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<p class="center pfirst"><span class="bold xx-large">THE
<br/>NIGHT CLUB</span></p>
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<p class="center pfirst"><span class="medium">BY
<br/>HERBERT
<br/>JENKINS</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="center pfirst"><span class="medium">Author of
<br/>"BINDLE"</span></p>
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<p class="center pfirst"><span class="medium">HERBERT JENKINS LIMITED
<br/>3 YORK STREET, ST. JAMES'S
<br/>S.W.1 MCMXVIII</span></p>
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<div class="container verso">
<p class="center pfirst"><span class="small">FIRST EDITION 20,000 COPIES</span></p>
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<p class="center pfirst"><em class="italics small">Cahill & Co., Limited, Printers, London and Dublin.</em></p>
<div class="vspace" style="height: 4em"></div>
</div>
<div class="container dedication">
<p class="center pfirst"><span class="medium">TO
<br/>FREDERIC CHAPMAN
<br/>FROM WHOSE FRIENDLY AND
<br/>UNCOMPROMISING CRITICISM
<br/>IN THE PAST EVERYTHING
<br/>SEEMS TO DATE</span></p>
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</div>
<p class="center pfirst"><span class="bold large">CONTENTS</span></p>
<p class="noindent pnext"><span class="small">CHAPTER</span></p>
<ol class="upperroman simple">
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#forming-the-night-club">FORMING THE NIGHT CLUB</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-coming-of-sallie">THE COMING OF SALLIE</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-prime-minister-decides-to-advertise">THE PRIME MINISTER DECIDES TO ADVERTISE</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-boy">THE BOY</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-barabbas-club">THE BARABBAS CLUB</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#i-fail-the-night-club">I FAIL THE NIGHT CLUB</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#a-surprise-behind-the-veil">A SURPRISE BEHIND THE VEIL</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-making-of-a-man-of-genius">THE MAKING OF A MAN OF GENIUS</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#mrs-biltox-jones-s-experiment">MRS. BILTOX-JONES'S EXPERIMENT</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-night-club-visits-bindle">THE NIGHT CLUB VISITS BINDLE</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-general-becomes-a-member">THE GENERAL BECOMES A MEMBER</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-mater">THE MATER</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-romance-of-a-horsewhipping">THE ROMANCE OF A HORSEWHIPPING</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#ginger-visits-the-night-club">GINGER VISITS THE NIGHT CLUB</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#a-dramatic-engagement">A DRAMATIC ENGAGEMENT</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#the-moggridges-zeppelin-night">THE MOGGRIDGES' ZEPPELIN NIGHT</SPAN></p>
</li>
<li><p class="first noindent pfirst"><SPAN class="reference internal" href="#sallie-at-the-wheel">SALLIE AT THE WHEEL</SPAN></p>
</li>
</ol>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="forming-the-night-club"><span class="bold x-large">THE NIGHT CLUB</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold large">CHAPTER I</span></p>
<p class="center pnext"><span class="bold medium">FORMING THE NIGHT CLUB</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>The idea originated with Bindle, who
is never so happy as when listening
to or telling a story. Sooner or later
he will so guide conversation as to
challenge from someone a reminiscence, or
failing that, he will himself assume the burden
of responsibility, and tell of how he engineered
one of his "little jokes," as he calls them.</span></p>
<p class="pnext"><span>"I likes to 'ear 'im tellin' the tale," Bindle
remarked one evening, as we sat in Dick Little's
flat. Dick had just finished an extravagant and
highly-coloured account of an Oxford "rag." "Fancy
young gentlemen be'avin' like that,"
Bindle continued, "instead o' learnin' to be
parsons. P'raps that's why they looks such
gentle Jims when they gets into a stiff collar,"
and Bindle buried a wink in his tankard.</span></p>
<p class="pnext"><span>A number of us had formed the habit of
drifting into Dick Little's flat in Chelsea on
Sunday evenings for a smoke, a drink and a
yarn. That was in Dick's bachelor days and
when he was working night and day at "Tims"
(St. Timothy's Hospital). There would be
Jocelyn Dare, the writer and inveterate hater
of publishers, Jack Carruthers, who tolerated
everybody except Mr. Lloyd George, sometimes
Tom Little, Dick's brother, and about a dozen
others, including a lot of men from "Tims."</span></p>
<p class="pnext"><span>One Sunday evening in May, when the
air was heavily-scented with blackthorn and
laburnum, Bindle and I arrived on Dick Little's
doorstep within two seconds of each other.</span></p>
<p class="pnext"><span>"Hullo, J.B.," I hailed as he was closing the
outer door of the mansions. We always call
him "J.B.," following Dick Little's lead.</span></p>
<p class="pnext"><span>"Cheerio, sir," he responded, holding the
door open for me to pass and, giving vent to an
elaborate sigh of relief, added: "I'm glad to
get in, that I am. I never feels safe till I gets
'ere. Lord! 'ow them young women do make
eyes at me. I s'pose it's the Spring. It ain't
safe for me to be out, it ain't really, sir."</span></p>
<p class="pnext"><span>We were the first arrivals, and it was during
the next ten minutes that Bindle made his
proposal.</span></p>
<p class="pnext"><span>"Why shouldn't we 'ave a little club, sir, wot
does nothink but tell the tale?" he asked.</span></p>
<p class="pnext"><span>That was the inception of the whole idea.
Dick grasped hold of it eagerly. He is a
doctor and doing his best to kill himself with
hospital work, and I think he saw in Bindle's
suggestion a welcome change after a strenuous
week's work. We discussed the matter during
the next ten minutes, and, when the other
fellows arrived, they were told of the new order
of things and, with one voice, acclaimed Bindle
a genius. It must be confessed that the men
from "Tims" are unrivalled in their capacity
for acclamation—they revel in the robustious.
It frequently involves Dick Little in difficulties
with his neighbours, especially with a choleric
old general who lives in the flat beneath.</span></p>
<p class="pnext"><span>"I always wanted a night club," explained
Bindle when he had disentangled his limbs
from the eager hands that had hoisted him
shoulder-high. "It 'ud sort o' cheer Mrs. B. up
to know that 'er ole man was goin' to 'ell
quicker than wot she thought."</span></p>
<p class="pnext"><span>After that it was always "The Night Club." We
seemed to adopt the name as a matter of
course.</span></p>
<p class="pnext"><span>We arranged to meet on Sunday evenings at
nine o'clock. Each member of the Club was
liable to be called upon to tell a story, after
being given a reasonable notice.</span></p>
<p class="pnext"><span>"Didn't we ought to 'ave rules, sir," enquired
Bindle of Dick Little.</span></p>
<p class="pnext"><span>"Once you start making rules you are
undone," broke in Tom Little, "for you have to
frame other rules to modify those already made.
At Oxford——"</span></p>
<p class="pnext"><span>"Is it to be a cock and hen club?" interrupted
Carruthers.</span></p>
<p class="pnext"><span>"A cock an' wot club, sir?" enquired Bindle,
pausing in the act of lighting his pipe. "A
cock an' wot club?"</span></p>
<p class="pnext"><span>"Are ladies to be——" Carruthers got
no further. Bindle deliberately replaced the
match in the box, which with his pipe he
returned to his jacket pocket. Then with great
solemnity and deliberation he rose and walked
towards the door.</span></p>
<p class="pnext"><span>"Hullo! J.B.," cried Dick Little. "What's up?"</span></p>
<p class="pnext"><span>"If you're goin' to 'ave 'ens, sir, this 'ere
cock's off, see?"</span></p>
<p class="pnext"><span>"Come back, you silly ass," laughed Tom Little.</span></p>
<p class="pnext"><span>Bindle paused irresolutely and looked from
face to face. "Is it 'ens or no 'ens, sir?" he
enquired of Dick Little.</span></p>
<p class="pnext"><span>"Why, no hens, of course," shouted Jim
Colman, one of Tim's men, giving Bindle a
thump between the shoulders that would have
made most men wince.</span></p>
<p class="pnext"><span>"Right-o, gentlemen; then this 'ere cock
withdraws 'is resignation, an' all's serene
again," and Bindle returned to his seat and
the occupation of kindling his pipe.</span></p>
<p class="pnext"><span>Thus it was that women were barred from
the Night Club.</span></p>
<p class="pnext"><span>The first meeting, however, ended in a fiasco.
A fellow named Roger Blint had been called
upon to tell a yarn, which proved him to be
utterly devoid of narrative skill. It was
something about a man who was jilted by a
girl and, in consequence, went to the war,
returning a few months later with his breast a
rainbow of ribbons and his pockets jingling
with medals, crosses and stars. We were all
much depressed.</span></p>
<p class="pnext"><span>After the others had gone Bindle, Dick Little
and I conferred together, and it was decided by
a majority of two to one that I was first to hear
the stories, write them out and read them to
the club.</span></p>
<p class="pnext"><span>I protested that I was too busy; but Bindle
had finally over-ruled my expostulations.</span></p>
<p class="pnext"><span>"No, one ain't never too busy to do a little
bit more," he said. "I once 'ad a special kind
o' performin' fleas, wot was the busiest things
I ever seen; yet they wasn't too busy to give me
a nip or two now and then. You got to do it,
sir," and I felt I had.</span></p>
<p class="pnext"><span>We developed into a curiously motley crowd.
One night Bindle brought Ginger along, and
Ginger had remarked "I don't 'old wiv them
sort o' clubs." He refused all other invitations.
We had among us a retired policeman, a
man who kept a coffee-stall, Angell Herald,
the famous publicity agent, the Honourable
Anthony Charles Windover (now Lord
Windover), and many others. Had we accepted
all the nominations, we should have been an
uncomfortably mixed crowd. Dick Little was
particularly anxious to introduce a "Polish"
barber whose name was Schmidt, on the strength
of his having exhibited in his shop-window the
following notice:—</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="center pfirst"><span>"I am an alleged Russian subject,"</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>but we had blackballed the worthy Schmidt.</span></p>
<p class="pnext"><span>"Because a cove says a funny thing,"
remarked Bindle, "doesn't always mean 'e's
funny. Sometimes 'e can't 'elp it, poor chap."</span></p>
<p class="pnext"><span>As a result of the story about Sallie, Jack
Carruthers' sister, she became the only woman
ever admitted to the Night Club. There was
not a man in the assembly but was desperately
in love with her from the moment he heard the
tale. Never was a queen more deferred to and
fussed over than Sallie. To Bindle she was
"the sport of sports." "She ain't always
flapping 'er petticoats," he said admiringly.
"Yer wouldn't know you 'ad a bit o' skirt 'ere
except when yer looks at 'er face."</span></p>
<p class="pnext"><span>Bindle was Sallie's cavalier. If the
atmosphere seemed to get too thick with smoke, it
was he who threw up the window, or propped
open the door until it cleared. When Jack
Carruthers was not present, it was always
Bindle who put Sallie into her taxi; it was an
understood thing. One night the Boy, quite
unthinkingly, endeavoured to usurp Bindle's
prerogative. Bindle had looked him up and
down for a moment and remarked cheerily:
"All right, 'Mr. 'Indenburg,' you jest wait till
I've finished, then I'll come and take you 'ome."</span></p>
<p class="pnext"><span>Bindle is a journeyman pantechnicon-man,
with an unquenchable thirst for fun. He is
small, bald-headed, red-nosed, cheery. To him
life is one long-drawn-out joke. He is blessed
with a wife and brother-in-law (Alfred Hearty,
the Fulham greengrocer), whose godliness is
overpowering. Bindle is a cockney by birth and
in feeling. He loves mischief for its own sake;
but underneath there is always gentleness and
consideration for the unfortunate, and a kindly
philosophy without which laughter is an insult
to life.</span></p>
<p class="pnext"><span>Of the other members of The Night Club
little need be said. Most of them are doing
war-work in some shape or form. Windover
is a captain on the Staff, Carruthers is in the
R.N.R., Dare is in munitions, his heart
"plucked" him for the army, and the rest are
doing their bit to the best of their ability. To
one and all Sunday is a relaxation from a
strenuous week of work, and the presiding spirit
of our assemblies is our unanimously-elected
chairman, Joseph Bindle.</span></p>
<p class="pnext"><span>Although Bindle is a laughing philosopher,
he has several streaks of granite in his
composition: among them independence. One of the
first questions raised was that of drinks. Dick
Little, whose generosity is embarrassing, had
said that was his affair.</span></p>
<p class="pnext"><span>"Very well, sir," was Bindle's comment;
"then you breaks up the Night Club."</span></p>
<p class="pnext"><span>Enquiry elicited from Bindle the announcement
that unless we all paid our share, he
"wasn't taking anythink." From that time it
became an understood thing that each member
became responsible for one evening's
refreshments. We had fought Bindle as long as
possible, but he was adamant.</span></p>
<p class="pnext"><span>It was quite by chance we discovered later
that when his turn came to pay, he had worked
overtime for a whole week so that Mrs. Bindle
should not go short on account of his pleasures.</span></p>
<p class="pnext"><span>Bindle had suggested that when the time
came a selection of the stories might be printed.
It was explained to him that short stories do
not sell; the British public does not like, and
will not read, them.</span></p>
<p class="pnext"><span>Bindle had pondered over this for a while
and, finally, had said with decision: "Then
we'll make 'em read ours. Me an' Mrs. B. don't
neither of us seem to fancy cold mutton,
an' when there's a bit over you should jest see
wot she can do with it. She can turn it into
anythink from stewed rabbit to mince pies." Then
turning to me he continued: "You done
me proud in that other little 'ymn book o' yours,
sir, although 'Earty and Mrs. B. don't seem
quite to 'ave recovered from the shock o' bein'
famous, and now you can tell all about our
Night Club.</span></p>
<p class="pnext"><span>"You jest tell about Miss Sallie, sir, ah'
Young 'Indenburg, the Cherub (Bindle's name
for Angell Herald), an' Mr. Gawd Blast
(Jocelyn Dare); why them alone 'ud make any
book famous. Then you might add jest a sort
of 'int, yer know, sir, that I'd be in it an' then,
wot-o!" Bindle did a few fancy steps towards
his tankard and took a good pull. "With Miss
Sallie, Young 'Indenburg, an' me, sir, you got
the real thing."</span></p>
<p class="pnext"><span>That settled the matter, and here is the book,
short stories disguised as a book of consecutive
interest, just as Mrs. Bindle's cold mutton
masquerades as "stewed rabbit" or "mince
pies." It's a fraud, a palpable fraud, but as
Bindle says, we all keep "a-poppin' up like
U-boats, that people'll sort o' get fond of us."</span></p>
<p class="pnext"><span>Many will say I should have been firmer; but
the man who can withstand Bindle when he is
set upon having his own way is a being of finer
moral fibre than I.</span></p>
<p class="pnext"><span>The hour, when it came, for deciding which
stories should be included and which omitted,
would, I thought, be the last of the Night Club.
Nobody agreed upon anything. Sallie refused
to allow the story to be told of how she did what
the whole power of Germany has failed to
do—tricked the British Navy. At the mere
suggestion of printing even a covert reference
to himself, the Boy became almost hysterical.
Angell Herald, on the other hand, felt that all
his yarns should go in, and said so, intimating
also that he had several others. Furthermore
he hinted that he might get us some advertisements
to go at the end of the volume, </span><em class="italics">provided</em><span>
it satisfied him!</span></p>
<p class="pnext"><span>Finally it was agreed that Dare and I should
decide what stories were to be included, and
from our verdict there was to be no appeal.
Bindle's last words on the subject were—</span></p>
<p class="pnext"><span>"You jest put me an' Miss Sallie on the cover
an' you'll see."</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-coming-of-sallie"><span class="bold large">CHAPTER II</span></p>
<p class="center pnext"><span class="bold medium">THE COMING OF SALLIE</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>When the Night Club was formed it
was definitely agreed that it should
be for men only, like the best stories
and the most delightful women; yet
at the third sitting Sallie Carruthers became
the one and only woman member. The circumstance
was so unexpected that it can be understood
only as a result of a thorough description
of Sallie, and the difficulty is to know where to
begin—the end is always the same, a precipitate
falling-in-love with her.</span></p>
<p class="pnext"><span>It is all very tedious for Sallie, who does not
seem to like being fallen-in-love-with. To use
her own expression, "It spoils it." What it is
that it spoils she does not seem able to explain,
and if pressed she replies despairingly,
"Oh! everything."</span></p>
<p class="pnext"><span>To a man Sallie is an enigma. She seems
desirous of rebuking Nature. She claims from
a man comradeship and equality, and he who
is not prepared to concede this had better keep
out of her way. If some poor wretch, not
knowing Sallie's views, happen to be with her
in the country and pause to help her over a
stile, he never does so more than once. Sallie's
eyes will smile her thanks and convey a reproach
at the same time. On the other hand, in a
drawing-room or at a theatre, Sallie would not
be likely to overlook the slightest omission.</span></p>
<p class="pnext"><span>There is about her a quality that is as
personal as it is irresistible. I have never
known her fail to get what she wanted, just as
I have never known her to appear to want what
she gets. If Sallie asks me to take her up the
river on the Sunday I have invited Aunt Jane
to lunch, I explain things to Sallie, and there
the matter appears to end; yet on that self-same
Sunday Sallie and I go up the river, and on
the Monday I have a letter from Aunt Jane
saying that I am quite right to take every care
of an internal chill!</span></p>
<p class="pnext"><span>To describe Sallie is impossible. She has
very large, expressive, grey eyes, exceedingly
long lashes, carmine lips, nondescriptive
features, masses of dark brown hair that grows
low down upon her forehead, and the quality
of attracting the attention of everybody in her
vicinity. She dresses well, is the victim of
moods, seems to eat nothing, and is as straight
as the Boat Race.</span></p>
<p class="pnext"><span>With a word or a glance she can annihilate
or intoxicate. I call to mind one occasion,
when what might have been a delightful dinner
was being ruined by a bounder, who monopolised
the conversation with pointless stories.
Sallie waited her chance.</span></p>
<p class="pnext"><span>"I have a grandfather," began the bounder.</span></p>
<p class="pnext"><span>"Have you?" enquired Sallie in a tone full
of sweetness and meaning.</span></p>
<p class="pnext"><span>The man subsided.</span></p>
<p class="pnext"><span>One day Sallie rang me up, and by the
impatient "There? There?? There??? Oh,
bother!" I knew that something important was
in the air.</span></p>
<p class="pnext"><span>"I am," I replied.</span></p>
<p class="pnext"><span>"What?"</span></p>
<p class="pnext"><span>"Here, of course," I replied.</span></p>
<p class="pnext"><span>"I've got it," said Sallie; "I've got it."</span></p>
<p class="pnext"><span>"Heavens!" I responded. "How did you
catch it? Hadn't you better go to bed?"</span></p>
<p class="pnext"><span>"You're not a bit funny. Aren't you glad
I've got it?" she queried.</span></p>
<p class="pnext"><span>"Certainly, very glad if you are."</span></p>
<p class="pnext"><span>"Jack gave it to me."</span></p>
<p class="pnext"><span>"Really? Has he got it too? What is it?"</span></p>
<p class="pnext"><span>"A car, of course!"</span></p>
<p class="pnext"><span>Now this was characteristic of Sallie. I did
not even know that she desired a car; probably
her brother Jack, who gives her everything but
the good advice she so sadly needs, was as
ignorant as I. Most likely he had planned the
whole thing as a surprise, just as I once gave
Sallie a punt as a "surprise," and learned later
that for a month previously she had been taking
lessons in punting. But that's just Sallie.</span></p>
<p class="pnext"><span>"It's so wonderful," Sallie went on to
explain. "It does such funny things.
Sometimes it barks like a dog—(I shivered, I knew
what that meant for the car)—and sometimes it
purrs just like Wivvles." Wivvles is a Persian
kitten of no manners and less——but Wivvles
can wait.</span></p>
<p class="pnext"><span>At times Sallie is very trying, although
unconsciously. She has a habit of taking
the first syllable of her friends' surnames
and adding a "y." Windover, for instance,
becomes "Winny." Poor Graves, who is very
fat and moist, she calls "Gravy," and it hurts
him just as it hurts dear old Skillington, who
is long and learned, to hear himself referred to
as "Skilly." It would, however, hurt them
both far more if Sallie were allowed to guess
their real feelings.</span></p>
<p class="pnext"><span>Having to some extent explained Sallie, I
must proceed to tell the story that resulted in
her becoming a member of the Night Club.</span></p>
<p class="pnext"><span>Bindle had arranged that I should tell the
first story, and in honour of Jack Carruthers,
who is Dick Little's particular pal, and a
foundation member of the Club, I decided to
tell how Sallie had once personated an admiral's
daughter and what came of it.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">I</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>On coming down to breakfast one June
morning I found awaiting me a telegram. It
was from Jack Carruthers at Sheerness, and
read:—</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"got hilda here bring malcolm sallie dora
for week end cruise meet you sheerness pier four
oclock friday jack"</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"I'll be damned if I do," I cried aloud.</span></p>
<p class="pnext"><span>"I b-b-beg your p-p-pardon, sir?" said
Peake, who entered at that moment bearing
before him the eternal eggs, bacon and kidneys.
Peake is entirely devoid of culinary imagination.</span></p>
<p class="pnext"><span>"I remarked, Peake," I replied with great
distinctness, "that I'll be damned if I do."</span></p>
<p class="pnext"><span>"Yes, sir," he responded, as he placed the
dish of reiterations on the table before me;
"b-b-b-but you said 'addock on W-w-Wednesdays
and F-f-fridays, sir: this is only
T-t-tuesday."</span></p>
<p class="pnext"><span>"I wasn't referring to fish, Peake," I said
severely, "but to Mr. Carruthers and the
</span><em class="italics">Hilda</em><span>. He has invited me to take another
cruise with him."</span></p>
<p class="pnext"><span>A look of fear came into Peake's eyes. I
had recently threatened to take him with me
on the next occasion that I sailed with
Carruthers. Peake is an excellent servant; but
he has three great shortcomings: he has no
imagination, stutters like a machine-gun, and
is a wretched sailor. For stuttering he has
tried every known cure from the Demosthenian
pebble to patent medicines, and for sea-sickness
he has swallowed the contents of innumerable
boxes and bottles. The result is that he
stutters as much as ever, and during a Channel
crossing is about as useful as a fishing-rod. It
has never come to my knowledge that he has
sought a cure for his lack of imagination.</span></p>
<p class="pnext"><span>"I b-b-beg pardon, sir. I thought you
m-m-meant the breakfast. S-s-shall I pack your
things, sir?" he questioned, as he stood regarding
me wistfully, his hand on the handle of
the door.</span></p>
<p class="pnext"><span>"What I said, Peake, was that I'll be damned
if I do, which does not involve packing. You
will not pack my things, and please don't again
suggest doing so; it annoys me intensely. That
is all."</span></p>
<p class="pnext"><span>Peake withdrew with the air of a man who
has heard, but does not believe. I was
convinced that he was already planning how he
should spend his time during my absence. I
ate my breakfast in silence, read the shipping
casualties to steady my determination to
decline Carruthers' invitation, and smoked four
cigarettes.</span></p>
<p class="pnext"><span>Being unable to get my mind away from the
</span><em class="italics">Hilda</em><span> and her skipper, I determined, therefore,
to go out at once and send him a telegram of
curt refusal. With my fifth cigarette between
my lips I set forth.</span></p>
<p class="pnext"><span>The reason for my determination was Dora
coupled with Malcolm. Dora bores me, and
when Malcolm tries to flirt with her, which he
does in a manner that reminds me of a cod
making love to a trout, I become demoralised.
Dora is Sallie's pal and the wife of some
man or other whom I have met and forgotten:
no one would think of burdening his mind with
anything belonging to Dora that she is not
actually wearing at the moment. Dora is
extremely modish and regards a husband as she
would a last year's frock.</span></p>
<p class="pnext"><span>In the Earl's Court Road I encountered
Sallie. She was engaged in meditatively prodding
with the forefinger of her right hand the
lifeless carcass of a chicken. I approached
unseen.</span></p>
<p class="pnext"><span>"We should reverence the dead, my friend,"
I remarked gravely. She turned suddenly,
with a little cry of pleasure that digested the
kidneys and dismissed Malcolm and the </span><em class="italics">Hilda</em><span>
from my overburdened mind.</span></p>
<p class="pnext"><span>"Oh, I </span><em class="italics">am</em><span> glad to see you," she said,
"awfully glad. Can you remember whether a
good chicken should be blue or yellow? I
know it's </span><em class="italics">one</em><span> of the primary colours, because
that's why I remember it?" And she knit her
brows as, with a puzzled expression of doubt,
she regarded the row of trussed birds upon the
poulterer's slab.</span></p>
<p class="pnext"><span>"You are confusing the primary colours
with the primary pigments. They——"</span></p>
<p class="pnext"><span>"Please try and help me," she pleaded;
"I'm so worried. The housekeeper has gone
to see a sick relative, and I have to forage for
food. It's awful. I hate eating."</span></p>
<p class="pnext"><span>Sallie looked so wretched, and her grey eyes
so luminous and pathetic, that I took the
chickens in hand, purchased two
saffron-coloured specimens at a venture, and we
proceeded to the fishmonger's.</span></p>
<p class="pnext"><span>Sallie's shopping completed, I told her of
Jack's wire and my determination.</span></p>
<p class="pnext"><span>"Oh! but we </span><em class="italics">must</em><span> go," she said with
conviction. "We can't let him down."</span></p>
<p class="pnext"><span>I explained that I could not get away.</span></p>
<p class="pnext"><span>"I wish I were a man," Sallie sighed mournfully,
and gazed down at her very dainty tailor-made
skirt, a habit of hers when she wants to
engage upon something a woman should not do.
Then turning half round and dancing before
me backwards, she burst out, "But I should so
love it. Do take me, </span><em class="italics">pleeeeeeeeease</em><span>."</span></p>
<p class="pnext"><span>"Sallie," I said, "there's an old lady
opposite who is struck speechless by your
salvation tactics."</span></p>
<p class="pnext"><span>"Oh! bother the old lady," she laughed.
"Now we'll go and telegraph."</span></p>
<p class="pnext"><span>When I left Sallie, I had telegraphed an
acceptance to Jack and wired to Malcolm.
Sallie composed telegrams, which must have
caused them some surprise on account of their
extreme cordiality. We then parted, Sallie to
call on Dora, I to telephone to Peake that he
might after all pack my bag, although there
were three days in which to do it. As a matter
of fact I did not feel equal to that
I-never-doubted-you'd-go-sir look in his eyes.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">II</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Victoria Station had been agreed upon as the
rendezvous, and there we met. Sallie looked
demurely trim and appropriately dressed.
Dora seemed to have got confused between a
yachting-trip and a garden-party, and had
struck an unhappy medium between the two.
Dora has what is known to women as "a
French figure"; but what to man remains a
mystery; she also has fair hair and a something
in the eye that makes men look at her with
interest and women with disapproval.</span></p>
<p class="pnext"><span>Malcolm is all legs and arms and sketch-book.
He was quite appropriately dressed in a Norfolk
knickerbocker suit, with a straw hat and an
umbrella—appropriately dressed, that is, for
anything but yachting. Malcolm is a
marine-painter, and what he does not know about the
sea and boats need not concern either yachtsman
or artist. He is tall and thin, with the temper
of an angel, the caution of a good sailor and
the courage of a lion. He waves his arms about
like semaphores, rates woman lower than a
barge, and never fails to earn the respect of
sailormen.</span></p>
<p class="pnext"><span>Malcolm is a man of strange capacities and
curious limitations. Anybody will do anything
for him, porters carry his luggage with
no thought of tips, editors publish his drawings,
whether they want to or no, people purchase his
pictures without in the least understanding
them, and, finally, everybody accepts him
without comment, much as they do a Bank
Holiday or an eclipse.</span></p>
<p class="pnext"><span>Sallie and Dora between them had only a
small valise, whereas Malcolm carried a
sketch-book and an umbrella. He, as I, was
depending upon Carruthers for all save a tooth-brush.</span></p>
<p class="pnext"><span>There was the inevitable delay on the line,
and we were over an hour late. Sallie was in
a fever of excitement lest the </span><em class="italics">Hilda</em><span> should sail
without us. Malcolm, with that supreme lack
of tact so characteristic of him, explained what
a ticklish business it was getting out of
Sheerness Harbour under sail with the wind in
its present quarter. He thought that in all
probability the auxiliary motor had broken
down, and that the </span><em class="italics">Hilda</em><span> would have to depend
upon canvas to get out, in which case she must
have sailed half-an-hour before.</span></p>
<p class="pnext"><span>When we eventually drew into the station,
out of the train, down the platform, through the
gates, into the street, sped Malcolm, and we,
like "panting time toiled after him in
vain." He waved his umbrella to us to hurry, not
knowing that Dora has a deplorably short wind.
On he tore, and finally disappeared through the
pier-gates without, as we afterwards found,
paying his toll, a privilege he had generously
delegated to us. When we in turn passed
through the gates, it was to find Malcolm
hysterically waving his umbrella, apparently
at the Medway guardship. Suddenly the
truth dawned upon us, the </span><em class="italics">Hilda</em><span> had sailed.
Probably Carruthers had not received the
telegram.</span></p>
<p class="pnext"><span>Arrived at the pierhead we saw the </span><em class="italics">Hilda</em><span>
off the Isle of Grain, two miles distant, slowly
slipping out of the Medway against the tide
with the aid of her auxiliary motor. The sight
was one of the most depressing that I have ever
experienced. We looked at each other blankly.</span></p>
<p class="pnext"><span>"It's the cup of Tantalus," I murmured,
with classical resignation.</span></p>
<p class="pnext"><span>"It's that damned auxiliary motor," muttered
the practical Malcolm.</span></p>
<p class="pnext"><span>"Commong faire?" enquired Dora, who is
inclined occasionally to lapse into French on the
strength of her figure. "Commong faire?"</span></p>
<p class="pnext"><span>"Noo verrong," replied Malcolm in what
he conceives to be the Gallic tongue.</span></p>
<p class="pnext"><span>I made no remark, but with Sallie stood idly
watching a steam-pinnace approaching the
pier-head from the Medway guardship that lay
moored directly opposite.</span></p>
<p class="pnext"><span>"I know!" Sallie suddenly said, and I knew
that she really did know. There are moments
when I am at a loss to understand why I do not
run away with Sallie and marry her in spite
of herself, merely as a speculative investment.
She is exquisitely ornamental, and her utility
equals her æsthetic qualities; more would be
impossible.</span></p>
<p class="pnext"><span>At Sallie's exclamation Dora and Malcolm
drew towards us.</span></p>
<p class="pnext"><span>"Tell me the name of an admiral," Sallie
cried, her large, grey eyes diverted from epic
contemplation of the universe to a lyric
mischievousness. "I want an admiral."</span></p>
<p class="pnext"><span>"Try a lieutenant to begin with," Malcolm
suggested, and was withered.</span></p>
<p class="pnext"><span>"An admiral," said Dora. "Nelson; he
was an admiral, wasn't——?"</span></p>
<p class="pnext"><span>"Van Tromp, Blake, Benbow, Villeneuve,
Collingwood, St. Vincent, Cochrane——"
glibly responded Malcolm.</span></p>
<p class="pnext"><span>As the responses were uttered at the same
time, Sallie probably heard little of what was
said. Suddenly becoming very calm, she
addressed herself to Malcolm.</span></p>
<p class="pnext"><span>"I want to know the name of an English
admiral of the present day. Are there any?"</span></p>
<p class="pnext"><span>"Plenty," responded Malcolm. "Crosstrees
(I dare not give the real name), First Sea Lord,
May, Meux, Jellicoe, Beresford, Scott, Beatty."</span></p>
<p class="pnext"><span>"Is Admiral Crosstrees married?" queried
Sallie calmly. "Has he grown-up daughters?
Is he old?"</span></p>
<p class="pnext"><span>"Any First Sea Lord who has not grown-up
daughters has evaded his responsibilities as an
officer and a gentleman," I remarked.</span></p>
<p class="pnext"><span>Suddenly Sallie took command. Motioning
us back, she went to the extreme end of the pier
and looked down. A moment later, the white
top of a naval cap appeared above the edge,
followed by a fair face and five feet six of a
sub-lieutenant. Sallie addressed herself to him,
and, taking advantage of his obvious confusion,
said: "Will you please take us out to that
yacht," pointing to the </span><em class="italics">Hilda</em><span>. "She has gone
without us, and——well, we want to get on
board."</span></p>
<p class="pnext"><span>When the sub. had recovered from Sallie's
smile and her carnation tint, he stammered his
regret.</span></p>
<p class="pnext"><span>"I'm most awfully sorry; but I'm here to
take liberty men aboard. I'm, I'm, afraid I
can't, otherwise I would with er—er—er——"</span></p>
<p class="pnext"><span>"What are liberty men?" questioned Sallie,
looking at him with grey-eyed gravity.</span></p>
<p class="pnext"><span>"Men who have been ashore on leave," was
the response.</span></p>
<p class="pnext"><span>"Can you signal to that?" asked Sallie with
guile, nodding at the guardship.</span></p>
<p class="pnext"><span>"I beg pardon," replied the bewildered sub,
fast breaking up beneath Sallie's gaze.</span></p>
<p class="pnext"><span>"Does the captain know the First Sea Lord,
Admiral Crosstrees?"</span></p>
<p class="pnext"><span>"I—I don't know," he replied, "I——"</span></p>
<p class="pnext"><span>"I am Miss Crosstrees. Will you please tell
me who you are. I should like to know, because
you are the first officer I have met who has been
discourteous to me. I will not trouble you
further," and she moved away like an outraged
Mrs. Siddons.</span></p>
<p class="pnext"><span>"I—I'm awfully sorry, Miss Crosstrees. I
didn't know——of course——if you can get
down. I will most certainly——" He collapsed
into confused silence.</span></p>
<p class="pnext"><span>"You will take us then?" Sallie questioned,
approaching two steps nearer to him.</span></p>
<p class="pnext"><span>"Certainly: but er—er—can you—er?"</span></p>
<p class="pnext"><span>Sallie looked down. A perpendicular iron
ladder led down to the pinnace some thirty feet
below. It was not pleasant for a woman.</span></p>
<p class="pnext"><span>"Will you go down and—and——" faltered
Sallie. He was a nice youth, who understood
and disappeared, I after him. Then came
Sallie, easily and naturally as if accustomed to
such ladders all her life. Dora followed,
almost hysterical with fear, and finally came
Malcolm, with his umbrella and the valise in
one hand and his sketch-book between his teeth.
I could see the men were impressed with his
performance.</span></p>
<p class="pnext"><span>I did not at all like the adventure. It might
end very unpleasantly for some of us, and the
"some," I knew, would be Malcolm and me.
I was by no means reassured when I saw that
the sub. was steering the pinnace directly for
the guardship. Did he suspect? I racked my
brains to try and recollect if the First Sea Lord
were married, if he had a family, if——. It
was as if from far away that I heard the sub,
hailing the guardship through a megaphone.</span></p>
<p class="pnext"><span>"Admiral Crosstrees' daughter wishes to be
put aboard that yacht, sir. Am I——"</span></p>
<p class="pnext"><span>"Certainly," came the reply, as the officer
of the watch came to the side and saluted.
Hands bobbed up from everywhere, and it
seemed as if a dead ship had suddenly been
galvanised into life. Sallie's bow and smile
were much appreciated, every man taking it
unto himself. That is Sallie's way. She can
slay a regiment or a ship's company with a
glance, whilst another woman is exhausting
herself in trying to enlist the interest of a
stockbroker.</span></p>
<p class="pnext"><span>Out we rushed after the </span><em class="italics">Hilda</em><span>. Sallie, now
that she had gained her point, became absorbed
in contemplating the Isle of Grain, and watching
the white wake of the pinnace. Occasionally
a slight, half-sad, half-contemplative smile
would flit across her features. She had
forgotten everything—yachts, pinnaces, subs, and
was just alone with the things that mattered,
the sea, the sky, and the green fields.</span></p>
<p class="pnext"><span>Dora chatted with the sub., whose eyes
repeatedly wandered to where Sallie was
standing quite oblivious to his presence. Malcolm
was in deep converse with one of the crew,
whilst I watched the others, especially Sallie.
I find it difficult to keep my eyes off Sallie when
she is within their range. She is an interesting
study for a man with the chilled physique of a
St. Anthony; for the rest of us she is a
maddening problem.</span></p>
<p class="pnext"><span>The </span><em class="italics">Hilda</em><span> was labouring dully, heavily
through the broken water, whilst we raced,
bobbed, jumped and tore after her.</span></p>
<p class="pnext"><span>Malcolm hailed her through the megaphone,
and there came back in Carruthers' drawling
voice:</span></p>
<p class="pnext"><span>"Awfully glad you've come!"</span></p>
<p class="pnext"><span>The bowman brought the pinnace dexterously
under the </span><em class="italics">Hilda's</em><span> port quarter, and Sallie
clutched at the yacht's shrouds and sprang
aboard. The sub. watched her with frank
admiration. Sallie does everything in the open
most thoroughly well. I have seen her fall flat
on her face at the winning-post in her
determination not to be beaten by a longer-legged
and swifter opponent. How truly admirable
she was, struck us all very vividly as we strove
to hoist, pull, and push Dora, aboard. In spite of
its æsthetic glory, Dora's figure possesses very
obvious limitations in the matter of surmounting
obstacles.</span></p>
<p class="pnext"><span>Immediately she was on board, Sallie went
up to Carruthers and gravely shook hands
(Sallie hates being kissed, I speak from careful
observation), and drew him aside.</span></p>
<p class="pnext"><span>"Jack, until that steam launch is out of sight
I'm Miss Crosstrees, daughter of the First Sea
Lord. Don't let any of the crew give me away."</span></p>
<p class="pnext"><span>"Or the guardship will sink us," I added.</span></p>
<p class="pnext"><span>Carruthers looked puzzled, but with a cheery,
"all right, Sallie, my bonnie," he went to
the side to thank the sub. Carruthers would
cheerfully imperil his immortal soul for Sallie.
The sub. was brought aboard, and we all drank
to the eyes that are brightest, in 1900
Champagne, I have forgotten the brand. The
sub. was very obvious, and we all guessed the eyes
he pledged—all save Sallie.</span></p>
<p class="pnext"><span>As the sub. stood at the side preparatory to
descending into the pinnace, Sallie held out her
hand, which he took as if it had been some
saintly relic.</span></p>
<p class="pnext"><span>"I shall always remember your kindness,
Mr. ——" (I dare not give his name for fear of
the Admiralty censuring him). Then with an
arch look added, "I shall tell my father." And
the pinnace that had brought a sub. went away
with a potential Sea Lord. When the pinnace
was about a hundred yards off Dora waved her
handkerchief. "Why is it that Dora does
these things?" I saw the mute question in
Sallie's eyes. The men would have cheered
had they dared.</span></p>
<p class="pnext"><span>"Carruthers," I remarked as the pinnace
sped away from us, "will you put me ashore at
once?"</span></p>
<p class="pnext"><span>"Why, old man?" he questioned blankly.</span></p>
<p class="pnext"><span>"Your most excellent sister," I retorted,
"has been posing as the daughter of the First
Sea Lord of the Admiralty, without even knowing
if he be married or no. I call it disgraceful,
and it is likely to produce a pained feeling
in Whitehall when it becomes known. That
sub. is bound to write to the Admiralty and
demand the command of a Super-Dreadnought
for his services. I demand to be put ashore at
once."</span></p>
<p class="pnext"><span>When Carruthers had heard the story he
laughed loud and long, and, putting his arm
round Sallie, proclaimed hers the best brain in
the family.</span></p>
<p class="pnext"><span>The log of the Medway guardship would
persist in obtruding itself upon my vision.
There would be an entry relating to the First
Sea Lord's daughter and the service rendered
her. The wretched business haunted me. I
sought out "Who's Who"; but that gave me no
assistance. If the First Sea Lord had a
daughter, it might be all right; but if he had
not? However, there was nothing to be done
but to try to enjoy the trip, and forget the
Admiralty.</span></p>
<p class="pnext"><span>The </span><em class="italics">Hilda</em><span> is a 200-ton barge-rigged, sailing
yacht, possessed of an auxiliary motor; a boon
to the wind or tide-bound yachtsman. Some
men affect to despise the aid of a motor, but
Carruthers argues that a mariner is not less a
mariner because he harnesses to his needs an
explosive-engine and a propeller.</span></p>
<p class="pnext"><span>Once aboard the </span><em class="italics">Hilda</em><span> I felt that our
adventures were ended. It was perfect weather for
idling. The previous day's rain had cleared
the heavens of all but a few filmy clouds. There
was a good sailing breeze, and the </span><em class="italics">Hilda</em><span> bent
gravely over as she cut through the water on
her way seawards. Malcolm was for'ard,
lying on his back looking aloft at the swelling
canvas. There is no sight so grand or pleasing
to a yachtsman's eye as that obtained from this
position, and Malcolm knows it. Carruthers
was at the helm flirting outrageously with Dora.
Sallie was talking with old Jones, the bo'sun
and mate, about his latest grandson.</span></p>
<p class="pnext"><span>The crew of the </span><em class="italics">Hilda</em><span> are to a man devoted
to Sallie. Tidings that she is to be one of a
cruising party means much and self-imposed
extra labour, both as regards the </span><em class="italics">Hilda</em><span> herself
and her crew. Everything and everybody are
smartened up, and Vincent, the cook, ages
perceptibly under the strain of thinking out a
menu that shall tempt Sallie to eat. His brow
never clears until Sallie has paid him the
customary visit of ceremony, which to him is more
in the nature of a religious rite.</span></p>
<p class="pnext"><span>"Chef"; (she always called him "chef")
"it was delicious! Thank you very much
indeed," Sallie would say with a grave and
gracious smile befitting so great an occasion,
a happy, boyish look would spread itself over
Vincent's sombre features, and the crew would
know that there was to be some dainty at
their next meal; for Vincent, when happy,
which was extremely seldom, radiated good-will
and distributed his largess with unstinting hand.</span></p>
<p class="pnext"><span>There is no ecstasy like that of idleness, and
no idleness to compare with that felt upon a
yacht running before a breeze. Yesterday's
troubles are wiped out, and to-morrow's
anxieties seem too far off for serious
consideration. I was standing musing upon the beauty
of the day, watching the </span><em class="italics">Hilda's</em><span> track which
seemed to trail off into infinity, when I became
conscious that the little streak of grey smoke
that I had been gazing at for some time came
from the funnels of a destroyer, which was
evidently being pushed. She was fetching us
back to her at a rare pace, and was obviously
heading our way. For some minutes I continued
idly to watch her. Suddenly the old misgiving
assailed me.</span></p>
<p class="pnext"><span>Sallie's deception had been discovered, and
the irate captain of the guardship had sent to
demand an explanation. I strolled over to
Carruthers and told him my fears. He grinned
with obvious enjoyment. Carruthers is
imperturbable. He looked over his shoulder at the
destroyer. After a time he called to Sallie,
who was sitting amidships, musing.</span></p>
<p class="pnext"><span>"They're coming to fetch you, Sallie," he
said cheerfully, and then explained his fears.
"Shall we fight for you, my girl, or calmly give
you up?"</span></p>
<p class="pnext"><span>Sallie clapped her hands with glee. To be
chased by a warship was a novelty she enjoyed
to its fullest extent.</span></p>
<p class="pnext"><span>"Will they fire, do you think?" she enquired
of Malcolm, trembling with eagerness.</span></p>
<p class="pnext"><span>"They'll probably megaphone us to come up
into the wind," responded the practical Malcolm.</span></p>
<p class="pnext"><span>Sallie's face fell. I really believe she half
hoped that the destroyer would endeavour to
sink the </span><em class="italics">Hilda</em><span>. By this time everyone aboard
had become conscious that something unusual
was happening. The crew stood grouped
amidships, talking in undertones and casting
side-glances at our little party standing round
the wheel. It was now apparent to all that we
were the destroyer's objective. On she came
like a mad thing, her grey snout tearing at the
waters and throwing them over her humped-up
shoulders. She looked like some wicked
gnome bent on the ruin of the inoffensive </span><em class="italics">Hilda</em><span>.
Sallie's eyes danced with glee. She had never
seen anything so magnificent as this sinister
creature that came bounding towards us. We
all watched breathlessly. Presently a crisp,
metallic voice sounded through the megaphone:</span></p>
<p class="pnext"><span>"Yacht ahoy! we want to board you."</span></p>
<p class="pnext"><span>A few sharp words from Carruthers and we
flew hither and thither, and soon the </span><em class="italics">Hilda</em><span>
with mains'l and tops'l brailed came up into the
wind. It was all quietly and prettily done, and
our nimbleness much impressed the destroyer's
crew, as we afterwards learned.</span></p>
<p class="pnext"><span>The destroyer was soon beside us. We
expected another megaphone message; but no,
they were lowering a boat. Dora became
anxious and asked, could we not hide Sallie?
Nothing short of extreme physical force could
have hidden Sallie at that moment.</span></p>
<p class="pnext"><span>The destroyer's boat was soon under our lee,
and an officer with the stripes of a
lieutenant-commander sprang aboard and saluted Dora
and Sallie. The </span><em class="italics">Hilda's</em><span> crew stood gazing at
us in undisguised amazement. What was going
to happen?</span></p>
<p class="pnext"><span>Sallie stepped forward.</span></p>
<p class="pnext"><span>The officer looked round as if seeking someone.</span></p>
<p class="pnext"><span>"Can I speak to Miss Crosstrees?" he
enquired, looking from one to the other.</span></p>
<p class="pnext"><span>"I am Miss Crosstrees," said Sallie stepping
forward.</span></p>
<p class="pnext"><span>A look of bewilderment spread itself over
the young man's face. Then, as if with sudden
inspiration, he plunged his hand into his
waistcoat pocket and withdrew a small gold pencil
case and held it out to Sallie.</span></p>
<p class="pnext"><span>"I think you dropped this in the pinnace.
The captain of the guardship—er—er—sent me
after you with it." The poor fellow seemed
covered with confusion.</span></p>
<p class="pnext"><span>"Thank you," Sallie said, as she looked up at
him with great, grave, but smiling eyes and with
that damnable demureness that sends men mad
about her, "but it isn't mine. I didn't drop
anything in the launch. Thank you so much,"
she smiled. "It is so kind of Captain ——.
Will you thank him for taking so much
trouble?" Then after a moment's pause she
added, "No; I will write," and beckoning me
to follow she descended to the cabin, where she
wrote two blazing indiscretions, one to the
Captain of the guardship and the other to the
sublieutenant who had taken us off to the </span><em class="italics">Hilda</em><span>. I
strove to prevent her: I remonstrated, I
expostulated, I implored; but to no purpose. All I
was there for, it appeared, was to tell her that
a launch was not a pinnace, to post her as to
other technicalities and to do the spelling.
When we returned on deck the L.-C. was drinking
champagne, whilst the crew of the
destroyer's boat drank a mute toast in grog.
In their pockets they had already stowed away
a handful of Carruthers' cigars.</span></p>
<p class="pnext"><span>With much goodwill the boat put off, was
hoisted aboard the destroyer, which swung
round and, with a valedictory moan from her
syren, darted off home again bearing important
despatches from Sallie to the Captain of the
Medway guardship and one of his junior
officers.</span></p>
<p class="pnext"><span>"What did you say in that note?" I enquired
of Sallie, visions of a prosecution for forgery
flitting through my mind.</span></p>
<p class="pnext"><span>"Oh, I just thanked him," said Sallie
nonchalantly; but I saw by the dancing lights in
her eyes that there was something else.</span></p>
<p class="pnext"><span>"And——?" I interrogated.</span></p>
<p class="pnext"><span>"Oh! I told him the truth and asked him
to come to tea and bring that nice boy who had
helped us."</span></p>
<p class="pnext"><span>"Sallie," I remarked severely, "captains of
battleships do not generally take their junior
officers out to tea."</span></p>
<p class="pnext"><span>But Sallie only smiled.</span></p>
<p class="pnext"><span>Later the cause of the young officer's confusion
was explained in a letter he wrote to Sallie.
He was engaged to Miss Crosstrees.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>There was an unusual silence at the conclusion
of the story, unbroken even by Bindle's
mallet. Bindle insisted on a mallet upon being
elected as chairman. It was obvious that
Sallie had cast her spell over the Night Club.</span></p>
<p class="pnext"><span>"I'd a-liked to 'ave been one o' them officers.
A real sport 'im wot didn't give 'er away,"
remarked Bindle at length meditatively. Then
turning to me he enquired:</span></p>
<p class="pnext"><span>"Don't yer think, sir, we ought to sort o'
revise them rules about ladies? We didn't
ought to be narrow-minded."</span></p>
<p class="pnext"><span>"He's got Sallyitis," laughed Carruthers.</span></p>
<p class="pnext"><span>"Yes, I got it bad, sir," flashed Bindle, "an'
I want a smile from 'er wot give it to me."</span></p>
<p class="pnext"><span>"What about your views on hens?" enquired Dare.</span></p>
<p class="pnext"><span>"Well, sir," replied Bindle with quiet
self-possession, "a single little 'en won't do us any
'arm."</span></p>
<p class="pnext"><span>And that is how it came about that Sallie
Carruthers was unanimously elected a member
of the Night Club.</span></p>
<p class="pnext"><span>I doubt if anything ever gave Sallie greater
pleasure than this tribute, particularly as she
was always treated as one of ourselves, except
by Angell Herald, who could never forget that
he was something of a "ladies' man."</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-prime-minister-decides-to-advertise"><span class="bold large">CHAPTER III</span></p>
<p class="center pnext"><span class="bold medium">THE PRIME MINISTER DECIDES TO ADVERTISE</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>One of the characteristics of the Night
Club is its mixed membership.</span></p>
<p class="pnext"><span>"Rummy crowd, ain't we?"
Bindle had remarked to Sallie Carruthers
the first night she was present. "There
ain't a pair anywheres, except p'raps you an'
me, miss."</span></p>
<p class="pnext"><span>And so it was, the only thing we have in
common is our humanity. To see Angell
Herald doing the "ladies' man" to Sallie is a
sight that gives the rest of us a peculiar joy.</span></p>
<p class="pnext"><span>"'E do work 'ard, an' she bears it like a
good un," was Bindle's comment.</span></p>
<p class="pnext"><span>Angell Herald's views on women are those
of the </span><em class="italics">bon viveur</em><span> of the saloon bar. When he
addresses Sallie his whole manner changes, just
as most people's idiom undergoes revision when
they write a letter. You can see the dear fellow
pulling himself together and, metaphorically,
shooting out his cuffs and straightening his tie
as a preliminary to opening fire. His manners
are superb, elaborate, suburban. If Sallie
happen to wander near the door, Angell Herald
dashes forward and opens it, attracting general
attention and arresting everybody's conversation.</span></p>
<p class="pnext"><span>"He's got more manners than breeding,"
Dare once whispered to me after a particularly
elaborate demonstration of Herald's politeness.
If Sallie rises, Herald comes to his feet with a
suddenness that has been known to overset his
chair.</span></p>
<p class="pnext"><span>He has no humour, but many jokes—most of
which are for men only. It took him some time
to gauge his company, when Dick Little introduced
him to our circle, and it came about thus.</span></p>
<p class="pnext"><span>One evening he had told a particularly pointless
"man's story," and his was the only laugh
that announced its conclusion. Dick Little
strove to smooth over the hiatus; but Bindle,
whose disgust was obvious, had thrown a bomb
upon troubled waters by enquiring of Dick
Little with great innocence, "Let me see, sir, I
think you said you was out o' carbolic'!" From
that date Angell Herald's stories were merely
pointless without being obscene. Sallie's
presence was a good influence.</span></p>
<p class="pnext"><span>In spite of his limitations, Angell Herald is
not a bad fellow, and he told us many amusing
stories of the "publicity" world. He knows
Fleet Street thoroughly from the "box-office"
point of view, and he seems to regard
the editorial aspect of the newspaper world
with amused tolerance. "Where would those
scribblers be," he would enquire with fine
scorn, "without adverts.? Yet would you
believe it," he had once said to Dare, "they look
down upon us?"</span></p>
<p class="pnext"><span>"Most extraordinary," Dare had responded.</span></p>
<p class="pnext"><span>"Still it's a fact," Angell Herald had
assured him, with the air of a man who knows
from a friend at the Admiralty that fifty German
submarines were sunk during the previous week.</span></p>
<p class="pnext"><span>Angell Herald was always the publicity
agent, even when telling his stories. Dare had
once said with great truth, "There is more
herald than angel about the dear chap."</span></p>
<p class="pnext"><span>Dare was particularly interested in the
following story:—</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>The morning had begun badly. The coffee
was cold and the bacon burnt. Angell Herald
spoke to Mrs. Wiggins about it, and she had
promptly given notice. In Mrs. Wiggins it
was nothing new for her to give notice. She
generally did so twice a week; but this was the
third time during the current week, and it was
only Tuesday. Angell Herald had been forced
to apologise. He hated apologising—except to
a client. Then there was an east wind blowing
He disliked east winds intensely, they affected
his liver.</span></p>
<p class="pnext"><span>On the way to the office he called in and had
his hat ironed. He also bought a rose. He
always buys a rose when there is an east wind,
and he likewise always has his hat ironed; it
mitigates the pinched expression of his
features.</span></p>
<p class="pnext"><span>As he entered his office, he was conscious of
not replying to Pearl's "Good morning." Pearl
is Angell Herald's clerk, the only
member of his staff. With somewhat ambiguous
humour Angell Herald calls him "the pearl of
great price," as every fortnight with painful
regularity he asks for a rise—he never gets it.
When Pearl is not asking for a rise, he is
soliciting a half-holiday in which either to marry
a friend, or bury a relative. Pearl is entirely
lacking in originality. That is what makes
him a most admirable clerk for an advertising man.</span></p>
<p class="pnext"><span>On this particular morning, Angell Herald
each had a funeral on the same day. They
closed the office and met at Epsom! Neither
referred to the matter subsequently.</span></p>
<p class="pnext"><span>On this particular morning Angell Herald
saw that Pearl was in a state of suppressed
excitement. Something had happened. Was
it another friend desirous of getting married,
or a double death? Pearl himself, however,
settled the matter by saying:</span></p>
<p class="pnext"><span>"There's a letter from No. 110 Downing
Street, sir."</span></p>
<p class="pnext"><span>Then, of course, his employer knew that it
was merely insanity.</span></p>
<p class="pnext"><span>"Don't be an ass, Pearl," was the retort.
Angell Herald allows Pearl a considerable
amount of licence, because he is valuable to him.
Furthermore, he permits his subordinate to joke
sometimes, in lieu of increasing his salary.</span></p>
<p class="pnext"><span>Pearl's reply was to produce a letter, franked
with the stamp of the Prime Minister. Angell
Herald tore it open, hurriedly, and read:—</span></p>
<div class="vspace" style="height: 1em"></div>
<dl class="docutils">
<dt class="noindent"><span>To Angell Herald, Esq.,</span>
<br/><p class="first last noindent pfirst"><span>382 Fleet Street, E.G.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>DEAR SIR,</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>Your name has been given to me as an
expert in the matter of publicity. I shall be
glad if you will call here at 10.30 to-morrow
with regard to a matter of considerable
importance.</span></p>
<div class="vspace" style="height: 1em"></div>
<dl class="docutils">
<dt class="noindent"><span>I am,</span>
<br/><dl class="docutils first last">
<dt class="noindent"><span>Yours faithfully,</span>
<br/><ol class="first last upperalpha simple" start="2">
<li><p class="first noindent pfirst"><span>LLEWELLYN JOHN.</span></p>
</li>
</ol>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Angell Herald was overwhelmed. Mr. Llewellyn
John, who had held office for years
with the Waightensea Ministry, and had just
formed a Government of his own, was sending
for him, Angell Herald, Publicity Agent, and
furthermore had signed the letter himself. It
was bewildering. What could it mean?</span></p>
<p class="pnext"><span>Angell Herald, turning to Pearl and, pulling
himself together, announced casually:</span></p>
<p class="pnext"><span>"I shall probably be some time, Pearl. I
have an engagement with"—and he mouthed
the words—"Mr. Llewellyn John, at Downing
Street, at 10.30, which will probably occupy
me some time."</span></p>
<p class="pnext"><span>The burnt bacon, the cold coffee, Mrs. Wiggins'
notice; all were forgotten in the dropping
of Pearl's jaw. It was a delight to his
chief to see the clerk's surprise.</span></p>
<p class="pnext"><span>At 10.25 sharp, Angell Herald was enquiring
for Mr. Llewellyn John at 110 Downing Street.
It was clear that he was expected. He was
led along a corridor, through a wide hall, and
eventually into a large room. From the further
corner a little man, with generous grey hair or
a more than conventional length and a smile of
bewildering sunniness, rose and came towards
him.</span></p>
<p class="pnext"><span>"Mr. Angell Herald?" he enquired.</span></p>
<p class="pnext"><span>Angell Herald bowed. He had momentarily
lost the power of speech. The Prime Minister
held out his hand, Angell Herald grasped it.
He was prepared to grasp anything to make up
for his silence.</span></p>
<p class="pnext"><span>"Pray, sit down," said the Prime Minister.
"I want to have a confidential chat with you."</span></p>
<p class="pnext"><span>Angell Herald sat down. He twirled his hat
in his hands. He was conscious of the perfume
of his rose, and that he was behaving like an
ass. He looked round the room. He felt he
could do anything in the world save look at this
great little man, who sat smiling opposite to
him. It was Mr. Llewellyn John who broke
the silence.</span></p>
<p class="pnext"><span>"Now, Mr. Herald. I hear you are an
expert of publicity methods."</span></p>
<p class="pnext"><span>Angell Herald bowed.</span></p>
<p class="pnext"><span>"You may be wondering why I sent for you?"</span></p>
<p class="pnext"><span>Angell Herald muttered something to the
effect that he was.</span></p>
<p class="pnext"><span>"Well," said the Prime Minister deliberately,
"it is because I have decided to advertise."</span></p>
<p class="pnext"><span>"To what, sir?" blurted out the astonished
publicity agent.</span></p>
<p class="pnext"><span>"To advertise. Why should not a Government
be advertised just as a pill, a concert-singer,
or a rubber-tyre? Everybody advertises,
and we must advertise. Those who don't
will go to the wall—or in Opposition, which is
the same thing."</span></p>
<p class="pnext"><span>Angell Herald introduced a tactful little
laugh. It was a success.</span></p>
<p class="pnext"><span>"Certainly," he replied, beginning to feel
more at ease. "Quite naturally, I agree with
you. Now, an inspired article, for instance,
in </span><em class="italics">The Age</em><span>, an illustrated interview in </span><em class="italics">The
Briton</em><span>, with pictures of yourself playing with
dogs, children and things, a——"</span></p>
<p class="pnext"><span>"My dear sir, those are obsolete methods.
We are living in a new age, an age that requires
novelty. If you advertise in the right way,
you will get your public; but you have to hit it
very hard to make it look. My friend
Mr. Chappledale, for instance, he advertises; but
there is no originality in his methods. Sir
Lomas Tipton, he advertises; but how? I
might endeavour to get together a football team
to 'lift' the English Cup; but what good would
that do?"</span></p>
<p class="pnext"><span>"Quite so," was the dazed response, "quite so."</span></p>
<p class="pnext"><span>"Take the late Lord Range, for instance,"
continued Mr. Llewellyn John. "He understood
modern methods. Instead of stating, as
some antiquated Minister might, that the King
and country needed 300,000 high-explosive
shells, he said: 'Lord Range calls for 300,000
high-explosive shells.' He was up to date, and
he got them. A magnificent fellow Range.
Didn't care a—ahem! for anybody. Was even
rude to me," he muttered reminiscently. "I
liked him for it.</span></p>
<p class="pnext"><span>"Now take the Cyrils, that famous Parliamentary
family dating back for centuries. They
do not know how to advertise. Ten years hence
there won't be a Cyril in the House of Commons.
There may be a few in the House of Lords—that
depends on democracy.</span></p>
<p class="pnext"><span>"Then there's my old friend Waightensea.
He did not advertise as the needs of the
political situation demanded he should, and the
result is that he has had to go. It does not
matter who you are in these days—bishop or
blacksmith, Prime Minister or pierrot—you've
got to advertise—the war has brought us this!"</span></p>
<p class="pnext"><span>Hitherto Angell Herald had regarded himself
as second to none in the advertising world; but
Mr. Llewellyn John made him feel a child at
the game.</span></p>
<p class="pnext"><span>"The most far-seeing man in Europe has been
the Kaiser. He was the first who understood
the true value of advertisement, and he ran it
for all he was worth. We laughed at him, but
we listened. Some people think he overdid it a
little," this with a smile; "but still among
monarchs he certainly was the first to
appreciate that you have got to run a monarchy
rather as you have a patent medicine, spend
ninety per cent. of your money on advertising,
and the other ten per cent. on the article
itself—less if possible."</span></p>
<p class="pnext"><span>Again the Prime Minister flashed upon his
visitor that bewildering smile. Angell Herald
hinted that this would be a very big business,
involving many thousands of pounds.</span></p>
<p class="pnext"><span>"Quite so," remarked Mr. Llewellyn John.
"Now, the point is, what can this additional
expenditure be charged up against? It can't be
travelling expenses, because even a Prime
Minister could not spend five figures a year on
travelling. Secret Service would be difficult.
Personally I rather lean to the Naval Estimates."</span></p>
<p class="pnext"><span>"The Naval Estimates!" cried Angell Herald.</span></p>
<p class="pnext"><span>"Exactly," was the reply. "We are always
a little inclined to be penurious over the Army;
but if there is one thing that an Englishman
is generous about—always excepting the question
of meals—it is the Naval Estimates. Yes,"
he continued, as if to himself, "I think we
might charge it up against the Naval Estimates.</span></p>
<p class="pnext"><span>"It is of no use making speeches, no one
reads them. We don't care for politics. We
are a nation of grumblers in search of
scapegoats. As you know, I broke into epigrammatic
utterances. Look at their success. You
will remember what a sensation I created with
that clarion call of mine, 'Now we sha'n't be
long!' the cables and Marconi installations
thrilled and stuttered it throughout the
habitable globe. I followed it with ''Arf a mo','
which was even more popular. My greatest
cry, however, was 'Pip-pip!' which has been
translated into two hundred and eighty-seven
languages and dialects."</span></p>
<p class="pnext"><span>Angell Herald smiled sympathetically. He
had never felt so much like a schoolboy
undergoing instruction than as he listened to this
remarkable man, who was teaching him his own
business.</span></p>
<p class="pnext"><span>"And now, for the future," continued
Mr. Llewellyn John, "we are going to strike out a
new line. I intend to advertise my Ministry,
advertise it as no ministry has ever been
advertised before. I will make the Kaiser look
parochial and Mr. Moosephalt provincial. Now let
us get down to brass tacks. America is
wonderfully apt in her expressions. I only
discovered this after she joined the Allies. Have
you a notebook with you, Mr. Herald?"</span></p>
<p class="pnext"><span>"Yes, sir," replied Angell Herald, hastily
drawing one from his pocket, relieved at having
something to do.</span></p>
<p class="pnext"><span>"Now listen," the Prime Minister continued.
"I propose to have pages in the principal
newspapers devoted to separate subjects. One will
be, for instance, 'The Home Life of England.' There
will be pictures of myself and family
enjoying the home life, entertaining my friends
at home, golfing, playing hop-scotch with my
children——"</span></p>
<p class="pnext"><span>"But," interrupted Angell Herald, "isn't the
Home Life stunt a little played out?"</span></p>
<p class="pnext"><span>"Exactly, my dear Mr. Herald, exactly. That
is just what I was coming to. There will also
be pictures showing me entertaining guests at
the Ritz-Carlton, at the Opera, at the
pantomime, at the theatre, at the races, at
Westminster Abbey, at boxing matches."</span></p>
<p class="pnext"><span>"But," interrupted Angell Herald, "how is
this to be called 'The Home Life?'"</span></p>
<p class="pnext"><span>"My dear sir, the Larger Home Life, the
Larger Home Life. Get that well into your
mind. I am appealing to the great public, not
the relics of the early Victorian Era, the Little
Home-Lifers, sitting one on either side of silly
artistic fireplaces, gaping into each other's
stupid eyes, and looking and feeling unutterably
bored. Let us have the Large Home-Lifers.
Occasionally, when the weather is
warm, I shall put in an appearance at the
public swimming-baths; my figure will stand it."</span></p>
<p class="pnext"><span>"Excellent!" Angell Herald murmured.
"Wonderful!" He was thrilled by this man's
genius.</span></p>
<p class="pnext"><span>"Then another would be 'The Fleet'—Great
Britain's Love for Her Navy.' It's a fine call,
it's a thrilling call. I shall have myself
photographed entering the train, lunching in the
train, getting out of the train, being received
by the local authorities. Then I shall see
myself pictured with Sir Goliath Maggie on
board </span><em class="italics">The Aluminium Earl</em><span>. I shall make a
speech about the Nelson touch, dragging in the
</span><em class="italics">Chesapeake</em><span> and </span><em class="italics">Shannon</em><span>, and touching lightly
upon the story of the </span><em class="italics">Revenge</em><span>. No, on second
thoughts I cannot do that. America has come
in, and Spain may at any moment. No," he
added musingly, "that will not do. They say
I lack statesmanship, and that would give
them an admirable peg. No, we'll let that go."</span></p>
<p class="pnext"><span>"Then again I shall deal with the Woman
Question, from a new point of view. I shall
speak more or less sympathetically upon the
subject of revolutionary propaganda and
sedition. Here I shall bring in another famous
epigram I have prepared. 'The Hand that
rocks the Empire rules the World.' I shall be
photographed receiving flowers, having my hat
knocked off by an irate woman, possibly being
embraced by another woman in a moment of
political ecstasy. That will appeal to the
public tremendously."</span></p>
<p class="pnext"><span>"Excellent!" murmured the bewildered publicity
agent, conscious of the inadequacy of the
word.</span></p>
<p class="pnext"><span>"But there is one important thing. To each
of these huge scale advertisements there must
be a moral. There must be something that will
appeal to the imagination of the Briton, and,
as you and I know, nothing so appeals to him
as that which touches his pocket. It is
Democracy that will rule the world in future. Now
in the case of the Home Life of England, for
instance, I shall comment upon the unnecessary
extravagance that I have observed in certain
quarters, notably the gorgeous uniforms of the
officials at the Ritz-Carlton. I shall pass a
Bill quickly through the House taxing silk
stockings for men and the wearing of calves.
That will please the public.</span></p>
<p class="pnext"><span>"Then with regard to the Navy, I shall call
attention to the enormous amount of brass-work.
I shall incidentally refer to the fact that
something like a quarter of a million per
annum is spent on brass-polish for the Navy.
I shall give the necessary orders through the
First Lord that all brass-work shall in future
be japanned, and so on."</span></p>
<p class="pnext"><span>"Mr. Llewellyn John," Angell Herald burst
out, "what a loss you are to the advertising
world!"</span></p>
<p class="pnext"><span>The Prime Minister smiled, and continued:</span></p>
<p class="pnext"><span>"Then there comes the personal question.
There must be little paragraphs about myself
constantly in the papers. For instance, as I
am leaving this place I slip in getting into my
car, and have to be led back into the house.
There will be photographs of the policeman
who rushes up, the look of solicitude on his
face. There will also be photographs of the
policeman's wife and the policeman's daughter—possibly
a son or nephew serving at the front.
My family will be photographed at the windows,
looking out anxiously to see what has happened.
There can also be a few personal particulars
about my chauffeur.</span></p>
<p class="pnext"><span>"Later I shall be photographed limping out
of the house and being helped into the car by
three secretaries, four policemen and my
chauffeur. In the press there will be comments
upon my stoicism. How, in spite of being in
obvious pain, I put the affairs of the Empire
before those of my own person. Later, possibly
there may be an attempt to abduct my daughter.
Another time there can be an attempt on my life."</span></p>
<p class="pnext"><span>"On your life, sir?"</span></p>
<p class="pnext"><span>"Oh, yes, yes," he continued airily. "These
things can always be arranged. You see, I can
be walking in some lonely place, and you can
come up and—well, knock me down."</span></p>
<p class="pnext"><span>"Me!" gasped Angell Herald in ungrammatical
horror.</span></p>
<p class="pnext"><span>"Exactly," he replied, as if it were the most
ordinary thing in the world for a publicity-agent
to knock down a Prime Minister. "A
great sensation would be created, and it would
extend to the ends of the earth. We could
suggest that the Kaiser was deeply involved in
the plot.</span></p>
<p class="pnext"><span>"Again, I can slip on a banana skin, and run
a shirt Bill through the House providing that
everyone who eats bananas must carry about
the skins until he gets home, where they must
be put in the dust-bin. This would gain for
me the vote of every human being who has ever
slipped on a banana skin.</span></p>
<p class="pnext"><span>"Finally we come to the epigrammatic
phrases. There is one I have in mind that
should create a sensation. It is: 'One of
these days you'll see what you won't wait
for.' I got it from one of the furniture men
who assisted when I moved into No. 110;
a droll fellow, an exceedingly droll fellow.
His name was—let me see, yes, Joseph
Bindle. I thought of asking him to join my
Ministry, but I remembered the prejudice that
one has to fight in this country in all matters
affecting innovation. Another phrase that
may be useful to us is: 'All is not cult that
kulturs.'</span></p>
<p class="pnext"><span>"Oh! by the way, couldn't we run 'The
Twenty-three Gentlemen who are always too
late' on the lines of 'Ten Little Nigger
Boys?' I think there's something in that.</span></p>
<p class="pnext"><span>"But we must first have some refreshment.
Ah! here it is."</span></p>
<p class="pnext"><span>A maid entered with a tray on which were
two glasses of milk and three small oatmeal
biscuits. Angell Herald took the milk, but
refused the biscuits. Mr. Llewellyn John took
the other glass and a biscuit, which he put on
the table beside him. When the maid had
retired he explained with a laugh:</span></p>
<p class="pnext"><span>"My official lunch, the photographer and
cinema operator will be here in a minute. We
expect great things from both the photograph
and the film. 'An Ascetic Premier' we are
calling it. Now drink your milk."</span></p>
<p class="pnext"><span>Angell Herald gulped down a mouthful of
the unaccustomed fluid, and put down the glass
well out of reach.</span></p>
<p class="pnext"><span>"Yes," continued Mr. Llewellyn John, "there
is a vast field before us. Now, Mr. Herald,
will you or will you not throw yourself
wholeheartedly into this project? It is a chance of
a lifetime. Will you become the first Head of
my Publicity Bureau? You can name your
own terms. I want you to do the thing
thoroughly, and no expense will be spared."</span></p>
<p class="pnext"><span>For some reason or other Angell Herald
found himself dumb. He could do nothing but
gaze at Mr. Llewellyn John in bewilderment.
He strove to speak. His tongue seemed to
cleave to the roof of his mouth. Mr. Llewellyn
John looked at him in surprise.</span></p>
<p class="pnext"><span>"Do you hear me, sir? Do you hear me,
sir?" he vociferated, banging his hand on the
table. "Do you hear me, sir?"</span></p>
<p class="pnext"><span>Then something seemed to happen. The
scene faded, and Angell Herald found that it
was not Mr. Llewellyn John's voice, but that of
Mrs. Wiggins; and he was in bed, and somebody
was knocking outside his door, obviously
Mrs. Wiggins.</span></p>
<p class="pnext"><span>"Do you hear me, sir?" she repeated. "It is
eight o'clock, and I've knocked three times."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"An' you dreamt all that, sir?" enquired
Bindle of Angell Herald.</span></p>
<p class="pnext"><span>"Every word of it," Herald replied as if
scorning to lay claim to imagination.</span></p>
<p class="pnext"><span>"Wonderful!" was all Bindle said, and the
eye that looked over the brim of his pewter
caught mine and the lid slowly drooped and
then raised itself again. There is a world of
expression in Bindle's eyes—when taken singly.</span></p>
<p class="pnext"><span>The story had really been a "rag" planned by
Dick Little and Dare, whom Angell Herald had
told that he dreamed he had been asked by
Mr. Llewellyn John to become Minister of
Publicity, and we had looked forward with some
interest to see how he would take the yarn. He
had accepted it, without comment.</span></p>
<p class="pnext"><span>"That chap would accept anything that he
thought increased his own importance," said
Carruthers after Angell Herald's departure.</span></p>
<p class="pnext"><span>"Fancy them a-knowin' all about me at
Downin' Street," remarked Bindle as he rose
to go.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-boy"><span class="bold large">CHAPTER IV</span></p>
<p class="center pnext"><span class="bold medium">THE BOY</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>The "Assassins," as Carruthers called
Tims' men, were all-powerful at the
Night Club. They were always in
sufficient strength to form a majority;
but in reality Bindle exercised a sort of
unconscious despotism. When a question arose, we
instinctively looked to Bindle, who in turn
looked to Sallie.</span></p>
<p class="pnext"><span>"When I first 'eard that frogs come out o'
tadpoles, I couldn't 'ardly believe it," Bindle
once remarked, "but when I looks at the
Assassins an' remembers that they'll become
doctors in top 'ats, with a
you-leave-it-to-me-an'-I'll-save-yer-if-I-can
look, well, after that I'll believe anythink."</span></p>
<p class="pnext"><span>"What's the matter with us?" enquired
Roger Blint, a little dark man with a quiet
manner and a violent soul.</span></p>
<p class="pnext"><span>"Well, as far as I can see, there ain't nothink
wrong wi yer as men; but doctors—!" Bindle
shook his head despondently. "I wouldn't
trust my young life to one of yer."</span></p>
<p class="pnext"><span>Bindle fixed his gaze on Jim Colman, the
recognised leader of all demonstrations,
physical and vocal. Colman has the instincts
of a mob-leader, but the most delicate "touch"
among the younger men at Tims. He is
destined for Harley Street and a baronetcy.</span></p>
<p class="pnext"><span>"Look at Mr. Colman," continued Bindle.
"'Ow'd jer like to 'ave 'im 'oldin' yer 'and an'
tellin' yer to get ready for an 'arp?"</span></p>
<p class="pnext"><span>"Well, what about Bill?" enquired Colman.
"He looks harmless enough—what?"</span></p>
<p class="pnext"><span>Bill Simmonds is a little sandy fellow, with
a bald, conical head, who beams upon the world
through gold-rimmed spectacles, which give
him a genial, benevolent expression. He looks
for all the world like "a clever egg," as Dare
once described him.</span></p>
<p class="pnext"><span>"Well," remarked Bindle, judicially,
examining Bill Simmonds' face, "I might be
prepared to trust 'im wi' my soul; but as for
my body, well, give me Mr. Dennett or
Mr. Smith. I'm like Mrs. B.; I like 'em big."</span></p>
<p class="pnext"><span>Hugh Dennett is an international three-quarter
who has made football history, whereas
Archie Smith was the amateur champion
heavy-weight when the war broke out.</span></p>
<p class="pnext"><span>"I ain't got anythink to say against you as
sports," said Bindle encouragingly; "but as
doctors, well, well!" And again he shook his
head with mournful conviction.</span></p>
<p class="pnext"><span>Tims' men never talk "shop," but from
scraps of conversation among themselves that
I have overheard, theirs is a strenuous life.
Sometimes they do not see their beds for three
consecutive nights; yet they are always cheery
and regard whatever they have to do as their
"bit." One complaint they have, that they are
not allowed to go to the front.</span></p>
<p class="pnext"><span>All seem to find in the Night Club relaxation
from strenuous days and sleepless nights.
According to Bindle, who is a recognised
authority upon such matters, they are a
cheer-o! crowd. It was they who had been
loudest in their support of Sallie's election, and
when "the Boy's" story came to be told, they
were equally definite in their view that he must
be invited to join our exclusive circle. These
were the only two instances of stories told at
the Night Club resulting in our membership
being increased. Incidentally the Boy fell in
love with Sallie, and this formed an additional
bond of sympathy between him and us.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">I</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>To his brother officers he was always
"The Boy." The men, with more directness of
speech, referred to him as "The Kid," whilst
at Whitehall he was known as Second
Lieut. Richard St. John Custance Summers, of the
8th Service Battalion Westshire Regiment.</span></p>
<p class="pnext"><span>How he managed to secure his commission
no one ever knew.</span></p>
<p class="pnext"><span>"Must 'a been 'is bloomin' smile," was the
opinion of the platoon sergeant, expressed to
the company-sergeant-major. "The men make
fools o' theirselves about the Kid."</span></p>
<p class="pnext"><span>Chubby-faced, languid of manner, forgetful
and "frightfully sorry" afterwards, even in
his khaki he did not look more than sixteen.
At mess he sat as if he had collapsed from sheer
lack of bone necessary to keep him rigid. He
literally lolled through life.</span></p>
<p class="pnext"><span>In carrying out his duties, such as he was
unsuccessful in evading, he gave the impression
of being willing in spirit, but finding great
difficulty in getting his body to respond to his
wishes.</span></p>
<p class="pnext"><span>One day the Colonel, a big blue-eyed man,
whom the men called "the Kid's nurse," had
told him that he had "the spirit of a martinet,
but the body of a defaulter," which was not a
bad description for the C.O., who did not
incline to epigram.</span></p>
<p class="pnext"><span>When given an order, the Boy would salute,
with that irresistible smile of his that got him
out of some scrapes and into others, then off he
would lounge, all legs and arms, like a young
colt, although as a matter of fact he was below
medium height. When he made a mistake the
N.C.O.'s and men contrived to correct it, with
the result that his was the smartest platoon in
the battalion. The Senior Major had once said
to him:</span></p>
<p class="pnext"><span>"Boy, you're the slackest young cub I've
ever met, yet you get more out of the men than
the Colonel and I combined. How is it?"</span></p>
<p class="pnext"><span>"I suppose, sir," replied the Boy with great
seriousness, "they see I'm such an awful ass
that they're sorry for me."</span></p>
<p class="pnext"><span>The Boy got more leave and took more leave
than any other officer in the division, and no
one seemed to resent it. He never did
anything in quite the same way as another
youngster would, and he was a constant source
of interest to his brother officers.</span></p>
<p class="pnext"><span>One roystering night he had returned to his
quarters in a state ill-befitting "an officer and
a gentleman," and the company-sergeant-major,
aided by a corporal, had put him to bed and
they had mutually sworn eternal secrecy. In
the morning, although the two non-coms. had
managed to convey to him that only they knew
of the episode, the Boy had gone to the Colonel,
and before the other officers said:</span></p>
<p class="pnext"><span>"I returned to barracks last night drunk,
sir. I was very drunk and I think I was
singing. I'm sorry. It sha'n't occur again."</span></p>
<p class="pnext"><span>The Colonel asked who had seen him, and on
being told that only the company-sergeant-major
and a corporal knew of the incident, he
burst out with:</span></p>
<p class="pnext"><span>"Then why the devil do you tell me about it?"</span></p>
<p class="pnext"><span>"I wanted you to know, sir. It was rather
rotten of me. I know you hate it, sir, and it's
a bad example."</span></p>
<p class="pnext"><span>The C.O. turned aside to hide a smile. The
idea of the Boy being an example to anyone or
anything amused him; but being a disciplinarian,
and understanding something of the Boy's
nature, he stopped a week-end leave due some
ten days hence, and from the Boy's smile as he
saluted he saw that he had done the right thing.</span></p>
<p class="pnext"><span>One day the Boy was given charge of his
company in a sham fight, at which as everybody
knew the Brigadier was to be present.</span></p>
<p class="pnext"><span>With his command, the Boy was like a kitten
with a skein of wool. He got it hopelessly
tangled. Perspiring and swearing N.C.O.'s
strove in vain to evolve order and find out
exactly where they were.</span></p>
<p class="pnext"><span>Suddenly, with a yell to fix bayonets and
charge, the Boy darted forward followed by the
men in a manner that would have broken the
heart of a drill-sergeant. They had blundered
upon an enemy field battery in the act of
limbering up, and the Boy returned to camp with
six guns and a stream of prisoners, and the
Brigadier had spoken to the Colonel of the
exploit.</span></p>
<p class="pnext"><span>"Talk about luck! Blimey! That Kid'll
save the bloomin' regiment one o' these days,"
grinned a private, as the boy marched with
rather a bored air at the head of his day's bag.</span></p>
<p class="pnext"><span>The Boy continued to avoid as if by instinct
all the duties he possibly could. Indeed, he
was apparently aided and abetted by officers
and men alike. When at last the word arrived
to prepare to entrain for an unknown destination,
the Boy's chief concern had been about his
kit. The C.O.'s instructions had been definite
and incisively expressed. He ordered that
nothing be taken that was not absolutely
necessary, and had added that he did not want to
see France lumbered up with cast-off articles of
kit of the 8th Westshires.</span></p>
<p class="pnext"><span>There had been rather a heated argument
between the Boy and his captain as to the
interpretation of the word "necessaries."</span></p>
<p class="pnext"><span>"My boot-trees and manicure set," said the
Boy, "are as necessary to me as your trousers
are to you."</span></p>
<p class="pnext"><span>"Rot!" the captain had replied. "You'll
be thinking more of your skin than of your
nails when you get out there."</span></p>
<p class="pnext"><span>The Boy had compromised by leaving the
boot-trees and taking a pocket manicure set.</span></p>
<p class="pnext"><span>In the trenches he was the same imperturbable,
languid half boy, half man he had been
in England. He was as indifferent to shells
and bullets as to the grins of the men as he
lolled against the parados polishing his nails.
Sometimes he would bewail the lost boot-trees
as he surveyed his hopeless-looking foot-gear.</span></p>
<p class="pnext"><span>At first the uncleanliness of trench life had
roused him from his accustomed languor, but
later he accepted this and what it entailed, not
with philosophic calm, but because protest
involved effort.</span></p>
<p class="pnext"><span>Even when towards the end of the September
that culminated in Loos it became known that
the 8th Westshires were to take part in "the
big push," and whilst officers and men were
eagerly discussing their chances, he remained
his sunny, imperturbable self.</span></p>
<p class="pnext"><span>On the night before the charge, the Colonel
had sent for him to go to his dug-out, and there
had told him that early in the morning he was
to go back with an important message to
Divisional headquarters and await a reply,
which he was to bring back after the action.
Without a word the Boy gave the necessary
acknowledgment and saluted, but there was a
mutinous look in his eyes as he wheeled round
and left the Colonel's dug-out.</span></p>
<p class="pnext"><span>He spoke to no one, although many of his
brother officers watched him to see how he would
take it. The C.O. had conferred with the
Senior Major, and decided that he could not
risk the Boy's life, a view that was entirely
endorsed by every officer and man in the
regiment.</span></p>
<p class="pnext"><span>For hours the Boy stood brooding and polishing
his nails. Then, just before "stand-to"
he disappeared. His captain was the first to
discover the fact, and enquiry was made along
the whole line of trenches, but no one had seen
the Boy for at least half an hour.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">II</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>The guns had opened their brazen throats in
a frenzy of hate. Overhead shells whistled and
hissed, lumbered and howled as they tore
towards the enemy trenches, a hurricane of
screaming hate. Gusts of shrapnel spat death
from above, and rifle and machine-gun bullets
buried themselves impotently in the sandbags
amid little puffs of dust. Slowly dawn
shivered into day—a day of greyness and of
death.</span></p>
<p class="pnext"><span>In the assembly-trench the 8th Westshires
were waiting. Heavy-eyed and silent they
gazed towards the enemy lines, hidden by a
curtain of dense yellow smoke. Against the
parapet scaling ladders were placed ready. At
a word, a short snapping sound barked along
the trench, the ladders suddenly became alive, as
men scrambled up and passed over the top, or
fell backward with a dull thud.</span></p>
<p class="pnext"><span>"No rushing, a steady advance in open
order," had been the Colonel's last words to his
officers.</span></p>
<p class="pnext"><span>The 8th Westshires formed up and, as steady
as on parade, advanced. They had not
proceeded more than thirty yards when with
a sigh a breeze swept past them and carried the
yellow gas beyond the first enemy trench, like
a curtain of fairy gauze.</span></p>
<p class="pnext"><span>Machine-guns and rifles poured a merciless
fire into the Westshires. Everywhere men
were dropping, silently or with little coughs of
surprise. They advanced a further twenty
yards and then faltered. With a shout the
Colonel dashed on waving his stock. The
moment of uncertainty seemed to pass, when
suddenly the Colonel dropped.</span></p>
<p class="pnext"><span>"My God!" muttered the Senior Major, as
he saw the indecision pass like a wave along
the line; he also noticed several men had turned
and were stealing back to the trenches they had
just left. "They'll—they'll——" and there
was a sob in his voice.</span></p>
<p class="pnext"><span>Just at the moment when retreat seemed
inevitable, a figure rose from a small shell-crater,
and with a yell that no one heard waved
on the Westshires.</span></p>
<p class="pnext"><span>"It's the Boy," gasped an officer. "Where
the hell——"</span></p>
<p class="pnext"><span>"It's the bloomin' Kid. Well I'm damned!"
roared the colour sergeant. "'Ere, come on,
or they'll nab 'im."</span></p>
<p class="pnext"><span>This was enough for the Westshires.
Capture the Kid? Not if they knew it. With
a howl they raced for the enemy trench,
overtaking the Boy two yards from the sand-bags.
The men's blood was up. They tumbled into
the first trench, and with a sickening "sog
sog" their bayonets got to work. Little coughs
and grunts told of men doubled up. Everywhere
cries of "Kamerad" were heard.</span></p>
<p class="pnext"><span>"It's no use yellin', sonny," one man was
heard to say. "You've got to 'ave it—you've
go to 'ave it!" and he drove his bayonet into a
German's massive loins.</span></p>
<p class="pnext"><span>The Boy had come through untouched. Like
a moth he flitted about from place to place, and
wherever he was, there the fighting would be
at its fiercest. Not only had the second line of
trenches been taken in accordance with instructions,
but the Westshires had crushed all
resistance in the first, which they should have
left to a following battalion. The work done,
the Boy called two stretcher-bearers, and went
back in search of the Colonel.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">III</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>That night the Colonel sat in a German
dugout, with a heavily bandaged leg. He had
refused to go to the rear. He must first see the
Boy.</span></p>
<p class="pnext"><span>When he entered, the Boy saluted and stood
as if waiting for something that he knew would
happen, but in which he was not particularly
interested.</span></p>
<p class="pnext"><span>"What have you to say?" the Colonel enquired
with unsmiling eyes. In the 8th Westshires
officers and men alike dreaded the absence
of that smile which seemed so much a part of
the Colonel's eyes.</span></p>
<p class="pnext"><span>The Boy hung his head. "I'm sorry, sir,"
he said, in a low, husky voice.</span></p>
<p class="pnext"><span>"You remember my orders?"</span></p>
<p class="pnext"><span>"Yes, sir."</span></p>
<p class="pnext"><span>"Yet you absented yourself without leave."</span></p>
<p class="pnext"><span>"It was——" the Boy stopped; his voice
seemed suddenly to forsake him. Then after
a moment's pause the words came in a rush.</span></p>
<p class="pnext"><span>"It was the old dad, sir. I've never let him
know I'm such a rotter. If he knew I was sent
to rear before the charge it would have crocked
him. He—he—thinks no end of me."</span></p>
<p class="pnext"><span>The Boy stopped again and looked at the
Colonel. "I crept out this morning, and lay
in a small crater near our trench until the
advance. I was going to join up and I thought
I should get killed. He would sooner have me
dead than not there. I'm sorry, sir—I'm——" The
Boy's voice trailed off into a sob.</span></p>
<p class="pnext"><span>"You know what you did to-day?" enquired
the Colonel. The smile was back in his eyes,
but the Boy did not see it.</span></p>
<p class="pnext"><span>"Deserted!" The word came out with a jerk.</span></p>
<p class="pnext"><span>"Yes, you deserted—that is, technically—but
you saved the whole battalion from being
cut up and—possibly disgraced."</span></p>
<p class="pnext"><span>The Boy looked at the C.O. in wonder. He
blinked his eyes uncertainly.</span></p>
<p class="pnext"><span>"I—I don't——"</span></p>
<p class="pnext"><span>"Listen, Boy! You were sent out by my
orders on listening-patrol, and told to join up
with the Battalion when it advanced. You did
so, do you understand?"</span></p>
<p class="pnext"><span>"But listening-patrols aren't sent out under
bombardment, sir."</span></p>
<p class="pnext"><span>"Damn you, Boy, what the devil do you
mean? Am I C.O. or you?" The Colonel
wanted to laugh and simulated anger to
preserve his authority.</span></p>
<p class="pnext"><span>"I'm sorry, sir; but——"</span></p>
<p class="pnext"><span>"Well, never mind about listening-patrol.
I shall send an account of your services to the
General that will get you the D.S.O., possibly
the V.C. I will write to the—er—old dad
myself." The Colonel's voice was husky.</span></p>
<p class="pnext"><span>"Now, get out, Boy, damn it—get out at once!"</span></p>
<p class="pnext"><span>And the Boy got out.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>There was the vigour of conviction in
Bindle's play with his mallet, and the hum of
talk at the conclusion of the story made it
obvious that the Boy had considerably enlarged
the circle of his friends.</span></p>
<p class="pnext"><span>"He's a dear!" Sallie blinked her eyes
vigorously. They were suspiciously moist.</span></p>
<p class="pnext"><span>"'Ere, 'ere, miss," agreed Bindle. As a
matter of fact Bindle always agrees with
anything that Sallie says.</span></p>
<p class="pnext"><span>"I say, Windover, couldn't you bring him
round one night?" enquired Dick Little.</span></p>
<p class="pnext"><span>"I'll try," said Windover. "He's stationed
at Wimbledon now."</span></p>
<p class="pnext"><span>"And did he get the V.C.?" enquired the
practical-minded Angell Herald.</span></p>
<p class="pnext"><span>"No, the D.S.O.," replied Windover, "with
promotion to a first lieutenancy."</span></p>
<p class="pnext"><span>"What a shame," said Sallie, and turning
to Windover she said, "You will bring him,
Winnie, won't you?" Sallie and Windover
are old friends.</span></p>
<p class="pnext"><span>And that is how the Boy became a
"Night-Clubber." He is a strange combination of
impudence and innocence; but there is one
way of bringing him to heel. It was quite by
accident that I discovered it.</span></p>
<p class="pnext"><span>One evening he had been roasting poor Angell
Herald rather badly, and although that astute
person was sublimely unaware of what was
taking place, both Dick Little and I thought
things had gone far enough.</span></p>
<p class="pnext"><span>I happened to have with me the manuscript
of the story of how the Boy got his D.S.O.
Without a word I started reading from it in a
loud voice. I had not got six lines down the
page before he slowly dragged himself out of
the armchair in which he was lounging, his
face crimson, and, walking towards the door,
remarked:</span></p>
<p class="pnext"><span>"You'll find me on the mat when you've done
reading rot."</span></p>
<p class="pnext"><span>That is the Boy all over.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-barabbas-club"><span class="bold large">CHAPTER V</span></p>
<p class="center pnext"><span class="bold medium">THE BARABBAS CLUB</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I have some acquaintance with authors;
but of all I have encountered Jocelyn Dare
is in many ways the most remarkable.
Careless, generous, passionate, he is never
so happy as when narrating the enormities of
publishers. His white, delicate fingers will
move nervously, his long black locks fall over
his alabaster forehead, and his black eyes flash
as he describes the doings of these "parasites"
and "pariahs," as he calls them.</span></p>
<p class="pnext"><span>He is a thoroughly good fellow in spite of
this eccentricity, never withholding a helping
hand from anyone. I believe he would succour
even a publisher if he found one in need of
help; but he can no more resist denouncing the
fraternity than he can keep the flood of raven
hair from falling over his eyes when he becomes
excited.</span></p>
<p class="pnext"><span>Bindle likes him, and that is a testimonial.
They have something in common, as Dare's
heart, like Bindle's "various" veins, is a bar
to his doing his bit, and Dare feels it as much
as does Bindle.</span></p>
<p class="pnext"><span>"I like to listen to Mr. Gawd Blast
'ammerin' tacks into publishers," Bindle
would remark appreciatively. "An' don't 'e
know some words too!"</span></p>
<p class="pnext"><span>Dare's vocabulary is almost unique. He is
a master of the English tongue. At rhetorical
invective I have never heard his equal, and I
have encountered a Thames lighterman in one
of his inspired moments. Bindle would sit in
mute admiration, watching Dare as he flung
the mantle of obloquy over "that cancer
polluting the face of God's fair earth."*</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="noindent pfirst"><span class="small">*To those who are not authors it should be explained that
Dare refers to publishers as a whole.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>It was Dare who told us the story of the
author who, unable to extract his royalties from
a publisher, seized him by the beard and swore
he would hang on until the money was
forthcoming. "And that," he concluded, "is why
not one publisher in a hundred wears a beard."</span></p>
<p class="pnext"><span>It was Dare, too, who told us of the author
who went to a certain well-known publisher
with a manuscript, saying, "My previous books
have been published by—(and he mentioned the
names of three honoured firms)—and they were
rogues to a man, did me right and left, only I
could never catch them, not even with the help
of the Society of Authors. So I've brought my
new book to you, Mr. Blank."</span></p>
<p class="pnext"><span>The publisher was delighted at the compliment
and, smiling in his most winning manner,
enquired, "And may I ask why you come to
me, sir?"</span></p>
<p class="pnext"><span>He waited expectantly, his lips still bearing
the after-glow of the smile.</span></p>
<p class="pnext"><span>"I come to you, Mr. Blank," the author
replied impressively, "because you are an
honest man."</span></p>
<p class="pnext"><span>And the publisher fainted.</span></p>
<p class="pnext"><span>Dare would laugh with the joyousness of a
schoolboy when telling these yarns. But there
is no malice in him. He is as mischievous as
a puppy; but as soft-hearted as a woman.</span></p>
<p class="pnext"><span>There is something strangely lovable about
Dare. Certain of his mannerisms are in themselves
feminine; yet he is never effeminate. One
of these mannerisms is what might be called
the fugitive touch, which is with a woman a
caress. He will lay his hand upon your
coatsleeve just for a second, or put it across your
shoulders, a slight brushing movement, which
betokens comradeship.</span></p>
<p class="pnext"><span>He adores children. I have seen him, when
exquisitely turned out in top hat and morning
coat, pick up a howling youngster that had
come a cropper, brush it down, stay its cries
and stop its tears, and send it home wreathed
in rainbow smiles, clutching a generous-sized
bag of sweets. Such is Jocelyn Dare.</span></p>
<p class="pnext"><span>When the time came for a story, he told that
of the Barabbas Club. For some time I
hesitated to write it up for the Night Club.
I regarded it as too limited in its appeal. At
last, however, I decided to let the Club judge
for itself. Dare took great interest in the
writing of the story, and himself read and
corrected the typescript.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">I</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"My dear fellow," said Jocelyn Dare, "the
Seven-headed Beast of the Apocalypse is
nothing to it. It's absolutely unique."</span></p>
<p class="pnext"><span>With the air of a man who has completed a
life's work, Dare tapped some sheets of
manuscript that lay upon the table, selected a
cigarette from the box with a care and
deliberation usually bestowed upon cigars, and
proceeded: "You are a doctor, whose mission
in life is to purge and purify the human body;
I am a novelist whose purpose it is to perform
the same office for the human soul."</span></p>
<p class="pnext"><span>From the depths of a particularly comfortable
easy-chair, Dick Little looked up
good-humouredly at his friend.</span></p>
<p class="pnext"><span>"You're a queer devil, Dare. One of these
days you'll get a shock—poseurs always do."</span></p>
<p class="pnext"><span>Dare laughed easily, and Dick Little
continued. "But what have publishers to do with
the human soul? That's what puzzles me."</span></p>
<p class="pnext"><span>"There is only one thing, my poor Little,"
replied Dare, looking down at the other with
a smile of pity, "that makes friendship
between you and me at all possible."</span></p>
<p class="pnext"><span>"And that is?"</span></p>
<p class="pnext"><span>"Your incomparable understanding of my
corpus, which you persist in calling my liver.
I give you all credit for this. You know my
constitution to a nicety, and in a way you are
responsible for my novels."</span></p>
<p class="pnext"><span>"Good God!" ejaculated Dick Little, sitting
up in his chair with an expression of alarm
upon his features. "I hope not."</span></p>
<p class="pnext"><span>"Listen!" said Dare. "A publisher is an
obstacle to intellectual progress. He is a
parasite, battening upon the flower of genius.
That is why we founded the Barabbas Club.
It frankly encourages authors to quarrel
with their publishers. No one is eligible for
membership who cannot prove conclusively to
the Committee that he has been extremely rude
to at least one publisher. I myself have been
grossly insulting to seventeen different
publishers, on several occasions before their own
clerks. I have taken three into Court—I
confess I lost each case—and I horsewhipped him
who published </span><em class="italics">The Greater Purity</em><span> because he
failed to advertise it sufficiently."</span></p>
<p class="pnext"><span>"And what happened?" queried Dick Little,
who had heard the story a score of times.</span></p>
<p class="pnext"><span>"I was summonsed for assault. The magistrate
was a creature entirely devoid of literary
perception. He fined me five guineas, plus
five guineas damages, and two guineas costs.
But wait! Now here comes the shameful
part of the story. Later I discovered that
I had been wrong about the advertising. I
wrote to that worm, that foul weed who is
poisoning the slopes of Parnassus, apologising
for whipping him, and will you believe it, he
absolutely refused to return the five guineas
damages?"</span></p>
<p class="pnext"><span>Dick Little laughed. He always laughed to
see Dare upon his hobby-horse.</span></p>
<p class="pnext"><span>"The result of that case was an addition to
the rules of the Barabbas Club, by which it
was provided that, whenever an author horsewhipped
a publisher, with or without justification,
the president of the club should resign,
and his place be automatically filled by the
horsewhipper."</span></p>
<p class="pnext"><span>Dick Little rose from his chair, stretched
himself lazily, lighted another cigarette and
prepared to take his departure.</span></p>
<p class="pnext"><span>"One moment, my dear fellow," remarked
Dare, "I must tell you something about this,
</span><em class="italics">The Damning of a Soul</em><span>." He tapped the
manuscript upon the table. "It gives a picture
of a publisher, so vivid, so horrible, so
convincing, that I shudder when I think that
anything so vile can be permitted to exist by our
most gracious sovereign lady, Nature. It tells of
the gradual intellectual murder of a great
genius through lack of proper advertising by
his publisher. 'It is a masterly picture of the
effect of advertising matter upon imaginative
mind.' I quote the words of our President.
It will create a sensation."</span></p>
<p class="pnext"><span>"But what about libel?" enquired Dick
Little, whose more cautious nature saw in this
same masterpiece a considerable danger to its
author.</span></p>
<p class="pnext"><span>"There is my master-stroke. My Beast,
which transcends that of the Apocalypse in
horror-compelling reality, is, as was that, a
composite creature. I have drawn upon the
whole of the seventeen publishers with whom
I have had differences. One supplies 'a
nervous, deceitful cough,' another 'an
overbearing manner,' a third 'a peculiar habit of
crossing and recrossing his legs,' a fourth 'a
swindling propensity when the day of reckoning
arrives,' a fifth 'a thoroughly unclean and
lascivious life,' a sixth 'a filthy habit of
spitting into the fireplace from every conceivable
angle of his room,' a seventh——"</span></p>
<p class="pnext"><span>"Enough! I must be off," laughed Dick
Little. "I suppose it's all right; but one of
these days you'll get yourself into a bit of a
mess. There may be the devil to pay over this even."</span></p>
<p class="pnext"><span>Dare smiled indulgently as he shook hands.</span></p>
<p class="pnext"><span>"Good-bye, my Æsculapius," he said. "If
there's trouble, I have behind me the whole of
the members of the Barabbas Club, representing
eight hundred and thirteen volumes, and the
brains of the country. Good-bye." There
was a note of weariness about Dare's voice.
Materialism was exceedingly tedious.</span></p>
<p class="pnext"><span>"Well, it's his affair, not mine," muttered
Dick Little to himself as he descended the stairs
of Dare's flat; "but they don't fight with books
in the King's Bench Division."</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">II</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Three weeks later, on returning from a fortnight's
holiday in Scotland, Dick Little found
awaiting him at his chambers the following note
from Dare:—</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"Come round at once. There is not the
Devil, but the publishers to pay. Bring a
hypodermic syringe and a pint of morphia.—"J.D."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Dick Little had been out of the world, and
he had forgotten all about </span><em class="italics">The Damning of a
Soul</em><span> and his own misgivings. Having seen a
few of his more important patients, he walked
round to his friend's flat and found Dare in a
pathetic state of gloom.</span></p>
<p class="pnext"><span>"Have you brought the hypodermic syringe
and the morphia?" he asked without troubling
to greet his visitor.</span></p>
<p class="pnext"><span>"What! Tired of life?" questioned Dick
Little smiling.</span></p>
<p class="pnext"><span>"I am tired of a civilization that is rotten,
and which makes injustice possible."</span></p>
<p class="pnext"><span>"What has happened?"</span></p>
<p class="pnext"><span>"I published </span><em class="italics">The Damning of a Soul</em><span> in </span><em class="italics">The
Cormorant</em><span>, and arranged with the editor for
a copy to be sent to every publisher in the
country. Ye gods!" and Dare laughed mirthlessly.</span></p>
<p class="pnext"><span>"And what happened!" asked Dick Little.</span></p>
<p class="pnext"><span>"Twenty-five writs for libel up to date,"
groaned Dare, "and God knows how many
more to come."</span></p>
<p class="pnext"><span>Dick Little laughed loud and long.</span></p>
<p class="pnext"><span>"How many publishers went to the making
of your Beast of Parnassus?" he asked.</span></p>
<p class="pnext"><span>"Only seventeen; that's the peculiarly
damnable part of it.</span></p>
<p class="pnext"><span>"And what do they say at </span><em class="italics">The Cormorant</em><span>?"</span></p>
<p class="pnext"><span>"Well, I've kept away from the offices, where
all the writs have been served by the way, and
I've written a formal protest to the Postmaster-General
against the use of the telephone for
language that is entirely unfit for even the
smoking-room of a woman's club. </span><em class="italics">Now</em><span> they
write; but as I don't read the letters, it doesn't
matter so much."</span></p>
<p class="pnext"><span>"The editor is in a passion, I suppose?"</span></p>
<p class="pnext"><span>"No; he's in a nursing-home. He's a master
of diplomacy," replied Dare wearily. "I'd
do the same, only I can't afford the fees. It's
the general-manager who telephones. I'm going
to put him in my next novel, curse him!"</span></p>
<p class="pnext"><span>"In addition to a writ," Dare proceeded,
"each publisher has written me a letter,
'without prejudice' and with considerable heat."</span></p>
<p class="pnext"><span>"What about?" enquired Dick Little, thoroughly
interested in the curious situation that
had arisen out of Dare's unfortunate story.</span></p>
<p class="pnext"><span>"The man who crosses and recrosses his legs
says that he is the only publisher in the world
with that characteristic, and that I accuse him
of unclean morals, as if a publisher had any
morals, clean or otherwise. He of the nervous
cough objects to the adjective 'deceitful,' and
is having his books examined by an accountant
He who salivates into the fireplace from impossible
angles, is producing the testimony of three
specialists to prove that he has chronic
bronchitis, and that it is neither infectious nor
contagious, and so on." Dare's voice trailed
off drearily.</span></p>
<p class="pnext"><span>"And what do you propose to do?"
questioned Dick Little.</span></p>
<p class="pnext"><span>"Do?" enquired the other, listlessly throwing
himself into a chair and lighting a cigarette.
"Do? Why, nothing. That's why I want the
morphia. I'm the imperfect, not the present
tense. I'm done."</span></p>
<p class="pnext"><span>"How about the Barabbas Club?" asked Dick Little.</span></p>
<p class="pnext"><span>"Dissolved."</span></p>
<p class="pnext"><span>Dick Little whistled.</span></p>
<p class="pnext"><span>"Dissolved," continued Dare, "because its
work is accomplished, vide the Presidential
valediction. I don't see how; but it's too
tedious to bother about."</span></p>
<p class="pnext"><span>Dick Little went to the sideboard and poured
out some water into a glass, then emptying into
it the contents of a small phial that he took
from his pocket, returned to where Dare sat and
bade him drink.</span></p>
<p class="pnext"><span>"What is it—a death potion?" enquired
Dare lazily as he swallowed the dose.</span></p>
<p class="pnext"><span>"Wait and see!" replied the other.</span></p>
<p class="pnext"><span>For a quarter of an hour they smoked in
silence. Suddenly Dare bounded into the air,
and rushed to the telephone.</span></p>
<p class="pnext"><span>"Piccadilly 1320, quickly," he shouted.
Then a minute later, "That </span><em class="italics">The Cormorant</em><span>?
I want the general-manager. Yes; it's me.
Oh, shut up! I've got a plan. Coming round.
Three more writs? Wish it were thirty. We'll
do 'em yet—'bye."</span></p>
<p class="pnext"><span>Snatching up his hat and entirely oblivious
of his friend's presence, Dare rushed out of the
room; and a moment later the bang of the front
door told that he had left the flat.</span></p>
<p class="pnext"><span>"Never saw strychnine act so before,"
muttered Dick Little as he picked up his hat
and gloves and prepared to go.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">III</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Ten days later as Dick Little sat in the
consulting-room of his surgery, waiting for
seven o'clock to strike that the first patient
might be admitted, Jocelyn Dare burst through
the door followed by the protesting parlour-maid.</span></p>
<p class="pnext"><span>"Sorry, old man; but I had to tell you.
We've won. It's a triumph for Letters, and
all due to your science and my brain. As I
said before, your understanding of my corpus
is incomparable."</span></p>
<p class="pnext"><span>"It's five minutes to seven," remarked Dick
Little evenly, "and the first patient enters at
seven."</span></p>
<p class="pnext"><span>"Of course. Well, three minutes will suffice.
I found a scapegoat."</span></p>
<p class="pnext"><span>"A what?"</span></p>
<p class="pnext"><span>"A scapegoat. You see if I could prove
that my publisher was some particular person,
we should have only one action to defend; but
if that publisher were dead, and we could
square his relatives, then we were safe.</span></p>
<p class="pnext"><span>"I set about discovering a dead publisher,
and you would be astonished to find how rare
they are. They seem to be immortal, like their
asinine brothers. At last I lighted upon
Sylvester Mylton, who died a bankrupt nearly
a year ago. By great good luck I ran his wife
to earth. She was in terrible straits, almost
starving, poor woman."</span></p>
<p class="pnext"><span>"But what——"</span></p>
<p class="pnext"><span>"Wait a moment. I showed her the article,
and told her that I felt that I had done a
dishonourable thing in writing about the dead
as I had done, and would she accept five pounds
as compensation. Heavens! I don't think the
money pleased her so much as the knowledge
that the iniquitous Mylton had been pilloried.
He had made her life a curse."</span></p>
<p class="pnext"><span>"So far so good. I had to remind her of a
few of his characteristics; but she's a shrewd
woman, and hunger you know. Now read
this." Dare held out a copy of the current
issue of </span><em class="italics">The Cormorant</em><span>, pointing to a page
bordered by the portraits of thirty publishers.
Within the pictorial frame appeared the
following:—</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="center pfirst"><span>THIRTY WRITS FOR LIBEL</span></p>
<p class="center pnext"><span>AN EXTRAORDINARY OCCURRENCE</span></p>
<p class="center pnext"><span>A SENSITIVE PROFESSION</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>"Three weeks ago we published a story from
the brilliant pen of Mr. Jocelyn Dare entitled
</span><em class="italics">The Damning of a Soul</em><span>, in which was given a
vivid picture of an unscrupulous, immoral,
gross, and dishonest publisher—a man capable
of any vileness, who had by under-advertising
the work of a promising young author, damned
him for ever. Soon after the appearance of
our issue containing Mr. Dare's contribution,
writs began to rain in upon us until there was
scarcely a publisher in London who had not
instructed his solicitors to proceed against us
for criminal libel, as, in our picture of the
unscrupulous publisher, he thought he saw
himself depicted.</span></p>
<p class="pnext"><span>"Although we fully recognise the obligations
of the living towards the dead, we are, in
self-defence, forced to publish a letter that we have
received from the wife of the late Sylvester
Mylton, the well-known publisher, who died
some months ago. It runs:—</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"'DEAR SIR,</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>"'I have read with deep pain and regret
the story in your issue of the 2nd inst., entitled
</span><em class="italics">The Damning of a Soul</em><span>. In the character of
the publisher I recognise my late husband.
None can mistake 'the overbearing manner,'
'that peculiar habit of crossing and recrossing
his legs,' 'the nervous, deceitful cough,' 'the
habit of spitting into the fireplace from every
conceivable angle of his room,' although I
must add that his accuracy was astonishing.
With regard to the other points, I can only say
that of recent years I declined to live with him
because of the creatures with whom he
associated—I do not refer to his authors. I regret
that you should have brought him so prominently
before the public, and I hope you will
send me ten or a dozen copies of your issue
containing the story.</span></p>
<div class="vspace" style="height: 1em"></div>
<dl class="docutils">
<dt class="noindent"><span>"'I am,</span>
<br/><dl class="docutils first last">
<dt class="noindent"><span>"'Yours sincerely,</span>
<br/><p class="first last noindent pfirst"><span>"'ARABELLA MYLTON.'</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"We can only express regret that so many
publishers should have thought our story
referred to them. We thought that Mr. Dare
had painted so vile and heartless a wretch as
to prevent any self-respecting publisher from
seeing in such a creature any resemblance to
himself. Apparently not. Surely Mecænas is
the most sensitive of beings. We may add
that we shall defend each of the actions
threatened. We embellish this page with
portraits of the publishers who have caused us
be served with writs."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Dick Little read the page with astonishment.</span></p>
<p class="pnext"><span>"By heavens! what a score," he shouted.
"And the writs?"</span></p>
<p class="pnext"><span>"All withdrawn, and the Barabbas Club has
regathered and is dining me at the Ritz
tonight. God knows who'll pay the bill. I
must be off to dress."</span></p>
<p class="pnext"><span>And that evening Dick Little thought more
of the sensibilities of publishers and the brains
of authors than the ailments of his patients.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"Fancy publishers bein' as bad as that,"
remarked Bindle reflectively, as he took a long
pull at his tankard. "They seem to beat foremen."</span></p>
<p class="pnext"><span>"Publishers," said Dare, "are pompous
asses. If they were business men—if they
were only men-of-letters, I would embrace them."</span></p>
<p class="pnext"><span>"P'raps that's why they ain't," suggested
Bindle.</span></p>
<p class="pnext"><span>Dare joined in the laugh against himself.</span></p>
<p class="pnext"><span>"I have known some publishers," remarked
Angell Herald with characteristic literalness,
"who have been most excellent advertisers. I
fear Mr. Dare is rather prejudiced."</span></p>
<p class="pnext"><span>"Shut up, Herald," broke in Dick Little,
"you're thinking 'shop.'"</span></p>
<p class="pnext"><span>"P'raps they've got 'various' veins* in their
legs, or else their missusses 'ave got religion,"
suggested Bindle. "It ain't fair to judge no
man till you seen 'is missus, an' a doctor's seen
'is legs—beggin' your pardon, miss," this to
Sallie.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="noindent pfirst"><span class="small">*Bindle has been repeatedly refused for the Army on
account of varicose veins in his legs,
and he shows a tendency
to regard this affliction as at the root of all evil.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="i-fail-the-night-club"><span class="bold large">CHAPTER VI</span></p>
<p class="center pnext"><span class="bold medium">I FAIL THE NIGHT CLUB</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>One evening I failed the Club badly.
During the previous week there had
not been a moment in which to
complete the half-written story
intended for that particular Sunday. I had
done my best; but I arrived at Chelsea with
the knowledge that I had let them all down.</span></p>
<p class="pnext"><span>When I had made my confession, Bindle
turned to me with grave reproach in his eyes.</span></p>
<p class="pnext"><span>"I'm surprised at you, sir," he said, "I been
lookin' forward all the week to this evenin',
an' now you tell us you ain't got nothink.
Wot we goin' to do?"</span></p>
<p class="pnext"><span>My unpopularity was sufficiently obvious to
penetrate the thickest of skins.</span></p>
<p class="pnext"><span>"What about bridge?" ventured Tom Little.
But Bindle was opposed to every suggestion
made. It was clear that he was greatly
disappointed, and he seemed to find solace
nowhere, not even in his tankard of ale.</span></p>
<p class="pnext"><span>"You done the dirty on us to-night, sir," he
said during a pause in the fusillade of
personalities and rather feeble suggestions as to
how thee evening should be spent. "Sort o'
thing a foreman 'ud do."</span></p>
<p class="pnext"><span>It was Jocelyn Dare who came to the rescue.
"What," he asked, "can you expect of a
publisher? He has sufficient manners to impress
a half-dipped author, and not enough morals to
pay him what is his due."</span></p>
<p class="pnext"><span>"My dear Dare," it was Windover who
spoke, "are you not inverting the values? Our
friend Bindle here, for instance, might
reasonably conceive that you place morals on a higher
plane than manners. Bindle is young and
unsophisticated, you must remember he has
arrived at an impressionable age."</span></p>
<p class="pnext"><span>Bindle grinned. He scented a battle between
Windover and Dare, both brilliant and amusing
talkers.</span></p>
<p class="pnext"><span>"I'm a Victorian," replied Dare, accepting
the challenge with alacrity, "a member of the
middle-classes, the acknowledged backbone of
the English nation."</span></p>
<p class="pnext"><span>"Yes, and like all other respectable backbones
should be covered up," retorted Windover.</span></p>
<p class="pnext"><span>"Alas!" murmured Dare, gazing at the ceiling.
"Once youth was content with Arcadia,
now it demands a Burlington Arcadia."</span></p>
<p class="pnext"><span>That was characteristic of Dare. An epigram
to him justified the most flagrant irrelevancy.
Then turning to Windover he added, "But I
interrupted you. Let us have your views on
morals and manners, or should I say manners
and morals?"</span></p>
<p class="pnext"><span>"Yes do, sir," broke in Bindle eagerly, "My
missus once said I 'adn't no more morals than
Pottyfer's wife, I dunno the lady, but p'raps
you can 'elp me."</span></p>
<p class="pnext"><span>"The association of morals and manners is
merely a verbal coincidence," began Windover.
"As a matter of fact they exist best
apart. Morals are geographical, the result of
climate and environment. The morals of
Streatham, for instance, are not the morals of
Stamboul, although the manners of the one
place will pass fairly well in the other.
Manners are like English gold, current in all
countries: morals, on the other hand, are like
French pennies, they must not be circulated in
any but the country of their origin."</span></p>
<p class="pnext"><span>"Yes; but is this the age of manners or of
morals?" asked Dare. "That's what we want
to get at."</span></p>
<p class="pnext"><span>"Of neither, I regret to say," responded
Windover. "We have too many morals at
home, and too few manners abroad."</span></p>
<p class="pnext"><span>"Excuse me, sir," broke in Bindle, "but wot
do you exactly mean by morals an' manners?"</span></p>
<p class="pnext"><span>"You are right, Bindle, you invariably are,"
replied Windover. "Definition should always
precede disquisition." He proceeded to light
a cigarette, obviously with a view to gaining
time. "Observing this rule," he continued,
"I will define morals as originally an ethical
conception of man's duty towards his neighbour's
wife: they are now in use merely as a
standard by which we measure failure." Windover
paused and gazed meditatively at
the end of his cigarette.</span></p>
<p class="pnext"><span>"And manners?" I queried.</span></p>
<p class="pnext"><span>"Oh! manners," he replied lightly, "are a
thin gauze with which we have clothed
primæval man and primitive woman."</span></p>
<p class="pnext"><span>"But why," enquired Sallie, leaning forward
eagerly, "why should the primitive and
primæval require covering?"</span></p>
<p class="pnext"><span>It was Dare who answered Sallie's question.
"Mark Twain said, 'Be good; but you'll be
lonely,'" he observed. "Man probably found it
impossible to be good, being gregarious by
instinct. He saw that Nature was always
endeavouring to get him involved in difficulties
with morals, and like the detective of romance,
determined to adopt a disguise. He therefore
invented manners."</span></p>
<p class="pnext"><span>"I will not venture to question Dare's
brilliant hypothesis," continued Windover. "With
the aid of good manners a man may do
anything, and a woman quite a lot of things
otherwise denied her. It is manners not morals
that make a society. Manners will open for
you all doors; but morals only the gates of
heaven."</span></p>
<p class="pnext"><span>"As a eugenist I am with you, Windover,"
said Dare; "because both manners and
eugenics are the study of good breeding."</span></p>
<p class="pnext"><span>"Excuse me, sir," broke in Bindle, "but do
yer think yer could use a few words wot I've
'eard before? I'd sort o' feel more at 'ome
like."</span></p>
<p class="pnext"><span>There was a laugh at Windover's expense,
and a promise from him to Bindle to correct his
phraseology.</span></p>
<p class="pnext"><span>"Morals," continued Windover, "are merely
the currency of deferred payment—you will
reap in another world."</span></p>
<p class="pnext"><span>"That's wot Mrs. B. says," broke in Bindle;
"but wot if she gets disappointed? It 'ud be
like goin' dry all the week to 'ave a big lush up
on Sunday, an' then findin' the pubs closed."</span></p>
<p class="pnext"><span>"Excellent! Bindle," said Windover, "you
prove conclusively that the future is for the
proletariat."</span></p>
<p class="pnext"><span>"Fancy me a-provin' all that," said Bindle
with unaccustomed dryness.</span></p>
<p class="pnext"><span>"Morality," continued Windover with a
smile, "is merely post-dated self-indulgence.
There is a tendency to expect too much from the
other world. Think of the tragedy of the
elderly spinster who apparently regulated her
life upon a misreading of a devotional work.
She denied herself all the joys of this world in
anticipation of the great immorality to come."</span></p>
<p class="pnext"><span>"That's jest like Mrs. B.," remarked Bindle,
"Outside a tin o' salmon, an' maybe an egg for
'er tea, there ain't much wot 'olds 'er among
what she calls the joys o' mammon."</span></p>
<p class="pnext"><span>"Mrs. Bindle," said Windover, picking out
another cigarette from the box and tapping it
meditatively, "is in all probability intense.
Most moral people are intense. They either
have missions or help to support them. They
wear ugly and sombre clothing adorned with
crewel-work stoles. They frequently subsist
entirely upon vegetables and cereals, they live
in garden-cities and praise God for it——"</span></p>
<p class="pnext"><span>"I, too, praise God that they should live
there," broke in Dare.</span></p>
<p class="pnext"><span>"Exactly, my dear Dare, probably the only
approval that providence ever receives from
you is of a negative order."</span></p>
<p class="pnext"><span>"You forget the heroes and heroines of
morals, Windover," said Dare gently. "Penelope,
Lucrece, Clarissa Harlowe, Sir Galahad."</span></p>
<p class="pnext"><span>"Manners, too, have had as doughty champions,"
was the reply, "for instance, the Good
Samaritan, Lord Chesterfield, and the wedding
guest in </span><em class="italics">The Ancient Mariner</em><span>. Manners are
social and public, whilst morals are national
and private. All attractive people have good
manners, whereas—well there were the Queen
of Sheba, Byron and Dr. Crippen."</span></p>
<p class="pnext"><span>Bindle looked from Windover to Dare,
hopelessly bewildered. He refrained from
interrupting, however.</span></p>
<p class="pnext"><span>"Our morals affect so few," continued
Windover, "whereas our manners react upon the
whole fabric of society. A man may be a most
notorious evil-liver, and yet pass among his
fellows without inconveniencing them; on the
other hand, if he be a noisy eater he will render
himself obnoxious to hundreds. Manners are
for the rose-bed of life, morals for the deathbed
of repentance."</span></p>
<p class="pnext"><span>"All this is very pretty verbal pyrotechnics,"
said Dare with a smile; "but you forget that
the greatness of England is due to her moral
fibre. I grant you that morality is very ugly,
and its exponents dour of look and rough of
speech, still it is the foundation of the
country's greatness."</span></p>
<p class="pnext"><span>"There you are wrong," was Windover's
retort, "it is not her morality that has made
for this country's greatness, but her moral
standard, coupled with the determination of
her far-seeing people not to allow it to
interfere with their individual pleasures. They
decided that theirs should be a standard by
which to measure failure. The result of this
has been to earn for us in Europe the
reputation of being a dour and godly people, who
regard the flesh and the devil through a
stained-glass window. They forget that to
preserve the purity of his home life, the
Englishman invented the continental excursion."</span></p>
<p class="pnext"><span>"But what about puritan America?" broke
in Dare. "If we are smug, they are superlative
in their smugness."</span></p>
<p class="pnext"><span>"You forget, Dare," said Windover reproachfully,
"that they have their 'unwritten law,'
said to be the only really popular law in the
country, with which to punish moral lapses.
To explain the punishment, they created 'brain
storm'; but it cannot compare with our
incomparable moral standard. It is England's
greatest inheritance."</span></p>
<p class="pnext"><span>Windover paused to light the cigarette with
which he had been toying. It was obvious that
he was enjoying himself. Bindle seized the
moment in which to break in upon the duologue.</span></p>
<p class="pnext"><span>"I don't rightly understand all the things
wot you been sayin', you bein' rather given
to usin' fancy words; but it reminds me o'
Charlie Dunn."</span></p>
<p class="pnext"><span>Bindle paused. He has a strong sense of the
dramatic.</span></p>
<p class="pnext"><span>"J.B.," said Dare, "we demand the story
of Charlie Dunn."</span></p>
<p class="pnext"><span>'Well, sir, 'im an' 'is missus couldn't 'it
it off no 'ow, so Charlie thought it might make
matters better if they took a lodger. 'E
thought it might save 'em jawin' each other
so much. One day Charlie's missus nips off wi'
the lodger, and poor ole Charlie goes round
a-vowin' 'is life was ruined, an' sayin' wot 'e'd
do to Mr. Lodger when 'e caught 'im.</span></p>
<p class="pnext"><span>"'But,' ses I, 'you ought to be glad, Charlie.'</span></p>
<p class="pnext"><span>"'So I am,' says 'e in a whisper like; 'but
if I let on, it wouldn't be respectable, see?
Come an' 'ave a drink.'"</span></p>
<p class="pnext"><span>"There you are," said Windover, "the
poison of appearances has penetrated to the
working-classes. To the blind all things are
pure."</span></p>
<p class="pnext"><span>I reminded Windover that Colonel Charters
said that he would not give one fig for virtue,
but he would cheerfully give £10,000 for a
good character.</span></p>
<p class="pnext"><span>I could see that Bindle had been waiting to
join more actively in the discussion, and my
remark gave him his opportunity.</span></p>
<p class="pnext"><span>"A character," he remarked oracularly,
"depends on 'oos givin' it. I s'pose I taken
an' lost more jobs than any other cove in my
line, yet I never 'ad a character in my life,
good or bad.</span></p>
<p class="pnext"><span>"Now, if you was to ask 'Earty, 'e'd say I
ain't got no manners; an' Mrs. B. 'ud say I
ain't got no morals, an' why?" Bindle looked
round the room with a grin of challenge on his
face. "'Cause I says wot I thinks to 'Earty,
an' 'e don't like it, an' I talks about babies
before young gals, an' Mrs. Bindle thinks it
ain't decent.</span></p>
<p class="pnext"><span>"As I ain't got neither manners or morals,
I ought to be able to judge like between 'em.
Now look at 'Earty, 'e's as moral as a swan,
though 'e ain't as pretty, an' why?"</span></p>
<p class="pnext"><span>Again Bindle looked round the circle.</span></p>
<p class="pnext"><span>"'Cause 'e's afraid!" Having made this
statement Bindle proceeded to light his pipe.
This concluded in silence, he continued:</span></p>
<p class="pnext"><span>"'E's afraid o' bein' disgraced in this world
and roasted in the next. You should see the
way 'e looks at them young women in the choir.
If 'Earty was an 'Un on the loose, well——" Bindle
buried his face in his tankard.</span></p>
<p class="pnext"><span>"'Is Lordship 'as been sayin' a lot o' clever
things to-night; but 'e don't believe a word of 'em."</span></p>
<p class="pnext"><span>Windover screwed his glass into his eye and
gazed at Bindle with interest.</span></p>
<p class="pnext"><span>"'E loves to 'ear 'imself talk, same as me."</span></p>
<p class="pnext"><span>Windover joined the laugh at his own expense.</span></p>
<p class="pnext"><span>"'E talks with 'is tongue, not from 'is 'eart,
same as 'Earty forgives. A man ain't goin' to
feel better 'cause 'e's always doin' wot other
people ses 'e ought to do, while 'e wants to do
somethink else. If a man's got a rotten 'eart,
a silver tongue ain't goin' to 'elp 'im to get to
'eaven."</span></p>
<p class="pnext"><span>Bindle was unusually serious that night, and
it was evident that he, at least, was speaking
from his heart.</span></p>
<p class="pnext"><span>After a pause he continued, "My mate, Bill
Peters, got an allotment to grow vegetables, at
least such vegetables as the slugs didn't want.
Bill turns up in the evenin's, arter 'is job was
done, wi' spade an' 'oe an' rake. But every
time 'e got to work on 'is allotment, a goat
came for 'im from a back yard near by. Bill
ain't a coward, and there used to be a rare ole
fight; but the goat was as wily as a foreman,
an' Bill always got the worst of it. 'E'd wait
till Bill wasn't lookin', and then 'e'd charge
from be'ind, an' it sort o' got on Bill's nerves.</span></p>
<p class="pnext"><span>"At last Bill 'eard that 'is allotment was
where the goat fed, an', bein' a sport, 'e said
it wasn't fair to turn Billy out, so 'e give up the
allotment and 'is missus 'll 'ave to buy 'er
vegetables same as before." Bindle paused to let
the moral of his tale soak in.</span></p>
<p class="pnext"><span>"But what has that to do with morals and
manners, J.B.?" asked Dick Little, determined
that Bindle should expound his little allegory.</span></p>
<p class="pnext"><span>"For Bill read England and for goat read
niggers," said one of Tims' men.</span></p>
<p class="pnext"><span>"You got it, sir," said Bindle approvingly.
"As I told 'Earty last week, it ain't convincin'
when yer starts squirtin' lead with a machine-gun
a-tellin' the poor devils wot stops the
bullets that there's a dove a-comin'. Them
niggers get a sort of idea that maybe the dove's
missed the train."</span></p>
<p class="pnext"><span>"Talkin' of goats——" began Angell Herald.</span></p>
<p class="pnext"><span>"We wasn't talkin' o' goats," remarked
Bindle quietly, "we was talkin' o' Gawd."</span></p>
<p class="pnext"><span>Whereat Angell Herald at first looked
nonplussed and finally laughed!</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="a-surprise-behind-the-veil"><span class="bold large">CHAPTER VII</span></p>
<p class="center pnext"><span class="bold medium">A SURPRISE BEHIND THE VEIL</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Windover, or to give him his full
name, the Hon. Anthony Charles
(afterwards Lord) Windover, apart
from possessing a charming personality,
has a delightfully epigrammatic turn
of speech. It was he who said that a man
begins life with ideals about his mother; but
ends it with convictions about his wife. On
that occasion Bindle had left his seat and,
solemnly walking over to Windover, had
shaken him warmly by the hand, returning to
his chair again without a word.</span></p>
<p class="pnext"><span>It was Windover, too, who had once striven
to justify celibacy for men by saying that a
benedict lived in a fool's paradise; a bachelor
in some other fool's paradise.</span></p>
<p class="pnext"><span>Windover's meeting with Bindle was most
dramatic. Immediately on entering the room
with Carruthers, Windover's eye caught sight
of Bindle seated at his small table, the
customary large tankard of ale before him, blowing
clouds of smoke from his short pipe. Windover
had stopped dead and, screwing his glass
into the corner of his left eye, a habit of his,
gazed fixedly at him who later became our
chairman. We were all feeling a little
embarrassed, all save Bindle, who returned the gaze
with a grin of unconcern. It was he who
broke the tension by remarking to Windover.</span></p>
<p class="pnext"><span>"You don't 'appen to 'ave a nut about yer,
do you sir?"</span></p>
<p class="pnext"><span>Windover had laughed and the two shook
hands heartily, Windover perhaps a little
ashamed of having shown such obvious surprise.
As a rule his face is a mask.</span></p>
<p class="pnext"><span>"I'm awfully sorry, I was trying to remember
where we had met," he said rather lamely.</span></p>
<p class="pnext"><span>"'Ush, sir, 'ush!" said Bindle looking round
him apprehensively, then in a loud whisper, "It
was in Brixton, sir. You was pinched 'alf an
'our after me."</span></p>
<p class="pnext"><span>From that time Bindle and Windover became
the best of friends.</span></p>
<p class="pnext"><span>When, on the death of his elder brother,
killed in a bombing-raid, Windover had
succeeded to the title, we were all at a loss how to
express our sympathy. He is not a man with
whom it is easy to condole. He and his brother
had been almost inseparables, and both had
joined the army immediately on the outbreak of war.</span></p>
<p class="pnext"><span>On the Sunday following the tragedy, Windover
turned up as usual. He greeted us in his
customary manner, and no one liked to say
anything about his loss. Bindle, however, seems to
possess a genius for solving difficult problems.
As he shook hands with Windover he said, "I
won't call yer m'lord jest yet, sir, it'll only sort
o' remind yer."</span></p>
<p class="pnext"><span>I saw Bindle wince at the grip Windover
gave him. Later in the evening Windover
remarked to Carruthers, "J.B. always makes me
feel exotic," and we knew he was referring to
Bindle's way of expressing sympathy at his
bereavement.</span></p>
<p class="pnext"><span>Curiously enough, to the end of the chapter
Bindle continued to address Windover as "sir",
possibly as a protest against Angell Herald's
inveterate "my lordliness."</span></p>
<p class="pnext"><span>Windover's story was just Windover and
nobody else, and it is printed just as he
narrated it, with injunctions "not to add or omit,
lengthen or shorten a single garment." I have
not done so.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>How long I had been dead I could not
conjecture. I remembered buying a newspaper of
the old man who stands at the corner of Piccadilly
Place. I recollected that it was my intention
to justify, to the smallest possible extent
compatible with my instinctive sense of delicacy,
the letter of patient optimism that I had
received that morning from my tailor. That
was all. There had been no death-bed scene,
with its pathos of farewells, no Rogers moaning
piteously about his future, as he invariably did
when my health showed the least deviation from
the normal. Yet here was I dead—dead as
Free Silver.</span></p>
<p class="pnext"><span>In a dingy apartment of four garishly
papered walls, upon a straight-backed, black
oak settle, I sat gazing into my top hat. That
I was dressed for calling did not seem to cause
me any very great surprise, nor was I conscious
of any tremor, or feeling of diffidence as to my
fate. It seemed much as if I were waiting to
see my solicitor upon some unimportant matter
of business. I knew that I was there to be
interrogated as to my past life. I was vaguely
conscious that awkward questions would be
asked, and that the utmost tact and diplomacy
would be required to answer or evade them.</span></p>
<p class="pnext"><span>I was speculating as to the probable cause of
my death, weighing the claims of a taxi, the
end of the world and a bomb, when the door
opposite to me opened and a tall angular woman
appeared. Given a dusty crape bonnet, she
would have passed admirably for a Bayswater
caretaker. I was taken aback: in my mind
post-mortem interrogation had always been
associated with the male sex.</span></p>
<p class="pnext"><span>Marvelling that this unattractive Vestal
should be an attribute to Eternity, I rose and
bowed. My imagination had always pictured
the women of the Hereafter as draped in long,
white, clinging garments, and possessed of
beautiful fluffy wings and a gaze of ineffable
love and wonder. The thought of the surprise
in store for the sentimental ballad-writers
induced a chuckle!</span></p>
<p class="pnext"><span>With a gesture of her lean hand, the Vestal
motioned me from the room. At the extreme
end of a gloomy corridor along which we passed,
there appeared a grained door bearing in letters
of white the words:—</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="center pfirst"><span>MRS. GRUNDY
<br/>PRIVATE</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>My interest immediately became stimulated.
Here was an entirely unlooked-for development.</span></p>
<p class="pnext"><span>"Shall we go in?" I enquired, rather out of
a spirit of bravado than anything else.</span></p>
<p class="pnext"><span>The Vestal rebuked me with an expressionless
stare. Presently the door opened with a startling
suddenness and later closed behind us of
its own accord.</span></p>
<p class="pnext"><span>The second room seemed strangely familiar.
On the mantel-piece was a large gilt clock in a
glass case, flanked on either side by an enormous
pink lustre with its abominable crystal drops.
The furniture was either ponderous or "what-notty",
and every possible thing was covered,
as if to be undraped were indelicate. On the
chairs were antimacassars, table-cloths hid the
shameless polish of the wood, the pattern of the
Brussels carpet was modified in its flamboyancy
by innumerable mats. The walls were a mass
of pictures, and in front of the only window
were lace curtains of a tint known technically
as "ecru." There were two collections of
impossible wax fruits covered by oval glasses,
a square case of incredibly active-looking stuffed
birds, and a bewildering mass of photographs
in frames. Here and there on tables were a few
select volumes, ostentatiously laid open with silk
hand-painted bookmarks threading through
their virgin pages. I identified "The Lady of
the Lake," Smiles, "Self Help," "Holy Living
and Holy Dying," the works of Martin
Tupper, and the inevitable family bible.</span></p>
<p class="pnext"><span>At a large round-table opposite to the door
sat a presence—a woman in form, in clothing,
in everything but sex. It was quizzing
Disapproval in black silk, with a gold chain
round its neck from which hung a large cameo
locket. Its grey hair, very thin on top, was
stowed away in a net with appalling precision.
It had three chins, and grey eyes, behind which
lurked neither soul nor emotion. It was the
personification of the triumph of virtue
untempted.</span></p>
<p class="pnext"><span>I bowed. The eyes regarded me impassively,
then turned to the massive volume before them.
It was bound in embossed black leather with
gilt edges and a heavy gilt clasp. I was
incredulous that the Sins of Society could be all
contained in one book; but decided that it was
made possible by the use of the word "ditto." Society
is never original in anything, least of
all its sinning.</span></p>
<p class="pnext"><span>In the hope of attracting to myself the
attention hitherto considered my due, I began to
fidget. Presently, and without looking up,
Mrs. Grundy, as I judged her to be, demanded
in a smooth, colourless voice:—</span></p>
<p class="pnext"><span>"Your name?"</span></p>
<p class="pnext"><span>"Anthony Charles Windover," I responded glibly.</span></p>
<p class="pnext"><span>"Age?"</span></p>
<p class="pnext"><span>I coughed deprecatingly.</span></p>
<p class="pnext"><span>"Age?" It was as if I heard the uninflected
accents of Destiny.</span></p>
<p class="pnext"><span>"Is it absolutely necessary?" I queried.</span></p>
<p class="pnext"><span>"Absolutely!"</span></p>
<p class="pnext"><span>"Forty-three. Of course in confidence," I
added hastily.</span></p>
<p class="pnext"><span>"There is no confidence in Eternity."</span></p>
<p class="pnext"><span>"Then you, too, are a sceptic?" I ventured.
She merely stared at me fixedly, then proceeded
to turn over the leaves of the tome in front of
her. Soon she found what appeared to be the
correct page. After fully a minute's deliberate
contemplation of the entry, she looked up
suddenly and regarded me with a solemn gravity
that struck me as grotesque.</span></p>
<p class="pnext"><span>"Not a very bad case, let's hope," I put in
cheerfully. "There have been——"</span></p>
<p class="pnext"><span>"Silence!"</span></p>
<p class="pnext"><span>I started as if shot, and looking round
discovered beside me the impassive visage of the
ill-favoured Vestal of the ante-room.</span></p>
<p class="pnext"><span>"I wish you wouldn't bawl in my ear like
that," I snapped. "It's most unpleasant."</span></p>
<p class="pnext"><span>"Anthony Charles Windover," it was Mrs. Grundy
who spoke in a voice that was deep-throated
and disapproving, "age forty-three." She
looked up again with her cold and malevolent
stare; "yours is a grave record; we will
deal with it in detail."</span></p>
<p class="pnext"><span>"Surely, Madam," I protested, "it is not
necessary to go over everything. I am so
hopeless at accounts."</span></p>
<p class="pnext"><span>"First there was the case of Cecily Somers,"
she proceeded unmoved.</span></p>
<p class="pnext"><span>"A mere boy and girl affair. Cecily was
young, and—well, it didn't last long."</span></p>
<p class="pnext"><span>"Then there was the case of Laura Merton,"
continued the arch-inquisitor.</span></p>
<p class="pnext"><span>"Poor Laura," I murmured. "I never
could resist red hair, and hers was——poor
Laura!"</span></p>
<p class="pnext"><span>"There were circumstances of a very grave
nature."</span></p>
<p class="pnext"><span>"You mean the curate? He was a bloodless
creature; besides it all ended happily."</span></p>
<p class="pnext"><span>"You intervened between an affianced man
and wife," continued Mrs. Grundy.</span></p>
<p class="pnext"><span>"I am very sorry to appear rude, Madam,"
I protested hotly, irritated by the even,
colourless tones of her voice, "but it was Laura's
hair that intervened! Am I to blame because
she preferred the ripeness of my maturity to
the callowness of his inexperience?"</span></p>
<p class="pnext"><span>"You caused her mother—an estimable
lady—indescribable anguish of soul."</span></p>
<p class="pnext"><span>"She hadn't one," I replied, triumphantly,
"She was a scheming old——"</span></p>
<p class="pnext"><span>"Silence!" fulminated the Vestal again.</span></p>
<p class="pnext"><span>"Really, madam," I protested with asperity,
"unless you request this person not to shout in
my ear, I shall refuse to remain here another
minute."</span></p>
<p class="pnext"><span>"There was Rosie de Lisle——"</span></p>
<p class="pnext"><span>"Ah, what ankles! what legs! what——" I
was interrupted by a gurgle from the Vestal in
whose eyes there was something more than horror.
I turned and found Mrs. Grundy obviously
striving to regain the power of speech.</span></p>
<p class="pnext"><span>Conscious that my ecstasy upon Rosie's legs
had caused the trouble, I hastened to explain
that I had seen them in common with the rest
of the play-going world.</span></p>
<p class="pnext"><span>"Rosie was the belle of the Frivolity," I
proceeded, "Bishops have been known to
hasten ordinations, or delay confirmations
because of Rosie's legs. She danced divinely!"</span></p>
<p class="pnext"><span>Rosie's legs seemed to have a remarkable
effect upon Mrs. Grundy. She hurriedly turned
over the pages of her book and then turned
them back again.</span></p>
<p class="pnext"><span>"There was Evelyn Relton——"</span></p>
<p class="pnext"><span>"A minx, madam, to adopt the idiom of your
sex, whilst my kisses were still warm upon her
lips——" Another gurgle from the Vestal
and a "look" from Mrs. Grundy,—"she
married a wealthy brewer, and is now the
mother of eight embryo brewers, or is it nine?"</span></p>
<p class="pnext"><span>"You—you are aggravating your case,
stammered Mrs. Grundy, with some asperity.</span></p>
<p class="pnext"><span>"I am very sorry, but your attitude annoys
me; it always did. I'm a social free-trader,
a bohemian——"</span></p>
<p class="pnext"><span>"STOP!" thundered Mrs. Grundy. "That
word is never permitted here."</span></p>
<p class="pnext"><span>"I think you're extremely suburban," I
replied. "You might be Tooting, or even
Brixton from your attitude."</span></p>
<p class="pnext"><span>Ignoring this, Mrs. Grundy proceeded to read
the names of a number of women who had long
ceased to be to me anything but names. I
could not even remember if they were dark or
fair, tall or short. At last she reached Mary
Vincent, relict of Josiah Vincent, pork-packer
of Chicago.</span></p>
<p class="pnext"><span>"Why, she was a most shameless person," I
cried. "I am surprised, madam, that you
should support such a woman. She actually
proposed to me."</span></p>
<p class="pnext"><span>"Ahem!" coughed Mrs. Grundy, apparently
somewhat taken aback.</span></p>
<p class="pnext"><span>"A fact! She asked me if I did not think
a middle-aged man—she was always
impertinent—would have a better chance of happiness
with a woman of ripe experience, a widow for
instance, than with some mere inexperienced
girl. Really a most offensive suggestion."</span></p>
<p class="pnext"><span>"It's very curious," muttered Mrs. Grundy,
as she turned over the leaves in obvious
embarrassment. "It's very curious, but I see no
record here of any such conversation."</span></p>
<p class="pnext"><span>"Ha! I thought your books were defective,"
I exclaimed, now feeling thoroughly at my ease.
"Why, I have letters, shameless letters, from
Mrs. Vincent, which would make your hair
stand on end." I did not appreciate until too
late how thin and sparse her hair really was.</span></p>
<p class="pnext"><span>"We will proceed," was her response. I
was secretly glad that she had dropped that
even tone of inevitability and remembered
Tully's axiom "make a woman angry and she
is half won over."</span></p>
<p class="pnext"><span>"There was the case of Sir John Plumtree,
26th baronet. You committed a most brutal
assault upon that most distinguished man."</span></p>
<p class="pnext"><span>"Plumtree was a bounder, more at home in
his own country house than among gentlemen.
I certainly did punch his head in the club
smoking-room; but do you know why, madam?"</span></p>
<p class="pnext"><span>"There is no mention of the cause," said
Mrs. Grundy, a little ill at ease.</span></p>
<p class="pnext"><span>"We were discussing a very charming
member of your sex"—(Mrs. Grundy started
and coughed, the word "sex" evidently
distressed her)—"when Plum, as we called him,
growled out that all women were—I really
cannot repeat it, but he quoted a saying of a
well-known Eastern potentate whose matrimonial
affairs were somewhat—"</span></p>
<p class="pnext"><span>"We will pass on," said Mrs. Grundy,
huskily. I thought I detected a slight
reddening of the sallow cheeks, whilst the Vestal
coughed loudly.</span></p>
<p class="pnext"><span>"I should really prefer not to pass over this
little affair so lightly," I remarked sweetly,
seeing my advantage. "There were several
circumstances which—"</span></p>
<p class="pnext"><span>"We will pass on," was the firm reply, "I
will not proceed with that specific charge." The
smile with which I greeted this concession
did not conduce to put my interlocutor at her
ease. "There are certain unconventions
recorded against you. We will take a few of the
most glaring."</span></p>
<p class="pnext"><span>"Why this reticence? Can we not take them
all and in chronological order?" I enquired,
settling myself in the most comfortless of chairs.
Disregarding my request, Mrs. Grundy
proceeded:</span></p>
<p class="pnext"><span>"On the night of June 7th, 1914, you dined
with Mrs. Walker Trevor at ——," she paused
and bent over the register.</span></p>
<p class="pnext"><span>"This is very strange," she muttered, </span><em class="italics">sotto
voce</em><span>. "I don't quite see the reason of this
entry. There seems to have been a mistake."</span></p>
<p class="pnext"><span>"Can I assist you?" I ventured, becoming
interested.</span></p>
<p class="pnext"><span>She paid no heed to my offer, and after a few
minutes' silence proceeded in the same
half-muttering voice.</span></p>
<p class="pnext"><span>"Dined with Mrs. Walker Trevor, wife of
Captain Walker Trevor, absent on military
duty, at Princes, P.R. It does not say what
prince, but rank is——" She paused, then
continued: "There is no breach of the
conventions in dining at a prince's, even with a
married lady whose husband is away. I cannot
understand the meaning of P.R. either. It
is very strange, very strange indeed."</span></p>
<p class="pnext"><span>Here I broke in. "Permit me, madam, to
explain. I think you are labouring under a
mistake. Princes is a famous Piccadilly
Restaurant, which has lost some of its one-time
glory through the opening of the Carlton and
the Ritz. 'P.R.' of course means Private
Room. It was Millicent's idea."</span></p>
<p class="pnext"><span>At this juncture there was a loud knocking,
evidently at the end of the corridor, followed
by expostulations in an angry voice and
interjections of "Silence!" in what appeared to
be a replica of the Vestal's tones. Mrs. Grundy
looked up, scandalised enquiry imprinted on
her visage.</span></p>
<p class="pnext"><span>"I'm goin' in, I tell you," the angry voice
was now just outside. "Get out of the way,
you old Jezebel! Silence? I'm damned if
I'll be silent. Why I've sneezed three times
already. Draughty hole! Get out of the way
I say."</span></p>
<p class="pnext"><span>The door burst open and there entered a little
man in a very great passion. I recognised him
instantly as the Duke of Shires, a notorious
viveur and director of wild-cat companies. I
leant forward and whispered to Mrs. Grundy
the name of her illustrious visitor.</span></p>
<p class="pnext"><span>"This is an unexpected pleasure, Duke," I
remarked smilingly. He regarded me for a
few minutes coldly.</span></p>
<p class="pnext"><span>"Who the devil are you, and who's that
old —— sitting there?"—indicating
Mrs. Grundy. Then without waiting for a reply,
he continued: "I know you now: you're the
feller that said that dashed impertinent thing
about my being the Duke of Shares."</span></p>
<p class="pnext"><span>"I had the honour, Duke, of immortalising
Your Grace in epigram. Wherever the English
language is——"</span></p>
<p class="pnext"><span>"Then be damned to you, sir," was the
angry response.</span></p>
<p class="pnext"><span>"We were not expecting Your Grace yet,"
interposed Mrs. Grundy; I was astonished at
the unctuous tones she adopted in speaking to
the Duke.</span></p>
<p class="pnext"><span>"No, nor I, confound it! I've just been
knocked down by a taxicab, light green, driver
had red hair, couldn't see his number."</span></p>
<p class="pnext"><span>"I am extremely sorry," croaked Mrs. Grundy
in what she evidently intended to be
ingratiating tones. "Will not Your Grace
take a seat."</span></p>
<p class="pnext"><span>"No, I won't!" the Duke tossed his head
indignantly. "Draughty hole—damn it, sir,
what are you grinning at?"</span></p>
<p class="pnext"><span>The remark was directed at me. The little
man made a dive in my direction, and in
stepping back to avoid him I knocked my head
violently against what appeared to be the
mantel-piece, although I had been sitting
several yards from it.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="center pfirst"><span>* * * * *</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>"What is it?" I looked about dazed. Two
policemen were bending over me, and behind
them was a sea of interested faces that looked
very pale, I was out of doors, apparently
sitting on the pavement, with my head propped
up upon a policeman's knee.</span></p>
<p class="pnext"><span>"It was a banana skin, sir," responded one
of the policemen, holding up something before
my eyes—(how the police love an "exhibit")—"you
'urt your 'ead, sir, but you're all right now."</span></p>
<p class="pnext"><span>"And Mrs. Grundy and the Duke?" I queried.</span></p>
<p class="pnext"><span>"'Ere's the stretcher!" said a voice.</span></p>
<p class="pnext"><span>"It's a bad business, I'm afraid 'e'll——"</span></p>
<p class="pnext"><span>Then my mind trailed off into darkness and
my body was trundled off to St. George's
Hospital, from which the almost tearful Rogers
later fetched me in a taxi, bemoaning the
narrowness, not of my escape from death, but his
own from destitution.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"I wonder wot 'Earty 'ud think o' that little
yarn," Bindle remarked meditatively as he
tapped the table before him with his mallet in
token of applause. As chairman Bindle
modelled himself upon him who lords it over
the public-house "smoker." "'E wouldn't like
to 'ave to give up 'is 'arp with angels flapping
about."</span></p>
<p class="pnext"><span>"But it's only a—a—sort of dream, like
mine," interjected Angell Herald, with a touch
of superior knowledge in his voice.</span></p>
<p class="pnext"><span>Bindle turned and regarded Angell Herald
as if he were an object of great interest. Then
when he had apparently satisfied himself in
every particular about his identity, he remarked
quietly with a grin:</span></p>
<p class="pnext"><span>"O' course it was. Silly o' me to forget.
Poor ole 'Earty. I wouldn't 'ave 'im
disappointed. 'E's nuts on 'arps."</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-making-of-a-man-of-genius"><span class="bold large">CHAPTER VIII</span></p>
<p class="center pnext"><span class="bold medium">THE MAKING OF A MAN OF GENIUS</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>It was rather by way of an experiment that
I determined to try the effect of irony upon
the members of the Night Club. I confess
I was curious as to how it would strike
Bindle, remembering that remarkable definition
of irony as "life reduced to an essence." The
story had been told me by Old Archie, if he had
another name none of us had ever heard it, who
keeps a coffee-stall not far from Sloane Square.
He was a rosy-faced little fellow, as nippy as a
cat in spite of his seventy years, and as cheerful
as a sparrow. He has seen life from many
angles, and there has come to him during those
three score years and ten a philosophy that
seems based on the milk of human kindness.</span></p>
<p class="pnext"><span>Had he been gifted with a ready pen, he
could have written a book that would have been
valuable as well as interesting. "A man
shows 'is 'eart an' a woman 'er soul round a
coffee-stall," was one of his phrases that has
clung to my memory. "Lord bless you, sir,"
he said on another occasion, "there's good an'
bad in everyone. Even in a rotten apple the
pips is all right."</span></p>
<p class="pnext"><span>I chose a night for Old Archie's story when
I knew there would be a full attendance, and
without anything in the nature of an introduction
began the tale as he had told it to me.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>In arriving at a determination to marry,
Robert Tidmarsh, as in all things, had been
deliberate. It was an act, he told himself, that
he owed to the success he had achieved. From
the time when he lived with his parents in a
depressing tenement house in Boulger Street,
Barnsbury, Robert Tidmarsh had been
preoccupied with his career. It had become the
great fetish of his imagination.</span></p>
<p class="pnext"><span>In childhood it had brought down upon him
scorn and ridicule. Studious habits were not
popular in Boulger Street; but Robert remained
resolute in his pursuit of success. He saw that
in time the star of his destiny would take him
far from Boulger Street—it had. At the age
of thirty-eight he was head clerk to
Messrs. Middleton, Ratchett & Dolby, Solicitors, of 83
Austin Friars, E.C., wore a silk hat and
frock-coat, lived at Streatham, drew a salary of two
hundred and thirty pounds a year and had
quite a considerable sum in the bank. Boulger
Street had been left far behind.</span></p>
<p class="pnext"><span>In its way Boulger Street was proud of him;
it had seen him mount the ladder step by step.
It had made him, nourished him, neglected
him, ridiculed him, and later, with the servility
of a success-loving plebeian, it respected and
worshipped him. He remained its standard
by which to measure failure. The one thing it
did not do was to imitate him.</span></p>
<p class="pnext"><span>Robert saw that, economically, the way was
clear before him. His career demanded the
sacrifice; for somehow he could never quite rid
his mind of the idea that marriage </span><em class="italics">was</em><span> a
sacrifice. Such considerations belonged,
however, to a much earlier stage of his reasoning.
Whatever he had to resign was laid upon the
altar of ambition. If destiny demanded
sacrifice, he would tender it without hesitation,
without complaint.</span></p>
<p class="pnext"><span>As he had climbed the ladder of success,
Robert found to his surprise that his horizon
was enlarging; but he was not deceived into
the belief that it would continue to expand to
infinity. Being something of a philosopher,
he knew that there must be limitations. In a
vague, indeterminate way he was conscious that
he lacked some quality necessary to his
continued progression. He could not have put it
into words; but he was conscious that there was
something holding him back.</span></p>
<p class="pnext"><span>Could he at twenty-one have started where
he was at thirty-eight, there might have been
a prospect of achieving greatness for the house
of Tidmarsh. This he now knew to be impossible,
and he wasted no time in vain regrets.
His reason told him that, but for some curious
shuffling of the cards, he was unlikely to rise
much higher. "But should twenty-six years
of work and sacrifice be allowed to pass for
nothing?" He could not himself climb much
higher, but if a son of his were to start from
the social and intellectual rung whereon he now
stood, there would be a saving of twenty-six
years. Then again, his son would have the
advantage of his father's culture, position,
experience. Slowly the truth dawned upon
him; he was destined to play Philip to his son's
Alexander. From the moment that Robert
Tidmarsh reached this conclusion marriage
became inevitable.</span></p>
<p class="pnext"><span>For weeks he pondered on the new prospect
he saw opening out before him. He was
pleased with its novelty. The weakness of the
reasoning that a son starts from where his
father stands did not appear to strike him.
With a new interest and energy he walked
through miles of streets adorned with the
latest architectural achievements in red brick
and stucco. It was characteristic of him that
he had fixed upon the avenue that was to
receive him, long before his mind turned to the
serious problem of finding a suitable partner in
his enterprise.</span></p>
<p class="pnext"><span>Robert Tidmarsh's views upon women were
nebulous. Hitherto girls had been permitted
to play no part in his life. He had studiously
avoided them. A young man, he had told himself,
could not very well nurture a career and
nourish a wife at the same time. He was not
a woman-hater; he was merely indifferent; the
hour had not struck.</span></p>
<p class="pnext"><span>For weeks he deliberated upon the kind of
wife most likely to further his ends. His first
thought had been of a woman of culture, a few
years younger than himself. But would the
cultures war with one another? The risk was
great, too great. He accordingly decided that
youth and health were to be the sole requisites
in the future Mrs. Tidmarsh.</span></p>
<p class="pnext"><span>At this period Robert began to speculate
upon his powers of attraction. He would seek
to catch a glimpse of himself in the mirrors he
passed in the street. He saw a rather sedate,
dark-haired man of medium height, with
nondescript features and a small black moustache.
In a vague way he knew that he was colourless:
he lacked half-tones, atmosphere. He studied
other men, strove to catch their idiom and
inflection, to imitate their bearing and the angle
at which they wore their hats. He began to
look at women, mentally selecting and rejecting.
One night he spoke to a girl in Hyde Park, but
he found conversation so difficult that, with a
muttered apology about catching a train and a
lifting of his hat, he fled. As he hurried away
he heard the girl's opinion of him compressed
into one word as she turned on her heel, midst
a swirl of petticoats, to seek more congenial
company. That night he found his philosophy
a poor defence against his sensitiveness.</span></p>
<p class="pnext"><span>Robert Tidmarsh would have turned away
in horror from the suggestion that he depended
upon a casual meeting with some girl in Hyde
Park to furnish him with a wife. This was
intended to be merely an adventure preliminary
to the real business of selection. He did not
know what to talk about to women, and the
knowledge troubled him. When the time came
he found, as other men have found, an excellent
subject ready to hand—himself.</span></p>
<p class="pnext"><span>Robert may be said to have entered seriously
upon his quest when he joined a dancing-class,
a tennis-club and learned to manage a punt. He
afterwards saw that any one of these
recreations would have supplied him with all the
material he could possibly require. Eventually
his choice fell upon Eva Thompson, the
daughter of a Tulse Hill chemist. She was
pretty, bright, and to all appearance, strong
and healthy. He was introduced to the
parents, who were much impressed with their
potential son-in-law.</span></p>
<p class="pnext"><span>Mrs. Thompson was subjected to a dexterous
cross-examination, the subtlety of which in no
way deceived that astute lady. Accordingly
the result was satisfactory to both parties. Eva
herself at twenty-two had all the instincts of
a February sparrow. To mate well she had
been taught was the end and aim of a girl's
life, a successful marriage, that is from the
worldly point of view, its crown of wild olive.
To Robert, however, marriage was the first step
towards founding a family. Risks there were,
he saw this clearly, but where human forethought
could remove them they should be removed.</span></p>
<p class="pnext"><span>One of the secrets of Robert's success had
been a singleness of purpose that had enabled
him to pursue his own way in spite of opposing
factors. He was always quietly resolute. It
was not so much by his perseverance that he
achieved his ends, as by the care which he
bestowed upon each detail of his schemes. As
in his career, so with his marriage, in itself a
part of the scheme of his life. Too astute to
be convinced by a mother's prejudiced evidence,
or by his own unskilled judgment, he determined
to have expert opinion as to Eva's fitness
to become the mother of an Alexander. A
slight chill the girl had contracted gave him
his opportunity. During an evening walk, he
took her to his own doctor, who had previously
received instructions. Such a thing did not
appear to him as callous; he was not marrying
for romance, but for a definite and calculated
purpose.</span></p>
<p class="pnext"><span>To some men marriage is a romance, to others
a haven of refuge from rapacious landladies;
but to Robert Tidmarsh it was something
between a hobby and a career. He asked but
one thing from the bargain, and received far
more than he would have thought any man
justified in expecting. From the hour that he
signed the register in the vestry, the training
of his son commenced.</span></p>
<p class="pnext"><span>Among other things, Robert's reading had
taught him that a child's education does not
necessarily begin with its birth. Accordingly
he set himself to render his bride happy. There
was a deep strain of wisdom in this man's
mind, which no amount of undigested philosophical
reading could quite blot out. He saw
the necessity of moulding his wife's unformed
character; and he decided that first he must
render her happy. He took her to the theatre,
with supper at a cheap restaurant afterwards,
followed by the inevitable scurry to catch the
last train. Occasionally there were week-ends
in the country, or by the sea. In short the model
son of one suburb became the model husband of
another.</span></p>
<p class="pnext"><span>Months passed and Robert's anxiety increased.
As the critical period approached he
became a prey to neurasthenia. He lost his
appetite, started at every sound, was incoherent
in his speech, and slept so ill as to be almost
unfit for the day's work.</span></p>
<p class="pnext"><span>There is one night that Robert Tidmarsh will
never forget. For two hours he paced
Schubert Avenue from end to end, his mind
fixed on what was happening in the front
bedroom of Eureka Lodge. The biting East wind
he did not feel. He was above atmospheric
temperatures. His life's work, he felt, was
about to be crowned or——he would not permit
himself to give even a moment's thought to the
alternative. The suspense was maddening.
As he paced the Avenue he strove to think
coherently. He strove to compare his own
childhood with that which should be the lot of
his son. Coherent thought he found impossible.
Everything in his mind was chaotic. Had he
really any mind at all? Would he lose his
reason entirely? Then he fell to wondering
what they would do with him if he went mad?</span></p>
<p class="pnext"><span>He had got to this point, and had just turned
round, when he saw that the front door of Eureka
Lodge was open and a woman's figure standing
out against the light. With a thumping heart,
Robert ran the fifty yards that separated him
from the silhouetted figure as he had not run
since boyhood. What could it mean—a mishap?
As he stopped at the gate, his trembling fingers
fumbling with the latch, he heard a voice that
seemed to come from no-where telling him that
his ambition had been realised. For the first
time in his manhood he felt the tears streaming
down his face as he clutched at the gate-post
sobbing. Fortunately the woman had fled
back to her post, and he was spared what to
him would have appeared an intolerable
humiliation.</span></p>
<p class="pnext"><span>During the days immediately following that
night of torture, Robert felt that his life was
to be crowned indeed. Hitherto the great
moment of his career had been when he was
called into Mr. Middleton's room, and, in the
presence of the other partners, told that he was
to be promoted to the position of chief clerk.
Now a greater had arrived, and from that hour,
when a son was born to the ambitious and self-made
solicitor's clerk, his life became one series
of great moments.</span></p>
<p class="pnext"><span>Robert Tidmarsh early found the rearing of
a man child productive of grave anxieties. The
slightest deviation from what he considered to
be the normal condition of infants produced in
him a frenzy of alarm. His forethought had
provided books upon the rearing of infants.
He consulted them and his fears increased.
Convulsions held for him a subtle and
petrifying horror. A more than usually robust
exhibition of crying on the part of Hector
Roland (as the child was christened) invariably
produced in his father's mind dismal forebodings.
In time, however, he became more controlled,
and the arrival of the customary period
of measles, whooping-cough, scarlet-fever and
other childish ailments found him composed if
anxious.</span></p>
<p class="pnext"><span>But nervous solicitude for the boy's health
did not in the least interfere with the father's
dominant preoccupation. The question of
education was never wholly absent from his
thoughts. With so pronounced a tendency to
narrowness, it was strange to find with what
wisdom and foresight he entered upon his task.
As if by instinct he saw that influence alone
could achieve his object. He would form no
plan, he would guide, not direct his son's
genius. Above all he would not commit the
supreme indiscretion of taking anyone into his
confidence. Sometimes he was tempted to tell
Eva of his ambition, he yearned for sympathy
in his great undertaking, but he always
triumphed over this weakness.</span></p>
<p class="pnext"><span>Eva was a little puzzled at his solicitude
about her health, and the frequent
cross-questionings to which she was subjected as to
what she ate and drank; but woman-like she
saw in this only evidence of his devotion. He
talked often of children whose lives had been
imperilled by injudicious indulgence on the part
of their mothers. When the time came for the
child to be fed by hand, Robert made the most
careful enquiries of the doctor and his father-in-law
as to the best and most nutritious infant
foods. The result of all this was that the child
showed every tendency to become a fine healthy
young animal.</span></p>
<p class="pnext"><span>But in the care of the body, Robert Tidmarsh
by no means neglected the budding mind of his
infant son. When the period of toys and
picture-books arrived, the same careful discrimination
was shown. The old fairy stories, with
well-printed illustrations, diverted the young
Hector's mind just as the best foods nourished
his body. When he tired of literature there
were cheap mechanical toys, bought in the hope
of stimulating the germ of enquiry as it should
manifest itself. People shook their heads and
thought such extravagance unwarranted; but
Robert smiled. They did not share his secret.</span></p>
<p class="pnext"><span>As the years passed and Hector grew up into
a sturdy youngster, his father watched furtively
for some sign as to the direction that his genius
was to take; but Hector, as if desirous of
preserving to himself the precious knowledge,
refused to evidence any particular tendency
beyond a healthy appetite, a robust frame and
a general enjoyment of life.</span></p>
<p class="pnext"><span>With the selection of Hector's first school,
an affair productive of acute anxiety and many
misgivings, commenced the education proper
of the man-to-be. The first official report, so
eagerly awaited, was noncommittal; the second
proved little better, and the third seemed to
indicate that Hector was by no means an
assiduous student. If the boy evinced no
marked tendency towards the acquirement of
book-learning, he showed an unmistakable
liking for out-door sports and stories of
adventure. He was encouraged to read the works of
"healthy" writers such as Kingston and
Ballantyne, strongly recommended by the
book-seller who had charge of Robert Tidmarsh's
literary conscience. In the winter evenings
the boy would pore over the thrilling adventures
of the heroes with an attention that did not
fail to arouse his father's hopes.</span></p>
<p class="pnext"><span>The first tragedy between this Philip and
Alexander was the discovery, in the pocket of
the younger, of a copy of </span><em class="italics">The Firebrand
of the Pacific; or The Pirate's Oath</em><span>, a
highly-coloured account of doings of a
particularly sanguinary cut-throat. On this
occasion Robert Tidmarsh showed something
almost akin to genius. He took the book and
deliberately read it from cover to cover,
subsequently returning it without comment to
his nervously-expectant son. The next evening
he brought home a copy of </span><em class="italics">The Treasure
Island</em><span>, recommended by the bookseller as the
finest boy's book ever written, and without a
word gave it to Hector. After dinner, the
Tidmarshes always "dined," Hector dutifully
commenced to read. At nine o'clock his
mother's reminder that it was bed-time was
received with a pleading look and an appeal
for another five minutes, to which Robert
signified assent. At ten o'clock Hector
reluctantly said good-night and went to bed. At
five the next morning he was again with John
Silver. By six o'clock in the afternoon the book
was finished and Hector was at the station to
meet his father. As they walked home Robert
felt a crumpled paper thrust into his hand.
It was </span><em class="italics">The Firebrand of the Pacific</em><span>. Robert
has never been able to determine if this was not
after all </span><em class="italics">the</em><span> moment of his life.</span></p>
<p class="pnext"><span>At the age of ten Hector was placed at a
school of some repute in the South West of
London, and three months later at the Annual
Sports won the Junior Hundred Yards and
Junior Quarter of a Mile scratch. Robert was
pleased when he heard of the achievement, but
he was no Greek, and the winning of the parsley
wreath was not what he had in mind for his son;
still it was gratifying to see the boy outshine
his fellows.</span></p>
<p class="pnext"><span>Hector showed an ever-increasing love of
outdoor sports. Cricket, football, running,
jumping—nothing came amiss to him. His
father watched in vain for some glimmerings
of the genius that his imagination told him
would develop sooner or later. His hope had
been that, by means of scholarships, his son
might reach Oxford or Cambridge, for he had
all the middle-class exaggerated opinion of the
advantages of a University education. He
saw him a senior wrangler, he saw his photograph
in the papers, heard himself interviewed
as to his son's early life and pursuits. From
these dreams he would awaken to renewed
exertions; but always with the same lack of
success.</span></p>
<p class="pnext"><span>Unfortunately perhaps for both, Robert
Tidmarsh saw little in his son's successes.
Athletics were with him incidents in a career,
incapable of being glorified into achievements.
To him a judge was not a judge because he had
won his blue, but rather in spite of it. He
could not very well expostulate. No man, as
Robert clearly saw, has a right to rebuke a son
for failing to realise his father's ambitions for
him. For one thing, he had no very clear idea
himself what those ambitions were. All he
was conscious of was a feeling that in some
way or other Hector Tidmarsh was to carry on
the torch that he, Robert Tidmarsh, had lighted.
He was to achieve fame in some channel of life;
but it must be a material fame, one that would
make him a celebrity. It never occurred to
Tidmarsh </span><em class="italics">père</em><span> that a man capable of making
a century at cricket, or being the best
centre-forward in the district, could be worthy of a
place among a nation's contemporary worthies.</span></p>
<p class="pnext"><span>At sixteen Hector left school, regretted by
masters and scholars alike, for his was a nature
that commanded liking. By the influence of
Mr. Ratchett, who had always been particularly
partial to his chief clerk and, as an old Oxford
cricket blue, was much interested in his clerk's
son, Hector was articled to a solicitor. In a
flash Robert Tidmarsh saw the possibility of his
cherished dream being realised. He recalled
instances of young men who had achieved fame
in the field and subsequently become successful
in the more serious walks of life. He watched
the boy closely, talked to him of law, encouraged
him to study, pointed out the greatness of this
golden opportunity. But in vain, the boy's
heart was in sport, not in law.</span></p>
<p class="pnext"><span>Sometimes in introspective moments the
father examined himself as to how he had filled
the role of Philip. Had he failed? Was he
the cause? Could he have prevented what now
appeared highly probable, the fluttering to
earth of his house of cards? He had never
been harsh, had he erred by being over lenient?</span></p>
<p class="pnext"><span>As he watched Hector, it slowly dawned
upon him that for the first time in his life he
was about to experience failure. His son was
doomed to be lost in the flood of the commonplace,
would be respectable, comfortably off,
live at Streatham or Balham; but could never
become famous. When this conviction became
fixed in Robert Tidmarsh's mind, he grew
gloomy and depressed. The dice had gone
against him. It was fate. It is only a long
line of ancestors that enables a man to play a
losing game. The Tidmarsh blood lacked that
tenacity and fire that comes with tradition. It
remained only to wait and hope and speculate
from what quarter the blow would fall.</span></p>
<p class="pnext"><span>At nineteen Hector received an invitation to
play for the Surrey Colts. He "came off,"
making a dashing fifty. Mr. Rachett was there
to shake the young giant warmly by the hand
as he returned to the pavilion, but not his chief
clerk. In the heart of the disappointed father
there was a dull resentment against sport in
general. He saw in it a siren who had
bewitched his son, and diverted him from the
path he should have trod. His secret was hard
to keep. He needed sympathy, someone to tell
him that he had done a great deal if not so
much as he had anticipated.</span></p>
<p class="pnext"><span>One October morning the moment of final
dis-illusionment arrived. When he came down
to breakfast Hector was waiting in the
dining-room with a copy of </span><em class="italics">The Sportsman</em><span>, which
he handed to his father, at the same time
pointing to a long description of a football
match between two well-known league clubs;
it was headed "A Man of Genius," and ran:</span></p>
<div class="vspace" style="height: 2em"></div>
<!-- -->
<blockquote>
<div>
<p class="pfirst"><span>"The outstanding feature of the game was
the marvellous display of the young amateur,
Mr. Hector Tidmarsh, who was given a trial at
centre forward in the home team. His pace, his
subtlety, his bustling methods stamped him as
a great centre-forward. The way he kept his
wings together was a revelation. Time after
time the quintette raced away as if opposition
did not exist. The young amateur seemed to
have hypnotised his professional </span><em class="italics">confrères</em><span>. His
shooting was equal to his feinting, and his
forward-passing such as has not been seen for
many a day. In short he is the greatest find of
the season, or of many seasons for that matter.
The directors of the —— Club are to be congratulated
in having discovered a man of genius."</span></p>
</div>
</blockquote>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Robert Tidmarsh put down the paper and
looked at his son; but happily bereft at
the Comic Spirit, he merely articulated some
commonplace words of congratulation. That
morning two disappointed men commenced
their breakfasts, the father realising that his
cherished ideal had finally been shattered; the
son depressed because a carefully planned
surprise had been productive of only a few
colourless words, and upon them both smiled
a proud wife and happy mother, to whom fame
for those she loved, be it in what form it may,
was a great and glorious gift to be welcomed
with laughter and with tears.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I lay aside the manuscript and proceeded to
light a cigarette. As a rule at the end of a
reading there is a babel of comment. To-night
there was an unusual silence. I looked round
the room. There was a far-away look in
Sallie's eyes, which seemed unusually bright.
Dick Little was gazing straight in front of
him, Bindle was recharging his pipe with great
deliberation and care. The Boy was lost in
the contemplation of his finger nails.</span></p>
<p class="pnext"><span>"Silly ass!"</span></p>
<p class="pnext"><span>It was Angell Herald who had broken the
silence, and snapped the thread. All eyes
turned in his direction. Bindle, who was just
in the act of lighting his pipe, paused and gazed
curiously at Angell Herald over the flame of
the match, then he turned to me and I saw that
he understood.</span></p>
<p class="pnext"><span>It was Windover, however, who expressed the
opinion of the Club upon Angell Herald's comment,
when he muttered loud enough for all to hear:</span></p>
<p class="pnext"><span>"Oh! for the jawbone of an ass!"</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="mrs-biltox-jones-s-experiment"><span class="bold large">CHAPTER IX</span></p>
<p class="center pnext"><span class="bold medium">MRS. BILTOX-JONES'S EXPERIMENT</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>I do not think any of us really liked Angell
Herald, his self-satisfied philistinism
constituting a serious barrier to close
personal relations. I have already
commented upon certain of his characteristics that
jarred upon us all; but it seemed no one's
business to indicate, delicately or otherwise,
that he was not so welcome as we might have
wished.</span></p>
<p class="pnext"><span>Dick Little had introduced him on the
strength of a story he had heard him tell at
some masonic dinner, I think it was, and he had
decided that Angell Herald would be an
acquisition to the Night Club. Sallie thought
otherwise, and had summed him up as "a worm
in a top hat": he always wore a top hat. It
was the only occasion on which I had known
Sallie break out into epigram. Both she and
Bindle disliked Angell Herald almost to the
point of intolerance. As a matter of fact he
is not a bad fellow, if his foibles are not too
much emphasized.</span></p>
<p class="pnext"><span>His principal asset, however, is that he has
a fund of interesting experiences which,
strangely enough, he rates far lower than the
stories he at first would insist on telling.</span></p>
<p class="pnext"><span>He assured us that Mrs. Biltox-Jones was
no imaginary person and we, knowing his
limitations, believed him, and that her social
experiment was at the time the talk of Fleet
Street.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">I</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"Damn the war!" exclaimed Angell Herald,
leaning back in his chair and looking at his
clerk, who had just entered.</span></p>
<p class="pnext"><span>"Yes sir," said Pearl, in a non-committal
manner. There are moments when Pearl rises
almost to inspiration. His sympathetic utterance
was balm to his employer's anguished soul.</span></p>
<p class="pnext"><span>Pearl accepts his chief's moods or reflects
them, whichever seems the more expedient at
the moment. Incidentally Pearl has a heart
that filled the War Office with foreboding; so
Pearl will never become a V.C.</span></p>
<p class="pnext"><span>When Angell Herald uttered his impulsive
remark, with which Pearl had so tactfully
concurred, he had just finished reading a letter
from Messrs. Simoon, Golbrith and Cathpell,
Ltd. It consisted of three lines; but those three
lines had brushed away a hundred a year from
his income. This is what they wrote:—</span></p>
<div class="vspace" style="height: 1em"></div>
<dl class="docutils">
<dt class="noindent"><span>"To Angell Herald, Esq.,</span>
<br/><dl class="docutils first last">
<dt class="noindent"><span>Publicity Agent,</span>
<br/><p class="first last noindent pfirst"><span>382, Fleet Street, E.C.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>DEAR SIR,</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>We regret to inform you that on account
of the war we shall not be able to renew our
advertising contract for the current year.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="noindent pfirst"><span>We are,
<br/> Yours faithfully,
<br/>(Signed) SIMOON, GOLBRITH & CATHPELL, LTD.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>There was not a word of sympathy with the
unfortunate publicity agent for his loss, no
touch of humanity or pity, merely a bare
announcement, and Angell Herald felt he was
justified in saying, as he did say with a great
deal of emphasis, "Damn the war!"</span></p>
<p class="pnext"><span>He fell to brooding over this letter. Publicity
agents had been very badly hit by the
war, and he foresaw the time when—well,
anything might happen. He was awakened from
his gloom by Pearl.</span></p>
<p class="pnext"><span>"I've got a friend, sir——"</span></p>
<p class="pnext"><span>"I know you have, Pearl," was the response.
"You have too many friends. That's the
infernal part of it. You are always marrying
or burying them."</span></p>
<p class="pnext"><span>"I have a friend," continued Pearl,
imperturbably, "who says that new conditions
demand new methods."</span></p>
<p class="pnext"><span>Angell Herald sat up straight, and looked
at Pearl. Knowing him as his employer did,
this was a most extraordinary utterance. There
was in it just a spark of originality.</span></p>
<p class="pnext"><span>"Pearl," said Angell Herald, "you've been
drinking."</span></p>
<p class="pnext"><span>"No, sir," he replied, seriously, "I never
take any alcoholic stimulant until after
dinner."</span></p>
<p class="pnext"><span>"Then you have a funeral in mind," was the
reply. "Something has intoxicated you."</span></p>
<p class="pnext"><span>Pearl seemed to deliberate for a moment and
then replied,</span></p>
<p class="pnext"><span>"Well, sir, I was going to tell you that my
aunt's second husband has had a stroke, and he
is not expected to live. We are planning the
funeral for Thursday week."</span></p>
<p class="pnext"><span>Angell Herald felt that the loss of the Simoon
contract had, as far as business was concerned,
done him for the day, so he went out, bought a
rose, and got his hat ironed. He then turned
into "The Turkey Trot" and played a game
of dominoes with his friend Harry Trumpet,
who represents the old school of publicity men:
he calls himself an advertising agent. He is
a dull and stereotyped fellow, and, when Angell
Herald feels at all depressed, it always puts
him in countenance with himself to come in
contact with Harry Trumpet.</span></p>
<p class="pnext"><span>"Harry is an ass," Angell Herald had once
said; "but the amusing thing is that he doesn't
know it. I once met his wife and his wife's
sister, and they don't seem to know it either."</span></p>
<p class="pnext"><span>Having evaded Trumpet's very obvious
readiness to be invited to lunch, Angell Herald
went to his favourite place and did himself as
well as he could. He was just drinking the last
drop of claret, when Pearl's remark came back
to him. He remembered the old French saying
"autre temps, autre moeurs." It was the only
piece of French that he could recollect, save
the words "cocotte" and "très femme."</span></p>
<p class="pnext"><span>His mind wandered back to that "interview"
with Mr. Llewellyn John, who had given
him such infinite instruction in the art of
advertising.</span></p>
<p class="pnext"><span>It was, however, the agony column of </span><em class="italics">The
Age</em><span> that gave him his inspiration. There he
saw an advertisement, which read:—</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>"A lady of considerable wealth desires
introduction into Society. A stranger to London.
Apply in the first instance in strict confidence
to X.Q. Box 38432. The office of </span><em class="italics">The Age</em><span>,
Paper Buildings Quadrangle, E.C."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"A munition fortune," Angell Herald muttered
to himself. "She has made her money,
the old dear, and now she wants to get into high
society, and wash away the taste of Guinness
in the flavour of Moet and Chandon. In other
words, she wants publicity."</span></p>
<p class="pnext"><span>The word "publicity" suggested himself.
Here was a woman desirous of publicity, here
was Angell Herald wanting nothing better than
to get for people publicity.</span></p>
<p class="pnext"><span>He returned to his office.</span></p>
<p class="pnext"><span>"Pearl," he said, "you can have that half
holiday on Thursday week. I think you have
given me an idea."</span></p>
<p class="pnext"><span>"Thank you, sir," was his reply, and Pearl
proceeded to ask for a rise, which was instantly
refused, his chief telling him that time was
money.</span></p>
<p class="pnext"><span>Angell Herald wrote a guarded letter to the
lady desiring entry into high society, telling
her that he thought he might possibly be of
some assistance if she would kindly allow him
the privilege of calling upon her. He received
an equally guarded reply, making an appointment
at the office of a certain firm of solicitors
in Lincoln's Inn.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">II</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Three days later Angell Herald was sitting
in a room in the offices of Messrs. Robbe &
Dammitt, the well-known society solicitors,
awaiting the arrival of his fair client—as he
hoped. He was meditating upon the
old-fashioned methods of solicitors as he gazed
round the room with its dusty volumes of law
books, its hard, uncompromising chairs, and its
long, stamped-leather covered office table, when
the door opened, and there sailed in—sailed is
really the only expression that conveys the
motion—a heavily veiled female figure. As he
rose and bowed he recalled Dick Grassetts'
description of his mother-in-law, "All front
and no figure served up in black silk."</span></p>
<p class="pnext"><span>"Mr. Herald?" she interrogated in a husky
voice, flopping down into a chair with a gasp.</span></p>
<p class="pnext"><span>Angell Herald bowed.</span></p>
<p class="pnext"><span>For fully a minute she sat panting. Evidently
the short flight of stairs had been too much for
her.</span></p>
<p class="pnext"><span>"You saw my advertisement?" she queried.</span></p>
<p class="pnext"><span>Again Angell Herald bowed.</span></p>
<p class="pnext"><span>"Well, what about it?" she enquired. Her
attitude was one of extreme arrogance, which
was oddly out of keeping with the inflection of
her voice and the directness of her speech.
Obviously she was determined to assume the
attitude of the theatrical duchess. It was
necessary to put her in her place.</span></p>
<p class="pnext"><span>"I saw your advertisement," Angell Herald
remarked, "and remembering what Mr. Llewellyn
John said to me the other day——"</span></p>
<p class="pnext"><span>"Mr. Llewellyn John," she gasped. "You
know him?"</span></p>
<p class="pnext"><span>"Oh, yes," Angell Herald replied, airily.
"As I was saying, he remarked to me the other
day, 'Without advertisement a man is doomed.' That
gave me the idea of writing to you."</span></p>
<p class="pnext"><span>"Yes, go on," she said eagerly, as she raised
her veil.</span></p>
<p class="pnext"><span>"Well, madam," Angell Herald continued,
"you require certain social opportunities," she
nodded her head vigorously and gasped like a
fat pug that sees tempting dainties it is too
full to eat, "and I think I may be able to be of
some assistance."</span></p>
<p class="pnext"><span>Angell Herald did not like the woman. Her
complexion was blue, her face puffy, and she
had innumerable chins, which billowed down to
meet the black silk of her gown. She was hung
with jewellery, and her clothes were most
unsuitable to her years. In her hat was mauve and
emerald green. She was literally laden with
sables, which must have considerably increased
her difficulty in breathing, and her feet were
pinched into the most ridiculously small patent
hoots with enormous tassels that bobbed about
every time she moved. Although a man of the
world, Angell Herald was appalled at the
shortness of her skirts.</span></p>
<p class="pnext"><span>She blinked at him through her lorgnettes.</span></p>
<p class="pnext"><span>"Well!" she said.</span></p>
<p class="pnext"><span>"May I enquire first of all," he enquired,
"what methods you have hitherto adopted? I
may tell you that everything discussed between
us is in strict confidence."</span></p>
<p class="pnext"><span>This seemed to reassure her. After a slight
hesitation she began to tell her story. It
appeared that her husband had made an
enormous fortune in the early days of the war
by contracting for porous huts and brown-paper
boots for the Army. They had lived in
Manchester, but now they had come to London
and taken what was literally a mansion in
Park Lane. She had set herself to work to get
into Society, and apparently had been very
badly snubbed.</span></p>
<p class="pnext"><span>She had subscribed liberally to the Red
Cross and similar charities, and attended every
charitable entertainment that had been given
since her advent. She had engaged, regardless
of cost, a number of the most famous artists in
the country for a drawing-room concert in aid
of a certain hospital, and had sent out
invitations lavishly to the whole of Mayfair. The
result was that the artists had turned up; but
not the audience.</span></p>
<p class="pnext"><span>She had to pay the fees and eat the leek.
Then she had offered to drive convalescent
soldiers round the Park.</span></p>
<p class="pnext"><span>"And they sent me common soldiers," she
remarked, "although I particularly asked for
officers, generals if possible." There was a
note of querulous complaint in her voice.</span></p>
<p class="pnext"><span>It was with something akin to horror that
Angell Herald heard her say she had written to
</span><em class="italics">The Age</em><span>, asking what their terms would be to
publish a photograph of her daughter, together
with a few personal particulars.</span></p>
<p class="pnext"><span>"</span><em class="italics">The Age</em><span>, madam?" he almost shrieked.
"</span><em class="italics">The Age</em><span>? They never publish illustrations."</span></p>
<p class="pnext"><span>"No," she replied. "But they publish
advertisements and theatrical notices. My
daughter (she pronounced it 'darter') is as
good as a music-hall actress, and a good sight
better," she added.</span></p>
<p class="pnext"><span>She had left cards on everyone in Park Lane,
(she called it "The Lane"), and upon a number
of people in other fashionable quarters, but
had not received a single call in return.</span></p>
<p class="pnext"><span>"Your only chance, madam," Angell Herald
ventured, "is to get into the public eye. These
are the days of advertisement. You must get
the public to know you as they know our
generals and our politicians."</span></p>
<p class="pnext"><span>"I know all about that," she replied, with
a certain asperity. "But how's it going to be
done?"</span></p>
<p class="pnext"><span>"Well!" Angell Herald replied, "I will
think it over and let you know. Perhaps you
will tell me to whom I can write."</span></p>
<p class="pnext"><span>For a moment she hesitated, and then saying,
"Of course the whole thing's strictly in
confidence?" Angell Herald bowed—she handed
him her card. On it he read "Mrs. Biltox-Jones,
376, Park Lane, W.," and in the corner
"Third Thursdays." Angell Herald smiled
inwardly as he thought of the loneliness of this
lady on her "Third Thursdays."</span></p>
<p class="pnext"><span>For a minute or two he gazed reflectively
at Mrs. Biltox-Jones's card. Through his mind
was running the "interview" with
Mr. Llewellyn John. He remembered the suggestion
of the accident in stepping into his car,
how the Prime Minister had suggested that he
should be assaulted for purposes of publicity,
and finally he recalled the suggestion of the
abduction of his daughter. Without pausing
to think, he turned to Mrs. Biltox-Jones.</span></p>
<p class="pnext"><span>"You have a daughter, Mrs. Biltox-Jones?"
he said, taking great care to give her her
hyphenated name.</span></p>
<p class="pnext"><span>She started.</span></p>
<p class="pnext"><span>"A daughter!" she said. "Of course I've
got a daughter." Her tone was that of someone
accused of lacking some necessary member.</span></p>
<p class="pnext"><span>"Exactly," he said. "That may solve the
difficulty. In these days," he continued,
"publicity is a very difficult matter." Angell
Herald put his fingers together in judicial
fashion and proceeded, "There are two things
that the journalist recognises. One is 'copy,'
Mrs. Biltox-Jones, and the other is 'news.' Now
news takes precedence over 'copy,' just as
birth does over money, at least, it should do."</span></p>
<p class="pnext"><span>"I don't see what that's got to do with the
matter at all," snapped Mrs. Biltox-Jones.
Angell Herald could see that she had not formed
a very favourable opinion of him, or of his
capabilities. "I don't understand what you
mean by 'copy' and 'news.'"</span></p>
<p class="pnext"><span>"Well," he continued, "I once heard a
journalist define the two." Ha was quite
indifferent as to what Mrs. Biltox-Jones might
think of him. "A friend once asked him the
same question, and his reply was, 'Now, if a
dog bit a man, that would be 'copy'; but,
Mrs. Biltox-Jones, if a man bit a dog, that would be
'news.'"</span></p>
<p class="pnext"><span>Mrs. Biltox-Jones was clearly annoyed. She
made a movement to rise; but to rise, with
Mrs. Biltox-Jones, was a matter of several
movements, persistent and sustained.</span></p>
<p class="pnext"><span>"One moment, madam," Angell Herald
continued. "In your own case, now, in order
to obtain the publicity you desire, you must
endeavour to give the Press something that it
will regard as 'news' in distinction from
'copy.' Now, as far as I can see, there are
two ways in which you can achieve your object."</span></p>
<p class="pnext"><span>Mrs. Biltox-Jones began to look interested
once more.</span></p>
<p class="pnext"><span>"First you might arrange to be seriously
assaulted."</span></p>
<p class="pnext"><span>"Me?" she gasped. "Me, assaulted?
What on earth do you mean, Mr. Herald?"</span></p>
<p class="pnext"><span>"Well," he continued, "You might arrange
for somebody to meet you in a lonely place, and
knock you down."</span></p>
<p class="pnext"><span>"Knock </span><em class="italics">me</em><span> down?" The italics fail to do
justice to Mrs. Biltox-Jones's look and tone.
"Are you mad?" she demanded.</span></p>
<p class="pnext"><span>"No," was the response. "I am endeavouring
to help you. If you will listen calmly, you
will see what I'm driving at. The fact of a
lady of your position and wealth being publicly
assaulted would appeal to the journalistic
mind, and would undoubtedly result in a great
deal of Press notice."</span></p>
<p class="pnext"><span>"But it would be so painful," she replied.</span></p>
<p class="pnext"><span>"Of course, there is always that. It might
even be fatal. There is, of course, an alternative
measure, which I think, in your case, might
be even better: that is, the abduction of your
daughter."</span></p>
<p class="pnext"><span>"The what?" she shrieked.</span></p>
<p class="pnext"><span>"The abduction of Miss Biltox-Jones.
Imagine the sensation! Think of the 'copy'!
Millionaire's daughter abducted—I assume
Mr. Biltox-Jones is a millionaire. I believe all
Army contractors who are business men have
become millionaires. Yes," Angell Herald
added, "I think Miss Biltox-Jones might be
abducted."</span></p>
<p class="pnext"><span>"That shows you don't know Gertie," said
Mrs. Biltox-Jones, smiling grimly. At least,
she made certain facial movements which were
intended to indicate a smile.</span></p>
<p class="pnext"><span>Mrs. Biltox-Jones seemed to be thinking
deeply. After fully a minute's silence she
demanded, rather truculently,</span></p>
<p class="pnext"><span>"Will you abduct her?"</span></p>
<p class="pnext"><span>Angell Herald drew himself up with dignity.</span></p>
<p class="pnext"><span>"I am a publicity agent, Mrs. Biltox-Jones,
not a professional abductor of millionaires'
daughters. Furthermore I have a reputation
to maintain."</span></p>
<p class="pnext"><span>"All right, don't get 'uffy," was her response.</span></p>
<p class="pnext"><span>Angell Herald shuddered.</span></p>
<p class="pnext"><span>Again there was silence between them.</span></p>
<p class="pnext"><span>"Gertie's always complainin' how dull she
is," Mrs. Biltox-Jones muttered to herself;
"she might like it for a change. P'raps Martin
might arrange it. Martin's my butler, he does
everythink for me. He's been with the Duke
of Porchester, and Prince Carmichael of Dam-Splititz."</span></p>
<p class="pnext"><span>"Well," Angell Herald proceeded. "Let us
see Miss Biltox-Jones abducted. Imagine the
Press the next morning. You would apply to
the police, you would intimate the terrible news
to every newspaper, and there would be scare
headings. I merely offer this as a suggestion.
As a matter of fact, it is a little out of my usual
line of business. New conditions, however,
Mrs. Biltox-Jones, demand new methods." Angell
Herald blessed Pearl for that exquisite phrase,
and registered a vow not to refuse his next
application for a holiday in which to bury,
marry or bail-out a friend. He could almost
see himself giving him a rise.</span></p>
<p class="pnext"><span>"But how could I do it?" she enquired.</span></p>
<p class="pnext"><span>"That," Angell Herald replied, "I must
leave to you, Mrs. Biltox-Jones. I should
gather that you are not lacking in resource or
originality. I should try Martin. English
butlers are wonderfully resourceful. Get your
daughter abducted and the result will be that
your name will be sounded throughout the
British Empire. I may add, by the way, that
I should see she was abducted for at least a
fortnight. That would give time for a thorough
Press campaign. You would find that all the
Colonial papers would copy the story, and if
Miss Biltox-Jones happened to be handsome,
as I should imagine she would be"—Angell
Herald looked very pointedly at Mrs. Biltox-Jones,
and she preened herself like a second-hand
peacock—"then the sensation created
would be the greater.</span></p>
<p class="pnext"><span>"I am afraid, madam, that I can do nothing
more than make this suggestion; but you may
be assured that if you act upon it, you will not
lack the publicity that I gather all ladies of
your position seek."</span></p>
<p class="pnext"><span>For a few moments she was silent, then said,
"And what's all this cost, Mr. Herald?"</span></p>
<p class="pnext"><span>"Oh," he replied, "it's a very trifling matter.
Let us say fifty guineas, shall we, especially as
I am not able to be of any practical assistance
to you."</span></p>
<p class="pnext"><span>"I'll send you a cheque." Her jaw snapped
with a determined air that convinced Angell
Herald that in the very near future Miss
Biltox-Jones would be abducted.</span></p>
<p class="pnext"><span>III</span></p>
<p class="pnext"><span>A little over a week later, Angell Herald had
left the office to get his usual simple lunch of
everything the food restrictions permitted, and
as much in the way of extras as he could squeeze
in, when his eye was arrested by a placard of
</span><em class="italics">The Evening Mail</em><span>. He had already received a
cheque for fifty guineas from Mrs. Biltox-Jones,
and had dismissed the circumstance from his
memory. This placard, however, brought back
the whole story vividly to his recollection. It
read</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="center pfirst"><span>ATTEMPTED ABDUCTION
<br/>AN AMAZON FEAT</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>Something seemed to link up that newspaper
placard with the fifty guinea cheque, and he
purchased </span><em class="italics">The Evening Mail</em><span>.</span></p>
<p class="pnext"><span>On the front page of the paper, most of which
seemed to be covered with clever headlines, he
read the following with something akin to
amazement:</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="center pfirst"><span>ATTEMPTED ABDUCTION OP A MILLIONAIRE'S DAUGHTER
<br/>A MODERN AMAZON
<br/>SOCIETY YOUNG LADY OUTWITS TWO
<br/>DESPERATE RUFFIANS
<br/>THE ABDUCTORS CAPTURED
<br/>AN AMAZING FEAT</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>"Last evening, about 9.15, Miss Biltox-Jones,
the daughter of Mr. and Mrs. Jeremiah
Biltox-Jones, of 376 Park Lane, W., was
motoring back from Epsom, where she had been
lunching with friends, when her car was
stopped by someone waving a red light on the
middle of the road. The chauffeur, seeing the
danger-signal, immediately pulled up, and a
moment afterwards, to his astonishment, found
a pistol presented to his head, and he was told
that if he moved a muscle he would be shot.</span></p>
<p class="pnext"><span>"It was afterwards discovered that two
masked men were responsible for this outrage.
The second man approached the car, and
invited Miss Biltox-Jones to alight, which she
accordingly did. He then informed her that
she was his prisoner, and would be taken away
to await the payment of a ransom. But they
had reckoned without their host, or shall we
say hostess. It appears that Miss Biltox-Jones
is an adept at physical culture, ju jitsu
and such like things. With a swift movement
she had her attacker on his back upon the road;
hitting him smartly on the temple with the
butt-end of his own pistol, she rendered him
unconscious, and before the other ruffian was aware
of what had happened, she had floored him
likewise.</span></p>
<p class="pnext"><span>"With the aid of the chauffeur, the two men
were bound, placed in the car, and taken
to the nearest police-station. They are to
appear this morning before the magistrate, the
outrage having taken place on the outskirts of
London, when further particulars of this
strange affair will probably be divulged.</span></p>
<p class="pnext"><span>"In the meantime we congratulate Miss
Biltox-Jones on what must be regarded as a
remarkable achievement."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>There followed an interview with the
chauffeur; another interview with Miss Biltox-Jones,
together with her portrait. She proved
to be a not uncomely girl of muscular
proportions and determined expression.</span></p>
<p class="pnext"><span>For a moment Angell Herald was dazed at
the turn events had taken. He inwardly
cursed Pearl and his ridiculous advice. He
saw himself involved in a most unsavoury
business. He even wondered why he had not been
sent for to attend the police-court proceedings.
What was he to do? There was nothing for it
but to wait for subsequent editions of the
paper.</span></p>
<p class="pnext"><span>Engagements prevented him from returning
to the office until nearly six. As he entered he
saw that Pearl was in a state of suppressed
excitement. He too had read the wretched
story.</span></p>
<p class="pnext"><span>"Mrs. Biltox-Jones to see you, sir."</span></p>
<p class="pnext"><span>"What?" Angell Herald almost shouted.</span></p>
<p class="pnext"><span>"She's been here three-quarters of an hour,
sir. She insisted on waiting."</span></p>
<p class="pnext"><span>Never had Angell Herald felt such a coward.
Why had he not foreseen that she would descend
upon him. Could he turn and fly? No: a
man must appear a hero before his own clerk.
He would lose for ever Pearl's respect if he
were to flee at that moment.</span></p>
<p class="pnext"><span>Assuming an air of nonchalance, he said he
would see Mrs. Biltox-Jones immediately, and,
with shaking hand, opened the door of his
room, prepared for a blast of reproach such as
it had never been his fate to experience.</span></p>
<p class="pnext"><span>To his utter bewilderment, Mrs. Biltox-Jones
was sitting smiling, and, more wonderful
still, holding in her hand a cheque, which
she extended to him, as she made certain
bouncing movements, which he rightly
interpreted as preliminaries to her assuming an
upright position.</span></p>
<p class="pnext"><span>Utterly bewildered, he took the cheque,
What could be the meaning of this new development?
Instinctively he looked at the cheque;
it was for a hundred guineas. Clearly
Mrs. Biltox-Jones was mad.</span></p>
<p class="pnext"><span>"Mr. Herald," she began, in her wheezy
voice, having got to her feet, "you've done me a
real service, you've got me what I wanted.
You're a wonderful man."</span></p>
<p class="pnext"><span>"But—but—" he stammered.</span></p>
<p class="pnext"><span>"No, no," she continued. "No modesty. The
idea was entirely yours. Of course I didn't
anticipate Gertie upsetting things like that;
but then you never know what Gertie will do,
and the poor child so enjoyed it."</span></p>
<p class="pnext"><span>Angell Herald pictured the Gertie whose
photograph he had seen, "enjoying it." Then
his thoughts turned to the nefarious abductors.</span></p>
<p class="pnext"><span>"But the men," he asked, "Who were they?"</span></p>
<p class="pnext"><span>"Oh! Martin arranged that. One was his
brother, and the other was John's second
cousin. John is my first footman. But, of
course, a great general has to be prepared for
everything, as you said the other day." (Angell
Herald had no recollection of saying
anything of the sort.) "So when I heard these
two men had been caught by Gertie, I decided
to turn the whole thing into a joke. Gertie
was delighted, and said that she hadn't enjoyed
anything so for a long time. The magistrate,
of course, was most rude about it."</span></p>
<p class="pnext"><span>"But the butler's brother and the—"</span></p>
<p class="pnext"><span>"They've been released. The magistrate
pitched into them; but still, it's all right,
although Martin's brother has a big bump on
his head, which will cost a good deal, and
John's cousin can be squared. The teeth he
lost were not really his own, although he said
they were until I threatened to ring up my
dentist and have his mouth examined."</span></p>
<p class="pnext"><span>"Yes," she continued, after a pause, "it was
really a brilliant idea of yours, Mr. Herald,
and I thank you for it. I shall recommend
you to my friends. My husband has great
influence in the city, and he shall know what a
remarkable man you are."</span></p>
<p class="pnext"><span>"And," began Angell Herald, "have the
er—er——"</span></p>
<p class="pnext"><span>"Oh! I've had heaps of callers. Sir Jacob
and Lady Wanderlust, Mrs. Hermann Schmidt,
Mr. Gottinhimmel, Mr. Lüftstoessel, Miss
Strafestein, and a lot of the best people in The
Lane. And they're so patriotic. They do </span><em class="italics">so</em><span>
hate the Kaiser, and they simply </span><em class="italics">love</em><span> England.
We have become great friends."</span></p>
<p class="pnext"><span>Angell Herald congratulated her. "And
now I must be going," she said, "I've got to
arrange about compensating those two poor
men. If you knew Gertie as I know her, you'd
know they didn't come off without severe
er—er—contoosions, was what the doctor called
'em."</span></p>
<p class="pnext"><span>Mrs. Biltox-Jones sailed out of the office
wheezing and smiling. Angell Herald saw
Pearl looking at him in a bewildered fashion,
and he almost fainted when handed the cheque
and told to pay it into the bank.</span></p>
<p class="pnext"><span>The late evening papers were full of this
extraordinary "joke." By a lucky chance, there
was no news from anywhere. The German
Emperor had not been patronizing the
Almighty, and no one had shown on any of the
fronts the least inclination to push. The
result was that the photographs of the Biltox-Joneses,
of their butler, the butler's brother,
of John, and John's second cousin, filled every
newspaper. The scene of the "outrage" was
pictured, with a cross marking the spot on the
road where Martin's brother's head had been
tapped.</span></p>
<p class="pnext"><span>In Angell Herald's heart there was a great
gladness and a deep gratitude to Mr. Llewellyn
John! He had the greatest difficulty to restrain
himself from giving Pearl a rise.—Instead he
gave him the cigar he had received from
Trumpet a few days previously. There are no
half tones about either Trumpet or his cigars.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>At the conclusion of the story Angell Herald,
sat back with the air of a man prepared to
receive the congratulations that he knows are
his due. He was obviously disappointed when
the only remark made was Sallie's.</span></p>
<p class="pnext"><span>"Poor old thing."</span></p>
<p class="pnext"><span>"I should like to meet that clerk of 'is,"
"whispered" Bindle to Windover. "'E ought
to be able to tell us some things, wot?"</span></p>
<p class="pnext"><span>"Ha, yes," muttered Windover abstractedly,
"but it's casting Pearls before swine though."</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-night-club-visits-bindle"><span class="bold large">CHAPTER X</span></p>
<p class="center pnext"><span class="bold medium">THE NIGHT CLUB VISITS BINDLE</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>One Sunday evening on arriving at Dick
Little's flat I was greeted with the
announcement "J.B.'s ill." I looked
round at the gloomy faces. It was
then that I appreciated how the Night Club
revolved round Bindle's personality.</span></p>
<p class="pnext"><span>From a note Dick Little had received it
appeared that Bindle had hurt his ankle and
been forced to lie up for a week. His letter
was characteristic. It ran:—</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>"DEAR SIR,</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>I been kicking what I didn't ought to
have kicked, and I got to lay up for a week.
Cheero! I shall think of the Night Club.</span></p>
<div class="vspace" style="height: 1em"></div>
<dl class="docutils">
<dt class="noindent"><span>Yours respectfully,</span>
<br/><p class="first last noindent pfirst"><span>JOE BINDLE."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>We wondered what it was that Bindle had
kicked that he ought not to have kicked. There
was, we felt sure, a story behind the letter.</span></p>
<p class="pnext"><span>We looked at each other rather helplessly.</span></p>
<p class="pnext"><span>"Shall we begin?" asked Angell Herald.
One of his stories was down for that evening.</span></p>
<p class="pnext"><span>"We must wait for Miss Carruthers," said
Jim Owen, a cousin of mine and rather an ass
about women.</span></p>
<p class="pnext"><span>At that moment Sallie and Jack Carruthers
turned up and were told the direful news.</span></p>
<p class="pnext"><span>"Oh! poor J.B.," cried Sallie, who had quite
drifted into our way of speech.</span></p>
<p class="pnext"><span>"What shall we do?" asked Jack Carruthers.</span></p>
<p class="pnext"><span>We all looked at each other as if expectant
of a solution anywhere but in our own brains.</span></p>
<p class="pnext"><span>"I have it!" cried Sallie suddenly clapping
her hands, her eyes flashing with excitement.</span></p>
<p class="pnext"><span>"Out with it, Sallie," said Jack, putting his
arm round her shoulders. Many of us envied
him that habit of his.</span></p>
<p class="pnext"><span>"We'll all go and see J.B.," cried Sallie.</span></p>
<p class="pnext"><span>Dick Little nearly got notice to quit through
that idea of Sallie's. The yell that went up to
the ceiling above was as nothing to the things
that fell from the ceiling below. Tom Little
was in a mad mood, and he insisted that we
should all form a ring round Sallie, and hand
in hand we flung ourselves round her; "flung"
was the only word that describes our motions.
There were sixteen of us, and Dick Little's
rooms are not over large. It was a mad rout.</span></p>
<p class="pnext"><span>We were interrupted in our acclamation of
Sallie's inspiration by a tremendous hammering
at the door of the flat. Dick Little opened
it and let in a flood of the most exotic
language to which we had ever listened. It
was talk that would have made a drill-sergeant
envious. It had about it the tang of the
barrack-square. It silenced us and stilled our
movements as nothing else would have done.
It poured in through the door like a flood.
It gave an intensely personal view of ourselves,
our forebears and our posterity, if any. It
described our education, our up-bringing and
the inadequacy of the penal code of England.
We stood in hushed admiration, especially the
men from Tim's.</span></p>
<p class="pnext"><span>Sallie listened for about half a minute, quite
unperturbed. It is a strange thing; but
"language" has no effect on Sallie. I have seen
her listening quite gravely to the inspired
utterances of a Thames lighterman. This evening,
at the end of half a minute, she walked to the
door, we crowding behind her to see the fun,
for we had all recognised the voice of General
Burdett-Coombe, who lived immediately beneath
Dick Little. Suddenly the General's eloquence
stopped. He had seen Sallie.</span></p>
<p class="pnext"><span>"Won't you come in," she said looking at
him gravely, with eyes a little larger and a
little grayer than usual.</span></p>
<p class="pnext"><span>"I—I—" stammered the General, then
seeing us all gazing at him he burst out.</span></p>
<p class="pnext"><span>"God bless my soul, what on earth have I
done? I had no idea there was a lady here.
I—I—"</span></p>
<p class="pnext"><span>"Please come in," said Sallie, "I want you
to tell these men how horribly badly behaved
they are. You were doing it quite nicely; but
I am afraid they didn't hear it all."</span></p>
<p class="pnext"><span>The General looked from Sallie to the men,
who had now streamed out and were filling
Dick Little's small hall. Then seeing Sallie
smile he suddenly burst out laughing, showing
a set of dazzlingly white teeth beneath his
grizzled grey moustache.</span></p>
<p class="pnext"><span>"Routed, by heaven! routed and by a woman.
My dear young lady," he said, turning to
Sallie, "I owe you a thousand apologies. I—I'm
afraid I rather let myself go. These young
hooligans have knocked down my electrolier. I
thought the whole blessed place was coming on
my head," and he laughed again out of sheer
boyish enjoyment.</span></p>
<p class="pnext"><span>From that day Sallie and General Burdett-Coombe
became great friends, and that was how
it happened that the General came to join the
Night Club.</span></p>
<p class="pnext"><span>As he went down to his flat he once more
apologised; but Sallie said that he was quite
justified in what he had said and done.</span></p>
<p class="pnext"><span>"Well, well," he cried after a swift glance
to see if she were pulling his leg, "Boys will
be boys I suppose; but I wish they would leave
my electrolier alone. Good-night all," and the
chorus of "good-nights" was almost as great
in volume as the shouts that had greeted
Sallie's inspiration.</span></p>
<p class="pnext"><span>"Now then you fellows, taxis," cried Tom Little.</span></p>
<p class="pnext"><span>Three men dashed downstairs to commandeer
all the taxis in the neighbourhood. Tom
Little and Bill Simmonds disappeared; but the
rest of us managed the crowd into the four
taxis that were available. As we sped along
to Fenton Street, Fulham, where Bindle lives,
each empty taxi that approached was hailed
and some of the party got out and entered.
Eventually when we arrived at Fenton Street
the procession numbered eight vehicles.</span></p>
<p class="pnext"><span>The sensation we caused will go down to
posterity as the greatest day in the annals of
the district. Neighbours flocked to their doors.
Gramophones, which were tinnily striving to
reproduce masterpieces they had mis-heard,
were allowed to run down, and soon what
portion of the street that was not occupied by
taxis was filled with open-mouthed residents.</span></p>
<p class="pnext"><span>The general impression was that it was a
police raid, although how they reconciled Sallie
with the police was difficult to understand.</span></p>
<p class="pnext"><span>Just as we were knocking at Bindle's door,
Tom Little and Bill Simmonds arrived in a ninth
vehicle, out of which they hauled two large
suit-cases.</span></p>
<p class="pnext"><span>The door of Bindle's house was opened by
Ginger, who looked his astonishment at seeing
Sallie with some sixteen men behind her.</span></p>
<p class="pnext"><span>"Is Mr. Bindle in?" enquired Sallie.</span></p>
<p class="pnext"><span>Without attempting to reply Ginger called
over his shoulder, "Someone to see yer, Joe."</span></p>
<p class="pnext"><span>"Ask 'im in," came the cheery voice of
Bindle from within.</span></p>
<p class="pnext"><span>"It ain't 'im, it's a lady."</span></p>
<p class="pnext"><span>"Come along in, Martha, I know 'oo it is."</span></p>
<p class="pnext"><span>Sallie passed by the open-mouthed Ginger,
and we trooped in behind her. Bindle was
lying on a horse-hair couch with one ankle
heavily bandaged. His back was towards the
door; but he called out over his shoulders,
"Come in, Martha, come in. 'Ow's yer breath
and 'ow's 'Earty?"</span></p>
<p class="pnext"><span>"It's me," said Sallie, regardless as to
grammar.</span></p>
<p class="pnext"><span>Bindle looked round as if someone had shot
him from behind, saw Sallie and the rest of us
behind her.</span></p>
<p class="pnext"><span>"Gawd Almighty," he exclaimed in utter
astonishment. "I'm blowed if it ain't the
Night Club. Cheero! the lot," and "the lot"
cheero-d Bindle.</span></p>
<p class="pnext"><span>Tom Little and Bill Simmonds then came
forward with their suit-cases. From these they
produced what appeared to be an endless
stream of refreshments: bottles of beer, two
bottles of whisky, a dozen syphons of soda and
a miscellaneous assortment of sandwiches such
as are to be found on public-house counters.
For once in his life Bindle's speech failed him,
as he watched the kitchen table being turned
into a sort of public-house bar. Then slowly a
happy grin spread over his face and looking up
at Sallie, who had come and stood beside him, said,</span></p>
<p class="pnext"><span>"This'll do me more good than all the
doctor's stuff, miss."</span></p>
<p class="pnext"><span>I looked at Bindle closely, the voice was so
unlike his. Before leaving Dick Little's flat,
Sallie had collected all the flowers that she
could find, which she carried in a big bouquet.
Dick Little is fond of flowers.</span></p>
<p class="pnext"><span>"Is them flowers for the coffin, miss,"
enquired Bindle, with a strange twist of a
smile.</span></p>
<p class="pnext"><span>"They're for Mrs. Bindle," said Sallie with
inspiration.</span></p>
<p class="pnext"><span>"Well, I'm— Hi, stop 'im, don't let 'im
go." Bindle's eyes had caught sight of Ginger,
who was slipping out of the door.</span></p>
<p class="pnext"><span>Jack Carruthers made a grab and caught
the delinquent by the sleeve. Ginger seemed
inclined to show fight; but three or four of
Tim's men soon persuaded his that God is
always on the side of the big battalions, and
Ginger was led back into the room.</span></p>
<p class="pnext"><span>"Ginger," said Bindle, reprovingly, "I'm
surprised at you. When Miss Sallie comes to
see us, you go sneaking off as if you'd picked 'er
pocket, or owed 'er money. Wot jer mean by it?"</span></p>
<p class="pnext"><span>"I don't 'old wiv——" began Ginger.</span></p>
<p class="pnext"><span>"Never mind what you 'old with, Ging,
you've got to stand by and see your old pal ain't
choked with all these good things."</span></p>
<p class="pnext"><span>A fugitive shaft of light came into Ginger's
eyes as he saw the array of bottles on the kitchen
table. Tom Little and Bill Simmonds were busy
commandeering all the glasses, cups, mugs,
etc., they could find on the dresser, and
unscrewing the tops of the beer bottles.</span></p>
<p class="pnext"><span>"Ow jer come?" enquired Bindle while
these preparations were in progress.</span></p>
<p class="pnext"><span>"Taxis," I replied mechanically, "There are
nine of them waiting outside."</span></p>
<p class="pnext"><span>"Nine?" exclaimed Bindle, his eyes open to
their full extent. "Nine taxis in Fenton
Street? 'Old be 'Orace!" and he laughed
till the tears poured down his cheeks. Bindle
was in a mood to laugh at anything.</span></p>
<p class="pnext"><span>"An' wot's all the neighbours doin', sir."</span></p>
<p class="pnext"><span>"Oh! they're busy counting them," said
Carruthers, "they think it's a police raid." This
was one of the few occasions on which I have
seen Bindle laugh, as a rule he grins.
Presently, wiping his eyes with the corner of a
newspaper he had been reading, he cried "'Ere,
a glass of milk for the invalid."</span></p>
<p class="pnext"><span>Tom Little dashed for the largest jug and
filled it up with such haste that the froth
foamed down the sides. Bindle clutched the
jug with both hands.</span></p>
<p class="pnext"><span>"Excuse my getting up, miss, but 'eres to the
Night Club."</span></p>
<p class="pnext"><span>We all joined in the toast.</span></p>
<p class="pnext"><span>"I wonder wot Mrs. B.'ll think of it all when
she comes back," remarked Bindle. "Nine
taxis an' a police raid. They're sure to tell 'er."</span></p>
<p class="pnext"><span>The seating accommodation in Bindle's
kitchen was limited. A chair was found for
Sallie, and several more were brought out of the
adjoining parlour; but most of us sat on the
floor. Windover occupied one end of the
fender and Angell Herald the other. The
comparison between the two was interesting.
Windover sat as if all his life had been spent
on the end of a fender, Angell Herald, on the
other hand, as if he meant everybody to
understand that never before had he found himself
so situated. Windover was enjoying himself,
Angell Herald was acutely uncomfortable. He
knew it must be all right by the fact of
Windover being there; but his whole appearance
seemed to convey the fact that he was unaccustomed
to sitting on a fender with a china mug
of whisky and soda in one hand, and a ham
sandwich of public-house proportions in the other.</span></p>
<p class="pnext"><span>Windover seemed to find a quiet enjoyment
in the situation.</span></p>
<p class="pnext"><span>"How did you hurt your foot, Mr. Bindle?"
enquired Sallie.</span></p>
<p class="pnext"><span>"Oh! I jest kicked up against somethink wot
I didn't ought to 'ave kicked, miss," was
Bindle's response.</span></p>
<p class="pnext"><span>To further questioning he was evasive. It
was clear that he did not wish to tell us what
had happened. It was equally clear that Sallie
was determined to know.</span></p>
<p class="pnext"><span>"Why don't you tell 'em, Joe, what you
did?" It was Ginger who broke in. A
different Ginger from him who had endeavoured
to slip out of the room, a Ginger mellowed
by three bottles of beer. Finding the whole
attention of the room centred upon Bindle,
Ginger buried his head in a large milk jug
from which he was drinking.</span></p>
<p class="pnext"><span>"Look 'ere, Ging, you keep that muzzle on.
You ain't no talker."</span></p>
<p class="pnext"><span>Sallie-turned to Ginger, who had already
fallen a victim to her eyes. "Please Mr.—Mr.—"</span></p>
<p class="pnext"><span>And then it was I remembered that no one
had ever heard Ginger's name.</span></p>
<p class="pnext"><span>"We call 'im Ginger, miss; but you mustn't
let 'im talk. 'E's some'ow out of the way of it."</span></p>
<p class="pnext"><span>"Please Mr. Ginger, tell us what happened?"</span></p>
<p class="pnext"><span>Bindle made a motion as if to stop Ginger,
who replaced the jug on the table and wiped
his lips with the back of his disengaged hand.</span></p>
<p class="pnext"><span>"It was down at the yard, miss. Ruddy Bill
tied a tin on to Polly's kitten's tail."</span></p>
<p class="pnext"><span>"But—but—" said Sallie, "I don't
understand." She looked from Ginger to Bindle.</span></p>
<p class="pnext"><span>"You are an ole 'uggins," said Bindle to
Ginger. "Yer couldn't keep that face of yours
shut, could yer? It's like this, miss. There's
a little kid down at the yard wot's got a kitten,
all fluffy fur, and Ruddy Bill tied a tin on to
the poor thing's tail, an' it went almost mad
with fright, so—so my foot sort o' came up
against Ruddy Bill. 'E wouldn't fight, you see."</span></p>
<p class="pnext"><span>"Ruddy Bill's in the 'firmary," rumbled Ginger.</span></p>
<p class="pnext"><span>"Yes, an' I'm on the couch."</span></p>
<p class="pnext"><span>Never had the Bindles' kitchen witnessed a
scene such as that on which the Night Club
descended upon it. Even Ginger's gloom was
mitigated under the influence of the talk and
good fellowship, assisted by unlimited beer.
The kitchen floor was covered with men and
mugs, glasses and bottles of whisky and syphons
of soda. The atmosphere was grey with tobacco
smoke, and the air full of the sound of half a
dozen separate conversations.</span></p>
<p class="pnext"><span>Bindle had never looked happier. Every
now and then he cast his eyes round in the
direction of the door. His dramatic instinct
told him that the culmination of the evening's
festivities would synchronise with
Mrs. Bindle's advent.</span></p>
<p class="pnext"><span>"You'll stay an' see Mrs. B., miss, won't
yer," said Bindle to Sallie. "She's been a bit
poorly of late. I think 'er soul is 'urtin' 'er
more'n usual."</span></p>
<p class="pnext"><span>"Mr. Bindle," said Sallie severely, "you
must not tease her. You must smooth things,
not make them rougher."</span></p>
<p class="pnext"><span>"I don't understand women, miss," he
replied, then after a pause he continued,
"There's one thing yer can always be sure
about, an' that is no matter wot yer think a
woman's goin' to do, she's bound to give yer a
bit of a surprise."</span></p>
<p class="pnext"><span>"As how?" enquired the Boy.</span></p>
<p class="pnext"><span>"Well, it won't do yer no 'arm to learn, you
wi' that smile o' yours." The Boy grew
scarlet. "You're in for trouble, Mr. 'Indenburg,
sure as sure."</span></p>
<p class="pnext"><span>"What is in your mind," enquired Carruthers.
We all like to hear Bindle on women.</span></p>
<p class="pnext"><span>"I was thinkin' o' that air-raid, last Saturday,"
he replied. "Now Mrs. Bindle, although
she knows that death will be 'a release from
the fetters of the flesh,' as she puts it, yet
when she 'eard the guns she bolted into the
coal-cellar as if 'er soul was as shaky as mine.
When I gets 'ome there she was a settin' on a
chair in the kitchen a-'oldin' of 'er 'eart, 'er
face all white where it wasn't black from the
coal."</span></p>
<p class="pnext"><span>"And what did you do, Mr. Bindle?"
enquired Sallie, leaning forward with eager
interest. Sallie has a theory that in reality
Bindle is very considerate and thoughtful in
regard to Mrs. Bindle.</span></p>
<p class="pnext"><span>"Well, miss," said Bindle after a momentary
hesitation, "I give 'er three goes o' whisky
an' water."</span></p>
<p class="pnext"><span>"But I thought she was temperance," broke
in Dare.</span></p>
<p class="pnext"><span>"She </span><em class="italics">was</em><span>, sir," was the reply. "When she'd
lapped up the last o' the third go, which
finished up the 'alf quartern, she turns on me
an' she jest gives me pickles."</span></p>
<p class="pnext"><span>"But why?" enquired Sallie.</span></p>
<p class="pnext"><span>"She said I done it a-purpose, makin' 'er
break the pledge, an' that Gawd didn't ought
to blame 'er, 'cause she was married to an
'eathen. Funny 'er not thinkin' of it before
she'd 'ad the lot, that's wot does me.</span></p>
<p class="pnext"><span>"Talkin' of air raids," he continued after a
pause, "it's funny 'ow they seem to affect them
as are surest of gettin' an 'arp an' trimmin's,
while they leaves the 'eathen merry and bright.
Now me an' Ginger was on the tail o' the van
when the 'Uns' little 'ummin' birds started
a-layin' eggs. People yelled to 'im to get under
cover: but the 'orses was scared, an' 'e goes to
'old their 'eads an' talk to 'em in that miserable
way of 'is. Them 'orses was never so glad in
all their lives to 'ear ole Ginger's voice."</span></p>
<p class="pnext"><span>"And what did you do, J.B.?" enquired the
Boy with interest.</span></p>
<p class="pnext"><span>Bindle turned and looked him full in the
face. "I ain't in this story, Mr. Clever
'Indenburg. You can think o' me as under the van.
Ginger was jest as cool as wot you was when
you got that bit o' ribbon for your tunic."</span></p>
<p class="pnext"><span>The expression in the Boy's face was evidence
that Bindle had scored.</span></p>
<p class="pnext"><span>"Now take 'Earty," Bindle continued,
"'E's one o' them wot's got a front row ticket
for 'eaven; yet when the guns begins to go off,
and the bombs was droppin', 'e nips down into
the potato-cellar 'to take stock', although 'e
'adn't 'ad a potato there for months. Took
'im quite a long time it did too, takin' stock o'
nothink. There was poor ole Martha left to
look after the shop. Rummy card 'Earty.
'E's afraid o' too much joy, thinks it might sort
o' get to 'is 'ead. 'E's nuts on 'eaven an'
angels; but it's business as usual as long as 'e can.</span></p>
<p class="pnext"><span>"No," Bindle continued after a pause in
which to take a pull at his tankard and recharge
and light his pipe, "the longer I lives the less
I seems to know about people. There's
Mrs. B. 'oo's always sayin' that 'the way o' the
transgressor is 'ard', yet look at me! I'm
always cheerio, but she's mostly like a camel
wot's jest found another 'ump a-growin'.</span></p>
<p class="pnext"><span>"No one don't never seem able to understand
another cove's way o' lookin' at things. I 'ad
a sister once, pretty gal she was, too, got it
from me I expect. I used to get quite a lot o'
free beer from my mates wot wanted me to put
in a good word with Annie. Seemed funny
like to me that they should want to 'ang round
'er when there was other gals about.</span></p>
<p class="pnext"><span>"Yes," continued Bindle after a pause,
"there's a lot o' things I don't understand.
Look at them young women a-gaddin' about
the West-End when it's war an' 'ell for our
boys out there. Sometimes I'd like to ask 'em
wot they mean."</span></p>
<p class="pnext"><span>"They're cultivating the present so that the
future shall not find them without a past,"
murmured Windover.</span></p>
<p class="pnext"><span>"Nietzsche says that woman is engaged in a
never-ending pursuit of the male," said Dare.
"Perhaps that explains it."</span></p>
<p class="pnext"><span>"Sort o' chase me Charlie," said Bindle,
"well I ain't nothink to say agin' it, so long
as Mrs. B. don't get to know.</span></p>
<p class="pnext"><span>"This place looks like a pub," Bindle
remarked a few minutes later. "Wonder wot
Mrs. B.'ll say."</span></p>
<p class="pnext"><span>"That's what you ought to have, J.B.," said
Jim Colman.</span></p>
<p class="pnext"><span>"'Ave wot?" enquired Bindle.</span></p>
<p class="pnext"><span>"A pub.," was the response.</span></p>
<p class="pnext"><span>"I'd like to 'ave a little pub. o' me own,"
Bindle murmured, "an' I got a name for it too."</span></p>
<p class="pnext"><span>In response to loud cries of "Name, name"
from the "Tims" men Bindle replied.</span></p>
<p class="pnext"><span>"I didn't ought to tell yer, I'm afraid as it's
jest like salt, it makes yer drink like a camel."</span></p>
<p class="pnext"><span>"Come on out with it," we cried.</span></p>
<p class="pnext"><span>"Well, 'ere goes. I'd call it 'The Thirsty
Soul.'" After a pause, he added, "If I was
in the bung line I'd 'ave the tastiest things in
yaller 'eaded gals be'ind the bar as could be
found for a 'undred miles round. Of course
I should 'ave to get rid o' Mrs. B. first. She's
as jealous as an 'en over a china egg wot it ain't
laid.</span></p>
<p class="pnext"><span>"It's no use bein' in the public line when
you're married. Poor ole Artie Ball found
that out, 'im wot used to keep 'The
Feathers.' One day 'e took 'is barmaid out, an' next
mornin' 'is missus took it out o' the barmaid—in
'andfulls, she did. The poor gall looked
like an 'alf plucked goose when Artie's missus
remembered it was nearly dinner time. Funny
thing 'ow women fight over us," this with an air.</span></p>
<p class="pnext"><span>A hot argument had sprung up between some
of the men from "Tim's" as to the possibility
of balancing the human body in the same way
that the ancients balanced the figure of Mercury,
viz. on one foot, the body thrown forward.
This had resulted in a determination of the
ayes to prove it by demonstrating the possibility
of standing upon a beer bottle with one
foot. Soon the infection spread throughout
the room, and everybody, with the exception of
Sallie, Angell Herald and Bindle, was endeavouring
to emulate the classical figure of Eros
on the fountain at Piccadilly Circus.</span></p>
<p class="pnext"><span>Everybody seemed to be calling upon everybody
else to look, and just as they looked, down
came the demonstrator. It was this moment
that an unkind fate chose for the appearance
of Mrs. Bindle. To some extent she had been
prepared for the unusual by the line of taxi-cabs
in Fenton Street, and also by the tales of the
neighbours, who had gathered in ever increasing
force. Two local special constables, who
had endeavoured to "regulate the traffic" and
control the crowds, had given up the task in
despair, discovering that no special is a prophet
in his own district. One was a butcher, who
found it utterly impossible to preserve his
official dignity in the face of cries of "Meat!
Meat!" and "Buy! Buy!"</span></p>
<p class="pnext"><span>By the time Mrs. Bindle arrived, the police-raid
theory was in danger of suffering eclipse
in favour of a German spy, the nine taxis, it
was alleged, having brought soldiers and
officials from the War Office.</span></p>
<p class="pnext"><span>Mrs. Bindle entered her own home in a state
of bewilderment. For a moment or two she
stood at the door unseen, endeavouring to
penetrate the grey smoke, which was rapidly
choking Sallie. Windover was the first to catch
sight of her, and he descended hurriedly from
his bottle. Then Sallie saw her and next
Bindle. Soon the whole room had its eyes
fixed upon Mrs. Bindle's attenuated figure,
which stood there like an accusing conscience.
Bindle grinned, the rest of us looked extremely
sheepish, as if caught at something of which
we were ashamed. Once more it was Sallie
who saved the situation.</span></p>
<p class="pnext"><span>"Oh, Mrs. Bindle," she said, going across
the room, "I hope you'll forgive us. We
heard that Mr. Bindle was ill and came over to
see him. I wish you would keep these boys in
order." She looked at the "Tim's" men with
a smile. "They are always playing tricks of
some sort or other."</span></p>
<p class="pnext"><span>Mrs. Bindle looked round the room as if
uncertain what to do or say. Then her gaze
returned to Sallie. We looked at her anxiously
to see which way the wind was likely to blow.
We almost cheered when we saw a frosty smile
flit across her features.</span></p>
<p class="pnext"><span>"I'm sure it's very kind of you, miss. Won't
you come into the parlour?"</span></p>
<p class="pnext"><span>With Mrs. Bindle, "Won't you come into the
parlour?" was an announcement of friendship,
and Bindle heaved a sigh of relief. Sallie
beckoned to Jack Carruthers.</span></p>
<p class="pnext"><span>"Jack," she said, "Get those boys to clear up."</span></p>
<p class="pnext"><span>Without waiting for Jack to deliver her
instructions, everyone set to work to clear up
the chaos, and in three minutes the place was as
orderly as it had been before our arrival, save
for a pile of glasses and mugs in the sink. The
bottles had been stowed away in the suit-cases,
and the kitchen looked as it did before the
descent upon it of the Night Club. Mrs. Bindle
had fixed her eyes on the bunch of roses,
looted from Dick Little's flat.</span></p>
<p class="pnext"><span>"Oh, I brought those for you, Mrs. Bindle,"
said Sallie.</span></p>
<p class="pnext"><span>That broke down Mrs. Bindle's last defences.
At Windover's invitation, and in spite of
Mrs. Bindle's protests, several of the Tims
men set to work to wash up at the sink. Windover
did the washing, whilst the others wiped,
amidst a perfect babel.</span></p>
<p class="pnext"><span>Mrs. Bindle looked from one to the other.
Presently turning to Sallie she asked in a
whisper, "Is the lord here, miss?"</span></p>
<p class="pnext"><span>"The lord?" questioned Sallie in surprise.</span></p>
<p class="pnext"><span>"Bindle says a lord belongs to your club.
Is he here, miss?"</span></p>
<p class="pnext"><span>"Oh! Lord Windover," cried Sallie laughing,
"Yes, he's here."</span></p>
<p class="pnext"><span>"Is that him, miss?" enquired Mrs. Bindle
gazing at Angell Herald, who stood apart from
the others with an awkward air of detachment.
Sallie shuddered as she followed Mrs. Bindle's
gaze and saw the white satin tie threaded
through a diamond ring.</span></p>
<p class="pnext"><span>"No, that's Mr. Herald. Lord Windover's
washing up. Winnie," she called out, "I
want to introduce you to Mrs. Bindle."</span></p>
<p class="pnext"><span>Windover approached, eyeglass in eye, with
a jug in one hand, a towel he had snatched up
in the other, and a red bordered cloth round his
waist.</span></p>
<p class="pnext"><span>Sallie introduced him and he bowed with his
usual exquisite grace, chatted for a few
moments, and then returned to his duties at
the sink.</span></p>
<p class="pnext"><span>In Mrs. Bindle's eyes there was a great
wonder, and as they returned to Angell Herald,
a little disappointment and regret.</span></p>
<p class="pnext"><span>Finally we all trooped off the best of friends.
Bindle declared that he was cured, and
Mrs. Bindle said she was very pleased that she had
come in before we had taken our departure.
We stowed ourselves away in the taxis and, as
the procession started, Fenton Street raised its
voice in a valedictory cheer.</span></p>
<p class="pnext"><span>"Winnie," said Sallie to Windover as we
bowled eastward at a penny a furlong, "To-night
you have wrecked Mrs. Bindle's cherished
ideal of the aristocracy. I shall never forget
her face when I told her that the man who was
washing up was the lord! She had fixed upon
Mr. Herald."</span></p>
<p class="pnext"><span>Windover screwed his glass into his eye and
gazed at Sallie in silence.</span></p>
<p class="pnext"><span>Thus ended one of the most notable nights
in the history of the Night Club.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-general-becomes-a-member"><span class="bold large">CHAPTER XI</span></p>
<p class="center pnext"><span class="bold medium">THE GENERAL BECOMES A MEMBER</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>On the Monday morning following our
visit to Bindle, Dick Little had
descended to General Burdett-Coombe's
flat to make a formal
apology. The old boy had laughed off the
incident as of no importance, refused to allow
Dick Little to pay for the damage, and vowed
that he liked young fellows with a spice of the
devil in them, had been young himself once.
He gave his guest a glass of Trafalgar brandy,
and had readily accepted an invitation to be
present at next Sunday's gathering.</span></p>
<p class="pnext"><span>"Damme, sir, I think it will be safer up
there than down here," he said as he gazed
ruefully up at the ceiling from which hung the
wreck of his electrolier.</span></p>
<p class="pnext"><span>From that time the General became one of our
most regular members, and was well in the first
flight as regards popularity. He proved a
splendid old fellow, full of good stories of his
campaigning experiences, modest and kindly,
for all his gust of anger on the night of our
first meeting.</span></p>
<p class="pnext"><span>From the first he was Sallie's slave. One
night he was raving to half-a-dozen of us about
Sallie's eyes. "Such eyes," he cried, looking
from one to the other as if challenging
contradiction, "I never could resist grey eyes. Why
damme, sir, if I'd married a girl with grey
eyes (the General is a bachelor) I should have
been as harmless as—as——"</span></p>
<p class="pnext"><span>"A taube, sir," suggested the Boy slyly.</span></p>
<p class="pnext"><span>The General turned on him like a cyclone.</span></p>
<p class="pnext"><span>"When I was your age, sir, I should have
been shot for interrupting a——" Then the
Boy smiled that radiant, disarming smile of his
and the General made a grab at him and missed.</span></p>
<p class="pnext"><span>"Wot's a 'towber,' sir?" Bindle enquired
of Windover in a whisper. Bindle's whispers
are as clearly heard as those of the villain in a
melodrama.</span></p>
<p class="pnext"><span>"Before the war, J.B.," replied Windover,
"'taube' was the German for 'dove'; since
then it has become the vehicle of frightfulness."</span></p>
<p class="pnext"><span>Bindle looked from Windover to Dare with
wrinkled forehead.</span></p>
<p class="pnext"><span>"Stripped of its corrosive verbiage, Windover
means that 'taube' is the name of a
German aeroplane."</span></p>
<p class="pnext"><span>"Oh! a tawb," said Bindle, his face clearing.
"'E do love to wrap things up, don't 'e?" he
added, indicating Windover with an ever-ready
thumb. "Anyone could see 'e ain't married."</span></p>
<p class="pnext"><span>Later in the evening I heard the Boy say to
the General in what he meant to be a whisper—</span></p>
<p class="pnext"><span>"I hope I didn't offend you, sir. I ought
not to have said——"</span></p>
<p class="pnext"><span>"Tut, tut," said the General. "It's all
right, Boy. Damme; but times have changed
since I was a youngster," and he pinched the
Boy's arm affectionately.</span></p>
<p class="pnext"><span>Upon the subject of the new armies the
General was particularly interesting. It was
easy to see that, coming from army stock, he
found the civilian soldier difficult to reconcile
with military tradition; but he was a sportsman
above all things.</span></p>
<p class="pnext"><span>"My Gad! sir," he had exclaimed to a few
of us one evening some days after his return
from France, where he had been in an official
capacity, "they're wonderful. I was prejudiced,
I confess it. Imagine an army of stockbrokers,
lawyers, fiddlers, clerks and chauffeurs.
What could they know of soldiering? But
when I saw them, talked with them, why
damme, sir, they made me feel a child at the
game."</span></p>
<p class="pnext"><span>"Keen!" he exclaimed in answer to a
question. Then he laughed, "Why there was
one young lieutenant-colonel who started as a
private two years ago, a splendid officer, and
he actually told me that he hated soldiering,
hated it, sir, yet was carrying-on as if he cared
for nothing else. It's amazing!</span></p>
<p class="pnext"><span>"In my time," and the old boy straightened
himself to his full five feet nine inches, "the
prospect of war sent us half wild with excitement;
but these fellows don't like it, have no
enthusiasm, want to get back to their pens and
tennis-rackets; yet they're born soldiers.</span></p>
<p class="pnext"><span>"They talk about funk and feeling afraid in
a way that would have got a man ragged out of
his regiment in my day;——Damme, I don't
understand it!"</span></p>
<p class="pnext"><span>"So you don't altogether disapprove of the
new army, General?" It was Sallie who
enquired. She had just entered unobserved.</span></p>
<p class="pnext"><span>"Disapprove!" cried the General spinning
round and shaking hands. "Disapprove! It's
a privilege for an old fogey like me to be
allowed to talk to such fellows."</span></p>
<p class="pnext"><span>"General," said Sallie quietly, "I think
the chivalry of the old army is equal to the
spirit of the new," and the General actually
blushed, at least the red-brown of his cheeks
took on a bluish tinge.</span></p>
<p class="pnext"><span>When the time came for the General's story
I was embarrassed by the choice he offered.
There were yarns about every quarter of the
globe, and half the races of the earth.
Wherever there had been a chance of a brush, the
old boy had managed to get sent somewhere
close at hand, and when the smoke had burst
into flame, he invariably discovered that a
month or two's leave was due to him. All his
leave seemed to be spent in getting attached to
someone else's expeditionary force. Reading
between the lines it was easy to see that he was
a good officer, and he never seemed to find much
difficulty in getting a staff appointment.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">I</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>It was one of those Indian Frontier affairs
of which the world hears little. In high
quarters there is a vague consciousness that
something has happened, a paragraph or two
in the newspapers, with a list of casualties,
announces the return of the heroes, a few
families are plunged into mourning and there
the matter ends.</span></p>
<p class="pnext"><span>An expeditionary force was trailing its
sinuous, sensitive body wearily along upon the
homeward march. The officers were gloomy
and short of speech, the men sullen and
dispirited. In the hearts of all there was a
glow of dull resentment. They had not suffered
defeat it is true; still no crushing blow had
been struck, and to-day as they toiled silently
along in a cloud of dust there was dissatisfaction,
a smouldering passion of discontent.</span></p>
<p class="pnext"><span>Brigadier-General Charles Stanley de Winton
Mossop, C.B., was a man of theories, and the
soldier understands theories in direct ratio to
their successful application. He is a cog in
the great machine of war, and is content if the
whole mechanism work smoothly. If he be
conscious of any friction of the parts, he
unhesitatingly condemns the engineer.</span></p>
<p class="pnext"><span>Two months previously, some five thousand
men of all arms, had set out elated at
the prospect of active service. Even the old
campaigners were cynically jovial as they told
the "recruities" what to expect. "You wait,
sonnies," Sergeant Tonks, a weather-beaten old
veteran of twenty years' service, had said
good-humouredly, "You just wait, you'll see!" They
had seen! They had seen two months of
soldiering under service conditions with nothing
to show for it, and their ideas of applied war
had undergone considerable revision.</span></p>
<p class="pnext"><span>They had seen two months of arduous
campaigning against a foe that had never learned
the meaning of defeat; had never retired or
broken but to come again. A foe that sniped
all night, and hung about the flanks all day;
now showing itself ahead; not threatening the
rear, with a special eye for a rush at awkward
moments. Striking camp had become a positive
torture, and the hour before dawn a period
of imaginative suspense; for the men's
confidence had been shaken.</span></p>
<p class="pnext"><span>At first the subalterns had talked sagely
about "protection on the line of march,"
scouting and the value of "cover." They had
views, and a healthy competition had sprung
up amongst those in charge of scouting-parties
and "flank guards." They had worked with
an almost incredible zeal. Every likely bit of
"cover" was not only carefully examined, but
examined with enthusiasm, even if it were no
larger than a man's head. There had been
innumerable false alarms, which demonstrated
clearly their watchfulness. But that was now
a memory. The natural eagerness to excel had
been damped, and there had insidiously crept
into the minds of all the suspicion that they
were badly led.</span></p>
<p class="pnext"><span>Brigadier-General Mossop had evolved what
was then an entirely new and original conception
of the art of war. The present command
gave him an opportunity of putting into
practice his pet scheme of communicating orders, in
the event of night attack, by coloured fires and
rockets. He had lectured his officers upon the
impossibility of conveying commands accurately
by word of mouth in the darkness and confusion
of a night attack. Incidentally he had pointed
out the advantages of his own method. They
had listened respectfully, received his written
"Orders of Night Attack" in grim silence,
and among themselves had dubbed their
commander "Old Brock"; and "Old Brock" he
remained to the end.</span></p>
<p class="pnext"><span>There was one young subaltern, inclined to
regard soldiering as a subject for serious study,
who regarded Old Brock's craze for novelty as
a grave danger. In a perimeter camp of 5,000
men, rocket communication was, to his view,
ridiculous. It might, he argued, at any moment
involve the force in disaster. He cast many
speculative glances at the chest in which the
fireworks were carefully arranged in compartments,
each numbered with embossed figures,
enabling them to be felt in the dark.</span></p>
<p class="pnext"><span>For days the young subaltern went his way
wrapped in his own gloom. At length the
clouds seemed to disappear as if by magic, and
it was noted that he was very frequently seen
with the sergeant who had charge of Old
Brock's chest.</span></p>
<p class="pnext"><span>After a week's march, the force was well into
the enemy's country. One dark night a nervous
sentry had fired his rifle and explained the
circumstance by an account of shadowy forms.
Voices barked out peremptory commands, men
clutched their rifles and formed up, maxims
were cleared and everything made ready.
Presently a rocket rose with a majestic whirr and
broke into a hundred green stars.</span></p>
<p class="pnext"><span>"Old Brock's at it," murmured Major O'Malley.</span></p>
<p class="pnext"><span>"That's </span><em class="italics">Prepare to Receive Enemy</em><span>," murmured
a subaltern, who had given much time
to the study of his Chief's "Orders."</span></p>
<p class="pnext"><span>"Rather late in the day to prepare," growled
a captain of gunners. "Might as well say
'Prepare to cut your teeth.'"</span></p>
<p class="pnext"><span>The men stood silent, some with a grin of
expectation as they gazed in the direction of
the Brigadier's tent; others with a queer
shivery feeling at the base of the spine, which
communicated itself to the knees and teeth.
The butt-end of a rifle struck the ground with
a dry, hard snap. "Silence!" barked a voice.
There was a murmur of deep expostulation,
passionate but repressed.</span></p>
<p class="pnext"><span>Then a curious thing happened. First a
Roman candle vomited its coloured balls into
the inky night, casting a ghostly green light
upon the upturned faces.</span></p>
<p class="pnext"><span>"</span><em class="italics">Enemy breaking through to the East</em><span>. My
God!" gasped the subaltern.</span></p>
<p class="pnext"><span>There was a movement among the men, and a
splutter of rifle-fire which soon died away.</span></p>
<p class="pnext"><span>"As you were," shouted a voice. A
moment's silence. Next there rose three red
and blue rockets, then a swarm of whirring,
hissing, serpent-like streams of fire, lighting up
the whole encampment as they broke into a
thousand points of fire.</span></p>
<p class="pnext"><span>It had been the Brigadier's theory to fire the
rockets at an angle so as to light up the
surrounding country whilst leaving the
encampment in darkness. There was a laugh from
the ranks, a short, sharp, snapping sound that
died almost with its own utterance. More
rockets followed, then a red fire gradually
sprang into being, dull at first; but growing in
volume until eventually it embraced in its ruddy
glow the whole country for half a mile round.</span></p>
<p class="pnext"><span>"There ain't much fun in watchin' fireworks
when yer can't say wot yer think o' them,"
grumbled one man in a whisper to his
neighbour.</span></p>
<p class="pnext"><span>The subaltern was busily engaged in trying
to read the "Orders of Night Attack." He
muttered brokenly from time to time. "</span><em class="italics">Enemy
repulsed North.—-Withdraw to inner
defences.—Square broken to West—Fix bayonets.</em><span>"—He
ceased, and only the crackle of bursting rockets
broke the stillness. The red fire began to
wane, the rockets ceased, and the darkness
became more pronounced. Later, no enemy
being discovered, the guards were re-posted and
the camp reassumed its normal appearance.</span></p>
<p class="pnext"><span>How it happened that the new code of
signalling went wrong was never satisfactorily
explained. The Brigadier was furious, and
next day subjected Sergeant "Rockets," as he
was ever afterwards called among the men, to
a searching examination. The sergeant could
never be persuaded to give an explanation of
how it occurred, or what took place afterwards
in the Brigadier's tent. There was a story
current to the effect that "Rockets" had
deliberately brought about the fiasco as a protest
against innovation; but the currency of
camp-stories is no index to their accuracy.</span></p>
<p class="pnext"><span>Three days later an attack upon the camp at
dawn had been repulsed with loss; but it had
not been followed up. The men chafed and
murmured among themselves; the officers saw a
golden opportunity for a decisive blow pass
unnoticed. "Old Brock," who alone seemed
tranquil, penned lengthy dispatches descriptive
of the enemy's defeat and discouragement.</span></p>
<p class="pnext"><span>So matters went on. Nothing more was
accomplished beyond a few successful
skirmishes, which to the Brigadier appeared in
the light of important victories. The
correspondents, there were three, chafed and
fretted.</span></p>
<p class="pnext"><span>"It's a damned shame," remarked
Chisholme hotly, "that the men's hearts should
be shrivelled up by such an example of official
incapacity. There'll be more heard of this
when I get near the telegraph," he added
significantly. "You chaps shall get your own
back, or* The Morning Independent* is a pulseless,
chicken-hearted rag."</span></p>
<p class="pnext"><span>Chisholme's directness and picturesque
phraseology were proverbial. On this occasion
his remarks were directed at Major Blaisby and
another officer lounging about the correspondent's tent.</span></p>
<p class="pnext"><span>Chisholme had an influential family behind
him and this, coupled with the high value he
placed upon his own opinions, assured his two
friends that, sooner or later, there would be
the devil to pay, and the knowledge comforted
them. In spite of his insufferable habit of
bragging, Chisholme was popular. Strictly
speaking he was a non-combatant; yet he had
already had several opportunities of showing
his mettle. On one occasion at least he had
performed an action which, had he been in the
Service, would have assured him of the V.C.</span></p>
<p class="pnext"><span>Between Correspondent and General a coolness
had sprung up. Once the Brigadier had
taken occasion to rebuke him for his recklessness,
urging as a reason for the remonstrance
the possibility of some portion of the force
being involved in a disaster, owing to his
precipitancy and lack of judgment.</span></p>
<p class="pnext"><span>Now that the —— Punitive Expedition was
upon the homeward march. The casualties
among mules had been extremely heavy, even for
a frontier force, and the Brigadier was faced
with a grave problem. At a spot about four
days' march from the frontier, he announced
his intention of establishing a temporary post
to guard the sick, the guns and the surplus
ammunition. It was a risky proceeding; but
the force was running short of food, and must
make forced marches to the frontier.</span></p>
<p class="pnext"><span>A day was spent in throwing up hasty
defenses ("Ruddy scratches," Sergeant Tonks
called them), a day spent in active speculation
as to who would be selected for the command.</span></p>
<p class="pnext"><span>When Major Blaisby of the —th Gurkhas
was informed that the Brigadier's choice
had fallen upon him, he flushed with pleasure:
but when he heard that only fifty men
were to be left with him he almost gasped
with astonishment. The news spread with the
rapidity peculiar to camps, and Blaisby was the
centre of a group of brother officers eager in
their congratulations, and fervid in their
denunciations of the insufficiency of the force.</span></p>
<p class="pnext"><span>Blaisby and Chisholme had been on intimate
terms, in fact a warm friendship had sprung
up between the two men. Immediately on
hearing the news, Chisholme had marched
straight to the Brigadier's tent and requested
to be allowed to remain behind as a volunteer.
He met with a curt refusal.</span></p>
<p class="pnext"><span>That night, those who were collected in the
correspondent's tent, were treated to a remarkable
display of eloquence. Chisholme, with his
back to the tent-pole, poured forth a burning
stream of protest at not being allowed to stay.</span></p>
<p class="pnext"><span>Blaisby stood by moody and silent. At
length he was persuaded by his impulsive friend
to seek out the Brigadier and ask for a larger
force. He left with unwilling steps.</span></p>
<p class="pnext"><span>In the midst of a particularly eloquent
passage on the part of Chisholme, Blaisby returned.
He was white to the lips, and there was an
ominous quiver about the corners of his mouth.
A dead silence greeted him. Then it was that
Chisholme showed himself to be something more
than an orator. Walking up to Blaisby he
linked his arm in his, and led him out of the
tent. When he returned alone the
Correspondent's tent was empty. There is a fine sense of
chivalry among English gentlemen.</span></p>
<p class="pnext"><span>Two hours later Chisholme made his way
through the darkness to Blaisby's tent. The
two men paced up and down conversing
earnestly in undertones. The soft light of the
false dawn was touching the Eastern horizon
before they parted. Chisholme returned to his
tent and threw himself down to snatch an hour's
sleep. Blaisby continued to pace up and down
until the light grew stronger, when he fetched
a small portmanteau from his tent, and at this
improvised table he sat writing letters until
reveille sounded.</span></p>
<p class="pnext"><span>As soon as the Brigadier was stirring his
orderly informed him that Lieutenant Blaisby
wished to know when it would be convenient to
see him. The Brigadier, suppressing an
exclamation of impatience, bade the orderly
shew him in. For half-an-hour the two
remained together. Finally Blaisby left the
tent with a grim, set face and went to seek
Chisholme.</span></p>
<p class="pnext"><span>The sun was well up when the march was
resumed. As the main body got into motion
the men broke out into "Auld Lang Syne." The
Brigadier sent an A.D.C. to "stop that
damned folly." There was a wringing of
hands as his comrades bade farewell to Blaisby.
Three hearty cheers split the air, bringing a
frown to the Brigadier's face. He said
nothing, feeling that the men were none too
well in hand. As he rode along by the side of
his Brigade-Major he surprised that officer by
remarking "Blaisby is a very able officer,—we
shall hear more of him."</span></p>
<p class="pnext"><span>Chisholme remained behind until the
rearguard was almost out of sight, then with a
hasty handshake and a "God bless you, old
chap" he galloped off.</span></p>
<p class="pnext"><span>Blaisby now found himself with thirty-five
native and fifteen white troops, two subalterns
and a young surgeon, in all fifty-three. He
walked round the hastily formed entrenchment
and viewed the whole with a calm impassive
face. Turning to the senior sub. he bade him
call the men together. In a few words he told
them that they were upon a very dangerous
service. The work would be arduous and the
fighting hard, but they must remember that
their own safety and the honour of the corps
from which they were drawn depended upon
their exertions. The men cheered, and the
eyes of the little Gurkhas flashed at the thought
of handgrips with the enemy.</span></p>
<p class="pnext"><span>Directly the mid-day meal was over, the force
was divided into three parties: one was sent out
scouting, another ordered to sleep, whilst the
third, under Blaisby himself, set to work with
pick and spade.</span></p>
<p class="pnext"><span>For two days and nights they worked without
cessation: entrenching, scouting, sleeping;
sleeping, entrenching, scouting. "Blaisby'll
be a corpse or a colonel before the year's out,"
remarked the junior sub. At first the men
worked doggedly, as well-trained soldiers will.
They were taking the measure of their
commander, watching him furtively whilst on duty,
discussing him eagerly over their pipes when
relieved. Soon they began to fall under the
spell of his personality, and a wave of
enthusiasm took possession of them. The
private is ever ready to acknowledge a master
mind, and next to knowing that his officer is a
gentleman, he likes best to feel that he is a
being of superior attainments.</span></p>
<p class="pnext"><span>At the end of two days, a formidable array
of defences had been completed. In the centre
a pit, some six feet deep and thirty feet square,
had been dug. This was roofed over with
canvas. A cutting three feet wide gave entrance
to "the oven," as it came to be called, which
was to act as arsenal and hospital for the worst
cases. The guns and much of the surplus
ammunition were built into the camp-defences.</span></p>
<p class="pnext"><span>Everything now being ready, the men were
ordered to rest. Never did men sleep so in the
history of war. They were sick of sleep; yet
Blaisby's personality had taken such a grip of
their minds, that eyes would close mechanically
at his approach. He wished them to sleep;
they would sleep if it killed them.</span></p>
<p class="pnext"><span>One night Blaisby happened to overhear a
remark of the surgeon. "It's all very well to
say sleep," he grumbled, "But how the devil
is a man to sleep unless he's tired?" The next
day orders were given to keep the men occupied
with sports. Running, jumping, wrestling,
skipping, sparring and every conceivable form
of exercise was indulged in. Blaisby gave
prizes in money, until his small store was
exhausted, then he turned to his kit and
distributed all he could actually spare as prizes.
The men were thus kept interested and occupied.</span></p>
<p class="pnext"><span>On the third day after the departure of the
main body the enemy was sighted; why they
had not attacked at once was never explained.
The next day a movement was observed upon
some rising ground, to the eastward. Forms
were observed flitting about, tiny dots of white
relieved here and there by a splash of brilliant
green, as a banner caught the rays of the setting
sun. That night a keener watch than ever was kept.</span></p>
<p class="pnext"><span>An hour before dawn, a rifle shot snapped out
sharply upon the crisp night air. Absolute
silence reigned. Presently a sharp challenge
rang out, followed by a shot and a yell, then a
trailing splutter of reports, then silence again.
The enemy drew off on finding everything ready
for his reception.</span></p>
<p class="pnext"><span>After this the little garrison knew no repose.
Attack followed attack, and seldom a night
passed without an alarm. It was evidently the
object of the enemy to wear out the defenders
with constant watching. On one occasion they
almost rushed the defences, and were repulsed
only at the point of the bayonet. Blaisby grew
grave as he saw the casualties increase. The
suspense and frequent alarms began to tell their
tale. The men were worn out, and although
they slept whenever opportunity offered during
the day, it was always with the possibility of
being awakened to repel an attack.</span></p>
<p class="pnext"><span>Each night Blaisby spent upon the look-out
platform, and was frequently to be seen at dawn
scanning the horizon to the south through his
field-glasses.</span></p>
<p class="pnext"><span>One evening, after a more than usually
spirited attack by the enemy, Blaisby sat silent
at the table, whilst the senior sub. and the
surgeon talked over the day's work. They had
been puzzled at the action of their commander
after the repulse. He had selected ten of the
Gurkhas and taken them into the "Oven,"
posting a sentry at the entrance and had
remained there with the junior sub. until
dinner-time. The senior sub. and the surgeon were
piqued at not being confided in.</span></p>
<p class="pnext"><span>The surgeon had just finished a lengthy
harangue upon the methods it was desirable to
adopt in savage warfare, ridiculing the textbooks
as academic. As he concluded he raised
his eyes from their gloomy contemplation of the
end of his cigar. They became fixed, his jaw
dropped. The senior sub. half-turned to see
the cause. He uttered an exclamation! At
the entrance of the tent stood a grim and
ghastly figure, with rolling eyes and grinning
lips. The two men stared as if bewitched at
what appeared to be a reincarnation of
Beelzebub. The apparition remained motionless
save for the movement of its eyes, hideous,
unearthly eyes, encircled with rings of red and
surmounted by white brows. Then there was
the great red mouth and the diabolical black
horns which sprang suddenly from snowy hair.</span></p>
<p class="pnext"><span>Every bone in the dusky body was outlined
in white. The two men turned almost appealingly
to Blaisby, who sat impassively watching them.</span></p>
<p class="pnext"><span>"Sorry to startle you; it's an experiment,"
he said as he made a motion with his hand at
which the figure disappeared, "upon men
whose minds are trained against superstition."</span></p>
<p class="pnext"><span>That was all. He rose and went out, leaving
the surgeon and senior sub. speechless and
indignant. At midnight eleven ghostly figures
emerged from the "Oven" and slid away into
the darkness. Shortly afterwards Blaisby
mounted to the look-out platform where he stood
silent and immovable, his gaze directed eastward.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">II</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Whilst Blaisby and his men were busily
occupied with the defense of "Old Brock's
Folly," the main body of the Expeditionary
Force had reached the frontier. The Brigadier
appeared uncertain how to act. The officers
were moody, and the men silent, almost sullen.
Orders were obeyed without alacrity, without
zeal, without cheerfulness.</span></p>
<p class="pnext"><span>Two days passed without any preparations
for the relief of the "Post." At length with
a rather over-done careless air the Brigadier
remarked to his Senior Colonel upon the
spiritlessness of the troops after a "victorious
campaign." The Senior Colonel made an equally
casual rejoinder. The men were tired, he had
frequently noticed a similar state of affairs at
the end of an expedition. There the matter
had ended for the moment. Later a further
remark from the Brigadier had met with a like
evasion on the part of his subordinate.</span></p>
<p class="pnext"><span>That Brigadier-General Mossop's nerves
were disordered was plainly shown by his lack
of decision. Orders were given and countermanded;
elaborate dispatches were penned,
only to be destroyed an hour later. At last the
Senior Colonel was startled by a point blank
request for his opinion as to the advisability
of despatching a force to relieve the post
without waiting for further supplies.</span></p>
<p class="pnext"><span>A decisive, "I consider it highly expedient,
sir, if not too late," was not reassuring.</span></p>
<p class="pnext"><span>For two days the Brigadier pondered over
the significant words. "If not too late." He
saw the possibility of the dreaded official
reprimand. At length the order was given: a third
of the force was to retrace its steps and relieve
the little garrison, "If not too late," the words
obtruded themselves upon the Brigadier's mind
and irritated him.</span></p>
<p class="pnext"><span>Thus it happened that, after days of
inactivity and indecision, the Relief Force set
out under the command of the Senior Colonel.
As it swung off to the brisk notes of the bugle,
spirits rose as if by magic, jokes were cracked
amongst the rank and file, the old jokes that
yesterday would have fallen flat now drew a
hearty laugh. All were elated at the prospect
of a brush with the enemy. This was to be a
fight to the finish. The Senior Colonel was a
soldier of a different type from the Brigadier.
He had no theories, as theories are generally
understood. His dictum was to fight—and win.
If there were heavy casualties, he deplored it as
a necessary feature of his profession. The men
knew this—there would be hard knocks and they
thanked God for it.</span></p>
<p class="pnext"><span>Shortly before sunset on the third day, the
force halted behind some rising ground about
four miles south-east of the "Post." The
enemy had been located and the Senior Colonel
was not the man to wait. He had resolved to
push on and risk a night attack. Half the
column was to make a detour and approach
from the north-east, whilst the other half
attacked from the eastward. After a hasty
meal and a short rest, the first party moved off
guided by the stars and a compass. Silently
it disappeared into the darkness. An hour
later the other half set out.</span></p>
<p class="pnext"><span>Chisholme, who had managed to be included,
was well ahead with the advance guard of the
first column. After an hour's steady marching
to the eastward they bore round to the north
and later swung round to the south-west. Half
an hour passed and the scouts brought in word
that the enemy's camp lay about a mile ahead,
a little to the westward of the line of march.
Presently the advance guard halted to allow the
main body to come up. The order came to
continue the advance "with great caution."</span></p>
<p class="pnext"><span>Scarcely were they in motion again before
a point of red fire caught Chisholme's eye,
followed by several similar lights. Wild
yells broke the stillness, more lights followed
until the whole encampment was bathed in a
blood-red glow. Through his night-glasses,
Chisholme saw a veritable pandemonium. Dancing
forms—eerie, horrible, devilish—moved
rhythmically to and fro, each the centre of a
sphere of hellish light. Was it some nightmare
of the Infernal Regions? Could he be dreaming?
He looked round. Officers and men were
gazing wonder-struck.</span></p>
<p class="pnext"><span>The noise was fiendish: hoarse shouts, shrill
cries, terror-stricken yells split the air.
Gradually the glow increased in volume. Wild
forms were seen silhouetted sharply against the
light, rushing hither and thither in a frenzy of
terror. Slowly the strange figures approached
the camp: dancing and swaying, without
hurry, without excitement. Chisholme rubbed
his eyes, then looking again beheld a wild mob
of fleeing tribesmen coming straight towards
him, bent only on escaping from the furies.</span></p>
<p class="pnext"><span>A few short, sharp orders rang out. A
moment later the crackle of rifles drowned the
cries. A machine-gun began to stutter and
spit. The terrified tribesmen paused stunned
and dropped in dozens. Firing was heard to
the southward—the others were at it also.</span></p>
<p class="pnext"><span>At this moment the advance was sounded.
The main force had come up, deployed and
with a yell rushed forward to the charge. A
portion of the enemy broke away to the north;
but the majority stood transfixed with terror.
Some threw themselves upon the bayonets,
others stood impassively awaiting death. A
few who had weapons showed fight; but were
soon cut down.</span></p>
<p class="pnext"><span>A couple of rockets rose to the westward.</span></p>
<p class="pnext"><span>"Thank God," muttered the Senior Colonel,
"we're in time." The work of slaughter
continued grimly, silently: short sobbing coughs
were heard as the cold steel found its mark.</span></p>
<p class="pnext"><span>Presently the recall was sounded. The men
were becoming scattered and the Senior Colonel
was troubled about those queer figures still to be
seen gathered round the fire. Collecting a few
men together, he advanced. As he approached,
the forms started whirling and dancing, the
coloured fires burst out again and the
astonished officer saw eleven careering forms,
skeletons apparently, with white hair and black
horns.</span></p>
<p class="pnext"><span>"Well, I'm damned!" he gasped.</span></p>
<p class="pnext"><span>"And Hell within jumping distance,"
muttered a voice.</span></p>
<p class="pnext"><span>"Who goes there?" rang out the challenge
apparently from the tallest devil.</span></p>
<p class="pnext"><span>"Friend," was the reply.</span></p>
<p class="pnext"><span>"Advance and give the countersign."</span></p>
<p class="pnext"><span>"Who the devil are you?" burst out the
Senior Colonel.</span></p>
<p class="pnext"><span>"Servants of Her Britannic Majesty, Queen
Victoria."</span></p>
<p class="pnext"><span>With shouts and laughter officers and men
alike rushed forward, and there was a babel of
congratulatory voices.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">III</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Dawn was breaking when Major Blaisby
finished his account of what had happened
during those four eventful weeks. "It was
Chisholme's idea," he concluded, "that I
should ask the Brigadier for the fireworks in
order to give his system an extended trial." He
did not add that the object of the request
was to placate his superior, in order to obtain
the maxim.</span></p>
<p class="pnext"><span>When the light became stronger, the Senior
Colonel examined the defences, and
complimented Blaisby in his short, gruff manner.
"You've made a fine show, Blaisby," he said
in conclusion, "A damned sight finer show than
I should have made."</span></p>
<p class="pnext"><span>Chisholme had his opportunity later, when
</span><em class="italics">The Morning Independent</em><span> printed a series of
brilliantly written articles upon the campaign
and its ending, and although more moderate in
tone than many expected, Brigadier General
Mossop saw in those articles the explanation of
his receiving no official mark of approval for
the way in which he had conducted the ——
Punitive Expedition.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"An' where did you come in, sir?"
enquired Bindle of the General, when he had
finished "leading the applause" with his
mallet.</span></p>
<p class="pnext"><span>"I?" said the General, "What do you mean?"</span></p>
<p class="pnext"><span>"Well, sir, I wondered if by any chance it
was you wot mixed the fireworks so as they all
went off wrong."</span></p>
<p class="pnext"><span>The General laughed. Sallie said the
General was at his best when a laugh caused
his teeth to flash white against the surrounding
tan.</span></p>
<p class="pnext"><span>"A shrewd guess, by jove," he exclaimed,
"Yes, it was I who mixed the fireworks."</span></p>
<p class="pnext"><span>"And what would you do sir now if a sub.,
under your command, were to do the same,"
enquired the Boy languidly.</span></p>
<p class="pnext"><span>"Confound you sir, if it were you I'd have
you shot," he shouted. Somehow the General
seemed always to shout at the Boy.</span></p>
<p class="pnext"><span>"No, you wouldn't, General," said Sallie,
giving the poor old boy a sidelong glance that
temporarily threw him off his balance.</span></p>
<p class="pnext"><span>"And why, may I ask?"</span></p>
<p class="pnext"><span>"Because I should ask you to let him off."</span></p>
<p class="pnext"><span>"Then," said the General with decision, "</span><em class="italics">I</em><span>
should deserve to be shot.</span></p>
<p class="pnext"><span>"An' is that Major alive now, sir?" queried Bindle.</span></p>
<p class="pnext"><span>"Who, Blaisby? Yes," replied the General;
"but that's not his name. If I were to tell
you who he is and what he is doing to-day,
you'd understand the awful risk the country
ran through the Commander-in-Chief of India
giving commands to rabbits instead of
soldiers."</span></p>
<p class="pnext"><span>"I'm glad he got through," said Sallie
meditatively.</span></p>
<p class="pnext"><span>"You can never keep a good man back,"
remarked the General in that modified tone of
voice he always adopted when speaking to
Sallie.</span></p>
<p class="pnext"><span>"Wot's 'e goin' to do if 'e's got various
veins in 'is legs, I wonder?" I heard Bindle
mutter as he knocked the ashes out of his pipe.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-mater"><span class="bold large">CHAPTER XII</span></p>
<p class="center pnext"><span class="bold medium">THE MATER</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Except when "roasting" Angell
Herald, the Boy is not much given to
speech. Humped up in the easiest
chair available, he will sit apparently
absorbed in the contemplation of his
well-polished finger-nails, or preoccupied with the
shapeliness of his shoes and the silkiness of his
socks; yet his mind is keenly alert, as some of
us occasionally discover to our cost. A sudden
laugh from those about him will demonstrate
that the Boy is awake and has scored a point,
more often than not at Angell Herald's expense.</span></p>
<p class="pnext"><span>There is something restful and refreshing in
the fugitive smile that seems to flicker across
the Boy's face when, by accident, you catch his
eye. He is one of those intensely lovable and
sympathetic beings who seem constitutionally
incapable of making enemies. As mischievous
as a puppy, he would regard it as an "awful
rag" to hide a man's trousers when he is late
for parade. Then he would be "most frightfully
sorry" afterwards—and really mean it.</span></p>
<p class="pnext"><span>We all became much attached to him, and
looked forward with concern to the time when
he would be drafted out to the front again.
After the Loos battle he had been attached to
the depot of the Westshires at Wimbledon.
From Windover we learned a great deal about
the Boy, who seemed possessed of one unassailable
conviction and one dominating weakness.
The conviction was that he was "a most awful
ass" and "rather a rotter": the weakness
was "the Mater." He seldom spoke of her,
but when he did a softness would creep into his
voice, and his eyes would lose their customary
look of amused indolence.</span></p>
<p class="pnext"><span>Mrs. Summers was something of an invalid,
and whenever he could the Boy would spend
hours in wheeling her bath-chair about Kensington
Gardens and Hyde Park, or sitting with her
at home playing "Patience." This he would
do, not from a sense of duty; but because of the
pleasure it gave him.</span></p>
<p class="pnext"><span>He seemed to go through life looking for
things that would interest or amuse "the
Mater." From France he sent a stream of
things, from aluminium rings to a German
machine-gun. There had been some trouble
with the Authorities over the machine-gun,
which had been put on board a French train
and the carriage heavily prepaid. The thing
had been held up and enquiries instituted, which
had resulted in the Boy paying a visit to the
orderly-room to explain to his C.O. what he
meant by trying to send Government property
to S. Kensington.</span></p>
<p class="pnext"><span>"But, sir, we took it, and the men didn't
want it," the Boy explained ingenuously.</span></p>
<p class="pnext"><span>"Boy," said the Colonel, "In war there is
only one thing personal to the soldier, and that
is his identity disc."</span></p>
<p class="pnext"><span>"I'm most awfully sorry, sir," said the Boy
with heightened colour.</span></p>
<p class="pnext"><span>"Now look here Boy," said the Colonel, "If
by chance you happen to capture a battery of
howitzers, I must beg of you for the honour of
the regiment not to send them home. Look at
that!" He indicated a sheaf of official-looking
papers lying on the table before him. Between
Whitehall and G.H.Q. an almost hysterical
exchange of official memoranda had taken place.</span></p>
<p class="pnext"><span>"These are the results of your trying to send
a German machine-gun to your mother," and in
spite of himself the Colonel's eyes smiled, and
the Boy saluted and withdrew. There the
incident had ended, that is officially; but out of
it, however, grew a tradition. Whenever the
8th Westshires captured anything particularly
unwieldy, the standing joke among the men
was, "Better post it to the Kid's mother."</span></p>
<p class="pnext"><span>One day an enormously fat German prisoner
was marched up to the Field Post Office labelled
for the Boy's mother. The Bosche, a
good-humoured fellow, appeared to enter heartily
into the joke, not so the post-office orderly, who
threatened to report the post-corporal who had
tendered the "packet."</span></p>
<p class="pnext"><span>The morning following the taking of the
B——n Farm after a desperate fight, the Senior
Major, then in command, was surprised to see
an enormous piece of cardboard fashioned in
the shape of a label, attached to the wall.
addressed</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="literal-block"><br/>
<span>+-------------------------------+<br/>
| MRS. SOMERS, |<br/>
| 860, Prince's Gate, |<br/>
| S. Kensington, |<br/>
| London, S.W. |<br/>
| With love |<br/>
| from the Kid. |<br/>
+-------------------------------+</span><br/></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Between men of the Westshires and their
officers there was complete understanding, and
the Senior Major had smiled back at the grinning
faces that seemed to spring up all round
him. Unfortunately the Divisional Commander,
a martinet of the old school who could not
assimilate the spirit of the new armies, had
tactlessly chosen that afternoon on which to
inspect the captured position. He had gazed
fiercely at the label, demanding what the devil
it meant, and without waiting for a reply, had
expressed himself in unequivocal terms upon
"damned buffoonery" and "keeping the men
in hand." Finally he had strutted off, his
cheeks puffed out with indignation. That
occurred after the Boy's return to London.</span></p>
<p class="pnext"><span>Dick Little possessed an enormous bible
with Gustave Doré's illustrations, a strangely
incongruous thing for him to own. One
evening the Boy dug it out from the chaos of
volumes that Dick Little calls his "library." For
some time he turned over the leaves
industriously. I was puzzled to account for
his interest in Doré's impossible heights and
unthinkable depths.</span></p>
<p class="pnext"><span>That night he staggered off with the Doré's
anticipations of eternity under his arm, which
he had borrowed from Dick Little. Bindle
watched him in obvious surprise.</span></p>
<p class="pnext"><span>"'Andy little thing to read when yer strap-'angin'
in a toobe," he remarked drily.</span></p>
<p class="pnext"><span>"It's a bible," I explained.</span></p>
<p class="pnext"><span>"An' wot's Young 'Indenburg want with a
bible?" enquired Bindle in surprise.</span></p>
<p class="pnext"><span>"You've probably awakened in his young
mind a thirst for theology," remarked Dare,
who had joined us. But Bindle did not smile.
He was clearly puzzled.</span></p>
<p class="pnext"><span>On the following Sunday, Bindle tackled the
Boy on the subject.</span></p>
<p class="pnext"><span>"Why jer go orf wi' that little pocket bible,
sir?" he enquired.</span></p>
<p class="pnext"><span>The Boy flushed.</span></p>
<p class="pnext"><span>"I thought the Mater would like to see it,"
was the response, and Bindle began to talk
about pigeons as if he had not heard.</span></p>
<p class="pnext"><span>We had often asked Windover to describe
the Boy's mother; but he had always put us
off, saying that he could never describe
anybody, except the Kaiser, and King Edward had
done that before him.*</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span class="small">* Windover was evidently referring to King Edward's
remark, "The fellow is not a gentleman."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Sallie was greatly interested in the Boy's
devotion to his mother, and she lost no
opportunity of drawing him out. At first he was
shy and uncommunicative; but when Sallie is
set upon extracting anything from a man,
S. Anthony himself would have to capitulate.</span></p>
<p class="pnext"><span>From the scraps of conversation I overheard,
I came to picture a son full of tender solicitude
and awkward devotion for a little white-haired
lady with a beautiful expression, a gentle voice
and a smile that she would leave behind as a
legacy to her son.</span></p>
<p class="pnext"><span>I could see the old lady's pride at the sight
of the red and blue ribbon on the Boy's tunic,
at the letter his C.O. had written to the "Old
Dad," her thankfulness at his safe return.</span></p>
<p class="pnext"><span>We found ourselves wanting to meet this
little white-haired old lady with the smile of
sunshine, and hear her welcome us in a gentle,
but rather tired voice.</span></p>
<p class="pnext"><span>She would be interested in the Night Club,
concerned if we did not eat of her dainty
scones, or would it be shortbread, anxious that
we make a long call. There would be glances
of meaning and affection exchanged between
her and the Boy, which we would strive not to
intercept, and feel self-conscious should we by
chance do so. Then she would ask us to come
again, saying how glad she always was to see
her boy's friends.</span></p>
<p class="pnext"><span>During the long talks that Sallie had with
the Boy, Bindle used to fidget aimlessly about,
the picture of discontent. He always became
a little restive if Sallie showed too great an
interest in the conversation of any man but
himself. It was Bindle in a new guise.</span></p>
<p class="pnext"><span>One evening the Boy, who arrived late, was
greeted by Bindle with,</span></p>
<p class="pnext"><span>"'Ullo! sir, you doin' the Romeo stunt? as
Mr. Angell 'Erald would say."</span></p>
<p class="pnext"><span>"The what, J.B.?" enquired the Boy innocently.</span></p>
<p class="pnext"><span>"I see you last Thursday at South Ken. with
a bowkay as if you was goin' to a weddin'.
'Ooo's yer lady friend, Mr. 'Indenburg?"</span></p>
<p class="pnext"><span>The Boy flushed scarlet.</span></p>
<p class="pnext"><span>"Mr. Bindle," said Sallie severely, who has
intuitions, "I'm cross with you."</span></p>
<p class="pnext"><span>"Wi' me, miss?" Bindle enquired in
concerned surprise. "Wot 'ave I done?"</span></p>
<p class="pnext"><span>"It's all right," broke in the Boy. "The
flowers were for the Mater."</span></p>
<p class="pnext"><span>Bindle became strangely silent, for some time
afterwards. Later he said to me—</span></p>
<p class="pnext"><span>"'E seems fond of 'is mother."</span></p>
<p class="pnext"><span>"Who?" I enquired.</span></p>
<p class="pnext"><span>"Young 'Indenburg. I'm sorry for wot I
said." Then he added meditatively. "If I
'ad a kid I'd like 'im to grow up like 'im,"
and Bindle jerked his thumb in the direction
of where the Boy stood listening to the General's
views upon army discipline.</span></p>
<p class="pnext"><span>"Mr. Bindle," said Sallie who came up at
that moment, having detached herself from
Angell Herald's saloon-bar civilities, "I'm
going to see Mrs. Somers on Wednesday and I
shall tell her about your remark. </span><em class="italics">I</em><span> think he's
a dear."</span></p>
<p class="pnext"><span>"I'm sorry, miss," said Bindle with genuine
contrition.</span></p>
<p class="pnext"><span>"She must be a very wonderful and beautiful
old lady to inspire such devotion."</span></p>
<p class="pnext"><span>"Oo, miss?"</span></p>
<p class="pnext"><span>"The Boy's mother," I murmured.</span></p>
<p class="pnext"><span>"I'd like to see 'er," said Bindle seriously,
and we knew he meant it.</span></p>
<p class="pnext"><span>The Sunday following I asked Sallie about
her visit to the Boy's mother, and I was struck
at the strangeness of her manner. It was
obvious that she did not wish to talk about it.
I made several attempts, Bindle also tried; but
with equal unsuccess.</span></p>
<p class="pnext"><span>If Sallie is determined not to talk about a
thing, nothing will drag it out of her, and
seeing that she had made up her mind I accordingly
desisted. Bindle saw for himself that it
would be better to let the matter drop.</span></p>
<p class="pnext"><span>"Funny thing 'er not wantin' to say
anythink about it," he muttered.</span></p>
<p class="pnext"><span>We were both greatly puzzled to account for
Sallie's strange behaviour. I noticed that her
eyes were often on the Boy, and in them was an
expression that I found baffling. Sometimes I
thought it was pity, at others tenderness.</span></p>
<p class="pnext"><span>It was two weeks later that the mystery was
solved. I had invited Bindle to tea in
Kensington Gardens, and we had sat rather late
bestowing the caterer's cake and biscuits upon
birds and gamins. In this Bindle took great
delight. The game was to convey a piece of
cake, or a biscuit, to a young urchin without
being caught in the act by a keen-eyed waitress.</span></p>
<p class="pnext"><span>"When she catches yer it's like bein' pinched
wi' yer 'and in a bishop's pocket," explained
Bindle, which was rather a good description.</span></p>
<p class="pnext"><span>After tea we walked slowly through the
Gardens. Suddenly Bindle clutched my arm.</span></p>
<p class="pnext"><span>"Look, sir! Look!" he cried excitably,
pointing to a path that led off at right angles
from the walk we were following. "It's
Young 'Indenburg."</span></p>
<p class="pnext"><span>I saw approaching us the Boy, pushing a
bath-chair, the occupant of which was hidden
by a black lace sunshade. Instinctively Bindle
and I turned down the path, for we knew that
in that bath-chair was the beautiful old lady
who had given to us the Boy.</span></p>
<p class="pnext"><span>Suddenly the Boy looked up and saw us. He
stooped down and said something to the occupant
of the bath-chair. A second later the
position of the black sunshade was altered
and—several things seemed to happen all at once.
The Boy stopped, came round to the front of
the bath-chair and presented us, a strange
tenderness alike in his voice and expression as
he did so, Bindle dropped his stick and I
received a shock.</span></p>
<p class="pnext"><span>Where was the beautiful, white-haired old
lady, her smiling eyes, the gentle lovable
mouth——? I shuddered involuntarily, and
after a few minutes' exchange of pleasantries,
during which I behaved like a schoolboy and
Bindle was absolutely dumb, I pleaded a pressing
engagement and we made our adieux.</span></p>
<p class="pnext"><span>For some minutes we walked on in silence.
I seemed to see nothing but that pinched and
peevish face, to hear nothing but the querulous,
complaining voice.</span></p>
<p class="pnext"><span>So that was the Boy's mother. I turned to
Bindle, curious to see the effect upon him. I
had never before seen him look so serious.</span></p>
<p class="pnext"><span>"I'm glad I can't remember my mother," he
said, and that seemed to end the matter. We
never referred to it again. Somehow it would
have seemed disloyal to the Boy. Later in the
evening, when the Night Club was in session,
the Boy said to me,</span></p>
<p class="pnext"><span>"I'm awfully glad you saw us to-day. I
wanted you and J.B. to meet the Mater."</span></p>
<p class="pnext"><span>There was on his face the same expression
and in his voice the same softness I had noticed
in the afternoon. I caught Sallie's eye, and I
remembered her reticence.</span></p>
<p class="pnext"><span>"Then he must get it from the Old Dad after
all," I murmured, and Sallie nodded and passed
on to a group at the other end of the room.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-romance-of-a-horsewhipping"><span class="bold large">CHAPTER XIII</span></p>
<p class="center pnext"><span class="bold medium">THE ROMANCE OF A HORSEWHIPPING</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>The more I saw of Jocelyn Dare the more
I got to like him. Beneath the
superficialities of the poseur there was a
nature that seemed oddly out of keeping
with the twentieth century. He was
intended for the days of chivalry and the clashing
of spear against breast-plate. To his love
of children I have already referred, and with
animals he was equally gentle. I once saw him
in Piccadilly, immaculately dressed as usual,
with his arms round the neck of a bus-horse
that had fallen and was in danger of being
strangled by the collar.</span></p>
<p class="pnext"><span>Dare, Sallie, and Bindle became great
friends, and would talk "animals" by the hour
together. Bindle would go further than the
others, and would discourse with affectionate
regret of the "special sort o' performin' fleas"
he had once kept. At first Sallie would shrink
from these references; but when she saw that
Bindle had been genuinely attached to the little
creatures, she braced herself up to their
occasional entry into the conversation.</span></p>
<p class="pnext"><span>"Have you noticed," Angell Herald once
whispered to me, "how Bindle's fleas seem to
annoy Miss Carruthers?"</span></p>
<p class="pnext"><span>The whisper was loud and came during one
of those unaccountable hushes in the general
talk. In consequence everybody heard. It
was an awkward moment, and Angell Herald
became the colour of a beetroot.</span></p>
<p class="pnext"><span>It was Bindle who saved the situation by
saying with regret in his voice: "I lost 'em
more'n a year ago, so that can't be."</span></p>
<p class="pnext"><span>Dare would often drop in upon me for half
an hour's chat. If I were too busy to talk, he
would curl himself up in my arm-chair and
become as silent as a bird.</span></p>
<p class="pnext"><span>One night he was sitting thus when I aroused
him from his reverie by banging a stamp on an
envelope with an air of finality that told him
work was over for that night.</span></p>
<p class="pnext"><span>"Finished?" he queried with a smile.</span></p>
<p class="pnext"><span>I nodded and lit a cigarette. I was
feeling brain-weary and Dare, with that ready
sympathy of his which is almost feminine,
seemed instinctively to understand that I
required my thoughts diverting from the day's work.</span></p>
<p class="pnext"><span>"Ever horsewhip a man?" he enquired languidly
as he reached for another cigarette.</span></p>
<p class="pnext"><span>"No," I replied, scenting a story.</span></p>
<p class="pnext"><span>"Well, don't," was the reply.</span></p>
<p class="pnext"><span>Dare then proceeded to tell me the story of
the one and only horsewhipping in which he had
participated. The story came as a godsend, for
I had nothing for the next meeting of the Night Club.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">I</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"If you intended to horsewhip a man,
Walters, how would you begin?" enquired
Jocelyn Dare of his man one morning at breakfast.</span></p>
<p class="pnext"><span>Without so much as the fraction of a second's
hesitation Walters placed the omelette before
his master, lifted the cover, gave a comprehensive
glance at the table to see that nothing was
lacking, then in the most natural manner in
the world replied, "I should buy a whip, sir."</span></p>
<p class="pnext"><span>That was Walters all over. He is as incapable
of surprise as water of compression. He
is practical to his finger-tips, that is what
makes him the most excellent of servants. I
have met Walters and I use him when Peake,
my own man, evinces the least tendency to
slackness. If Dare were to take home an emu or an
octopus as a household pet, Walters would, as
a matter of course, ring up the Zoological
Gardens and enquire as to the most desirable
aliment for sustaining life in their respective
bodies. To Dare Walters is something between
an inspiration and a habit.</span></p>
<p class="pnext"><span>"Stop!" cried Dare, as Walters was about
to leave the room. "This is a matter of some
importance and cannot be so lightly dismissed."</span></p>
<p class="pnext"><span>Walters returned to the table, readjusted the
toast-rack at its proper angle, and replaced the
cover on what remained of the omelette. One
of Walters' most remarkable qualities is that,
no matter how suddenly he may be approached
upon a subject, or how bizarre the subject itself,
his reply is always that of a man who has
just been occupied in a careful and deliberate
analysis of the matter in question from its
every conceivable aspect.</span></p>
<p class="pnext"><span>"Well, having bought the whip," Dare queried
as he took another piece of toast, "how would
you then proceed if you wanted to horsewhip a man?"</span></p>
<p class="pnext"><span>"I should never want to horsewhip anyone,
sir. No one ever does," was the unexpected
reply.</span></p>
<p class="pnext"><span>Dare looked up at Walters' expressionless face.</span></p>
<p class="pnext"><span>"But," said Dare, "I have just told you
that I want to horsewhip someone. Will you
have it that I am the only man who has ever
wanted to horsewhip another?"</span></p>
<p class="pnext"><span>"Begging your pardon, sir," said Walters.
"But you do not really want to horsewhip anyone."</span></p>
<p class="pnext"><span>Dare put down his fork and stared at Walters
in interested surprise. After a careful
examination of his servant's features he remarked,
"I have never disguised from you, Walters,
my admiration for your capacity of transmuting
eggs into omelettes, your unerring taste in
neckwear, your inspiration in trouserings, your
knowledge of Burke and your attainments as a
compendium of knowledge upon the subtleties
of etiquette; but I think you might permit me
to know my own feelings in the matter of horsewhipping."</span></p>
<p class="pnext"><span>"I beg your pardon, sir," Walters' tone was
deferential but firm. "I was with Lord
Beaulover when her Ladyship eloped with
Mr. Jameson. His Lordship was quite upset
about it."</span></p>
<p class="pnext"><span>"But what has this got to do with
horsewhipping?" questioned Dare.</span></p>
<p class="pnext"><span>"I was coming to that, sir," replied Walters
evenly. "His Lordship was so kind as to ask
my opinion as to what he should do. His
Lordship was always very kind in consulting
me upon his private affairs."</span></p>
<p class="pnext"><span>"And what did you advise?" queried Dare.</span></p>
<p class="pnext"><span>"I told him that the correct thing would be
to horsewhip Mr. Jameson. His Lordship
protested that he was not angry with Mr. Jameson,
but as a matter of fact deeply indebted
to him. We were speaking in strict confidence,
I should mention, sir."</span></p>
<p class="pnext"><span>"Of course," said Dare. "Go on, Walters."</span></p>
<p class="pnext"><span>"Well, sir, his Lordship eventually agreed
that his duty to Society demanded physical
violence. He was always most punctilious in——"</span></p>
<p class="pnext"><span>"But I thought it was young Jameson who
whipped Lord Beaulover," broke in Dare.</span></p>
<p class="pnext"><span>"That is so, sir," replied Walters, "But his
Lordship did not on this occasion see the force
of my arguments that he should practise beforehand.
He was confined to his bed for a week
and suffered considerable pain. I remember
him saying to me:</span></p>
<p class="pnext"><span>"'Walters, never again.'</span></p>
<p class="pnext"><span>"'No, my Lord,' I replied.</span></p>
<p class="pnext"><span>"'I mean,' continued his Lordship, 'I'll
never go against your advice again, Walters,
never!'</span></p>
<p class="pnext"><span>"And he never did, sir."</span></p>
<p class="pnext"><span>"Is that all you have to say upon the ethics
of horsewhipping, Walters?" Dare enquired
as he proceeded to enjoy the omelette au jambon,
in the making of which Walters is an adept.</span></p>
<p class="pnext"><span>"It would be advisable to make careful
preparation, sir," was Walters' matter-of-fact
reply. "There was the mishap of his Lordship."</span></p>
<p class="pnext"><span>"Yes," Dare mused as he poured out another
cup of coffee; "there's always that danger.
Life is crammed with anti-climax."</span></p>
<p class="pnext"><span>"Yes, sir!"</span></p>
<p class="pnext"><span>"How would you go to work, Walters?"
Dare questioned.</span></p>
<p class="pnext"><span>Without a moment's hesitation Walters
replied, "I do not know, sir, whether you have
noticed that even battles now-a-days have to be
rehearsed."</span></p>
<p class="pnext"><span>"Ah!" broke in Dare, "you advise a répétition générale."</span></p>
<p class="pnext"><span>"The chief difficulty, sir," continued
Walters, "is to get a good grip of your man.
May I ask, sir, who it is you intend to horsewhip?"</span></p>
<p class="pnext"><span>Dare looked quickly up at Walters. There
was no curiosity in his face, he evidently
required the information for the purpose of
reaching his conclusions.</span></p>
<p class="pnext"><span>"Mr. Standish," Dare replied, watching
Walters narrowly to see if he showed surprise.
Standish and his wife were at that time Dare's
most intimate friends, and they were constantly
at his flat and Dare at theirs.</span></p>
<p class="pnext"><span>Walters did not move a muscle.</span></p>
<p class="pnext"><span>"Mr. Standish has a very thick neck, sir,"
he remarked, "that makes it more difficult."</span></p>
<p class="pnext"><span>Dare put down the coffee cup he was just
raising to his lips and stared at Walters.</span></p>
<p class="pnext"><span>"What on earth has that to do with it?" he
exclaimed.</span></p>
<p class="pnext"><span>"It is more difficult to get a good grip of a
man with a thick neck, sir, than of one with a
thin neck. Fortunately I have a thick neck,"
he added imperturbably.</span></p>
<p class="pnext"><span>Walters has always been a great joy to Dare;
but there are times when he is also something
of a trial. Dare suggested that he should
explain himself, which he proceeded to do.</span></p>
<p class="pnext"><span>According to Walters, rehearsal is the great
educator. If he were asked his advice as to
how to run away with another man's wife, he
would insinuate that there must be a sort of
dress-rehearsal. His creed is that to a man of
the world nothing must appear as a novelty.
Breeding, he would define as the faculty of
doing anything and everything as if to the
action accustomed.</span></p>
<p class="pnext"><span>On the matter of horsewhipping, Dare learned
much during the next ten minutes, and by the
time he had finished his breakfast he found
himself in full possession of all the necessary
information as to how to horsewhip a man.
The thickness of his own neck, Walters
appeared to regard as the special provision of
providence that his master might practise upon
him. Dare protested that it would hurt, and
Walters countered with a reference to the pile
of old copies of </span><em class="italics">The Times</em><span> awaiting a call from
the Boy Scouts. With these he would pad
himself and instruct Dare in how, when and
where to horsewhip a fellow being.</span></p>
<p class="pnext"><span>But for Walters, Dare confesses, he would
have made a sorry mess of that whipping. The
whip seemed to get entangled in everything.
It brought down pictures, lifted chairs,
demolished an electric light bracket, and
uprooted a fern. In short it seemed bewitched.
Dare could get it anywhere but upon Walters'
person. When somewhat more practised, Dare
brought off a glorious cut upon Walters' right
leg, which set him hopping about the room in
silent agony. Greatly concerned Dare apologised
profusely.</span></p>
<p class="pnext"><span>"It was my own fault, sir," was Walters'
reply as he proceeded to bind a small mat round
each leg. "I omitted all protection below the
knee."</span></p>
<p class="pnext"><span>After a week's incessant practice upon
Walters' long-suffering body and patient spirit,
Dare was given to understand that he might
regard himself as having successfully passed
out of his noviciate.</span></p>
<p class="pnext"><span>When Dare confided to Jack Carruthers what
he intended to do, Carruthers burst out with—</span></p>
<p class="pnext"><span>"Good heavens! Why, Standish is your
best pal and his wife——"</span></p>
<p class="pnext"><span>"Had better be left out of the picture as far
as you're concerned, old man," had been the
reply. "The modern habit of linking thought
to speech irritates me intensely: it shows a
deplorable lack of half tones."</span></p>
<p class="pnext"><span>Carruthers apologised.</span></p>
<p class="pnext"><span>"But why do you want to whip Millie
Standish's husband?" Carruthers demanded,
pulling vigorously at his pipe, a trick of his
when excited.</span></p>
<p class="pnext"><span>According to Dare, Carruthers is sometimes
hopelessly English, not in his ideas; but in his
method of expressing them—his ideas themselves
are Continental. Dare told him that by
saying Millie Standish's husband, instead of
Standish, he implied that he, Dare, was in love
with another man's wife.</span></p>
<p class="pnext"><span>Carruthers had blurted out that of course he
was, everybody knew it.</span></p>
<p class="pnext"><span>Dare pointed out that he had got mixed in
his tenses. To </span><em class="italics">be</em><span> in love with a married woman
is apt to compromise her: to </span><em class="italics">have been</em><span> in love
with her, merely adds to her interest and
importance in the eyes of her contemporaries.</span></p>
<p class="pnext"><span>That is Dare all over. He would stop his
own funeral service to point a moral, or launch
an epigram.</span></p>
<p class="pnext"><span>Standish and Dare had been close friends
until Standish fell insanely in love with the
young woman who dispensed "tonics" in the
saloon-bar of "The Belted Earl." Standish
was a bizarre creature at times, and, to use
Dare's own words, "what must the braying
jackass do but endeavour to cultivate Fay's
(that was his inamorata's classic name) mind,
which existed nowhere outside the radius of
his own mystical imagination."</span></p>
<p class="pnext"><span>On her nights out he took her to ballad
concerts, when her soul yearned for the
Pictures; and to University extension lectures,
when her whole being craved for the Oxford.</span></p>
<p class="pnext"><span>When she complained of the long hours and
the "sinking" she felt between meals, he
advised her to eat raisins, and descanted sagely
upon the sustaining properties of sugar. No
one will ever know how he got acquainted with
her, for drink made him either sick or silly.
However, every evening between six and seven
Standish ran into "The Belted Earl" on his
way home, consumed a small lemonade, and
handed Fay her morrow's ration of raisins.</span></p>
<p class="pnext"><span>He confided the whole story to Dare, he was
bursting with it. Dare gave him sage counsel
built up upon the foundation of secrecy, but
instinctively he knew that it was impossible
with a man like Standish.</span></p>
<p class="pnext"><span>One night Standish insisted upon Dare
accompanying him into the saloon-bar of "The
Belted Earl" where he was formally introduced
to what Dare described as "a big-busted
creature, with a head like a blonde horse and
teeth suggestive of a dentist's show-case."</span></p>
<p class="pnext"><span>Fay's conversation seemed to consist mainly
of three phrases, which are given in the order
of the frequency with which they escaped her</span></p>
<ol class="arabic simple">
<li><p class="first pfirst"><span>Oh! go on, do!</span></p>
</li>
<li><p class="first pfirst"><span>I'm surprised at you!</span></p>
</li>
<li><p class="first pfirst"><span>Aren't you sarcastic!</span></p>
</li>
</ol>
<p class="pfirst"><span>Standish strove to be light in his talk,
possibly with the object of matching his
beloved's hair; but, like that peroxide-exotic,
his thoughts were rooted in darker foundations.</span></p>
<p class="pnext"><span>As they left the place Standish enquired
eagerly—</span></p>
<p class="pnext"><span>"What do you think of her?"</span></p>
<p class="pnext"><span>Dare became deliberately mixed over the
pronoun, and replied with a very direct
description of what he thought of Standish.</span></p>
<p class="pnext"><span>He told him that he was confusing his
conception of the soul with Fay's conviction of
the body. He scoffed at the concerts and
lectures. He pointed out that the politic Fay
suffered them because she had imagination.
"You are endeavouring to combine the
instincts of a lothario with the soul of a
calvinist," Dare had said in conclusion.</span></p>
<p class="pnext"><span>The two men parted with their friendship
considerably shaken. Dare saw no particular
objection to Standish making an ass of himself
over any girl he chose; but he could not digest
the missionary spirit in which Standish chose
to view the whole adventure.</span></p>
<p class="pnext"><span>At last Standish went a step too far and told
his wife all about it, requesting her to ask the
unspeakable Fay to call. This platonic request
was very naturally refused, and Standish made
a fool of himself, said that Fay was one of
Nature's ladies, and, given the right clothes
and environment, she would be an astonishing
success.</span></p>
<p class="pnext"><span>Dare learned the story from both of them,
and told Standish that such bloods as he were
wanted in sparsely populated colonies. The
upshot was a breach between the two.</span></p>
<p class="pnext"><span>Millie Standish took it all rather badly. She
talked about leaving her husband, and there
was a quiet determined look in her eyes that
Dare did not like: it seemed to suggest the
possibility of leaving the world as well. Dare
talked about brain-storm and other alien things,
and patched things up for the time being.</span></p>
<p class="pnext"><span>At last Dare determined that shock tactics
were necessary to bring Standish to his senses,
and here his chivalry asserted itself. Millie
Standish had no brother, therefore Dare felt it
incumbent upon him to assume the fraternal
responsibility of correcting Standish's rather
Eastern views of life.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="medium">II</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Having become thoroughly practised, Dare
waited outside Standish's office one morning
and administered the necessary punishment.
The affair was an astounding success. Never
probably in the history of horse-whipping had
punishment been so admirably and skilfully
administered. Standish's clerks lined the
windows and had the time of their lives. They
dared not cheer; but it was obvious on which
side were their sympathies.</span></p>
<p class="pnext"><span>"Funny sensation whipping a man,"
remarked Dare, meditatively when he told the
story, "It's so devilish difficult to hit him and
avoid your own legs, even when you've had a
Walters to practise on."</span></p>
<p class="pnext"><span>The next day Dare received a note from
Mrs. Standish, which made it clear that so far from
appreciating his chivalry, she was engaged in
mourning over her stricken lord, moistening his
poultices with her tears.</span></p>
<p class="pnext"><span>"Queer things, women," said Dare;
"chivalry is as dead as Queen Anne."</span></p>
<p class="pnext"><span>Later in the day Dare was served with a
summons for assault and battery. The affair
was assuming an aspect which caused him
considerable anxiety. If the matter were aired
in the police-court, then the whole story would
come out, Millie Standish would be humiliated
and Standish himself would be made
utterly ridiculous. Dare decided to consult
old John Brissett, his solicitor, who immediately
got into touch with Standish's solicitor and told
him that if the matter went into court he should
supoena Fay. The result was that the lion
became as a lamb. Brissett made it quite clear
to Standish's solicitor, who in turn made it clear
to Standish, that his respectable intentions
would be entirely misunderstood. The upshot
of it was that the summons was withdrawn.</span></p>
<p class="pnext"><span>"And was that the end?" I queried of Dare.</span></p>
<p class="pnext"><span>"The end?" he cried. "Good God, no!
Three days later Millie Standish cut me dead
at the Latimer's reception. Women are
oblivious to chivalry as I said before."</span></p>
<p class="pnext"><span>"So all was well," I said.</span></p>
<p class="pnext"><span>"All was not well, my dear fellow," was
Dare's reply, as he gazed up at the ceiling.
"All was peculiarly and damnably ill.
Horsewhipping is a luxury far beyond my means,"
and he started blowing rings.</span></p>
<p class="pnext"><span>"But the summons——"</span></p>
<p class="pnext"><span>"Was withdrawn, true; but Fay was still
alive alas! and with every 'tonic' she
dispensed in the saloon-bar of 'The Belted Earl'
she told of the noble way in which I had
whipped Standish for her sake. That was
Millie's doing. I could swear to it, she made
Standish tell Fay that I did it because I was
jealous of him and—oh, it was hell and chaos
and forty publishers all rolled into one."</span></p>
<p class="pnext"><span>"But Fay?" I queried. "What of her?"</span></p>
<p class="pnext"><span>"She sent me perfumed notes (such vile
perfume too) by the potman or chucker-out every
other hour. Notes of adoration and of gratitude,
in which the terms 'hero,' 'noble,'
'chivalrous,' with two v's, occurred at sickening
intervals. I had to leave London for nearly a
month, and it was at a time when I was busily
engaged in a dispute with my publisher which
necessitated my presence in town.</span></p>
<p class="pnext"><span>"Alas!" he concluded. "The tragedy of
life is that it is always the wrong woman who
appreciates a man's nobility."</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"I never got no woman to appreciate my
nobility wrong </span><em class="italics">or</em><span> right, sir," said Bindle, at
the conclusion of the story.</span></p>
<p class="pnext"><span>"Well, you're a lucky man, J.B.," said Dare.
"An old fogey who lived some three thousand
years ago said one of the disadvantages of
matrimony was that your wife insisted on
taking her meals with you."</span></p>
<p class="pnext"><span>"Did 'e really, sir?" said Bindle, greatly
interested. '"I should a' like to 'ave known 'im."</span></p>
<p class="pnext"><span>"Mr. Bindle," said Sallie, "I am afraid you
are a misogynist."</span></p>
<p class="pnext"><span>"I 'ope not, miss," said Bindle anxiously.</span></p>
<p class="pnext"><span>"Well you must remember that every time
you say things against women you are saying
something against me, because I am a woman."</span></p>
<p class="pnext"><span>"Lord, miss, don't say that," said Bindle
half rising from his chair. "I never thinks o'
you as a woman. You seem to be a sort of——"
and he paused.</span></p>
<p class="pnext"><span>"A sort of what?" enquired Sallie.</span></p>
<p class="pnext"><span>"Well, miss, I don't 'ardly like to say."</span></p>
<p class="pnext"><span>"Come on, speak up, J.B.," said Dick Little,
"don't be a coward. We'll see that Miss
Carruthers doesn't hurt you."</span></p>
<p class="pnext"><span>"You must finish your sentence, I insist,"
said Sallie.</span></p>
<p class="pnext"><span>"Well, miss, I was goin' to say you always
seems more like a mate than a woman."</span></p>
<p class="pnext"><span>That is one of the few occasions I have seen
Sallie blush. Dick Little's attentions, my
devotion, Angell Herald's elaborate manners, the
General's gallantry; none of them had succeeded
in bringing to Sallie's face the look of pleasure
that Bindle's simple remark produced.</span></p>
<p class="pnext"><span>"Thank you, Mr. Bindle, very much indeed,"
she said.</span></p>
<p class="pnext"><span>"But why?" asked Windover reverting to
the horsewhipping affair, "why should
Mrs. Standish——"</span></p>
<p class="pnext"><span>"I expected," said Dare, "that some ass——"</span></p>
<p class="pnext"><span>"Psychologist," suggested Windover.</span></p>
<p class="pnext"><span>"The same thing, old man," was the retort.
"I expected that some psychological ass would
ask why Millie Standish should behave so oddly.
I will tell you. It transpired later that she
had evolved a cure of her own.</span></p>
<p class="pnext"><span>"She had after all invited Fay to her flat
one evening, where she met the smartest women
and the cleverest men that Millie could collect.
I was not included," he added.</span></p>
<p class="pnext"><span>"Fay had turned up in a pale blue satin
blouse, a black skirt and white boots. She had
hung herself with every ounce of metal she
possessed and jingled like a cavalry charger.
All the women were very nice to her, tried to
draw her out; but the men just stared, first at
her and then at each other. It was Millie's
hour, and when Standish had put Fay into a
taxi, he had wept his repentance, been taken
back to Millie's heart, and all was at peace."</span></p>
<p class="pnext"><span>"So your whipping came as an anti-climax,"
said Windover.</span></p>
<p class="pnext"><span>"Exactly," was Dare's response.</span></p>
<p class="pnext"><span>"Alas!" remarked Windover, "A man can
but do his best and a woman her worst."</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="ginger-visits-the-night-club"><span class="bold large">CHAPTER XIV</span></p>
<p class="center pnext"><span class="bold medium">GINGER VISITS THE NIGHT CLUB</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Bindle had on more than one occasion
been urged to bring Ginger to the
Night Club; but Ginger finds himself
"not 'oldin' wiv" so many things in
life, that he is very difficult to approach. One
evening, however, Bindle entered with the
khaki-clad Ginger. Awkward and self-conscious,
Ginger strove to disguise his nervousness
under the mantle of his habitual gloom.</span></p>
<p class="pnext"><span>"We been walkin' in the Park," Bindle
announced. "I been quite worried about poor
old Ging. Sunday evenin' in the Park ain't no
place for a young chap like 'im. It puts wrong
ideas into 'is 'ead."</span></p>
<p class="pnext"><span>Ginger grumbled something in his throat and
with one hand took the cigar Dick Little offered
whilst with the other he grasped the glass of
beer that Windover had poured out for him.</span></p>
<p class="pnext"><span>"Funny place Hyde Park on a Sunday
evenin'," Bindle remarked conversationally to
Sallie; "but it's a rare responsibility with a
chap like Ginger."</span></p>
<p class="pnext"><span>"Now Mr. Bindle," she smiled, "if you
tease him I shall be cross."</span></p>
<p class="pnext"><span>"Me tease, miss, you must be mixin' me up
wi' Mr. 'Erald."</span></p>
<p class="pnext"><span>"Get along with, the yarn, J.B., tell us about
the Park," urged Carruthers, who liked nothing
better than to get Bindle going.</span></p>
<p class="pnext"><span>"You should 'ear wot them Australian boys
says about the Daylight Bill," he continued
after a pause.</span></p>
<p class="pnext"><span>"The Daylight Bill?" queried Angell Herald.</span></p>
<p class="pnext"><span>"Well, you see, sir, its like this. Them poor
chaps says that they gets a gal, and then, as
soon as it gets dark, it's time for 'er to go 'ome."</span></p>
<p class="pnext"><span>"But why——?" began Angell Herald.</span></p>
<p class="pnext"><span>"Oh, you work it out by the square root of
the primitive instinct," said Dick Little, which
left Angell Herald exactly where he was before.</span></p>
<p class="pnext"><span>"They're an 'ot lot, them Australians,"
Bindle proceeded. "Ginger says they go off
with all the gals, an' 'e don't get a chance.
Aint that so, ole sport?" he demanded turning
to Ginger.</span></p>
<p class="pnext"><span>"I don't 'old wiv women," grumbled Ginger.</span></p>
<p class="pnext"><span>"Anyway the Kangaroos don't give yer much
chance of 'oldin' 'em. Fine chaps they looks
too. I don't blame the gals," Bindle added.</span></p>
<p class="pnext"><span>"Funny things gals," continued Bindle,
"they'd chuck a angel for an Australian.
'Earty's got a gal to 'elp in the shop. She's
a pretty bit too, yer can always trust 'Earty
in little things like that. Well, she's nuts on
Australians. Poor Martha gets quite worried
about it. Martha's 'Earty's missis," he
explained, "A rare lot o' trouble she's 'ad with
Jenny. First of all the gal took up wi' the
milkman, wots got an 'eart and can't get into
khaki. Then she chucks 'im an' starts with
Australians; an' 'e was a fivepenny milkman
too, an' now 'e can't go near the 'Earty's 'ouse
without it 'urtin' 'im, so poor ole Martha is a
penny down on 'er milk."</span></p>
<p class="pnext"><span>Bindle paused and proceeded to pull at his
pipe meditatively.</span></p>
<p class="pnext"><span>"Get ahead, man," cried Dare impatiently.
"What happened to the fickle Jenny?"</span></p>
<p class="pnext"><span>"Well," continued Bindle, "she seemed to
get a new Australian every night out, an' poor
ole Milkcans is lookin' round for another bit
o' skirt."</span></p>
<div class="vspace" style="height: 1em"></div>
<!-- -->
<blockquote>
<div>
<div class="line-block outermost">
<div class="line"><span>"Know this thou lov'st amiss and to love true,</span></div>
<div class="line"><span>Thou must begin again and love anew,"</span></div>
</div></div>
</blockquote>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>quoted Dare.</span></p>
<p class="pnext"><span>"One day Martha asks Jenny why she's
always out with Australians instead of our
chaps. She looks down, shuffles 'er feet, nibbles
the corner of 'er apron. At last she says, 'Oh,
mum, it's the way they 'olds yer.'</span></p>
<p class="pnext"><span>"Yes," continued Bindle, "they're fine
chaps them Australians, an' they can fight
too." After a pause he continued: "Ole Spotty can't
stand 'em, though. Spotty's got somethink
wrong with 'is lungs and the doctor says to 'im,
'Spotty ole card, it's outdoors or underground.
The choice is with you.'</span></p>
<p class="pnext"><span>"So instead o' becomin' a member o' parliament,
Spotty goes round takin' pennies for
lettin' people sit down on the chairs in the
Park. It means fourpence 'alfpenny an 'our
now an' rheumatism later.</span></p>
<p class="pnext"><span>"Them Australians can't understand bein'
asked a penny to sit down, and sometimes they
refuses to pay, thinking it's a do. It's a shame
not to let 'em sit down for nothink, after they
come all them miles to fight. So Spotty soon
learns to sort of overlook 'em.</span></p>
<p class="pnext"><span>"One day an inspector reports 'im to the
guv'nor, an' 'e was 'auled up an' asked to tell
all about it. 'E did, also 'ow one of 'em offered
to fight 'im for the penny. Spotty's a slip of
a thing like a war sausage.</span></p>
<p class="pnext"><span>"'I took up this 'ere job,' says Spotty, 'to
get well, not as a short cut to the 'orspital,'
and he offered to resign; but they're short o'
men an' Spotty is still takin' pennies, when 'e
can get 'em without scrappin'.</span></p>
<p class="pnext"><span>"Lord, the things Spotty's told me about
Hyde Park. It ain't no place for me. I told
Mrs. B. one night, leastwise I told 'er some, an'
she says, 'The King ought to stop it.'" Bindle
grinned. "I can see 'im goin' round a-stoppin'
it by 'avin' all the chairs put two yards apart,
an' bein' late for 'is supper."</span></p>
<p class="pnext"><span>"Are you a royalist, J.B.?" enquired
Windover languidly.</span></p>
<p class="pnext"><span>"A wot, sir?" enquired Bindle.</span></p>
<p class="pnext"><span>"Do you believe in kings?"</span></p>
<p class="pnext"><span>"I believe in our King." There was decision
in Bindle's voice. "'E's a sport, same
as 'is father was. I'm sick of all this talk
about a republic." Disgust was clearly
expressed upon Bindle's face and in his voice.
"Down at the yard they're always jawin' about
the revolution wot's comin'."</span></p>
<p class="pnext"><span>"I don't 'old wiv kings," broke in Ginger.
"There's goin' to be a revolution."</span></p>
<p class="pnext"><span>"'Ullo Ging, you woke up? Well ole son,
wot's wrong wi' George Five?"</span></p>
<p class="pnext"><span>"Look wot 'e corsts, an' you an' me 'as to
pay, an' everything goin' up like 'ell."</span></p>
<p class="pnext"><span>"'Ush, Ginger, 'ush, there's a lady 'ere."</span></p>
<p class="pnext"><span>Ginger looked awkwardly at Sallie, who
smiled her reassurance.</span></p>
<p class="pnext"><span>"'I s'pose, Ginger, yer thinks you're goin' to
get a republic with a pound o' tea," said Bindle
good-humouredly.</span></p>
<p class="pnext"><span>"There's goin' to be a revolution," persisted
Ginger doggedly. Ginger logic is repetition.
"After the war," he added.</span></p>
<p class="pnext"><span>"An' wot jer goin' to revolute about?"
enquired Bindle, gazing at Ginger's face, which
Windover has described as "freckled with
stupidity."</span></p>
<p class="pnext"><span>For a few minutes Ginger was silent,
thinking laboriously.</span></p>
<p class="pnext"><span>"Look at the price of beer?" he at length
challenged with inspiration.</span></p>
<p class="pnext"><span>"Well, Ging, ain't you an ole 'uggins. 'Jer
think you'll get cheap beer if yer makes George
and Mary 'op it? Not you, ole son. Wot
you'll most likely get is no beer at all, same
as in America."</span></p>
<p class="pnext"><span>"That's a lie!" We were all startled at
the anger in Ginger's voice, as he flashed a
sullen challenge round the room.</span></p>
<p class="pnext"><span>"Don't get 'uffy, ole sport. Wot's a lie?"
enquired Bindle, unmoved by Ginger's outburst.</span></p>
<p class="pnext"><span>"That they ain't got no beer in America,"
snarled Ginger.</span></p>
<p class="pnext"><span>"J.B. is quite right," murmured Windover
soothingly. "In some States there's no drink
of any sort."</span></p>
<p class="pnext"><span>Ginger gazed from one to the other, bewilderment
and alarm stamped upon his face.</span></p>
<p class="pnext"><span>"Well I'm——" began Ginger.</span></p>
<p class="pnext"><span>"Surprised," broke in Bindle. "O' course
you are. Fancy bein' in the army without
anythink to wash it down.</span></p>
<p class="pnext"><span>"Now, Ginger," said Bindle after a pause,
"tell the General 'ow 'appy you are bein' a
soldier."</span></p>
<p class="pnext"><span>"I don't 'old wiv the army," was Ginger's
gloomy response.</span></p>
<p class="pnext"><span>"What!" There was the light of battle in
the General's eye. "Then why the devil did
you enlist?" he demanded in his most aggressive
parade manner.</span></p>
<p class="pnext"><span>"To get away," was Ginger's enigmatical
response.</span></p>
<p class="pnext"><span>"To get away! To get away from what?"
demanded the General.</span></p>
<p class="pnext"><span>"You see, sir," explained Bindle, "Ginger
ain't 'appy in 'is 'ome life. 'E's got a wife an'
three kids and——"</span></p>
<p class="pnext"><span>"Jawin' an' squallin'," interrupted Ginger
vindictively.</span></p>
<p class="pnext"><span>"Why don't you like the army?" demanded
the General.</span></p>
<p class="pnext"><span>"Don't 'old wiv orficers."</span></p>
<p class="pnext"><span>"With officers! Why?"</span></p>
<p class="pnext"><span>"Order yer about."</span></p>
<p class="pnext"><span>"How the devil would you know what to do
if they didn't order you about?" demanded
the General rapidly losing his temper.</span></p>
<p class="pnext"><span>"Don't 'old wiv the army," was the grumbled
retort.</span></p>
<p class="pnext"><span>It is Ginger's method, when faced with an
awkward question, to fall back upon his inner
defences by announcing that he "don't 'old
wiv" whatever it is under discussion.</span></p>
<p class="pnext"><span>"If you don't hold with the army, with
officers, with wives and children, then what do
you hold with?" demanded the General angrily.</span></p>
<p class="pnext"><span>"Beer," was the laconic response, uttered
without the vestige of a smile.</span></p>
<p class="pnext"><span>Ginger personifies gloom. He would if he
could snatch the sun's ray from a dewdrop, or
the joyousness from a child's laugh. It is
constitutional.</span></p>
<p class="pnext"><span>"Poor ole Ginger's 'appier when 'e's miserable,"
Bindle explained; "but 'e's a rare good
sort at 'eart is Ging. 'E once bought a cock
canary, wot the man told 'im would sing like a
prize bird; but when the yaller comes orf an'
there warn't no song, and the bird started
a-layin' eggs, it sort o' broke poor ole Ging. up.
'E ain't never been the same man since, 'ave yer,
ole sport?"</span></p>
<p class="pnext"><span>Ginger muttered something inaudible, the
tone of which suggested blood.</span></p>
<p class="pnext"><span>"If you could catch that cove you'd be
'oldin' 'im, eh Ging?"</span></p>
<p class="pnext"><span>"Blast 'im!" exploded Ginger.</span></p>
<p class="pnext"><span>Shortly afterwards Ginger took an ungracious
leave. The Night Club saw him no more.</span></p>
<p class="pnext"><span>On the Sunday following Bindle arrived
early, hilarious with excitement.</span></p>
<p class="pnext"><span>"'Old me, 'Orace," he cried joyously, and
two of "Tims'" men supported him in the
approved manner of the prize-ring, flapping
handkerchiefs before his face. Presently
Bindle reassumed control of his limbs.</span></p>
<p class="pnext"><span>"What's the joke?" enquired Dick Little.</span></p>
<p class="pnext"><span>"Joke!" cried Bindle. "Joke! 'Ere 'old
me again."</span></p>
<p class="pnext"><span>After further ministrations he explained.
On the previous day he had met one of Ginger's
mates, who had told him that Ginger was undergoing
seven days C.B. for fighting in the guardroom.</span></p>
<p class="pnext"><span>"An' wot jer think 'e was fighting about?"
enquired Bindle, his face crinkled with smiles.</span></p>
<p class="pnext"><span>We gave it up.</span></p>
<p class="pnext"><span>"Because one of 'is mates says we're goin'
to 'ave a republic! The poor chap's in
'orspital now," he added, "a-learnin' to believe
in kings, and poor ole Ginger's learnin' that it
ain't wise to believe too much in anythink."</span></p>
<p class="pnext"><span>"Well, here's to Private Ginger, loyalist,"
cried Jim Colman, and we drank the toast in
a way that brought the General hurrying up
from below.</span></p>
<p class="pnext"><span>"I seem to been 'avin' quite a lot o' things
'appen last week," remarked Bindle as he
unscrewed the stopper of a beer-bottle on the
sideboard, and poured the contents into the
pewter tankard that Sallie had given him.
After a long and refreshing drink he continued
tantalisingly—</span></p>
<p class="pnext"><span>"Funny 'ow things 'appen to me. Cheer-o!
Archie," this to Old Archie who had just
entered, his face looking more than ever like
a withered apple in which were set a pair of
shrewd, but kindly eyes.</span></p>
<p class="pnext"><span>"Tellin' the tale, Joe," he remarked. Then
turning to the rest of us he added, "Suppose
poor old Joe was to forget 'ow to talk. Evenin',
m'lord," this with an upward movement of his
hand as Windover entered.</span></p>
<p class="pnext"><span>"There ain't no fear o' that, Archie my lad,"
replied Bindle. "I'm as likely to forget 'ow
to talk as you are to remember to put the cawfee
into the stuff yer sells for more'n it's worth."</span></p>
<p class="pnext"><span>"What's been happening?" demanded Blint.</span></p>
<p class="pnext"><span>"I see Mr. Angell 'Erald the other day,"
Bindle remarked. "I was on the tail-board o'
the van with ole Wilkes, 'im wot coughs to
keep 'im from swallowing flies."</span></p>
<p class="pnext"><span>"Did he see you?" enquired Dick Little.</span></p>
<p class="pnext"><span>"If 'e didn't see me, there wasn't no excuse
for 'im not 'earin' Wilkie's cough. They
wouldn't 'ave 'im as a special constable. Rude
to 'im they was. Poor ole Wilkie ain't forgot
it, 'e's a bit sensitive like, not bein' married."</span></p>
<p class="pnext"><span>"Never mind about Wilkes," broke in Tom
Little. "Get oh with the story, J.B."</span></p>
<p class="pnext"><span>At times Bindle has a tendency to wander
into by-paths of reminiscence.</span></p>
<p class="pnext"><span>"It was in the Strand," he continued, "an'
to make sure of Mr. Angell 'Erald not bein'
disappointed I cheero'd 'im. 'E sort o' looked
round frightened-like, then 'e disappeared into
a teashop like a rabbit in an 'ole. S'pose 'e
suddenly remembered 'e was tea-thirsty," and
Bindle looked round solemnly.</span></p>
<p class="pnext"><span>"Perhaps he didn't hear you," ventured
Dick Little.</span></p>
<p class="pnext"><span>"When I cheero a cove, an' Wilkie coughs
at 'im, well if 'e don't 'ear then 'e ought to be
seen to, because it's serious. Why the cop on
point mentioned it to me. Said we'd set the
motor-busses shyin' if we didn't stop. 'E was
quite 'urt about it. Seemed upset-like about
poor ole Wilkie's cough. No: 'e 'eard us right
enough."</span></p>
<p class="pnext"><span>"He may not have recognised you," the Boy
ventured, knowing full well that Angell Herald
would not be seen exchanging salutations with
a man on the tail-board of a pantechnicon.</span></p>
<p class="pnext"><span>But Bindle merely closed his left eye and
placed the forefinger of his right hand at the
side of his nose.</span></p>
<p class="pnext"><span>At that moment Angell Herald entered the
room. He glanced, a little anxiously I thought,
at Bindle who, however, greeted him with
unaffected good-humour.</span></p>
<p class="pnext"><span>"When you come in, sir," he explained
cheerily, "I was jest tellin' 'ow me an' Wilkie
ran across 'is Lordship last week. Me an'
Wilkie was on the tail-board o' the van; but 'is
Lordship come up an'—wot jer think?"</span></p>
<p class="pnext"><span>Bindle gazed round the room triumphantly.
Angell Herald looked extremely unhappy.
Windover, on the contrary, seemed unusually
interested. Having centred upon himself the
attention of the whole room Bindle proceeded,</span></p>
<p class="pnext"><span>"'E took us into a swell place an' stood us
a dinner. Lord, 'ow they did look to see us,
me an' Wilkie in our aprons, 'is Lordship in 'is
red tabs an' a gold rim to 'is cap, an' a red
band round it."</span></p>
<p class="pnext"><span>Bindle was enjoying himself hugely, especially
as he saw that Angell Herald was becoming
more and more uncomfortable.</span></p>
<p class="pnext"><span>"We 'ad champagne an' oysters, an' soup
an'—— Well I thought Wilkie 'ud never
stop." He broke off to light his pipe, when it
was in full blast he continued.</span></p>
<p class="pnext"><span>"Presently a cove in an 'igh collar comes up
an' says polite like to 'is lordship—</span></p>
<p class="pnext"><span>"'Would you kindly ask that gentleman to
'urry with 'is soup, sir,' meanin' Wilkie,
'there's a gentleman over there wot says 'e
can't 'ear the band, an' this is 'is favourite
tune.'"</span></p>
<p class="pnext"><span>"Mr. Bindle!" cried Sallie, who is very
sensitive upon the subject of table manners.</span></p>
<p class="pnext"><span>"I'm sorry, miss, but you see poor ole Wilkie
never 'ad no mother to teach 'im. Yes," he
continued, "we 'ad a rare ole time, me an'
Wilkie."</span></p>
<p class="pnext"><span>Angell Herald looked from Bindle to
Windover. His veneer of self-complacency
had been badly punctured.</span></p>
<p class="pnext"><span>"By the way, J.B.," said Windover, "I
want you to come to lunch with me again on
Saturday. You'll come, Little and you, Boy."</span></p>
<p class="pnext"><span>It was Bindle's turn to look surprised. That
is how he got a real "dinner" with a lord,
and Angell Herald had a lesson by which he
probably failed to profit. To this day he
believes Bindle's story of the mythical lunch.
Bindle has never forgiven Angell Herald his
"men's stories," and he unites with the Boy
in scoring off him whenever possible.
Sometimes Dick Little and I have to take a strong
line with both delinquents. Fortunately Angell
Herald is more often than not oblivious of what
is taking place.</span></p>
<p class="pnext"><span>Sometimes we have a night devoted to Bindle's
views on life. His philosophy is a thing devoid
of broideries and frills. It is the essence of
his own experience. Once when Dare had been
talking upon the subject of ideals, Bindle had
remarked:</span></p>
<p class="pnext"><span>"Very pretty to talk about, but they ain't
much use in the furniture-movin' line. One in
the eye is more likely to make a man be'ave
than a month's jawin' about wot 'Earty calls
'brotherly love.'"</span></p>
<p class="pnext"><span>Bindle's good-nature makes it possible for
him to say without offence what another man
could not even hint at.</span></p>
<p class="pnext"><span>Windover once remarked that Bindle would
go through life saying and doing things
impossible to any but a prize-fighter.</span></p>
<p class="pnext"><span>"An' why a bruiser, sir?" Bindle had enquired.</span></p>
<p class="pnext"><span>"Well, few men care to punch the head of
a professional boxer," was the retort.</span></p>
<p class="pnext"><span>"It ain't wot yer say, sir," Bindle had
remarked, obviously pleased at the compliment.
"It's wot's be'ind the words. I ain't got time
to look for angels in trousers, or saints in skirts.
There ain't many of us wot ain't got a tear or
an 'ole somewhere, but it ain't 'elpin' things to
put it in the papers."</span></p>
<p class="pnext"><span>"But," Jim Dare, one of "Tims'" men,
broke in wickedly, "without criticism there'd
be no progress."</span></p>
<p class="pnext"><span>Bindle was on him like a flash.</span></p>
<p class="pnext"><span>"If an angel's lost 'is tail feathers," he
retorted, "you bet the other angels ain't goin'
to make a song about it. If they was the right
sort of angels they'd pull their own out, to
show that tail-feathers ain't everythink."</span></p>
<p class="pnext"><span>We made many attempts to get at Bindle's
views upon the Hereafter: but although by
nature as open as the day, there are some
things about which he is extremely reticent.
One evening in answer to a direct challenge he
replied,</span></p>
<p class="pnext"><span>"Well, I don't rightly know, I ain't been
taught things; but I got a sort of idea that
Gawd's a sight better man than Joe Bindle,
an' that's why I can't stick 'Earty's Gawd. 'E
ain't Gawd no more'n I'm the Kayser." Then
after a pause he had added, "If Gawd's goin'
to be Gawd 'E's got to be a mystery. Why
there's some coves wot seem to know more about
wot Gawd's goin' to do than wot they've 'ad
for dinner."</span></p>
<p class="pnext"><span>Dick Little never lost an opportunity of
getting Bindle started upon his favourite
subject—marriage. One night he announced
that his brother Tom had become engaged to
be married.</span></p>
<p class="pnext"><span>"'E's wot?" interrogated Bindle.</span></p>
<p class="pnext"><span>"He's done it, J.B.," Dick Little had replied
with a laugh.</span></p>
<p class="pnext"><span>Bindle said nothing; but we awaited Tom
Little's arrival with no little eagerness. When
he entered, Bindle fixed him with a remorseless eye.</span></p>
<p class="pnext"><span>"Wot's this I 'ear, sir?" he enquired.</span></p>
<p class="pnext"><span>"What's what?" Tom Little enquired, becoming
very pink, and casting a furious glance
in his brother's direction.</span></p>
<p class="pnext"><span>Tom Little's demeanour left no doubt as to
his guilt. For some moments Bindle regarded
him gravely. Tom Little proceeded to light a
cigarette; but he was obviously ill at ease.</span></p>
<p class="pnext"><span>"Wot's the use o' me tellin' yer all about
women," Bindle demanded, "when, as soon as
my back's turned yer goes an' does it. Silly
sort of thing to do, I call it."</span></p>
<p class="pnext"><span>"Don't be an ass, J.B." Tom Little strove
to carry off the affair lightly; but Bindle was
Rhadamanthine.</span></p>
<p class="pnext"><span>"I told yer not to," he continued, then after
a pause, "Course she's got pretty 'air an' eyes,
an' made yer feel funny an' all that; but you
jest wait. Mrs. B. 'ad all them things, an' look
at 'er now. She's about as soft-'earted as a
cop is to a cove wot's 'carryin' the banner.'"*</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="noindent pfirst"><span class="small">* Walking the streets through the night</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"Shut up, J.B.," said Tom Little, looking
round as if seeking some loophole of escape.</span></p>
<p class="pnext"><span>"Well, sir," said Bindle with an air of
resignation, "it's your funeral, but I'm sorry,
I 'ope Gawd'll 'elp yer; but I know 'e won't."</span></p>
<p class="pnext"><span>Another evening Bindle had opened the
proceedings by his customary "Miss an' gentlemen,
I got a warnin' to give yer. There's only
two things wot a cove 'as got to fight against,
one is a wife in 'is bosom, an' the other is
various veins in 'is legs. An' now I'll call for
the story."</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="a-dramatic-engagement"><span class="bold large">CHAPTER XV</span></p>
<p class="center pnext"><span class="bold medium">A DRAMATIC ENGAGEMENT</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>The Night Club has neither rules nor
officials; that is what makes it
unique. Bindle, Dick Little and I
form a sort of unofficial committee
of management. No one questions our rulings,
because our rulings are so infrequent as
scarcely to be noticeable. One of our great
trials, almost our only trial, is the suppression
of Angell Herald. He is for ever proposing
to introduce intimates of his own, and we are
often hard put to it to find excuses for his not
being allowed to do so.</span></p>
<p class="pnext"><span>One evening he scored heavily against the
"committee," by bringing with him a tall man
with long hair, a blue chin and an eye that
spoke of a thirst with long arrears to be worked
off.</span></p>
<p class="pnext"><span>His first remark was "Good evening,
gentlemen," as if he were entering the commercial
room of a hotel. Windover screwed his glass
firmly into his left eye. Windover's monocle
is always a social barometer—it "places" a
man irrevocably. His face never shows the
least expression; but it is quite possible to see
from his bearing whether or no a new arrival
be possible.</span></p>
<p class="pnext"><span>"Allow me to introduce my friend, Mr. Leonard
Gimp, the actor," said Angell Herald.</span></p>
<p class="pnext"><span>"Haaa! Very pleased to meet you, gentlemen,
very pleased indeed, Haaa!" came somewhere
from Mr. Gimp's middle, via his mouth.</span></p>
<p class="pnext"><span>As host Dick Little came forward and shook
hands: but it was clear from the look in his
eye that he shared our homicidal views with
regard to Angell Herald.</span></p>
<p class="pnext"><span>"Haaa! and how are you, Mr. Little?"
enquired Gimp genially.</span></p>
<p class="pnext"><span>Little muttered something inaudible to the
rest of us.</span></p>
<p class="pnext"><span>"That's right!" said Gimp in hearty but
hollow tones. "What wonderful weather we're
having," he continued beaming upon the rest
of us, as if determined to put us at our ease.</span></p>
<p class="pnext"><span>"Wonderful weather," he repeated.</span></p>
<p class="pnext"><span>He was a strange creature, with ill-fitting
garments and soiled linen. Before he began to
speak he said "Haaa!" When he had finished
speaking he said "Haaa!" If he had nothing
at all to say, which was seldom, he said
"Haaa!" His air was confidential and his
manner friendly. It was obvious that he strove
to model himself on the late Sir Henry Irving.
The world held for him only one thing—the
Drama; and the Drama only one interpreter—himself.</span></p>
<p class="pnext"><span>Gimp sat down and, stretching out his legs,
bent over and stroked them from instep to loins,
beaming upon us the while.</span></p>
<p class="pnext"><span>"May I offer you a cigarette?" he queried,
picking up a box from the mantelpiece and
proffering to Dick Little one of his own
cigarettes.</span></p>
<p class="pnext"><span>Gimp seemed to be under the impression that
he had come to entertain us and he began to
talk. His sentences invariably began with
"Haaa! I remember in 1885," or some other
date, and we quickly learned that with him
dates were a danger signal.</span></p>
<p class="pnext"><span>His idea of conversation was a monologue.
As we sat listening, we wondered how we should
ever stop the flow of eloquence. He plunged
into a memory involving a quotation from a
drama in which, as far as we could gather, he
had made one of the greatest hits the theatrical
world had ever witnessed. His enthusiasm
brought him to his feet. We sat and smoked
and listened, mutely conscious that the
situation was beyond us.</span></p>
<p class="pnext"><span>Angell Herald was the only man present,
besides Gimp himself, who seemed to be
satisfied. The rest of us felt that there was
only one hope, and that lay in Bindle, who was
unaccountably late. Bindle, we felt sure,
would be able to rise to the occasion, and he did.</span></p>
<p class="pnext"><span>Gimp had reached a most impassioned scene
in which the heroine denounces the villain, who
is a coiner. Bindle entered the room unobserved
by Gimp. For a few moments he stood watching
the scene with intense interest. Gimp had
reached the climax of the scene in which the
heroine says to the villain, "Go! Your heart
is as base as the coins you make." He paused,
pointing dramatically in the direction of
Windover.</span></p>
<p class="pnext"><span>"'Ullo! 'Amlet," said Bindle genially from behind.</span></p>
<p class="pnext"><span>Gimp span round as if he had been shot, and
gazed down at Bindle in indignant surprise.</span></p>
<p class="pnext"><span>"Cheero! Where'd you spring from?"
continued Bindle.</span></p>
<p class="pnext"><span>"Sir?" said Gimp.</span></p>
<p class="pnext"><span>"Your wrong," said Bindle, "it's plain Joe
Bindle, Sir Joseph later perhaps; but not yet."</span></p>
<p class="pnext"><span>Bindle smiled up innocently at Gimp, who
gazed round him as if seeking for some
explanation of Bindle's presence, then a weak and
weary smile fluttered across his features, and
he walked over to the side-board and mixed
himself a whisky and soda.</span></p>
<p class="pnext"><span>We seized the opportunity to break off
Gimp's demonstrations of his histrionic powers.
We gave him a cigar, and every time he started
"Haaa! I remember in 18——" somebody
butted in and cut him short.</span></p>
<p class="pnext"><span>That evening Bindle was in a wicked mood.
He flagrantly encouraged Gimp to talk
"shop," "feeding the furnace of his self-conceit,"
as Dare whispered across me to Sallie.</span></p>
<p class="pnext"><span>"I went to the theatre last week," said
Bindle with guile, "but I didn't see you there,
sir."</span></p>
<p class="pnext"><span>"Haaa! no!" said Gimp, "I'm restin'."</span></p>
<p class="pnext"><span>"Sort o' worn out," said Bindle sympathetically.</span></p>
<p class="pnext"><span>Gimp looked sharply at Bindle, who gazed
back with disarming innocence. "Haaa! a
nervous breakdown," he replied.</span></p>
<p class="pnext"><span>"To judge by his nose, neuritis of the elbow,"
said Carruthers sotto voce.</span></p>
<p class="pnext"><span>"What was the piece you saw, J.B.?"
enquired Roger Blint.</span></p>
<p class="pnext"><span>"</span><em class="italics">Frisky Florrie</em><span>. Them plays didn't ought
to be allowed. Made me 'ot all over, it
did." Then turning to Gimp he added, "I'm
surprised at you, sir, sayin' there ain't nothink like
the drama."</span></p>
<p class="pnext"><span>"That is not the Deraaama," cried Gimp.
"That's a pollution," his filmy eyes rolled and
he jerked his head backwards in what was
apparently the dramatic conception of indignation.</span></p>
<p class="pnext"><span>"Fancy that, an' me not knowin' it," was
Bindle's comment.</span></p>
<p class="pnext"><span>"Haaa!" said Gimp.</span></p>
<p class="pnext"><span>"Won't you say one o' your pieces for us,
sir?" enquired Bindle. "I'd like to 'ear real
drama."</span></p>
<p class="pnext"><span>Gimp looked blankly at Bindle.</span></p>
<p class="pnext"><span>"J.B. means won't you recite," explained
Dare in even tones.</span></p>
<p class="pnext"><span>Gimp was on his feet instantly, vowing that
he was delighted. For a moment he was
plunged in deep thought, his chin cupped in
his left hand, the elbow supported by the palm
of his right hand. It was extremely effective.
Suddenly he gave utterance to the inevitable
"Haaa!" and we knew that the gods had
breathed inspiration upon him.</span></p>
<p class="pnext"><span>Straightening himself, he shot his hands still
further through his already short coat sleeves,
and gazed round. Raising his left hand he
cried—</span></p>
<p class="pnext"><span>"Haaa! Shakespeare."</span></p>
<p class="pnext"><span>Then he broke out into</span></p>
<p class="pnext"><span>"Ferends, Rhomans, Cohuntrymen lehend
me your eeeeeeears."</span></p>
<p class="pnext"><span>Quintilian was thrown overboard: for there
was nothing restrained in Leonard Gimp's
declamation. His arms waved like flails, his
legs, slack at the knee, took strides and then
"as you were'd" with bewildering rapidity. It
was ju-jitsu, foils and Swedish drill all mixed
up together. One moment he was exhorting
Windover, the next he was telling Sallie in a
voice that throbbed like the engaged signal on
the telephone how "gerievously hath Cæsar
paid for it." The emotion engendered by the
munificence of Cæsar's will produced a new
action, which broke an electric globe and, midst
the shattering of glass, the doom of Brutus was
sealed.</span></p>
<p class="pnext"><span>"That is Shakespeare's Deraaama," he declared,
as he resumed his seat and proceeded
once more to stroke his legs.</span></p>
<p class="pnext"><span>It was clear to all of us that something had
to be done, and it was Dick Little who did it.</span></p>
<p class="pnext"><span>Jocelyn Dare is a magnificent elocutionist,
although he can seldom be prevailed upon to
recite. To-night, however, he readily responded
to Dick Little's invitation. He selected Henry
V's exhortation to the troops before Harfleur.
After Gimp's vigorous demonstration, Dare's
almost immobile delivery seemed like calm after
a storm. He looked a picturesque figure as he
stood, from time to time tossing back the flood
of black hair that cascaded down his forehead.
He has a beautiful voice, deep, resonant,
flexible and under perfect control.</span></p>
<p class="pnext"><span>Bindle seemed hypnotised. His pipe forgotten
he leaned forward eagerly as if fearful of
losing a word. Gimp sat with a puzzled look
upon his face, impressed in spite of himself.</span></p>
<p class="pnext"><span>It was the first time the Night Club had
heard Dare, and when he concluded there was
a lengthy silence, broken at last by Gimp, whose
voice sounded like an anæmic drum after Dare's
magnificent tones.</span></p>
<p class="pnext"><span>"Haaa! thank you, sir, excellent," he cried
patronisingly. "You should go on the stage, haaa!"</span></p>
<p class="pnext"><span>"Well that knocks the bottom out of ole
Shakespeare any'ow," said Bindle with decision,
as he proceeded to light his neglected pipe.</span></p>
<p class="pnext"><span>"It is Shakespeare," said Sallie.</span></p>
<p class="pnext"><span>Bindle looked at her over the lighted match,
then to Dare and on to Gimp. Finally he
completed the operation of lighting his pipe.</span></p>
<p class="pnext"><span>"Well," he said somewhat enigmatically,
"that proves wot they say about there bein'
somethink in the man be'ind the gun."</span></p>
<p class="pnext"><span>Soon after Gimp took his departure with
Angell Herald, leaving us with the consciousness
that the evening had not been a success.</span></p>
<p class="pnext"><span>"You took it out of ole 'Amlet, sir," said
Bindle with keen enjoyment. "That ole phonograph
in 'is middle sounds sort o' funny arter
'earin' you. An' didn't 'e throw 'isself about,
broke your globe too, sir," this to Dick Little,
"an' then never said 'e was sorry."</span></p>
<p class="pnext"><span>"He regarded it as the jetsam of art," said
Windover.</span></p>
<p class="pnext"><span>"P'raps you're right, sir," was Bindle's
comment.</span></p>
<p class="pnext"><span>That evening resulted in the committee
making it generally understood that no one was
to be introduced to the Night Club without his
name first being submitted to and approved by
Bindle, Dick Little and myself.</span></p>
<p class="pnext"><span>Some weeks later I happened by chance to
run across Gimp in the West End. He thrust
himself upon me and clung like a limpet,
insisting that I should have what he called "a
tonic," which in his case consisted of a
continuous stream of glasses of port wine. When
we parted some two hours later I had a story,
in return for which he had received ten glasses
of port wine, for which I paid, and five
shillings. The last named he had obtained by a
"Dear old boy, lend me a dollar till next
Tuesday morning.</span></p>
<p class="pnext"><span>"Good-bye, my dear boy, God bless you," he
cried with emotion as he pocketed the two
half-crowns and left me, turning when he had taken
some half-a-dozen steps to cry once more, "God
bless you."</span></p>
<p class="pnext"><span>He did not inquire my address, and I am
sure he did not know my name, so that in all
probability he is to this day walking London
searching for me to repay that dollar.</span></p>
<p class="pnext"><span>The story, however, was worth, not only the
dollar but the port wine.</span></p>
<p class="pnext"><span>"Fancy Old 'Amlet 'avin' a story like that
in 'is tummy," was Bindle's comment.</span></p>
<p class="pnext"><span>This was Leonard Gimp's story:</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">I</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"But how do you know I can't do it, Mr. Telford,
if you won't let me try?" There was
something suspiciously like a sob in Elsie
Gwyn's voice as she leaned forward across
Roger Telford's table. "Please let me try, it
means so much to me."</span></p>
<p class="pnext"><span>"My dear girl, a part like that requires
experience and a knowledge that you could not
possibly possess. The whole play turns on that
one character. Now don't be disappointed,"
he continued kindly, "you're doing very well
and your time will come. Now you must run
away like a good girl, because I've scores of
things to do. I shan't forget you and I'll cast
you for something later.</span></p>
<p class="pnext"><span>Seeing that further argument was useless the
girl rose to go.</span></p>
<p class="pnext"><span>"Good-bye, Mr. Telford," she said soberly,
blinking her eyes more than seemed necessary,
"I'm sure you don't mean to be unkind; but
really you ought to give me a chance before
judging me. It's not quite sporting of you."</span></p>
<p class="pnext"><span>Telford placed his hand for a moment on
her shoulder. "Now cheer up, little girl," he
said, "Your time will come." He opened the
door and closed it again after her—Telford's
courtesy and kindness were the "joke" of the
profession.</span></p>
<p class="pnext"><span>Roger Telford returned to the table and for
a few minutes sat pondering deeply. He was
the most successful theatrical manager in
London. Everything he turned his hand to
seemed to prosper. Rival managers said he
had the devil's own luck; but instinctively they
knew that it was the sureness of his judgment
that resulted in one success after another being
associated with his name.</span></p>
<p class="pnext"><span>In the profession he was regarded a "white
man." Many laughed at him for being a
prude, and he was known among the inner
circle as "Mrs. Telford," on account of his
attitude towards the girls in his companies.
He had been known to knock a man down to
teach him how to behave to a "Telford girl." Those
who could not get into his companies
sneered at him as "a fish in an ice box"; but
those who were in his employ knew what a
good friend he could be. He was a bachelor
and possessed a reputation that not even his
worst enemy could sully. Men affected to
despise him, and a certain class of theatrical
girl looked upon him with contempt; but Roger
Telford's was a great name in the theatrical
world.</span></p>
<p class="pnext"><span>"Little Elsie Gwyn wanted the part of Jenny
Burrow in </span><em class="italics">The Sixth Sense</em><span>," he remarked a
few minutes later to Tom Bray, his stage
manager at the Lyndhurst Theatre.</span></p>
<p class="pnext"><span>Bray shook his head. He was a man of few words.</span></p>
<p class="pnext"><span>"Exactly what I told her," said Telford;
"but where the devil are we going to get
anyone? There's Esther Grant, Phyllis Cowan,
Lallie Moore; but none of them have got it in
'em. They're just low comedy turns. This
thing wants something more than that. It
wants dramatic grip, it wants guts, and I'm
hanged if I know of a woman who's got 'em."</span></p>
<p class="pnext"><span>"There's not much time," was the comment
of the stage manager.</span></p>
<p class="pnext"><span>"Of all the damned uninspiring chaps, you
beat the lot, Tom," laughed Telford. "Here's
the infernal show getting into rehearsal on
Monday, and you're as calm as an oyster."</span></p>
<p class="pnext"><span>"Better cast the understudy, let her do it for
a time," said Bray.</span></p>
<p class="pnext"><span>"It looks as if we shall have to fall back on
Helen Strange," grumbled Telford.</span></p>
<p class="pnext"><span>"She'll wreck the show, sure," commented
the stage manager.</span></p>
<p class="pnext"><span>"Damn!" said Telford, as he crushed his
hat on his head, seized his stick and gloves and
went out to lunch.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">II</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Elsie Gwyn had been on the stage three
years, two of which had been spent in the
provinces, principally in understudying. Like
many other ambitious people, she told herself
that she had never had a chance.</span></p>
<p class="pnext"><span>"It's rotten," she confided to a friend.
"They always cast you according to your face.
They're as bad as the American managers, who
are always talking about 'the type.' Just
because I've got fair hair and small features
and blue eyes, and a sort of washed out
appearance (as a matter of fact Elsie Gwyn was
exquisitely pretty with golden hair, refined
features and deep blue eyes, almost violet in
tint), they cast me for vicars' daughters,
milk-and-water misses and the like. I am sure I've
got drama in me, only no one will give me the
chance to get it out."</span></p>
<p class="pnext"><span>"Oh! dry up, Elsie," her friend had responded,
"you want to be Juliet in your first year."</span></p>
<p class="pnext"><span>Elsie Gwyn had walked down the stairs to
the stage-door of the Lyndhurst Theatre feeling
that if anyone spoke crossly to her she would
inevitably cry.</span></p>
<p class="pnext"><span>"It isn't fair," she muttered to herself after
saying good morning to the stage doorkeeper,
"it isn't fair to say I can't do it without
giving me a chance. It's rotten of them,
absolutely rotten."</span></p>
<p class="pnext"><span>She seemed to find some comfort from this
expression of opinion.</span></p>
<p class="pnext"><span>"When I'm famous, and I shall be famous
some day," she told herself, "he'll be sorry
that he didn't give me my chance." With this
comforting assurance Elsie Gwyn entered the
small Soho restaurant she frequented when in
the West End and ordered lunch.</span></p>
<p class="pnext"><span>III</span></p>
<p class="pnext"><em class="italics">The Sixth Sense</em><span> had been put into rehearsal,
and still the part of Jenny Burrow had not
been cast. Bray had urged upon Telford the
necessity of securing Helen Strange; but
Telford had hung out.</span></p>
<p class="pnext"><span>"I believe in my luck, old man," he said,
"something will turn up. I shall wait till
the end of the week."</span></p>
<p class="pnext"><span>This was Thursday. Telford and his stage-manager
were in the throes of producing </span><em class="italics">The
Sixth Sense</em><span> from a company that, according to
Tom Bray, hadn't a single sense, among the
lot. The theatre was all gloom and strange
shadows. The company was grouped round
the stage, leaving a clear space in the centre for
those actually rehearsing. Some sat on the
two or three chairs available and three odd
boxes, the rest stood about conversing in undertones.</span></p>
<p class="pnext"><span>To the uninitiated it would have seemed
impossible that a play could be produced out of
such chaos. It was difficult to disentangle the
dramatist's lines from Telford's comments and
instructions. He was probably the most
hard-working producer in London, and the most
difficult: but his company knew that by
working with him whole-heartedly they were
striving for a common object—success. There was
less grumbling at his theatres than at any other
in the kingdom. If he blamed unstintingly he
paid well, and to have been with Telford was in
itself a testimonial.</span></p>
<p class="pnext"><span>"Good God!" he broke out, "you make love
as if the woman were a gas-pipe."</span></p>
<p class="pnext"><span>The youth addressed flushed and turning to
Telford rapped back, "Let me choose my own
woman and I'll show you how to make love,
Mr. Telford."</span></p>
<p class="pnext"><span>Telford walked over to him and putting his
hand on his shoulder said, "My boy, I like
that. Go ahead, do it your own way and you'll
get there."</span></p>
<p class="pnext"><span>That was Roger Telford all over. He understood
human nature. He knew that a man
who could rap back an answer such as he had
just received had imagination, and he was
there merely to direct that imagination.</span></p>
<p class="pnext"><span>"That's better," he cried as the youth was
warming to his work. "Hi! steady though,
not too much realism in rehearsals, keep that
for the first night."</span></p>
<p class="pnext"><span>"My God!" cried Telford a few minutes
later as he thrust his fingers through his hair.
"That's not Jenny Burrow, that's </span><em class="italics">The Pilgrim's
Progress</em><span>. The understudy was not a success."</span></p>
<p class="pnext"><span>Hour dragged after weary hour, lunch time
came, three quarters of an hour, and then back
again. There seemed no continuity. First
a bit of this act then a bit of that: it was like
building up a cinema film. It was depressing
work this preparing for the public amusement.
It would have been more depressing; but for the
vitality and personal magnetism of Telford!</span></p>
<p class="pnext"><span>Two o'clock dragged on to three, three to
half-past three, and thoughts were turning
towards tea-time, the half hour that was
permitted at four o'clock, when a startling
interruption occurred. From the direction of the
stage-door a woman's voice was heard raised
in anger.</span></p>
<p class="pnext"><span>"Engaged is he," it cried. "Too busy to
see me? I </span><em class="italics">don't</em><span> think. You just run along
and tell him that Florrie's here and wants to
see him, and if he don't see her she'll raise
hell." The murmur of the stage doorkeeper's
voice was heard.</span></p>
<p class="pnext"><span>"Here, get out of the way," said the voice.
A moment after a girl bounced on to the stage.
She was young, stylishly dressed, fair as far as
could be seen through her thick veil. The
stage doorkeeper followed close upon her heels
muttering protests. Turning on him like a
fury the girl shouted:</span></p>
<p class="pnext"><span>"Here, clear out of it if you don't want a
thick ear."</span></p>
<p class="pnext"><span>The man hurriedly stepped back a few paces.
The girl who had announced herself as Florrie
gave a swift look round, then spotting Telford
went directly up to him.</span></p>
<p class="pnext"><span>"Said you were too busy, Roj. Not too
to see Florrie, old sport, what?"</span></p>
<p class="pnext"><span>Telford gazed at the girl in astonishment.</span></p>
<p class="pnext"><span>"You've made a mistake, I think," he said coldly.</span></p>
<p class="pnext"><span>"Oh, listen to the band," she sang. "Look
here, what's your lay, what are you after?"</span></p>
<p class="pnext"><span>Telford was conscious that the eyes of the
company were upon him. "I'm afraid I don't
know you, and you've made a mistake."</span></p>
<p class="pnext"><span>"I never saw the lady before so she can't be
mine you see," sang Florrie, who seemed to be
in high spirits.</span></p>
<p class="pnext"><span>"I'm busy," said Telford, "and I must ask
you to go. You've made a mistake."</span></p>
<p class="pnext"><span>"Is your name Roger Telford, or is it not?"</span></p>
<p class="pnext"><span>"I am Mr. Telford, yes."</span></p>
<p class="pnext"><span>"Oh! well, Mr. Telford, I'm Florrie. Never
heard o' Florrie before, I suppose. Look here
Roj., none of your swank. You ain't been
keepin' me for two years to give me the bird
like this. You thought you'd done me, didn't
you, writing that letter and saying all was over."</span></p>
<p class="pnext"><span>"I tell you," said Telford with some
asperity, "that I do not know you."</span></p>
<p class="pnext"><span>"Oh, Roger boy, Roger boy," said Florrie,
wagging her finger at him. "Aint you the
blooming limit?" She placed her hands upon
her lips, threw her body back and regarded
him with good-humoured aggressiveness.</span></p>
<p class="pnext"><span>"I tell you I've never seen you before. If
you refuse to go I shall have you removed."</span></p>
<p class="pnext"><span>Telford's anger was rising.</span></p>
<p class="pnext"><span>"Oh! you're stickin' it on that lay, are you?
All right, I'm your bird. Never seen me before,
haven't you? I suppose you don't remember
happening to meet me in "The Pocock Arms"
two years ago last March do you? You
don't happen to remember seeing me home.
You don't happen to remember taking a flat
for me. You don't happen to remember giving
me money and jewels. You don't happen to
remember getting tired of me? And I
suppose you don't happen to remember writing a
letter and saying that it was all over and that
you would give me fifty pounds to be off and all
the furniture. Do you happen to remember any
of those things, Mister Telford?"</span></p>
<p class="pnext"><span>Telford looked round him bewildered. The
expression on the faces of his company left
him in no doubt as to their view of the situation.</span></p>
<p class="pnext"><span>"I—I don't know who you are or what you
mean," he stuttered. "And—and if you don't
leave this er—er—place I shall send for a
policeman. Saunders," he called to the stage
doorkeeper who was still hovering about.</span></p>
<p class="pnext"><span>"Oh you will, will you," screamed Florrie,
working herself up into a passion. "You'll
send for a policeman will you? Go on
Saunders, if that's your ugly name, fetch a
policeman. That's just what I want. We'll
soon clear up this matter. You just fetch a
bloomin' policeman. Fetch two policemen while
you're about it, and bring a handful of specials
as well." She laughed stridently at her joke.
As her anger rose her aitches disappeared, her
idiom became coarser.</span></p>
<p class="pnext"><span>Seeing that Saunders hesitated she cried
"Well! Why don't you go?" Then she
turned upon Telford. "Send 'im for a rotten
policeman. Go on. You dirty tyke. You
mucky-souled liar. Never met me before?
Never even seen me. After what 'as 'appened
and what you done for me. I was a good gurl
till I met you. Why don't you send for a
policeman?"</span></p>
<p class="pnext"><span>Saunders looked interrogatingly at Telford,
who shook his head.</span></p>
<p class="pnext"><span>"Ah!" screamed the girl. "I thought you
wouldn't send for no policeman."</span></p>
<p class="pnext"><span>"She's mad," muttered Telford under his
breath. He looked helplessly about him. If
there were a scene it might get into the papers,
it would certainly be a nine days wonder in
the "profession."</span></p>
<p class="pnext"><span>"Now look 'ere," shrilled Florrie to the
assembled company, "that dirty tyke says 'e
don't know me, never seen me before this very
hour. What about this?" She produced a
photograph from one of the large pockets in
her frock. "To the only woman in the world,
from Roger," she read.</span></p>
<p class="pnext"><span>She held out a recent photograph of Telford
for the company to see. The writing was
certainly very like his. Tom Bray came forward
and examined it. He looked grave.</span></p>
<p class="pnext"><span>"Well!" cried Florrie to Bray, "Is it like
'im. I suppose you're Tom Bray, 'is stage
manager. 'E's told me about you. Called
you an oyster because you never get flurried,
said all you wanted was a bit o' lemon."</span></p>
<p class="pnext"><span>Tom Bray started and looked swiftly at
Telford. That was a favourite phrase of the
chief's.</span></p>
<p class="pnext"><span>"It's a forgery," almost shouted Telford,
making a clutch at the photograph.</span></p>
<p class="pnext"><span>"No you don't, ducky," was Florrie's
laughing retort. "We'll put you away to
bye-bye," and she tucked the photograph down
her blouse.</span></p>
<p class="pnext"><span>"What is it you want with me?" asked Telford
mechanically.</span></p>
<p class="pnext"><span>"Oh! that's it, is it," she cried. "You
think I want money. You think I'm a blackmailer,
do you? You just offer me money and
I'll fling it in yer ugly face, I will, you dirty
tyke. I want to know what you mean by writing
me that letter—chucking me after what
you done. That's what I want to know. I'm
going to let all the world know what sort of a
man you are, Mrs. Telford. I suppose you've
found someone amongst all these gurls here
what you like better'n me."</span></p>
<p class="pnext"><span>Telford looked round him as if expecting
inspiration from somewhere. On his forehead
stood beads of perspiration which he mopped
up with his handkerchief.</span></p>
<p class="pnext"><span>Suddenly Florrie flopped down upon the
stage and began to sob hysterically. "Roger
boy, don't chuck me," she wailed, trying to
clutch his knees, he stepped back in time to
avoid her. "Don't chuck me. I always been
true to you, I 'ave. You oughtn't to do the
dirty on me like this. I won't worry you, only
just let me see you sometimes."</span></p>
<p class="pnext"><span>The girl's self-abasement was so complete,
her emotion so genuine that more than one of
those present felt an uncomfortable sensation
in their throats.</span></p>
<p class="pnext"><span>"What in God's name am I to do?" Telford
cried, half to himself; but looking in the
direction of the low comedian, Ben Walters.</span></p>
<p class="pnext"><span>"You might marry the girl," said Ben. He
regretted his words the moment they were
uttered.</span></p>
<p class="pnext"><span>In a flash Florrie was on her feet, her
humility gone, her eyes flaming. "Who are
you?" she screamed, turning on him like a fury.
"You're the funny man I s'pose, but you ain't
nearly so funny as what you think. Anyone
could be funny with a face like yours. God
made you a damn sight funnier than what you
know." Then with withering scorn, "I've
seen better things won in a raffle."</span></p>
<p class="pnext"><span>Never had a comedian looked less funny than
Walters at that moment. With an almost
imperceptible movement he edged away from
his persecutor.</span></p>
<p class="pnext"><span>"Yes, that's right. You slip off, and if you
can get anyone to buy your face, don't you ask
too much for it. Well! What are you going
to do?" This to Telford to whom she turned
once more. Her movements were as swift as
her emotional changes.</span></p>
<p class="pnext"><span>"I—I told you you've made a mistake,"
repeated Telford; but he was conscious of the
futility of the remark.</span></p>
<p class="pnext"><span>"And I tell you you're a liar," replied
Florrie. "A gurl ain't likely to make a mistake
about a man what's done to her what you've
done to me. I was a good gurl till I met
you." There was a break in her voice that was
perilously like a sob. "Look what you done
for me, look, look. Oh! my God!" She buried
her face in her handkerchief. Her whole body
shaken with sobs, then slowly her knees gave
way beneath her and she sank in a heap on the
stage, still sobbing hysterically.</span></p>
<p class="pnext"><span>"Jenny Burrow in real life," muttered Tom
Bray. "If she could only act it all."</span></p>
<p class="pnext"><span>"Oh, Roj," she cried through her handkerchief.
"Oh! Roj-boy, you've broken my heart.
I love you so. I'd 'ave done anything for you.
I did. I—I—an' now what's to become of me?
What's fifty pounds to a gurl whose heart's
broken? You—you played the dirty on me,
Roj-boy, you played the dirty on me. They got to
know all about it at home and father won't let
mother see me. I—I—we was such pals, mother
an' me, an' it's all through you; but—but—" she
struggled to her feet with heaving breast. "I
ain't done yet. I'll pay you back, you and your
play-actors. I was a decent gurl before I met
you. You—you—dirty tyke." She fell back
on the old phrase from sheer poverty of
vocabulary.</span></p>
<p class="pnext"><span>"You're like all men," she shrieked. "Like
every cursed one of 'em. You come into a
gurl's life, ruin it, then off you go and you give
her money; but I'll break you this time, I'll
break you, I'll smash you, Roger Telford, I'll
smash you. Damn you! Blast you! May
hell open and swallow you."</span></p>
<p class="pnext"><span>The vindictiveness in the girl's voice made
even the most hardened sinner shudder.</span></p>
<p class="pnext"><span>"I'm goin' to do myself in," she continued,
"there's nothing left for me; but I'll leave
behind me the whole story, I'll ruin you, just as
you've ruined me. These are your friends
round you, these 'ere men and women. Look
at their faces, look at 'em, see what they think
of you now; you stinkin', low-bred swine."</span></p>
<p class="pnext"><span>Telford looked on the point of collapse.
Someone gently propelled a chair towards him,
on which he sank gazing round him stupidly.</span></p>
<p class="pnext"><span>Suddenly Florrie gave a wild hysterical
shriek and fell. For a moment her limbs
twitched spasmodically, then she lay very still.
She had fainted. Several of the girls ran
forward and began fumbling about with the
fastenings of her clothes. They removed her hat
and veil, and one of them uttered a cry of surprise.</span></p>
<p class="pnext"><span>Suddenly Florrie sat up, and those about her,
as if impelled by their instinct for the dramatic,
stood aside that Telford could see her.</span></p>
<p class="pnext"><span>It was Elsie Gwyn.</span></p>
<p class="pnext"><span>"Please Mr. Telford," she said smiling, and
in her natural voice, "won't you give me a trial
in the part of Jenny Burrow."</span></p>
<p class="pnext"><span>Telford stared as a drunken man might who
had been roused by the glare of a policeman's
lantern.</span></p>
<p class="pnext"><span>The company looked first at the girl, then at
Telford, then at each other. Telford drew a
deep sigh.</span></p>
<p class="pnext"><span>"My God!" he muttered.</span></p>
<p class="pnext"><span>A babel of conversation and chatter broke
out. Telford gazed at Elsie Gwyn as if fascinated.</span></p>
<p class="pnext"><span>"Listen, everybody."</span></p>
<p class="pnext"><span>A hush fell over the stage. It was Elsie
Gwyn who spoke. "I asked Mr. Telford to
give me a trial as Jenny Burrow. He said that
I was not sufficiently experienced and could not
create such a part. I thought I could. Of
course what I have just said was all——"</span></p>
<p class="pnext"><span>"Fudge and Florrie," broke in Walters, as
if to reassert his claims as a comedian.</span></p>
<p class="pnext"><span>"Exactly, Mr. Walters. You'll forgive me,
won't you?"</span></p>
<p class="pnext"><span>"Sure, girl," he said genially. "There's
no one here who'll ever want to quarrel with
you after to-day," he added, at which there
was a laugh.</span></p>
<p class="pnext"><span>"Now, Mr. Telford," said Elsie, "can I or
can I not play the part of Jenny Burrow?"</span></p>
<p class="pnext"><span>"Play it, girl, I should think you could,"
cried Telford, jumping up from the chair.
"But you've given me the fright of my life.
Come along upstairs and we'll sign a contract."</span></p>
<p class="pnext"><span>The two left the stage together, and the
company trooped out after them, knowing that
rehearsal was over for that day.</span></p>
<p class="pnext"><span>Roger Telford was a sportsman, and too
happy at the termination of his nightmare to
bear malice. He was delighted to find that his
luck had not failed him, and that he had found
an actress capable of creating the part that he
had found such difficulty in casting.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"She knew some fancy words," was Bindle's
comment. "She ought to get on."</span></p>
<p class="pnext"><span>"Was she a success?" enquired Sallie eagerly.</span></p>
<p class="pnext"><span>"She made the hit of the season," I replied.
"Somehow the story leaked out and got into
the papers. It was the biggest advertising
boom Telford has ever had. The public
flocked to see the girl who had scored off Roger
Telford."</span></p>
<p class="pnext"><span>"A great advertisin' stunt," said Angell
Herald. "Wish I'd had it. Some fellows get
all the luck."</span></p>
<p class="pnext"><span>"She ought to have married him," murmured
Sallie, gazing at nothing in particular.</span></p>
<p class="pnext"><span>"She did," I said, "last season. It was
regarded as her greatest hit."</span></p>
<p class="pnext"><span>"Oh! how splendid," cried Sallie, clapping
her hands in a way that would seem like gush
in anyone else.</span></p>
<p class="pnext"><span>Bindle looked gloomy disapproval.</span></p>
<p class="pnext"><span>"It's all very well for you miss, but think
of 'im an' all them words she knew."</span></p>
<p class="pnext"><span>"But, Mr. Bindle, she was an actress," cried
Sallie.</span></p>
<p class="pnext"><span>"So's every woman, miss. They can't 'elp it."</span></p>
<p class="pnext"><span>"Mr. Bindle!" Sallie reproved.</span></p>
<p class="pnext"><span>"Think o' that poor chap goin' an' doin'
it after wot 'e'd 'eard. Isn't it jest like 'em.
Nobody won't believe nothink till they've tried
it themselves.</span></p>
<p class="pnext"><span>"I 'ad a mate, a real sport 'e was. 'E
wouldn't believe me, said 'is little bit o' fluff
wasn't like other bits wot I'd seen. 'E talked
as if 'e could 'ear 'er feathers a-rustling when
the wind blew, poor chap! Then 'e did it."</span></p>
<p class="pnext"><span>Bindle paused as if overcome by the memory of
his mate's misfortune.</span></p>
<p class="pnext"><span>"'E 'adn't 'ad 'er a month when 'e comes
round to me one Saturday afternoon. I was
sittin' in the back-yard a-listenin' to a canary
and wot Mrs. 'Iggins thought of 'er ole man.</span></p>
<p class="pnext"><span>"'You was right, Joe,' 'e says, lookin'
about as 'appy as a lobster wot 'ears the pot
bubblin'.</span></p>
<p class="pnext"><span>"'So you don't 'ear the wind through 'er
feathers now, Jim?' I says.</span></p>
<p class="pnext"><span>"'There never warn't no feathers, Joe,' 'e
says, 'only claws. Come an' 'ave a drink?'</span></p>
<p class="pnext"><span>"When a cove wot's been talkin' about 'is
misses says, 'Come an' 'ave a drink,' you can
lay outsider's odds on 'is 'avin' drawn a
blank."</span></p>
<p class="pnext"><span>"J.B. never admits of the law of exception,"
remarked Dare. "That is the fundamental
weakness of his logical equipment."</span></p>
<p class="pnext"><span>"Fancy it bein' all that," remarked Bindle
drily.</span></p>
<p class="pnext"><span>"As Sallie remarked," continued Dare,
"this young woman was an actress, and she
was out for an engagement."</span></p>
<p class="pnext"><span>"An' got a weddin' thrown in," said Bindle.
"Every woman's out for an engagement, an'
yer can leave it to them that it ain't goin' to
end there. Well, 'ere's for Fulham, an' my
little allotment of 'eaven. S'long everybody,"
and Bindle departed, knowing that as
Carruthers was present he would not be required to
call a taxi for Sallie.</span></p>
<p class="pnext"><span>It was unusual for Bindle to be the first to
leave, and we speculated as to the cause. It
was Sallie who guessed the reason as Bindle
had told her Mrs. Bindle was poorly, having
caught "wot Abraham 'ud call a cold on 'er
bosom."</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="the-moggridges-zeppelin-night"><span class="bold large">CHAPTER XVI</span></p>
<p class="center pnext"><span class="bold medium">THE MOGGRIDGES' ZEPPELIN NIGHT</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"I'm tired," said Bindle one evening, his
cheery look belying his words, "tired
as Gawd must be of 'Earty." He
threw himself into a chair and fanned
himself with a red silk pocket-handkerchief.</span></p>
<p class="pnext"><span>"What's the trouble, J.B.?" asked Dick
Little, handing Bindle his tankard.</span></p>
<p class="pnext"><span>Bindle drank deeply and proceeded to light
a cigar Windover had handed him. Bindle's
taste in tobacco had in the early days of the
Night Club caused us some anxiety. One
night Windover came in and began to sniff the
air suspiciously.</span></p>
<p class="pnext"><span>"There's something burning," he announced.
We all made ostentatious search for the
source of the smell. It was Windover who
traced it to Bindle's cigar. Taking it from
his hand he had smelt it gingerly and then
returned it to its owner.</span></p>
<p class="pnext"><span>"I think," he remarked quite casually, "I
should change the brand, J.B. We cannot
allow you to imperil your valuable life. Your
tobacconist has grossly deceived you. That is
not a cigar, it's an offence against the constitution."</span></p>
<p class="pnext"><span>"Is it really, sir," said Bindle anxiously as
he regarded the offending weed. "I thought
it 'ad a bit of a bite to it."</span></p>
<p class="pnext"><span>Windover had then launched into a lengthy
monologue, during which he traced all the evils
of the world, from the Plagues of Egypt to the
Suffrage Agitation, to the use of questionable
tobacco. The upshot had been that Bindle
agreed to allow Windover to advise him in such
matters in future. That is how it came about
that at the Night Club Bindle smokes shilling
cigars, for which he pays Windover at the rate
of ten shillings a hundred, under the impression
that they are purchased for that sum.</span></p>
<p class="pnext"><span>I afterwards discovered that the offending
smokes were known as "Sprague's Fulham
Whiffs," one shilling and threepence for ten
in a cardboard box.</span></p>
<p class="pnext"><span>"The trouble," remarked Bindle in reply to
Dick Little's question, "is that people won't
do the right thing. I jest been to see
Mrs. Biggs wot's in trouble. Last week ole Sam
Biggs shuts the door an' window, turns on the
gas, an' kills 'imself, an' leaves 'is missus to
pay the gas bill. It's annoyed 'er."</span></p>
<p class="pnext"><span>"Is she much upset?" enquired Sallie solicitously.</span></p>
<p class="pnext"><span>"Somethink awful, miss. She don't seem to
be able to get 'er voice down again, it's got so
'igh tellin' the neighbours. I told 'er that it
costs yer money to get rid of most things, from
a boil to an 'usband, an' Sam ain't dear at a
bit extra on the gas bill."</span></p>
<p class="pnext"><span>The sittings of the Night Club invariably
began and ended with conversation. Before
opening the proceedings by calling for the
story, Bindle frequently eases his mind of what
was pressing most heavily upon it. His utterances
are listened to as are those of no one else.
If he be conscious of the fact he does not show it.</span></p>
<p class="pnext"><span>He has become a law unto himself. He is
incapable of giving offence, because there is
nothing but good-nature in his mind.</span></p>
<p class="pnext"><span>One of our members, Robert Crofton, a little
doctor man, has a most extraordinary laugh,
which he seems unable to control. It is
something of a cackle punctuated by a quick
indrawing of breath. One night after listening
attentively to this strange manifestation of mirth,
Bindle remarked with great seriousness to
Windover:</span></p>
<p class="pnext"><span>"No one didn't ought to make that noise
without followin' it up with an egg."</span></p>
<p class="pnext"><span>From that date Crofton was known as "the Hen."</span></p>
<p class="pnext"><span>It took considerable argument before Bindle
would agree to the inclusion in this volume of
the story of how Mr. Moggridge was cured of
his infatuation for Zeppelins.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="medium">I</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>Mr. Josiah Moggridge was haunted by
Zeppelins! It is true that he had not seen one,
had never even heard a bomb explode, or a gun
fired in anger; still he was obsessed with the
idea of the "Zeppelin Menace." He read
every article and paragraph dealing with the
subject in all the newspapers and magazines
he came across. His children jackalled
industriously for this food for their parent. If
Dorothy, who was as pretty as she was romantic,
arrived home late, her olive-branch would be
some story or article about Zeppelins. If Alan,
who was sixteen and endowed with imagination,
got into a scrape, it was a Zeppelin "rumour"
that got him out of it.</span></p>
<p class="pnext"><span>Mr. Moggridge journeyed far and near in
search of the destruction caused by these air
monsters. Had the British public known
what Mr. Moggridge knew "for a fact," the
war would have collapsed suddenly. No nation
could be expected to stand up against the
"frightfulness" that was to come, according
to Mr. Moggridge. In regard to Zeppelins the
German people themselves were sceptics
compared with Mr. Moggridge.</span></p>
<p class="pnext"><span>The slightest hint or rumour of a Zeppelin
raid would send him off hot-foot in search of
the ruin and desolation spread by these accursed
contrivances. The Moggridge girls came in
for many delightful excursions in consequence,
for Mr. Moggridge was never happy unless he
had about him some of his numerous progeny.
If Irene wanted to see the daffydowndillies in
Kew Gardens, it seemed almost an interposition
of providence that she should hear there
had been a Zeppelin raid near Richmond. In
justice to her it must be admitted that she
would discredit the rumour; but nothing, not
even an Act of Parliament, could turn
Mr. Moggridge from the pursuit of his hobby.</span></p>
<p class="pnext"><span>No amount of discouragement seemed to affect
him. If he drew a blank at Balham, he would
set out for Stratford with undiminished ardour.
Should Holloway fail him, then Streatham would
present the scene of desolation he dreaded, yet
sought so assiduously. "Man never is but
always to be blest," might have been the motto
of Josiah Moggridge.</span></p>
<p class="pnext"><span>Mrs. Moggridge was the type of woman who
regards her husband as something between a
god and a hero. To Mr. Moggridge she herself
was always "Mother," and as if in justification
of the term, she had presented him with
one son, and eight daughters, whose ages ranged
from eleven to twenty-two. Having done this
Mrs. Moggridge subsided into oblivion. She
had done her "bit," to use the expression of a
later generation.</span></p>
<p class="pnext"><span>Her attitude towards life was that of a hen
that has reached the dazzling heights of having
produced from thirteen eggs thirteen pullets.
She was a comfortable body, as devoid of
imagination as an ostrich. Her interests were
suburban, her name was Emma, and her waist
measurement thirty-eight inches on Sundays
and forty-two inches during the rest of the week.</span></p>
<p class="pnext"><span>Mr. Moggridge was forever on the alert for
the detonation of bombs and the boom of
anti-aircraft guns. At night he would listen
earnestly for the sound of the trains that
passed at the bottom of the Moggridge garden.
If the intervals between the dull rumblings
seemed too prolonged, he would start up and
exclaim, "I believe they've stopped," which as
everybody knows meant Zeppelins.</span></p>
<p class="pnext"><span>One night after the first Zeppelin raid (it is
not permitted by the Defence of the Realm Act
to say where or when this occurred, or, for that
matter, in what part of the United Kingdom
the Moggridges resided), Patricia Moggridge,
a petite brunette of twenty, all the Moggridge
girls were pretty, enquired, "What shall we
do, dad, if Zeppelins come to Cedar Avenue?"</span></p>
<p class="pnext"><span>Mr. Moggridge had sat up in sudden alarm.
Here was he responsible for the protection of
a family, yet he had taken no steps to ensure
its safety. Patricia's remark set him thinking
deeply. He loved his family, and his family
adored him. They regarded him as a child that
has to be humoured, rather than a parent who
has to be feared. They obeyed him because
they wished to see him happy, and Mr. Moggridge's
conception of manhood was that "an
Englishman's home is his castle."</span></p>
<p class="pnext"><span>He was short and round and fussy, as full
of interest as a robin, as explosive as a bomb;
but with eyes that smiled and a nature that
would have warmed an ice-box. A crisis or a
misadventure excited him almost to the point
of frenzy. Starting for the annual holiday
drove him nearly insane with worry lest someone
or something be left behind, or they lose the
train.</span></p>
<p class="pnext"><span>When Patricia asked her innocent question
she was sitting on her father's knee "nuzzling
his whiskers," as she called it, Mr. Moggridge
wore side whiskers and a clean shaven upper
lip and chin, she was unaware of what would
grow out of her question.</span></p>
<p class="pnext"><span>Mr. Moggridge read industriously the advice
tendered by various newspapers as to what
should be done during a Zeppelin raid. He
read with the seriousness of a man who knows
that salvation lies somewhere in the columns of
the Press.</span></p>
<p class="pnext"><span>One night he gathered together the whole of
his family in the drawing-room, including the
two maids and the cook, and instructed all
in what should be done at the sound of the first
gun. He made many references to a sheaf
of notes and newspaper-cuttings he had before
him, which seemed to get terribly mixed. He
then enquired if everyone understood; but
the half-hearted chorus of "Yeses" that
answered him was unconvincing.</span></p>
<p class="pnext"><span>"Cook," he said sternly, "what would you
do if Zeppelins came?"</span></p>
<p class="pnext"><span>"Please, sir, faint," was the reply.</span></p>
<p class="pnext"><span>The interrogation of other members of his
household convinced him that a further
exposition was necessary.</span></p>
<p class="pnext"><span>Stripped of their verbal adornments,
Mr. Moggridge's instructions were that on the first
intimation that Zeppelins were at hand, the
whole household was to make for the basement.</span></p>
<p class="pnext"><span>Half-an-hour's further "instruction" left
everyone still more hopelessly befogged as to
what was expected of them. The gist of
Mr. Moggridge's instructions was:</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>(1) That everyone should make for the cellar
without bothering about dressing.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>(2) That every bath, portable or fixed, tub,
jug, or other vessel was each night to
be filled with water, and placed on
the landings as a protection against
incendiary bombs.</span></p>
<div class="vspace" style="height: 1em"></div>
<p class="pfirst"><span>(3) That under no circumstances was any
light to be turned on (as a precaution
Mr. Moggridge turned off the electric
light each night) or candle to be lit.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"But how shall we find our way downstairs?"
enquired Allan, his son and heir.</span></p>
<p class="pnext"><span>"You'll feel it, my boy," replied his father,
unconsciously prophetic.</span></p>
<p class="pnext"><span>A few days later Mr. Moggridge read of the
intention of the Germans to use gas-bombs, and
he immediately purchased at Harridges Stores
fourteen "Protective Face Masks." That night
he returned home feeling that he had saved
fourteen lives, including his own.</span></p>
<p class="pnext"><span>After dinner the household was once more
summoned to the drawing-room, where
Mr. Moggridge distributed the gas-masks, and gave
a short lecture upon how they were to be worn.
When he illustrated his instructions by donning
a mask, the younger of the two maids giggled
uncontrollably.</span></p>
<p class="pnext"><span>Mr. Moggridge glared at her volcanically.
"Girl!" he thundered, "do you know that I
am trying to save your life."</span></p>
<p class="pnext"><span>Whereat the girl burst into tears.</span></p>
<p class="pnext"><span>Mr. Moggridge rustled about among his
notes anxiously, whilst his hearers watched him
with breathless interest. He soon saw that no
help was to be expected from the Press, which
appeared to be divided into two camps. There
was the bomb theory and the gas theory, the
one demanding descent and the other ascent.</span></p>
<p class="pnext"><span>Mr. Moggridge was nonplussed and referred
to the gas-bomb article. Suppose explosive
bombs were dropped when they were prepared
for gas-bombs and conversely? Suddenly he had
an inspiration.</span></p>
<p class="pnext"><span>"I've got it!" he shouted, as he danced
excitedly from one foot to the other. "If you
smell gas you go up to the attics: if you——"</span></p>
<p class="pnext"><span>"But how shall we know it's gas unless we
know what it smells like?" questioned Alan.</span></p>
<p class="pnext"><span>Mr. Moggridge looked at his only son as at
someone who had asked him the riddle of the
universe. Alan was notorious for the
embarrassing nature of his questions.</span></p>
<p class="pnext"><span>"I shall know how to find that out," was all
that Mr. Moggridge could reply, and Alan felt
that he had obtained a tactical victory.</span></p>
<p class="pnext"><span>"In the meantime, if you smell anything
you've never smelt before you'll know it's gas."</span></p>
<p class="pnext"><span>This seemed to satisfy everyone. Nevertheless,
Mr. Moggridge made industrious enquiry
as to what gas really smelt like. No one knew;
but many theories as to the exact odour were
advanced, ranging from vinegar to sewage. At
last Mr. Moggridge heard of a man who had
actually been gassed. Eagerly he made a
pilgrimage to the district in which the hero resided
and as eagerly put his question.</span></p>
<p class="pnext"><span>"Wot's gas smell like?" remarked the
warrior, whose moustache was as yet reluctant
down upon his upper lip. "It beats the smell
of army cheese 'ollow, an' that's the truth."</span></p>
<p class="pnext"><span>And with this Mr. Moggridge had to rest
content. In the silent watches of the night,
many a member of the Moggridge household
would awaken suddenly and sniff expectantly
for "a strange odour rather like strong cheese,"
Mr. Moggridge's paraphrase of the soldier's
words.</span></p>
<p class="pnext"><span>Mr. Moggridge decided to sleep at the top of
the house—alone. He had moved up there and
sent down two of the girls to sleep with their
mother, because he regarded the upper rooms
as the most dangerous, and he was not lacking
in courage. He regarded it as his mission in
life to protect those who looked to him for
protection. In his mind's eye, Mr. Moggridge
saw himself the saviour of thirteen lives,
possibly fourteen if he had not to give up his own
in the attempt.</span></p>
<p class="pnext"><span>Each night it was his self-imposed task
to examine "the defences" as his daughter,
Mollie, called them. On every landing and
outside every door were baths, wash-tubs,
basins, pails and other vessels containing
water. Even when the lights were on, it was
a matter of some delicacy to thread one's way
through these watery entanglements. The
servants grumbled at the additional work
involved; but Mr. Moggridge had silenced them
with "a Zeppelin bonus," as he called it, and
furthermore he had mobilised his whole family
to assist in this work of protection against fire.</span></p>
<p class="pnext"><span>"When I've saved your worthless lives, you'll
be grateful perhaps," he had exploded, and it
had taken "Mother" all the next morning to
explain to her domestic staff that "valuable"
and not "worthless" was the adjective her
husband had used.</span></p>
<p class="pnext"><span>Outside his own bedroom-door Mr. Moggridge
had placed the large dinner gong on which to
sound the alarm, and at the head of the stairs
an enormous tin-bath full of water. It was so
placed that the slightest push would send bath
and contents streaming down the stairs.
Mr. Moggridge argued that no fire could live in such
a deluge.</span></p>
<p class="pnext"><span>In time Mr. Moggridge came to regard
himself as something between a Sergeant O'Leary
and the Roman Sentry, with a leaning towards
the sentry; for there would be no reward for
him. He saw his family safe and sound, whilst
his neighbours lay maimed and dying.</span></p>
<p class="pnext"><span>"We are at war, my dears," he would inform
his family, "and war is different from peace,"
and there were none who felt they could question
this profound truth.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">II</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>The night of November 5th was bleak and
cold and misty, and as Mr. Moggridge prepared
for the night he shivered, and prayed that no
Zeppelins might come. He disliked the cold
intensely, and pictured to himself the
unpleasantness of sitting for hours in a damp cellar
with very few clothes on. Sleep always came
readily to Mr. Moggridge's eye-lids, and within
five minutes of extinguishing the light and
slipping into bed, his heavy breathing
announced that he was in the land of wonder that
knows and yet does not know a Zeppelin.</span></p>
<p class="pnext"><span>How long he had slept Mr. Moggridge had
no idea; but he was awakened by what he afterwards
described as "a terrific explosion" just
beneath his window.</span></p>
<p class="pnext"><span>"At last!" was his mental comment as he
sprang out of bed, sniffing the air like a cat that
smells fish. He rushed to the window and
looked out. There were no search lights to be
seen; but another explosion, apparently in his
own garden sent him bounding from the window
to the door. Seizing the handle he tore it
open and, grasping the leather-headed hammer,
began to pound the dinner-gong as if his
salvation depended upon his efforts. "Zeppelins,"
he yelled, "Zeppelins." There were sounds of
doors opening, a babel of voices, a scream and
then a soft-padded rush upstairs. "Don't
come up here! Go down to the cellar," he
shouted and, seizing the gong, he dashed for the
stairs. There was another report, and an "Oh
my God!" from the cook, followed by a peal of
hysterical laughter from the younger of the
maids.</span></p>
<p class="pnext"><span>There was a yelp, a swiiiiiish of rushing
water, a pandemonium of feminine shrieks, a
tremendous clatter of metal and crockery, as
bath caught pail, and pail overset jug to add
to the torrent that rushed down the staircase
like a flood. Mr. Moggridge had stumbled
against the big bath!</span></p>
<p class="pnext"><span>The avalanche caught the Moggridges in the
rear, shriek followed agonised shriek, as the
cold water struck the slightly clad bodies, the
shrieks crystallised into yells of anguish as the
baths, jugs and bowls came thundering after
the water. It seemed the object of animate
and inanimate alike to get to the ground floor
first. At each landing there was a momentary
pause, just as a wave will poise itself before
crashing forward, then more crashes and
shrieks and groans. All had lost their foothold,
and were inextricably mixed up with baths and
bits of crockery. At last the torrent reached
the hall, where it lay gasping and choking,
wondering if this were death or the after
punishment.</span></p>
<p class="pnext"><span>"My God!" shrieked Mr. Moggridge. "Gas!"</span></p>
<p class="pnext"><span>He had forgotten his mask.</span></p>
<p class="pnext"><span>He struggled to rise, but the cook and half a
foot-bath were firmly fixed upon his person.
He could merely lie and sniff—and pray.</span></p>
<p class="pnext"><span>The air was foul with an acrid smell that
seemed to have permeated everything. To the
Moggridges, heaped on the cold hall-tiles,
saturated and bruised, it carried a more
conclusive proof of danger than the buffeting
received in the dash downstairs. It was Gas!
Gas!! Gas!!! They would be ruined for life,
even if they escaped death.</span></p>
<p class="pnext"><span>Above the wails of the Moggridges and their
retainers could be heard explosion after
explosion from without. Policemen's whistles
were singing their raucous, terrifying note. A
female voice was heard laughing and sobbing
wildly—the cook was in hysterics, whilst at last
from an inextricable heap of human limbs and
bodies rose the courageous voice of Mr. Moggridge.</span></p>
<p class="pnext"><span>"Keep cool, keep calm," he besought. "You
are quite safe here. You've got your gas masks.
We——"</span></p>
<p class="pnext"><span>He was interrupted by a heavy and imperious
pounding upon the knocker, and a continuous
sounding of the spring bell. A disc of light
could be seen through the stained-glass windows
of the hall. From the shivering heap there was
no movement to open the door, nothing but
cries and sobs and moans. The pounding
continued, punctuated by occasional explosions
from without. It was Alan who at last crept
out of the corner from which he had watched
the avalanche of his family and its servitors,
and went to the door, unbolting it and admitting
what appeared to be two rays of light. They
ferreted about until they fell on the heap of
Moggridges.</span></p>
<p class="pnext"><span>Alan's first thought had been to turn on the
electric light at the meter. He now switched
on the hall lights, discovering two policemen
and two special constables, who in turn
discovered Mr. Moggridge. He had wriggled into
a sitting posture, where he remained grasping
the dinner gong, as Nero might have grasped
his instrument when disaster overtook Rome,
surrounded and held down by his progeny.</span></p>
<p class="pnext"><span>"Oh, turn off the light, do, please!" pleaded
a voice, and there was a chorus of cries and
endeavours to make scanty draperies cover
opulent limbs; but the water had done its work,
and one of the policemen, remembering that he
had sisters, turned his head aside, and the
"specials," for the first time since they had
been enrolled, decided that it wasn't so lacking
in incident after all, whilst owners and
possessors of Moggridge limbs sought to hide them
beneath other Moggridge limbs, and those who
could not do so hid their faces.</span></p>
<div class="vspace" style="height: 3em"></div>
<p class="center pfirst"><span class="bold">III</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"You done fine!" A happy grin spread
itself over the features of the speaker, a little
man with a red nose, a green baize apron and
a blue and white cricket cap, much the worse
for wear. "You done fine," he repeated, and
then as if to himself, "Yes, them big crackers
do make an 'ell of a row." And Joseph Bindle
looked at Alan Moggridge approvingly.</span></p>
<p class="pnext"><span>"Wasn't it lucky I went to help Aunt Mary
move? If I hadn't I shouldn't have seen you
and——"</span></p>
<p class="pnext"><span>"And there wouldn't a been no Zeppelin raid
round your way. Well you 'ave to thank Dr. Little
for the stuff wot made 'em think it was
gas-bombs! Fancy them runnin' in your old
dad for lettin' off fireworks. So long, sonny,"
and with a nod and a grin Bindle passed on,
wondering if Mrs. Bindle had stewed-steak and
onions for supper.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>"Oh! Mr. Bindle!" expostulated Sallie when
the story came to an end. Then after a pause
she added, "Don't you think it was a little
cruel?"</span></p>
<p class="pnext"><span>There was concern upon Bindle's face: he
was troubled that Sallie should criticise him.
He looked from her to me, as if desirous that I
should share some of the responsibility. It
was the first time I had ever seen Bindle
abashed. The dear chap is in reality as
tender-hearted as a woman, and it was evident that,
for the first time, he saw things as they appeared
to Sallie.</span></p>
<p class="pnext"><span>"Well, miss," he said at last. "I 'adn't
thought of it that way. I'm sorry for them
gals," but in spite of himself the flicker of
a grin passed across his features. "I was
only thinkin' o' the old man wot didn't ought
to be allowed to go about scarin' people out o'
their senses. I'm sorry, miss," and Bindle
really was sorry. For the rest of the evening
it was easy to see that he regarded himself as
in disgrace. The way in which his eyes kept
wandering to where Sallie was sitting, reminded
me of a dog that has been scolded, and watches
wistfully for the sign that shall tell him all is
forgiven.</span></p>
<p class="pnext"><span>When Bindle returned from seeing Sallie into
her taxi, I could see that the cloud had been
brushed aside; for he was once more his old
jovial self.</span></p>
<p class="pnext"><span>J.B. is a strange creature, as mischievous as
a monkey; but as lovable as—well, as a man
who is white all through, and as incapable of
hurting the helpless as of harming the innocent.
He has probably never heard of the Public
School Spirit; yet it has not much to teach him
about playing the game.</span></p>
<div class="vspace" style="height: 4em"></div>
<p class="center pfirst" id="sallie-at-the-wheel"><span class="bold large">CHAPTER XVII</span></p>
<p class="center pnext"><span class="bold medium">SALLIE AT THE WHEEL</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>It is one of Windover's pet theories that if a
man will but be natural, he can go
anywhere and do anything. He claims that
the Public School benefits a man not by
what it bestows; but rather by what it destroys.</span></p>
<p class="pnext"><span>"It clips the ragged edges of a man's ego,"
he would remark, "and teaches him that as an
entity he has no place in the universe." Windover
will talk for hours on this subject.
Simplicity of nature and the faculty of adapting
himself to any environment are, according
to him, the ideal results the Public Schools
achieve.</span></p>
<p class="pnext"><span>In all probability Bindle never had any
ragged edges to his ego. Simple-minded and
large-hearted, as much at home with the
denizens of Mayfair as the inhabitants of
Hounsditch, he seems never at a loss. He is always
just Bindle, and that is why everyone seems
instinctively to like him. He always does the
right thing, because he knows no wrong thing
to do. Unlike Angell Herald, he is not
burdened with two distinct sets of "manners." Bindle
would discuss regicides with Hamlet, or
noses with a Cyrano de Bergerac with entire
unconsciousness of giving offence. He is one
thing to all men, as Dare once told him, whereat
Bindle remarked, "But don't forget the ladies, sir."</span></p>
<p class="pnext"><span>One Sunday evening, just as the Club was
breaking up, Sallie remarked to Bindle, "Next
Saturday, Mr. Bindle, you must get a whole
day's holiday and come with me for a pic-nic."</span></p>
<p class="pnext"><span>"Me, miss?" enquired the astonished Bindle.
"Me an' you at a pic-nic. Well I'm blessed."</span></p>
<p class="pnext"><span>Bindle was taken by surprise. He looked
from Sallie to Windover and then to me, as if
seeking an explanation of why Sallie should
invite him.</span></p>
<p class="pnext"><span>"Just we four," Sallie went on in that
inimitable way of hers, which would make
purgatory a paradise. "We'll take the car
and luncheon and tea-baskets. It will be
splendid. You will come Mr. Bindle, won't
you?" Sallie looked at him with sparkling eyes.</span></p>
<p class="pnext"><span>"Come, miss?" cried Bindle. "Come? I'll
come if it costs me Mrs. B.'s love. You did say
a motor car, miss?" he enquired anxiously, and
Sallie's assurance that she had, seemed all that
was necessary to complete his happiness.</span></p>
<p class="pnext"><span>That evening Bindle and I left Dick Little's
flat together. For some time we walked along
in silence, each engaged with his own thoughts.
Suddenly Bindle broke the silence.</span></p>
<p class="pnext"><span>"Wot did I ought to wear, sir?" he enquired.
There was a look of anxiety on his face, and
unusual corrugations on his forehead.</span></p>
<p class="pnext"><span>"Well, J.B.," I remarked, "you'd look nice
in muslin with a picture hat." His reproachful
look, however, showed me that I had made
a mistake.</span></p>
<p class="pnext"><span>"I can't wear them Oxford togs with 'er,"
he remarked.</span></p>
<p class="pnext"><span>It should be explained that when Bindle went
to Oxford, impersonating the millionaire uncle
of an unpopular undergraduate, he had been
fitted out with a wardrobe to suit the part.
Included in it were a loud black and white
check suit, a white waistcoat, a Homburg hat
with a puggaree, a red necktie and a cane
heavily adorned with yellow metal. Involuntarily
I shuddered at the thought of what
Sallie would suffer if Bindle turned up in such
a costume.</span></p>
<p class="pnext"><span>"No," I said with great seriousness,
"they're not quite suited to motoring. You
must get a new rig out, J.B.," I added.</span></p>
<p class="pnext"><span>Still Bindle's face did not clear, and I guessed
that it was a question of finance.</span></p>
<p class="pnext"><span>I proffered assistance; but that did not help
matters. It seemed to make things worse:
Bindle is very independent. For some time we
walked along in silence. Suddenly I had an
inspiration.</span></p>
<p class="pnext"><span>"I'll sell one of your yarns to an unsuspecting
editor," I said, "and we'll share the plunder.
I'll advance you something on account of
your share."</span></p>
<p class="pnext"><span>In a second the clouds disappeared.</span></p>
<p class="pnext"><span>"You're sure it'll earn enough?" he
enquired suspiciously.</span></p>
<p class="pnext"><span>I proceed to swear that it would in a manner
that would have made Lars Porsena envious.
I was interrupted by a taxi pulling up with a
grind just behind, and Windover jumped out,
paid the man and joined us.</span></p>
<p class="pnext"><span>"I quite forget," Windover began. "Sallie
told me to arrange to meet at Putney Town
Station, she'll run the car through and pick us
up there."</span></p>
<p class="pnext"><span>Bindle explained to Windover that the
question of his wardrobe had been under
discussion and the upshot was that Windover, who
is a supreme artist in the matter of clothes,
undertook to see Bindle properly turned out.</span></p>
<div class="vspace" style="height: 2em"></div>
<p class="pfirst"><span>On Saturday morning I was at the appointed
place a few minutes before nine, I looked
round for Bindle, and then forgot him in
watching the struggles of a horse to drag a
heavily-laden coal-cart up the rise where the
High Street passes over the railway.</span></p>
<p class="pnext"><span>The level reached, the carter drew up to the
curb where the horse stood quivering and
panting, bathed in sweat. Suddenly I became aware
that one of the men I had observed pushing
behind the cart was Bindle; but such a Bindle.
No wonder I had at first failed to recognise a
blue-suited, brown-booted, dark-tied Bindle.
Everything about him was the perfection of fit
and cut, from his simple crook cane to his
wash-leather gloves. Most wonderful of all, Bindle
carried his clothes as if accustomed to them
every day of the week.</span></p>
<p class="pnext"><span>With perfect gravity he drew off his right
glove before shaking hands.</span></p>
<p class="pnext"><span>"D'yer like it, sir?"</span></p>
<p class="pnext"><span>I drew a sigh of relief. The vernacular was
unchanged; it was still the same Bindle.</span></p>
<p class="pnext"><span>"J.B.," I said gravely, "I've never seen a
better dressed man in my life. It's an entire
metamorphosis.";</span></p>
<p class="pnext"><span>"There you're sort o' wrong, sir. It's 'is
Lordship. D'yer think she'll like it, sir?" he
enquired anxiously.</span></p>
<p class="pnext"><span>By "she" I knew he meant Sallie.</span></p>
<p class="pnext"><span>"Sure of it," I replied with confidence.
Bindle seemed reassured. Suddenly his eye
caught the black line across the palm of his
right glove.</span></p>
<p class="pnext"><span>"Look wot I done." He held out the glove
for my inspection as a child might a torn
pinafore. "Wot'll she think?" There was
anxiety in his voice.</span></p>
<p class="pnext"><span>"She'll be rather pleased when I tell her
how it happened," I replied, at which his face
cleared.</span></p>
<p class="pnext"><span>"I wanted a red tie to sort o' give it a bite;
but 'e wouldn't 'ave it, so 'ere I am," and
Bindle drew on his right glove once more.</span></p>
<p class="pnext"><span>"Tell me all about it," I urged. "Those
clothes were made in the West-End, I swear."</span></p>
<p class="pnext"><span>"Got it first time, sir," he remarked, as he
drew from his breast-pocket a suspicious-looking
cigar with an enormous red and gold
band round its middle.</span></p>
<p class="pnext"><span>"Let me cut it for you," I broke in hastily,
seizing the weed without waiting for his
acquiescence. That band would have killed
Sallie, so I ripped it off. As I did so Bindle
made a movement as if to stop me, but he said
nothing. As I raised my eyes from the
operation, I saw his regretful gaze fixed upon the
band lying on the pavement, a shameless splash
of crimson and of gold.</span></p>
<p class="pnext"><span>Bindle lighted his cigar and I manoeuvred
to get to windward of him.</span></p>
<p class="pnext"><span>"You was talkin' about these 'ere duds, sir,"
remarked Bindle puffing contentedly at what
made me pray for Windover's swift arrival: I
do not carry cigars. "You was right, sir."</span></p>
<p class="pnext"><span>"In what?" I queried.</span></p>
<p class="pnext"><span>"They came from Savile Row, from 'is
Lordship's own snips. You should a seen 'is
face when 'is Lordship said 'e was out for
reach-me-downs for yours truly."</span></p>
<p class="pnext"><span>It was easy to visualise the scene. Windover
easy, courteous, matter-of-fact. His tailor
staggered, yet striving to disguise his
astonishment under a veneer of urbanity and
"yes-my-lords." Windover is the most perfectly bred
creature I have ever met. If he were to order
riding breeches for a camel, he would do so in
such a way that no one would think of laughing,
or even regarding it as strange.</span></p>
<p class="pnext"><span>"Took me round 'isself everywhere,"
continued Bindle. "We got this 'at in Piccadilly,
these boots an' gloves in Bond Street, also
the tie." Bindle looked round cautiously and
then bending a little closer he confided, "I'm
silk underneath!" He leaned back upon his
stick to see the effect. I smiled. "Wi' funny
things round me legs to keep me socks up," and
he grinned joyously at the thought of his own
splendour.</span></p>
<p class="pnext"><span>"What did Mrs. Bindle say?" I enquired.</span></p>
<p class="pnext"><span>"'Ush, sir, 'ush! She said about every think
she could think of, and a good many things she
didn't ought to know. She talked about
Mammon, keepin' 'oly the Sabbath day, about
Abraham's bosom. Jest fancy a woman married
to a man like me a-talkin' about another cove's
bosom. Why can't she say chest and be respectable?"</span></p>
<p class="pnext"><span>"And what did you say?" I queried.</span></p>
<p class="pnext"><span>"Oh!" replied Bindle, "I jest asked 'er wot
ole Abraham did when he got a chill, an' if 'e
called it a cold on 'is bosom?"</span></p>
<p class="pnext"><span>I laughed, but Bindle continued seriously,
"She arst me where I'd be if the end of the
world was to come sudden like."</span></p>
<p class="pnext"><span>Scenting a good rejoinder I enquired what
he had said.</span></p>
<p class="pnext"><span>"I told 'er to look in the saloon-bar first,
an' if I wasn't there to try the bottle-an'-jug
department. I come away then. Mrs. B.'s a
rummy sort o' send-off for an 'oliday," he
soliloquised.</span></p>
<p class="pnext"><span>After a pause he added, "I'd like to 'ave jest
a peep at 'eaven to see if Gawd is really like
wot Mrs. B. says. Seems to me 'e must be like
one o' them quick-change coves I seen at the
Granville. Ole War-an-Whiskers [the Kayser]
says 'E 'elps the Germans to kill kids an' 'ack
women about, Mrs. B. says 'e's goin' to give me
pickles when I die, an ole 'Earty seems to think
'E's collectin' 'oly greengrocers. There was one
parson chap wot told me that 'E was kind an'
just, with eyes wot smiled. I don't see 'ow 'e
can be the ole bloomin' lot cause——"</span></p>
<p class="pnext"><span>Bindle suddenly broke off, straightened himself,
lifted his hat and proceeded to pull off
his glove. I turned and saw Sallie bringing
her "Mercedes" along at a thumping pace.
She bore in towards us and brought the car up
in a workmanlike manner. Windover, who
was seated behind her, jumped out.</span></p>
<p class="pnext"><span>"Cheer-o!" said Bindle.</span></p>
<p class="pnext"><span>"Cheer-o!" replied Windover. Probably
it was the first time in his life that he had ever
used the expression: he is inclined to be a
purist.</span></p>
<p class="pnext"><span>"You been stealin' a march on us, sir," said
Bindle.</span></p>
<p class="pnext"><span>"I was literally picked out of my taxi,"
explained Windover, "hardly given time to pay
the man, I should say over-pay the man, I had
forgotten the war."</span></p>
<p class="pnext"><span>I saw from the look in Sallie's eyes that she
was pleased with Bindle's appearance.</span></p>
<p class="pnext"><span>"Jump in," she said. Sallie is always brisk
and business-like when running "Mercy," as
she calls her car.</span></p>
<p class="pnext"><span>"You must sit by me, Mr. Bindle."</span></p>
<p class="pnext"><span>Bindle's cup of happiness was now full to
overflowing. When he took his seat beside
Sallie I caught his eye. In it was a look of
triumph. It said clearly, "Jest fancy 'er
wantin' me when she could have a lord."</span></p>
<p class="pnext"><span>As we swung up Putney hill, Windover told
me of his experiences in clothing Bindle. At
my particular request he also gave me an
approximate idea of the sum involved. It was
worthy both of Windover and the West End.</span></p>
<p class="pnext"><span>"But my dear Windover," I expostulated,
"was silk underwear absolutely necessary for
this pic-nic?"</span></p>
<p class="pnext"><span>Windover turned upon me a pair of
reproachful eyes. "Phillips is sensitive," he remarked,
"and if he knew that any of his 'creations'
were put over anything but silk, he would close
my account."</span></p>
<p class="pnext"><span>With that I had to rest content. Personally
I had seen no need to take Bindle to Phillips
at all; but Windover is an artist, he
"composes" his wearing-apparel as a painter
composes a picture, or a poet a sonnet. If
providence be discriminating it will punish
Windover in the next world for his misdemeanours
in this by making him wear odd socks, or
a hard hat with a morning coat. I told him so.</span></p>
<p class="pnext"><span>As we talked I noticed Windover snuffing the
air like a hound. He looked at me, then moved
the rug to see if there were anything at the
bottom of the car. Finally he smelt the rug,
still he seemed dissatisfied, continuing to turn
his head from side to side sniffing, as if
endeavouring to trace some evil smell. Finally his
eyes fixed themselves on Bindle sitting
complacently smoking his cigar.</span></p>
<p class="pnext"><span>"Good God!" he muttered as he screwed his
eye-glass into his eye. "I thought it was a dead
dog. He must have run out of 'coronels.'" I
heard him mutter.</span></p>
<p class="pnext"><span>"You can't raise a man from Fulham to
Curzon Street in a few hours, Windover," I
remarked reproachfully. "You taught Bindle
to remove his glove before shaking hands, and
you also gave him very creditable instructions
in how to lift his hat so as not to look like a
third rate actor in a Restoration melodrama;
but you omitted to instruct him in the choice of
cigars."</span></p>
<p class="pnext"><span>Windover has as delicate a taste in tobacco
as in women; in other words he is extremely
fastidious. I watched him as he turned the
problem over in his mind. I could follow his
train of thought. It was obviously impossible
to sit inhaling the fumes of Bindle's cigar. It
was unthinkable again to tell the dear chap it
was nothing short of a pollution. In all
probability it was a threepenny cigar, the extra
penny being in honour of the occasion. Therefore
some other way out of the difficulty must
be devised. I, had every confidence in
Windover and his sense of delicacy. His eyeglass
dropped from his eye, a sure sign that the
strain of deep-thinking was past.</span></p>
<p class="pnext"><span>Taking his cigar case from his pocket, he
tapped Bindle on the shoulder and whispered
to him. Bindle gave a quick look at Sallie,
surreptitiously threw away his cigar and
accepted one proffered by Windover, the end of
which he promptly bit off. Windover sank
back into his seat with a sigh, and I saw Bindle
turn to Sallie, who changed speed and put on
the brakes. He then calmly proceeded to light
his new cigar, quite unconscious that, in asking
her to stop a car going at nearly forty miles an
hour, he had transgressed against one of the
"Thou shalt nots" of motoring.</span></p>
<p class="pnext"><span>"How did you do it?" I asked Windover.</span></p>
<p class="pnext"><span>"I told him that Sallie would be mortally
offended if she knew he was smoking one of his
own cigars, it was her pic-nic and she had
given me some cigars with which to keep him
supplied."</span></p>
<p class="pnext"><span>Tactful Windover.</span></p>
<p class="pnext"><span>Lunch we had in a field well off the main
road. Bindle's face was a study as we
unpacked the luncheon hamper. Sallie is very
thorough, and her pic-nic appointments are the
most perfect I have ever encountered, from the
folding legless table to the dainty salt-spoons.
For once Bindle was silent; but his eyes were
busy. When the champagne appeared with the
ice and the ice-cream cooler, his emotions
overcame him. I heard him mutter to himself,
"Well I'm blowed."</span></p>
<p class="pnext"><span>During the meal the rest of us talked; but
Bindle said little.</span></p>
<p class="pnext"><span>"You're very quiet, Mr. Bindle," said Sallie
at last, smiling.</span></p>
<p class="pnext"><span>"I'm too 'appy to talk, miss," said Bindle
with unusual gravity, and there was a look in
his eyes that was more eloquent than his words.
"You see, miss, you can do this any day yer
likes, and yer gets sort o' used to it; but I don't
suppose I shall ever do it again, and I want to
make sure that I'm enjoyin' every bit of it. I
can talk any time."</span></p>
<p class="pnext"><span>Sallie turned her head quickly, and I could
see that her eyes were moist. Bindle's remark
was not without its pathos.</span></p>
<p class="pnext"><span>After lunch Sallie took Bindle off for a walk,
whilst Windover and I stayed by the car.
During the half hour they were absent, only
one remark was made as we sat smoking, and
that was by Windover.</span></p>
<p class="pnext"><span>"I have come to regard Bindle as a social
antiseptic," he said.</span></p>
<p class="pnext"><span>I knew it had taken Windover since lunch
to arrive at this definition.</span></p>
<p class="pnext"><span>As the hours sped, Bindle remained silent
and Sallie was content to devote herself to the
car. Snug in one of Carruthers' motor coats,
Bindle devoured with his eyes everything he
saw; but what a changed Bindle. There was
no cracking jokes, or passing remarks with
passers-by. He did not even look at a
public-house. Instinctively he had adapted himself
to his environment.</span></p>
<p class="pnext"><span>"I think he's the most perfect gentle-person
I've met," Sallie had once said.</span></p>
<p class="pnext"><span>After dinner Bindle became more conversational.
It was an evening when the silence
could be heard. In the distance was an
occasional moan of a train, or the bark of a dog;
but nothing else. The sky was clear, the sun
was spilling itself in deep gold upon the
landscape. The dinner had been good, and within
us all was a feeling of content.</span></p>
<p class="pnext"><span>"How is Mrs. Bindle?" enquired Sallie of Bindle.</span></p>
<p class="pnext"><span>"Oh jest ordinary like, miss. 'Er soul still
gives 'er a lot o' trouble."</span></p>
<p class="pnext"><span>"Don't you think," said Sallie with that
smile of hers which seemed to disarm her
remark of the criticism it contained, "that you
sometimes tease her too much?"</span></p>
<p class="pnext"><span>Bindle's grin faded. "I been thinkin' that
too, miss," he said seriously. "But some'ow
the things seem to come out, an' I don't mean
'er no 'arm really, miss."</span></p>
<p class="pnext"><span>"I'm sure you don't," Sallie hastened to say.</span></p>
<p class="pnext"><span>"Well, take last night, for instance," said
Bindle. "We was talkin' about the German
Corpse Factory. I'd been readin' to 'er from
the paper 'ow they turned the poor devils wot
'ad died doin' their bit to kill our chaps into
marjarine, candles, oils for motor-cars, and that
sort o' stuff. We was 'aving supper an' I
'appens to say quite innocent like: 'If you an'
me was 'Uns, Lizzie and poor ole 'Earty 'ad
died for 'is country, a thing wot 'Earty never
will do if 'e can 'elp it, we might be a'spreadin'
of 'im on this 'ere bread, and that there candle
might be a bit of 'Earty an' us not knowin'
it.' Well, there ain't much 'arm in that miss, is
there? Yet she said I'd spoilt 'er supper, an'
she pushed the salmon away from 'er an' said
I wasn't fit to live with, an' that I'd got a
dirty mind."</span></p>
<p class="pnext"><span>"J.B.," said Windover. "My sympathies
are entirely with Mrs. Bindle. Your remark
was extremely inappropriate."</span></p>
<p class="pnext"><span>Bindle looked round him from one to another.
"Well, sir," he expostulated, "wasn't I right?"</span></p>
<p class="pnext"><span>"It was not a question of right, J.B.," said
Windover, with mock severity. "It was a
question of tact."</span></p>
<p class="pnext"><span>"Tack!" said Bindle. "'Adn't I taken
'ome a tin of salmon, and when the breeze
started didn't I whistle 'er favourite 'ymn
</span><em class="italics">Gospel Bells</em><span>? Look 'ere, sir, I ain't got much
to learn in the way of tack wi' women."</span></p>
<p class="pnext"><span>"You see," said Sallie gently, "a remark
like that sometimes turns people against their
food."</span></p>
<p class="pnext"><span>"Yes, miss," said Bindle, "that may be;
but if you're a German you never know what
you're spreadin' on your bread. It may be
your uncle, or it may be somebody else's uncle,
an' that's worse still."</span></p>
<p class="pnext"><span>"Mr. Bindle," cried Sallie, "if you say
another word about anything so horrible I shall—I
shall—well, I shall drive on and leave you
alone in the field."</span></p>
<p class="pnext"><span>"I'm sorry, miss," said Bindle with great
seriousness. "I didn't know that you—that
you——"</span></p>
<p class="pnext"><span>"That I was like Mrs. Bindle," interpolated
Sallie.</span></p>
<p class="pnext"><span>"Good Lord! miss, you ain't like 'er."</span></p>
<p class="pnext"><span>"Well, let's change the subject," said Sallie
smiling, "or I shan't be able to eat for a week."</span></p>
<p class="pnext"><span>"But it didn't really spoil 'er supper, miss,"
said Bindle earnestly. "She finished the salmon."</span></p>
<p class="pnext"><span>For some time we continued to smoke in
silence.</span></p>
<p class="pnext"><span>"Funny thing, religion," remarked Bindle
at last, a propos of nothing; "it seems to get
different people different ways. Now 'Earty
and Mrs. B., they seem to think Gawd is near
'em in that smelly little chapel o' theirs; as
for me this is what makes me think o' Gawd." And
Bindle waved the hand holding his cigar
to embrace everything about us.</span></p>
<p class="pnext"><span>"But why," enquired Windover wickedly,
"should a cigar make you feel nearer to God?"</span></p>
<p class="pnext"><span>Bindle turned to Windover and looked him
straight in the eyes.</span></p>
<p class="pnext"><span>"I wasn't jokin', sir," he said simply.</span></p>
<p class="pnext"><span>"I beg your pardon, J.B.," and there was a
something in Windover's tone which showed
that he regarded the reproof as merited.</span></p>
<p class="pnext"><span>"If I was startin' a religion," continued
Bindle, "I'd 'ave people go out in the country,
an' kneel down in a field, an' look up at the
sky when the sun was shinin'. They'd get a
better idea o' Gawd than wot 'Earty and
Mrs. B.'s got."</span></p>
<p class="pnext"><span>"You're a sun-worshipper then," said Sallie.</span></p>
<p class="pnext"><span>"Jest fancy anyone who made all this,"
Bindle's eyes roamed about him, "wantin' to
grill a poor cove like me because I ain't done
all the things I ought to a' done."</span></p>
<p class="pnext"><span>"But," said Sallie, "don't you think that
everybody has their own idea of God?"</span></p>
<p class="pnext"><span>"Yes, miss," said Bindle. "But they want
to ram their own ideas down everybody else's
throat. I see in the paper the other day, when
we brought a Zepp. down, that they buried all
the poor chaps wot was burnt together. They're
'Uns," he added; "but you can't 'elp feelin'
sorry for wot they 'ad to suffer. They 'ad
a clergyman an' a Catholic priest, to read the
burial service over them. The papers said the
priest was there in case some of the dead 'Uns
was Catholics. It looks as if a chap 'adn't got
a chance of goin' to heaven unless 'e sort of got
a ticket from the parson of 'is own church."</span></p>
<p class="pnext"><span>Someone has described Anatole France as "a
pagan preoccupied with Christ." The same
description applies to Joseph Bindle. He
cannot keep long off the subject of religion, and in
all his comments there seems to be the same
instinctive groping for light.</span></p>
<p class="pnext"><span>"'Earty reminds me of a cove I used to know
wot never seemed to get thirsty except when 'e
saw a pub; well, 'Earty never seems to feel
religious except when 'e sees a chapel, then it
sort o' comes over 'im. If 'e really feels 'e
wants to pray, why can't 'e kneel down beside
'is own 'taters. If there's a Gawd, 'e's just
as much in a greengrocer's shop as in a dirty
little tin chapel, that's wot I says." Bindle
looked round as if defying contradiction.</span></p>
<p class="pnext"><span>"I think you are right," said Sallie; "but
you must not forget that Mr. Hearty does not
share your views, any more than you share his.
If religion helps people to do good, it doesn't
much matter when they get it, or where they
get it from."</span></p>
<p class="pnext"><span>"Yes, miss, but does it 'elp? You remember
when the Lusitania went down, well there
was a pretty good scrap round Fulham way.
One night they went for a poor chap wot 'ad
got a German name, an' they wrecked 'is shop.
They'd jest got 'old o' 'im, when a big chap
comes up wot's done time more'n once an' tells
'em to chuck it.</span></p>
<p class="pnext"><span>"'But 'e's an 'Un,' yells the crowd.</span></p>
<p class="pnext"><span>"'Yus, but there's only one o' 'im and
there's 'undreds o' you,' says Bill, an' as they
wouldn't chuck it Bill let fly, an' there was a
pretty old mess."</span></p>
<p class="pnext"><span>There was silence for a full minute broken
at last by Bindle.</span></p>
<p class="pnext"><span>"Don't you think Gawd likes a man to do
wot Bill did, miss?" enquired Bindle ingenuously.</span></p>
<p class="pnext"><span>"I am sure he did," said Sallie, "and what
did you do?"</span></p>
<p class="pnext"><span>"Oh, I got a black eye, an' Mrs. B. said she
was more sure than ever that 'ell was waitin'
for me.</span></p>
<p class="pnext"><span>"Wot does me about religion," continued
Bindle after a pause, "is wot people'll swallow.
There's Mrs. B. now: she can't take a pill
without a bucket o' water an' about a dozen
tries, looks like an 'en 'avin' a drink, she does;
yet tell 'er it's religion an' she'd swallow
anythink, an' make believe she likes it. If that
whale 'adn't been religious, 'e'd never 'ave got
Jonah down."</span></p>
<p class="pnext"><span>Bindle paused and for a few moments
watched a trail of white smoke from a distant
train.</span></p>
<p class="pnext"><span>"There was a cove somewhere in the bible
called 'Fairy.'"</span></p>
<p class="pnext"><span>"Pharaoh, King of Egypt," murmured Windover.</span></p>
<p class="pnext"><span>"That's 'im, sir," cried Bindle. "Well
look 'ow they say Gawd treated 'im."</span></p>
<p class="pnext"><span>"I'm afraid I've forgotten," I said with guile.</span></p>
<p class="pnext"><span>"Well," began Bindle, settling himself down
for a story, "'E took to collectin' Jews, sort o'
got 'old of all there was in the market, same
as them Americans wi' food. One day the
Jews got a-talkin' to each other about 'ome,
though I never see a Jew yet wot wanted to get
'ome when 'e could stay in someone else's backyard."</span></p>
<p class="pnext"><span>Bindle paused to suck vigorously at his cigar,
which showed signs of going out.</span></p>
<p class="pnext"><span>"Pharaoh said there wasn't nothin' doin',
an' they couldn't go. Though 'ow anyone can
want to keep a Jew wot is willin' to go 'ome
does me.</span></p>
<p class="pnext"><span>"Then the Jews prayed to Gawd, and 'E
made Pharaoh say 'e'd let 'em go. Then 'E
'ardened Pharaoh's 'eart an' started givin'
Pharaoh beans."</span></p>
<p class="pnext"><span>"Was it not boils?" murmured Windover,
examining the tip of his cigarette with great
intentness.</span></p>
<p class="pnext"><span>"Maybe, sir. Well, first Gawd made Pharaoh
agree to let the Jews catch the next bus,
then 'E strafed 'im, 'ardening the poor ole
chap's 'eart till 'e didn't know where 'e was.
Wot I say is it wasn't sportin'."</span></p>
<p class="pnext"><span>"I'm afraid you cannot judge bible history
by Queensberry rules," said Windover.</span></p>
<p class="pnext"><span>"It's like lettin' a bird go and then pullin'
it back by a bit o' string tied to its leg. Poor
ole Pharaoh couldn't 'elp 'isself with Gawd
a-'ardenin' of 'is 'eart. That's wot I don't
like."</span></p>
<p class="pnext"><span>"Your theology is a trifle unconventional, I
fear," said Windover. "Where did you learn
about Pharaoh?"</span></p>
<p class="pnext"><span>"Yer can't live wi' Mrs. B., sir, without
pickin' up a lot about 'eaven an' 'arps an'
things," was the reply.</span></p>
<p class="pnext"><span>"Go on, Mr. Bindle," said Sallie.</span></p>
<p class="pnext"><span>"Well, miss," proceeded Bindle. "There's
somethink about visitin' sins on children an'
grand-children. I 'ad that out with 'Earty
one night. 'Earty don't like talkin' religion
wi' me. 'E says I ain't got no faith."</span></p>
<p class="pnext"><span>"What happened?" Sallie enquired.</span></p>
<p class="pnext"><span>"Well, I asked 'Earty why Gawd should
punish a man for wot 'is father did."</span></p>
<p class="pnext"><span>"'Because,' says 'Earty, ''e 'ad an 'ard
'eart, and wouldn't believe in Gawd.'</span></p>
<p class="pnext"><span>"'Wot 'ud you say, 'Earty,' I says, 'if the
police was to pinch you 'cause your father
flitted without 'avin' paid 'is rent?' O' course
'Earty says nothink to that; but mutters that
we can't understand the ways o' Gawd.</span></p>
<p class="pnext"><span>"Them ain't the ways of Gawd, it's the
things these chaps says about 'Im. When
you're strong, yer don't go knockin' over things
wot can't 'it back. I knew a bruiser once, an'
'e was as gentle as a lamb. I seen a chap want
'im to fight, an' 'e wouldn't, 'cause 'e was
afraid of 'urtin'."</span></p>
<p class="pnext"><span>Bindle paused to relight his cigar, then when
it was once more in full blast he continued:</span></p>
<p class="pnext"><span>"Then they tells yer to love yer neighbours
as yourself. I'd like 'em to look out of our
window when Sandy 'Iggins an' 'is missus is
scrappin' in their back-yard. No," he
remarked meditatively, "a religion like that's
wasted on Fulham."</span></p>
<p class="pnext"><span>That is just Bindle, bringing down the divine
to the level of men's eyes: and raising the
earthly to the mountain tops.</span></p>
<p class="pnext"><span>It was nearly one o'clock on Sunday morning
when the car slid from the Fulham road into
the street that leads to Fenton Street. When
we pulled up, Bindle slipped out of Carruthers'
overcoat and got down. As he said good-night
to Sallie we heard him whisper:</span></p>
<p class="pnext"><span>"I never 'ad a day like this before, miss."</span></p>
<p class="pnext"><span>We continued on our way in silence. When
Sallie dropped me into a passing taxi,
Windover remarked:</span></p>
<p class="pnext"><span>"I hope I shall be dead when Democracy
discovers all it has been denied."</span></p>
<p class="pnext"><span>I knew he was referring to Bindle's remark
to Sallie.</span></p>
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<p class="center pfirst"><span>THE END</span></p>
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