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On Secret Service

<h2>VI</h2> <h3>A MATTER OF RECORD</h3> "What was that you mentioned last week—something about the record of Kreisler's 'Drigo's Serenade' reminding you of the capture of some one?" I asked Bill Quinn one summer evening as he painfully hoisted his game leg upon the porch railing. "Sure it does," replied Quinn. "Never fails. Put it on again so I can get the necessary atmosphere, as you writers call it, and possibly I'll spill the yarn—provided you guarantee to keep the ginger ale flowing freely. That and olive oil are about the only throat lubricants left us." So I slipped on the record, rustled a couple of bottles from the ice box, and settled back comfortably, for when Quinn once started on one of his reminiscences of government detective work he didn't like to be interrupted. "That's the piece, all right," Bill remarked, as the strains of the violin drifted off into the night. "Funny how a few notes of music like that could nail a criminal while at the same time it was saving the lives of nobody knows how many other people—" <hr style="width: 45%;" /> Remember Paul Weimar [continued Quinn, picking up the thread of his story]. He was the most dangerous of the entire gang that helped von Bernstorff, von Papen, and the rest of that crew plot against the United States at a time when we were supposed to be entirely neutral.[74] An Austrian by birth, Weimar was as thoroughly a Hun at heart as anyone who ever served the Hohenzollerns and, in spite of his size, he was as slippery as they make 'em. Back in the past somewhere he had been a detective in the service of the Atlas Line, but for some years before the war was superintendent of the police attached to the Hamburg-American boats. That, of course, gave him the inside track in every bit of deviltry he wanted to be mixed up in, for he had made it his business to cultivate the acquaintance of wharf rats, dive keepers, and all the rest of the scum of the Seven Seas that haunts the docks. Standing well over six feet, Weimar had a pair of fists that came in mighty handy in a scuffle, and a tongue that could curl itself around all the blasphemies of a dozen languages. There wasn't a water front where they didn't hate him—neither was there a water front where they didn't fear him. Of course, when the war broke in August, 1914, the Hamburg-American line didn't have any further official use for Weimar. Their ships were tied up in neutral or home ports and Herr Paul was out of a job—for at least ten minutes. But he was entirely too valuable a man for the German organization to overlook for longer than that, and von Papen, in Washington, immediately added him to his organization—with blanket instructions to go the limit on any dirty work he cared to undertake. Later, he worked for von Bernstorff; Doctor Dumba, the Austrian ambassador; and Doctor von Nuber, the Austrian consul in New York—but von Papen had first claim upon his services and did not hesitate to press them, as proven by certain entries in the checkbook of the military attaché during the spring and summer of 1915. Of course, it didn't take the Secret Service and the men[75] from the Department of Justice very long to get on to the fact that Weimar was altogether too close to the German embassy for the safety and comfort of the United States government. But what were they to do about it? We weren't at war then and you couldn't arrest a man merely because he happened to know von Papen and the rest of his precious companions. You had to have something on him—something that would stand up in court—and Paul Weimar was too almighty clever to let that happen. When you remember that it took precisely one year to land this Austrian—one year of constant watching and unceasing espionage—you will see how well he conducted himself. And the government's sleuths weren't the only ones who were after him, either. Captain Kenney, of the New York Police Force, lent mighty efficient aid and actually invented a new system of trailing in order to find out just what he was up to. In the old days, you told a man to go out and follow a suspect and that was all there was to it. The "shadow" would trail along half a block or so in the rear, keeping his man always in view, and bring home a full account of what he had done all day. But you couldn't do that with Weimar—he was too foxy. From what some of the boys have told me, I think he took a positive delight in throwing them off the scent, whether he had anything up his sleeve or not. One day, for example, you could have seen his big bulk swinging nonchalantly up Broadway, as if he didn't have a care in the world. A hundred feet or more behind him was Bob Dugan, one of Kenney's men. When Weimar disappeared into the Subway station at Times Square, Dugan was right behind him, and when the Austrian boarded the local for Grand Central Station, Dugan was[76] on the same train—on the same car, in fact. But when they reached the station, things began to happen. Weimar left the local and commenced to stroll up and down the platform, waiting until a local train and an express arrived at the same time. That was his opportunity. He made a step or two forward, as if to board the express, and Dugan—not wishing to make himself too conspicuous—slipped on board just as the doors were closing, only to see Weimar push back and jam his way on the local! Variations of that stunt occurred time after time. Even the detailing of two men to follow him failed in its purpose, for the Austrian would enter a big office building, leap into an express elevator just as it was about to ascend, slip the operator a dollar to stop at one of the lower floors, and be lost for the day or until some one picked him up by accident. So Cap Kenney called in four of his best men and told them that it was essential that Weimar be watched. "Two of you," he directed, "stick with him all the time. Suppose you locate him the first thing in the morning at his house on Twenty-fourth Street, for example. You, Cottrell, station yourself two blocks up the street. Gary, you go the same distance down. Then, no matter which way he starts he'll have one of you in front of him and one behind. The man in front will have to use his wits to guess which way he intends to go and to beat him to it. If he boards a car, the man in front can pick him up with the certainty that the other will cover the trail in the rear. In that way you ought to be able to find out where he is going and, possibly, what he is doing there." The scheme, thanks to the quick thinking of the men assigned to the job, worked splendidly for months—at least it worked in so far as keeping a watch on Weimar was[77] concerned. But that was all. In the summer of 1915 the government knew precisely where Weimar had been for the past six months, with whom he had talked, and so on—but the kernel of the nut was missing. There wasn't the least clue to what he had talked about and what deviltry he had planned! Without that information, all the dope the government had was about as useful as a movie to a blind man. Washington was so certain that Weimar had the key to a number of very important developments—among them the first attempt to blow up the Welland Canal—that the chief of the Secret Service made a special trip to New York to talk to Kenney. "Isn't it possible," he suggested, "to plant your men close enough to Weimar to find out, for example, what he talks about over the phone?" Kenney smiled, grimly. "Chief," he said, "that's been done. We've tapped every phone that Weimar's likely to use in the neighborhood of his house and every time he talks from a public station one of our men cuts in from near-by—by an arrangement with Central—and gets every word. But that bird is too wary to be caught with chaff of that kind. He's evidently worked out a verbal code of some kind that changes every day. He tells the man at the other end, for example, to be at the drug store on the corner of Seventy-third and Broadway at three o'clock to-morrow afternoon and wait for a phone call in the name of Williams. Our man is always at the place at the appointed hour, but no call ever arrives. 'Seventy-third and Broadway' very evidently means some other address, but it's useless to try and guess which one. You'd have to have a man at every pay station in town to follow that lead."[78] "How about overhearing his directions to the men he meets in the open?" "Not a chance in the world. His rendezvous are always public places—the Pennsylvania or Grand Central Station, a movie theater, a hotel lobby, or the like. There he can put his back against the wall and make sure that no one is listening in. He's on to all the tricks of the trade and it will take a mighty clever man—or a bunch of them—to nail him." "H-m-m!" mused the chief. "Well, at that, I believe I've got the man." "Anyone I know?" "Yes, I think you do—Morton Maxwell. Remember him? Worked on the Castleman diamond case here a couple of years ago for the customs people and was also responsible for uncovering the men behind the sugar-tax fraud. He isn't in the Service, but he's working for the Department of Justice, and I'm certain they'll turn him loose on this if I ask them to. Maxwell can get to the bottom of Weimar's business, if anyone can. Let me talk to Washington—" And within an hour after the chief had hung up the receiver Morton Maxwell, better known as "Mort," was headed toward New York with instructions to report at Secret Service headquarters in that city. Once there, the chief and Kenney went over the whole affair with him. Cottrell and Gary and the other men who had been engaged in shadowing the elusive Weimar were called in to tell their part of the story, and every card was laid upon the table. When the conference concluded, sometime after midnight, the chief turned to Maxwell and inquired: "Well, what's your idea about it?" For a full minute Mort smoked on in silence and gazed[79] off into space. Men who had just met him were apt to think this a pose, a play to the grand stand—but those who knew him best realized that Maxwell's alert mind was working fastest in such moments and that he much preferred not to make any decision until he had turned things over in his head. "There's just one point which doesn't appear to have been covered," he replied. Then, as Kenney started to cut in, "No, Chief, I said appeared not to have been covered. Very possibly you have all the information on it and forgot to hand it out. Who does this Weimar live with?" "He lives by himself in a house on Twenty-fourth Street, near Seventh Avenue—boards there, but has the entire second floor. So far as we've been able to find out he has never been married. No trace of any wife on this side, anyhow. Never travels with women—probably afraid they'd talk too much." "Has he any relatives?" "None that I know of—" "Wait a minute," Cottrell interrupted. "I dug back into Weimar's record before the war ended his official connection with the steamship company, and one of the points I picked up was that he had a cousin—a man named George Buch—formerly employed on one of the boats. "Where is Buch now?" asked Maxwell. "We haven't been able to locate him," admitted the police detective. "Not that we've tried very hard, because the trail didn't lead in his direction. I don't even know that he is in this country, but it's likely that he is because he was on one of the boats that was interned here when the war broke." Again it was a full minute before Maxwell spoke.[80] "Buch," he said, finally, "appears to be the only link between Weimar and the outer world. It's barely possible that he knows something, and, as we can't afford to overlook any clue, suppose we start work along that line. I'll dig into it myself the first thing in the morning, and I certainly would appreciate any assistance that your men could give me, Chief. Tell them to make discreet inquiries about Buch, his appearance, habits, etc., and to try and find out whether he is on this side. Now I'm going to turn in, for something seems to tell me that the busy season has arrived." At that Maxwell wasn't far wrong. The weeks that followed were well filled with work, but it was entirely unproductive of results. Weimar was shadowed day and night, his telephones tapped and his mail examined. But, save for the fact that his connection with the German embassy became increasingly apparent, no further evidence was forthcoming. The search for Buch was evidently futile, for that personage appeared to have disappeared from the face of the earth. All that Maxwell and the other men who worked on the matter could discover was that Buch—a young Austrian whose description they secured—had formerly been an intimate of Weimar. The latter had obtained his appointment to a minor office in the Hamburg-American line and Buch was commonly supposed to be a stool pigeon for the master plotter. But right there the trail stopped. No one appeared to know whether the Austrian was in New York, or the United States, for that matter, though one informant did admit that it was quite probable. "Buch and the big fellow had a row the last time over," was the information Maxwell secured at the cost of a few drinks. "Something about some money that Weimar[81] is supposed to have owed him—fifteen dollars or some such amount. I didn't hear about it until afterward, but it appears to have been a pretty lively scrap while it lasted. Of course, Buch didn't have a chance against the big fellow—he could handle a bull. But the young Austrian threatened to tip his hand—said he knew a lot of stuff that would be worth a good deal more money than was coming to him, and all that sort of thing. But the ship docked the next day and I haven't seen or heard of him since." The idea of foul play at once leaped into Maxwell's mind, but investigation of police records failed to disclose the discovery of anybody answering to the description of George Buch and, as Captain Kenney pointed out, it is a decidedly difficult matter to dispose of a corpse in such a way as not to arouse at least the suspicions of the police. As a last resort, about the middle of September, Maxwell had a reward posted on the bulletin board of every police station in New York and the surrounding country for the "apprehension of George Buch, Austrian, age about twenty-four. Height, five feet eight inches. Hair, blond. Complexion, fair. Eyes, blue. Sandy mustache." As Captain Kenney pointed out, though, the description would apply to several thousand men of German parentage in the city, and to a good many more who didn't have a drop of Teutonic blood in their veins. "True enough," Maxwell was forced to admit, "but we can't afford to overlook a bet—even if it is a thousand-to-one shot." As luck would have it, the thousand-to-one shot won! On September 25, 1917, Detective Gary returned to headquarters, distinctly crestfallen. Weimar had given him the slip. In company with another man, whom the detective did[82] not know, the Austrian had been walking up Sixth Avenue that afternoon when a machine swung in from Thirty-sixth Street and the Austrian had leaped aboard without waiting for it to come to a full stop. "Of course, there wasn't a taxi in sight," said Gary, ruefully, "and before I could convince the nearest chauffeur that my badge wasn't phony they'd gone!" "That's the first time in months," Gary replied. "He knows that he's followed, all right, and he's cagy enough to keep in the open and pretend to be aboveboard." "Right," commented the Department of Justice operative, "and this move would appear to indicate that something was doing. Better phone all your stations to watch out for him, Cap." But nothing more was seen or heard of Herr Weimar for five days. Meanwhile events moved rapidly for Maxwell. On September 26th, the day after the Austrian disappeared, one of the policemen whose beat lay along Fourteenth Street, near Third Avenue, asked to see the government detective. "My name's Riley," announced the copper, with a brogue as broad as the toes of his shoes. "Does this Austrian, this here Buch feller ye're lookin' for, like music? Is he nuts about it?" "Music?" echoed Maxwell. "I'm sure I don't know.... But wait a minute! Yes, that's what that chap who used to know him on the boat told me. Saying he was forever playing a fiddle when he was off duty and that Weimar threw it overboard one day in a fit of rage. Why? What's the connection?" "Nothin' in particular, save that a little girl I'm rather sweet on wurruks in a music store on Fourteenth Street an' she an' I was talkin' things over last night an' I happened[83] to mintion th' reward offered for this Buch feller. 'Why!' says she, 'that sounds just like the Dutchy that used to come into th' shop a whole lot a year or so ago. He was crazy about music an' kep' himself pretty nigh broke a-buyin' those expensive new records. Got me to save him every violin one that came out.'" "Um, yes," muttered Maxwell, "but has the young lady seen anything of this chap lately?" "That she has not," Riley replied, "an' right there's th' big idear. Once a week, regular, another Dutchman comes in an' buys a record, an' he told Katy—that's me gurrul's name—last winter that th' selections were for a man that used to be a stiddy customer of hers but who was now laid up in bed." "In bed for over a year!" exclaimed Maxwell, his face lighting up. "Held prisoner somewhere in the neighborhood of that shop on Fourteenth Street, because the big Austrian hasn't the nerve to make away with him and yet fears that he knows too much! Look here, Riley—suppose you and Miss Katy take a few nights off—I'll substitute for her and make it all right with the man who owns the store. Then I can get a line on this buyer of records for sick men." "Wouldn't it be better, sir, if we hung around outside th' store an' let Katy give us the high sign when he come in? Then we could both trail him back to where he lives." "You're right, Riley, it would! Where'll I meet you to-night?" "At the corner of Fourteenth Street and Thoid Av'nue, at eight o'clock. Katy says th' man never gets there before nine." "I'll be there," said Maxwell—and he was. But nothing out of the ordinary rewarded their vigil the[84] first night, nor the second. On the third night, however, just after the clock in the Metropolitan Tower had boomed nine times, a rather nondescript individual sauntered into the music store, and Riley's quick eyes saw the girl behind the counter put her left hand to her chest. Then she coughed. "That's th' signal, sir," warned the policeman in a whisper. "An' that's the guy we're after." Had the man turned around as he made his way toward a dark and forbidding house on Thirteenth Street, not far from Fourth Avenue, he might have caught sight of two shadows skulking along not fifty feet behind him. But, at that, he would have to have been pretty quick—for Maxwell was taking no chances on losing his prey and he had cautioned the policeman not to make a sound. When their quarry ascended the steps of No. 247 Riley started to move after him, but the Department of Justice operative halted him. "There's no hurry," stated Maxwell. "He doesn't suspect we're here, and, besides, it doesn't make any difference if he does lock the door—I've got a skeleton key handy that's guaranteed to open anything." Riley grunted, but stayed where he was until Maxwell gave the signal to advance. Once inside the door, which responded to a single turn to the key, the policeman and the government agent halted in the pitch-black darkness and listened. Then from an upper floor came the sound for which Maxwell had been waiting—the first golden notes of a violin played by a master hand. The distance and the closed doorway which intervened killed all the harsh mechanical tone of the phonograph and only the wonderful melody of "Drigo's Serenade" came down to them. On tiptoe, though they knew their movements would[85] be masked by the sounds of the music, Riley and Maxwell crept up to the third floor and halted outside the door from which the sounds came. "Wait until the record is over," directed Maxwell, "and then break down that door. Have your gun handy and don't hesitate to shoot anyone who tries to injure Buch. I'm certain he's held prisoner here and it may be that the men who are guarding him have instructions not to let him escape at any cost. Ready? Let's go!" The final note of the Kreisler record had not died away before Riley's shoulder hit the flimsy door and the two detectives were in the room. Maxwell barely had time to catch a glimpse of a pale, wan figure on the bed and to sense the fact that there were two other men in the room, when there was a shout from Riley and a spurt of flame from his revolver. With a cry, the man nearest the bed dropped his arm and a pistol clattered to the floor—the barrel still singing from the impact of the policeman's bullet. The second man, realizing that time was precious, leaped straight toward Maxwell, his fingers reaching for the agent's throat. With a half laugh Mort clubbed his automatic and brought the butt down with sickening force on his assailant's head. Then he swung around and covered the man whom Riley had disarmed. "Don't worry about him, sir," said the policeman. "His arm'll be numb half an hour from now. What do you want to do with th' lad in th' bed?" "Get him out of here as quickly as we can. We won't bother with these swine. They have the law on their side, anyway, because we broke in here without a warrant. I only want Buch." When he had propped the young Austrian up in a comfortable chair in the Federal Building and had given him[86] a glass of brandy to strengthen his nerves—the Lord only knows that they'll have to do in the future—Maxwell got the whole story and more than he had dared hoped for. Buch, following his quarrel with Weimar, had been held prisoner in the house on Thirteenth Street for over a year because, as Maxwell had figured, the Austrian didn't have the nerve to kill him and didn't dare let him loose. Barely enough food was allowed to keep him alive, and the only weakness that his cousin had shown was in permitting the purchase of one phonograph record a week in order to cheer him up a little. "Naturally," said Buch, "I chose the Kreisler records, because he's an Austrian and a marvelous violinist." "Did Weimar ever come to see you?" inquired Maxwell. "He came in every now and then to taunt me and to say that he was going to have me thrown in the river some day soon. That didn't frighten me, but there were other things that did. He came in last week, for example, and boasted that he was going to blow up a big canal and I was afraid he might be caught or killed. That would have meant no more money for the men who were guarding me and I was too weak to walk even to the window to call for help...." "A big canal!" Maxwell repeated. "He couldn't mean the Panama! No, that's impossible. I have it! The Welland Canal!" And in an instant he was calling the Niagara police on the long-distance phone, giving a detailed description of Weimar and his companions. <hr style="width: 45%;" /> "As it turned out," concluded Quinn, reaching for his empty glass, "Weimar had already been looking over the ground. He was arrested, however, before the dynamite could be planted, and, thanks to Buch's evidence, indicted for violation of Section Thirteen of the Penal Code.[87] "Thus did a phonograph record and thirty pieces of silver—the thirty half-dollars that Weimar owed Buch—lead directly to the arrest of one of the most dangerous spies in the German service. Let's have Mr. Drigo's Serenade once more and pledge Mort Maxwell's health in ginger ale—unless you have a still concealed around the house. And if you have I will be in duty bound to tell Jimmy Reynolds about it—he's the lad that holds the record for persistency and cleverness in discovering moonshiners." <hr style="width: 65%;" /> [88] <div style="break-after:column;"></div>

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