<h2><SPAN name="CHAPTER_II" id="CHAPTER_II"></SPAN><SPAN href="#CONTENTS">CHAPTER II.</SPAN><br/> <span class="small">EVEN SHARKS HAVE TENDER HEARTS.</span></h2>
<p>The old Moss Glen Inn, elm-shaded and half covered
by creeping vines, is a favourite resort for travellers
in the eastern part of Maine, for there a good
dinner can be obtained in a shorter space of time
than in any other country hotel in the length and
breadth of the State.</p>
<p>"And all because there's a smart woman at the
head of it," explained the young man to the
little waif beside him. "There she is—always on
hand."</p>
<p>A round, good-natured face, crowning a rotund,
generous figure, smiled at them from the kitchen
window, but while the eyes smiled, the thick, full
lips uttered a somewhat different message to a tall,
thin woman, bending over the stove.</p>
<p>"Ruth Ann, here's that soapy Hank Dillson round
again,—takin' in the farmers, as usual, engagin'<span class="pagenum"><SPAN name="Page_27" id="Page_27">[27]</SPAN></span>
them to pay for machinery and buildings more than
are needed, considerin' the number of their cows, an'
he's got a washed-out lookin' young one with him.
She'll make a breach in the victuals, I guess."</p>
<p>Ruth Ann, who was her sister and helper in
household affairs, came and looked over her shoulder,
just as Dillson sprang from the sleigh.</p>
<p>Mrs. Minley stepped to the door, and stood bobbing
and smiling as he turned to her.</p>
<p>"How de do, Mrs. Minley. Give this little girl a
place to lie down till dinner's ready, will you? She's
dead beat."</p>
<p>'Tilda Jane walked gravely into the kitchen, and
although her head was heavy, and her feet as light as
if they were about to waft her to regions above, she
took time to scrutinise the broad face that would
have been generous but for the deceitful lips, and
also to cast a glance at the hard, composed woman at
the window, who looked as if her head, including the
knob of tightly curled hair at the back, had been
carved from flint.</p>
<p>"Step right in this way," said Mrs. Minley, bustling
into a small bedroom on the ground floor.</p>
<p><span class="pagenum"><SPAN name="Page_28" id="Page_28">[28]</SPAN></span></p>
<p>'Tilda Jane was not used to being waited on, and
for one proud moment she wished that the children
in the orphan asylum could see her. Then a feeling
of danger and insecurity overcame her, and she sank
on one of the painted, wooden chairs.</p>
<p>"You're done out," said Mrs. Minley, sympathetically.
"Are you a relation of Mr. Dillson's?"</p>
<p>"No, I ain't."</p>
<p>"You can lie on that bed if you like," said
Mrs. Minley, noticing the longing glance cast
at it.</p>
<p>"Well, I guess I will," said 'Tilda Jane, placing
her bundle on a chair, and stooping down to unloose
her shoes.</p>
<p>"Stop till I get some newspapers to put on the
bed," said the landlady—"what's in that package?
It's moving," and she stared at the shawl.</p>
<p>"It's a dog."</p>
<p>"Mercy me! I don't allow no dogs in my
house."</p>
<p>"All right," said the little girl, patiently putting
on her shoes again.</p>
<p>"What you going to do, child?"</p>
<p><span class="pagenum"><SPAN name="Page_29" id="Page_29">[29]</SPAN></span></p>
<p>"I'm goin' to the wood-shed. Them as won't have
my dog won't have me."</p>
<p>"Land sakes, child, stay where you be! I guess
he can't do no harm if you'll watch him."</p>
<p>"No ma'am, he'll not rampage. He's little, an'
he's ole, an' he's lame, an' he don't care much for
walkin'. Sometimes you'll hear nothin' out o' him
all day but a growl or a snap."</p>
<p>The landlady drew away from the bundle, and
after she had seen the tired head laid on the pillow,
she softly closed the door of the room.</p>
<p>In two minutes 'Tilda Jane was asleep. The night
before she had not dared to sleep. To-day, under
the protection of the creamery shark, she could take
her rest, her hunger satisfied by the cake he had
given her in the sleigh. The shark crept in once
to look at her. "Ain't she a sight?" he whispered
to Mrs. Minley, who accompanied him, "a half-starved
monkey."</p>
<p>She playfully made a thrust at his ribs. "Oh,
go 'long with you—always making your jokes!
How can a child look like a monkey?"</p>
<p>He smiled, well pleased at her cajoling tone, then,<span class="pagenum"><SPAN name="Page_30" id="Page_30">[30]</SPAN></span>
stretching himself out in an armchair, he announced
that dinner must be postponed for an hour to let the
child have her sleep out.</p>
<p>Mrs. Minley kept a pleasant face before him, but
gave vent to some suppressed grumbling in the
kitchen. With fortitude remarkable in a hungry
man, he waited until one o'clock, then, losing patience,
he ate his dinner, and, telling Mrs. Minley
that he had business in the neighbourhood, and
would not be back until supper-time, he drove away
in his sleigh.</p>
<p>At six o'clock 'Tilda Jane felt herself gently
shaken, and opening her eyes, she started up in
alarm.</p>
<p>"All right—'tain't the police," said Mrs. Minley.
"I know all about you, little girl. You needn't be
scared o' me. Get up and have a bite of supper.
Mr. Dillson's going away, and he wants to see you."</p>
<p>'Tilda Jane rose and put on her shoes in silence.
Then she followed the landlady to the next room.
For an instant she staggered back. She had never
before seen such a huge, open fireplace, never had
had such a picture presented to her in the steam<span class="pagenum"><SPAN name="Page_31" id="Page_31">[31]</SPAN></span>-heated
orphanage. Fresh from troubled dreams,
it seemed as if these logs were giants' bodies laid
crosswise. The red flames were from their blood
that was being licked up against the sooty stones.
Then the ghastliness vanished, and she approvingly
took in the picture,—the fat young
creamery shark standing over the white cat and
rubbing her with his toe, the firelight on the
wall and snowy table, and the big lamp on the
mantel.</p>
<p>"Hello!" he exclaimed, turning around, "did you
make your sleep out?"</p>
<p>"Yes sir," she said, briefly. "Where shall I put
this dog?"</p>
<p>"Don't put him nowhere till we turn this cat out.
Scat, pussy!" and with his foot he gently assisted
the small animal kitchenwards.</p>
<p>"Now you can roast your pup here," he said,
pointing to the vacated corner.</p>
<p>"Don't touch him," warned 'Tilda Jane, putting
aside his outstretched hand. "He nips worse'n a
lobster."</p>
<p>"Fine dog that," said the young man, ironically.<span class="pagenum"><SPAN name="Page_32" id="Page_32">[32]</SPAN></span>
"Come on now, let's fall to. I guess that rat's
rampaging again."</p>
<p>"Yes, he's pretty bad," said 'Tilda Jane, demurely;
and she seated herself in the place indicated.</p>
<p>Mrs. Minley waited on them herself, and, as she
passed to and fro between the dining-room and
kitchen, she bestowed many glances on the lean,
lank, little girl with the brown face.</p>
<p>After a time she nudged Hank with her elbow.
"Look at her!"</p>
<p>Hank withdrew his attention for a minute from
his plate to cast a glance at the downcast head opposite.
Then he dropped his knife and fork. "Look
here! I call this kind of low-down."</p>
<p>'Tilda Jane raised her moist eyes.</p>
<p>"You've got ham and eggs; fried petetters
and toast, and two kinds of preserve, and hot
rolls and coffee, and cake and doughnuts, which
is more'n you ever got at the asylum, I'll warrant,
and yet you're crying,—and after all the
trouble you've been to me. There's no satisfying
some people."</p>
<p><span class="pagenum"><SPAN name="Page_33" id="Page_33">[33]</SPAN></span></p>
<p>'Tilda Jane wiped her eyes. "I ain't a-cryin' for
the 'sylum," she said, stolidly.</p>
<p>"Then what are you crying for?"</p>
<p>"I'm cryin' 'cause it's such a long way to Orstralia,
an' I don't know no one. I wish you was a-goin'."</p>
<p>"I wish I was, but I ain't. Come on now, eat
your supper."</p>
<p>"I suppose I be a fool," she muttered, picking up
her knife and fork. "I've often heard I was."</p>
<p>"Hi now—I guess you feel better, don't you?"
said the young man, twenty minutes later.</p>
<p>He was in excellent humour himself, and, sitting
tilted back in his chair by the fireplace, played a
tune on his big white teeth with a toothpick.</p>
<p>"Yes, I guess I'm better," said 'Tilda Jane,
soberly. "That was a good supper."</p>
<p>"Hadn't you better feed your pup?" asked the
young man. "Seems to me he must be dead, he's
so quiet."</p>
<p>"He's plumb beat out, I guess," said the little
girl, and she carefully removed the dog's queer
drapery.</p>
<p>A little, thin, old, brown cur staggered out, with<span class="pagenum"><SPAN name="Page_34" id="Page_34">[34]</SPAN></span>
lips viciously rolled back, and a curious unsteadiness
of gait.</p>
<p>"Steady, old boy," said the young man; "my
soul and body, he ain't got but three legs! Whoa—you're
running into the table."</p>
<p>"He don't see very well," said 'Tilda Jane, firmly.
"His eyes is poor."</p>
<p>"What's the matter with his tail? It don't seem
to be hung on right."</p>
<p>"It wobbles from having tin cans tied to it.
Gippie dear, here's a bone."</p>
<p>"Gippie dear," muttered the young man. "I'd
shoot him if he was my dog."</p>
<p>"If that dog died, I'd die," said the little girl,
passionately.</p>
<p>"We've got to keep him alive, then," said the
young man, good-humouredly. "Can't you give him
some milk?"</p>
<p>She poured out a saucer full and set it before
him. The partially blind dog snapped at the saucer,
snapped at her fingers until he smelled them and
discovered whose they were, then he finally condescended
to lick out the saucer.</p>
<p><span class="pagenum"><SPAN name="Page_35" id="Page_35">[35]</SPAN></span></p>
<p>"And you like that thing?" said the young man,
curiously.</p>
<p>"Like him!—I love him," said 'Tilda Jane,
affectionately stroking the brown, ugly back.</p>
<p>"And when did he give away that leg?"</p>
<p>She shook her head. "It's long to tell. I guess
you'd ask me to shut up afore I got through."</p>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_36" id="Page_36">[36]</SPAN></span></p>
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