<SPAN name="chap06"></SPAN>
<h3> VI </h3>
<h3> SUNSHINE IN A SHADY PLACE </h3>
<p>The little schoolhouse on the hill had its moments of triumph as well
as its scenes of tribulation, but it was fortunate that Rebecca had her
books and her new acquaintances to keep her interested and occupied, or
life would have gone heavily with her that first summer in Riverboro.
She tried to like her aunt Miranda (the idea of loving her had been
given up at the moment of meeting), but failed ignominiously in the
attempt. She was a very faulty and passionately human child, with no
aspirations towards being an angel of the house, but she had a sense of
duty and a desire to be good,—respectably, decently good. Whenever she
fell below this self-imposed standard she was miserable. She did not
like to be under her aunt's roof, eating bread, wearing clothes, and
studying books provided by her, and dislike her so heartily all the
time. She felt instinctively that this was wrong and mean, and whenever
the feeling of remorse was strong within her she made a desperate
effort to please her grim and difficult relative. But how could she
succeed when she was never herself in her aunt Miranda's presence? The
searching look of the eyes, the sharp voice, the hard knotty fingers,
the thin straight lips, the long silences, the "front-piece" that
didn't match her hair, the very obvious "parting" that seemed sewed in
with linen thread on black net,—there was not a single item that
appealed to Rebecca. There are certain narrow, unimaginative, and
autocratic old people who seem to call out the most mischievous, and
sometimes the worst traits in children. Miss Miranda, had she lived in
a populous neighborhood, would have had her doorbell pulled, her gate
tied up, or "dirt traps" set in her garden paths. The Simpson twins
stood in such awe of her that they could not be persuaded to come to
the side door even when Miss Jane held gingerbread cookies in her
outstretched hands.</p>
<p>It is needless to say that Rebecca irritated her aunt with every breath
she drew. She continually forgot and started up the front stairs
because it was the shortest route to her bedroom; she left the dipper
on the kitchen shelf instead of hanging it up over the pail; she sat in
the chair the cat liked best; she was willing to go on errands, but
often forgot what she was sent for; she left the screen doors ajar, so
that flies came in; her tongue was ever in motion; she sang or whistled
when she was picking up chips; she was always messing with flowers,
putting them in vases, pinning them on her dress, and sticking them in
her hat; finally she was an everlasting reminder of her foolish,
worthless father, whose handsome face and engaging manner had so
deceived Aurelia, and perhaps, if the facts were known, others besides
Aurelia. The Randalls were aliens. They had not been born in Riverboro
nor even in York County. Miranda would have allowed, on compulsion,
that in the nature of things a large number of persons must necessarily
be born outside this sacred precinct; but she had her opinion of them,
and it was not a flattering one. Now if Hannah had come—Hannah took
after the other side of the house; she was "all Sawyer." (Poor Hannah!
that was true!) Hannah spoke only when spoken to, instead of first,
last, and all the time; Hannah at fourteen was a member of the church;
Hannah liked to knit; Hannah was, probably, or would have been, a
pattern of all the smaller virtues; instead of which here was this
black-haired gypsy, with eyes as big as cartwheels, installed as a
member of the household.</p>
<p>What sunshine in a shady place was aunt Jane to Rebecca! Aunt Jane with
her quiet voice, her understanding eyes, her ready excuses, in these
first difficult weeks, when the impulsive little stranger was trying to
settle down into the "brick house ways." She did learn them, in part,
and by degrees, and the constant fitting of herself to these new and
difficult standards of conduct seemed to make her older than ever for
her years.</p>
<p>The child took her sewing and sat beside aunt Jane in the kitchen while
aunt Miranda had the post of observation at the sitting-room window.
Sometimes they would work on the side porch where the clematis and
woodbine shaded them from the hot sun. To Rebecca the lengths of brown
gingham were interminable. She made hard work of sewing, broke the
thread, dropped her thimble into the syringa bushes, pricked her
finger, wiped the perspiration from her forehead, could not match the
checks, puckered the seams. She polished her needles to nothing,
pushing them in and out of the emery strawberry, but they always
squeaked. Still aunt Jane's patience held good, and some small measure
of skill was creeping into Rebecca's fingers, fingers that held pencil,
paint brush, and pen so cleverly and were so clumsy with the dainty
little needle.</p>
<p>When the first brown gingham frock was completed, the child seized what
she thought an opportune moment and asked her aunt Miranda if she might
have another color for the next one.</p>
<p>"I bought a whole piece of the brown," said Miranda laconically.
"That'll give you two more dresses, with plenty for new sleeves, and to
patch and let down with, an' be more economical."</p>
<p>"I know. But Mr. Watson says he'll take back part of it, and let us
have pink and blue for the same price."</p>
<p>"Did you ask him?"</p>
<p>"Yes'm."</p>
<p>"It was none o' your business."</p>
<p>"I was helping Emma Jane choose aprons, and didn't think you'd mind
which color I had. Pink keeps clean just as nice as brown, and Mr.
Watson says it'll boil without fading."</p>
<p>"Mr. Watson 's a splendid judge of washing, I guess. I don't approve of
children being rigged out in fancy colors, but I'll see what your aunt
Jane thinks."</p>
<p>"I think it would be all right to let Rebecca have one pink and one
blue gingham," said Jane. "A child gets tired of sewing on one color.
It's only natural she should long for a change; besides she'd look like
a charity child always wearing the same brown with a white apron. And
it's dreadful unbecoming to her!"</p>
<p>"'Handsome is as handsome does,' say I. Rebecca never'll come to grief
along of her beauty, that's certain, and there's no use in humoring her
to think about her looks. I believe she's vain as a peacock now,
without anything to be vain of."</p>
<p>"She's young and attracted to bright things—that's all. I remember
well enough how I felt at her age."</p>
<p>"You was considerable of a fool at her age, Jane."</p>
<p>"Yes, I was, thank the Lord! I only wish I'd known how to take a little
of my foolishness along with me, as some folks do, to brighten my
declining years."</p>
<p>There finally was a pink gingham, and when it was nicely finished, aunt
Jane gave Rebecca a delightful surprise. She showed her how to make a
pretty trimming of narrow white linen tape, by folding it in pointed
shapes and sewing it down very flat with neat little stitches.</p>
<p>"It'll be good fancy work for you, Rebecca; for your aunt Miranda won't
like to see you always reading in the long winter evenings. Now if you
think you can baste two rows of white tape round the bottom of your
pink skirt and keep it straight by the checks, I'll stitch them on for
you and trim the waist and sleeves with pointed tape-trimming, so the
dress'll be real pretty for second best."</p>
<p>Rebecca's joy knew no bounds. "I'll baste like a house afire!" she
exclaimed. "It's a thousand yards round that skirt, as well I know,
having hemmed it; but I could sew pretty trimming on if it was from
here to Milltown. Oh! do you think aunt Mirandy'll ever let me go to
Milltown with Mr. Cobb? He's asked me again, you know; but one Saturday
I had to pick strawberries, and another it rained, and I don't think
she really approves of my going. It's TWENTY-NINE minutes past four,
aunt Jane, and Alice Robinson has been sitting under the currant bushes
for a long time waiting for me. Can I go and play?"</p>
<p>"Yes, you may go, and you'd better run as far as you can out behind the
barn, so 't your noise won't distract your aunt Mirandy. I see Susan
Simpson and the twins and Emma Jane Perkins hiding behind the fence."</p>
<p>Rebecca leaped off the porch, snatched Alice Robinson from under the
currant bushes, and, what was much more difficult, succeeded, by means
of a complicated system of signals, in getting Emma Jane away from the
Simpson party and giving them the slip altogether. They were much too
small for certain pleasurable activities planned for that afternoon;
but they were not to be despised, for they had the most fascinating
dooryard in the village. In it, in bewildering confusion, were old
sleighs, pungs, horse rakes, hogsheads, settees without backs,
bed-steads without heads, in all stages of disability, and never the
same on two consecutive days. Mrs. Simpson was seldom at home, and even
when she was, had little concern as to what happened on the premises. A
favorite diversion was to make the house into a fort, gallantly held by
a handful of American soldiers against a besieging force of the British
army. Great care was used in apportioning the parts, for there was no
disposition to let anybody win but the Americans. Seesaw Simpson was
usually made commander-in-chief of the British army, and a limp and
uncertain one he was, capable, with his contradictory orders and his
fondness for the extreme rear, of leading any regiment to an inglorious
death. Sometimes the long-suffering house was a log hut, and the brave
settlers defeated a band of hostile Indians, or occasionally were
massacred by them; but in either case the Simpson house looked, to
quote a Riverboro expression, "as if the devil had been having an
auction in it."</p>
<p>Next to this uncommonly interesting playground, as a field of action,
came, in the children's opinion, the "secret spot." There was a velvety
stretch of ground in the Sawyer pasture which was full of fascinating
hollows and hillocks, as well as verdant levels, on which to build
houses. A group of trees concealed it somewhat from view and flung a
grateful shade over the dwellings erected there. It had been hard
though sweet labor to take armfuls of "stickins" and "cutrounds" from
the mill to this secluded spot, and that it had been done mostly after
supper in the dusk of the evenings gave it a still greater flavor. Here
in soap boxes hidden among the trees were stored all their treasures:
wee baskets and plates and cups made of burdock balls, bits of broken
china for parties, dolls, soon to be outgrown, but serving well as
characters in all sorts of romances enacted there,—deaths, funerals,
weddings, christenings. A tall, square house of stickins was to be
built round Rebecca this afternoon, and she was to be Charlotte Corday
leaning against the bars of her prison.</p>
<p>It was a wonderful experience standing inside the building with Emma
Jane's apron wound about her hair; wonderful to feel that when she
leaned her head against the bars they seemed to turn to cold iron; that
her eyes were no longer Rebecca Randall's but mirrored something of
Charlotte Corday's hapless woe.</p>
<p>"Ain't it lovely?" sighed the humble twain, who had done most of the
labor, but who generously admired the result.</p>
<p>"I hate to have to take it down," said Alice, "it's been such a sight
of work."</p>
<p>"If you think you could move up some stones and just take off the top
rows, I could step out over," suggested Charlotte Corday. "Then leave
the stones, and you two can step down into the prison to-morrow and be
the two little princes in the Tower, and I can murder you."</p>
<p>"What princes? What tower?" asked Alice and Emma Jane in one breath.
"Tell us about them."</p>
<p>"Not now, it's my supper time." (Rebecca was a somewhat firm
disciplinarian.)</p>
<p>"It would be elergant being murdered by you," said Emma Jane loyally,
"though you are awful real when you murder; or we could have Elijah and
Elisha for the princes."</p>
<p>"They'd yell when they was murdered," objected Alice; "you know how
silly they are at plays, all except Clara Belle. Besides if we once
show them this secret place, they'll play in it all the time, and
perhaps they'd steal things, like their father."</p>
<p>"They needn't steal just because their father does," argued Rebecca;
"and don't you ever talk about it before them if you want to be my
secret, partic'lar friends. My mother tells me never to say hard things
about people's own folks to their face. She says nobody can bear it,
and it's wicked to shame them for what isn't their fault. Remember
Minnie Smellie!"</p>
<p>Well, they had no difficulty in recalling that dramatic episode, for it
had occurred only a few days before; and a version of it that would
have melted the stoniest heart had been presented to every girl in the
village by Minnie Smellie herself, who, though it was Rebecca and not
she who came off victorious in the bloody battle of words, nursed her
resentment and intended to have revenge.</p>
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