<h3 align="CENTER">Chapter 7</h3>
<p>"Oh, Margaret," cried her aunt next morning, "such a most
unfortunate thing has happened. I could not get you alone."<br/>
The most unfortunate thing was not very serious. One of the
flats in the ornate block opposite had been taken furnished by
the Wilcox family, "coming up, no doubt, in the hope of getting
into London society." That Mrs. Munt should be the first to
discover the misfortune was not remarkable, for she was so
interested in the flats, that she watched their every mutation
with unwearying care. In theory she despised them--they took
away that old-world look--they cut off the sun--flats house a
flashy type of person. But if the truth had been known, she
found her visits to Wickham Place twice as amusing since Wickham
Mansions had arisen, and would in a couple of days learn more
about them than her nieces in a couple of months, or her nephew
in a couple of years. She would stroll across and make friends
with the porters, and inquire what the rents were, exclaiming for
example: "What! a hundred and twenty for a basement? You'll
never get it!" And they would answer: "One can but try, madam."
The passenger lifts, the provision lifts, the arrangement for
coals (a great temptation for a dishonest porter), were all
familiar matters to her, and perhaps a relief from the
politico-economical-æsthetic atmosphere that reigned at the
Schlegels'.<br/>
Margaret received the information calmly, and did not agree
that it would throw a cloud over poor Helen's life.<br/>
"Oh, but Helen isn't a girl with no interests," she
explained. "She has plenty of other things and other people to
think about. She made a false start with the Wilcoxes, and
she'll be as willing as we are to have nothing more to do with
them."<br/>
"For a clever girl, dear, how very oddly you do talk.
Helen'll <em>have</em> to have something more to do with them,
now that they're all opposite. She may meet that Paul in the
street. She cannot very well not bow."<br/>
"Of course she must bow. But look here; let's do the
flowers. I was going to say, the will to be interested in him
has died, and what else matters? I look on that disastrous
episode (over which you were so kind) as the killing of a nerve
in Helen. It's dead, and she'll never be troubled with it
again. The only things that matter are the things that interest
one. Bowing, even calling and leaving cards, even a
dinner-party--we can do all those things to the Wilcoxes, if they
find it agreeable; but the other thing, the one important
thing--never again. Don't you see?"<br/>
Mrs. Munt did not see, and indeed Margaret was making a most
questionable statement--that any emotion, any interest once
vividly aroused, can wholly die.<br/>
"I also have the honour to inform you that the Wilcoxes are
bored with us. I didn't tell you at the time--it might have made
you angry, and you had enough to worry you--but I wrote a letter
to Mrs. W., and apologized for the trouble that Helen had given
them. She didn't answer it."<br/>
"How very rude!"<br/>
"I wonder. Or was it sensible?"<br/>
"No, Margaret, most rude."<br/>
"In either case one can class it as reassuring."<br/>
Mrs. Munt sighed. She was going back to Swanage on the
morrow, just as her nieces were wanting her most. Other regrets
crowded upon her: for instance, how magnificently she would have
cut Charles if she had met him face to face. She had already
seen him, giving an order to the porter--and very common he
looked in a tall hat. But unfortunately his back was turned to
her, and though she had cut his back, she could not regard this
as a telling snub.<br/>
"But you will be careful, won't you?" she exhorted.<br/>
"Oh, certainly. Fiendishly careful."<br/>
"And Helen must be careful, too,"<br/>
"Careful over what?" cried Helen, at that moment coming into
the room with her cousin.<br/>
"Nothing," said Margaret, seized with a momentary
awkwardness.<br/>
"Careful over what, Aunt Juley?"<br/>
Mrs. Munt assumed a cryptic air. "It is only that a certain
family, whom we know by name but do not mention, as you said
yourself last night after the concert, have taken the flat
opposite from the Mathesons--where the plants are in the
balcony."<br/>
Helen began some laughing reply, and then disconcerted them
all by blushing. Mrs. Munt was so disconcerted that she
exclaimed, "What, Helen, you don't mind them coming, do you?" and
deepened the blush to crimson.<br/>
"Of course I don't mind," said Helen a little crossly. "It
is that you and Meg are both so absurdly grave about it, when
there's nothing to be grave about at all."<br/>
"I'm not grave," protested Margaret, a little cross in her
turn.<br/>
"Well, you look grave; doesn't she, Frieda?"<br/>
"I don't feel grave, that's all I can say; you're going quite
on the wrong tack."<br/>
"No, she does not feel grave," echoed Mrs. Munt. "I can bear
witness to that. She disagrees--"<br/>
"Hark!" interrupted Fräulein Mosebach. "I hear Bruno
entering the hall."<br/>
For Herr Liesecke was due at Wickham Place to call for the
two younger girls. He was not entering the hall--in fact, he did
not enter it for quite five minutes. But Frieda detected a
delicate situation, and said that she and Helen had much better
wait for Bruno down below, and leave Margaret and Mrs. Munt to
finish arranging the flowers. Helen acquiesced. But, as if to
prove that the situation was not delicate really, she stopped in
the doorway and said:<br/>
"Did you say the Mathesons' flat, Aunt Juley? How wonderful
you are! I never knew that the woman who laced too tightly's
name was Matheson."<br/>
"Come, Helen," said her cousin.<br/>
"Go, Helen," said her aunt; and continued to Margaret almost
in the same breath: "Helen cannot deceive me, She does mind."<br/>
"Oh, hush!" breathed Margaret. "Frieda'll hear you, and she
can be so tiresome."<br/>
"She minds," persisted Mrs. Munt, moving thoughtfully about
the room, and pulling the dead chrysanthemums out of the vases.
"I knew she'd mind--and I'm sure a girl ought to! Such an
experience! Such awful coarse-grained people! I know more about
them than you do, which you forget, and if Charles had taken you
that motor drive--well, you'd have reached the house a perfect
wreck. Oh, Margaret, you don't know what you are in for.
They're all bottled up against the drawing-room window. There's
Mrs. Wilcox--I've seen her. There's Paul. There's Evie, who is
a minx. There's Charles--I saw him to start with. And who would
an elderly man with a moustache and a copper-coloured face
be?"<br/>
"Mr. Wilcox, possibly."<br/>
"I knew it. And there's Mr. Wilcox."<br/>
"It's a shame to call his face copper colour," complained
Margaret. "He has a remarkably good complexion for a man of his
age."<br/>
Mrs. Munt, triumphant elsewhere, could afford to concede Mr.
Wilcox his complexion. She passed on from it to the plan of
campaign that her nieces should pursue in the future. Margaret
tried to stop her.<br/>
"Helen did not take the news quite as I expected, but the
Wilcox nerve is dead in her really, so there's no need for
plans."<br/>
"It's as well to be prepared."<br/>
"No--it's as well not to be prepared."<br/>
"Because--'<br/>
Her thought drew being from the obscure borderland. She
could not explain in so many words, but she felt that those who
prepare for all the emergencies of life beforehand may equip
themselves at the expense of joy. It is necessary to prepare for
an examination, or a dinner-party, or a possible fall in the
price of stock: those who attempt human relations must adopt
another method, or fail. "Because I'd sooner risk it," was her
lame conclusion.<br/>
"But imagine the evenings," exclaimed her aunt, pointing to
the Mansions with the spout of the watering-can. "Turn the
electric light on her or there, and it's almost the same room.
One evening they may forget to draw their blinds down, and you'll
see them; and the next, you yours, and they'll see you.
Impossible to sit out on the balconies. Impossible to water the
plants, or even speak. Imagine going out of the front-door, and
they come out opposite at the same moment. And yet you tell me
that plans are unnecessary, and you'd rather risk it."<br/>
"I hope to risk things all my life."<br/>
"Oh, Margaret, most dangerous."<br/>
"But after all," she continued with a smile, "there's never
any great risk as long as you have money."<br/>
"Oh, shame! What a shocking speech!"<br/>
"Money pads the edges of things," said Miss Schlegel. "God
help those who have none."<br/>
"But this is something quite new!" said Mrs. Munt, who
collected new ideas as a squirrel collects nuts, and was
especially attracted by those that are portable.<br/>
"New for me; sensible people have acknowledged it for years.
You and I and the Wilcoxes stand upon money as upon islands. It
is so firm beneath our feet that we forget its very existence.
It's only when we see someone near us tottering that we realize
all that an independent income means. Last night, when we were
talking up here round the fire, I began to think that the very
soul of the world is economic, and that the lowest abyss is not
the absence of love, but the absence of coin."<br/>
"I call that rather cynical."<br/>
"So do I. But Helen and I, we ought to remember, when we are
tempted to criticize others, that we are standing on these
islands, and that most of the others, are down below the surface
of the sea. The poor cannot always reach those whom they want to
love, and they can hardly ever escape from those whom they love
no longer. We rich can. Imagine the tragedy last June, if Helen
and Paul Wilcox had been poor people, and couldn't invoke
railways and motor-cars to part them."<br/>
"That's more like Socialism," said Mrs. Munt
suspiciously.<br/>
"Call it what you like. I call it going through life with
one's hand spread open on the table. I'm tired of these rich
people who pretend to be poor, and think it shows a nice mind to
ignore the piles of money that keep their feet above the waves.
I stand each year upon six hundred pounds, and Helen upon the
same, and Tibby will stand upon eight, and as fast as our pounds
crumble away into the sea they are renewed--from the sea, yes,
from the sea. And all our thoughts are the thoughts of
six-hundred-pounders, and all our speeches; and because we don't
want to steal umbrellas ourselves, we forget that below the sea
people do want to steal them, and do steal them sometimes, and
that what's a joke up here is down there reality--"<br/>
"There they go--there goes Fräulein Mosebach. Really,
for a German she does dress charmingly. Oh--!"<br/>
"What is it?"<br/>
"Helen was looking up at the Wilcoxes' flat."<br/>
"Why shouldn't she?"<br/>
"I beg your pardon, I interrupted you. What was it you were
saying about reality?"<br/>
"I had worked round to myself, as usual," answered Margaret
in tones that were suddenly preoccupied.<br/>
"Do tell me this, at all events. Are you for the rich or for
the poor?"<br/>
"Too difficult. Ask me another. Am I for poverty or for
riches? For riches. Hurrah for riches!"<br/>
"For riches!" echoed Mrs. Munt, having, as it were, at last
secured her nut.<br/>
"Yes. For riches. Money for ever!"<br/>
"So am I, and so, I am afraid, are most of my acquaintances
at Swanage, but I am surprised that you agree with us."<br/>
"Thank you so much, Aunt Juley. While I have talked
theories, you have done the flowers."<br/>
"Not at all, dear. I wish you would let me help you in more
important things."<br/>
"Well, would you be very kind? Would you come round with me
to the registry office? There's a housemaid who won't say yes
but doesn't say no."<br/>
On their way thither they too looked up at the Wilcoxes'
flat. Evie was in the balcony, "staring most rudely," according
to Mrs. Munt. Oh yes, it was a nuisance, there was no doubt of
it. Helen was proof against a passing encounter but--Margaret
began to lose confidence. Might it reawake the dying nerve if
the family were living close against her eyes? And Frieda
Mosebach was stopping with them for another fortnight, and Frieda
was sharp, abominably sharp, and quite capable of remarking, "You
love one of the young gentlemen opposite, yes?" The remark would
be untrue, but of the kind which, if stated often enough, may
become true; just as the remark, "England and Germany are bound
to fight," renders war a little more likely each time that it is
made, and is therefore made the more readily by the gutter press
of either nation. Have the private emotions also their gutter
press? Margaret thought so, and feared that good Aunt Juley and
Frieda were typical specimens of it. They might, by continual
chatter, lead Helen into a repetition of the desires of June.
Into a repetition--they could not do more; they could not lead
her into lasting love. They were--she saw it
clearly--Journalism; her father, with all his defects and
wrong-headedness, had been Literature, and had he lived, he would
have persuaded his daughter rightly.<br/>
The registry office was holding its morning reception. A
string of carriages filled the street. Miss Schlegel waited her
turn, and finally had to be content with an insidious
"temporary," being rejected by genuine housemaids on the ground
of her numerous stairs. Her failure depressed her, and though
she forgot the failure, the depression remained. On her way home
she again glanced up at the Wilcoxes' flat, and took the rather
matronly step of speaking about the matter to Helen.<br/>
"Helen, you must tell me whether this thing worries you."<br/>
"If what?" said Helen, who was washing her hands for
lunch.<br/>
"The W.'s coming."<br/>
"No, of course not."<br/>
"Really?"<br/>
"Really." Then she admitted that she was a little worried on
Mrs. Wilcox's account; she implied that Mrs. Wilcox might reach
backward into deep feelings, and be pained by things that never
touched the other members of that clan. "I shan't mind if Paul
points at our house and says, 'There lives the girl who tried to
catch me.' But she might."<br/>
"If even that worries you, we could arrange something.
There's no reason we should be near people who displease us or
whom we displease, thanks to our money. We might even go away
for a little."<br/>
"Well, I am going away. Frieda's just asked me to Stettin,
and I shan't be back till after the New Year. Will that do? Or
must I fly the country altogether? Really, Meg, what has come
over you to make such a fuss?"<br/>
"Oh, I'm getting an old maid, I suppose. I thought I minded
nothing, but really I--I should be bored if you fell in love with
the same man twice and"--she cleared her throat--"you did go red,
you know, when Aunt Juley attacked you this morning. I shouldn't
have referred to it otherwise."<br/>
But Helen's laugh rang true, as she raised a soapy hand to
heaven and swore that never, nowhere and nohow, would she again
fall in love with any of the Wilcox family, down to its remotest
collaterals.</p>
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