<h3 align="center">Chapter V</h3>
<p>That morning, after the street in front of Lloyd's factory had
been cleared of the flocking employés with their little
dinner-boxes, and the great broadside of the front windows had been
set with faces of the workers, a distracted figure came past. A young
fellow at a window of the cutting-room noticed her first. “Look
at that, Jim Tenny,” said he, with a shove of an elbow towards
his next neighbor.</p>
<p>“Get out, will ye?” growled Jim Tenny, but he
looked.</p>
<p>Then three girls from the stitching-room came crowding up behind
with furtively tender pressings of round arms against the shoulders
of the young men. “We come in here to see if that was Eva
Loud,” said one, a sharp-faced, alert girl, not pretty, but a
favorite among the male employés, to the constant wonder of
the other girls.</p>
<p>“Yes, it's her fast enough,” rejoined another, a
sweet-faced blonde with an exaggeratedly fashionable coiffure and a
noticeable smartness in the tie of her neck-ribbon and the set of her
cotton waist. “Just look at the poor thing's hair. Only see how
frowsly it is, and she has come out without her hat.”</p>
<p>“Well, I don't wonder,” said the third girl, who was
elderly and whose complexion was tanned and weather-beaten almost to
the color of the leather upon which she worked. Yet through this
seamed and discolored face, with thin grayish hair drawn back tightly
from the temples, one could discern, as through a transparent mask, a
past prettiness and an exceeding gentleness and faithfulness.
“If my sister's little Helen was to be lost I shouldn't know
whether my hat was on or not,” said she. “I believe I
should go raving mad.”</p>
<p>“You wouldn't have to slave as you have done supportin' it
ever since your sister's husband died,” said the pretty girl.
“Only look how Eva's waist bags in the back and she 'ain't got
any belt on. I wouldn't come out lookin' so.”</p>
<p>“I should die if I didn't have something to work for. That's
the difference between being a worker and a slave,” said the
other girl, simply. “Poor Eva!”</p>
<p>“Well, it was a pretty young one,” said the first
girl.</p>
<p>“Looks to me as if Eva Loud's skirt was comin' off,”
said the pretty girl. She pressed close to Jim Tenny with a familiar
air of proprietorship as she spoke, but the young man did not seem to
heed her. He was looking over his bench at the figure on the street
below, and his heavy black eyebrows were scowling, and his mouth
set.</p>
<p>Jim Tenny was handsome after a swarthy and grimy fashion, for the
tint of the leather seemed to have become absorbed into his skin. His
black mustache bristled roughly, but his face was freer than usual
from his black beard-stubble, because the day before had been Sunday
and he had shaved. His black right hand with its squat discolored
nails grasped his cutting-knife with a hard clutch, his left held the
piece of leather firmly in place, while he stared out with that angry
and anxious scowl at Eva, who had paused on the street below, and was
staring up at the windows, as if she meditated a wild search in the
factory for the lost child. There was a curious likeness between the
two faces; people had been accustomed to say that Eva Loud and her
gentleman looked more like brother and sister than a courting couple,
and there was, moreover, a curious spirit of comradeship between the
two. It asserted itself now with the young man, in opposition to the
more purely sexual attraction of the pretty girl who was leaning
against him, and for whom he had deserted Eva.</p>
<p>After all, friendship and good comradeship are a steadier force
than love, if not as overwhelming, and it may be that tortoise of the
emotions which outruns the hare.</p>
<p>“Well, for my part, I think a good deal more of Eva Loud
than if she had come out all frizzed and ruffled—shows her
heart is in the right place,” said the man who had spoken
first. He spoke with a guttural drawl, and kept on with his work, but
there was a meaning in his words for the pretty girl, who had
coquetted with him before taking up with Jim Tenny.</p>
<p>“That is so,” said another man at Jim Tenny's right.
“She is right to come out as she has done when she is so
anxious for the child.” This man was a fair-haired Swede, and
he spoke English with a curious and careful precision, very different
from the hurried, slurring intonations of the other men. He had been
taught the language by a philanthropic young lady, a college
graduate, in whose father's family he had lived when he first came to
America, and in consequence he spoke like a gentleman and had some
considerable difficulty in understanding his companions.</p>
<p>“Eva Loud has had a damned hard time, take it all
together,” spoke out another man, looking over is bench at the
girl on the street. He was small and thin and wiry, a mass of
brown-coated muscles under his loose-hanging gingham shirt. He plied
feverishly his cutting-knife with his lean, hairy hands as he spoke.
He was accounted one of the best and swiftest cutters in Lloyd's, and
he worked unceasingly, for he had an invalid wife and four children
to support. Now and then he had to stop to cough, then he worked
faster.</p>
<p>“That's so,” said the first man.</p>
<p>“Yes, that is so,” said the Swede, with a nod of his
fair head.</p>
<p>“And now to lose this young one that she set her life
by,” said the first girl, with an evident point of malice in
her tone, and a covert look at the pretty girl at Jim Tenny's side.
Jim Tenny paled under his grime; the hand which held the knife
clinched.</p>
<p>“What do you s'pose has become of the young one?” said
the first girl. “There's a good many out from the shop huntin'
this mornin', ain't there?”</p>
<p>“Fifty,” said the first man, laconically.</p>
<p>“You three were out all day yesterday, wa'n't
you?”</p>
<p>“Yes, Jim and Carl and me were out till after
midnight.”</p>
<p>“Well, I wonder whether the poor little young one is alive?
Don't seem as if she could be—but—”</p>
<p>“Look there! look there!” screamed the elderly girl
suddenly. “Look at <em>there!</em>” She began to dance,
she laughed, she sobbed, she waved her lean hands frantically out of
the window, leaning far over the bench. “Look at there!”
she kept crying. Then she turned and ran out of the room, with the
other girls and half the cutting-room after her.</p>
<p>“Damn it, she's got the child!” said the thin man. He
kept on working, his dark, sinewy hands flying over the sheets of
leather, but the tears ran down his cheeks. Lloyd's emptied itself
into the street, and surrounded Eva Loud and Ellen, who, running
aimlessly, had come straight to her aunt. Jim Tenny was first.</p>
<p>Eva stood clasping the child, who was too frightened to cry, and
was breathing in hushed gasps, her face hidden on her aunt's broad
bosom. Eva had caught her up at the first sight of her, and now she
stood clasping her fiercely, and looking at them all as if she
thought they wanted to rob her of the child. Even when a great cheer
went up from the crowd, and was echoed by another from the factory,
with an accompaniment of waving bare, leather-stained arms and hands,
that expression of desperate defiance instead of the joy of recovery
did not leave her face, not until she saw Jim Tenny's face working
with repressed emotion and met his eyes full of the memory of old
comradeship. Then her bold heart and her pride all melted and she
burst out in a great wail before them all.</p>
<p>“Oh, Jim!” she cried out. “Oh, Jim, I lost you,
and then I thought I'd lost her! Oh, Jim!”</p>
<p>Then there was a chorus of feminine sobs, for Eva's wild weeping
had precipitated the ready sympathy of half the girls present. The
men started a cheer to cover a certain chivalrous shamefacedness
which was upon them at the sight of the girl's grief, and another
cheer from the factory echoed it. Then came another sound, the great
steam-whistle of Lloyd's; then the whistles of the other neighboring
factories responded, and people began to swarm out of them, and the
windows to fill with eager faces. Jim Tenny grasped Eva's arm with a
grasp like a vise. “Come this way,” said he, sharply.
“Come this way, Eva.”</p>
<p>“Oh, Jim! oh, Jim!” Eva sobbed again; but she followed
him, little Ellen's golden fleece tossing over her shoulder.</p>
<p>“She's got her; she's got her!” shouted the
people.</p>
<div align="center">
<SPAN href="images/plimage3.jpg">
<ANTIMG src="images/plimage3.jpg" width-obs="445" height-obs="642" alt="'She's got her!' Shouted the people"></SPAN></div>
<p>Then the leather-stained hands gyrated, the cheers went up, and
again the whistles blew.</p>
<p>Jim Tenny, with his hand on Eva's arm, pushed his way through the
crowd.</p>
<p>“Where you goin', Jim?” asked the pretty girl at his
elbow, but he pushed past her roughly, and did not seem to hear.
Eva's face was all inflamed and convulsed with sobs, but she did not
dream of covering it—she was full of the holy shamelessness of
grief and joy. “Let me see her! let me see her! Oh, the dear
little thing, only look at her! Where have you been, precious? Are
you hungry? Oh, Nellie, she is hungry, I know! She looks thin. Run
over to the bakery and buy her some cookies, quick! Are you cold?
Give her this sacque. Only look at her! Kate, only look at her! Are
you hurt, darling? Has anybody hurt you? If anybody has, he shall be
hung! Oh, you darling! Only see her, 'Liza.”</p>
<p>But Jim Tenny, his mouth set, his black brows scowling, his hard
grasp on Eva's arm, pushed straight through the gathering crowd until
they came to Clarkson's stables at the rear of Lloyd's, where he kept
his horse and buggy—for he lived at a distance from his work,
and drove over every morning. He pointed to a chair which a hostler
had occupied, tilted against the wall, for a morning smoke, after the
horses were fed and watered, and which he had vacated to join the
jubilant crowd. “Sit down there,” he said to Eva. Then he
hailed a staring man coming out of the office. “Here, help me
in with my horse, quick!” said he.</p>
<p>The man stared still, with slowly rising indignation. He was
portly and middle-aged, the senior partner of the firm, who seldom
touched his own horses of late years, and had a son at Harvard.
“What's to pay? What do you mean? Anybody sick?” he
asked.</p>
<p>“Help me into the buggy with my horse!” shouted Jim
Tenny. “I tell you the child is found, and I've got to take it
home to its folks.”</p>
<p>“Don't they know yet? Is that it?”</p>
<p>“Yes, I tell you.” Jim was backing out his horse as
he spoke.</p>
<p>Mr. Clarkson seized a harness and threw the collar over the
horse's head, while Jim ran out the buggy. When Mr. Clarkson lifted
Eva and Ellen into the buggy he gave the child's head a pat.
“God bless it!” he said, and his voice broke.</p>
<p>The horse was restive. Jim took a leap into the buggy at Eva's
side, and they were out with a dash and a swift rattle. The crowd
parted before them, and cheer after cheer went up. The whistles
sounded again. Then all the city bells rang out. They were signalling
the other searchers that the child was found. Jim and Eva and Ellen
made a progress of triumph down the street. The crowd pursued them
with cheers of rejoicing; doors and windows flew open; the
house-yards were full of people. Jim drove as fast as he could,
scowling hard to hide his tenderness and pity. Eva sat by his side,
weeping in her terrible candor of grief and joy, and Ellen's golden
locks tossed on her shoulder.</p>
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