit case that he put down on the seat. Then he saw me. "Well! well!" he said, and recognition broke out all over his face like morning sunlight. "Well! well!" I repeated. "By Jove!" he said, shaking hands vigorously, "who would have thought of seeing you?" "Who, indeed," I thought to myself. He looked at me more closely. "You haven't changed a bit," he said. "Neither have you," said I heartily. "You may be a little stouter," he went on critically.[75] "Yes," I said, "a little; but you're stouter yourself." This of course would help to explain away any undue stoutness on my part. "No," I continued boldly and firmly, "you look just about the same as ever." And all the time I was wondering who he was. I didn't know him from Adam; I couldn't recall him a bit. I don't mean that my memory is weak. On the contrary, it is singularly tenacious. True, I find it very hard to remember people's names; very often, too, it is hard for me to recall a face, and frequently I fail to recall a person's appearance, and of course clothes are a thing one doesn't notice. But apart from these details I never forget anybody, and I am proud of it. But when it does happen that a name or face escapes me I never lose my presence of mind. I know just how to deal with the situation. It only needs coolness and intellect, and it all comes right. My friend sat down. "It's a long time since we met," he said.[76] "A long time," I repeated with something of a note of sadness. I wanted him to feel that I, too, had suffered from it. "But it has gone very quickly." "Like a flash," I assented cheerfully. "Strange," he said, "how life goes on and we lose track of people, and things alter. I often think about it. I sometimes wonder," he continued, "where all the old gang are gone to." "So do I," I said. In fact I was wondering about it at the very moment. I always find in circumstances like these that a man begins sooner or later to talk of the "old gang" or "the boys" or "the crowd." That's where the opportunity comes in to gather who he is. "Do you ever go back to the old place?" he asked. "Never," I said, firmly and flatly. This had to be absolute. I felt that once and for all the "old place" must be ruled out of the discussion till I could discover where it was. "No," he went on, "I suppose you'd hardly care to."[77] "Not now," I said very gently. "I understand. I beg your pardon," he said, and there was silence for a few moments. So far I had scored the first point. There was evidently an old place somewhere to which I would hardly care to go. That was something to build on. Presently he began again. "Yes," he said, "I sometimes meet some of the old boys and they begin to talk of you and wonder what you're doing." "Poor things," I thought, but I didn't say it. I knew it was time now to make a bold stroke; so I used the method that I always employ. I struck in with great animation. "Say!" I said, "where's Billy? Do you ever hear anything of Billy now?" This is really a very safe line. Every old gang has a Billy in it. "Yes," said my friend, "sure—Billy is ranching out in Montana. I saw him in Chicago last spring,—weighed about two hundred pounds,—you wouldn't know him."[78] "No, I certainly wouldn't," I murmured to myself. "And where's Pete?" I said. This was safe ground. There is always a Pete. "You mean Billy's brother," he said. "Yes, yes, Billy's brother Pete. I often think of him." "Oh," answered the unknown man, "old Pete's quite changed,—settled down altogether." Here he began to chuckle, "Why, Pete's married!" I started to laugh, too. Under these circumstances it is always supposed to be very funny if a man has got married. The notion of old Peter (whoever he is) being married is presumed to be simply killing. I kept on chuckling away quietly at the mere idea of it. I was hoping that I might manage to keep on laughing till the train stopped. I had only fifty miles more to go. It's not hard to laugh for fifty miles if you know how. But my friend wouldn't be content with it. "I often meant to write to you," he said,[79] his voice falling to a confidential tone, "especially when I heard of your loss." I remained quiet. What had I lost? Was it money? And if so, how much? And why had I lost it? I wondered if it had ruined me or only partly ruined me. "One can never get over a loss like that," he continued solemnly. Evidently I was plumb ruined. But I said nothing and remained under cover, waiting to draw his fire. "Yes," the man went on, "death is always sad." Death! Oh, that was it, was it? I almost hiccoughed with joy. That was easy. Handling a case of death in these conversations is simplicity itself. One has only to sit quiet and wait to find out who is dead. "Yes," I murmured, "very sad. But it has its other side, too." "Very true, especially, of course, at that age." "As you say at that age, and after such a life."[80] "Strong and bright to the last I suppose," he continued, very sympathetically. "Yes," I said, falling on sure ground, "able to sit up in bed and smoke within a few days of the end." "What," he said, perplexed, "did your grandmother——" My grandmother! That was it, was it? "Pardon me," I said provoked at my own stupidity; "when I say smoked, I mean able to sit up and be smoked to, a habit she had,—being read to, and being smoked to,—only thing that seemed to compose her——" As I said this I could hear the rattle and clatter of the train running past the semaphores and switch points and slacking to a stop. My friend looked quickly out of the window. His face was agitated. "Great heavens!" he said, "that's the junction. I've missed my stop. I should have got out at the last station. Say, porter," he called[81] out into the alleyway, "how long do we stop here?" "Just two minutes, sah," called a voice back. "She's late now, she's makin' up tahm!" My friend had hopped up now and had pulled out a bunch of keys and was fumbling at the lock of the suit case. "I'll have to wire back or something," he gasped. "Confound this lock—my money's in the suit case." My one fear now was that he would fail to get off. "Here," I said, pulling some money out of my pocket, "don't bother with the lock. Here's money." "Thanks," he said grabbing the roll of money out of my hand,—in his excitement he took all that I had.—"I'll just have time." He sprang from the train. I saw him through the window, moving toward the waiting-room. He didn't seem going very fast. I waited.[Illus] <div class="figright"> <ANTIMG src="images/101-illus.jpg" width-obs="254" height-obs="400" alt="I shall not try to be quite so extraordinarily clever." title="I shall not try to be quite so extraordinarily clever." /> I shall not try to be quite so extraordinarily clever.</div> The porters were calling, "All abawd! All abawd." There was the clang of a bell, a[82] hiss of steam, and in a second the train was off. "Idiot," I thought, "he's missed it;" and there was his fifty-dollar suit case lying on the seat. I waited, looking out of the window and wondering who the man was, anyway. Then presently I heard the porter's voice again. He evidently was guiding someone through the car. "Ah looked all through the kyar for it, sah," he was saying. "I left it in the seat in the car there behind my wife," said the angry voice of a stranger, a well-dressed man who put his head into the door of the compartment. Then his face, too, beamed all at once with recognition. But it was not for me. It was for the fifty-dollar valise. "Ah, there it is," he cried, seizing it and carrying it off. I sank back in dismay. The "old gang!" Pete's marriage! My grandmother's death! Great heavens! And my money! I saw it all;[83] the other man was "making talk," too, and making it with a purpose. Stung! And next time that I fall into talk with a casual stranger in a car, I shall not try to be <div style="break-after:column;"></div>

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