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On Secret Service

<h2>VIII</h2> <h3>THE TAXICAB TANGLE</h3> We'd been sitting on the front porch—Bill Quinn and I—discussing things in general for about half an hour when the subject of transportation cropped up and, as a collateral idea, my mind jumped to taxicabs, for the reason that the former Secret Service operative had promised to give me the details of a case which he referred to as "The Trenton Taxicab Tangle." "Yes," he replied, reminiscently, when I reminded him of the alliterative title and inquired to what it might refer, "that was one of the branch cases which grew out of the von Ewald chase—you remember Mary McNilless and the clue of Shelf Forty-five? Well, Dick Walters, the man who landed von Ewald, wasn't the only government detective working on that case in New York—not by some forty-five or fifty—and Mary wasn't the only pretty woman mixed up in it, either. There was that girl at the Rennoc switchboard.... "That's another story, though. What you want is the taxicab clue." <hr style="width: 45%;" /> If you remember the incidents which led up to the von Ewald affair [continued Quinn, as he settled comfortably back in his chair] you will recall that the German was the slipperiest of slippery customers. When Walters stumbled on his trail, through the quick wit of Mary McNilless, there wasn't the slightest indication that there[104] was such a man. He was a myth, a bugaboo—elusive as the buzz of a mosquito around your ear. During the months they scoured New York in search for him, a number of other cases developed. Some of these led to very interesting conclusions, but the majority, as usual, flivvered into thin air. The men at headquarters, the very cream of the government services, gathered from all parts of the country, were naturally unable to separate the wheat from the chaff in advance. Night after night they went out on wild-goose chases and sometimes they spent weeks in following a promising lead—to find only blue sky and peaceful scenery at the end of it. Alan Whitney, who had put in two or three years rounding up counterfeiters for the Service, and who had been transferred to the Postal Inspection Service at the time of those registered mail robberies in the Middle West—only to be detailed to Secret Service work in connection with the von Ewald case—was one of the bitterest opponents of this forced inaction. "I don't mind trouble," Whitney would growl, "but I do hate this eternal strain of racing around every time the bell goes off and then finding that some bonehead pulled the alarm for the sheer joy of seeing the engines come down the street. There ought to be a law against irresponsible people sending in groundless 'tips'—just as there's a law against scandal or libel or any other information that's not founded on fact." But, just the same, Al would dig into every new clue with as much interest and energy as the rest of the boys—for there's always the thrill of thinking that the tip you're working on may be the right one after all. Whitney was in the office one morning when the phone rang and the chief answered it.[105] "Yes," he heard the chief say, "this is the right place—but if your information is really important I would suggest that you come down and give it in person. Telephones are not the most reliable instruments in the world." A pause followed and the chief's voice again: "Well, of course we are always very glad to receive information that tends to throw any light on those matters, but I must confess that yours sounds a little vague and far-fetched. Maybe the people in the taxi merely wanted to find a quiet place to talk.... They got out and were away for nearly two hours? Hum! Thanks very much. I'll send one of our men over to talk to you about it, if you don't mind. What's the address?" A moment or two later, after the chief had replaced the receiver, he called out to Whitney and with a smile that he could barely conceal told him to catch the next train to Trenton, where, at a certain address, he would find a Miss Vera Norton, who possessed—or thought she possessed—information which would be of value to the government in running down the people responsible for recent bomb outrages and munition-plant explosions. "What's the idea, Chief?" inquired Al. "This young lady—at least her voice sounded young over the phone—says that she got home late from a party last night. She couldn't sleep because she was all jazzed up from dancing or something, so she sat near her window, which looks out upon a vacant lot on the corner. Along about two o'clock a taxicab came putt-putting up the street, stopped at the corner, and two men carrying black bags hopped out. The taxicab remained there until nearly four o'clock—three-forty-eight, Miss Norton's watch said—and then the two men came back, without the bags, jumped in, and rolled off. That's all she knows, or, at least, all she told.[106] "When she picked up the paper round eleven o'clock this mornin' the first thing that caught her eye was the attempt to blow up the powder plant 'bout two miles from the Norton home. One paragraph of the story stated that fragments of a black bag had been picked up near the scene of the explosion, which only wrecked one of the outhouses, and the young lady leaped to the conclusion that her two night-owls were mixed up in the affair. So she called up to tip us off and get her name in history. Better run over and talk to her. There might be something to the information, after all." "Yes, there might," muttered Whitney, "but it's getting so nowadays that if you walk down the street with a purple tie on, when some one thinks you ought to be wearing a green one, they want you arrested as a spy. Confound these amateurs, anyhow! I'm a married man, Chief. Why don't you send Giles or one of the bachelors on this?" "For just that reason," was the reply. "Giles or one of the others would probably be impressed by the Norton's girl's blond hair—it must be blond from the way she talked—and spend entirely too much time running the whole thing to earth. Go on over and get back as soon as you can. We can't afford to overlook anything these days—neither can we afford to waste too much time on harvesting crops of goat feathers. Beat it!" And Whitney, still protesting, made his way to the tube and was lucky enough to catch a Trenton train just about to pull out of the station. Miss Vera Norton, he found, was a blond—and an extremely pretty one, at that. Moreover, she appeared to have more sense than the chief had given her credit for. After Whitney had talked to her for a few minutes he admitted to himself that it was just as well that Giles[107] hadn't tackled the case—he might never have come back to New York, and Trenton isn't a big enough place for a Secret Service man to hide in safety, even when lured by a pair of extremely attractive gray-blue eyes. Apart from her physical charms, however, Whitney was forced to the conclusion that what she had seen was too sketchy to form anything that could be termed a real clue. "No," she stated, in reply to a question as to whether she could identify the men in the taxi, "it was too dark and too far off for me to do that. The arc light on the corner, however, gave me the impression that they were of medium height and rather thick set. Both of them were dressed in dark suits of some kind and each carried a black leather bag. That's what made me think that maybe they were mixed up in that explosion last night." "What kind of bags were they?" "Gladstones, I believe you call them. Those bags that are flat on the bottom and then slant upward and lock at the top." "How long was the taxi there?" "I don't know just when it did arrive, for I didn't look at my watch then, but it left at twelve minutes to four. I was getting mighty sleepy, but I determined to see how long it would stay in one place, for it costs money to hire a car by the hour—even one of those Green-and-White taxis." "Oh, it was a Green-and-White, eh?" "Yes, and I got the number, too," Miss Norton's voice fairly thrilled with the enthusiasm of her detective ability. "After the men had gotten out of the car I remembered that my opera glasses were on the bureau and I used them to get a look at the machine. I couldn't see anything of the chauffeur beyond the fact that he was hunched down[108] on the front seat, apparently asleep, and the men came back in such a hurry that I didn't have time to get a good look at them through the glasses." "But the number," Whitney reminded her. "I've got it right here," was the reply, as the young lady dug down into her handbag and drew out a card. "N. Y. four, three, three, five, six, eight," she read. "I got that when the taxi turned around and headed back—to New York, I suppose. But what on earth would two men want to take a taxi from New York all the way to Trenton for? Why didn't they come on the train?" "That, Miss Norton," explained Whitney, "is the point of your story that makes the whole thing look rather suspicious. I will confess that when the chief told me what you had said over the phone I didn't place much faith in it. There might have been a thousand good reasons for men allowing a local taxi to wait at the corner, but the very fact of its bearing a New York number makes it a distinctly interesting incident." "Then you think that it may be a clue, after all?" "It's a clue, all right," replied the operative, "but what it's a clue to I can't say until we dig farther into the matter. It is probable that these two men had a date for a poker party or some kind of celebration, missed the train in New York, and took a taxi over rather than be left out of the party. But at the same time it's distinctly within the realms of possibility that the men you saw were implicated in last night's explosion. It'll take some time to get at the truth of the matter and, meanwhile, might I ask you to keep this information to yourself?" "Indeed I shall!" was the reply. "I won't tell a soul, honestly."[109] After that promise, Al left the Norton house and made his way across town to where the munitions factory reared its hastily constructed head against the sky. Row after row of flimsy buildings, roofed with tar paper and giving no outward evidence of their sinister mission in life—save for the high barbed-wire fence that inclosed them—formed the entire plant, for there shells were not made, but loaded, and the majority of the operations were by hand. When halted at the gate, Whitney found that even his badge was of no use in securing entrance. Evidently made cautious by the events of the preceding night, the guard refused to admit anyone, and even hesitated about taking Al's card to the superintendent. The initials "U. S. S. S." finally secured him admittance and such information as was available. This, however, consisted only of the fact that some one had cut the barbed wire at an unguarded point and had placed a charge of explosive close to one of the large buildings. The one selected was used principally as a storehouse. Otherwise, as the superintendent indicated by an expressive wave of his hand, "it would have been good night to the whole place." "Evidently they didn't use a very heavy charge," he continued, "relying upon the subsequent explosions from the shells inside to do the damage. If they'd hit upon any other building there'd be nothing but a hole in the ground now. As it is, the damage won't run over a few thousand dollars." "Were the papers right in reporting that you picked some fragments of a black bag not far from the scene of the explosion?" Whitney asked. "Yes, here they are," and the superintendent produced three pieces of leather from a drawer in his desk. "Two pieces of the top and what is evidently a piece of the side."[110] Whitney laid them on the desk and examined them carefully for a few moments. Then: "Notice anything funny about these?" he inquired. "No. What's the matter?" "Not a thing in the world, except that the bag must have had a very peculiar lock." "What's that?" "Here—I'll show you," and Whitney tried to put the two pieces of metal which formed the lock together. But, inasmuch as both of them were slotted, they wouldn't join. "Damnation!" exclaimed the superintendent. "What do you make of that." "That there were two bags instead of one," stated Whitney, calmly. "Coupled with a little information which I ran into before I came over here, it begins to look as if we might land the men responsible for this job before they're many hours older." Ten minutes later he was on his way back to New York, not to report at headquarters, but to conduct a few investigations at the headquarters of the Green-and-White Taxicab Company. "Can you tell me," he inquired of the manager in charge, "just where your taxi bearing the license number four, three, three, five, six, eight was last night?" "I can't," said the manager, "but we'll get the chauffeur up here and find out in short order. "Hello!" he called over an office phone. "Who has charge of our cab bearing license number four, three, three, five, six, eight?... Murphy? Is he in?... Send him up—I'd like to talk to him." A few moments later a beetle-jawed and none too cleanly specimen of the genus taxi driver swaggered in and didn't even bother to remove his cap before sitting down.[111] "Murphy," said the Green-and-White manager, "where was your cab last night?" "Well, let's see," commenced the chauffeur. "I took a couple to the Amsterdam The-ayter in time for th' show an' then picked up a fare on Broadway an' took him in the Hunnerd-an'-forties some place. Then I cruised around till the after-theater crowd began to come up an'—an' I got one more fare for Yonkers. Another long trip later on made it a pretty good night." "Murphy," cut in Whitney, edging forward into the conversation, "where and at just what hour of the night did those two Germans offer you a hundred dollars for the use of your car all evening?" "They didn't offer me no hunnerd dollars," growled the chauffeur, "they gave me...." Then he checked himself suddenly and added, in an undertone, "I don't know nothin' 'bout no Goimans." "The hell you don't!" snarled Whitney, edging toward the door. "Back up against that desk and keep your hands on top of it, or I'll pump holes clean through you!" His right hand was in his coat pocket, the fingers closed around what was very palpably the butt of an automatic. Murphy could see the outline of the weapon and obeyed instructions, while Whitney slammed the door with his left hand. "Now look here," he snapped, taking a step nearer to the taxi driver, "I want the truth and I want it quick! Also, it's none of your business why I want it! But you better come clean if you know what's good for you. Out with it! Where did you meet 'em and where did you drive 'em?" Realizing that escape was cut off and thoroughly cowed by the display of force, Murphy told the whole story—or as much of it as he knew.[112] "I was drivin' down Broadway round Twenty-eig't Street last night, 'bout ten o'clock," he confessed. "I'd taken that couple to the the-ayter, just as I told you, an' that man up to Harlem. Then one of these t'ree guys hailed me...." "Three?" interrupted Whitney. "That's what I said—t'ree! They said they wanted to borrow my machine until six o'clock in th' mornin' an' would give me two hunnerd dollars for it. I told 'em there was nothin' doin' an' they offered me two-fifty, swearin' that they'd have it back at th' same corner at six o'clock sharp. Two hunnerd an' fifty bones being a whole lot more than I could make in a night, I gambled with 'em an' let 'em have th' machine, makin' sure that I got the coin foist. They drove off, two of 'em inside, an' I put in th' rest of th' night shootin' pool. When I got to th' corner of Twenty-eig't at six o'clock this mornin', there wasn't any sign of 'em—but th' car was there, still hot from the hard ride they give her. That's all I know—'shelp me Gawd!" "Did the men have any bags with them?" "Bags? No, not one." "What did they look like?" "The one that talked with me was 'bout my heig't an' dressed in a dark suit. He an' th' others had their hats pulled down over their eyes, so's I couldn't see their faces." "Did he talk with a German accent?" "He sure did. I couldn't hardly make out what he was sayin'. But his money talked plain enough." "Yes, and it's very likely to talk loud enough to send you to the pen if you're not careful!" was Whitney's reply. "If you don't want to land there, keep your mouth shut about this. D'you get me?" "I do, boss, I do."[113] "And you've told me all the truth—every bit of it?" "Every little bit." "All right. Clear out!" When Murphy left the room, Whitney turned to the manager and, with a wry smile, remarked: "Well, we've discovered where the car came from and how they got it. But that's all. We're really as much in the dark as before." "No," replied the manager, musingly. "Not quite as much. Possibly you don't know it, but we have a device on every car that leaves this garage to take care of just such cases as this—to prevent drivers from running their machines all over town without pulling down the lever and then holding out the fares on us. Just a minute and I'll show you. "Joe," he called, "bring me the record tape of Murphy's machine for last night and hold his car till you hear from me." "This tape," he explained, a few minutes later, "is operated something along the lines of a seismograph or any other instrument for detecting change in direction. An inked needle marks these straight lines and curves all the time the machine is moving, and when it is standing still it oscillates slightly. By glancing at these tapes we can tell when any chauffeur is holding out on us, for it forms a clear record—not only of the distance the machine has traveled, but of the route it followed." "Doesn't the speedometer give you the distance?" asked Whitney. "Theoretically, yes. But it's a very simple matter to disconnect a speedometer, while this record is kept in a locked box and not one driver in ten even knows it's there. Now, let's see what Murphy's record tape tells us....[114] "Yes, here's the trip to the theater around eight-thirty. See the sharp turn from Fifth Avenue into Forty-second Street, the momentary stop in front of the Amsterdam, and the complete sweep as he turned around to get back to Broadway. Then there's the journey up to the Bronx or Harlem or wherever he went, another complete turn and an uninterrupted trip back down on Broadway." "Then this," cut in Whitney, unable to keep the excitement out of his voice, "is where he stopped to speak to the Germans?" "Precisely," agreed the other, "and, as you'll note, that stop was evidently longer than either of the other two. They paid their fares, while Murphy's friends had to be relieved of two hundred and fifty dollars." "From there on is what I'm interested in," announced Whitney. "What does the tape say?" "It doesn't say anything," admitted the manager, with a smile. "But it indicates a whole lot. In fact, it blazes a blood-red trail that you ought to be able to follow with very little difficulty. See, when the machine started it kept on down Broadway—in fact, there's no sign of a turn for several blocks." "How many?" "That we can't tell—now. But we can figure it up very accurately later. The machine then turned to the right and went west for a short distance only—stopped for a few moments—and then went on, evidently toward the ferry, for here's a delay to get on board, here's a wavy line evidently made by the motion of the boat when the hand ought to have been practically at rest, and here's where they picked up the trip to Trenton. Evidently they didn't have to stop until they got there, because we have yards of tape before we reach a stop point, and then the paper is worn completely through by the action of[115] the needle in oscillating, indicative of a long period of inaction. The return trip is just as plain." "But," Whitney objected, "the whole thing hinges on where they went before going to Trenton. Murphy said they didn't have any bags, so they must have gone home or to some rendezvous to collect them. How are we going to find the corner where the machine turned?" "By taking Murphy's car and driving it very carefully south on Broadway until the tape indicates precisely the distance marked on this one—the place where the turn was made. Then, driving down that street, the second distance shown on the tape will give you approximately the house you're looking for!" "Good Lord," exclaimed Whitney, "that's applying science to it! Sherlock Holmes wasn't so smart, after all!" Al and the manager agreed that there was too much traffic on Broadway in the daytime or early evening to attempt the experiment, but shortly after midnight, belated pedestrians might have wondered why a Green-and-White taxicab containing two men proceeded down Broadway at a snail's pace, while every now and then it stopped and one of the men got out to examine something inside. "I think this is the corner," whispered the garage manager to Whitney, when they reached Eighth Street, "but to be sure, we'll go back and try it over again, driving at a normal pace. It's lucky that this is a new instrument and therefore very accurate." The second trial produced the same result as the first—the place they sought lay a few blocks west of Broadway, on Eighth. Before they tried to find out the precise location of the house, Whitney phoned to headquarters and requested loan of a score of men to assist him in the contemplated raid. "Tell 'em to have their guns handy," he ordered, "because[116] we may have to surround the block and search every house." But the taxi tape rendered that unnecessary. It indicated any one of three adjoining houses on the north side of the street, because, as the manager pointed out, the machine had not turned round again until it struck a north-and-south thoroughfare, hence the houses must be on the north side. By this time the reserves were on hand and, upon instructions from Whitney, spread out in a fan-shaped formation, completely surrounding the houses, front and rear. At a blast from a police whistle they mounted the steps and, not waiting for the doors to be opened, went through them shoulders first. It was Whitney, who had elected to assist in the search of the center house, who captured his prey in a third-floor bedroom. Before the Germans knew what was happening Al was in the room, his flashlight playing over the floor and table in a hasty search for incriminating evidence. It didn't take long to find it, either. In one corner, only partly concealed by a newspaper whose flaring headlines referred to the explosion of the night before, was a collection of bombs which, according to later expert testimony was sufficient to blow a good-sized hole in the city of New York. That was all they discovered at the time, but a judicious use of the third degree—coupled with promises of leniency—induced one of the prisoners to loosen up the next day and he told the whole story—precisely as the taxi tape and Vera Norton had told it. The only missing ingredient was the power behind the plot—the mysterious "No. 859"—whom Dick Walters later captured because of the clue on Shelf forty-five. [117] <hr style="width: 45%;" /> "So you see," commented Quinn as he finished, "the younger Pitt wasn't so far wrong when he cynically remarked that 'there is a Providence that watches over children, imbeciles, and the United States.' In this case the principal clues were a book from the Public Library, the chance observations of a girl who couldn't sleep and a piece of white paper with some red markings on it. "At that, though, it's not the first time that German agents have gotten into trouble over a scrap of paper." "What happened to Vera Norton?" I inquired. "Beyond a little personal glory, not a thing in the world," replied Quinn. "Didn't I tell you that Al was married? You're always looking for romance, even in everyday life. Besides, if he had been a bachelor, Whitney was too busy trying to round up the other loose ends of the Ewald case. 'Number eight fifty-nine' hadn't been captured then, you remember. "Give me a match—my pipe's gone out. No, I can't smoke it here; it's too late. But speaking of small clues that lead to big things, some day soon I'll tell you the story of how a match—one just like this, for all I know—led to the uncovering of one of the most difficult smuggling cases that the Customs Service ever tried to solve." <hr style="width: 65%;" /> [118] <div style="break-after:column;"></div>

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