<SPAN name="chap16"></SPAN>
<h3 align="center"> CHAPTER 16 </h3>
<p>The sun was setting when they reached the wicket-gate at which the path
began, and, as the rain falls upon the just and unjust alike, it shed
its warm tint even upon the resting-places of the dead, and bade them
be of good hope for its rising on the morrow. The church was old and
grey, with ivy clinging to the walls, and round the porch. Shunning
the tombs, it crept about the mounds, beneath which slept poor humble
men: twining for them the first wreaths they had ever won, but wreaths
less liable to wither and far more lasting in their kind, than some
which were graven deep in stone and marble, and told in pompous terms
of virtues meekly hidden for many a year, and only revealed at last to
executors and mourning legatees.</p>
<p>The clergyman's horse, stumbling with a dull blunt sound among the
graves, was cropping the grass; at once deriving orthodox consolation
from the dead parishioners, and enforcing last Sunday's text that this
was what all flesh came to; a lean ass who had sought to expound it
also, without being qualified and ordained, was pricking his ears in an
empty pound hard by, and looking with hungry eyes upon his priestly
neighbour.</p>
<p>The old man and the child quitted the gravel path, and strayed among
the tombs; for there the ground was soft, and easy to their tired feet.
As they passed behind the church, they heard voices near at hand, and
presently came on those who had spoken.</p>
<p>They were two men who were seated in easy attitudes upon the grass, and
so busily engaged as to be at first unconscious of intruders. It was
not difficult to divine that they were of a class of itinerant
showmen—exhibitors of the freaks of Punch—for, perched cross-legged
upon a tombstone behind them, was a figure of that hero himself, his
nose and chin as hooked and his face as beaming as usual. Perhaps his
imperturbable character was never more strikingly developed, for he
preserved his usual equable smile notwithstanding that his body was
dangling in a most uncomfortable position, all loose and limp and
shapeless, while his long peaked cap, unequally balanced against his
exceedingly slight legs, threatened every instant to bring him toppling
down.</p>
<p>In part scattered upon the ground at the feet of the two men, and in
part jumbled together in a long flat box, were the other persons of the
Drama. The hero's wife and one child, the hobby-horse, the doctor, the
foreign gentleman who not being familiar with the language is unable in
the representation to express his ideas otherwise than by the utterance
of the word 'Shallabalah' three distinct times, the radical neighbour
who will by no means admit that a tin bell is an organ, the
executioner, and the devil, were all here. Their owners had evidently
come to that spot to make some needful repairs in the stage
arrangements, for one of them was engaged in binding together a small
gallows with thread, while the other was intent upon fixing a new black
wig, with the aid of a small hammer and some tacks, upon the head of
the radical neighbour, who had been beaten bald.</p>
<p>They raised their eyes when the old man and his young companion were
close upon them, and pausing in their work, returned their looks of
curiosity. One of them, the actual exhibitor no doubt, was a little
merry-faced man with a twinkling eye and a red nose, who seemed to have
unconsciously imbibed something of his hero's character. The
other—that was he who took the money—had rather a careful and
cautious look, which was perhaps inseparable from his occupation also.</p>
<p>The merry man was the first to greet the strangers with a nod; and
following the old man's eyes, he observed that perhaps that was the
first time he had ever seen a Punch off the stage. (Punch, it may be
remarked, seemed to be pointing with the tip of his cap to a most
flourishing epitaph, and to be chuckling over it with all his heart.)</p>
<p>'Why do you come here to do this?' said the old man, sitting down
beside them, and looking at the figures with extreme delight.</p>
<p>'Why you see,' rejoined the little man, 'we're putting up for to-night
at the public-house yonder, and it wouldn't do to let 'em see the
present company undergoing repair.'</p>
<p>'No!' cried the old man, making signs to Nell to listen, 'why not, eh?
why not?'</p>
<p>'Because it would destroy all the delusion, and take away all the
interest, wouldn't it?' replied the little man. 'Would you care a
ha'penny for the Lord Chancellor if you know'd him in private and
without his wig?—certainly not.'</p>
<p>'Good!' said the old man, venturing to touch one of the puppets, and
drawing away his hand with a shrill laugh. 'Are you going to show 'em
to-night? are you?'</p>
<p>'That is the intention, governor,' replied the other, 'and unless I'm
much mistaken, Tommy Codlin is a calculating at this minute what we've
lost through your coming upon us. Cheer up, Tommy, it can't be much.'</p>
<p>The little man accompanied these latter words with a wink, expressive
of the estimate he had formed of the travellers' finances.</p>
<p>To this Mr Codlin, who had a surly, grumbling manner, replied, as he
twitched Punch off the tombstone and flung him into the box, 'I don't
care if we haven't lost a farden, but you're too free. If you stood in
front of the curtain and see the public's faces as I do, you'd know
human natur' better.'</p>
<p>'Ah! it's been the spoiling of you, Tommy, your taking to that branch,'
rejoined his companion. 'When you played the ghost in the reg'lar
drama in the fairs, you believed in everything—except ghosts. But now
you're a universal mistruster. I never see a man so changed.'</p>
<p>'Never mind,' said Mr Codlin, with the air of a discontented
philosopher. 'I know better now, and p'raps I'm sorry for it.'</p>
<p>Turning over the figures in the box like one who knew and despised
them, Mr Codlin drew one forth and held it up for the inspection of his
friend:</p>
<p>'Look here; here's all this judy's clothes falling to pieces again.
You haven't got a needle and thread I suppose?'</p>
<p>The little man shook his head, and scratched it ruefully as he
contemplated this severe indisposition of a principal performer.
Seeing that they were at a loss, the child said timidly:</p>
<p>'I have a needle, Sir, in my basket, and thread too. Will you let me
try to mend it for you? I think I could do it neater than you could.'</p>
<p>Even Mr Codlin had nothing to urge against a proposal so seasonable.
Nelly, kneeling down beside the box, was soon busily engaged in her
task, and accomplishing it to a miracle.</p>
<p>While she was thus engaged, the merry little man looked at her with an
interest which did not appear to be diminished when he glanced at her
helpless companion. When she had finished her work he thanked her, and
inquired whither they were travelling.</p>
<p>'N—no further to-night, I think,' said the child, looking towards her
grandfather.</p>
<p>'If you're wanting a place to stop at,' the man remarked, 'I should
advise you to take up at the same house with us. That's it. The long,
low, white house there. It's very cheap.'</p>
<p>The old man, notwithstanding his fatigue, would have remained in the
churchyard all night if his new acquaintances had remained there too.
As he yielded to this suggestion a ready and rapturous assent, they all
rose and walked away together; he keeping close to the box of puppets
in which he was quite absorbed, the merry little man carrying it slung
over his arm by a strap attached to it for the purpose, Nelly having
hold of her grandfather's hand, and Mr Codlin sauntering slowly behind,
casting up at the church tower and neighbouring trees such looks as he
was accustomed in town-practice to direct to drawing-room and nursery
windows, when seeking for a profitable spot on which to plant the show.</p>
<p>The public-house was kept by a fat old landlord and landlady who made
no objection to receiving their new guests, but praised Nelly's beauty
and were at once prepossessed in her behalf. There was no other
company in the kitchen but the two showmen, and the child felt very
thankful that they had fallen upon such good quarters. The landlady
was very much astonished to learn that they had come all the way from
London, and appeared to have no little curiosity touching their farther
destination. The child parried her inquiries as well as she could, and
with no great trouble, for finding that they appeared to give her pain,
the old lady desisted.</p>
<p>'These two gentlemen have ordered supper in an hour's time,' she said,
taking her into the bar; 'and your best plan will be to sup with them.
Meanwhile you shall have a little taste of something that'll do you
good, for I'm sure you must want it after all you've gone through
to-day. Now, don't look after the old gentleman, because when you've
drank that, he shall have some too.'</p>
<p>As nothing could induce the child to leave him alone, however, or to
touch anything in which he was not the first and greatest sharer, the
old lady was obliged to help him first. When they had been thus
refreshed, the whole house hurried away into an empty stable where the
show stood, and where, by the light of a few flaring candles stuck
round a hoop which hung by a line from the ceiling, it was to be
forthwith exhibited.</p>
<p>And now Mr Thomas Codlin, the misanthrope, after blowing away at the
Pan's pipes until he was intensely wretched, took his station on one
side of the checked drapery which concealed the mover of the figures,
and putting his hands in his pockets prepared to reply to all questions
and remarks of Punch, and to make a dismal feint of being his most
intimate private friend, of believing in him to the fullest and most
unlimited extent, of knowing that he enjoyed day and night a merry and
glorious existence in that temple, and that he was at all times and
under every circumstance the same intelligent and joyful person that
the spectators then beheld him. All this Mr Codlin did with the air of
a man who had made up his mind for the worst and was quite resigned;
his eye slowly wandering about during the briskest repartee to observe
the effect upon the audience, and particularly the impression made upon
the landlord and landlady, which might be productive of very important
results in connexion with the supper.</p>
<p>Upon this head, however, he had no cause for any anxiety, for the whole
performance was applauded to the echo, and voluntary contributions were
showered in with a liberality which testified yet more strongly to the
general delight. Among the laughter none was more loud and frequent
than the old man's. Nell's was unheard, for she, poor child, with her
head drooping on his shoulder, had fallen asleep, and slept too soundly
to be roused by any of his efforts to awaken her to a participation in
his glee.</p>
<p>The supper was very good, but she was too tired to eat, and yet would
not leave the old man until she had kissed him in his bed. He, happily
insensible to every care and anxiety, sat listening with a vacant smile
and admiring face to all that his new friend said; and it was not until
they retired yawning to their room, that he followed the child up
stairs.</p>
<p>It was but a loft partitioned into two compartments, where they were to
rest, but they were well pleased with their lodging and had hoped for
none so good. The old man was uneasy when he had lain down, and begged
that Nell would come and sit at his bedside as she had done for so many
nights. She hastened to him, and sat there till he slept.</p>
<p>There was a little window, hardly more than a chink in the wall, in her
room, and when she left him, she opened it, quite wondering at the
silence. The sight of the old church, and the graves about it in the
moonlight, and the dark trees whispering among themselves, made her
more thoughtful than before. She closed the window again, and sitting
down upon the bed, thought of the life that was before them.</p>
<p>She had a little money, but it was very little, and when that was gone,
they must begin to beg. There was one piece of gold among it, and an
emergency might come when its worth to them would be increased a
hundred fold. It would be best to hide this coin, and never produce it
unless their case was absolutely desperate, and no other resource was
left them.</p>
<p>Her resolution taken, she sewed the piece of gold into her dress, and
going to bed with a lighter heart sunk into a deep slumber.</p>
<br/><br/><br/>
<div style="break-after:column;"></div><br />