<h4>THE RIGHT BRANCH<br/> </h4>
<blockquote>
<p><i>Three leagues, then, the road ran, and turned into a puzzle.
It joined with another and a larger road at right angles.
David stood, uncertain, for a while, and then took the road
to the right.</i><br/> </p>
</blockquote>
<p>Whither it led he knew not, but he was resolved to leave Vernoy
far behind that night. He travelled a league and then passed a
large <i>château</i> which showed testimony of recent entertainment.
Lights shone from every window; from the great stone gateway
ran a tracery of wheel tracks drawn in the dust by the vehicles
of the guests.</p>
<p>Three leagues farther and David was weary. He rested and slept
for a while on a bed of pine boughs at the roadside. Then up
and on again along the unknown way.</p>
<p>Thus for five days he travelled the great road, sleeping upon
Nature's balsamic beds or in peasants' ricks, eating of their
black, hospitable bread, drinking from streams or the willing
cup of the goatherd.</p>
<p>At length he crossed a great bridge and set his foot within the
smiling city that has crushed or crowned more poets than all
the rest of the world. His breath came quickly as Paris sang to
him in a little undertone her vital chant of greeting—the hum
of voice and foot and wheel.</p>
<p>High up under the eaves of an old house in the Rue Conti, David
paid for lodging, and set himself, in a wooden chair, to his
poems. The street, once sheltering citizens of import and
consequence, was now given over to those who ever follow in the
wake of decline.</p>
<p>The houses were tall and still possessed of a ruined dignity,
but many of them were empty save for dust and the spider. By
night there was the clash of steel and the cries of brawlers
straying restlessly from inn to inn. Where once gentility abode
was now but a rancid and rude incontinence. But here David
found housing commensurate to his scant purse. Daylight and
candlelight found him at pen and paper.</p>
<p>One afternoon he was returning from a foraging trip to the
lower world, with bread and curds and a bottle of thin wine.
Halfway up his dark stairway he met—or rather came upon, for
she rested on the stair—a young woman of a beauty that should
balk even the justice of a poet's imagination. A loose, dark
cloak, flung open, showed a rich gown beneath. Her eyes changed
swiftly with every little shade of thought. Within one moment
they would be round and artless like a child's, and long and
cozening like a gypsy's. One hand raised her gown, undraping a
little shoe, high-heeled, with its ribbons dangling, untied. So
heavenly she was, so unfitted to stoop, so qualified to charm
and command! Perhaps she had seen David coming, and had waited
for his help there.</p>
<p>Ah, would monsieur pardon that she occupied the stairway, but
the shoe!—the naughty shoe! Alas! it would not remain tied.
Ah! if monsieur <i>would</i> be so gracious!</p>
<p>The poet's fingers trembled as he tied the contrary ribbons.
Then he would have fled from the danger of her presence, but
the eyes grew long and cozening, like a gypsy's, and held him.
He leaned against the balustrade, clutching his bottle of sour
wine.</p>
<p>"You have been so good," she said, smiling. "Does monsieur,
perhaps, live in the house?"</p>
<p>"Yes, madame. I—I think so, madame."</p>
<p>"Perhaps in the third story, then?"</p>
<p>"No, madame; higher up."</p>
<p>The lady fluttered her fingers with the least possible gesture
of impatience.</p>
<p>"Pardon. Certainly I am not discreet in asking. Monsieur will
forgive me? It is surely not becoming that I should inquire
where he lodges."</p>
<p>"Madame, do not say so. I live in the—"</p>
<p>"No, no, no; do not tell me. Now I see that I erred. But I
cannot lose the interest I feel in this house and all that is
in it. Once it was my home. Often I come here but to dream of
those happy days again. Will you let that be my excuse?"</p>
<p>"Let me tell you, then, for you need no excuse," stammered the
poet. "I live in the top floor—the small room where the stairs
turn."</p>
<p>"In the front room?" asked the lady, turning her head sidewise.</p>
<p>"The rear, madame."</p>
<p>The lady sighed, as if with relief.</p>
<p>"I will detain you no longer then, monsieur," she said,
employing the round and artless eye. "Take good care of my
house. Alas! only the memories of it are mine now. Adieu, and
accept my thanks for your courtesy."</p>
<p>She was gone, leaving but a smile and a trace of sweet perfume.
David climbed the stairs as one in slumber. But he awoke from
it, and the smile and the perfume lingered with him and never
afterward did either seem quite to leave him. This lady of whom
he knew nothing drove him to lyrics of eyes, chansons of
swiftly conceived love, odes to curling hair, and sonnets to
slippers on slender feet.</p>
<p>Poet he must have been, for Yvonne was forgotten; this fine,
new loveliness held him with its freshness and grace. The
subtle perfume about her filled him with strange emotions.</p>
<p> </p>
<p>On a certain night three persons were gathered about a table in
a room on the third floor of the same house. Three chairs and
the table and a lighted candle upon it was all the furniture.
One of the persons was a huge man, dressed in black. His
expression was one of sneering pride. The ends of his upturned
moustache reached nearly to his mocking eyes. Another was a
lady, young and beautiful, with eyes that could be round and
artless, as a child's, or long and cozening, like a gypsy's,
but were now keen and ambitious, like any other conspirator's.
The third was a man of action, a combatant, a bold and
impatient executive, breathing fire and steel. He was addressed
by the others as Captain Desrolles.</p>
<p>This man struck the table with his fist, and said, with
controlled violence:</p>
<p>"To-night. To-night as he goes to midnight mass. I am tired of
the plotting that gets nowhere. I am sick of signals and
ciphers and secret meetings and such <i>baragouin</i>. Let us be
honest traitors. If France is to be rid of him, let us kill in
the open, and not hunt with snares and traps. To-night, I say.
I back my words. My hand will do the deed. To-night, as he goes
to mass."</p>
<p>The lady turned upon him a cordial look. Woman, however wedded
to plots, must ever thus bow to rash courage. The big man
stroked his upturned moustache.</p>
<p>"Dear captain," he said, in a great voice, softened by habit,
"this time I agree with you. Nothing is to be gained by
waiting. Enough of the palace guards belong to us to make the
endeavour a safe one."</p>
<p>"To-night," repeated Captain Desrolles, again striking the
table. "You have heard me, marquis; my hand will do the deed."</p>
<p>"But now," said the huge man, softly, "comes a question. Word
must be sent to our partisans in the palace, and a signal
agreed upon. Our stanchest men must accompany the royal
carriage. At this hour what messenger can penetrate so far as
the south doorway? Ribouet is stationed there; once a message
is placed in his hands, all will go well."</p>
<p>"I will send the message," said the lady.</p>
<p>"You, countess?" said the marquis, raising his eyebrows. "Your
devotion is great, we know, but—"</p>
<p>"Listen!" exclaimed the lady, rising and resting her hands upon
the table; "in a garret of this house lives a youth from the
provinces as guileless and tender as the lambs he tended there.
I have met him twice or thrice upon the stairs. I questioned
him, fearing that he might dwell too near the room in which we
are accustomed to meet. He is mine, if I will. He writes poems
in his garret, and I think he dreams of me. He will do what I
say. He shall take the message to the palace."</p>
<p>The marquis rose from his chair and bowed. "You did not permit
me to finish my sentence, countess," he said. "I would have
said: 'Your devotion is great, but your wit and charm are
infinitely greater.'"</p>
<p>While the conspirators were thus engaged, David was polishing
some lines addressed to his <i>amorette d'escalier</i>. He heard a
timorous knock at his door, and opened it, with a great throb,
to behold her there, panting as one in straits, with eyes wide
open and artless, like a child's.</p>
<p>"Monsieur," she breathed, "I come to you in distress. I believe
you to be good and true, and I know of no other help. How I
flew through the streets among the swaggering men! Monsieur, my
mother is dying. My uncle is a captain of guards in the palace
of the king. Some one must fly to bring him. May I hope—"</p>
<p>"Mademoiselle," interrupted David, his eyes shining with the
desire to do her service, "your hopes shall be my wings. Tell
me how I may reach him."</p>
<p>The lady thrust a sealed paper into his hand.</p>
<p>"Go to the south gate—the south gate, mind—and say to the
guards there, 'The falcon has left his nest.' They will pass
you, and you will go to the south entrance to the palace.
Repeat the words, and give this letter to the man who will
reply 'Let him strike when he will.' This is the password,
monsieur, entrusted to me by my uncle, for now when the country
is disturbed and men plot against the king's life, no one
without it can gain entrance to the palace grounds after
nightfall. If you will, monsieur, take him this letter so that
my mother may see him before she closes her eyes."</p>
<p>"Give it me," said David, eagerly. "But shall I let you return
home through the streets alone so late? I—"</p>
<p>"No, no—fly. Each moment is like a precious jewel. Some time,"
said the lady, with eyes long and cozening, like a gypsy's, "I
will try to thank you for your goodness."</p>
<p>The poet thrust the letter into his breast, and bounded down
the stairway. The lady, when he was gone, returned to the room
below.</p>
<p>The eloquent eyebrows of the marquis interrogated her.</p>
<p>"He is gone," she said, "as fleet and stupid as one of his own
sheep, to deliver it."</p>
<p>The table shook again from the batter of Captain Desrolles's
fist.</p>
<p>"Sacred name!" he cried; "I have left my pistols behind! I can
trust no others."</p>
<p>"Take this," said the marquis, drawing from beneath his cloak a
shining, great weapon, ornamented with carven silver. "There
are none truer. But guard it closely, for it bears my arms and
crest, and already I am suspected. Me, I must put many leagues
between myself and Paris this night. To-morrow must find me in
my <i>château</i>. After you, dear countess."</p>
<p>The marquis puffed out the candle. The lady, well cloaked, and
the two gentlemen softly descended the stairway and flowed into
the crowd that roamed along the narrow pavements of the Rue
Conti.</p>
<p>David sped. At the south gate of the king's residence a halberd
was laid to his breast, but he turned its point with the words;
"The falcon has left his nest."</p>
<p>"Pass, brother," said the guard, "and go quickly."</p>
<p>On the south steps of the palace they moved to seize him, but
again the <i>mot de passe</i> charmed the watchers. One among them
stepped forward and began: "Let him strike—" but a flurry
among the guards told of a surprise. A man of keen look and
soldierly stride suddenly pressed through them and seized the
letter which David held in his hand. "Come with me," he said,
and led him inside the great hall. Then he tore open the letter
and read it. He beckoned to a man uniformed as an officer of
musketeers, who was passing. "Captain Tetreau, you will have
the guards at the south entrance and the south gate arrested
and confined. Place men known to be loyal in their places." To
David he said: "Come with me."</p>
<p>He conducted him through a corridor and an anteroom into a
spacious chamber, where a melancholy man, sombrely dressed, sat
brooding in a great, leather-covered chair. To that man he
said:</p>
<p>"Sire, I have told you that the palace is as full of traitors
and spies as a sewer is of rats. You have thought, sire, that
it was my fancy. This man penetrated to your very door by their
connivance. He bore a letter which I have intercepted. I have
brought him here that your majesty may no longer think my zeal
excessive."</p>
<p>"I will question him," said the king, stirring in his chair. He
looked at David with heavy eyes dulled by an opaque film. The
poet bent his knee.</p>
<p>"From where do you come?" asked the king.</p>
<p>"From the village of Vernoy, in the province of Eure-et-Loir,
sire."</p>
<p>"What do you follow in Paris?"</p>
<p>"I—I would be a poet, sire."</p>
<p>"What did you in Vernoy?"</p>
<p>"I minded my father's flock of sheep."</p>
<p>The king stirred again, and the film lifted from his eyes.</p>
<p>"Ah! in the fields!"</p>
<p>"Yes, sire."</p>
<p>"You lived in the fields; you went out in the cool of the
morning and lay among the hedges in the grass. The flock
distributed itself upon the hillside; you drank of the living
stream; you ate your sweet, brown bread in the shade, and you
listened, doubtless, to blackbirds piping in the grove. Is not
that so, shepherd?"</p>
<p>"It is, sire," answered David, with a sigh; "and to the bees at
the flowers, and, maybe, to the grape gatherers singing on the
hill."</p>
<p>"Yes, yes," said the king, impatiently; "maybe to them; but
surely to the blackbirds. They whistled often, in the grove,
did they not?"</p>
<p>"Nowhere, sire, so sweetly as in Eure-et-Loir. I have
endeavored to express their song in some verses that I have
written."</p>
<p>"Can you repeat those verses?" asked the king, eagerly. "A long
time ago I listened to the blackbirds. It would be something
better than a kingdom if one could rightly construe their song.
And at night you drove the sheep to the fold and then sat, in
peace and tranquillity, to your pleasant bread. Can you repeat
those verses, shepherd?"</p>
<p>"They run this way, sire," said David, with respectful
ardour:<br/> </p>
<blockquote><blockquote>
<p>"'Lazy shepherd, see your lambkins<br/>
<span class="ind2">Skip, ecstatic, on the mead;</span><br/>
See the firs dance in the breezes,<br/>
<span class="ind2">Hear Pan blowing at his reed.</span><br/>
<br/>
"Hear us calling from the tree-tops,<br/>
<span class="ind2">See us swoop upon your flock;</span><br/>
Yield us wool to make our nests warm<br/>
<span class="ind2">In the branches of the—'"</span><br/> </p>
</blockquote></blockquote>
<p>"If it please your majesty," interrupted a harsh voice, "I will
ask a question or two of this rhymester. There is little time
to spare. I crave pardon, sire, if my anxiety for your safety
offends."</p>
<p>"The loyalty," said the king, "of the Duke d'Aumale is too well
proven to give offence." He sank into his chair, and the film
came again over his eyes.</p>
<p>"First," said the duke, "I will read you the letter he
brought:<br/> </p>
<blockquote class="med">
<p>"'To-night is the anniversary of the dauphin's death. If he
goes, as is his custom, to midnight mass to pray for the soul
of his son, the falcon will strike, at the corner of the Rue
Esplanade. If this be his intention, set a red light in the
upper room at the southwest corner of the palace, that the
falcon may take heed.'<br/> </p>
</blockquote>
<p>"Peasant," said the duke, sternly, "you have heard these words.
Who gave you this message to bring?"</p>
<p>"My lord duke," said David, sincerely, "I will tell you. A lady
gave it me. She said her mother was ill, and that this writing
would fetch her uncle to her bedside. I do not know the meaning
of the letter, but I will swear that she is beautiful and
good."</p>
<p>"Describe the woman," commanded the duke, "and how you came to
be her dupe."</p>
<p>"Describe her!" said David with a tender smile. "You would
command words to perform miracles. Well, she is made of
sunshine and deep shade. She is slender, like the alders, and
moves with their grace. Her eyes change while you gaze into
them; now round, and then half shut as the sun peeps between
two clouds. When she comes, heaven is all about her; when she
leaves, there is chaos and a scent of hawthorn blossoms. She
came to see me in the Rue Conti, number twenty-nine."</p>
<p>"It is the house," said the duke, turning to the king, "that we
have been watching. Thanks to the poet's tongue, we have a
picture of the infamous Countess Quebedaux."</p>
<p>"Sire and my lord duke," said David, earnestly, "I hope my poor
words have done no injustice. I have looked into that lady's
eyes. I will stake my life that she is an angel, letter or no
letter."</p>
<p>The duke looked at him steadily. "I will put you to the proof,"
he said, slowly. "Dressed as the king, you shall, yourself,
attend mass in his carriage at midnight. Do you accept the
test?"</p>
<p>David smiled. "I have looked into her eyes," he said. "I had my
proof there. Take yours how you will."</p>
<p>Half an hour before twelve the Duke d'Aumale, with his own
hands, set a red lamp in a southwest window of the palace. At
ten minutes to the hour, David, leaning on his arm, dressed as
the king, from top to toe, with his head bowed in his cloak,
walked slowly from the royal apartments to the waiting
carriage. The duke assisted him inside and closed the door. The
carriage whirled away along its route to the cathedral.</p>
<p>On the <i>qui vive</i> in a house at the corner of the Rue Esplanade
was Captain Tetreau with twenty men, ready to pounce upon the
conspirators when they should appear.</p>
<p>But it seemed that, for some reason, the plotters had slightly
altered their plans. When the royal carriage had reached the
Rue Christopher, one square nearer than the Rue Esplanade,
forth from it burst Captain Desrolles, with his band of
would-be regicides, and assailed the equipage. The guards upon
the carriage, though surprised at the premature attack,
descended and fought valiantly. The noise of conflict attracted
the force of Captain Tetreau, and they came pelting down the
street to the rescue. But, in the meantime, the desperate
Desrolles had torn open the door of the king's carriage, thrust
his weapon against the body of the dark figure inside, and
fired.</p>
<p>Now, with loyal reinforcements at hand, the street rang with
cries and the rasp of steel, but the frightened horses had
dashed away. Upon the cushions lay the dead body of the poor
mock king and poet, slain by a ball from the pistol of
Monseigneur, the Marquis de Beaupertuys.</p>
<p> </p>
<h4>THE MAIN ROAD<br/> </h4>
<blockquote>
<p><i>Three leagues, then, the road ran, and turned into a puzzle.
It joined with another and a larger road at right angles.
David stood, uncertain, for a while, and then sat himself to
rest upon its side.</i><br/> </p>
</blockquote>
<p>Whither these roads led he knew not. Either way there seemed to
lie a great world full of chance and peril. And then, sitting
there, his eye fell upon a bright star, one that he and Yvonne
had named for theirs. That set him thinking of Yvonne, and he
wondered if he had not been too hasty. Why should he leave her
and his home because a few hot words had come between them? Was
love so brittle a thing that jealousy, the very proof of it,
could break it? Mornings always brought a cure for the little
heartaches of evening. There was yet time for him to return
home without any one in the sweetly sleeping village of Vernoy
being the wiser. His heart was Yvonne's; there where he had
lived always he could write his poems and find his happiness.</p>
<p>David rose, and shook off his unrest and the wild mood that had
tempted him. He set his face steadfastly back along the road he
had come. By the time he had retravelled the road to Vernoy,
his desire to rove was gone. He passed the sheepfold, and the
sheep scurried, with a drumming flutter, at his late footsteps,
warming his heart by the homely sound. He crept without noise
into his little room and lay there, thankful that his feet had
escaped the distress of new roads that night.</p>
<p>How well he knew woman's heart! The next evening Yvonne was at
the well in the road where the young congregated in order that
the <i>curé</i> might have business. The corner of her eye
was engaged in a search for David, albeit her set mouth seemed
unrelenting. He saw the look; braved the mouth, drew from it a
recantation and, later, a kiss as they walked homeward
together.</p>
<p>Three months afterwards they were married. David's father was
shrewd and prosperous. He gave them a wedding that was heard of
three leagues away. Both the young people were favourites in
the village. There was a procession in the streets, a dance on
the green; they had the marionettes and a tumbler out from
Dreux to delight the guests.</p>
<p>Then a year, and David's father died. The sheep and the cottage
descended to him. He already had the seemliest wife in the
village. Yvonne's milk pails and her brass kettles were
bright—<i>ouf!</i> they blinded you in the sun when you passed that
way. But you must keep your eyes upon her yard, for her flower
beds were so neat and gay they restored to you your sight. And
you might hear her sing, aye, as far as the double chestnut
tree above Père Gruneau's blacksmith forge.</p>
<p>But a day came when David drew out paper from a long-shut
drawer, and began to bite the end of a pencil. Spring had come
again and touched his heart. Poet he must have been, for now
Yvonne was well-nigh forgotten. This fine new loveliness of
earth held him with its witchery and grace. The perfume from
her woods and meadows stirred him strangely. Daily had he gone
forth with his flock, and brought it safe at night. But now he
stretched himself under the hedge and pieced words together on
his bits of paper. The sheep strayed, and the wolves,
perceiving that difficult poems make easy mutton, ventured from
the woods and stole his lambs.</p>
<p>David's stock of poems grew larger and his flock smaller.
Yvonne's nose and temper waxed sharp and her talk blunt. Her
pans and kettles grew dull, but her eyes had caught their
flash. She pointed out to the poet that his neglect was
reducing the flock and bringing woe upon the household. David
hired a boy to guard the sheep, locked himself in the little
room at the top of the cottage, and wrote more poems. The boy,
being a poet by nature, but not furnished with an outlet in the
way of writing, spent his time in slumber. The wolves lost no
time in discovering that poetry and sleep are practically the
same; so the flock steadily grew smaller. Yvonne's ill temper
increased at an equal rate. Sometimes she would stand in the
yard and rail at David through his high window. Then you could
hear her as far as the double chestnut tree above Père
Gruneau's blacksmith forge.</p>
<p>M. Papineau, the kind, wise, meddling old notary, saw this, as
he saw everything at which his nose pointed. He went to David,
fortified himself with a great pinch of snuff, and said:</p>
<p>"Friend Mignot, I affixed the seal upon the marriage
certificate of your father. It would distress me to be obliged
to attest a paper signifying the bankruptcy of his son. But
that is what you are coming to. I speak as an old friend. Now,
listen to what I have to say. You have your heart set, I
perceive, upon poetry. At Dreux, I have a friend, one Monsieur
Bril—Georges Bril. He lives in a little cleared space in a
houseful of books. He is a learned man; he visits Paris each
year; he himself has written books. He will tell you when the
catacombs were made, how they found out the names of the stars,
and why the plover has a long bill. The meaning and the form of
poetry is to him as intelligent as the baa of a sheep is to
you. I will give you a letter to him, and you shall take him
your poems and let him read them. Then you will know if you
shall write more, or give your attention to your wife and
business."</p>
<p>"Write the letter," said David, "I am sorry you did not speak
of this sooner."</p>
<p>At sunrise the next morning he was on the road to Dreux with
the precious roll of poems under his arm. At noon he wiped the
dust from his feet at the door of Monsieur Bril. That learned
man broke the seal of M. Papineau's letter, and sucked up its
contents through his gleaming spectacles as the sun draws
water. He took David inside to his study and sat him down upon
a little island beat upon by a sea of books.</p>
<p>Monsieur Bril had a conscience. He flinched not even at a mass
of manuscript the thickness of a finger length and rolled to an
incorrigible curve. He broke the back of the roll against his
knee and began to read. He slighted nothing; he bored into the
lump as a worm into a nut, seeking for a kernel.</p>
<p>Meanwhile, David sat, marooned, trembling in the spray of so
much literature. It roared in his ears. He held no chart or
compass for voyaging in that sea. Half the world, he thought,
must be writing books.</p>
<p>Monsieur Bril bored to the last page of the poems. Then he took
off his spectacles, and wiped them with his handkerchief.</p>
<p>"My old friend, Papineau, is well?" he asked.</p>
<p>"In the best of health," said David.</p>
<p>"How many sheep have you, Monsieur Mignot?"</p>
<p>"Three hundred and nine, when I counted them yesterday. The
flock has had ill fortune. To that number it has decreased from
eight hundred and fifty."</p>
<p>"You have a wife and home, and lived in comfort. The sheep
brought you plenty. You went into the fields with them and
lived in the keen air and ate the sweet bread of contentment.
You had but to be vigilant and recline there upon nature's
breast, listening to the whistle of the blackbirds in the
grove. Am I right thus far?"</p>
<p>"It was so," said David.</p>
<p>"I have read all your verses," continued Monsieur Bril, his
eyes wandering about his sea of books as if he conned the
horizon for a sail. "Look yonder, through that window, Monsieur
Mignot; tell me what you see in that tree."</p>
<p>"I see a crow," said David, looking.</p>
<p>"There is a bird," said Monsieur Bril, "that shall assist me
where I am disposed to shirk a duty. You know that bird,
Monsieur Mignot; he is the philosopher of the air. He is happy
through submission to his lot. None so merry or full-crawed as
he with his whimsical eye and rollicking step. The fields yield
him what he desires. He never grieves that his plumage is not
gay, like the oriole's. And you have heard, Monsieur Mignot,
the notes that nature has given him? Is the nightingale any
happier, do you think?"</p>
<p>David rose to his feet. The crow cawed harshly from his tree.</p>
<p>"I thank you, Monsieur Bril," he said, slowly. "There was not,
then, one nightingale among all those croaks?"</p>
<p>"I could not have missed it," said Monsieur Bril, with a sigh.
"I read every word. Live your poetry, man; do not try to write
it any more."</p>
<p>"I thank you," said David, again. "And now I will be going back
to my sheep."</p>
<p>"If you would dine with me," said the man of books, "and
overlook the smart of it, I will give you reasons at length."</p>
<p>"No," said the poet, "I must be back in the fields cawing at my
sheep."</p>
<p>Back along the road to Vernoy he trudged with his poems under
his arm. When he reached his village he turned into the shop of
one Zeigler, a Jew out of Armenia, who sold anything that came
to his hand.</p>
<p>"Friend," said David, "wolves from the forest harass my sheep
on the hills. I must purchase firearms to protect them. What
have you?"</p>
<p>"A bad day, this, for me, friend Mignot," said Zeigler,
spreading his hands, "for I perceive that I must sell you a
weapon that will not fetch a tenth of its value. Only last I
week I bought from a peddlar a wagon full of goods that he
procured at a sale by a <i>commissionaire</i> of the crown. The sale
was of the <i>château</i> and belongings of a great lord—I know not
his title—who has been banished for conspiracy against the
king. There are some choice firearms in the lot. This
pistol—oh, a weapon fit for a prince!—it shall be only forty
francs to you, friend Mignot—if I lose ten by the sale. But
perhaps an arquebuse—"</p>
<p>"This will do," said David, throwing the money on the counter.
"Is it charged?"</p>
<p>"I will charge it," said Zeigler. "And, for ten francs more,
add a store of powder and ball."</p>
<p>David laid his pistol under his coat and walked to his cottage.
Yvonne was not there. Of late she had taken to gadding much
among the neighbours. But a fire was glowing in the kitchen
stove. David opened the door of it and thrust his poems in upon
the coals. As they blazed up they made a singing, harsh sound
in the flue.</p>
<p>"The song of the crow!" said the poet.</p>
<p>He went up to his attic room and closed the door. So quiet was
the village that a score of people heard the roar of the great
pistol. They flocked thither, and up the stairs where the
smoke, issuing, drew their notice.</p>
<p>The men laid the body of the poet upon his bed, awkwardly
arranging it to conceal the torn plumage of the poor black
crow. The women chattered in a luxury of zealous pity. Some of
them ran to tell Yvonne.</p>
<p>M. Papineau, whose nose had brought him there among the first,
picked up the weapon and ran his eye over its silver mountings
with a mingled air of connoisseurship and grief.</p>
<p>"The arms," he explained, aside, to the <i>curé</i>,
"and crest of Monseigneur, the Marquis de Beaupertuys."</p>
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