<h2><SPAN name="CHAPTER_XIV" id="CHAPTER_XIV"></SPAN><SPAN href="#CONTENTS">CHAPTER XIV.</SPAN><br/> <span class="small">HOME, SWEET HOME.</span></h2>
<p>'Tilda Jane was in a quandary. She had boarded
the train for Ciscasset, she sat up very straight and
apparently very composed—her outward demeanour
gave not a hint of the turmoil within. In reality
she was full of trouble. She had not a cent of
money in her pocket, and her new familiarity with
the workings of the Maine Central Railway assured
her that it did not carry passengers for nothing.</p>
<p>What was she to do? She pulled the little tippet
more closely around Gippie's shoulders. She had
taken it from her own, for it was absolutely necessary
for him to have another covering now that the
shawl was gone. Perhaps he would be taken away
from her. She had noticed that it was not a customary
thing for people to travel with dogs. His
head and tail were plainly visible—this tippet was
not like the voluminous shawl.</p>
<p><span class="pagenum"><SPAN name="Page_172" id="Page_172">[172]</SPAN></span></p>
<p>Lucas had not offered her money, and she had not
liked to ask him for it. Perhaps he had not thought
about it. Perhaps if he did think of it, he supposed
that he was doing enough to get her to Nicatoos—and
there was the conductor entering the other end
of the car. She must do something, and deliberately
rising from her seat, she slipped Gippie under
her arm, and made her way out to the platform of
the fast moving train.</p>
<p>It was quite dark now. She gave one side glance
at the white, silent country they were passing
through, then stepped into the lighted car ahead.</p>
<p>"This is a smoking-car, young girl," observed
some one, haughtily.</p>
<p>'Tilda Jane had dropped into the first seat she
came to, which happened to be beside a very stout
and very dignified gentleman who had a cigar in his
mouth, and who was reading a newspaper.</p>
<p>She looked round, saw that there were a number
of men in the car—no women, no children, and that
the atmosphere was a hazy blue.</p>
<p>"Smoke don't bother me," she said, almost scornfully.
What was a breath of smoke compared<span class="pagenum"><SPAN name="Page_173" id="Page_173">[173]</SPAN></span>
with her inward discomposure over her pecuniary
difficulties?</p>
<p>"I'm in a little trouble," she said, brusquely, "I
ain't got money to buy a ticket."</p>
<p>The gentleman gazed at her suspiciously. "I
have no money for beggars," he said, and he turned
his broad back squarely on her.</p>
<p>'Tilda Jane, for one so obstinate, was strangely
sensitive. With her face in a flame of colour, she
rose. Had any one else heard the insult? No, not
a man in the car was looking her way.</p>
<p>"I'm a poor little girl," she breathed over the
gentleman's substantial shoulder, "but I'm no beggar.
I guess I work as hard as you do. I wanted
you to lend me a dollar or so to be sent back in a
letter, but I wouldn't take it now—no, not if you
crawled after me on your hands an' knees like a dog
holdin' it in your mouth," and precipitately leaving
him, she sauntered down the aisle.</p>
<p>The gentleman turned around, and with an amazed
face gazed after her. Stay—there she was pausing
by the seat in which was his son. Should he warn
him against the youthful adventuress? No, he was<span class="pagenum"><SPAN name="Page_174" id="Page_174">[174]</SPAN></span>
old enough to take care of himself, and he settled
back in his corner and devoted himself to his
paper.</p>
<p>The only person in the last seat in the car was a
lad of seventeen or eighteen who was neither reading
nor smoking, but lounging across it, while he
suppressed innumerable yawns. He was very handsome,
and he looked lazy and good-natured, and to
him 'Tilda Jane accordingly addressed herself. She
had hesitated, after the rebuff she had received, to
apply to any of those other men with their resolved,
middle-aged or elderly faces. This lad she was not
at all afraid of, and resting Gippie on the arm of his
seat, she stared admiringly at him.</p>
<p>He straightened himself. Here was something
interesting, and his yawns ceased.</p>
<p>"Well, miss, what can I do for you?" he inquired,
mischievously, as she continued to stare at him without
speaking.</p>
<p>He would lend her the money, she knew it before
she asked him. There was something else in her
mind now, and her little sharp eyes were full of
tears.</p>
<p><span class="pagenum"><SPAN name="Page_175" id="Page_175">[175]</SPAN></span></p>
<p>"Is anything the matter with you?" he asked,
politely.</p>
<p>She could not answer him for a few seconds,
but then she swallowed the lump in her throat
and ejaculated, "No, sir, only you are so pretty."</p>
<p>"Pretty!" he repeated, in bewilderment.</p>
<p>"Yes," she said in low, passionate, almost resentful
tones, "you ain't got no 'casion for those blue
eyes an' that yeller hair. I wish I could take 'em
away from you. I'd 'a' been 'dopted if I had 'em.
I wouldn't be standin' here."</p>
<p>"Won't you sit down?" he asked, courteously,
and with a flattered air. He was very
young, and to have a strange child melt into
tears at the sight of his handsome face was a compliment
calculated to touch even an older heart
than his.</p>
<p>'Tilda Jane, with a heavy sigh, seated herself
beside him. "I'm kind o' put out," she said,
languidly, "you must s'cuse me."</p>
<p>After her interest in him, he could do nothing
less than murmur a civil inquiry as to the cause of
her concern.</p>
<p><span class="pagenum"><SPAN name="Page_176" id="Page_176">[176]</SPAN></span></p>
<p>"I've been tryin' to borrer money," she replied,
"an' I was 'sulted."</p>
<p>"To borrow money—then you are short of
funds?"</p>
<p>"Yes, sir," she said, calmly, "I'm a-travellin', but
I ain't got no money to pay for me nor for this dog,
an' his head an' tail shows this time, an' he'll be
nabbed."</p>
<p>"Where are you going?" asked the lad.</p>
<p>"To Ciscasset, sir, if I ever get there. I'm
beginnin' to think there ain't no such place."</p>
<p>"I assure you there is, for I live in it myself."</p>
<p>"Do you?" she ejaculated, with a flash of interest.
"Do you know a man by the name of Hobart
Dillson?"</p>
<p>"Rather—he was my father's bookkeeper for
years. We pension him now," he added, grandly,
and with a wish to impress.</p>
<p>'Tilda Jane was not impressed, for she did not
know what a pension was.</p>
<p>"What kind of a feller is he?" she asked, eagerly.</p>
<p>"Oh, a sort of tiger—might be in a cage, you
know, but we haven't got one big enough."</p>
<p><span class="pagenum"><SPAN name="Page_177" id="Page_177">[177]</SPAN></span></p>
<p>"You mean he gets mad easy?"</p>
<p>"Never gets un-mad. Always stays so. Is a
regular joke, you know. Going to visit him?"</p>
<p>"I'm goin' to be his housekeeper," said 'Tilda
Jane, with dignity.</p>
<p>The lad cast a rapid and amused glance over her
small resolved figure, then taking his handkerchief
from his pocket, turned his face to the window, and
coughed vigorously.</p>
<p>"I can fight, too," she added, after a pause, "but—"
slowly, "I sha'n't fight him."</p>
<p>The lad did not turn around except to throw her
one gleam from the corner of a laughing eye, until
she ejaculated uneasily, "There comes the conductor—are
you a-goin' to lend me some money?"</p>
<p>His face reappeared—quite sober now. "Well,
young lady, I am not a capitalist, but I think I can
raise you a loan. How much do you want—that
is, where did you come on?"</p>
<p>"I come on at Nicatoos, an' I've another dog in
the baggage-car."</p>
<p>"Travelling with two dogs," he murmured, "and
short of funds. You have courage!"</p>
<p><span class="pagenum"><SPAN name="Page_178" id="Page_178">[178]</SPAN></span></p>
<p>"I like some animiles better'n some people,"
observed 'Tilda Jane, sententiously.</p>
<p>"Your sentiment does you credit," he replied,
gravely, and as the conductor approached, he held
out his hand. "I pay for this little girl and her
dog in the baggage-car."</p>
<p>"That's a fine hound you've got," the conductor
observed, civilly, to 'Tilda Jane.</p>
<p>"Yes, sir," she replied, meekly. "I hope he
ain't scared o' the train."</p>
<p>"He don't like it much, but some of the boys
have been playing with him. Why—" and he
drew back in surprise, "you're the obstinate young
one I pointed out to the inspector the other day.
Here—you needn't pay," and he put in her hand
the money her new friend had just given him.
"There was a great racket about you. You needn't
have run away from Vanceboro—if you'd spoken
the truth, you'd saved yourself and us a lot of
trouble. However, I guess they'll be glad to hear
you're all right."</p>
<p>"I'll be 'bliged if you'll give my respecks to
Mr. Jack," she said, steadily.</p>
<p><span class="pagenum"><SPAN name="Page_179" id="Page_179">[179]</SPAN></span></p>
<p>"I'll do it," said the conductor, "and tell him
you've picked up another dog," and with a wink at
her companion, he passed on.</p>
<p>"Accep' my thanks," she said, after a time, handing
the loose change in her lap to the lad.</p>
<p>"Keep it," he replied, generously. "I don't want
it."</p>
<p>A grim flash like a streak of lightning passed over
her dark face, and he added, hastily, "As a loan, of
course. You may need money for your dogs. Old
Hobart will begrudge them a bone, I assure you."</p>
<p>She thanked him, and thoughtfully tied the money
in a corner of her handkerchief.</p>
<p>"Now if his son were home, he would be different.
Hank is a rattling, good-natured sort of a fellow.
No principle, you know, but not a tiger by any
means."</p>
<p>"I'll thank you, sir, to keep a stiff tongue when
you're talkin' of Hank Dillson," observed 'Tilda
Jane, severely. "He's done me favours, an' you'd
better keep your tongue off his father, too. If you're
dyin' to pitch into some one, pitch into that selfish
ole tub a-readin' that big paper up there. He turned<span class="pagenum"><SPAN name="Page_180" id="Page_180">[180]</SPAN></span>
his back on me when I hinted round him for the
loan of a dollar or so."</p>
<p>"And I'll thank you to keep a stiff tongue when
you speak of that gentleman," said the lad, smartly,
"for he's my father."</p>
<p>"Your father!" echoed 'Tilda Jane, in astonishment.</p>
<p>"Yes, ma'am."</p>
<p>"Did he <ins class="corr" title="Transcriber's Note—Original text: 'onct have blue eyes'">once have blue eyes</ins> an' curly hair?"</p>
<p>"I believe so. He's a good-looking man yet."</p>
<p>"He's a—" began 'Tilda Jane, hurriedly, then
she stopped short. "Law me—I'll never learn to
forgive folks before the sun goes down; I'm gettin'
wickeder an' wickeder. What's your name, sir?
I'll want to send you this money soon's I earn
some."</p>
<p>"My name is Datus Waysmith, and my father is
the biggest lumber merchant on the Ciscasset
River."</p>
<p>"Is he?" she said, wistfully, "an' have you got
more family?"</p>
<p>"Yes, I have a mother as pretty as a picture, and
three sisters."</p>
<p><span class="pagenum"><SPAN name="Page_181" id="Page_181">[181]</SPAN></span></p>
<p>"An' you have a nice room with a fire that ain't
boxed up, an' you sit round, an' no other folks come
in, an' no bells ring for you to get up and do somethin'?"</p>
<p>"We have loads of rooms in our house," said the
lad, boastfully. "It's the biggest one in Ciscasset.
You'll soon find out where we live. Here we are
most in—Iceboro next, then home," and he flattened
his face against the glass.</p>
<p>Outside in the dark night, bright lights appeared,
danced over the snowy country, then disappeared.
The train was running through the outskirts of a
prosperous town.</p>
<p>"Is Ciscasset a nice place?" asked 'Tilda Jane,
wistfully.</p>
<p>"Slowest old place that ever was. I'd like to live
in Bangor or Portland. There's something going on
there. We've nothing but a river, and mills, and
trees, and hills—not a decent theatre in the place."</p>
<p>'Tilda Jane did not know what a theatre was, and
discreetly held her peace.</p>
<p>"I say—here we are!" exclaimed the boy. "I
hope mamma will have a good supper."</p>
<p><span class="pagenum"><SPAN name="Page_182" id="Page_182">[182]</SPAN></span></p>
<p>A shadow overspread 'Tilda Jane's face, and seeing
it, the boy said, impulsively, "Stop here a minute—I
want to speak to papa," and he rushed away.</p>
<p>The little girl sat still. They were going more
slowly now, and all the men in the car were standing
up, putting on coats and warm caps. She had no
wrap, but her dress was thick, and hugging Gippie
closer, she felt that she should not suffer from the
cold.</p>
<p>The boy was making an animated appeal to his
father, who was asking him short, quick questions.
At last he gave him a brief, "Very well!" and the
boy ran back to 'Tilda Jane.</p>
<p>"Papa says you can ride with us. I told him you
had no one to meet you, and it would be cold comfort
wandering about alone to find your way. He
used to think a lot of Dillson, but you'd better not
talk to him."</p>
<p>'Tilda Jane trailed slowly after her guide through
the crowd of people leaving the train, and passing
through the lighted stone station to the yard outside.
Here were drawn up a number of sleighs.
The boy led her to the handsomest one.</p>
<p><span class="pagenum"><SPAN name="Page_183" id="Page_183">[183]</SPAN></span></p>
<p>"Jump up on the box with Jenks," he said in a
whisper. "Curl down under the rug, and I'll bring
dog number two. He'll run behind, won't he?"</p>
<p>"I guess so," replied 'Tilda Jane, with an equally
mysterious whisper, and she slipped down under the
soft bearskin robe.</p>
<p>In two minutes the boy came back, leading
Poacher by a small rope. "I'll just tie him behind,"
he said, "to make sure. He's all right—and
here's papa."</p>
<p>He stood aside, while his dignified parent got into
the sleigh. 'Tilda Jane, from her high seat, looked
around once. The lumber merchant and his son
were down in a black valley of soft, smothering furs,
Poacher was running agreeably behind, and Gippie
was snug and warm in her lap.</p>
<p>No one spoke during the drive, and they glided
swiftly through the snowy town. 'Tilda Jane had
a confused vision of lighted shops with frosty windows,
of houses with more sober illuminations, then
suddenly they were stealing along the brink of a
long and narrow snow-filled hollow. This was the
Ciscasset River, still held by its winter covering.<span class="pagenum"><SPAN name="Page_184" id="Page_184">[184]</SPAN></span>
She thought she heard a murmur of "rotten ice"
behind her as the lumber merchant addressed his
son, and she was enough a child of the State to
know that a reference to the breaking up of the ice
in the river was intended.</p>
<p>Presently they dashed up a long avenue of leafless,
hardwood trees to a big house on the hill. A hall
door was thrown open, and within was a glimpse of
paradise for the homeless orphan. Softly tinted
lights in the background illuminated and made
angelically beautiful the white dresses and glowing
faces of a lady and three little girls who stood on
the threshold with outstretched arms.</p>
<p>The father and son welcomed to these embraces
had forgotten 'Tilda Jane, and as the sleigh slowly
turned and went down the cold avenue, tears
streamed silently down her cheeks.</p>
<p>"Where am I to take you?" suddenly asked the
solemn coachman beside her.</p>
<p>"To Hobart Dillson's," she said, in a choking
voice.</p>
<p>Nothing more was said, she saw nothing, heard
nothing, felt nothing of her immediate surroundings.<span class="pagenum"><SPAN name="Page_185" id="Page_185">[185]</SPAN></span>
She had once been taken to a circus, and the picture
now before her mind was that of a tiger pacing back
and forth in his cage, growling in a low monotonous
tone, always growling, growling at a miserable child
shrinking outside.</p>
<p>"That there is Dillson's cottage, I think," said
the coachman at last.</p>
<p>'Tilda Jane roused herself. Through her blurred
vision a small house wavered at the end of a snowy
path. She wiped her eyes hastily, thanked the man,
and, slipping from her high seat, ran behind the
sleigh and untied Poacher.</p>
<p>The man turned his sleigh and glided slowly out
of sight. She stood watching him till he disappeared,
then, followed by her two dogs went reluctantly
up the path.</p>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_186" id="Page_186">[186]</SPAN></span></p>
<div style="break-after:column;"></div><br />