<h2>CHAPTER XVII</h2>
<h3>THE WERWOLF IN RUSSIA AND SIBERIA</h3>
<p><span class="dc">T</span>HE ideal home of all things weird and uncanny—is cold, grey, gaunt,
and giant Russia. Nowhere is the werwolf so much in evidence to-day as
in the land of the Czar, where all the primitive conditions favourable
to such anomalies, still exist, and where they have undergone but little
change in the last ten thousand years.</p>
<p>A thinly-populated country—vast stretches of wild uncultivated land,
full of dense forests, rich in trees most favourable to Elementals, and
watered by deep, silent tarns, and stealthily moving streams,—its very
atmosphere is impregnated with lycanthropy.</p>
<p>At the base of giant firs and poplars, or poking out their heads
impudently, from amidst brambles and ferns, are werwolf flowers—flowers
with all the characteristics of those found in Hungary and the Balkan
Peninsula, <span class="pagenum"><SPAN name="Page_271" id="Page_271"></SPAN>[<SPAN href="./images/271.png">271</SPAN>]</span>but of a greater variety. There are, for example, in
addition to the white, yellow, and red species, those of a bluish-white
hue, that emit a glow at night like the phosphorescent glow emanating
from decaying animal and vegetable matter; and those of a brilliant
orange, covered with black, protruding spots, suggestive of some
particularly offensive disease, that show a marked preference for damp
places, and are specially to be met with growing in the slime and mud at
the edge of a pool, or in the soft, rotten mould of morasses.</p>
<p>Werwolves haunt the plains, too—the great barren, undulating deserts
that roll up to the foot of the Urals, Caucasus, Altai, Yablonoi, and
Stanovoi Mountains—and the Tundras along the shores of the Arctic
Ocean—dreary swamps in summer and ice-covered wastes in winter. Here,
at night, they wander over the rough, stony, arid ground, picking their
way surreptitiously through the scant vegetation, and avoiding all
frequented localities; pausing, every now and then, to slake their
thirst in deep sunk wells, or to listen for the sounds of quarry. Hazel
hen, swans, duck, geese, squirrels, hares, elk, reindeer, roes,
fallowdeer, and wild sheep, all are food to the werwolf, though nothing
is so heartily appreciated by it as fat tender children or young and
plump women.</p>
<p>In its nocturnal ramblings the werwolf often <span class="pagenum"><SPAN name="Page_272" id="Page_272"></SPAN>[<SPAN href="./images/272.png">272</SPAN>]</span>encounters enemies—bears,
wolves, and panthers—with which it struggles for dominion—dominion of
forest, plain and mountain; and when the combat ends to its
disadvantage, its metamorphosed corpse is at once devoured by its
conqueror.</p>
<p>Of all parts of Russia, the werwolf loves best the Caucasus and Ural
Mountains. They are to Russia what the Harz Mountains were to Germany,
centuries ago—the head-quarters of all manner of psychic phenomena, the
happy hunting ground of phantom and fairy; and over them still lingers,
almost, if not quite, as forcibly as ever, the glamour and mystery
inseparable from the superphysical.</p>
<p>Times without number have the great black beetling crags of these
mountains been scaled by the furry, sinewy feet of werwolves; times
without number have the shadows of these anomalies fallen on the
moon-kissed, snowy peaks, towering high into the sky, or mingled with
the rank and dewy herbage in the pine-clad valleys, and narrow abysmal
gorges deep down below.</p>
<p>It was here, in these lone Russian mountains, so legend relates, that
Peter and Paul turned an impious wife and husband, who refused them
shelter, into wolves: but Peter and Paul, apparently, had not the
monopoly of this power; for it was here, too, in a Ural village, <span class="pagenum"><SPAN name="Page_273" id="Page_273"></SPAN>[<SPAN href="./images/273.png">273</SPAN>]</span>that
the Devil is alleged to have metamorphosed half a dozen men into wolves
for not paying him sufficient homage.</p>
<p>There is no restriction as to the sex of werwolves in Russia and
Siberia—male and female werwolves are about equal in number, though
perhaps there is a slight preponderance in favour of the female.
Vargamors are to be encountered in almost all the less frequented woody
regions, but more especially in those in the immediate vicinity of the
Urals and Caucasus.</p>
<p>Though many of the werwolves inherit the property, many, too, have
acquired it through direct intercourse with the superphysical; and the
invocation of spirits, whether performed individually or collectively,
is far from uncommon.</p>
<p>Black Magic is said to be practised in the Urals, Caucasus, Yerkhoiansk,
and Stanovoi Mountains; in the Tundras, the Plains of East Russia, the
Timan Range, the Kola Peninsula, and various parts of Siberia.</p>
<p>I am told that the usual initiating ceremony consists of drawing a
circle, from seven to nine feet in radius, in the centre of which circle
a wood fire is kindled—the wood selected being black poplar, pine or
larch, never ash. A fumigation in an iron vessel, heated over the fire,
is then made out of a mixture of any four or five of the following
substances: <span class="pagenum"><SPAN name="Page_274" id="Page_274"></SPAN>[<SPAN href="./images/274.png">274</SPAN>]</span>Hemlock (2 to 3 ounces), henbane (1 ounce to 1-1/2 ounces),
saffron (3 ounces), poppy seed (any amount), aloe (3 drachms), opium
(1/4 ounce), asafœtida (2 ounces), solanum (2 to 3 drachms), parsley
(any amount).</p>
<p>As soon as the vessel is placed over the fire so that it can heat, the
person who would invoke the spirit that can bestow upon him the property
of metamorphosing into a wolf kneels within the circle, and prays a
preliminary impromptu prayer. He then resorts to an incantation, which
runs, so I have been told, as follows:—</p>
<div class="poem"><div class="stanza">
<span class="i0">"Hail, hail, hail, great wolf spirit, hail!<br/></span>
<span class="i0ind">A boon I ask thee, mighty shade. Within this circle I have made,<br/></span>
<span class="i0ind">Make me a werwolf strong and bold,<br/></span>
<span class="i0ind">The terror alike of young and old.<br/></span>
<span class="i0ind">Grant me a figure tall and spare;<br/></span>
<span class="i0ind">The speed of the elk, the claws of the bear;<br/></span>
<span class="i0ind">The poison of snakes, the wit of the fox;<br/></span>
<span class="i0ind">The stealth of the wolf, the strength of the ox;<br/></span>
<span class="i0ind">The jaws of the tiger, the teeth of the shark;<br/></span>
<span class="i0ind">The eyes of a cat that sees in the dark.<br/></span>
<span class="i0ind">Make me climb like a monkey, scent like a dog,<br/></span>
<span class="i0ind">Swim like a fish, and eat like a hog.<br/></span>
<span class="i0ind">Haste, haste, haste, lonely spirit, haste!<br/></span>
<span class="i0ind">Here, wan and drear, magic spell making,<br/></span>
<span class="i0ind">Findest thou me—shaking, quaking.<br/></span>
<span class="i0ind">Softly fan me as I lie,<br/></span>
<span class="i0ind">And thy mystic touch apply—<br/></span>
<span class="i0ind">Touch apply, and I swear that when I die,<br/></span>
<span class="i0ind">When I die, I will serve thee evermore,<br/></span>
<span class="i0ind">Evermore, in grey wolf land, cold and raw."<br/></span></div>
</div>
<p><span class="pagenum"><SPAN name="Page_275" id="Page_275"></SPAN>[<SPAN href="./images/275.png">275</SPAN>]</span>The incantation concluded, the supplicant then kisses the ground three
times, and advancing to the fire, takes off the iron vessel, and
whirling it smoking round his head, cries out:—</p>
<div class="poem"><div class="stanza">
<span class="i0">"Make me a werwolf! make me a man-eater!<br/></span>
<span class="i0ind">Make me a werwolf! make me a woman-eater!<br/></span>
<span class="i0ind">Make me a werwolf! make me a child-eater!<br/></span>
<span class="i0ind">I pine for blood! human blood!<br/></span>
<span class="i0ind">Give it me! give it me to-night!<br/></span>
<span class="i0ind">Great Wolf Spirit! give it me, and<br/></span>
<span class="i0ind">Heart, body, and soul, I am yours."<br/></span></div>
</div>
<p>The trees then begin to rustle, and the wind to moan, and out of the
sudden darkness that envelops everything glows the tall, cylindrical,
pillar-like phantom of the Unknown, seven or eight feet in height. It
sometimes develops further, and assumes the form of a tall, thin
monstrosity, half human and half animal, grey and nude, with very long
legs and arms, and the feet and claws of a wolf. Its head is shaped like
that of a wolf, but surrounded with the hair of a woman, that falls
about its bare shoulders in yellow ringlets. It has wolf's ears and a
wolf's mouth. Its aquiline nose and pale eyes are fashioned like those
of a human being, but animated with an expression too diabolically
malignant to proceed from anything but the superphysical.</p>
<p>It seldom if ever speaks, but either utters <span class="pagenum"><SPAN name="Page_276" id="Page_276"></SPAN>[<SPAN href="./images/276.png">276</SPAN>]</span>some extraordinary noise—a
prolonged howl that seems to proceed from the bowels of the earth, a
piercing, harrowing whine, or a low laugh full of hellish glee, any of
which sounds may be taken to express its assent to the favour asked.</p>
<p>It only remains visible for a minute at the most, and then disappears
with startling abruptness. The supplicant is now a werwolf. He undergoes
his first metamorphosis into wolf form the following evening at sunset,
reassuming his human shape at dawn; and so on, day after day, till his
death, when he may once more metamorphose either from man form to wolf
form, or vice versa, his corpse retaining whichever form has been
assumed at the moment of death. However, with regard to this final
metamorphosis there is no consistency: it may or may not take place. In
the practice of exorcism, for the purpose of eradicating the evil
property of werwolfery, all manner of methods are employed. Sometimes
the werwolf is soundly whipped with ash twigs, and saturated with a
potion such as I described in a previous chapter; sometimes he is made
to lie or sit over, or lie or stand close beside, a vessel containing a
fumigation mixture composed of sulphur, asafœtida, and castoreum, or
hypericum and vinegar; or sometimes, again, he is well whipped and
rubbed all over with the juice of <span class="pagenum"><SPAN name="Page_277" id="Page_277"></SPAN>[<SPAN href="./images/277.png">277</SPAN>]</span>the mistletoe berry. Occasionally a
priest is summoned, and then a formal ceremony takes place.</p>
<p>An altar is erected. On it are placed lighted candles, a Bible, a
crucifix. The werwolf, in wolf form, bound hand and foot, is then placed
on the ground at the foot of the altar, and fumigated with incense and
sprinkled with holy water. The sign of the cross is made on his
forehead, chest, back, and on the palms of his hands. Various prayers
are read, and the affair concludes when the priest in a loud voice
adjures the evil influence to depart, in the name of God the Father, the
Son, the Holy Ghost, and the Virgin Mary.</p>
<p>I have never, however, heard of any well-authenticated case testifying
to the efficacy of this or of any other mode of exorcism. As far as I
know, once a werwolf always a werwolf is an inviolable rule.</p>
<p>Apparently women are more desirous of becoming werwolves than men, more
women than men having acquired the property of werwolfery through their
own act. In the case of women candidates for this evil property, the
inspiring motive is almost always one of revenge, sometimes on a
faithless lover, but more often on another woman; and when once women
metamorphose thus, their craving for human flesh is simply
insatiable—in fact, they <span class="pagenum"><SPAN name="Page_278" id="Page_278"></SPAN>[<SPAN href="./images/278.png">278</SPAN>]</span>are far more cruel and daring, and much more
to be dreaded, than male werwolves. The following story seems to bear
out the truth of this assertion:—</p>
<p class="sectctrsc">The Case of Ivan of Shiganska</p>
<p>Shiganska was—for it no longer exists, having been obliterated about
fifty years ago by a blizzard—a small village on the left bank of the
Petchora, about a hundred miles from its mouth.</p>
<p>Owing chiefly to the character of the adjacent country, Shiganska was
wanting in every beauty and variety that charms the eye. It was situated
on a stretch of flat land between two mountain ranges, <i>i.e.</i>, the Ural
on one side and the Taman on the other, and surrounded by a wood so
thick that it was with the greatest difficulty anyone could force a way
into it, supposing they had been sufficiently fortunate to escape
sticking fast in the morasses of soft, rotten mould, that lie hidden in
the least suspicious looking places, on its borders. Here were to be
found lycanthropous blue and white flowers, which those desirous of
becoming werwolves sought from far and wide, some even coming from
Siberia, and some from away down South as far as Astrakan. And the woods
abounded not only in werwolves, but in all sorts of supernatural
horrors—phantoms <span class="pagenum"><SPAN name="Page_279" id="Page_279"></SPAN>[<SPAN href="./images/279.png">279</SPAN>]</span>of the dead, <i>i.e.</i> (of murderers and suicides) Vice
Elementals and Vagrarians, vampires and ghouls; no region in Russia
boasted so many, and for this reason it was scrupulously avoided by all
sensible people after sunset.</p>
<p>Ivan, like most of the male inhabitants of Shiganska, lived by the
chase: the black fox, the sable, the fox with the dark-coloured throat,
the red fox, white fox, squirrel, ermine, and black bear alike fell
victims to his gun; whilst in the Petchora, when the weather permitted
it, he caught, besides many other kinds of fish, a goodly proportion of
salmon, nelma (a kind of salmon trout), bleak, sturgeon, sterlet, tochü,
muksun, omul, and <i>Salmo Lavaretus</i>.</p>
<p>It was a good living, that of the chase, albeit fraught with grave
dangers; and Ivan, thanks to his exceptional powers with the rod as well
as the rifle, was on the high road to prosperity.</p>
<p>He lived with his mother and two sisters in a pretty house about a kös
from Shiganska, and facing it was a level stretch of reed-grass
terminating in the hemlock-covered banks of the Petchora. A few trees,
chiefly birch and larch, dotted about the reed-grass afforded a
delightful shade from the fierce heat of the short summer sun; and birds
of all sorts, whose singing was a source of the keenest delight to Ivan
and his sisters, made their homes in them.</p>
<p><span class="pagenum"><SPAN name="Page_280" id="Page_280"></SPAN>[<SPAN href="./images/280.png">280</SPAN>]</span>Unlike any other hunter in Shiganska, Ivan was fond of poetry and
music; moreover, he had a dreamy disposition, and when his day's work
was done he was content—nay, more than content—to watch the changing
colours in the sky, or see in the glowing embers of the charcoal fire
strange scenes and wildly familiar faces.</p>
<p>One morning, in the month of April, Ivan set off to the woods, gun in
hand, accompanied by his old and faithful dog, Dolk, in search of big
game. He paused every now and then to look at the ice on the summits of
the distant mountains. The sunlight falling on it imparted to it many
different hues, and made it sparkle like flaming jewels. He stopped
repeatedly to listen to the croaking of the raven, the cawing of the
crows, and the piping of the bullfinches—sounds of which he was never
weary, and never tired of trying to interpret.</p>
<p>On this occasion, as usual, it was not until long after noon that he
began seriously to think of looking for his quarry, and it was not until
he had searched for some time that he at length came upon the tracks of
a wild reindeer. Loosing Dolk, and tightening the buckles of his
snow-shoes, he set to work to stalk the animal, and eventually sighted
it browsing on a clump of reed-grass that grew on the bank of a mountain
stream. The chase now began <span class="pagenum"><SPAN name="Page_281" id="Page_281"></SPAN>[<SPAN href="./images/281.png">281</SPAN>]</span>in earnest. It was a beautiful animal, and
Ivan strained every effort to get within shooting range by leaping from
rock to rock, and springing over stream after stream. In this manner he
had progressed for more than a kös, when blood from the feet of the
reindeer began to be visible on the fresh frozen snow; from its
faltering pace the poor creature was evidently tired out, and Dolk was
drawing closer and closer to it. In these circumstances Ivan was
counting on the likelihood of his soon being near enough to fire, when
suddenly the joyful barking of the dog changed to a prodigious howl of
agony. With redoubled speed Ivan pushed ahead, and, presently, at a
distance of about two gunshots, he saw two small black objects lying on
the snow covered with blood.</p>
<p>They were the remains of Dolk, who, having come up with the reindeer and
driven it into a small brook, was keeping it there until Ivan arrived,
when a hungry wolf had leaped down the side of a rock and, seizing him
in his powerful jaws, had bitten him in half. The wolf had evidently
intended to eat Dolk, but, catching sight of Ivan, had made off.</p>
<p>Ivan was inconsolable. Dolk had hunted with him as a puppy of six months
old, and for eight years the dog had never let him know a hungry day.
Ivan had been offered ten reindeer for him, but he would not have parted
<span class="pagenum"><SPAN name="Page_282" id="Page_282"></SPAN>[<SPAN href="./images/282.png">282</SPAN>]</span>with him for any number, and without Dolk he knew not how to show
himself at home, for both his mother and sisters were devoted to the
faithful animal.</p>
<p>Determined on vengeance, Ivan followed the wolf's tracks, which led, by
an unfamiliar path, to the mouth of a vast and gloomy cavern. There he
lost sight of them, and he was deliberating what to do next, when a loud
peal of silvery laughter broke on his ears and awoke the silent echoes
of the grim walls around him. Ivan started in open-mouthed astonishment.
Standing before him was a girl more lovely—ten thousand times more
lovely—than any woman he had hitherto seen. To the magic of a beautiful
form in woman—the necromancy of female grace—there was no more ready
and willing subject than Ivan; and here, at last, he had found grace
personified, incarnate, the highest ideal of all his wildest and most
cherished dreams. His most magnificent "castle" had never contained a
princess half as fair as this one. Her figure was rather above the
medium height, supple and slender. Her feet and hands were small, her
wrists well rounded, her fingers long and white, and tipped with pink
and glossy almond-shaped nails—if anything a trifle too long. But it
was her face that so attracted Ivan as to almost hold him
spellbound—the neat and delicately <span class="pagenum"><SPAN name="Page_283" id="Page_283"></SPAN>[<SPAN href="./images/283.png">283</SPAN>]</span>moulded features all in perfect
harmony; the daintily cut lips; the white gleaming teeth; the low
forehead crowned with golden curls; the long, thick-lashed, blue eyes
that looked steadily into his, and seemed to read his very soul.</p>
<p>Moreover, in her blue eyes there was bewildering depth; a sense of
coldness that was positively benumbing, and which was reminiscent of the
blue petrifying waters of the Ural Lakes; a magnetism that was
paralysing, that held in complete obeisance both mind and limb, and was
comparable to nothing so nearly as the hypnotic influence of the tiger
or snake, but which differed from the latter inasmuch as its
inspirations were just as delightful as those of the tiger and snake are
harrowing and terrifying.</p>
<p>She was clad from head to foot in fur—white fur—but neither her dress
nor her presence excited any other thoughts in Ivan except those of
intense admiration—admiration which surged through every pore of his
skin.</p>
<p>"Well!" she demanded, "what brings you here, my good man? There is no
game in this cave."</p>
<p>"Isn't there?" Ivan stammered, his eyes looking at her adoringly. "All
the same I would cheerfully forgo all the pleasures of the chase to come
here."</p>
<p><span class="pagenum"><SPAN name="Page_284" id="Page_284"></SPAN>[<SPAN href="./images/284.png">284</SPAN>]</span>"You are very gallant for a huntsman, sir," the girl replied with a
smile; "but for your own sake I must urge you to go away at once. I live
here with my father—a confirmed recluse who detests the sight of human
beings; were he to discover me talking to one I should get into sad
trouble, and with regard to you I could not say what might happen."</p>
<p>But Ivan came of a race that paid little heed to any warning when once
their blood was fired; consequently, despite the repeated admonitions of
his beautiful companion—admonitions which her eyes seemed to
contradict—he stayed and stayed, whilst—forgetful of mother and
sisters, home, and even Dolk—he made a passionate avowal of his love.
The afternoon quickly passed, and the sun was beginning to set, when the
girl, whose name he had learned was Breda, almost pushed him out of the
cavern.</p>
<p>"If you don't go now," she urged, "I may never see you again."</p>
<p>"And would you care?" he asked.</p>
<p>"Perhaps," she replied; "perhaps, just a little—a wee, wee bit. You
see, I don't get the opportunity of meeting many people!"</p>
<p>He caught her by the hand and kissed it passionately; and with the sound
of her light, intoxicating laughter thrilling through his soul, he
descended to the bed of the mountain <span class="pagenum"><SPAN name="Page_285" id="Page_285"></SPAN>[<SPAN href="./images/285.png">285</SPAN>]</span>streamlet, and turned his steps
blithely towards home.</p>
<p>That was the beginning, but not the end. He courted her—he married her
and she came to live with his mother and sisters, who for his sake tried
to like her and even pretended that they did like her. But in secret
they said to one another, "She has no heart; she is cold as an icicle;
her lips are thin and cruel. She would serve Ivan badly if we were not
here to check her."</p>
<p>And Breda certainly had her idiosyncrasies. She preferred raw to cooked
meat, and would not sleep in the same room as her husband. She grew very
angry when Ivan expostulated, saying, "You promised you would never
thwart me. If you do not keep your word, I shall despise you, scorn you,
hate you." And Ivan, who loved his wife beyond anything, yielded.</p>
<p>Some weeks after their marriage, neighbours complained of losing cattle
and horses. They said there was a wolf about, and that its tracks, which
they had followed, always ended under the walls of Ivan's house. They
asked Ivan if he had not heard the brute. But he had heard nothing, he
slept very soundly. Then they inquired of Ivan's sisters and mother, who
also replied in the negative; but there was hesitation in their voices,
and they looked very <span class="pagenum"><SPAN name="Page_286" id="Page_286"></SPAN>[<SPAN href="./images/286.png">286</SPAN>]</span>frightened and ashamed. And then people began to
talk. They looked at Breda curiously, and finally they cut her. One
night, when there was a downfall of snow, and the wind howled down the
chimneys of Ivan's house and blew the snow, with heavy thumps against
the window-panes, Ivan, who could not sleep for the storm, heard the
door of Breda's room open very softly, and light steps steal stealthily
down the passage. Then there came a half-suppressed, half-smothered cry,
a groan, and all was still. Ivan got out of bed and opened his door, but
his wife's voice called to him from the darkness and bade him go back.</p>
<p>"Do not be alarmed and make a fuss," she said; "I was ill a moment ago,
but am quite well again now. Go back to bed at once, or I shall be very
angry." And Ivan obeyed her.</p>
<p>In the morning his eldest sister, Beata, was found dead in bed, her
throat, breast, and stomach slit open, as is the custom with wolves, and
her flesh all mangled and eaten.</p>
<p>Breda took no food that day, and Ivan's mother and other sister,
Malvina, looked at her out of the corner of their eyes and shuddered.
But Ivan said nothing. A week later the same fate befell Malvina. Then
Ivan's mother spoke. She told him that he must assuredly be under some
evil spell, or he would never remain idle whilst his sisters' destroyer
was at <span class="pagenum"><SPAN name="Page_287" id="Page_287"></SPAN>[<SPAN href="./images/287.png">287</SPAN>]</span>large, and she adjured him, by all that he held holy, not to
allow himself a moment's rest till he had had ample vengeance for the
loss of two such valuable lives.</p>
<p>Roused at last, Ivan, instead of going to bed, sat up, gun in hand, and
watched. He passed many nights thus, and his patience was well nigh
exhausted when, during one of the vigils, he fell asleep, dreaming as
usual of the blue eyes and golden curls of Breda, whose beauty held him
just as much enthralled as ever. From this slumber he was awakened by
loud screams for help. Seizing his gun, and taking a random aim at a
huge white wolf as he went (though without stopping to see the effects
of the shot), he ran to his mother's bedside. She was dead. Her throat
and body were slit; but she was not eaten.</p>
<p>Wild with grief and thirsting for revenge, Ivan started off in pursuit
of the wolf, and discovered, in the passage, a track of blood which
terminated at his wife's door. Receiving no reply when he asked for
admittance, he entered the room and found Breda lying on the floor, in
her nightdress, the blood streaming from a wound in her shoulder. Ivan
knelt down and examined her. She had been struck by a bullet, and the
bullet fitted the bore of his gun.</p>
<p>He knew the truth then—the truth he might have known all along, had he
not, in his blind <span class="pagenum"><SPAN name="Page_288" id="Page_288"></SPAN>[<SPAN href="./images/288.png">288</SPAN>]</span>love, thrust it far from him—and, in the sudden
alteration of his feeling, he raised his knife to kill her. But Breda
opened her eyes, and the weapon fell from his hand.</p>
<p>"You know part of my secret now," she whispered, "but you don't know
everything. I am a werwolf, not by inheritance, but of my own free will.
In order to become one I ate the blue flowers in the wood. I did so to
be avenged on my husband."</p>
<p>"Your husband!" Ivan cried; "good God! then you were a widow when I met
you?"</p>
<p>"Yes," Breda said slowly and with apparent effort. "I was forced into my
first marriage by my all too worldly parents, and my husband ill-used
and beat me!"</p>
<p>"The devil! the cold-hearted, cowardly devil!" Ivan ejaculated, "I would
have killed him."</p>
<p>"That is what I did," Breda remarked; "I did kill him, and it was in
order to make certain of killing him that I became a werwolf."</p>
<p>"Did you eat him?" Ivan asked, horribly fascinated.</p>
<p>"Don't ask questions," Breda said, averting her eyes, "and for God's
sake don't lose any more time. As you love me, screen me from detection;
hide all traces of to-night's handiwork as quickly as possible."</p>
<p>As usual, Ivan did as she requested him, and <span class="pagenum"><SPAN name="Page_289" id="Page_289"></SPAN>[<SPAN href="./images/289.png">289</SPAN>]</span>giving out that his mother
had died suddenly, from heart failure, he had her interred with as
little publicity as possible.</p>
<p>Before very long, however, the neighbours began to ask such pointed
questions, that Ivan now lived in a state of chronic suspense. He feared
every moment that the truth would leak out, and that his beautiful young
wife would receive condign punishment.</p>
<p>At last, finding such a state of apprehension intolerable, he confided
in an old man who was reputed a sage and metaphysician—one who was
extremely well versed in all matters appertaining to the spiritual
world. "There is only one course to pursue," the old man said, "you must
have the evil spirit in her exorcized, and you must have it done
immediately. Otherwise, she will continue her depredations, and your
good neighbours will find her out and kill her. They more than half
suspect her now, and are talking of paying a visit some night, when you
are snug and safe in bed, to the cemetery, to see if the story you told
them about your mother's and sisters' sudden deaths is correct."</p>
<p>"What kind of exorcism would you use?" Ivan inquired nervously. "You
would not hurt her?"</p>
<p>"The form of exorcism I should make use of would do her no lasting
harm," the old <span class="pagenum"><SPAN name="Page_290" id="Page_290"></SPAN>[<SPAN href="./images/290.png">290</SPAN>]</span>man said feelingly; "you can rely on me for that."</p>
<p>"But is exorcism always effectual?" Ivan persisted.</p>
<p>"When exorcism is ineffectual it is the exception, not the rule," the
old man replied, "and there are very few cases of exorcism being
employed ineffectually upon those who have become werwolves through the
practice of magic, or the medium of flowers or of water."</p>
<p>"Should my wife refuse to undergo the ceremony, what would you advise
then?" Ivan asked.</p>
<p>"Strategy and force," the old man said, "anything to prevent her
continuing in her demoniacal ways, and being burned or drowned by an
infuriated mob."</p>
<p>Thus admonished, Ivan, without delay, broached the matter to Breda. But
she was so angry with him for having dared even to mention exorcism,
that he thought it best to act on the advice of the old occultist and to
catch her unawares. Consequently, one evening, when the moon was in the
full, and she had just changed into wolf form, he stole into her room
accompanied by the old man and two assistants. After a desperate
struggle, Ivan and the three exorcists overpowered her, and bound her so
securely that she could not move.</p>
<p>They then took her out of doors, to a lonely <span class="pagenum"><SPAN name="Page_291" id="Page_291"></SPAN>[<SPAN href="./images/291.png">291</SPAN>]</span>spot at the back of the
house, and placed her in the centre of an equilateral triangle that had
been carefully marked on the ground, in red chalk. At seven or eight
feet to the west of the triangle they then kindled a wood fire, and
placed over it a vessel containing a fumigation mixture of hypericum,
vinegar, sulphur, cayenne, and mountain ash berries.</p>
<p>The old man then knelt down, and crossing himself on his forehead and
chest, prayed vigorously, until the preparation in the pot began to give
off strong fumes. He then arose, and both he and his assistants took up
specially prepared switches, cut from a mountain ash, and gripping them
tightly in their hands, approached the recumbent form of the werwolf.
This, however, was more than Ivan could stand—he had objected strongly
enough to the fumigation, which, being nauseous and irritating, had made
his wolf-wife gasp and choke; but when it came to flogging her—well, it
turned him sick and cold. He forgot discretion, prudence, everything,
saving the one great fact—monstrous, incredible, abominable—that the
being he loved, adored, and worshipped was about to be beaten with rods!
With a shout of wrath he rushed at the trio, and snatching their wands
from them, laid them so soundly about their backs that they all three
fled from the ground, shrieking with pain and <span class="pagenum"><SPAN name="Page_292" id="Page_292"></SPAN>[<SPAN href="./images/292.png">292</SPAN>]</span>terror. Then he knelt by
his prostrate wife, and cutting the thongs that bound her, set her free.
She rose on her feet a huge, white wolf. Regarding him steadily for a
moment from out of her gleaming grey eyes, she swung slowly round, and
with one more look, more human than animal, she darted swiftly away, and
was speedily lost in the gloom.</p>
<hr style="width: 65%;" />
<p class="gap"><span class="pagenum"><SPAN name="Page_1_booklist1" id="Page_1_booklist1"></SPAN>[<SPAN href="./images/booklist1_1.png">1</SPAN>]</span></p>
<h1>METHUEN'S</h1>
<h1>POPULAR NOVELS</h1>
<h2><i>AUTUMN 1912</i></h2>
<p class="bl1title">THE BIG FISH</p>
<p class="bl1author">By <span class="smcap">H. B. Marriott Watson</span>, Author of 'Alise of Astra.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>July</i></span></p>
<p>This strange tale of adventure in the mountains of Peru has a certain
basis in fact. 'The Big Fish' is the name by which the lost treasure of
the Incas is known, and the story describes the search for it, which
opens in a London auction room and, after many tragic adventures, ends
in the lonely mountains in a manner which neither of the seekers had
anticipated, but with which both are satisfied.</p>
<p class="bl1title">HER SERENE HIGHNESS</p>
<p class="bl1author">By <span class="smcap">Philip Laurence Oliphant</span>.<br/> Cr. 8vo, 6s.
<span class="ralign">[<i>July</i></span></p>
<p>Disillusioned, and disgusted with Western civilization, the hero of this
story, a man of remarkable force and quality, turns to the ideals of the
East, becomes to all intents an Oriental, and makes for himself a great
position as the white ruler of a black people in Central India. His wife
deserted him in early life under a misunderstanding, goes in search of
him, and finding him at last, throws in her lot with his, and succeeds
in winning him back; but not until through jealousy and other passions,
he is forced to witness the sacrifice of his power and fly for very
life.</p>
<p class="bl1title">JUDITH LEE: Some Pages from her Life</p>
<p class="bl1author">By <span class="smcap">Richard Marsh</span>, Author of 'A Royal Indiscretion.' With Four
Illustrations.<br/> Crown 8vo, 6s. <span class="ralign">[<i>July</i></span></p>
<p>The world has already been introduced to the famous female detective
Judith Lee in the pages of the <i>Strand Magazine</i>, where her popularity
was very great. The child of parents who were teachers of the oral
system to the deaf and dumb, as soon almost as she learnt to speak she
learnt to read what people were saying by watching their lips. Devoting
her whole life to the improvement of a very singular natural aptitude,
and employing it in the discovery and frustration of crime, she has
become, as we find in this book, a constant source of wonder and
delight, and a very encyclopædia of adventure.</p>
<p class="bl1title">THE OAKUM PICKERS</p>
<p class="bl1author">By <span class="smcap">L. S. Gibson</span>, Author of 'The Heart of Desire.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>July</i></span></p>
<p>A story treating of modern social life, and incidentally of the
hardships inflicted by certain phases of the Divorce Laws upon the
innocent partner in an unhappy marriage. The two very dissimilar women
are well delineated and contrasted. Cynthia and Elizabeth, <span class="pagenum"><SPAN name="Page_2_booklist1" id="Page_2_booklist1"></SPAN>[<SPAN href="./images/booklist1_2.png">2</SPAN>]</span>each in her
own way, are so human and sympathetic that the reader can hardly fail to
endorse the quotation on the title-page, 'I do not blame such women, but
for love they pick much oakum.' The men are drawn with no less strength
and sincerity; while Lady Juliet—the brilliant, heartless, little
<i>mondaine</i> who precipitates the tragedy of three lives—is a thumb-nail
sketch of a fascinating, if worthless, type.</p>
<p class="bl1title">HAUNTING SHADOWS; or, The House of Terror</p>
<p class="bl1author">By <span class="smcap">M. F. Hutchinson</span>.<br/> Crown 8vo, 6s.
<span class="ralign">[<i>August</i></span></p>
<p>An English girl, brought up under harsh surroundings, considers that
opportunity suddenly opens the doors of Life. But these doors swing back
to the accompaniment of sinister and terrible things. The very threshold
of the new life is a place of terror. A harsh and inexorable fate forces
her reluctant feet along a difficult way, where it seems as if none of
the joys of existence can lighten the darkness. The story shows with
what results to herself and others Elaine Westcourt became an inmate of
the 'House of Terror.'</p>
<p class="bl1title">A WILDERNESS WOOING</p>
<p class="bl1author">By <span class="smcap">W. Victor Cook</span>, Author of 'Anton of the Alps.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>August</i></span></p>
<p>A thrilling story of the early French-Canadian pioneers, and the
romantic adventures of a young heir to an English earldom. The novel,
which is full of excitement and dramatic incident, presents a series of
vivid pictures of the days when the great pathfinder La Salle was
carrying the lilies of France at utmost hazard into the Western wilds.
The love interest is strong, and attractively handled, and even such
strange-seeming affairs as the 'Ship of Women' and the marriage market
at Quebec have their historical sanction.</p>
<p class="bl1title">NANCE OF MANCHESTER</p>
<p class="bl1author">By <span class="smcap">Orme Agnus</span>, Author of 'Sarah Fuldon's Lovers.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>August</i></span></p>
<p>Dr. Anthony Belton called Nance 'the bravest girl in Manchester,' and he
was a good judge. She assumed maternal cares at an early age, and she
lived for her children. Later she took up her residence in the South of
England with Mrs. Nolliver, and there struck up a friendship with Miss
Denise Martayne, a lady whose gifts had put her in an exalted if not a
happy position. It was a friendship that dispelled gloom and created
happiness. 'Nance of Manchester' is a tribute to the omnipotence of
love.</p>
<p class="bl1title">A KINGDOM DIVIDED</p>
<p class="bl1author">By <span class="smcap">David Lisle</span>, Author of 'A Painter of Souls.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>August</i></span></p>
<p>This new novel by the author of <i>A Painter of Souls</i> may be described as
actively controversial. It deals largely with poignant chapters in the
life of a young clergyman, and in its pages we find an amazing array of
startling facts connected with the march of Ritualism <span class="pagenum"><SPAN name="Page_3_booklist1" id="Page_3_booklist1"></SPAN>[<SPAN href="./images/booklist1_3.png">3</SPAN>]</span>and the future of
England. Side by side with the history of a tragic struggle we find
glowing descriptions of scenery and of brilliant social life. The scene
is laid in Devon, and, later on, at Biarritz.</p>
<p class="bl1title">A WOMAN IN THE LIMELIGHT</p>
<p class="bl1author">By <span class="smcap">Charles Gleig</span>, Author of 'The Nancy Manœuvres.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>August</i></span></p>
<p><i>A Woman in the Limelight</i> presents candidly a typical actress of the
Musical Comedy Stage, treating of her career and her love affairs with a
realism that is convincing, but free of offence. The heroine allures and
for a long time retains the devotion and affection of a typical solitary
Londoner, who is not less devoted to the <i>bon motif</i>; but the inevitable
break occurs. There is plenty of humour and of first-hand knowledge in
this study of upper Bohemian life of to-day, and the characters are
vividly drawn.</p>
<p class="bl1title">BURIED ALIVE</p>
<p class="bl1author">By <span class="smcap">Arnold Bennett</span>, Author of 'Clayhanger.' A New Edition.<br/> Crown 8vo, 6s.
<span class="ralign">[<i>August</i></span></p>
<p>This is a reprint of one of Mr. Bennett's most delightful stories. It
has been out of print for some time.</p>
<p class="bl1title">THE STREET CALLED STRAIGHT</p>
<p class="bl1author">By the Author of 'The Wild Olive.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>August</i></span></p>
<p>The anonymous author of those very interesting novels <i>The Inner Shrine</i>
and <i>The Wild Olive</i> has in the new book dealt with a financial man's
case of conscience. The story, which is laid for the most part in
Boston, illustrates the New England proverb, 'By the street called
straight'—should it not be strait?—'we come to the house called
beautiful.'</p>
<p class="bl1title">IT HAPPENED IN SMYRNA</p>
<p class="bl1author">By <span class="smcap">Thomas Edgelow</span>.<br/> Crown 8vo, 6s. <span class="ralign">[<i>August</i></span></p>
<p>A vivid record of Eastern travel and adventure by a new author, who is
introduced to the novel-reading public by no less a sponsor than
Baroness von Hutten—the authoress of <i>Pam</i> whose cheery preface in the
form of an open letter will be found in Mr. Edgelow's first book. The
story opens on a German liner off the East African coast, and leads us
<i>via</i> Port Said to Smyrna. There and in the interior of Turkey-in-Asia
are laid the scenes of Tony Paynter's adventures. It is in the Smyrna
bazaars that he and Sylvia Sayers first encounter the Turk who is
destined to play so important a <i>rôle</i> in their two lives, and it is
from Smyrna that, at last, they sail away when all has happily ended.</p>
<p class="bl1title">DEVOTED SPARKES</p>
<p class="bl1author">By <span class="smcap">W. Pett Ridge</span>, Author of 'Thanks to Sanderson.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>August</i></span></p>
<p>Mr. Pett Ridge's new novel, an animated story of London life, concerns a
girl sent out to service by her stepmother. Taking the <span class="pagenum"><SPAN name="Page_4_booklist1" id="Page_4_booklist1"></SPAN>[<SPAN href="./images/booklist1_4.png">4</SPAN>]</span>management of
her career into her own hands, and holding the reins, goes first to a
house on the north side of Regent's Park, afterwards to the
neighbourhood of Berkeley Square; and her adventures in both situations,
her acquaintances, and the person to whom she is devoted, are described
in Mr. Pett Ridge's brightest manner.</p>
<p class="bl1title">THE ANGLO-INDIANS</p>
<p class="bl1author">By <span class="smcap">Alice Perrin</span>, Author of 'The Charm.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>August</i></span></p>
<p>The background of this novel is the contrast between official life in
India and a pensioned existence in England. The theme of the story is
the affection, almost amounting to a passion, that the heroine feels
towards India, where she has spent part of her childhood and her early
girlhood; it leads to a love adventure involving the chief problem
between the East and West.</p>
<p class="bl1title">THE HEATHER MOON</p>
<p class="bl1author">By C. N. and <span class="smcap">A. M. Williamson</span>, Authors of 'The Lightning Conductor.'<br/>
Crown 8vo, 6s. <span class="ralign">[<i>August</i></span></p>
<p>The story of a motor tour in Scotland and many quests. The drama shows
us a girl in search of her mother, who has her own reasons for not
wishing to be found by a pretty grown-up daughter. A man in search of
some lost illusions is also here, and the girl helps him to discover
that they are not illusions but splendid truths. Other seekers are a
woman in search of love, and her brother in search of materials for a
novel. In finding or failing to find these things a romance of a very
original kind with many conflicting interests has been evolved.</p>
<p class="bl1title">THE QUEST OF THE GOLDEN ROSE</p>
<p class="bl1author">By <span class="smcap">John Oxenham</span>, Author of 'The Long Road.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>August</i></span></p>
<p>By 'The Golden Rose' the author means the Spirit of Romance—Love—and
all that pertains thereto. The story tells how three very typical
Englishmen—surgeon—artist—barrister—encounter it in odd fashion
while tramping the High Alps, and follow it up each in his own peculiar
way to his destined end. Their various testings, mental, moral, and
physical, make the story, which is replete with the joy, the sorrow, and
the tragedy of life.</p>
<p class="bl1title">OLIVIA MARY</p>
<p class="bl1author">By <span class="smcap">E. Maria Albanesi</span>, Author of 'The Glad Heart.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>August</i></span></p>
<p>In this, her first new novel to be published since <i>The Glad Heart</i>,
Madame Albanesi strikes new ground. Although full of able and
sympathetic characterization and that elusive charm which belongs to all
her books, this story is unlike any that she has yet written. The author
deals with a problem which is the outcome of emotions at once simple,
even ordinary, and yet at the same time profound and most touching.</p>
<p class="bl1title">SALLY</p>
<p class="bl1author">By <span class="smcap">Dorothea Conyers</span>, Author of 'Two Impostors and Tinker.'<br/> Crown 8vo,
6s. <span class="ralign">[<i>August</i></span></p>
<p><span class="pagenum"><SPAN name="Page_5_booklist1" id="Page_5_booklist1"></SPAN>[<SPAN href="./images/booklist1_5.png">5</SPAN>]</span>A hunting novel of Irish life. The scene is laid in the wilds of
Connemara, where a man suffering from melancholia starts hunting over
the mountains and the bogs. A seaside lodge close to him is taken by
some strangers, and the plot of the book then turns on the lonely man,
who has not spoken for years save when obliged to, being charmed from
his loneliness by Sally Stannard, and the subsequent complications which
ensue betwixt her and her various lovers.</p>
<p class="bl1title">LAMORNA</p>
<p class="bl1author">By Mrs. <span class="smcap">A. Sidgwick</span>, Author of 'The Severins.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>August</i></span></p>
<p>The story of two girls united by kinship and affection, but divided by
character and temperament. Lamorna, the elder one, has to look on while
her cousin makes a tragedy of her life and successively becomes the
victim of a roué and a mischief-monger. Lamorna's own fate is at one
time so enmeshed with her cousin's that she requires all her sense and
strength to escape from the toils set by a man who would override all
scruple and all honour to win her.</p>
<p class="bl1title">THE HAPPY FAMILY</p>
<p class="bl1author">By <span class="smcap">Frank Swinnerton</span>, Author of 'The Young Idea.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>August</i></span></p>
<p><i>The Happy Family</i> is a realistic comedy of life in London suburbs. The
scenes are laid principally in Kentish Town, with excursions to
Hampstead, Highgate, and Gospel Oak; while unusual pictures of the
publishing trade form a setting to the highly-important office-life of
the chief male characters. The interplay of diverse temperaments, the
conflict between the ideal and the actual, are the basis of the story,
which, however, is concerned with people rather than problems.</p>
<p class="bl1title">DARNELEY PLACE</p>
<p class="bl1author">By <span class="smcap">Richard Bagot</span>, Author of 'Donna Diana.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>September</i></span></p>
<p>The scene of Mr. Richard Bagot's new novel is laid partly in England and
partly in Italy. The story turns upon the double life led by a wealthy
English landowner in consequence of the abduction in his more youthful
days of the daughter of an old Italian house at a period when he had no
prospect of succeeding to the position he subsequently attained.
Incidentally, the novel deals with certain phases of Italian
Spiritualism, and Mr. Bagot's readers will again resume their
acquaintance with some of the most sympathetic characters described in
his previous work <i>The Passport</i>.</p>
<p class="bl1title">A KNIGHT OF SPAIN</p>
<p class="bl1author">By <span class="smcap">Marjorie Bowen</span>, Author of 'I Will Maintain.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>September</i></span></p>
<p>This story is laid in the stormy and sombre last half of the sixteenth
century, and deals with the fortunes of the Royal House of Spain, the
most powerful, cruel, and tragic dynasty of modern Europe. The hero is
Charles V's son, the gay, beautiful, and heroic Don Juan of Austria, who
rose to an unparalleled renown in Christendom as the victor of Lepanto,
intoxicated himself with visions of a crown and the rank of 'Infant' of
Spain, and from the moment of his apogee <span class="pagenum"><SPAN name="Page_6_booklist1" id="Page_6_booklist1"></SPAN>[<SPAN href="./images/booklist1_6.png">6</SPAN>]</span>was swiftly cast down by his
brother, Philip II, sent to undertake the impossible task of ruling the
Low Countries, and left to die, forsaken, of a mysterious illness, at
the age of twenty-eight, in a camp outside Namur. The story embraces the
greater part of this Prince's short life, which was one glowing romance
of love and war, played in the various splendours of Spain, Genoa,
Venice, Naples, Sicily, Africa, Paris, and Brussels.</p>
<p class="bl1title">REMITTANCE BILLY</p>
<p class="bl1author">By <span class="smcap">Ashton Hilliers</span>, Author of 'Memoirs of a Person of Quality.'<br/> Crown
8vo, 6s. <span class="ralign">[<i>September</i></span></p>
<p>In this book Mr. Ashton Hilliers, again finding his material in the
world we live in, tells of the quite excusable muddling of a straight,
but rather stupid young gentleman, whose ignorance of 'business' is too
severely punished by 'business-like relations,' who regard him as
hopeless, until he, saved by his love of nature, and befriended by
outsiders who see stuff in the fellow, muddles through, to the surprise
of his family and himself. There is a nice girl in it, and a militant
suffragette, but only two unfortunate marriages, and one of these comes
right at last.</p>
<p class="bl1title">HONOURS EASY</p>
<p class="bl1author">By Mrs. <span class="smcap">J. O. Arnold</span>, Author of 'The Fiddler.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>September</i></span></p>
<p>The interest of this story centres in the will of a Professor Clifford,
in which a large sum of money is left to the scientist who shall within
a specified time finish the testator's life research. Failing its
completion the money is to revert to his stepdaughter. Humphrey Wyatt
undertakes the task, incidentally falling in love with the stepdaughter,
of whose relationship to the Professor he is unaware. What happens
before and after he discovers her identity makes a charming romantic
ending to the book.</p>
<p class="bl1title">LONDON LAVENDER: An Entertainment</p>
<p class="bl1author">By <span class="smcap">E. V. Lucas</span>, Author of 'Mr. Ingleside.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>September</i></span></p>
<p>This will make Mr. Lucas's fourth novel, or 'Entertainment' as he
prefers to call his stories; and readers of the preceding three may find
some old acquaintances. The scene is again laid principally in London,
and again an odd company of types converse and have urbane adventures.</p>
<p class="bl1title">THE HOLIDAY ROUND</p>
<p class="bl1author">By <span class="smcap">A. A. Milne</span>, Author of 'The Day's Play.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>September</i></span></p>
<p>Among our younger humorists none has so quickly found his way to the
hearts of readers as 'A. A. M.' of <i>Punch</i>, whose special gift and
privilege it is to touch Wednesdays with irresponsibility and fun. He
has now brought together a further collection of his contributions to
<i>Punch</i>, similar in character to <i>The Day's Play</i> published two years
ago. The history of the Rabbits is continued, and is supplemented by
'Little Plays for Amateurs,' 'Stories of Successful Lives,' and many
other of his recent dialogues and sketches.</p>
<p><span class="pagenum"><SPAN name="Page_7_booklist1" id="Page_7_booklist1"></SPAN>[<SPAN href="./images/booklist1_7.png">7</SPAN>]</span></p>
<p class="bl1title">THE ROYAL ROAD: Being the Story of the Life, Death, and Resurrection of
Edward Hankey of London</p>
<p class="bl1author">By <span class="smcap">Alfred Ollivant</span>, Author of 'Owd Bob.'<br/> Crown 8vo, 6s. <span class="ralign">[<i>September</i></span></p>
<p>In the pages of this book the reader follows the courageous spirit of a
working man down the alley of life. We hear his laughter; share his
joys; and watch the heroic struggle of his soul against the circumstance
that is oppressing him. The book, remorseless in its representation of
things as they are, is strong in hope: for it finds its inspiration in
the Love that shall some day conquer the world. It is a story for all
who seek to succour our England in her distress. To read it is to
understand something of her troubles of this present time, and to have a
glimpse of the glory that shall be revealed in her. A stern book, it is
to those who read aright a joyful one. For it is a prophecy of dawn.</p>
<p class="bl1title">MARY PECHELL</p>
<p class="bl1author">By Mrs. <span class="smcap">Belloc Lowndes</span>, Author of 'The Uttermost Farthing,' etc.<br/> Crown
8vo, 6s. <span class="ralign">[<i>September</i></span></p>
<p>In her new novel Mrs. Belloc Lowndes returns to the manner of <i>Barbara
Rebell</i>. It is an ample, spacious tale of English country-house life,
laid in a quiet Sussex village, dominated by the ruins of an ancient
castle, the scene of the last Lord Wolferstan's lawless but not ignoble
passion. The writer shows all her old power of presenting the passion of
love in each of its Protean phases. Mary Pechell herself is a lovely,
gracious figure, whose compelling charm the reader feels from the first.
In half-humorous, half-pathetic contrast is the middle-aged romance of
Miss Rose Charnwood, touched with the tenderest sentiment, and not
belied by the happiness in store both for her and for Mary Pechell
herself.</p>
<p class="bl1title">THE SILVER DRESS</p>
<p class="bl1author">By Mrs. <span class="smcap">George Norman</span>, Author of 'Lady Fanny.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>September</i></span></p>
<p>A novel describing the life of an attractive and still young woman whose
circumstances are those of so many others of her type in England, for
she has no acquaintances but women, is approaching 'the youth of middle
age' without yet knowing love or any vital interest. Then, quite
unexpectedly, adventure, and, subsequently, love coming to her, she
lives for the first time.</p>
<p class="bl1title">THE SUBURBAN</p>
<p class="bl1author">By <span class="smcap">H. C. Bailey</span>, Author of 'Storm and Treasure.'<br/> Crown 8vo, 6s.
<span class="ralign">[<i>September</i></span></p>
<p>In this novel Mr. H. C. Bailey, who is best known by his spirited
historical romances, has deserted the past for the present. He tells a
story of modern London. The scenes are laid in poor middle-class life,
in the worlds of journalism and theoretical revolutionaries and
business. His hero is one of the most ordinary of men, fighting his way
up from the borders of poverty to respectable suburban comfort. With him
is contrasted a much more brilliant creature, an apostle of <span class="pagenum"><SPAN name="Page_8_booklist1" id="Page_8_booklist1"></SPAN>[<SPAN href="./images/booklist1_8.png">8</SPAN>]</span>the newest
creeds of revolt. Both have to do with the master of one of the great
modern organizations of finance and industry. In the heroine Mr. Bailey
has given us a study of one of the newest types of young women of the
middle class.</p>
<p class="bl1title">BETTY HARRIS</p>
<p class="bl1author">By <span class="smcap">Jennette Lee</span>, Author of 'Uncle William' and 'Happy Island.'<br/> Crown
8vo, 3s. 6d. <span class="ralign">[<i>September</i></span></p>
<p>Betty Harris, the only child of an American millionaire, strays one day
into the shop of a Greek fruit-dealer, Achilles Alexandrakis, and
watches the flight of a butterfly that the Greek liberates from its grey
cocoon. The story is of the friendship that grew out of this meeting,
and a rescue that grew out of the friendship. This blend of the spirit
of the old world and the new, meeting in the grimy Chicago shop and
finding out their need of each other, gives the book a piquancy.</p>
<p class="bl1title">THE FOOL IN CHRIST</p>
<p class="bl1author">By <span class="smcap">Gerhart Hauptmann</span>.<br/> Crown 8vo, 6s. <span class="ralign">[<i>September</i></span></p>
<p>A translation of Hauptmann's most wonderful novel—a work that attempts
to place the living human Christ before sophisticated twentieth-century
eyes. Whatever other effect it may have, the book cannot fail to cause
discussion. In Quint, a figure at once pathetic and inspiring, the
author has drawn a character whose divine charm should be felt by every
reader.</p>
<p class="bl1title">CHARLES THE GREAT</p>
<p class="bl1author">By Mrs. <span class="smcap">H. H. Penrose</span>, Author of 'The Sheltered Woman,' etc.<br/> Crown 8vo,
6s. <span class="ralign">[<i>September</i></span></p>
<p><i>Charles the Great</i> is a very light comedy, and it therefore counts as a
new departure for Mrs. H. H. Penrose. Those who like their fiction to
provide them with 'a good laugh' will doubtless prefer this book, which
is packed from cover to cover with mirth-provoking material, to those
other books by the same author, in which humour acts chiefly as
train-bearer to tragedy. The determination of Charles to invent for
himself a greatness which he is incapable of otherwise achieving, and
its effect on his circle of intimates, are set forth in an exceedingly
lively story, the plot of which it would be unfair to give away.</p>
<p class="bl1title">THE ACE OF HEARTS</p>
<p class="bl1author">By <span class="smcap">C. Thomas-Stanford</span>.<br/> Crown 8vo, 6s. <span class="ralign">[<i>September</i></span></p>
<p>An English Member of Parliament, spending a holiday in the Portuguese
island of Madeira in January 1912, becomes unwittingly privy to a plot
against the Republican Government. The conspirators, fearful that he
will betray their secrets, make him prisoner; but he escapes to
experience a series of adventures on the rugged coast, and amid the wild
mountains of the island. Through the tangled web of plot and
counter-plot runs the thread of a love story.</p>
<p class="p4">METHUEN & CO. LTD., 36 ESSEX STREET, LONDON, W.C.</p>
<p class="gap"><span class="pagenum"><SPAN name="Page_1_booklist2" id="Page_1_booklist2"></SPAN>[<SPAN href="./images/booklist2_1.png">1</SPAN>]</span></p>
<h2>A SELECTION OF BOOKS</h2>
<h2>PUBLISHED BY METHUEN</h2>
<h2>AND CO. LTD., LONDON</h2>
<h2>36 ESSEX STREET</h2>
<h2>W.C.</h2>
<p class="smallgap"> </p>
<h3>CONTENTS</h3>
<div class="centered">
<table summary="Table of Contents for Booklist" cellpadding="4" cellspacing="0">
<tr>
<td class="tdright" colspan="2"><span style="font-size:x-small">PAGE</span></td>
</tr>
<tr>
<td class="tdleft">General Literature</td>
<td class="tdright"><SPAN href="#Page_2_booklist2">2</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Ancient Cities</td>
<td class="tdright"><SPAN href="#Page_12_booklist2">12</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Antiquary's Books</td>
<td class="tdright"><SPAN href="#Page_12_booklist2">12</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Arden Shakespeare</td>
<td class="tdright"><SPAN href="#Page_13_booklist2">13</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Classics of Art</td>
<td class="tdright"><SPAN href="#Page_13_booklist2">13</SPAN></td>
</tr>
<tr>
<td class="tdleftin">"Complete" Series</td>
<td class="tdright"><SPAN href="#Page_13_booklist2">13</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Connoisseur's Library</td>
<td class="tdright"><SPAN href="#Page_14_booklist2">14</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Handbooks of English Church History</td>
<td class="tdright"><SPAN href="#Page_14_booklist2">14</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Handbooks of Theology</td>
<td class="tdright"><SPAN href="#Page_14_booklist2">14</SPAN></td>
</tr>
<tr>
<td class="tdleftin">"Home Life" Series</td>
<td class="tdright"><SPAN href="#Page_14_booklist2">14</SPAN></td>
</tr>
<tr>
<td class="tdleftin" style="padding-right: 5em;">Illustrated Pocket Library of Plain and Coloured Books</td>
<td class="tdright"><SPAN href="#Page_15_booklist2">15</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Leaders of Religion</td>
<td class="tdright"><SPAN href="#Page_15_booklist2">15</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Library of Devotion</td>
<td class="tdright"><SPAN href="#Page_16_booklist2">16</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Little Books on Art</td>
<td class="tdright"><SPAN href="#Page_16_booklist2">16</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Little Galleries</td>
<td class="tdright"><SPAN href="#Page_17_booklist2">17</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Little Guides</td>
<td class="tdright"><SPAN href="#Page_17_booklist2">17</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Little Library</td>
<td class="tdright"><SPAN href="#Page_18_booklist2">18</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Little Quarto Shakespeare</td>
<td class="tdright"><SPAN href="#Page_19_booklist2">19</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Miniature Library</td>
<td class="tdright"><SPAN href="#Page_19_booklist2">19</SPAN></td>
</tr>
<tr>
<td class="tdleftin">New Library of Medicine</td>
<td class="tdright"><SPAN href="#Page_19_booklist2">19</SPAN></td>
</tr>
<tr>
<td class="tdleftin">New Library of Music</td>
<td class="tdright"><SPAN href="#Page_19_booklist2">19</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Oxford Biographies</td>
<td class="tdright"><SPAN href="#Page_19_booklist2">19</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Three Plays</td>
<td class="tdright"><SPAN href="#Page_20_booklist2">20</SPAN></td>
</tr>
<tr>
<td class="tdleftin">States of Italy</td>
<td class="tdright"><SPAN href="#Page_20_booklist2">20</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Westminster Commentaries</td>
<td class="tdright"><SPAN href="#Page_20_booklist2">20</SPAN></td>
</tr>
<tr>
<td class="tdleftin">"Young" Series</td>
<td class="tdright"><SPAN href="#Page_20_booklist2">20</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Shilling Library</td>
<td class="tdright"><SPAN href="#Page_21_booklist2">21</SPAN></td>
</tr>
<tr>
<td class="tdleft">Books for Travellers</td>
<td class="tdright"><SPAN href="#Page_21_booklist2">21</SPAN></td>
</tr>
<tr>
<td class="tdleft">Some Books on Art</td>
<td class="tdright"><SPAN href="#Page_21_booklist2">21</SPAN></td>
</tr>
<tr>
<td class="tdleft">Some Books on Italy</td>
<td class="tdright"><SPAN href="#Page_22_booklist2">22</SPAN></td>
</tr>
<tr>
<td class="tdleft">Fiction</td>
<td class="tdright"><SPAN href="#Page_23_booklist2">23</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Two-Shilling Novels</td>
<td class="tdright"><SPAN href="#Page_27_booklist2">27</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Books for Boys and Girls</td>
<td class="tdright"><SPAN href="#Page_27_booklist2">27</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Shilling Novels</td>
<td class="tdright"><SPAN href="#Page_28_booklist2">28</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Novels of Alexandre Dumas</td>
<td class="tdright"><SPAN href="#Page_28_booklist2">28</SPAN></td>
</tr>
<tr>
<td class="tdleftin">Sixpenny Books</td>
<td class="tdright"><SPAN href="#Page_29_booklist2">29</SPAN></td>
</tr>
</table></div>
<p class="p4">JULY 1912</p>
<p class="gap"><span class="pagenum"><SPAN name="Page_2_booklist2" id="Page_2_booklist2"></SPAN>[<SPAN href="./images/booklist2_2.png">2</SPAN>]</span></p>
<h3>A SELECTION OF</h3>
<h2><span class="smcap">Messrs. Methuen's</span></h2>
<h3>PUBLICATIONS</h3>
<p>In this Catalogue the order is according to authors. An asterisk denotes
that the book is in the press.</p>
<p>Colonial Editions are published of all Messrs. <span class="smcap">Methuen's</span> Novels issued
at a price above <i>2s. 6d.</i>, and similar editions are published of some
works of General Literature. Colonial editions are only for circulation
in the British Colonies and India.</p>
<p>All books marked net are not subject to discount, and cannot be bought
at less than the published price. Books not marked net are subject to
the discount which the bookseller allows.</p>
<p>Messrs. <span class="smcap">Methuen's</span> books are kept in stock by all good booksellers. If
there is any difficulty in seeing copies, Messrs. Methuen will be very
glad to have early information, and specimen copies of any books will be
sent on receipt of the published price <i>plus</i> postage for net books, and
of the published price for ordinary books.</p>
<p>This Catalogue contains only a selection of the more important books
published by Messrs. Methuen. A complete and illustrated catalogue of
their publications may be obtained on application.</p>
<p class="secth"><b>Andrewes (Lancelot).</b> PRECES PRIVATAE. Translated and edited, with Notes,
by <span class="smcap">F. E. Brightman</span>. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Aristotle.</b> THE ETHICS. Edited, with an Introduction and Notes, by <span class="smcap">John
Burnet</span>. <i>Demy 8vo.</i> <i>10s. 6d. net.</i></p>
<p class="secth"><b>Atkinson (C. T.).</b> A HISTORY OF GERMANY, 1715-1815. <i>Demy 8vo.</i> <i>12s. 6d.
net.</i></p>
<p class="secth"><b>Atkinson (T. D.).</b> ENGLISH ARCHITECTURE. Illustrated. <i>Fcap. 8vo.</i> <i>3s.
6d. net.</i></p>
<p class="bl2title">A GLOSSARY OF TERMS USED IN ENGLISH ARCHITECTURE. Illustrated. <i>Second
Edition.</i> <i>Fcap. 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="bl2title">ENGLISH AND WELSH CATHEDRALS. Illustrated. <i>Demy 8vo.</i> <i>10s. 6d. net.</i></p>
<p class="secth"><b>Bain (F. W.).</b> A DIGIT OF THE MOON: <span class="smcap">A Hindoo Love Story</span>. <i>Ninth Edition.</i>
<i>Fcap. 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="bl2title">THE DESCENT OF THE SUN: <span class="smcap">A Cycle of Birth</span>. <i>Fifth Edition.</i> <i>Fcap. 8vo.</i>
<i>3s. 6d. net.</i></p>
<p class="bl2title">A HEIFER OF THE DAWN. <i>Seventh Edition.</i> <i>Fcap. 8vo.</i> <i>2s. 6d. net.</i></p>
<p class="bl2title">IN THE GREAT GOD'S HAIR. <i>Fifth Edition.</i> <i>Fcap. 8vo.</i> <i>2s. 6d. net.</i></p>
<p class="bl2title">A DRAUGHT OF THE BLUE. <i>Fourth Edition.</i> <i>Fcap. 8vo.</i> <i>2s. 6d. net.</i></p>
<p class="bl2title">AN ESSENCE OF THE DUSK. <i>Third Edition.</i> <i>Fcap. 8vo.</i> <i>2s. 6d. net.</i></p>
<p class="bl2title">AN INCARNATION OF THE SNOW. <i>Second Edition.</i> <i>Fcap. 8vo.</i> <i>3s. 6d.
net.</i></p>
<p class="bl2title">A MINE OF FAULTS. <i>Second Edition.</i> <i>Fcap. 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="bl2title">THE ASHES OF A GOD. <i>Fcap. 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="bl2title">*BUBBLES OF THE FOAM. <i>Fcap 4to.</i> <i>5s. net.</i> <i>Also Fcap. 8vo.</i> <i>3s. 6d.
net.</i></p>
<p class="secth"><b>Balfour (Graham).</b> THE LIFE OF ROBERT LOUIS STEVENSON. Illustrated.
<i>Fifth Edition in one Volume.</i> <i>Cr. 8vo.</i> <i>Buckram, 6s.</i> <i>Also Fcap.
8vo.</i> <i>1s. net.</i></p>
<p class="secth"><b>Baring (Hon. Maurice).</b> A YEAR IN RUSSIA. <i>Second Edition.</i> <i>Demy 8vo.</i>
<i>10s. 6d. net.</i></p>
<p class="bl2title">LANDMARKS IN RUSSIAN LITERATURE. <i>Second Edition.</i> <i>Crown 8vo.</i> <i>6s.
net.</i></p>
<p class="bl2title">RUSSIAN ESSAYS AND STORIES. <i>Second Edition.</i> <i>Crown 8vo.</i> <i>5s. net.</i></p>
<p class="bl2title">THE RUSSIAN PEOPLE. <i>Demy 8vo.</i> <i>15s. net.</i></p>
<p class="secth"><b>Baring-Gould (S.).</b> THE LIFE OF NAPOLEON BONAPARTE. Illustrated. <i>Second
Edition.</i> <i>Royal 8vo.</i> <i>10s. 6d. net.</i></p>
<p class="bl2title"><span class="pagenum"><SPAN name="Page_3_booklist2" id="Page_3_booklist2"></SPAN>[<SPAN href="./images/booklist2_3.png">3</SPAN>]</span>
THE TRAGEDY OF THE CÆSARS: <span class="smcap">A Study of the Characters of the Cæsars of
the Julian and Claudian Houses</span>. Illustrated. <i>Seventh Edition.</i> <i>Royal
8vo.</i> <i>10s. 6d. net.</i></p>
<p class="bl2title">THE VICAR OF MORWENSTOW. With a Portrait. <i>Third Edition.</i> <i>Cr. 8vo.</i>
<i>3s. 6d.</i> *<i>Also Fcap. 8vo.</i> <i>1s. net.</i></p>
<p class="bl2title">OLD COUNTRY LIFE. Illustrated. <i>Fifth Edition.</i> <i>Large Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A BOOK OF CORNWALL. Illustrated. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A BOOK OF DARTMOOR. Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A BOOK OF DEVON. Illustrated. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Baring-Gould (S.)</b> and <b>Sheppard (H. Fleetwood)</b>. A GARLAND OF COUNTRY
SONG. English Folk Songs with their Traditional Melodies. <i>Demy 4to.</i>
<i>6s.</i></p>
<p class="bl2title">SONGS OF THE WEST: Folk Songs of Devon and Cornwall. Collected from the
Mouths of the People. New and Revised Edition, under the musical
editorship of <span class="smcap">Cecil J. Sharp</span>. <i>Large Imperial 8vo.</i> <i>5s. net.</i></p>
<p class="secth"><b>Barker (E.).</b> THE POLITICAL THOUGHT OF PLATO AND ARISTOTLE. <i>Demy 8vo.</i>
<i>10s. 6d. net.</i></p>
<p class="secth"><b>Bastable (C. F.).</b> THE COMMERCE OF NATIONS. <i>Fifth Edition.</i> <i>Cr. 8vo.</i>
<i>2s. 6d.</i></p>
<p class="secth"><b>Beckford (Peter).</b> THOUGHTS ON HUNTING. Edited by <span class="smcap">J. Otho Paget</span>.
Illustrated. <i>Third Edition.</i> <i>Demy 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Belloc (H.).</b> PARIS. Illustrated. <i>Second Edition, Revised.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">HILLS AND THE SEA. <i>Fourth Edition.</i> <i>Fcap. 8vo.</i> <i>5s.</i></p>
<p class="bl2title">ON NOTHING AND KINDRED SUBJECTS. <i>Third Edition.</i> <i>Fcap. 8vo.</i> <i>5s.</i></p>
<p class="bl2title">ON EVERYTHING. <i>Third Edition.</i> <i>Fcap. 8vo.</i> <i>5s.</i></p>
<p class="bl2title">ON SOMETHING. <i>Second Edition.</i> <i>Fcap. 8vo.</i> <i>5s.</i></p>
<p class="bl2title">FIRST AND LAST. <i>Second Edition.</i> <i>Fcap. 8vo.</i> <i>5s.</i></p>
<p class="bl2title">MARIE ANTOINETTE. Illustrated. <i>Third Edition.</i> <i>Demy 8vo.</i> <i>15s. net.</i></p>
<p class="bl2title">THE PYRENEES. Illustrated. <i>Second Edition.</i> <i>Demy 8vo.</i> <i>7s. 6d. net.</i></p>
<p class="secth"><b>Bennett (W. H.).</b> A PRIMER OF THE BIBLE. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>2s.
6d.</i></p>
<p class="secth"><b>Bennett (W. H.)</b> and <b>Adeney (W. F.)</b>. A BIBLICAL INTRODUCTION. With a
concise Bibliography. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>7s. 6d.</i> <i>Also in Two
Volumes.</i> <i>Cr. 8vo.</i> <i>Each 3s. 6d. net.</i></p>
<p class="secth"><b>Benson (Archbishop).</b> GOD'S BOARD. Communion Addresses. <i>Second Edition.</i>
<i>Fcap. 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="secth"><b>Bicknell (Ethel E.).</b> PARIS AND HER TREASURES. Illustrated. <i>Fcap. 8vo.</i>
<i>Round corners.</i> <i>5s. net.</i></p>
<p class="secth"><b>Blake (William).</b> ILLUSTRATIONS OF THE BOOK OF JOB. With a General
Introduction by <span class="smcap">Laurence Binyon</span>. Illustrated. <i>Quarto.</i> <i>21s. net.</i></p>
<p class="secth"><b>Bloemfontein (Bishop of).</b> ARA CŒLI: <span class="smcap">An Essay in Mystical Theology</span>.
<i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="bl2title">FAITH AND EXPERIENCE. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="secth"><b>Bowden (E. M.).</b> THE IMITATION OF BUDDHA: Quotations from Buddhist
Literature for each Day in the Year. <i>Sixth Edition.</i> <i>Cr. 16mo.</i> <i>2s.
6d.</i></p>
<p class="secth"><b>Brabant (F. G.).</b> RAMBLES IN SUSSEX. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Bradley (A. G.).</b> ROUND ABOUT WILTSHIRE. Illustrated. <i>Second Edition.</i>
<i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE ROMANCE OF NORTHUMBERLAND. Illustrated. <i>Second Edition.</i> <i>Demy
8vo.</i> <i>7s. 6d. net.</i></p>
<p class="secth"><b>Braid (James).</b> ADVANCED GOLF. Illustrated. <i>Seventh Edition.</i> <i>Demy
8vo.</i> <i>10s. 6d. net.</i></p>
<p class="secth"><b>Brodrick (Mary)</b> and <b>Morton (A. Anderson)</b>. A CONCISE DICTIONARY OF
EGYPTIAN ARCHÆOLOGY. A Handbook for Students and Travellers.
Illustrated. <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="secth"><b>Browning. (Robert).</b> PARACELSUS. Edited with an Introduction, Notes, and
Bibliography by <span class="smcap">Margaret L. Lee</span> and <span class="smcap">Katharine B. Locock</span>. <i>Fcap. 8vo.</i>
<i>3s. 6d. net.</i></p>
<p class="secth"><b>Buckton (A. M.).</b> EAGER HEART: A Christmas Mystery-Play. <i>Tenth Edition.</i>
<i>Cr. 8vo.</i> <i>1s. net.</i></p>
<p class="secth"><b>Bull (Paul).</b> GOD AND OUR SOLDIERS. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Burns (Robert).</b> THE POEMS AND SONGS. Edited by <span class="smcap">Andrew Lang</span> and <span class="smcap">W. A.
Craigie</span>. With Portrait. <i>Third Edition.</i> <i>Wide Demy 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Calman (W. T.).</b> THE LIFE OF CRUSTACEA. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Carlyle (Thomas).</b> THE FRENCH REVOLUTION. Edited by <span class="smcap">C. R. L. Fletcher</span>.
<i>Three Volumes.</i> <i>Cr. 8vo.</i> <i>18s.</i></p>
<p class="bl2title">THE LETTERS AND SPEECHES OF OLIVER CROMWELL. With an Introduction by <span class="smcap">C.
H. Firth</span>, and Notes and Appendices by <span class="smcap">S. C. Lomas</span>. <i>Three Volumes.</i>
<i>Demy 8vo.</i> <i>18s. net.</i></p>
<p class="secth"><span class="pagenum"><SPAN name="Page_4_booklist2" id="Page_4_booklist2"></SPAN>[<SPAN href="./images/booklist2_4.png">4</SPAN>]</span>
<b>Celano (Brother Thomas of).</b> THE LIVES OF S. FRANCIS OF ASSISI.
Translated by <span class="smcap">A. G. Ferrers Howell</span>. With a Frontispiece. <i>Cr. 8vo.</i> <i>5s.
net.</i></p>
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<p class="bl2title">THE POEMS OF WILLIAM SHAKESPEARE. With an Introduction and Notes by
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<p class="secth"><b>Snell (F. J.).</b> A BOOK OF EXMOOR. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
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Ripon</span>. <i>Two Volumes.</i> <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>15s. net.</i></p>
<p class="secth"><b>Wade (G. W.), and Wade (J. H.).</b> RAMBLES IN SOMERSET. Illustrated. <i>Cr.
8vo.</i> <i>6s.</i></p>
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<p class="secth"><b>Wagner</b> (Richard). RICHARD WAGNER'S MUSIC DRAMAS: Interpretations,
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<span class="smcap">Basil Crump</span>. <i>Fcap. 8vo.</i> <i>2s. 6d. each.</i></p>
<div class="blockquot">
<p class="bl2title"><span class="smcap">The Ring of the Nibelung.</span> <i>Fifth Edition.</i></p>
<p class="bl2titlesc">Parsifal, Lohengrin, and the Holy Grail.</p>
<p class="bl2titlesc">Tristan and Isolde.</p>
<p class="bl2titlesc">Tannhäuser and the Mastersingers of Nuremberg.</p>
</div>
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Women in Country Places. <i>Third Edition.</i> <i>Small Pott 8vo.</i> <i>2s. net.</i></p>
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<p class="bl2title">COMPANIONS OF THE WAY. Being Selections for Morning and Evening Reading.
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<p class="bl2title">THOUGHTS OF A TERTIARY. <i>Small Pott 8vo.</i> <i>1s. net.</i></p>
<p>Waters (W. G.). ITALIAN SCULPTORS AND SMITHS. Illustrated. <i>Cr. 8vo.</i>
<i>7s. 6d. net.</i></p>
<p class="secth"><b>Watt (Francis).</b> EDINBURGH AND THE LOTHIANS. Illustrated. <i>Second
Edition.</i> <i>Cr. 8vo.</i> <i>10s. 6d. net.</i></p>
<p class="secth">*<b>Wedmore (Sir Frederick).</b> MEMORIES. <i>Demy 8vo.</i> <i>7s. 6d. net.</i></p>
<p class="secth"><b>Weigall (Arthur E. P.).</b> A GUIDE TO THE ANTIQUITIES OF UPPER EGYPT: From
Abydos to the Sudan Frontier. Illustrated. <i>Cr. 8vo.</i> <i>7s. 6d. net.</i></p>
<p class="secth">Welch (Catharine). THE LITTLE DAUPHIN. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Wells (J.).</b> OXFORD AND OXFORD LIFE. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>3s.
6d.</i></p>
<p class="bl2title">A SHORT HISTORY OF ROME. <i>Eleventh Edition.</i> With 3 Maps. <i>Cr. 8vo.</i>
<i>3s. 6d.</i></p>
<p class="secth"><b>Wilde (Oscar).</b> THE WORKS OF OSCAR WILDE. <i>In Twelve Volumes.</i> <i>Fcap.
8vo.</i> <i>5s. net each volume.</i></p>
<div class="blockquot">
<span class="smcap">i. Lord Arthur Savile's Crime and the Portrait of Mr. W. H. ii. The
Duchess of Padua. iii. Poems. iv. Lady Windermere's Fan. v. A Woman of
No Importance. vi. An Ideal Husband. vii. The Importance of being
Earnest. viii. A House of Pomegranates. ix. Intentions. x. De Profundis
and Prison Letters. xi. Essays. xii. Salomé, A Florentine Tragedy</span>, and
<span class="smcap">La Sainte Courtisane</span>.</div>
<p class="secth"><b>Williams (H. Noel).</b> THE WOMEN BONAPARTES. The Mother and three Sisters
of Napoleon. Illustrated. <i>Two Volumes.</i> <i>Demy 8vo.</i> <i>24s. net.</i></p>
<p class="bl2title">A ROSE OF SAVOY: <span class="smcap">Marie Adélaïde of Savoy, Duchesse de Bourgogne, Mother
of Louis xv</span>. Illustrated. <i>Second Edition.</i> <i>Demy 8vo.</i> <i>15s. net.</i></p>
<p class="bl2title">THE FASCINATING DUC DE RICHELIEU: <span class="smcap">Louis François Armand du Plessis
(1696-1788)</span>. Illustrated. <i>Demy 8vo.</i> <i>15s. net.</i></p>
<p class="bl2title">A PRINCESS OF ADVENTURE: <span class="smcap">Marie Caroline, Duchesse de Berry</span> (1798-1870).
Illustrated. <i>Demy 8vo.</i> <i>15s. net.</i></p>
<p><span class="pagenum"><SPAN name="Page_12_booklist2" id="Page_12_booklist2"></SPAN>[<SPAN href="./images/booklist2_12.png">12</SPAN>]</span></p>
<p class="secth"><b>Wood (Sir Evelyn).</b> FROM MIDSHIPMAN TO FIELD-MARSHAL. Illustrated.
<i>Fifth Edition.</i> <i>Demy 8vo.</i> <i>7s. 6d. net.</i> <i>Also Fcap. 8vo.</i> <i>1s. net.</i></p>
<p class="bl2title">THE REVOLT IN HINDUSTAN (1857-59). Illustrated. <i>Second Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Wood (W. Birkbeck), and Edmonds (Col. J. E.).</b> A HISTORY OF THE CIVIL WAR
IN THE UNITED STATES (1861-5). With an Introduction by <span class="smcap">Spenser
Wilkinson</span>. With 24 Maps and Plans. <i>Third Edition.</i> <i>Demy 8vo.</i> <i>12s.
6d. net.</i></p>
<p class="secth"><b>Wordsworth (W.).</b> THE POEMS. With an Introduction and Notes by <span class="smcap">Nowell C.
Smith</span>. <i>In Three Volumes.</i> <i>Demy 8vo.</i> <i>15s. net.</i></p>
<p class="secth"><b>Yeats (W. B.).</b> A BOOK OF IRISH VERSE. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>3s.
6d.</i></p>
<hr style="width: 65%;" />
<h2><span class="smcap">Part II.—A Selection of Series.</span></h2>
<p class="sectctr"><b>Ancient Cities.</b></p>
<p class="center">General Editor, B. C. A. WINDLE.</p>
<p class="center"><i>Cr. 8vo.</i> <i>4s. 6d. net each volume.</i></p>
<p class="center">With Illustrations by <span class="smcap">E. H. New</span>, and other Artists.</p>
<div class="centered">
<table summary="titles in Ancient Cities series" cellpadding="4" cellspacing="2">
<tr>
<td class="tdleft"><span class="smcap">Bristol.</span> Alfred Harvey.</td>
<td class="tdleft"><span class="smcap">Edinburgh.</span> M. G. Williamson.</td>
</tr>
<tr>
<td class="tdleft"><span class="smcap">Canterbury.</span> J. C. Cox.</td>
<td class="tdleft"><span class="smcap">Lincoln.</span> E. Mansel Sympson.</td>
</tr>
<tr>
<td class="tdleft"><span class="smcap">Chester.</span> B. C. A. Windle.</td>
<td class="tdleft"><span class="smcap">Shrewsbury.</span> T. Auden.</td>
</tr>
<tr>
<td class="tdleft" style="padding-right: 5em;"><span class="smcap">Dublin.</span> S. A. O. Fitzpatrick.</td>
<td class="tdleft"><span class="smcap">Wells and Glastonbury.</span> T. S. Holmes.</td>
</tr>
</table></div>
<p class="sectctr"><b>The Antiquary's Books.</b></p>
<p class="center">General Editor, J. CHARLES COX</p>
<p class="center"><i>Demy 8vo.</i> <i>7s. 6d. net each volume.</i></p>
<p class="center">With Numerous Illustrations.</p>
<p class="hang"><span class="smcap">Archæology and False Antiquities.</span> R. Munro.</p>
<p class="hang"><span class="smcap">Bells of England, The.</span> Canon J. J. Raven. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Brasses of England, The.</span> Herbert W. Macklin. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Celtic Art in Pagan and Christian Times.</span> J. Romilly Allen. <i>Second
Edition.</i></p>
<p class="hang"><span class="smcap">Castles and Walled Towns of England, The.</span> A. Harvey.</p>
<p class="hang"><span class="smcap">Domesday Inquest, The.</span> Adolphus Ballard.</p>
<p class="hang"><span class="smcap">English Church Furniture.</span> J. C. Cox and A. Harvey. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">English Costume.</span> From Prehistoric Times to the End of the Eighteenth
Century. George Clinch.</p>
<p class="hang"><span class="smcap">English Monastic Life.</span> Abbot Gasquet. <i>Fourth Edition.</i></p>
<p class="hang"><span class="smcap">English Seals.</span> J. Harvey Bloom.</p>
<p class="hang"><span class="smcap">Folk-Lore as an Historical Science.</span> Sir G. L. Gomme.</p>
<p class="hang"><span class="smcap">Gilds and Companies of London, The.</span> George Unwin.</p>
<p class="hang"><span class="smcap">Manor and Manorial Records, The.</span> Nathaniel J. Hone. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Mediæval Hospitals of England, The.</span> Rotha Mary Clay.</p>
<p class="hang"><span class="smcap">Old English Instruments of Music.</span> F. W. Galpin. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Old English Libraries.</span> James Hutt.</p>
<p class="hang"><span class="smcap">Old Service Books of the English Church.</span> Christopher Wordsworth, and
Henry Littlehales. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Parish Life in Mediæval England.</span> Abbot Gasquet. <i>Third Edition.</i></p>
<p class="hang"><span class="smcap">Parish Registers of England, The.</span> J. C. Cox.</p>
<p class="hang"><span class="smcap">Remains of the Prehistoric Age in England.</span> B. C. A. Windle. <i>Second
Edition.</i></p>
<p class="hang"><span class="smcap">Roman Era in Britain, The.</span> J. Ward.</p>
<p class="hang"><span class="smcap">Romano-British Buildings and Earthworks.</span> J. Ward.</p>
<p class="hang"><span class="smcap">Royal Forests of England, The.</span> J. C. Cox.</p>
<p class="hang"><span class="smcap">Shrines of British Saints.</span> J. C. Wall.</p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_13_booklist2" id="Page_13_booklist2"></SPAN>[<SPAN href="./images/booklist2_13.png">13</SPAN>]</span>
<b>The Arden Shakespeare.</b></p>
<p class="center"><i>Demy 8vo.</i> <i>2s. 6d. net each volume.</i></p>
<p class="hang">An edition of Shakespeare in single Plays; each edited with a full
Introduction, Textual Notes, and a Commentary at the foot of the page.</p>
<div class="centered">
<table summary="Arden Shakespeare volumes" cellpadding="2" cellspacing="0">
<tr>
<td class="tdleftsc">All's Well That Ends Well.</td>
<td class="tdleftsc">Measure for Measure.</td>
</tr>
<tr>
<td class="tdleftsc">Antony and Cleopatra.</td>
<td class="tdleftsc">Merchant of Venice, The.</td>
</tr>
<tr>
<td class="tdleftsc">Cymbeline.</td>
<td class="tdleftsc">Merry Wives of Windsor, The.</td>
</tr>
<tr>
<td class="tdleftsc">Comedy of Errors, The.</td>
<td class="tdleftsc">Midsummer Night's Dream, A.</td>
</tr>
<tr>
<td class="tdleftsc"><span class="smcap">Hamlet.</span> <i>Third Edition.</i></td>
<td class="tdleftsc">Othello.</td>
</tr>
<tr>
<td class="tdleftsc">Julius Caesar.</td>
<td class="tdleftsc">Pericles.</td>
</tr>
<tr>
<td class="tdleftsc">*King Henry iv. Pt. i.</td>
<td class="tdleftsc">Romeo and Juliet.</td>
</tr>
<tr>
<td class="tdleftsc">King Henry v.</td>
<td class="tdleftsc">Taming of the Shrew, The.</td>
</tr>
<tr>
<td class="tdleftsc">King Henry vi. Pt. i.</td>
<td class="tdleftsc">Tempest, The.</td>
</tr>
<tr>
<td class="tdleftsc">King Henry vi. Pt. ii.</td>
<td class="tdleftsc">Timon of Athens.</td>
</tr>
<tr>
<td class="tdleftsc">King Henry vi. Pt. iii.</td>
<td class="tdleftsc">Titus Andronicus.</td>
</tr>
<tr>
<td class="tdleftsc">King Lear.</td>
<td class="tdleftsc">Troilus and Cressida.</td>
</tr>
<tr>
<td class="tdleftsc">*King Richard ii.</td>
<td class="tdleftsc">Two Gentlemen of Verona, The.</td>
</tr>
<tr>
<td class="tdleftsc">King Richard iii.</td>
<td class="tdleftsc">Twelfth Night.</td>
</tr>
<tr>
<td class="tdleftsc" style="padding-right: 5em;">Life and Death of King John, The.</td>
<td class="tdleftsc">Venus and Adonis.</td>
</tr>
<tr>
<td class="tdleftsc">Love's Labour's Lost.</td>
<td class="tdleftsc">*Winter's Tale, The.</td>
</tr>
<tr>
<td class="tdleftsc">Macbeth.</td>
</tr>
</table></div>
<p class="sectctr"><b>Classics of Art.</b></p>
<p class="center">Edited by <span class="smcap">Dr.</span> J. H. W. LAING.</p>
<p class="center"><i>With numerous Illustrations.</i> <i>Wide Royal 8vo.</i></p>
<p class="hang"><span class="smcap">The Art of the Greeks.</span> H. B. Walters. <i>12s. 6d. net.</i></p>
<p class="hang"><span class="smcap">The Art of the Romans.</span> H. B. Walters. <i>15s. net.</i></p>
<p class="hang"><span class="smcap">Chardin.</span> H. E. A. Furst. <i>12s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Donatello.</span> Maud Cruttwell. <i>15s. net.</i></p>
<p class="hang"><span class="smcap">Florentine Sculptors of the Renaissance.</span> Wilhelm Bode. Translated by
Jessie Haynes. <i>12s. 6d. net.</i></p>
<p class="hang"><span class="smcap">George Romney.</span> Arthur B. Chamberlain. <i>12s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Ghirlandaio.</span> Gerald S. Davies. <i>Second Edition.</i> <i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">Michelangelo.</span> Gerald S. Davies. <i>12s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Rubens.</span> Edward Dillon. <i>25s. net.</i></p>
<p class="hang"><span class="smcap">Raphael.</span> A. P. Oppé. <i>12s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Rembrandt's Etchings.</span> A. M. Hind.</p>
<p class="hang">*<span class="smcap">Sir Thomas Lawrence.</span> Sir Walter Armstrong. <i>21s. net.</i></p>
<p class="hang"><span class="smcap">Titian.</span> Charles Ricketts. <i>15s. net.</i></p>
<p class="hang"><span class="smcap">Tintoretto.</span> Evelyn March Phillipps. <i>15s. net.</i></p>
<p class="hang"><span class="smcap">Turner's Sketches and Drawings.</span> A. J. Finberg. <i>12s. 6d. net.</i> <i>Second
Edition.</i></p>
<p class="hang"><span class="smcap">Velazquez.</span> A. de Beruete. <i>10s. 6d. net.</i></p>
<p class="sectctr"><b>The "Complete" Series.</b></p>
<p class="center"><i>Fully Illustrated.</i> <i>Demy 8vo.</i></p>
<p class="hang"><span class="smcap">The Complete Billiard Player.</span> Charles Roberts. <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">The Complete Cook.</span> Lilian Whitling. <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">The Complete Cricketer.</span> Albert E. Knight. <i>7s. 6d. net.</i> <i>Second
Edition.</i></p>
<p class="hang"><span class="smcap">The Complete Foxhunter.</span> Charles Richardson. <i>12s. 6d. net.</i> <i>Second
Edition.</i></p>
<p class="hang"><span class="smcap">The Complete Golfer.</span> Harry Vardon. <i>10s. 6d. net.</i> <i>Twelfth Edition.</i></p>
<p class="hang"><span class="smcap">The Complete Hockey-Player.</span> Eustace E. White. <i>5s. net.</i> <i>Second
Edition.</i></p>
<p class="hang"><span class="smcap">The Complete Lawn Tennis Player.</span> A. Wallis Myers. <i>10s. 6d. net.</i> <i>Third
Edition, Revised.</i></p>
<p class="hang"><span class="smcap">The Complete Motorist.</span> Filson Young. <i>12s. 6d. net.</i> <i>New Edition
(Seventh).</i></p>
<p class="hang"><span class="smcap">The Complete Mountaineer.</span> G. D. Abraham. <i>15s. net.</i> <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">The Complete Oarsman.</span> R. C. Lehmann. <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">The Complete Photographer.</span> R. Child Bayley. <i>10s. 6d. net.</i> <i>Fourth
Edition.</i></p>
<p class="hang"><span class="smcap">The Complete Rugby Footballer, on the New Zealand System.</span> D. Gallaher
and W. J. Stead. <i>10s. 6d. net.</i> <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">The Complete Shot.</span> G. T. Teasdale-Buckell. <i>12s. 6d. net.</i> <i>Third
Edition.</i></p>
<p class="hang"><span class="smcap">The Complete Swimmer.</span> F. Sachs. <i>7s. 6d. net.</i></p>
<p class="hang">*<span class="smcap">The Complete Yachtsman.</span> B. Heckstall-Smith and E. du Boulay. <i>15s.
net.</i></p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_14_booklist2" id="Page_14_booklist2"></SPAN>[<SPAN href="./images/booklist2_14.png">14</SPAN>]</span>
<b>The Connoisseur's Library.</b></p>
<p class="center"><i>With numerous Illustrations.</i> <i>Wide Royal 8vo.</i> <i>25s. net each volume.</i></p>
<p class="hang"><span class="smcap">English Furniture.</span> F. S. Robinson.</p>
<p class="hang"><span class="smcap">English Coloured Books.</span> Martin Hardie.</p>
<p class="hang"><span class="smcap">Etchings.</span> Sir F. Wedmore. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">European Enamels.</span> Henry H. Cunynghame.</p>
<p class="hang"><span class="smcap">Glass.</span> Edward Dillon.</p>
<p class="hang"><span class="smcap">Goldsmiths' and Silversmiths' Work.</span> Nelson Dawson. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Illuminated Manuscripts.</span> J. A. Herbert. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Ivories.</span> Alfred Maskell.</p>
<p class="hang"><span class="smcap">Jewellery.</span> H. Clifford Smith. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Mezzotints.</span> Cyril Davenport.</p>
<p class="hang"><span class="smcap">Miniatures.</span> Dudley Heath.</p>
<p class="hang"><span class="smcap">Porcelain.</span> Edward Dillon.</p>
<p class="hang">*<span class="smcap">Fine Books.</span> A. W. Pollard.</p>
<p class="hang"><span class="smcap">Seals.</span> Walter de Gray Birch.</p>
<p class="hang"><span class="smcap">Wood Sculpture.</span> Alfred Maskell. <i>Second Edition.</i></p>
<p class="sectctr"><b>Handbooks of English Church History.</b></p>
<p class="center">Edited by J. H. BURN. <i>Crown 8vo.</i> <i>2s. 6d. net each volume.</i></p>
<p class="hang"><span class="smcap">The Foundations of the English Church.</span> J. H. Maude.</p>
<p class="hang"><span class="smcap">The Saxon Church and the Norman Conquest.</span> C. T. Cruttwell.</p>
<p class="hang"><span class="smcap">The Mediæval Church and the Papacy.</span> A. C. Jennings.</p>
<p class="hang"><span class="smcap">The Reformation Period.</span> Henry Gee.</p>
<p class="hang"><span class="smcap">The Struggle with Puritanism.</span> Bruce Blaxland.</p>
<p class="hang"><span class="smcap">The Church of England in the Eighteenth Century.</span> Alfred Plummer.</p>
<p class="sectctr"><b>Handbooks of Theology.</b></p>
<p class="hang"><span class="smcap">The Doctrine of the Incarnation.</span> R. L. Ottley. <i>Fifth Edition, Revised.</i>
<i>Demy 8vo.</i> <i>12s. 6d.</i></p>
<p class="hang"><span class="smcap">A History of Early Christian Doctrine.</span> J. F. Bethune-Baker. <i>Demy 8vo.</i>
<i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">An Introduction to the History of Religion.</span> F. B. Jevons. <i>Fifth
Edition.</i> <i>Demy 8vo.</i> <i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">An Introduction to the History of the Creeds.</span> A. E. Burn. <i>Demy 8vo.</i>
<i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">The Philosophy of Religion in England and America.</span> Alfred Caldecott.
<i>Demy 8vo.</i> <i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">The</span> XXXIX <span class="smcap">Articles of the Church of England</span>. Edited by E. C. S. Gibson.
<i>Seventh Edition.</i> <i>Demy 8vo.</i> <i>12s. 6d.</i></p>
<p class="sectctr"><b>The "Home Life" Series.</b></p>
<p class="center"><i>Illustrated.</i> <i>Demy 8vo.</i> <i>6s. to 10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Home Life in America.</span> Katherine G. Busbey. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Home Life in France.</span> Miss Betham-Edwards. <i>Fifth Edition.</i></p>
<p class="hang"><span class="smcap">Home Life in Germany.</span> Mrs. A. Sidgwick. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Home Life in Holland.</span> D. S. Meldrum. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Home Life in Italy.</span> Lina Duff Gordon. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Home Life in Norway.</span> H. K. Daniels.</p>
<p class="hang"><span class="smcap">Home Life in Russia.</span> Dr. A. S. Rappoport.</p>
<p class="hang"><span class="smcap">Home Life in Spain.</span> S. L. Bensusan. <i>Second Edition.</i></p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_15_booklist2" id="Page_15_booklist2"></SPAN>[<SPAN href="./images/booklist2_15.png">15</SPAN>]</span>
<b>The Illustrated Pocket Library of Plain and Coloured Books.</b></p>
<p class="center"><i>Fcap. 8vo.</i> <i>3s. 6d. net each volume.</i></p>
<p class="center"><b>WITH COLOURED ILLUSTRATIONS.</b></p>
<p class="hang"><span class="smcap">Old Coloured Books.</span> George Paston. <i>2s. net.</i></p>
<p class="hang"><span class="smcap">The Life and Death of John Mytton, Esq.</span> Nimrod. <i>Fifth Edition.</i></p>
<p class="hang"><span class="smcap">The Life of a Sportsman.</span> Nimrod.</p>
<p class="hang"><span class="smcap">Handley Cross.</span> R. S. Surtees. <i>Fourth Edition.</i></p>
<p class="hang"><span class="smcap">Mr. Sponge's Sporting Tour.</span> R. S. Surtees. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Jorrocks's Jaunts and Jollities.</span> R. S. Surtees. <i>Third Edition.</i></p>
<p class="hang"><span class="smcap">Ask Mamma.</span> R. S. Surtees.</p>
<p class="hang"><span class="smcap">The Analysis of the Hunting Field.</span> R. S. Surtees.</p>
<p class="hang"><span class="smcap">The Tour of Dr. Syntax in Search of the Picturesque.</span> William Combe.</p>
<p class="hang"><span class="smcap">The Tour of Dr. Syntax in Search of Consolation.</span> William Combe.</p>
<p class="hang"><span class="smcap">The Third Tour of Dr. Syntax in Search of a Wife.</span> William Combe.</p>
<p class="hang"><span class="smcap">The History of Johnny Quae Genus.</span> The Author of 'The Three Tours.'</p>
<p class="hang"><span class="smcap">The English Dance of Death</span>, from the Designs of T. Rowlandson, with
Metrical Illustrations by the Author of 'Doctor Syntax.' <i>Two Volumes.</i></p>
<p class="hang"><span class="smcap">The Dance of Life:</span> A Poem. The Author of 'Dr. Syntax.'</p>
<p class="hang"><span class="smcap">Life in London.</span> Pierce Egan.</p>
<p class="hang"><span class="smcap">Real Life in London.</span> An Amateur (Pierce Egan). <i>Two Volumes.</i></p>
<p class="hang"><span class="smcap">The Life of an Actor.</span> Pierce Egan.</p>
<p class="hang"><span class="smcap">The Vicar of Wakefield.</span> Oliver Goldsmith.</p>
<p class="hang"><span class="smcap">The Military Adventures of Johnny Newcome.</span> An Officer.</p>
<p class="hang"><span class="smcap">The National Sports of Great Britain.</span> With Descriptions and 50 Coloured
Plates by Henry Alken.</p>
<p class="hang"><span class="smcap">The Adventures of a Post Captain.</span> A Naval Officer.</p>
<p class="hang"><span class="smcap">Gamonia.</span> Lawrence Rawstorne.</p>
<p class="hang"><span class="smcap">An Academy for Grown Horsemen.</span> Geoffrey Gambado.</p>
<p class="hang"><span class="smcap">Real Life in Ireland.</span> A Real Paddy.</p>
<p class="hang"><span class="smcap">The Adventures of Johnny Newcome in the Navy.</span> Alfred Burton.</p>
<p class="hang"><span class="smcap">The Old English Squire.</span> John Careless.</p>
<p class="hang"><span class="smcap">The English Spy.</span> Bernard Blackmantle. <i>Two Volumes.</i> <i>7s. net.</i></p>
<p class="sectctr"><b>WITH PLAIN ILLUSTRATIONS.</b></p>
<p class="hang"><span class="smcap">The Grave:</span> A Poem. Robert Blair.</p>
<p class="hang"><span class="smcap">Illustrations of the Book of Job.</span> Invented and engraved by William
Blake.</p>
<p class="hang"><span class="smcap">Windsor Castle.</span> W. Harrison Ainsworth.</p>
<p class="hang"><span class="smcap">The Tower of London.</span> W. Harrison Ainsworth.</p>
<p class="hang"><span class="smcap">Frank Fairlegh.</span> F. E. Smedley.</p>
<p class="hang"><span class="smcap">The Compleat Angler.</span> Izaak Walton and Charles Cotton.</p>
<p class="hang"><span class="smcap">The Pickwick Papers.</span> Charles Dickens.</p>
<p class="sectctr"><b>Leaders of Religion.</b></p>
<p class="center">Edited by H. C. BEECHING. <i>With Portraits.</i></p>
<p class="center"><i>Crown 8vo.</i> <i>2s. net each volume.</i></p>
<p class="hang"><span class="smcap">Cardinal Newman.</span> R. H. Hutton.</p>
<p class="hang"><span class="smcap">John Wesley.</span> J. H. Overton.</p>
<p class="hang"><span class="smcap">Bishop Wilberforce.</span> G. W. Daniell.</p>
<p class="hang"><span class="smcap">Cardinal Manning.</span> A. W. Hutton.</p>
<p class="hang"><span class="smcap">Charles Simeon.</span> H. C. G. Moule.</p>
<p class="hang"><span class="smcap">John Knox.</span> F. MacCunn. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">John Howe.</span> R. F. Horton.</p>
<p class="hang"><span class="smcap">Thomas Ken.</span> F. A. Clarke.</p>
<p class="hang"><span class="smcap">George Fox, the Quaker.</span> T. Hodgkin. <i>Third Edition.</i></p>
<p class="hang"><span class="smcap">John Keble.</span> Walter Lock.</p>
<p class="hang"><span class="smcap">Thomas Chalmers.</span> Mrs. Oliphant. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Lancelot Andrewes.</span> R. L. Ottley. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Augustine of Canterbury.</span> E. L. Cutts.</p>
<p class="hang"><span class="smcap">William Laud.</span> W. H. Hutton. <i>Third Ed.</i></p>
<p class="hang"><span class="smcap">John Donne.</span> Augustus Jessop.</p>
<p class="hang"><span class="smcap">Thomas Cranmer.</span> A. J. Mason.</p>
<p class="hang"><span class="smcap">Latimer.</span> R. M. Carlyle and A. J. Carlyle.</p>
<p class="hang"><span class="smcap">Bishop Butler.</span> W. A. Spooner.</p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_16_booklist2" id="Page_16_booklist2"></SPAN>[<SPAN href="./images/booklist2_16.png">16</SPAN>]</span>
<b>The Library of Devotion.</b></p>
<p class="center">With Introductions and (where necessary) Notes.</p>
<p class="center"><i>Small Pott 8vo, cloth, 2s.; leather, 2s. 6d. net each volume.</i></p>
<p class="hang"><span class="smcap">The Confessions of St. Augustine.</span> <i>Seventh Edition.</i></p>
<p class="hang"><span class="smcap">The Imitation of Christ.</span> <i>Sixth Edition.</i></p>
<p class="hang"><span class="smcap">The Christian Year.</span> <i>Fifth Edition.</i></p>
<p class="hang"><span class="smcap">Lyra Innocentium.</span> <i>Third Edition.</i></p>
<p class="hang"><span class="smcap">The Temple.</span> <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">A Book of Devotions.</span> <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">A Serious Call to a Devout and Holy Life.</span> <i>Fourth Edition.</i></p>
<p class="hang"><span class="smcap">A Guide to Eternity.</span></p>
<p class="hang"><span class="smcap">The Inner Way.</span> <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">On the Love of God.</span></p>
<p class="hang"><span class="smcap">The Psalms of David.</span></p>
<p class="hang"><span class="smcap">Lyra Apostolica.</span></p>
<p class="hang"><span class="smcap">The Song of Songs.</span></p>
<p class="hang"><span class="smcap">The Thoughts of Pascal.</span> <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">A Manual of Consolation from the Saints and Fathers.</span></p>
<p class="hang"><span class="smcap">Devotions from the Apocrypha.</span></p>
<p class="hang"><span class="smcap">The Spiritual Combat.</span></p>
<p class="hang"><span class="smcap">The Devotions of St. Anselm.</span></p>
<p class="hang"><span class="smcap">Bishop Wilson's Sacra Privata.</span></p>
<p class="hang"><span class="smcap">Grace Abounding to the Chief of Sinners.</span></p>
<p class="hang"><span class="smcap">Lyra Sacra: A Book of Sacred Verse.</span> <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">A Day Book from the Saints and Fathers.</span></p>
<p class="hang"><span class="smcap">A Little Book of Heavenly Wisdom.</span> A Selection from the English Mystics.</p>
<p class="hang"><span class="smcap">Light, Life, and Love.</span> A Selection from the German Mystics.</p>
<p class="hang"><span class="smcap">An Introduction to the Devout Life.</span></p>
<p class="hang"><span class="smcap">The Little Flowers of the Glorious Messer St. Francis and of his Friars.</span></p>
<p class="hang"><span class="smcap">Death and Immortality.</span></p>
<p class="hang"><span class="smcap">The Spiritual Guide.</span> <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Devotions for Every Day in the Week and the Great Festivals.</span></p>
<p class="hang"><span class="smcap">Preces Privatae.</span></p>
<p class="hang"><span class="smcap">Horae Mysticae:</span> A Day Book from the Writings of Mystics of Many Nations.</p>
<p class="sectctr"><b>Little Books on Art.</b></p>
<p class="center"><i>With many Illustrations.</i> <i>Demy 16mo.</i> <i>2s. 6d. net each volume.</i></p>
<p>Each volume consists of about 200 pages, and contains from 30 to 40
Illustrations, including a Frontispiece in Photogravure.</p>
<p class="hang"><span class="smcap">Albrecht Dürer.</span> L. J. Allen.</p>
<p class="hang"><span class="smcap">Arts of Japan, The.</span> E. Dillon. <i>Third Edition.</i></p>
<p class="hang"><span class="smcap">Bookplates.</span> E. Almack.</p>
<p class="hang"><span class="smcap">Botticelli.</span> Mary L. Bonnor.</p>
<p class="hang"><span class="smcap">Burne-Jones.</span> F. de Lisle.</p>
<p class="hang"><span class="smcap">Cellini.</span> R. H. H. Cust.</p>
<p class="hang"><span class="smcap">Christian Symbolism.</span> Mrs. H. Jenner.</p>
<p class="hang"><span class="smcap">Christ in Art.</span> Mrs. H. Jenner.</p>
<p class="hang"><span class="smcap">Claude.</span> E. Dillon.</p>
<p class="hang"><span class="smcap">Constable.</span> H. W. Tompkins. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Corot.</span> A. Pollard and E. Birnstingl.</p>
<p class="hang"><span class="smcap">Enamels.</span> Mrs. N. Dawson. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Frederic Leighton.</span> A. Corkran.</p>
<p class="hang"><span class="smcap">George Romney.</span> G. Paston.</p>
<p class="hang"><span class="smcap">Greek Art.</span> H. B. Walters. <i>Fourth Edition.</i></p>
<p class="hang"><span class="smcap">Greuze and Boucher.</span> E. F. Pollard.</p>
<p class="hang"><span class="smcap">Holbein.</span> Mrs. G. Fortescue.</p>
<p class="hang"><span class="smcap">Illuminated Manuscripts.</span> J. W. Bradley.</p>
<p class="hang"><span class="smcap">Jewellery.</span> C. Davenport.</p>
<p class="hang"><span class="smcap">John Hoppner.</span> H. P. K. Skipton.</p>
<p class="hang"><span class="smcap">Sir Joshua Reynolds.</span> J. Sime. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Millet.</span> N. Peacock.</p>
<p class="hang"><span class="smcap">Miniatures.</span> C. Davenport.</p>
<p class="hang"><span class="smcap">Our Lady in Art.</span> Mrs. H. Jenner.</p>
<p class="hang"><span class="smcap">Raphael.</span> A. R. Dryhurst.</p>
<p class="hang"><span class="smcap">Rembrandt.</span> Mrs. E. A. Sharp.</p>
<p class="hang">*<span class="smcap">Rodin.</span> Muriel Ciolkowska.</p>
<p class="hang"><span class="smcap">Turner.</span> F. Tyrrell-Gill.</p>
<p class="hang"><span class="smcap">Vandyck.</span> M. G. Smallwood.</p>
<p class="hang"><span class="smcap">Velazquez.</span> W. Wilberforce and A. R. Gilbert.</p>
<p class="hang"><span class="smcap">Watts.</span> R. E. D. Sketchley. <i>Second Edition.</i></p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_17_booklist2" id="Page_17_booklist2"></SPAN>[<SPAN href="./images/booklist2_17.png">17</SPAN>]</span>
<b>The Little Galleries.</b></p>
<p class="center"><i>Demy 16mo.</i> <i>2s. 6d. net each volume.</i></p>
<p>Each volume contains 20 plates in Photogravure, together with a short
outline of the life and work of the master to whom the book is devoted.</p>
<div class="centered">
<table summary="titles in Little Galleries series" cellpadding="4" cellspacing="2">
<tr>
<td class="tdleftsc" style="padding-right: 5em;">A Little Gallery of Reynolds.</td>
<td class="tdleftsc">A Little Gallery of Millais.</td>
</tr>
<tr>
<td class="tdleftsc">A Little Gallery of Romney.</td>
<td class="tdleftsc">A Little Gallery of English Poets.</td>
</tr>
<tr>
<td class="tdleftsc">A Little Gallery of Hoppner.</td>
</tr>
</table></div>
<p class="sectctr"><b>The Little Guides.</b></p>
<p class="center">With many Illustrations by <span class="smcap">E. H. New</span> and other artists, and from
photographs.</p>
<p class="center"><i>Small Pott 8vo, cloth, 2s. 6d. net; leather, 3s. 6d. net, each volume.</i></p>
<p>The main features of these Guides are (1) a handy and charming form; (2)
illustrations from photographs and by well-known artists; (3) good plans
and maps; (4) an adequate but compact presentation of everything that is
interesting in the natural features, history, archæology, and
architecture of the town or district treated.</p>
<p class="hang"><span class="smcap">Cambridge and its Colleges.</span> A. H. Thompson. <i>Third Edition, Revised.</i></p>
<p class="hang"><span class="smcap">Channel Islands, The.</span> E. E. Bicknell.</p>
<p class="hang"><span class="smcap">English Lakes, The.</span> F. G. Brabant.</p>
<p class="hang"><span class="smcap">Isle of Wight, The.</span> G. Clinch.</p>
<p class="hang"><span class="smcap">London.</span> G. Clinch.</p>
<p class="hang"><span class="smcap">Malvern Country, The.</span> B. C. A. Windle.</p>
<p class="hang"><span class="smcap">North Wales.</span> A. T. Story.</p>
<p class="hang"><span class="smcap">Oxford and its Colleges.</span> J. Wells. <i>Ninth Edition.</i></p>
<p class="hang"><span class="smcap">Shakespeare's Country.</span> B. C. A. Windle. <i>Fourth Edition.</i></p>
<p class="hang"><span class="smcap">St. Paul's Cathedral.</span> G. Clinch.</p>
<p class="hang"><span class="smcap">Westminster Abbey.</span> G. E. Troutbeck. <i>Second Edition.</i></p>
<hr style="width: 45%;" />
<p class="hang"><span class="smcap">Berkshire.</span> F. G. Brabant.</p>
<p class="hang"><span class="smcap">Buckinghamshire.</span> E. S. Roscoe.</p>
<p class="hang"><span class="smcap">Cheshire.</span> W. M. Gallichan.</p>
<p class="hang"><span class="smcap">Cornwall.</span> A. L. Salmon.</p>
<p class="hang"><span class="smcap">Derbyshire.</span> J. C. Cox.</p>
<p class="hang"><span class="smcap">Devon.</span> S. Baring-Gould. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Dorset.</span> F. R. Heath. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Essex.</span> J. C. Cox.</p>
<p class="hang"><span class="smcap">Hampshire.</span> J. C. Cox.</p>
<p class="hang"><span class="smcap">Hertfordshire.</span> H. W. Tompkins.</p>
<p class="hang"><span class="smcap">Kent.</span> G. Clinch.</p>
<p class="hang"><span class="smcap">Kerry.</span> C. P. Crane.</p>
<p class="hang"><span class="smcap">Leicestershire and Rutland.</span> A. Harvey and V. B. Crowther-Beynon.</p>
<p class="hang"><span class="smcap">Middlesex.</span> J. B. Firth.</p>
<p class="hang"><span class="smcap">Monmouthshire.</span> G. W. Wade and J. H. Wade.</p>
<p class="hang"><span class="smcap">Norfolk.</span> W. A. Dutt. <i>Second Edition, Revised.</i></p>
<p class="hang"><span class="smcap">Northamptonshire.</span> W. Dry. <i>Second Ed.</i></p>
<p class="hang"><span class="smcap">Northumberland.</span> J. E. Morris.</p>
<p class="hang"><span class="smcap">Nottinghamshire.</span> L. Guilford.</p>
<p class="hang"><span class="smcap">Oxfordshire.</span> F. G. Brabant.</p>
<p class="hang"><span class="smcap">Shropshire.</span> J. E. Auden.</p>
<p class="hang"><span class="smcap">Somerset.</span> G. W. and J. H. Wade. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Staffordshire.</span> C. Masefield.</p>
<p class="hang"><span class="smcap">Suffolk.</span> W. A. Dutt.</p>
<p class="hang"><span class="smcap">Surrey.</span> J. C. Cox.</p>
<p class="hang"><span class="smcap">Sussex.</span> F. G. Brabant. <i>Third Edition.</i></p>
<p class="hang"><span class="smcap">Wiltshire.</span> F. R. Heath.</p>
<p class="hang"><span class="smcap">Yorkshire, The East Riding.</span> J. E. Morris.</p>
<p class="hang"><span class="smcap">Yorkshire, The North Riding.</span> J. E. Morris.</p>
<p class="hang"><span class="smcap">Yorkshire, The West Riding.</span> J. E. Morris. <i>Cloth, 3s. 6d. net; leather,
4s. 6d. net.</i></p>
<hr style="width: 45%;" />
<p class="hang"><span class="smcap">Brittany.</span> S. Baring-Gould.</p>
<p class="hang"><span class="smcap">Normandy.</span> C. Scudamore.</p>
<p class="hang"><span class="smcap">Rome.</span> C. G. Ellaby.</p>
<p class="hang"><span class="smcap">Sicily.</span> F. H. Jackson.</p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_18_booklist2" id="Page_18_booklist2"></SPAN>[<SPAN href="./images/booklist2_18.png">18</SPAN>]</span>
<b>The Little Library.</b></p>
<p class="center">With Introductions, Notes, and Photogravure Frontispieces.</p>
<p class="center"><i>Small Pott 8vo.</i> <i>Each Volume, cloth, 1s. 6d. net.</i></p>
<p class="secth"><b>Anon.</b> A LITTLE BOOK OF ENGLISH LYRICS. <i>Second Edition.</i></p>
<p class="secth"><b>Austen (Jane).</b> PRIDE AND PREJUDICE. <i>Two Volumes.</i> NORTHANGER ABBEY.</p>
<p class="secth"><b>Bacon (Francis).</b> THE ESSAYS OF LORD BACON.</p>
<p class="secth"><b>Barham (R. H.).</b> THE INGOLDSBY LEGENDS. <i>Two Volumes.</i></p>
<p class="secth"><b>Barnett (Annie).</b> A LITTLE BOOK OF ENGLISH PROSE.</p>
<p class="secth"><b>Beckford (William).</b> THE HISTORY OF THE CALIPH VATHEK.</p>
<p class="secth"><b>Blake (William).</b> SELECTIONS FROM THE WORKS OF WILLIAM BLAKE.</p>
<p class="secth"><b>Borrow (George).</b> LAVENGRO. <i>Two Volumes.</i> THE ROMANY RYE.</p>
<p class="secth"><b>Browning (Robert).</b> SELECTIONS FROM THE EARLY POEMS OF ROBERT BROWNING.</p>
<p class="secth"><b>Canning (George).</b> SELECTIONS FROM THE ANTI-JACOBIN: with some later
Poems by <span class="smcap">George Canning</span>.</p>
<p class="secth"><b>Cowley (Abraham).</b> THE ESSAYS OF ABRAHAM COWLEY.</p>
<p class="secth"><b>Crabbe (George).</b> SELECTIONS FROM THE POEMS OF GEORGE CRABBE.</p>
<p class="secth"><b>Craik (Mrs.).</b> JOHN HALIFAX, GENTLEMAN. <i>Two Volumes.</i></p>
<p class="secth"><b>Crashaw (Richard).</b> THE ENGLISH POEMS OF RICHARD CRASHAW.</p>
<p class="secth"><b>Dante Alighieri.</b> THE INFERNO OF DANTE. Translated by <span class="smcap">H. F. Cary</span>.</p>
<p class="bl2title">THE PURGATORIO OF DANTE. Translated by <span class="smcap">H. F. Cary</span>.</p>
<p class="bl2title">THE PARADISO OF DANTE. Translated by <span class="smcap">H. F. Cary</span>.</p>
<p class="secth"><b>Darley (George).</b> SELECTIONS FROM THE POEMS OF GEORGE DARLEY.</p>
<p class="secth"><b>Deane (A. C.).</b> A LITTLE BOOK OF LIGHT VERSE.</p>
<p class="secth"><b>Dickens (Charles).</b> CHRISTMAS BOOKS. <i>Two Volumes.</i></p>
<p class="secth"><b>Ferrier (Susan).</b> MARRIAGE. <i>Two Volumes.</i> THE INHERITANCE. <i>Two
Volumes.</i></p>
<p class="secth"><b>Gaskell (Mrs.).</b> CRANFORD. <i>Second Ed.</i></p>
<p class="secth"><b>Hawthorne (Nathaniel).</b> THE SCARLET LETTER.</p>
<p class="secth"><b>Henderson (T. F.).</b> A LITTLE BOOK OF SCOTTISH VERSE.</p>
<p class="secth"><b>Kinglake (A. W.).</b> EOTHEN. <i>Second Edition.</i></p>
<p class="secth"><b>Lamb (Charles).</b> ELIA, AND THE LAST ESSAYS OF ELIA.</p>
<p class="secth"><b>Locker (F.).</b> LONDON LYRICS.</p>
<p class="secth"><b>Marvell (Andrew).</b> THE POEMS OF ANDREW MARVELL.</p>
<p class="secth"><b>Milton (John).</b> THE MINOR POEMS OF JOHN MILTON.</p>
<p class="secth"><b>Moir (D. M.).</b> MANSIE WAUCH.</p>
<p class="secth"><b>Nichols (Bowyer).</b> A LITTLE BOOK OF ENGLISH SONNETS.</p>
<p class="secth"><b>Smith (Horace and James).</b> REJECTED ADDRESSES.</p>
<p class="secth"><b>Sterne (Laurence).</b> A SENTIMENTAL JOURNEY.</p>
<p class="secth"><b>Tennyson (Alfred, Lord).</b> THE EARLY POEMS OF ALFRED, LORD TENNYSON. IN
MEMORIAM. THE PRINCESS. MAUD.</p>
<p class="secth"><b>Thackeray (W. M.).</b> VANITY FAIR. <i>Three Volumes.</i></p>
<p class="bl2title">PENDENNIS. <i>Three Volumes.</i></p>
<p class="bl2title">HENRY ESMOND.</p>
<p class="bl2title">CHRISTMAS BOOKS.</p>
<p class="secth"><b>Vaughan (Henry).</b> THE POEMS OF HENRY VAUGHAN.</p>
<p class="secth"><b>Waterhouse (Elizabeth).</b> A LITTLE BOOK OF LIFE AND DEATH. <i>Thirteenth
Edition.</i></p>
<p class="secth"><b>Wordsworth (W.).</b> SELECTIONS FROM THE POEMS OF WILLIAM WORDSWORTH.</p>
<p class="secth"><b>Wordsworth (W.)</b> and <b>Coleridge (S. T.)</b>. LYRICAL BALLADS. <i>Second
Edition.</i></p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_19_booklist2" id="Page_19_booklist2"></SPAN>[<SPAN href="./images/booklist2_19.png">19</SPAN>]</span>
<b>The Little Quarto Shakespeare.</b></p>
<p class="center">Edited by W. J. CRAIG. With Introductions and Notes.</p>
<p class="center"><i>Pott 16mo.</i> <i>In 40 Volumes.</i> <i>Leather, price 1s. net each volume.</i></p>
<p class="center"><i>Mahogany Revolving Book Case.</i> <i>10s. net.</i></p>
<p class="sectctr"><b>Miniature Library.</b></p>
<p class="center"><i>Demy 32mo.</i> <i>Leather, 1s. net each volume.</i></p>
<p class="hang"><span class="smcap">Euphranor:</span> A Dialogue on Youth. Edward FitzGerald.</p>
<p class="hang"><span class="smcap">The Life of Edward, Lord Herbert of Cherbury.</span> Written by himself.</p>
<p class="hang"><span class="smcap">Polonius:</span> or Wise Saws and Modern Instances. Edward FitzGerald.</p>
<p class="hang"><span class="smcap">The Rubáiyát of Omar Khayyám.</span> Edward FitzGerald. <i>Fourth Edition.</i></p>
<p class="sectctr"><b>The New Library of Medicine.</b></p>
<p class="center">Edited by C. W. SALEEBY. <i>Demy 8vo.</i></p>
<p class="hang"><span class="smcap">Care of the Body, The.</span> F. Cavanagh. <i>Second Edition.</i> <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Children of the Nation, The.</span> The Right Hon. Sir John Gorst. <i>Second
Edition.</i> <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Control of a Scourge</span>; or, How Cancer is Curable, The. Chas. P. Childe.
<i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Diseases of Occupation.</span> Sir Thomas Oliver. <i>10s. 6d. net.</i> <i>Second
Edition.</i></p>
<p class="hang"><span class="smcap">Drink Problem</span>, in its Medico-Sociological Aspects, The. Edited by T. N.
Kelynack. <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Drugs and the Drug Habit.</span> H. Sainsbury.</p>
<p class="hang"><span class="smcap">Functional Nerve Diseases.</span> A. T. Schofield. <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Hygiene of Mind, The.</span> T. S. Clouston. <i>Fifth Edition.</i> <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Infant Mortality.</span> Sir George Newman. <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Prevention of Tuberculosis (Consumption), The.</span> Arthur Newsholme. <i>10s.
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<p class="hang"><span class="smcap">Air and Health.</span> Ronald C. Macfie. <i>7s. 6d. net.</i> <i>Second Edition.</i></p>
<p class="sectctr"><b>The New Library of Music.</b></p>
<p class="center">Edited by ERNEST NEWMAN. <i>Illustrated.</i> <i>Demy 8vo.</i> <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Brahms.</span> J. A. Fuller-Maitland. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Handel.</span> R. A. Streatfeild. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Hugo Wolf.</span> Ernest Newman.</p>
<p class="sectctr"><b>Oxford Biographies.</b></p>
<p class="center"><i>Illustrated.</i> <i>Fcap. 8vo.</i> <i>Each volume, cloth, 2s. 6d. net; leather,
3s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Dante Alighieri.</span> Paget Toynbee. <i>Third Edition.</i></p>
<p class="hang"><span class="smcap">Girolamo Savonarola.</span> E. L. S. Horsburgh. <i>Fourth Edition.</i></p>
<p class="hang"><span class="smcap">John Howard.</span> E. C. S. Gibson.</p>
<p class="hang"><span class="smcap">Alfred Tennyson.</span> A. C. Benson. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Sir Walter Raleigh.</span> I. A. Taylor.</p>
<p class="hang"><span class="smcap">Erasmus.</span> E. F. H. Capey.</p>
<p class="hang"><span class="smcap">The Young Pretender.</span> C. S. Terry.</p>
<p class="hang"><span class="smcap">Robert Burns.</span> T. F. Henderson.</p>
<p class="hang"><span class="smcap">Chatham.</span> A. S. McDowall.</p>
<p class="hang"><span class="smcap">Francis of Assisi.</span> Anna M. Stoddart.</p>
<p class="hang"><span class="smcap">Canning.</span> W. Alison Phillips.</p>
<p class="hang"><span class="smcap">Beaconsfield.</span> Walter Sichel.</p>
<p class="hang"><span class="smcap">Johann Wolfgang Goethe.</span> H. G. Atkins.</p>
<p class="hang"><span class="smcap">François de Fénelon.</span> Viscount St. Cyres.</p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_20_booklist2" id="Page_20_booklist2"></SPAN>[<SPAN href="./images/booklist2_20.png">20</SPAN>]</span>
<b>Three Plays.</b></p>
<p class="center"><i>Fcap. 8vo.</i> <i>2s. net.</i></p>
<p class="hang"><span class="smcap">The Honeymoon.</span> A Comedy in Three Acts. Arnold Bennett. <i>Second Edition.</i></p>
<p class="hang"><span class="smcap">Milestones.</span> Arnold Bennett and Edward Knoblauch. <i>Second Edition</i>.</p>
<p class="hang"><span class="smcap">Kismet.</span> Edward Knoblauch.</p>
<p class="sectctr"><b>The States of Italy.</b></p>
<p class="center">Edited by E. ARMSTRONG and R. LANGTON DOUGLAS.</p>
<p class="center"><i>Illustrated.</i> <i>Demy 8vo.</i></p>
<p class="hang"><span class="smcap">A History of Milan under the Sforza.</span> Cecilia M. Ady. <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">A History of Verona.</span> A. M. Allen. <i>12s. 6d. net.</i></p>
<p class="hang"><span class="smcap">A History of Perugia.</span> W. Heywood. <i>12s. 6d. net.</i></p>
<p class="sectctr"><b>The Westminster Commentaries.</b></p>
<p class="center">General Editor, WALTER LOCK.</p>
<p class="center"><i>Demy 8vo.</i></p>
<p class="hang"><span class="smcap">The Acts of the Apostles.</span> Edited by R. B. Rackham. <i>Sixth Edition.</i>
<i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">The First Epistle of Paul the Apostle to the Corinthians.</span> Edited by H.
L. Goudge. <i>Third Edition.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">The Book of Exodus.</span> Edited by A. H. M'Neile. With a Map and 3 Plans.
<i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">The Book of Ezekiel.</span> Edited by H. A. Redpath. <i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">The Book of Genesis.</span> Edited with Introduction and Notes by S. R. Driver.
<i>Eighth Edition.</i> <i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">The Book of the Prophet Isaiah.</span> Edited by G. W. Wade. <i>10s. 6d.</i></p>
<p class="hang"><span class="smcap">Additions and Corrections in the Seventh and Eighth Editions of The Book
of Genesis.</span> S. R. Driver. <i>1s.</i></p>
<p class="hang"><span class="smcap">The Book of Job.</span> Edited by E. C. S. Gibson. <i>Second Edition.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">The Epistle of St. James.</span> Edited with Introduction and Notes by R. J.
Knowling. <i>Second Edition.</i> <i>6s.</i></p>
<p class="sectctr"><b>The "Young" Series.</b></p>
<p class="center"><i>Illustrated.</i> <i>Crown 8vo.</i></p>
<p class="hang"><span class="smcap">The Young Botanist.</span> W. P. Westell and C. S. Cooper. <i>3s. 6d. net.</i></p>
<p class="hang"><span class="smcap">The Young Carpenter.</span> Cyril Hall. <i>5s.</i></p>
<p class="hang"><span class="smcap">The Young Electrician.</span> Hammond Hall. <i>5s.</i></p>
<p class="hang"><span class="smcap">The Young Engineer.</span> Hammond Hall. <i>Third Edition.</i> <i>5s.</i></p>
<p class="hang"><span class="smcap">The Young Naturalist.</span> W. P. Westell. <i>Second Edition.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">The Young Ornithologist.</span> W. P. Westell. <i>5s.</i></p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_21_booklist2" id="Page_21_booklist2"></SPAN>[<SPAN href="./images/booklist2_21.png">21</SPAN>]</span>
<b>Methuen's Shilling Library.</b></p>
<p class="center"><i>Fcap. 8vo.</i> <i>1s. net.</i></p>
<p class="hang"><span class="smcap">Condition of England, The.</span> G. F. G. Masterman.</p>
<p class="hang"><span class="smcap">De Profundis.</span> Oscar Wilde.</p>
<p class="hang"><span class="smcap">From Midshipman to Field-Marshal.</span> Sir Evelyn Wood, F.M., V.C.</p>
<p class="hang">*<span class="smcap">Ideal Husband, An.</span> Oscar Wilde.</p>
<p class="hang">*<span class="smcap">Jimmy Glover, His Book.</span> James M. Glover.</p>
<p class="hang">*<span class="smcap">John Boyes, King of the Wa-Kikuyu.</span> John Boyes.</p>
<p class="hang"><span class="smcap">Lady Windermere's Fan.</span> Oscar Wilde.</p>
<p class="hang"><span class="smcap">Letters from a Self-Made Merchant to his Son.</span> George Horace Lorimer.</p>
<p class="hang"><span class="smcap">Life of John Ruskin, The.</span> W. G. Collingwood.</p>
<p class="hang"><span class="smcap">Life of Robert Louis Stevenson, The.</span> Graham Balfour.</p>
<p class="hang">*<span class="smcap">Life of Tennyson, The.</span> A. C. Benson.</p>
<p class="hang">*<span class="smcap">Little of Everything, A.</span> E. V. Lucas.</p>
<p class="hang"><span class="smcap">Lord Arthur Savile's Crime.</span> Oscar Wilde.</p>
<p class="hang"><span class="smcap">Lore of the Honey-Bee, The.</span> Tickner Edwardes.</p>
<p class="hang"><span class="smcap">Man and the Universe.</span> Sir Oliver Lodge.</p>
<p class="hang"><span class="smcap">Mary Magdalene.</span> Maurice Maeterlinck.</p>
<p class="hang"><span class="smcap">Selected Poems.</span> Oscar Wilde.</p>
<p class="hang"><span class="smcap">Sevastopol, and Other Stories.</span> Leo Tolstoy.</p>
<p class="hang"><span class="smcap">The Blue Bird.</span> Maurice Maeterlinck.</p>
<p class="hang"><span class="smcap">Under Five Reigns.</span> Lady Dorothy Nevill.</p>
<p class="hang">*<span class="smcap">Vailima Letters.</span> Robert Louis Stevenson.</p>
<p class="hang">*<span class="smcap">Vicar of Morwenstow, The.</span> S. Baring-Gould.</p>
<p class="sectctr"><b>Books for Travellers.</b></p>
<p class="center"><i>Crown 8vo.</i> <i>6s. each.</i></p>
<p class="center">Each volume contains a number of Illustrations in Colour.</p>
<p class="hang">*<span class="smcap">A Wanderer in Florence.</span> E. V. Lucas.</p>
<p class="hang"><span class="smcap">A Wanderer in Paris.</span> E. V. Lucas.</p>
<p class="hang"><span class="smcap">A Wanderer in Holland.</span> E. V. Lucas.</p>
<p class="hang"><span class="smcap">A Wanderer in London.</span> E. V. Lucas.</p>
<p class="hang"><span class="smcap">The Norfolk Broads.</span> W. A. Dutt.</p>
<p class="hang"><span class="smcap">The New Forest.</span> Horace G. Hutchinson.</p>
<p class="hang"><span class="smcap">Naples.</span> Arthur H. Norway.</p>
<p class="hang"><span class="smcap">The Cities of Umbria.</span> Edward Hutton.</p>
<p class="hang"><span class="smcap">The Cities of Spain.</span> Edward Hutton.</p>
<p class="hang">*<span class="smcap">The Cities of Lombardy.</span> Edward Hutton.</p>
<p class="hang"><span class="smcap">Florence and Northern Tuscany, with Genoa.</span> Edward Hutton.</p>
<p class="hang"><span class="smcap">Siena and Southern Tuscany.</span> Edward Hutton.</p>
<p class="hang"><span class="smcap">Rome.</span> Edward Hutton.</p>
<p class="hang"><span class="smcap">Venice and Venetia.</span> Edward Hutton.</p>
<p class="hang"><span class="smcap">The Bretons at Home.</span> F. M. Gostling.</p>
<p class="hang"><span class="smcap">The Land of Pardons</span> (Brittany). Anatole Le Braz.</p>
<p class="hang"><span class="smcap">A Book of the Rhine.</span> S. Baring-Gould.</p>
<p class="hang"><span class="smcap">The Naples Riviera.</span> H. M. Vaughan.</p>
<p class="hang"><span class="smcap">Days in Cornwall.</span> C. Lewis Hind.</p>
<p class="hang"><span class="smcap">Through East Anglia in a Motor Car.</span> J. E. Vincent.</p>
<p class="hang"><span class="smcap">The Skirts of the Great City.</span> Mrs. A. G. Bell.</p>
<p class="hang"><span class="smcap">Round about Wiltshire.</span> A. G. Bradley.</p>
<p class="hang"><span class="smcap">Scotland of To-day.</span> T. F. Henderson and Francis Watt.</p>
<p class="hang"><span class="smcap">Norway and its Fjords.</span> M. A. Wyllie.</p>
<p class="sectctr"><b>Some Books on Art.</b></p>
<p class="hang"><span class="smcap">Art and Life.</span> T. Sturge Moore. Illustrated. <i>Cr. 8vo.</i> <i>5s. net.</i></p>
<p class="hang"><span class="smcap">Aims and Ideals in Art.</span> George Clausen. Illustrated. <i>Second Edition.</i>
<i>Large Post 8vo.</i> <i>5s. net.</i></p>
<p class="hang"><span class="smcap">Six Lectures on Painting.</span> George Clausen. Illustrated. <i>Third Edition.</i>
<i>Large Post 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Francesco Guardi</span>, 1712-1793. G. A. Simonson. Illustrated. <i>Imperial
4to.</i> <i>£2 2s. net.</i></p>
<p class="hang"><span class="smcap">Illustrations of the Book of Job.</span> William Blake. <i>Quarto.</i> <i>£1 1s. net.</i></p>
<p class="hang"><span class="smcap">John Lucas, Portrait Painter</span>, 1828-1874. Arthur Lucas. Illustrated.
<i>Imperial 4to.</i> <i>£3 3s. net.</i></p>
<p class="hang"><span class="smcap">One Hundred Masterpieces of Painting.</span> With an Introduction by R. C.
Witt. Illustrated. <i>Second Edition.</i> <i>Demy 8vo.</i> <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">A Guide to the British Pictures in the National Gallery.</span> Edward
Kingston. Illustrated. <i>Fcap. 8vo.</i> <i>3s. 6d. net.</i></p>
<p class="hang"><span class="pagenum"><SPAN name="Page_22_booklist2" id="Page_22_booklist2"></SPAN>[<SPAN href="./images/booklist2_22.png">22</SPAN>]</span>
<span class="smcap">One Hundred Masterpieces of Sculpture.</span> With an Introduction by G. F.
Hill. Illustrated. <i>Demy 8vo.</i> <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">A Romney Folio.</span> With an Essay by A. B. Chamberlain. <i>Imperial Folio.</i>
<i>£15 15s. net.</i></p>
<p class="hang"><span class="smcap">The Saints in Art.</span> Margaret E. Tabor. Illustrated. <i>Fcap. 8vo.</i> <i>3s. 6d.
net.</i></p>
<p class="hang"><span class="smcap">Schools of Painting.</span> Mary Innes. Illustrated. <i>Cr. 8vo.</i> <i>5s. net.</i></p>
<p class="hang"><span class="smcap">The Post Impressionists.</span> C. Lewis Hind. Illustrated. <i>Royal 8vo.</i> <i>7s.
6d. net.</i></p>
<p class="hang"><span class="smcap">Celtic Art in Pagan and Christian Times.</span> J. R. Allen. Illustrated.
<i>Second Edition.</i> <i>Demy 8vo.</i> <i>7s. 6d. net.</i></p>
<p class="hang">"<span class="smcap">Classics of Art.</span>" See page <SPAN href="#Page_13_booklist2">13</SPAN>.</p>
<p class="hang">"<span class="smcap">The Connoisseur's Library.</span>" See page <SPAN href="#Page_14_booklist2">14</SPAN>.</p>
<p class="hang">"<span class="smcap">Little Books on Art.</span>" See page <SPAN href="#Page_16_booklist2">16</SPAN>.</p>
<p class="hang">"<span class="smcap">The Little Galleries.</span>" See page <SPAN href="#Page_17_booklist2">17</SPAN>.</p>
<p class="sectctr"><b>Some Books on Italy.</b></p>
<p class="hang"><span class="smcap">A History of Milan under the Sforza.</span> Cecilia M. Ady. Illustrated. <i>Demy
8vo.</i> <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">A History of Verona.</span> A. M. Allen. Illustrated. <i>Demy 8vo.</i> <i>12s. 6d.
net.</i></p>
<p class="hang"><span class="smcap">A History of Perugia.</span> William Heywood. Illustrated. <i>Demy 8vo.</i> <i>12s.
6d. net.</i></p>
<p class="hang"><span class="smcap">The Lakes of Northern Italy.</span> Richard Bagot. Illustrated. <i>Fcap. 8vo.</i>
<i>5s. net.</i></p>
<p class="hang"><span class="smcap">Woman in Italy.</span> W. Boulting. Illustrated. <i>Demy 8vo.</i> <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Old Etruria and Modern Tuscany.</span> Mary L. Cameron. Illustrated. <i>Second
Edition.</i> <i>Cr. 8vo.</i> <i>6s. net.</i></p>
<p class="hang"><span class="smcap">Florence and the Cities of Northern Tuscany, with Genoa.</span> Edward Hutton.
Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">Siena and Southern Tuscany.</span> Edward Hutton. Illustrated. <i>Second
Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">In Unknown Tuscany.</span> Edward Hutton. Illustrated. <i>Second Edition.</i> <i>Demy
8vo.</i> <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Venice and Venetia.</span> Edward Hutton. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">Venice on Foot.</span> H. A. Douglas. Illustrated. <i>Fcap. 8vo.</i> <i>5s. net.</i></p>
<p class="hang"><span class="smcap">Venice and Her Treasures.</span> H. A. Douglas. Illustrated. <i>Fcap. 8vo.</i> <i>5s.
net.</i></p>
<p class="hang">*<span class="smcap">The Doges of Venice.</span> Mrs. Aubrey Richardson. Illustrated. <i>Demy 8vo.</i>
<i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Florence:</span> Her History and Art to the Fall of the Republic. F. A. Hyett.
<i>Demy 8vo.</i> <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Florence and Her Treasures.</span> H. M. Vaughan. Illustrated. <i>Fcap. 8vo.</i>
<i>5s. net.</i></p>
<p class="hang"><span class="smcap">Country Walks about Florence.</span> Edward Hutton. Illustrated. <i>Fcap. 8vo.</i>
<i>5s. net.</i></p>
<p class="hang"><span class="smcap">Naples: Past and Present.</span> A. H. Norway. Illustrated. <i>Third Edition.</i>
<i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">The Naples Riviera.</span> H. M. Vaughan. Illustrated. <i>Second Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">Sicily:</span> The New Winter Resort. Douglas Sladen. Illustrated. <i>Second
Edition.</i> <i>Cr. 8vo.</i> <i>5s. net.</i></p>
<p class="hang"><span class="smcap">Sicily.</span> F. H. Jackson. Illustrated. <i>Small Pott 8vo.</i> <i>Cloth, 2s. 6d.
net; leather, 3s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Rome.</span> Edward Hutton. Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">A Roman Pilgrimage.</span> R. E. Roberts. Illustrated. <i>Demy 8vo.</i> <i>10s. 6d.
net.</i></p>
<p class="hang"><span class="smcap">Rome.</span> C. G. Ellaby. Illustrated. <i>Small Pott 8vo.</i> <i>Cloth, 2s. 6d. net;
leather, 3s. 6d. net.</i></p>
<p class="hang"><span class="smcap">The Cities of Umbria.</span> Edward Hutton. Illustrated. <i>Fourth Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="hang">*<span class="smcap">The Cities of Lombardy.</span> Edward Hutton. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="hang"><span class="smcap">The Lives of S. Francis of Assisi.</span> Brother Thomas of Celano. <i>Cr. 8vo.</i>
<i>5s. net.</i></p>
<p class="hang"><span class="smcap">Lorenzo the Magnificent.</span> E. L. S. Horsburgh. Illustrated. <i>Second
Edition.</i> <i>Demy 8vo.</i> <i>15s. net.</i></p>
<p class="hang"><span class="smcap">Girolamo Savonarola.</span> E. L. S. Horsburgh. Illustrated. <i>Cr. 8vo.</i> <i>5s.
net.</i></p>
<p class="hang"><span class="smcap">St. Catherine of Siena and Her Times.</span> By the Author of "Mdlle Mori."
Illustrated. <i>Second Edition.</i> <i>Demy 8vo.</i> <i>7s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Dante and his Italy.</span> Lonsdale Ragg. Illustrated. <i>Demy 8vo.</i> <i>12s. 6d.
net.</i></p>
<p class="hang"><span class="smcap">Dante Alighieri:</span> His Life and Works. Paget Toynbee. Illustrated. <i>Cr.
8vo.</i> <i>5s. net.</i></p>
<p class="hang"><span class="smcap">The Medici Popes.</span> H. M. Vaughan. Illustrated. <i>Demy 8vo.</i> <i>15s. net.</i></p>
<p class="hang"><span class="smcap">Shelley and His Friends in Italy.</span> Helen R. Angeli. Illustrated. <i>Demy
8vo.</i> <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Home Life in Italy.</span> Lina Duff Gordon. Illustrated. <i>Second Edition.</i>
<i>Demy 8vo.</i> <i>10s. 6d. net.</i></p>
<p class="hang"><span class="smcap">Skies Italian:</span> A Little Breviary for Travellers in Italy. Ruth S.
Phelps. <i>Fcap. 8vo.</i> <i>5s. net.</i></p>
<p class="hang">*<span class="smcap">A Wanderer in Florence.</span> E. V. Lucas. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="hang">*<span class="smcap">United Italy.</span> F. M. Underwood. <i>Demy 8vo.</i> <i>10s. 6d. net.</i></p>
<hr style="width: 65%;" />
<p><span class="pagenum"><SPAN name="Page_23_booklist2" id="Page_23_booklist2"></SPAN>[<SPAN href="./images/booklist2_23.png">23</SPAN>]</span></p>
<h2><span class="smcap">Part III.—A Selection of Works of Fiction</span></h2>
<p class="secth"><b>Albanesi (E. Maria).</b> SUSANNAH AND ONE OTHER. <i>Fourth Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">LOVE AND LOUISA. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE BROWN EYES OF MARY. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">I KNOW A MAIDEN. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE INVINCIBLE AMELIA: <span class="smcap">or, The Polite Adventuress</span>. <i>Third Edition.</i> <i>Cr.
8vo.</i> <i>3s. 6d.</i></p>
<p class="bl2title">THE GLAD HEART. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*OLIVIA MARY. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Bagot (Richard).</b> A ROMAN MYSTERY. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE PASSPORT. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">ANTHONY CUTHBERT. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">LOVE'S PROXY. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">DONNA DIANA. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">CASTING OF NETS. <i>Twelfth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE HOUSE OF SERRAVALLE. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Bailey (H. C.).</b> STORM AND TREASURE. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE LONELY QUEEN. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Baring-Gould (S.).</b> IN THE ROAR OF THE SEA. <i>Eighth Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">MARGERY OF QUETHER. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE QUEEN OF LOVE. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">JACQUETTA. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">KITTY ALONE. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">NOÉMI. Illustrated. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE BROOM-SQUIRE. Illustrated. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">DARTMOOR IDYLLS. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">GUAVAS THE TINNER. Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">BLADYS OF THE STEWPONEY. Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">PABO THE PRIEST. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">WINEFRED. Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">ROYAL GEORGIE. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">CHRIS OF ALL SORTS. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">IN DEWISLAND. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">MRS. CURGENVEN OF CURGENVEN. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Barr (Robert).</b> IN THE MIDST OF ALARMS. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE COUNTESS TEKLA. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE MUTABLE MANY. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Begbie (Harold).</b> THE CURIOUS AND DIVERTING ADVENTURES OF SIR JOHN
SPARROW, <span class="smcap">Bart.</span>; <span class="smcap">or, The Progress of an Open Mind</span>. <i>Second Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Belloc (H.).</b> EMMANUEL BURDEN, MERCHANT. Illustrated. <i>Second Edition.</i>
<i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A CHANGE IN THE CABINET. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Belloc-Lowndes (Mrs.).</b> THE CHINK IN THE ARMOUR. <i>Fourth Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">*MARY PECHELL. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Bennett (Arnold).</b> CLAYHANGER. <i>Tenth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE CARD. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">HILDA LESSWAYS. <i>Seventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*BURIED ALIVE. <i>A New Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A MAN FROM THE NORTH. <i>A New Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE MATADOR OF THE FIVE TOWNS. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Benson (E. F.).</b> DODO: <span class="smcap">A Detail of the Day</span>. <i>Sixteenth Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Birmingham (George A.).</b> SPANISH GOLD. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE SEARCH PARTY. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">LALAGE'S LOVERS. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Bowen (Marjorie).</b> I WILL MAINTAIN. <i>Seventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">DEFENDER OF THE FAITH. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*A KNIGHT OF SPAIN. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE QUEST OF GLORY. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">GOD AND THE KING. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Clifford (Mrs. W. K.).</b> THE GETTING WELL OF DOROTHY. Illustrated. <i>Second
Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="secth"><b>Conrad (Joseph).</b> THE SECRET AGENT: A Simple Tale. <i>Fourth Ed.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">A SET OF SIX. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">UNDER WESTERN EYES. <i>Second Ed.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><span class="pagenum"><SPAN name="Page_24_booklist2" id="Page_24_booklist2"></SPAN>[<SPAN href="./images/booklist2_24.png">24</SPAN>]</span>
*<b>Conyers (Dorothea.).</b> THE LONELY MAN. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Corelli (Marie).</b> A ROMANCE OF TWO WORLDS. <i>Thirty-first Ed.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">VENDETTA; <span class="smcap">or, The Story of one Forgotten</span>. <i>Twenty-ninth Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">THELMA: <span class="smcap">A Norwegian Princess</span>. <i>Forty-second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">ARDATH: <span class="smcap">The Story of a Dead Self</span>. <i>Twentieth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE SOUL OF LILITH. <i>Seventeenth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">WORMWOOD: <span class="smcap">A Drama of Paris</span>. <i>Eighteenth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">BARABBAS: <span class="smcap">A Dream of the World's Tragedy</span>. <i>Forty-sixth Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE SORROWS OF SATAN. <i>Fifty-seventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE MASTER-CHRISTIAN. <i>Thirteenth Edition.</i> <i>179th Thousand.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">TEMPORAL POWER: <span class="smcap">A Study in Supremacy</span>. <i>Second Edition.</i> <i>150th
Thousand.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">GOD'S GOOD MAN: <span class="smcap">A Simple Love Story</span>. <i>Fifteenth Edition.</i> <i>154th
Thousand.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">HOLY ORDERS: <span class="smcap">the Tragedy of a Quiet Life</span>. <i>Second Edition.</i> <i>120th
Thousand.</i> <i>Crown 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE MIGHTY ATOM. <i>Twenty-ninth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">BOY: a Sketch. <i>Twelfth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">CAMEOS. <i>Fourteenth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE LIFE EVERLASTING. <i>Fifth Ed.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Crockett (S. R.).</b> LOCHINVAR. Illustrated. <i>Third Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">THE STANDARD BEARER. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Croker (B. M.).</b> THE OLD CANTONMENT. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">JOHANNA. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE HAPPY VALLEY. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A NINE DAYS' WONDER. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">PEGGY OF THE BARTONS. <i>Seventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">ANGEL. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">KATHERINE THE ARROGANT. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">BABES IN THE WOOD. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Danby (Frank.).</b> JOSEPH IN JEOPARDY. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Doyle (Sir A. Conan).</b> ROUND THE RED LAMP. <i>Twelfth Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="secth"><b>Fenn (G. Manville).</b> SYD BELTON: <span class="smcap">The Boy who would not go to Sea</span>.
Illustrated. <i>Second Ed.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="secth"><b>Findlater (J. H.).</b> THE GREEN GRAVES OF BALGOWRIE. <i>Fifth Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE LADDER TO THE STARS. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Findlater (Mary).</b> A NARROW WAY. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">OVER THE HILLS. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE ROSE OF JOY. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A BLIND BIRD'S NEST. Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Fry (B. and C. B.).</b> A MOTHER'S SON. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Harraden (Beatrice).</b> IN VARYING MOODS. <i>Fourteenth Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">HILDA STRAFFORD and THE REMITTANCE MAN. <i>Twelfth Ed.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">INTERPLAY. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Hichens (Robert).</b> THE PROPHET OF BERKELEY SQUARE. <i>Second Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">TONGUES OF CONSCIENCE. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE WOMAN WITH THE FAN. <i>Eighth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">BYEWAYS. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE GARDEN OF ALLAH. <i>Twenty-first Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE BLACK SPANIEL. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE CALL OF THE BLOOD. <i>Seventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">BARBARY SHEEP. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
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<p class="secth"><b>Hope (Anthony).</b> THE GOD IN THE CAR. <i>Eleventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A CHANGE OF AIR. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
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<b>'Inner Shrine' (Author of the).</b> THE WILD OLIVE. <i>Third Edition.</i> <i>Cr.
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<p class="secth"><b>Jacobs (W. W.).</b> MANY CARGOES. <i>Thirty-second Edition.</i> <i>Cr. 8vo.</i> <i>3s.
6d.</i> *Also Illustrated in colour. <i>Demy 8vo.</i> <i>7s. 6d. net.</i></p>
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<p class="bl2title">A MASTER OF CRAFT. Illustrated. <i>Ninth Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="bl2title">LIGHT FREIGHTS. Illustrated. <i>Eighth Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="bl2title">THE SKIPPER'S WOOING. <i>Eleventh Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="bl2title">AT SUNWICH PORT. Illustrated. <i>Tenth Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
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<p class="bl2title">THE LADY OF THE BARGE. Illustrated. <i>Ninth Edition.</i> <i>Cr. 8vo.</i> <i>3s.
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<p class="bl2title">SALTHAVEN. Illustrated. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
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<p class="bl2title">SHORT CRUISES. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="secth"><b>James (Henry).</b> THE GOLDEN BOWL. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Le Queux (William).</b> THE HUNCHBACK OF WESTMINSTER. <i>Third Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE CLOSED BOOK. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE VALLEY OF THE SHADOW. Illustrated. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">BEHIND THE THRONE. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>London (Jack).</b> WHITE FANG. <i>Eighth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Lucas (E. V.).</b> LISTENER'S LURE: <span class="smcap">An Oblique Narration</span>. <i>Eighth Edition.</i>
<i>Fcap. 8vo.</i> <i>5s.</i></p>
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<p class="bl2title">MR. INGLESIDE. <i>Eighth Edition.</i> <i>Fcap. 8vo.</i> <i>5s.</i></p>
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<i>3s. 6d.</i></p>
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<p class="bl2title">PETER AND JANE. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Malet (Lucas).</b> A COUNSEL OF PERFECTION. <i>Second Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
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<p class="bl2title">THE REST CURE. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
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<p class="bl2title">*THE HOLIDAY ROUND. <i>Cr. 8vo.</i> <i>6s.</i></p>
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<i>6s.</i></p>
<p class="bl2title">A CHILD OF THE JAGO. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE HOLE IN THE WALL. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">DIVERS VANITIES. <i>Cr. 8vo.</i> <i>6s.</i></p>
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Frontispiece. <i>Eleventh Ed.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE TAMING OF JOHN BLUNT. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*THE ROYAL ROAD. <i>Cr. 8vo.</i> <i>6s.</i></p>
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Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Oppenheim (E. Phillips).</b> MASTER OF MEN. <i>Fifth Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">THE MISSING DELORA. Illustrated. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Orczy (Baroness).</b> FIRE IN STUBBLE. <i>Fifth Edition.</i> <i>Cr. 8vo.</i></p>
<p class="secth"><b>Oxenham (John).</b> A WEAVER OF WEBS. Illustrated. <i>Fifth Ed.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">PROFIT AND LOSS. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE LONG ROAD. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
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<p class="bl2title">MY LADY OF SHADOWS. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">LAURISTONS. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE COIL OF CARNE. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*THE QUEST OF THE GOLDEN ROSE. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><span class="pagenum"><SPAN name="Page_26_booklist2" id="Page_26_booklist2"></SPAN>[<SPAN href="./images/booklist2_26.png">26</SPAN>]</span>
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<i>6s.</i></p>
<p class="bl2title">MRS. FALCHION. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE TRANSLATION OF A SAVAGE. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE TRAIL OF THE SWORD. Illustrated. <i>Tenth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">WHEN VALMOND CAME TO PONTIAC: The Story of a Lost Napoleon. <i>Seventh
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<p class="bl2title">AN ADVENTURER OF THE NORTH. The Last Adventures of 'Pretty Pierre.'
<i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE BATTLE OF THE STRONG: a Romance of Two Kingdoms. Illustrated.
<i>Seventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE POMP OF THE LAVILETTES. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="bl2title">NORTHERN LIGHTS. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Pasture (Mrs. Henry de la).</b> THE TYRANT. <i>Fourth Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="secth"><b>Pemberton (Max).</b> THE FOOTSTEPS OF A THRONE. Illustrated. <i>Fourth
Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">I CROWN THEE KING. Illustrated. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">LOVE THE HARVESTER: <span class="smcap">A Story of the Shires</span>. Illustrated. <i>Third Edition.</i>
<i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="bl2title">THE MYSTERY OF THE GREEN HEART. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Perrin (Alice).</b> THE CHARM. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*THE ANGLO-INDIANS. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Phillpotts (Eden).</b> LYING PROPHETS. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">CHILDREN OF THE MIST. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE HUMAN BOY. With a Frontispiece. <i>Seventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">SONS OF THE MORNING. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE RIVER. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE AMERICAN PRISONER. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">KNOCK AT A VENTURE. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE PORTREEVE. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE POACHER'S WIFE. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE STRIKING HOURS. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">DEMETER'S DAUGHTER. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Pickthall (Marmaduke).</b> SAÏD THE FISHERMAN. <i>Eighth Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="secth"><b>'Q' (A. T. Quiller Couch).</b> THE WHITE WOLF. <i>Second Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">THE MAYOR OF TROY. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">MERRY-GARDEN <span class="smcap">and other Stories</span>. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">MAJOR VIGOUREUX. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Ridge (W. Pett).</b> ERB. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">A SON OF THE STATE. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="bl2title">A BREAKER OF LAWS. <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="bl2title">MRS. GALER'S BUSINESS. Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE WICKHAMSES. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">NAME OF GARLAND. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">SPLENDID BROTHER. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">NINE TO SIX-THIRTY. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THANKS TO SANDERSON. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*DEVOTED SPARKES. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Russell (W. Clark).</b> MASTER ROCKAFELLAR'S VOYAGE. Illustrated. <i>Fourth
Edition.</i> <i>Cr. 8vo.</i> <i>3s. 6d.</i></p>
<p class="secth"><b>Sidgwick (Mrs. Alfred).</b> THE KINSMAN. Illustrated. <i>Third Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE LANTERN-BEARERS. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">ANTHEA'S GUEST. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*LAMORNA. <i>Cr. 8vo.</i> <i>6s.</i></p>
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Illustrated. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Thurston (E. Temple).</b> MIRAGE. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Watson (H. B. Marriott).</b> THE HIGH TOBY. <i>Third Edition.</i> <i>Cr. 8vo.</i>
<i>6s.</i></p>
<p class="bl2title">THE PRIVATEERS. Illustrated. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">ALISE OF ASTRA. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE BIG FISH. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Webling (Peggy).</b> THE STORY OF VIRGINIA PERFECT. <i>Third Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE SPIRIT OF MIRTH. <i>Fifth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">FELIX CHRISTIE. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Weyman (Stanley).</b> UNDER THE RED ROBE. Illustrated. <i>Twenty-third
Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Whitby (Beatrice).</b> ROSAMUND. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><span class="pagenum"><SPAN name="Page_27_booklist2" id="Page_27_booklist2"></SPAN>[<SPAN href="./images/booklist2_27.png">27</SPAN>]</span>
<b>Williamson</b> (<b>C. N.</b> and <b>A. M.</b>). THE LIGHTNING CONDUCTOR: The Strange
Adventures of a Motor Car. Illustrated. <i>Seventeenth Edition.</i> <i>Cr.
8vo.</i> <i>6s.</i> Also <i>Cr. 8vo.</i> <i>1s. net.</i></p>
<p class="bl2title">THE PRINCESS PASSES: A Romance of a Motor. Illustrated. <i>Ninth Edition.</i>
<i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">LADY BETTY ACROSS THE WATER. <i>Eleventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">SCARLET RUNNER. Illustrated. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">SET IN SILVER. Illustrated. <i>Fourth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">LORD LOVELAND DISCOVERS AMERICA. <i>Second Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE GOLDEN SILENCE. <i>Sixth Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE GUESTS OF HERCULES. <i>Third Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">*THE HEATHER MOON. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="secth"><b>Wyllarde (Dolf).</b> THE PATHWAY OF THE PIONEER (Nous Autres). <i>Sixth
Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE UNOFFICIAL HONEYMOON. <i>Seventh Edition.</i> <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="bl2title">THE CAREER OF BEAUTY DARLING. <i>Cr. 8vo.</i> <i>6s.</i></p>
<p class="sectctr"><b>Methuen's Two-Shilling Novels.</b></p>
<p class="center"><i>Crown 8vo.</i> <i>2s. net.</i></p>
<p class="hang">*<span class="smcap">Botor Chaperon, The.</span> C. N. and A. M. Williamson.</p>
<p class="hang">*<span class="smcap">Call of the Blood, The.</span> Robert Hichens.</p>
<p class="hang"><span class="smcap">Car of Destiny and its Errand in Spain, The.</span> C. N. and A. M. Williamson.</p>
<p class="hang"><span class="smcap">Clementina.</span> A. E. W. Mason.</p>
<p class="hang"><span class="smcap">Colonel Enderby's Wife.</span> Lucas Malet.</p>
<p class="hang"><span class="smcap">Felix.</span> Robert Hichens.</p>
<p class="hang"><span class="smcap">Gate of the Desert, The.</span> John Oxenham.</p>
<p class="hang"><span class="smcap">My Friend the Chauffeur.</span> C. N. and A. M. Williamson.</p>
<p class="hang"><span class="smcap">Princess Virginia, The.</span> C. N. and A. M. Williamson.</p>
<p class="hang"><span class="smcap">Seats of the Mighty, The.</span> Sir Gilbert Parker.</p>
<p class="hang"><span class="smcap">Servant of the Public, A.</span> Anthony Hope.</p>
<p class="hang">*<span class="smcap">Set in Silver.</span> C. N. and A. M. Williamson.</p>
<p class="hang"><span class="smcap">Severins, The.</span> Mrs. Alfred Sidgwick.</p>
<p class="hang"><span class="smcap">Sir Richard Calmady.</span> Lucas Malet.</p>
<p class="hang">*<span class="smcap">Vivien.</span> W. B. Maxwell.</p>
<p class="sectctr"><b>Books for Boys and Girls.</b></p>
<p class="center"><i>Illustrated.</i> <i>Crown 8vo.</i> <i>3s. 6d.</i></p>
<p class="hang"><span class="smcap">Cross and Dagger.</span> The Crusade of the Children, 1212. W. Scott Durrant.</p>
<p class="hang"><span class="smcap">Getting Well of Dorothy, The.</span> Mrs. W. K. Clifford.</p>
<p class="hang"><span class="smcap">Girl of the People, A.</span> L. T. Meade.</p>
<p class="hang"><span class="smcap">Hepsy Gipsy.</span> L. T. Meade. <i>2s. 6d.</i></p>
<p class="hang"><span class="smcap">Honourable Miss, The.</span> L. T. Meade.</p>
<p class="hang"><span class="smcap">Master Rockafellar's Voyage.</span> W. Clark Russell.</p>
<p class="hang"><span class="smcap">Only a Guard-Room Dog.</span> Edith E. Cuthell.</p>
<p class="hang"><span class="smcap">Red Grange, The.</span> Mrs. Molesworth.</p>
<p class="hang"><span class="smcap">Syd Belton:</span> The Boy who would not go to Sea. G. Manville Fenn.</p>
<p class="hang"><span class="smcap">There was once a Prince.</span> Mrs. M. E. Mann.</p>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_28_booklist2" id="Page_28_booklist2"></SPAN>[<SPAN href="./images/booklist2_28.png">28</SPAN>]</span>
<b>Methuen's Shilling Novels.</b></p>
<p class="hang">*<span class="smcap">Anna of the Five Towns.</span> Arnold Bennett.</p>
<p class="hang"><span class="smcap">Barbary Sheep.</span> Robert Hichens.</p>
<p class="hang"><span class="smcap">Charm, The.</span> Alice Perrin.</p>
<p class="hang">*<span class="smcap">Demon, The.</span> C. N. and A. M. Williamson.</p>
<p class="hang"><span class="smcap">Guarded Flame, The.</span> W. B. Maxwell.</p>
<p class="hang"><span class="smcap">Jane.</span> Marie Corelli.</p>
<p class="hang"><span class="smcap">Lady Betty Across the Water.</span> C. N. & A. M. Williamson.</p>
<p class="hang">*<span class="smcap">Long Road, The.</span> John Oxenham.</p>
<p class="hang"><span class="smcap">Mighty Atom, The.</span> Marie Corelli.</p>
<p class="hang"><span class="smcap">Mirage.</span> E. Temple Thurston.</p>
<p class="hang"><span class="smcap">Missing Delora, The.</span> E. Phillips Oppenheim.</p>
<p class="hang"><span class="smcap">Round the Red Lamp.</span> Sir A. Conan Doyle.</p>
<p class="hang">*<span class="smcap">Secret Woman, The.</span> Eden Phillpotts.</p>
<p class="hang">*<span class="smcap">Severins, The.</span> Mrs. Alfred Sidgwick.</p>
<p class="hang"><span class="smcap">Spanish Gold.</span> G. A. Birmingham.</p>
<p class="hang"><span class="smcap">Tales of Mean Streets.</span> Arthur Morrison.</p>
<p class="hang"><span class="smcap">The Halo.</span> The Baroness von Hutten.</p>
<p class="hang">*<span class="smcap">Tyrant, The.</span> Mrs. Henry de la Pasture.</p>
<p class="hang"><span class="smcap">Under the Red Robe.</span> Stanley J. Weyman.</p>
<p class="hang"><span class="smcap">Virginia Perfect.</span> Peggy Webling.</p>
<p class="hang"><span class="smcap">Woman with the Fan, The.</span> Robert Hichens.</p>
<p class="sectctr"><b>The Novels of Alexandre Dumas.</b></p>
<p class="center"><i>Medium 8vo.</i> <i>Price 6d.</i> <i>Double Volumes, 1s.</i></p>
<div class="centered">
<table summary="Novels by Alexander Dumas" cellpadding="4" cellspacing="0">
<tr>
<td class="tdleftsc">Acté.</td>
<td class="tdleftsc">Horoscope, The.</td>
</tr>
<tr>
<td class="tdleftsc">Adventures of Captain Pamphile, The.</td>
<td class="tdleftsc">Leone-Leona.</td>
</tr>
<tr>
<td class="tdleftsc">Amaury.</td>
<td class="tdleft"><span class="smcap">Louise de la Vallière.</span> (Double volume.)</td>
</tr>
<tr>
<td class="tdleftsc">Bird of Fate, The.</td>
<td class="tdleft"><span class="smcap">Man in the Iron Mask, The.</span> (Double volume.)</td>
</tr>
<tr>
<td class="tdleftsc">Black Tulip, The.</td>
<td class="tdleftsc">Maître Adam.</td>
</tr>
<tr>
<td class="tdleftsc">Black: the Story of a Dog.</td>
<td class="tdleftsc">Mouth of Hell, The.</td>
</tr>
<tr>
<td class="tdleftsc">Castle of Eppstein, The.</td>
<td class="tdleft"><span class="smcap">Nanon.</span> (Double volume.)</td>
</tr>
<tr>
<td class="tdleftsc">Catherine Blum.</td>
<td class="tdleftsc">Olympia.</td>
</tr>
<tr>
<td class="tdleftsc">Cécile.</td>
<td class="tdleft"><span class="smcap">Pauline; Pascal Bruno</span>; and <span class="smcap">Bontekoe</span>.</td>
</tr>
<tr>
<td class="tdleftsc">Châtelet, The.</td>
<td class="tdleftsc">Père la Ruine.</td>
</tr>
<tr>
<td class="tdleft"><span class="smcap">Chevalier D'Harmental, The.</span> (Double volume.)</td>
<td class="tdleftsc">Porte Saint-Antoine, The.</td>
</tr>
<tr>
<td class="tdleftsc">Chicot the Jester.</td>
<td class="tdleftsc">Prince of Thieves, The.</td>
</tr>
<tr>
<td class="tdleftsc">Chicot Redivivus.</td>
<td class="tdleftsc">Reminiscences of Antony, The.</td>
</tr>
<tr>
<td class="tdleftsc">Comte de Montgommery, The.</td>
<td class="tdleftsc">St. Quentin.</td>
</tr>
<tr>
<td class="tdleftsc">Conscience.</td>
<td class="tdleftsc">Robin Hood.</td>
</tr>
<tr>
<td class="tdleftsc">Convict's Son, The.</td>
<td class="tdleftsc">Samuel Gelb.</td>
</tr>
<tr>
<td class="tdleft" style="padding-right: 3em;"><span class="smcap">Corsican Brothers, The</span>; and <span class="smcap">Otho the Archer</span>.</td>
<td class="tdleftsc">Snowball and the Sultanetta, The.</td>
</tr>
<tr>
<td class="tdleftsc">Crop-Eared Jacquot.</td>
<td class="tdleftsc">Sylvandire.</td>
</tr>
<tr>
<td class="tdleftsc">Dom Gorenflot.</td>
<td class="tdleftsc">Taking of Calais, The.</td>
</tr>
<tr>
<td class="tdleftsc">Duc d'Anjou, The.</td>
<td class="tdleftsc">Tales of the Supernatural.</td>
</tr>
<tr>
<td class="tdleftsc">Fatal Combat, The.</td>
<td class="tdleftsc">Tales of Strange Adventure.</td>
</tr>
<tr>
<td class="tdleftsc">Fencing Master, The.</td>
<td class="tdleftsc">Tales of Terror.</td>
</tr>
<tr>
<td class="tdleftsc">Fernande.</td>
<td class="tdleft"><span class="smcap">Three Musketeers, The.</span> (Double volume.)</td>
</tr>
<tr>
<td class="tdleftsc">Gabriel Lambert.</td>
<td class="tdleftsc">Tourney of the Rue St. Antoine.</td>
</tr>
<tr>
<td class="tdleftsc">Georges.</td>
<td class="tdleftsc">Tragedy of Nantes, The.</td>
</tr>
<tr>
<td class="tdleftsc">Great Massacre, The.</td>
<td class="tdleft"><span class="smcap">Twenty Years After.</span> (Double volume.)</td>
</tr>
<tr>
<td class="tdleftsc">Henri de Navarre.</td>
<td class="tdleftsc">Wild-Duck Shooter, The.</td>
</tr>
<tr>
<td class="tdleftsc">Hélène de Chaverny.</td>
<td class="tdleftsc">Wolf-Leader, The.</td>
</tr>
</table></div>
<p class="sectctr"><span class="pagenum"><SPAN name="Page_29_booklist2" id="Page_29_booklist2"></SPAN>[<SPAN href="./images/booklist2_29.png">29</SPAN>]</span>
<b>Methuen's Sixpenny Books.</b></p>
<p class="center"><i>Medium 8vo.</i></p>
<p class="secth"><b>Albanesi (E. Maria).</b> LOVE AND LOUISA.</p>
<p class="bl2title">I KNOW A MAIDEN.</p>
<p class="bl2title">THE BLUNDER OF AN INNOCENT.</p>
<p class="bl2title">PETER A PARASITE.</p>
<p class="bl2title">*THE INVINCIBLE AMELIA.</p>
<p class="secth"><b>Anstey (F.).</b> A BAYARD OF BENGAL.</p>
<p class="secth"><b>Austen (J.).</b> PRIDE AND PREJUDICE.</p>
<p class="secth"><b>Bagot (Richard).</b> A ROMAN MYSTERY.</p>
<p class="bl2title">CASTING OF NETS.</p>
<p class="bl2title">DONNA DIANA.</p>
<p class="secth"><b>Balfour (Andrew).</b> BY STROKE OF SWORD.</p>
<p class="secth"><b>Baring-Gould (S.).</b> FURZE BLOOM.</p>
<p class="bl2title">CHEAP JACK ZITA.</p>
<p class="bl2title">KITTY ALONE.</p>
<p class="bl2title">URITH.</p>
<p class="bl2title">THE BROOM SQUIRE.</p>
<p class="bl2title">IN THE ROAR OF THE SEA.</p>
<p class="bl2title">NOÉMI.</p>
<p class="bl2title">A BOOK OF FAIRY TALES. Illustrated.</p>
<p class="bl2title">LITTLE TU'PENNY.</p>
<p class="bl2title">WINEFRED.</p>
<p class="bl2title">THE FROBISHERS.</p>
<p class="bl2title">THE QUEEN OF LOVE.</p>
<p class="bl2title">ARMINELL.</p>
<p class="bl2title">BLADYS OF THE STEWPONEY.</p>
<p class="bl2title">CHRIS OF ALL SORTS.</p>
<p class="secth"><b>Barr (Robert).</b> JENNIE BAXTER.</p>
<p class="bl2title">IN THE MIDST OF ALARMS.</p>
<p class="bl2title">THE COUNTESS TEKLA.</p>
<p class="bl2title">THE MUTABLE MANY.</p>
<p class="secth"><b>Benson (E. F.).</b> DODO.</p>
<p class="bl2title">THE VINTAGE.</p>
<p class="secth"><b>Brontë (Charlotte).</b> SHIRLEY.</p>
<p class="secth"><b>Brownell (C. L.).</b> THE HEART OF JAPAN.</p>
<p class="secth"><b>Burton (J. Bloundelle).</b> ACROSS THE SALT SEAS.</p>
<p class="secth"><b>Caffyn (Mrs.).</b> ANNE MAULEVERER.</p>
<p class="secth"><b>Capes (Bernard).</b> THE GREAT SKENE MYSTERY.</p>
<p class="secth"><b>Clifford (Mrs. W. K.).</b> A FLASH OF SUMMER.</p>
<p class="bl2title">MRS. KEITH'S CRIME.</p>
<p class="secth"><b>Corbett (Julian).</b> A BUSINESS IN GREAT WATERS.</p>
<p class="secth"><b>Croker (Mrs. B. M.).</b> ANGEL.</p>
<p class="bl2title">A STATE SECRET.</p>
<p class="bl2title">PEGGY OF THE BARTONS.</p>
<p class="bl2title">JOHANNA.</p>
<p class="secth"><b>Dante (Alighieri).</b> THE DIVINE COMEDY (Cary).</p>
<p class="secth"><b>Doyle (Sir A. Conan).</b> ROUND THE RED LAMP.</p>
<p class="secth"><b>Duncan (Sara Jeannette).</b>THOSE DELIGHTFUL AMERICANS.</p>
<p class="secth"><b>Eliot (George).</b> THE MILL ON THE FLOSS.</p>
<p class="secth"><b>Findlater (Jane H.).</b> THE GREEN GRAVES OF BALGOWRIE.</p>
<p class="secth"><b>Gallon (Tom).</b> RICKERBY'S FOLLY.</p>
<p><b>Gaskell (Mrs.).</b> CRANFORD.</p>
<p class="bl2title">MARY BARTON.</p>
<p class="bl2title">NORTH AND SOUTH.</p>
<p class="secth"><b>Gerard (Dorothea).</b> HOLY MATRIMONY.</p>
<p class="bl2title">THE CONQUEST OF LONDON.</p>
<p class="bl2title">MADE OF MONEY.</p>
<p class="secth"><b>Gissing (G.).</b> THE TOWN TRAVELLER.</p>
<p class="bl2title">THE CROWN OF LIFE.</p>
<p class="secth"><b>Glanville (Ernest).</b> THE INCA'S TREASURE.</p>
<p class="bl2title">THE KLOOF BRIDE.</p>
<p class="secth"><b>Gleig (Charles).</b> BUNTER'S CRUISE.</p>
<p class="secth"><b>Grimm (The Brothers).</b> GRIMM'S FAIRY TALES.</p>
<p class="secth"><b>Hope (Anthony).</b> A MAN OF MARK.</p>
<p class="bl2title">A CHANGE OF AIR.</p>
<p class="bl2title">THE CHRONICLES OF COUNT ANTONIO.</p>
<p class="bl2title">PHROSO.</p>
<p class="bl2title">THE DOLLY DIALOGUES.</p>
<p class="secth"><b>Hornung (E. W.).</b> DEAD MEN TELL NO TALES.</p>
<p class="secth"><b>Hyne (C. J. C.).</b> PRINCE RUPERT THE BUCCANEER.</p>
<p class="secth"><b>Ingraham (J. H.).</b> THE THRONE OF DAVID.</p>
<p class="secth"><span class="pagenum"><SPAN name="Page_30_booklist2" id="Page_30_booklist2"></SPAN>[<SPAN href="./images/booklist2_30.png">30</SPAN>]</span>
<b>Le Queux (W.).</b> THE HUNCHBACK OF WESTMINSTER.</p>
<p class="bl2title">THE CROOKED WAY.</p>
<p class="bl2title">THE VALLEY OF THE SHADOW.</p>
<p class="secth"><b>Levett-Yeats (S. K.).</b> THE TRAITOR'S WAY.</p>
<p class="bl2title">ORRAIN.</p>
<p class="secth"><b>Linton (E. Lynn).</b> THE TRUE HISTORY OF JOSHUA DAVIDSON.</p>
<p class="secth"><b>Lyall (Edna).</b> DERRICK VAUGHAN.</p>
<p class="secth"><b>Malet (Lucas).</b> THE CARISSIMA.</p>
<p class="bl2title">A COUNSEL OF PERFECTION.</p>
<p class="secth"><b>Mann (Mrs. M. E.).</b> MRS. PETER HOWARD.</p>
<p class="bl2title">A LOST ESTATE.</p>
<p class="bl2title">THE CEDAR STAR.</p>
<p class="bl2title">THE PATTEN EXPERIMENT.</p>
<p class="bl2title">A WINTER'S TALE.</p>
<p class="secth"><b>Marchmont (A. W.).</b> MISER HOADLEY'S SECRET.</p>
<p class="bl2title">A MOMENT'S ERROR.</p>
<p class="secth"><b>Marryat (Captain).</b> PETER SIMPLE.</p>
<p class="bl2title">JACOB FAITHFUL.</p>
<p class="secth"><b>March (Richard).</b> A METAMORPHOSIS.</p>
<p class="bl2title">THE TWICKENHAM PEERAGE.</p>
<p class="bl2title">THE GODDESS.</p>
<p class="bl2title">THE JOSS.</p>
<p class="secth"><b>Mason (A. E. W.).</b> CLEMENTINA.</p>
<p class="secth"><b>Mathers (Helen).</b> HONEY.</p>
<p class="bl2title">GRIFF OF GRIFFITHSCOURT.</p>
<p class="bl2title">SAM'S SWEETHEART.</p>
<p class="bl2title">THE FERRYMAN.</p>
<p class="secth"><b>Meade (Mrs. L. T.).</b> DRIFT.</p>
<p class="secth"><b>Miller (Esther).</b> LIVING LIES.</p>
<p class="secth"><b>Mitford (Bertram).</b> THE SIGN OF THE SPIDER.</p>
<p class="secth"><b>Montrésor (F. F.).</b> THE ALIEN.</p>
<p class="secth"><b>Morrison (Arthur).</b> THE HOLE IN THE WALL.</p>
<p class="secth"><b>Nesbit (E.).</b> THE RED HOUSE.</p>
<p class="secth"><b>Norris (W. E.).</b> HIS GRACE.</p>
<p class="bl2title">GILES INGILBY.</p>
<p class="bl2title">THE CREDIT OF THE COUNTY.</p>
<p class="bl2title">LORD LEONARD THE LUCKLESS.</p>
<p class="bl2title">MATTHEW AUSTEN.</p>
<p class="bl2title">CLARISSA FURIOSA.</p>
<p class="secth"><b>Oliphant (Mrs.).</b> THE LADY'S WALK.</p>
<p class="bl2title">SIR ROBERT'S FORTUNE.</p>
<p class="bl2title">THE PRODIGALS</p>
<p class="bl2title">THE TWO MARYS.</p>
<p class="secth"><b>Oppenheim (E. P.).</b> MASTER OF MEN.</p>
<p class="secth"><b>Parker (Sir Gilbert).</b> THE POMP OF THE LAVILETTES.</p>
<p class="bl2title">WHEN VALMOND CAME TO PONTIAC.</p>
<p class="bl2title">THE TRAIL OF THE SWORD.</p>
<p class="secth"><b>Pemberton (Max).</b> THE FOOTSTEPS OF A THRONE.</p>
<p class="bl2title">I CROWN THEE KING.</p>
<p class="secth"><b>Phillpotts (Eden).</b> THE HUMAN BOY.</p>
<p class="bl2title">CHILDREN OF THE MIST.</p>
<p class="bl2title">THE POACHER'S WIFE.</p>
<p class="bl2title">THE RIVER.</p>
<p class="secth"><b>'Q' (A. T. Quiller Couch).</b> THE WHITE WOLF.</p>
<p class="secth"><b>Ridge (W. Pett).</b> A SON OF THE STATE.</p>
<p class="bl2title">LOST PROPERTY.</p>
<p class="bl2title">GEORGE and THE GENERAL.</p>
<p class="bl2title">A BREAKER OF LAWS.</p>
<p class="bl2title">ERB.</p>
<p class="secth"><b>Russell (W. Clark).</b> ABANDONED.</p>
<p class="bl2title">A MARRIAGE AT SEA.</p>
<p class="bl2title">MY DANISH SWEETHEART.</p>
<p class="bl2title">HIS ISLAND PRINCESS.</p>
<p class="secth"><b>Sergeant (Adeline).</b> THE MASTER OF BEECHWOOD.</p>
<p class="bl2title">BALBARA'S MONEY.</p>
<p class="bl2title">THE YELLOW DIAMOND.</p>
<p class="bl2title">THE LOVE THAT OVERCAME.</p>
<p class="secth"><b>Sidgwick (Mrs. Alfred).</b> THE KINSMAN.</p>
<p class="secth"><b>Surtees (R. S.).</b> HANDLEY CROSS.</p>
<p class="bl2title">MR. SPONGE'S SPORTING TOUR.</p>
<p class="bl2title">ASK MAMMA.</p>
<p class="secth"><b>Walford (Mrs. L. B.).</b> MR. SMITH.</p>
<p class="bl2title">COUSINS.</p>
<p class="bl2title">THE BABY'S GRANDMOTHER.</p>
<p class="bl2title">TROUBLESOME DAUGHTERS.</p>
<p class="secth"><b>Wallace (General Lew).</b> BEN-HUR.</p>
<p class="bl2title">THE FAIR GOD.</p>
<p class="secth"><b>Watson (H. B. Marriott).</b> THE ADVENTURERS.</p>
<p class="bl2title">CAPTAIN FORTUNE.</p>
<p class="secth"><b>Weekes (A. B.).</b> PRISONERS OF WAR.</p>
<p class="secth"><b>Wells (H. G.).</b> THE SEA LADY.</p>
<p class="secth"><b>Whitby (Beatrice).</b> THE RESULT OF AN ACCIDENT.</p>
<p class="secth"><b>White (Percy).</b> A PASSIONATE PILGRIM.</p>
<p class="secth"><b>Williamson (Mrs. C. N.).</b> PAPA.</p>
<p class="gap"><span class="pagenum"><SPAN name="Page_31_booklist2" id="Page_31_booklist2"></SPAN>[<SPAN href="./images/booklist2_31.png">31</SPAN>]</span></p>
<p class="p4">PRINTED BY<br/>
UNWIN BROTHERS, LIMITED,<br/>
LONDON AND WOKING.<br/></p>
<div class="notebox">
<h2><SPAN name="TN" id="TN"></SPAN>TRANSCRIBER'S NOTES:</h2>
<p>Page viii is blank in the original.</p>
<p>The word "earth-bound" appears with and without an hyphen. The word has
been spelled as in the original.</p>
<p>Variations in spelling appear as in the original. Examples include the
following:</p>
<table summary="variations in spelling" style="margin-left: 10%" cellpadding="3" cellspacing="0">
<tr>
<td class="tdleft">lechugilla</td>
<td class="tdleft">lechuguillas</td>
</tr>
<tr>
<td class="tdleft">RUBA'IYAT</td>
<td class="tdleft">Rubáiyát</td>
</tr>
<tr>
<td class="tdleft" colspan="2">werewolfes werwolfs werwolves WEREWOLVES</td>
</tr>
</table>
<p>Ellipses appear as in the original.</p>
</div>
<div style="break-after:column;"></div><br />