<h5><SPAN name="CHAPTER_XXVII" id="CHAPTER_XXVII">CHAPTER XXVII.</SPAN></h5>
<h4>THE GHASTLY TALE OF DON JUAN MANUEL.</h4>
<p>When able to translate Spanish, there is nothing that will amuse a
tourist more in the City of Mexico than reading the street and store
signs and names of the different squares. Streets are not named there
as here. Every square is called a street and has a separate name; the
same with all the stores and public buildings. No difference how small,
they have some long, fantastic name painted above the doorway. We used
to get lunch at a restaurant called "The Coffee House of the Little
Hell," and our landlady always bought her groceries at "The Tail of the
Devil."</p>
<p>"Sara's Shoe," the "Paris Boot," and the "Boot of Gold," were all shoe
stores of the very best order, where they will make lovely satin boots,
embroidered in gold or silver bangles for $8 a pair, or of the finest
leather for $3 to $5. They never have numbers to their shoes, and if
none will fit, they make to order without extra charges. There is not
a low-heeled, flat shoe in Mexico; they cannot be sold. One pair of
American make, in a window on a prominent street, attracted a great
deal of attention and ridicule. The Mexican women have lovely feet, and
their shoes are very fancy—extremely high cut, French or opera heels
and pointed toes. The shoemakers have a book in which they take orders
for shoes. First they set the foot down on a clean page and mark out
the exact size; then they write on it the measure and the thickness,
and when the shoe arrives it is of perfect fit. Let it be added, as
encouragement to La-Americana, that although the dark-eyed Senorita's
foot is exquisite in size and shape, she walks with a decided stoop,
caused by the extremely high heels she has worn from babyhood.</p>
<p>"The Surprise," the "God of Fashion," the "Way to Beauty is Through the
Purse," the "Esmerelda" and the "Land of Love" are dry goods stores
kept by Frenchmen, and filled with the most expensive things ever
exhibited to the public. While the "Red Sombrero" sells silk hats at
three dollars to hundreds of dollars for sombreros covered with fifty
pounds of silver and gold embroidery, the "Temptation," the "Reform,"
the "Flowers of April," the "Sun of May," the "Fifth of May," the
"Christmas Night" and the "Dynamite" sell pulque at a laco a mug to the
thirsty natives.</p>
<p>The names of the streets were such a source of unfailing interest
to me that I cannot refrain from telling of some of the strangest
and most peculiar ones. All the saints ever heard of or imagined are
honored. The Mexicans do not say street after a name, in our fashion,
bat always say the street of—such as the Street of the Little Hand,
of the Masons, of Montezuma, of the Magnolia Tree, of the Moon, of
Grace, of Joy, of the Joint of God, of Jesus and Mother, of the Sad
Indian, of Independence, of Providence, of Enjoyment, of the Hens, of
the Steers, of the Slave, of Pain, of the Devil, of the Delicious,
of the Dance, of the Green Cross, of the Crosses, of Cayote, of the
Flowery Field, of the Cavalry, of the Chin, of the Heads, of a Good
Sight, of a Good Death, of the Wood of the Most Holy Bench, of Christ's
Mother's Prayer, of the Arts, of the Trees, of the Angles, Street of
Mirth, Street of Bitterness, Street of the Love of God, Street of the
Golden Eagle, of the Little Bird, of the Palm, of Progress, Street of
Spring, Street of Papers, of the Lost Child, of Mosquitoes, of Paper
Money, of Monstrosities, of Death, of the Wars, of Intense Misery, of
the Mill, of the Barber Shop, of the Mice, of the Refuge, of the Clock,
of the Kings, of the Rose, of the Queen, of the Seven Principals, of
the Solitude of the Holy Cross, of the Soldiers, of the Hat, of the
Vegetables, of Triumphs, of a Sot, of a Bull, of the Shutting up of
Jesus, of the Shutting up of Money, of the Blind, of the Heart of
Jesus, of the Body of Christ, Back of St. Andrews, Back of the Son
of God, Back of St. John of God, Back of the Holy Ghost, Back of the
Flowers, Back of the Flesh, Back of the Fruit; then there is the Bridge
of the Little Cars, Bridge of the Haven, Bridge of the Holy Ghost,
Bridge of Iron, Bridge of Firewood, Bridge of Mercy, Bridge of Jesus,
and many others equally curious.</p>
<p>There are eleven streets named after Humboldt in the City of Mexico.
Curious legends are attached to many of the streets, but many have been
forgotten; the street which faces the National Palace, called Don Juan
Manuel, is very interesting from its story, which, they say, is every
word true. As we have no power with which to test its veracity it must
pass without questioning. Here it is:</p>
<p>When the Spaniards first settled in Mexico there was one man named Don
Juan Manuel, who, although blessed with a handsome wife, was always
discontented and complaining because his family did not increase; this
melancholy affected his digestive organs, until he became a victim of
dyspepsia, which we all know leads to various whims and fancies. At any
rate, ho became possessed of the idea that his wife was unfaithful to
his fitful and fretful devotion, and he sat up at night brooding over
this, and writing down beautiful names he would hear and read of, that
would be handy in case of any sudden and unexpected event whereby they
could be utilized.</p>
<p>One night while thus occupied the devil appeared and told him to bring
his nephew from Spain, and also to stand, wrapped in a long black cape,
such as is yet worn by his countrymen, in front of his house at eleven
o'clock that night (a very late hour for a Spaniard to be abroad in
Mexico). The first man who passed would be the one who had stolen his
wife's love, whispered the devil, and Don Juan Manuel must say to him:
"My friend, what is the hour?" and, on the man's replying, continue:
"You are a happy man; you know the hour of your death," then stab him
to the heart. This done, he was to immediately feel relieved. His
wife's love would return, and he would ever after be supremely happy.</p>
<p>The don, much elated at the promised downfall of an imaginary rival,
and the ease it would bring to his worried mind, hastened to do the
devil's bidding; the very next night, wrapped in his long cloak, he
stood in the shadow of his house; just as the watchman's whistle,
calling the hour of eleven, had ceased to sound way off in the
distance, a man, as the devil predicted, came walking by. "My friend,
what is the hour?" cried Don Juan Manuel. True to the historic courtesy
of his birth, the stranger politely stopped and replied: "With your
permission, eleven o'clock, Senor Don." "You are a happy man; you know
the hour of your death," and the unsuspecting stranger fell, stabbed to
the heart, while Don Manuel hastened into his casa.</p>
<p>But he found no relief. While he had no regret for the deed, his
jealousy seemed to burn with increased fire: so the devil came again
and told him he had killed the wrong man, but he must persevere—go out
again, kill the man that he should see at that hour, and at last he
would find the right one; the people began to talk about a man being
found every morning dead at the same spot and in the same manner. But
Don Juan was one of their highest by birth and rearing and was above
suspicion. Their superstition made them attribute the deaths to an
invisible power, and no investigation was made.</p>
<p>In the meantime Don Juan's dearly beloved nephew had arrived from
Spain, and was not only warmly welcomed by him, but by his wife, who
hoped the nephew might be the means of helping to bridge the chasm,
which for months had steadily been increasing between herself and her
husband. Night came on, and the don went out to perform his deadly
business. A man clad like himself came along, and Don Juan approached
with, "My friend, what is the hour?" "Eleven o'clock. Adois," briefly
answered the one addressed. "You are a happy man; you know the hour of
your death," and the dark-clad stranger sank with a slight moan, while
the don fled to his dreary chambers.</p>
<p>Morning dawned, and a dead man, as usual, was found. Don Manuel met
them carrying the body into his casa, heard the screams of his wife,
and saw the rigid face of his beloved nephew, dead, and by his hand! He
rushed to his father confessor, whom he had not visited for so long,
and begged absolution. "Thou must first repent," said the father.
"Repent, repent!" cried the wretched man; "I am racked with misery.
Grant me absolution." "Prove thy repentance first," answered the
father; "go and stand beneath the scaffolding in front of the official
building when the bell and watchman tolls the hour for midnight. Prove
thy repentance by doing that thrice, then come to me."</p>
<p>After the first trial he returned to the father, begging that
absolution be granted, for devils had wounded his flesh and tortured
him as he had stood beneath the scaffolding. "No, twice more must
thou stand there," was the unrelenting reply, and once again he went.
Morning brought him more dead than alive to the good father's side.
His face wore the hue of death, his form was trembling, his eyes were
glassy and his words wild. "I cannot endure the third night. Angels
and devils alike surround me. My victims ask me, with their cold hands
about my throat and glassy eyes staring into mine, to name the hour I
want to die. My flesh is bruised where they burn and prick me. My head
is sore from the frequent pulling of my hair. Grant me absolution; they
have showed me the bottomless pit of hell, and I cannot return!"</p>
<p>The good father prayed long and earnestly with him, that the Almighty
power would deal leniently with his many crimes, but commanded the
trembling wretch to spend the third and final night beneath the
scaffolding. Dawn came, but it brought no hopeful man for the promised
absolution. They found him hanging on the scaffolding dead. Some say
the angels took him away because he had suffered sufficiently for his
sins. Others say the devils hung him because he tried to escape the
toil he had willingly accepted. But he was dead. His story was made
known, and because of the strangeness of it, this street was named
after him, and I never traversed it while in Mexico but that I felt
sorrow for the poor insane wretch as he stood three nights beneath the
scaffolding on Don Juan Manuel.</p>
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