<h2>CHAPTER III</h2>
<h3>THE CALL</h3>
<p>It was the Trust Anniversary at the Sytch Chapel, and two
sermons were to be delivered by the Reverend Dr. Simon Quain;
during fifteen years none but he had preached the Trust sermons.
Even in the morning, when pillars of the church were often
disinclined to assume the attitude proper to pillars, the fane was
almost crowded. For it was impossible to ignore the Doctor. He was
an expert geologist, a renowned lecturer, the friend of men of
science and sometimes their foe, a contributor to the
'Encyclopædia Britannica,' and the author of a book of travel. He
did not belong to the school of divines who annihilated Huxley by
asking him, from the pulpit, to tell them, if protoplasm was the
origin of all life, what was the origin of protoplasm. Dr. Quain
was a man of genuine attainments, at which the highest criticism
could not sneer; and when he visited Bursley the facile agnostics
of the town, the young and experienced who <SPAN name='Page61' id="Page61"></SPAN><span class="pagenum">61</span>knew more than their
elders, were forced to take cover. Dr. Quain, whose learning
exceeded even theirs—so the elders sarcastically ventured to
surmise—was not ashamed to believe in the inspiration of the
Old Testament; he could reconcile the chronology of the earth's
crust with the first chapter of Genesis; he had a satisfactory
explanation of the Johannine gospel; and his mere existence was an
impregnable fortress from which the adherents of the banner of
belief could not be dislodged. On this Sunday morning he offered a
simple evangelical discourse, enhanced by those occasional
references to palæozoic and post-tertiary periods which were
expected from him, and which he had enough of the wisdom of the
serpent to supply. His grave and assured utterances banished all
doubts, fears, misgivings, apprehensions; and the timid waverers
smiled their relief at being freed, by the confidence of this
illustrious authority, from the distasteful exertion of thinking
for themselves.</p>
<p>The collection was immense, and, in addition to being immense,
it provided for the worshippers an agreeable and legitimate
excitement of curiosity; for the plate usually entrusted to Meshach
Myatt was passed from pew to pew, and afterwards carried to the
communion rails, by a complete stranger, a man extremely
self-possessed <SPAN name='Page62' id="Page62"></SPAN><span class="pagenum">62</span>and well-attired, with a heavy moustache, a
curious dimple in his chin, and melancholy eyes, a man obviously of
considerable importance somewhere. 'Oh, mamma,' whispered Milly to
her mother, who was alone with her in the Stanway pew, 'do look;
that's Mr. Twemlow.' Several men in the congregation knew his
identity, and one, a commercial traveller, had met him in New York.
Before the final hymn was given out, half the chapel had pronounced
his name in surprise. His overt act of assisting in the offertory
was favourably regarded; it was thought to show a nice social
feeling on his part; and he did it with such distinction! The older
people remembered that his father had always been a collector; they
were constrained now to readjust their ideas concerning the son,
and these ideas, rooted in the single phrase, <i>ran away from
home</i>, and set fast by time, were difficult of adjustment. The
impressiveness of Dr. Quain's sermon was impaired by this diversion
of interest.</p>
<p>The members of the Stanway family, in order to avoid the crush
in the aisles and portico, always remained in their pew after
service, until the chapel had nearly emptied itself; and to-day
Leonora chose to sit longer than usual. John had been too fatigued
to rise for breakfast; Rose <SPAN name='Page63' id="Page63"></SPAN><span class="pagenum">63</span>was struck down by a
sick headache; and Ethel had stayed at home to nurse Rose, so far
as Rose would allow herself to be nursed. Leonora felt no desire to
hurry back to the somewhat perilous atmosphere of Sunday dinner,
and moreover she shrank nervously from the possibility of having to
make the acquaintance of Mr. Twemlow. But when she and Milly at
length reached the outer vestibule, a concourse of people still
lingered there, and among them Arthur was just bidding good-bye to
the Myatts. Hannah, rather shortsighted, did not observe Leonora
and Milly; Meshach gave them his curt quizzical nod, and the aged
twain departed. Then Millicent, proud of her acquaintance with the
important stranger, and burning to be seen in converse with him,
left her mother's side and became an independent member of
society.</p>
<p>'How do you do, Mr. Twemlow?' she chirped.</p>
<p>'Ah!' he replied, recognising her with a bow the sufficiency of
which intoxicated the young girl. 'Not in such a hurry this
morning?'</p>
<p>'Oh! no!' she agreed with smiling effusion, and they both
glanced with furtive embarrassed swiftness at Leonora. 'Mamma, this
is Mr. Twemlow. Mr. Twemlow my mother.' The dashing modish air of
the child was adorable. <SPAN name='Page64' id="Page64"></SPAN><span class="pagenum">64</span>Having concluded her
scene she retired from the centre of the stage in a glow.</p>
<p>Arthur Twemlow's manner altered at once as he took Leonora's
hand and saw the sudden generous miracle which happened in her calm
face when she smiled. He was impressed by her beautiful maturity,
by the elegance born of a restrained but powerful instinct
transmitted to her through generations of ancestors. His respect
for Meshach rose higher. And she, as she faced the self-possessed
admiration in Arthur's eyes, was conscious of her finished beauty,
even of the piquancy of the angle of her hat, and the smooth
immaculate whiteness of her gloves; and she was proud, too, of
Millicent's gracile, restless charm. They walked down the steps
side by side, Leonora in the middle, watched curiously from above
and below by little knots of people who still lingered in front of
the chapel.</p>
<p>'You soon got to work here, Mr. Twemlow,' said Leonora
lightly.</p>
<p>He laughed. 'I guess you mean that collecting box. That was Mr.
Myatt's game. He didn't do me right, you know. He got me into his
pew, and then put the plate on to me.'</p>
<p>Leonora liked his Americanism of accent and phrase; it seemed
romantic to her; it seemed to signify the quick alertness, the
vivacious and <SPAN name='Page65' id="Page65"></SPAN><span class="pagenum">65</span>surprising turns, of existence in New York,
where the unexpected and the extraordinary gave a zest to every
day.</p>
<p>'Well, you collected perfectly,' she remarked.</p>
<p>'Oh, yes you did, really, Mr. Twemlow,' echoed Millicent.</p>
<p>'Did I?' he said, accepting the tribute with frank satisfaction.
'I used to collect once at Talmage's Church in
Brooklyn—you've heard Talmage over here of course.' He
faintly indicated contempt for Talmage. 'And after my first
collection he sent for me into the church parlour, and he said to
me: "Mr. Twemlow, next time you collect, put some snap into it;
don't go shuffling along as if you were dead." So you see this
morning, although I haven't collected for years, I thought of that
and tried to put some snap into it.'</p>
<p>Milly laughed obstreperously, Leonora smiled.</p>
<p>At the corner they could see Mrs. Burgess's carriage waiting at
the vestry door in Mount Street. The geologist, escorted by Harry
Burgess, got into the carriage, where Mrs. Burgess already sat;
Harry followed him, and the stately equipage drove off. Dr. Quain
had married a cousin of Mrs. Burgess's late husband, and he
invariably stayed at her house. All this had to be explained to
Arthur Twemlow, who made a <SPAN name='Page66' id="Page66"></SPAN><span class="pagenum">66</span>point of being curious.
By the time they had reached the top of Oldcastle Street, Leonora
felt an impulse to ask him without ceremony to walk up to Hillport
and have dinner with them. She knew that she and Milly were
pleasing him, and this assurance flattered her. But she could not
summon the enterprise necessary for such an unusual invitation; her
lips would not utter the words, she could not force them to utter
the words.</p>
<p>He hesitated, as if to leave them; and quite automatically,
without being able to do otherwise, Leonora held her hand to bid
good-bye; he took it with reluctance. The moment was passing, and
she had not even asked him where he was staying: she had learnt
nothing of the man of whom Meshach had warned her husband to
beware.</p>
<p>'Good morning,' he said, 'I'm very glad to have met you.
Perhaps——'</p>
<p>'Won't you come and see us this afternoon, if you aren't
engaged?' she suggested quickly. 'My husband will be anxious to
meet you, I know.'</p>
<p>He appeared to vacillate.</p>
<p>'Oh, do, Mr. Twemlow!' urged Milly, enchanted.</p>
<p>'It's very good of you,' he said, 'I shall be <SPAN name='Page67' id="Page67"></SPAN><span class="pagenum">67</span>delighted to call.
It's quite a considerable time since I saw Mr. Stanway.' He
laughed. This was his first reference to John.</p>
<p>'I'm so glad you asked him, ma,' said Milly, as they walked down
Oldcastle Street.</p>
<p>'Your father said we must be polite to Mr. Twemlow,' her mother
replied coldly.</p>
<p>'He's frightfully rich, I'm sure,' Milly observed.</p>
<p>At dinner Leonora told John that Arthur Twemlow was coming.</p>
<p>'Oh, good!' he said: nothing more.</p>
<hr class='short' />
<p>In the afternoon the mother and her eldest and youngest, supine
and exanimate in the drawing-room, were surprised into expectancy
by the sound of the front-door bell before three o'clock.</p>
<p>'He's here!' exclaimed Milly, who was sitting near Leonora on
the long Chesterfield. Ethel, her face flushed by the fire, lay
like a curving wisp of straw in John's vast arm-chair. Leonora was
reading; she put down the magazine and glanced briefly at Ethel,
then at the aspect of the room. In silence she wished that Ethel's
characteristic attitudes could be a little more demure and
sophisticated. She wondered how often this apparently artless girl
had surrepti<SPAN name='Page68' id="Page68"></SPAN><span class="pagenum">68</span>tiously seen Fred Ryley since the midnight
meeting on Thursday, and she was amazed that a child of hers, so
kindly disposed, could be so naughty and deceitful. The door opened
and Ethel sat up with a bound.</p>
<p>'Mr. Burgess,' the parlourmaid announced. The three women sank
back, disappointed and yet relieved.</p>
<p>Harry Burgess, though barely of age, was one of the acknowledged
dandies of Hillport. Slim and fair, with a frank, rather simple
countenance, he supported his stylistic apparel with a natural
grace that attracted sympathy. Just at present he was achieving a
spirited effect by always wearing an austere black necktie fastened
with a small gold safety-pin; he wore this necktie for weeks to a
bewildering variety of suits, and then plunged into a wild
polychromatic debauch of neckties. Upon all the niceties of
masculine dress, the details of costume proper to a particular form
of industry or recreation or ceremonial, he was a genuine
authority. His cricketing flannels—he was a fine cricketer
and lawn-tennis player of the sinuous oriental sort—were the
despair of other dandies and the scorn of the sloven; he caused the
material, before it was made up, to be boiled for many hours by the
Burgess charwoman under his own superintendence. He had
extra<SPAN name='Page69' id="Page69"></SPAN><span class="pagenum">69</span>ordinary aptitudes for drawing corks, lacing
boots, putting ferrules on walking-sticks, opening latched windows
from the outside, and rolling cigarettes; he could make a cigarette
with one hand, and not another man in the Five Towns, it was said,
could do that. His slender convex silver cigarette-case invariably
contained the only cigarettes worthy of the palate of a
connoisseur, as his pipes were invariably the only pipes fit for
the combustion of truly high-class tobacco. Old women, especially
charwomen, adored him, and even municipal seigniors admitted that
Harry was a smart-looking youth. Fatherless, he was the heir to a
tolerable fortune, the bulk of which, during his mother's life, he
could not touch save with her consent; but his mother and his
sister seemed to exist chiefly for his convenience. His fair hair
and his facile smile vanquished them, and vanquished most other
people also; and already, when he happened to be crossed, there
would appear on his winning face the pouting, hard, resentful lines
of the man who has learnt to accept compliance as a right. He had
small intellectual power, and no ambition at all. A considerable
part of his prospective fortune was invested in the admirable
shares of the Birmingham, Sheffield and District Bank, and it
pleased him to sit on a stool in the Bursley branch of this
<SPAN name='Page70' id="Page70"></SPAN><span class="pagenum">70</span>bank, since he wanted, <i>pro tempore</i>, a
dignified avocation without either the anxieties of trade or the
competitive tests of a profession. He was a beautiful bank clerk;
but he had once thrown a bundle of cheques into the office fire
while aiming at a basket on the mantelpiece; the whole banking
world would have been agitated and disorganised had not another
clerk snatched the bundle from peril at the expense of his own
fingers: the incident, still legendary behind the counter of the
establishment at the top of St. Luke's Square, kept Harry awake to
the seriousness of life for several weeks.</p>
<p>'Well, Harry,' said Leonora with languid good nature. He paid
his homage in form to the mistress of the house; raised his
eyebrows at Milly, who returned the gesture; smiled upon Ethel, who
feebly waved a hand as if too exhausted to do more; and then sat
down on the piano-stool, carefully easing the strain on his
trousers at the knees and exposing an inch of fine wool socks above
his American boots. He was a familiar of the house, and had had the
unconditional <i>entrée</i> since he and the Stanway girls
first went to the High Schools at Oldcastle.</p>
<p>'I hope I haven't disturbed your beauty sleep—any of you,'
was his opening remark.</p>
<p>'Yes, you have,' said Ethel.</p>
<p><SPAN name='Page71' id="Page71"></SPAN><span class="pagenum">71</span>He continued: 'I just came in to seek a little
temporary relief from the excellent Quain. Quain at breakfast,
Quain at chapel, Quain at dinner.... I got him to slumber on one
side of the hearth and mother on the other, and then I slipped away
in case they awoke. If they do, I've told Cissie to say that I've
gone out to take a tract to a sick friend—back in five
minutes.'</p>
<p>'Oh, Harry, you are silly!' Millicent laughed. Every one,
including the narrator, was amused by this elaborate fiction of the
managing of those two impressive persons, Mrs. Burgess and the
venerable Christian geologist, by a kind, indulgent, bored Harry.
Leonora, who had resumed her magazine, looked up and smiled the
guarded smile of the mother.</p>
<p>'I'm afraid you're getting worse,' she murmured, and his candid
seductive face told her that while he was on no account not to be
regarded as a gay dog, and a sad dog, and a worldly dog, yet
nevertheless he and she thoroughly appreciated and understood each
other. She did indeed like him, and she found pleasure in his
presence; he gratified the eye.</p>
<p>'I wish you'd sing something, Milly,' he began again after a
pause.</p>
<p>'No,' said Milly, 'I'm not going to sing now.'</p>
<p><SPAN name='Page72' id="Page72"></SPAN><span class="pagenum">72</span>'But do. Can't she, Mrs. Stanway?'</p>
<p>'Well, what do you want me to sing?'</p>
<p>'Sing "Love is a plaintive song," out of the second act.'</p>
<p>Harry was the newly appointed secretary of the Bursley Amateur
Operatic Society, of which both Ethel and Millicent were members.
In a few weeks' time the Society was to render <i>Patience</i> in
the Town Hall for the benefit of local charities, and rehearsals
were occurring frequently.</p>
<p>'Oh! I'm not Patience,' Milly objected stiffly; she was only
Ella. 'Besides, I mayn't, may I, mamma?'</p>
<p>'Your father might not like it,' said Leonora.</p>
<p>'The dad has taken Bran out for a walk, so it won't trouble
him,' Ethel interjected sleepily under her breath.</p>
<p>'Well, but look here, Mrs. Stanway,' said Harry conclusively,
'the organist at the Wesleyan chapel actually plays the sextet from
<i>Patience</i> for a voluntary. What about that? If there's no
harm in that——' Leonora surrendered. 'Come on, Mill,'
he commanded. 'I shall have to return to my muttons directly,' and
he opened the piano.</p>
<p>'But I tell you I'm not Patience.'</p>
<p>'Come <i>on</i>! You know the music all right. <SPAN name='Page73' id="Page73"></SPAN><span class="pagenum">73</span>Then we'll try
Ella's bit in the first act. I'll play.'</p>
<p>Millicent arose, shook her hair, and walked to the piano with
the mien of a prima donna who has the capitals of Europe at her
feet, exultant in her youth, her charm, her voice, revelling
unconsciously in the vivacity of her blood, and consciously in her
power over Harry, which Harry strove in vain to conceal under an
assumed equanimity.</p>
<p>And as Millicent sang the ballad Leonora was beguiled, by her
singing, into a mood of vague but overpowering melancholy. It
seemed tragic that that fresh and pure voice, that innocent vanity,
and that untested self-confidence should change and fade as
maturity succeeded adolescence and decay succeeded maturity; it
seemed intolerable that the ineffable charm of the girl's youth
must be slowly filched away by the thefts of time. 'I was like that
once! And Jack too!' she thought, as she gazed absently at the pair
in front of the piano. And it appeared incredible to her that she
was the mother of that tall womanly creature, that the little
morsel of a child which she had borne one night had become a
daughter of Eve, with a magic to mesmerise errant glances and
desires. She had a glimpse of the significance of Nature's eternal
iterance. Then her mood developed a bitterness against Millicent.
<SPAN name='Page74' id="Page74"></SPAN><span class="pagenum">74</span>She
thought cruelly that Millicent's magic was no part of the girl's
soul, no talent acquired by loving exertion, but something
extrinsic, unavoidable, and unmeritorious. Why was it so? Why
should fate treat Milly like a godchild? Why should she have
prettiness, and adorableness, and the lyric gift, and such
abounding confident youth? Why should circumstances fall out so
that she could meet her unacknowledged lover openly at all seasons?
Leonora's eyes wandered to the figure of Ethel reclining with shut
eyes in the arm-chair. Ethel in her graver and more diffident
beauty had already begun to taste the sadness of the world. Ethel
might not stand victoriously by her lover in the midst of the
drawing-room, nor joyously flip his ear when he struck a wrong note
on the piano. Ethel, far more passionate than the active Milly,
could only dream of her lover, and see him by stealth. Leonora
grieved for Ethel, and envied her too, for her dreams, and for her
solitude assuaged by clandestine trysts. Those trysts lay heavy on
Leonora's mind; although she had discovered them, she had done
nothing to prevent them; from day to day she had put off the
definite parental act of censure and interdiction. She was appalled
by the serene duplicity of her girls. Yet what could she say? Words
were so trivial, <SPAN name='Page75' id="Page75"></SPAN><span class="pagenum">75</span>so conventional. And though she objected to the
match, wishing with ardour that Ethel might marry far more
brilliantly, she believed as fully in the honest warm kindliness of
Fred Ryley as in that of Ethel. 'And what else matters after all?'
she tried to think.... Her reverie shifted to Rose, unfortunate
Rose, victim of peculiar ambitions, of a weak digestion, and of a
harsh temperament that repelled the sympathy it craved but was too
proud to invite. She felt that she ought to go upstairs and talk to
the prostrate Rose in the curt matter-of-fact tone that Rose
ostensibly preferred, but she did not wish to talk to Rose. 'Ah
well!' she reflected finally with an inward sigh, as though to
whisper the last word and free herself of this preoccupation, 'they
will all be as old as me one day.'</p>
<p>'Mr. Twemlow,' said the parlourmaid.</p>
<p>Milly deliberately lengthened a high full note and then stopped
and turned towards the door.</p>
<p>'Bravo!' Arthur Twemlow answered at once the challenge of her
whole figure; but he seemed to ignore the fact that he had caused
an interruption, and there was something in his voice that piqued
the cantatrice, something that sent her back to the days of short
frocks. She glanced nervously aside at Harry, who had struck a few
notes and then dropped his hands from the key<SPAN name='Page76' id="Page76"></SPAN><span class="pagenum">76</span>board. Twemlow's
demeanour towards the blushing Ethel when Leonora brought her
forward was much more decorous and simple. As for Harry, to whom
his arrival was a surprise, at first rather annoying, Twemlow
treated the young buck as one man of the world should treat
another, and Harry's private verdict upon him was extremely
favourable. Nevertheless Leonora noticed that the three young ones
seemed now to shrink into themselves, to become passive instead of
active, and by a common instinct to assume the character of mere
spectators.</p>
<p>'May I choose this place?' said Twemlow, and sat down by Leonora
in the other corner of the Chesterfield and looked round. She could
see that he was admiring the spacious room and herself in her
beautiful afternoon dress, and the pensive and the sprightly
comeliness of her daughters. His wandering eyes returned to hers,
and their appreciation pleased her and increased her charm.</p>
<p>'I am expecting my husband every minute,' she said.</p>
<p>'Papa's gone out for a walk with Bran,' Milly added.</p>
<p>'Oh! Bran!' He repeated the word in a voice that humorously
appealed for further elucidation, and both Ethel and Harry
laughed.</p>
<p><SPAN name='Page77' id="Page77"></SPAN><span class="pagenum">77</span>'The St. Bernard, you know,' Milly explained,
annoyed.</p>
<p>'I wouldn't be surprised if that was a St. Bernard out there,'
he said pointing to the French window. 'What a fine fellow! And
what a fine garden!'</p>
<p>Bran was to be seen nosing low down at the window; and
alternately lifting two huge white paws in his futile anxiety to
enter the room.</p>
<p>'Then I dare say John is in the garden,' Leonora exclaimed, with
sudden animation, glad to be able to dismiss the faint uneasy
suspicion which had begun to form in her mind that John meant after
all to avoid Arthur Twemlow. 'Would you like to look at the
garden?' she demanded, half rising, and lifting her brows to a
pretty invitation.</p>
<p>'Very much indeed,' he replied, and he jumped up with the
impulsiveness of a boy.</p>
<p>'It's quite warm,' she said, and thanked Harry for opening the
window for them.</p>
<p>'A fine severe garden!' he remarked enthusiastically outside,
after he had descanted to Bran on Bran's amazing perfections, and
the dog had greeted his mistress. 'A fine severe garden!' he
repeated.</p>
<p>'Yes,' she said, lifting her skirt to cross the lawn. 'I know
what you mean. I wouldn't <SPAN name='Page78' id="Page78"></SPAN><span class="pagenum">78</span>have it altered for
anything, but many people think it's too formal. My husband
does.'</p>
<p>'Why! It's just English. And that old wall! and the yew trees! I
tell you——'</p>
<p>She expanded once more to his appreciation, which she took to
herself; for none but she, and the gardener who was also the groom,
and worked under her, was responsible for the garden. But as she
displayed the African marigolds and the late roses and the hardy
outdoor chrysanthemums, and as she patted Bran, who dawdled under
her hand, she looked furtively about for John. She hoped he might
be at the stables, and when in their tour of the grounds they
reached the stables and he was not there, she hoped they would find
him in the drawing-room on their return. Her suspicion reasserted
itself, and it was strengthened, against her reason, by the fact
that Arthur Twemlow made no comment on John's invisibility. In the
dusk of the spruce stable, where an enamelled name-plate over the
manger of a loose box announced that 'Prince' was its pampered
tenant, she opened the cornbin, and, entering the loose-box,
offered the cob a handful of crushed oats. And when she stood by
the cob, Twemlow looking through the grill of the door at this
picture which suggested a beast-tamer in the cage, she was aware of
her <SPAN name='Page79' id="Page79"></SPAN><span class="pagenum">79</span>beauty and the beauty of the animal as he curved
his neck to her jewelled hand, and of the ravishing effect of an
elegant woman seen in a stable. She smiled proudly and yet sadly at
Twemlow, who was pulling his heavy moustache. Then they could hear
an ungoverned burst of Milly's light laughter from the
drawing-room, and presently Milly resumed her interrupted song.
Opposite the outer door of the stable was the window of the
kitchen, whence issued, like an undertone to the song, the subdued
rattle of cups and saucers; and the glow of the kitchen fire could
be distinguished. And over all this complex domestic organism,
attractive and efficient in its every manifestation, and vigorously
alive now in the smooth calm of the English Sunday, she was queen;
and hers was the brain that ruled it while feigning an aloof
quiescence. 'He is a romantic man; he understands all that,' she
felt with the certainty of intuition. Aloud she said she must
fasten up the dog.</p>
<p>When they returned to the drawing-room there was no sign of
John.</p>
<p>'Hasn't your father come in?' she asked Ethel in a low voice;
Milly was still singing.</p>
<p>'No, mother, I thought he was with you in the garden.' The girl
seemed to respond to Leonora's inquietude.</p>
<p><SPAN name='Page80' id="Page80"></SPAN><span class="pagenum">80</span>Milly finished her song, and Twemlow, who had
stationed himself behind her to look at the music, nodded an
austere approval.</p>
<p>'You have an excellent voice,' he remarked, 'and you can use
it.' To Leonora this judgment seemed weighty and decisive.</p>
<p>'Mr. Twemlow,' said the girl, smiling her satisfaction, 'excuse
me asking, but are you married?'</p>
<p>'No,' he answered, 'are you?'</p>
<p>'<i>Mr.</i> Twemlow!' she giggled, and turning to Ethel, who in
anticipation blushed once again: 'There! I told you.'</p>
<p>'You girls are very curious,' Leonora said perfunctorily.</p>
<p>Bessy came in and set a Moorish stool before the Chesterfield,
on the stool an inlaid Sheraton tray with china and a copper kettle
droning over a lamp, and near it a cakestand in three storeys. And
Leonora, manoeuvring her bangles, commenced the ritual of refection
with Harry as acolyte. 'If he doesn't come—well, he doesn't
come,' she thought of her husband, as she smiled interrogatively at
Arthur Twemlow, holding a lump of sugar aloft in the tongs.</p>
<p>'The Reverend Simon Quain asked who you were, at dinner to-day,'
said Harry. During the absence of Leonora and her guest, Harry
<SPAN name='Page81' id="Page81"></SPAN><span class="pagenum">81</span>had
evidently acquired information concerning Arthur.</p>
<p>'Oh, Mr. Twemlow!' Milly appealed quickly, 'do tell Harry and
Ethel what Dr. Talmage said to you. I think it's so funny—I
can't do the accent.'</p>
<p>'What accent?' he laughed.</p>
<p>She hesitated, caught. 'Yours,' she replied boldly.</p>
<p>'Very amusing!' Harry said judicially, after the episode of the
Brooklyn collection had been related. 'Talmage must be a
caution.... I suppose you're staying at the Five Towns Hotel?' he
inquired, with an implication in his voice that there was no other
hotel in the district fit for the patronage of a man of the world.
Twemlow nodded.</p>
<p>'What! At Knype?' Leonora exclaimed. 'Then where did you dine
to-day?'</p>
<p>'I had dinner at the Tiger, and not a bad dinner either,' he
said.</p>
<p>'Oh dear!' Harry murmured, indicating an august sympathy for
Arthur Twemlow in affliction.</p>
<p>'If I had only known—I don't know what I was thinking of
not to ask you to come here for dinner,' said Leonora. 'I made sure
you would be engaged somewhere.'</p>
<p><SPAN name='Page82' id="Page82"></SPAN><span class="pagenum">82</span>'Fancy you eating all alone at the Tiger, on
Sunday too!' remarked Milly.</p>
<p>'Tut! tut!' Twemlow protested, with a farcical exactness of
pronunciation; and Ethel laughed.</p>
<p>'What are you laughing at, my dear?' Leonora asked mildly.</p>
<p>'I don't know, mother—really I don't.' Whereupon they all
laughed together and a state of absolute intimacy was
established.</p>
<p>'I hadn't the least notion of being at Bursley to-day,' Twemlow
explained. 'But I thought that Knype wasn't much of a place—I
always did think that, being a native of Bursley. I wouldn't be
surprised if you've noticed, Mrs. Stanway, how all the five Five
Towns kind of sit and sniff at each other. Well, I felt dull after
breakfast, and when I saw the advertisement of Dr. Quain at the old
chapel, I came right away. And that's all, except that I'm going to
sup with a man at Knype to-night.'</p>
<p>There were sounds in the hall, and the door of the drawing-room
opened; but it was only Bessie coming to light the gas.</p>
<p>'Is that your master just come in?' Leonora asked her.</p>
<p>'Yes, ma'am.'</p>
<p>'At last,' said Leonora, and they waited. <SPAN name='Page83' id="Page83"></SPAN><span class="pagenum">83</span>With noiseless
precision Bessie lit the gas, made the fire, drew the curtains, and
departed. Then they could hear John's heavy footsteps overhead.</p>
<p>Leonora began nervously to talk about Rose, and Twemlow showed a
polite interest in Rose's private trials; Ethel said that she had
just visited the patient, who slept. Harry asseverated that to
remain a moment longer away from his mother's house would mean
utter ruin for him, and with extraordinary suddenness he made his
adieux and went, followed to the front door by Millicent. The
conversation in the room dwindled to disconnected remarks, and was
kept alive by a series of separate little efforts. Footsteps were
no longer audible overhead. The clock on the mantelpiece struck
five, emphasising a silence, and amid growing constraint several
minutes passed. Leonora wanted to suggest that John, having lost
the dog, must have been delayed by looking for him, but she felt
that she could not infuse sufficient conviction into the remark,
and so said nothing. A thousand fears and misgivings took
possession of her, and, not for the first time, she seemed to
discern in the gloom of the future some great catastrophe which
would swallow up all that was precious to her.</p>
<p>At length John came in, hurried, fidgetty, nervous, and Ethel
slipped out of the room.</p>
<p><SPAN name='Page84' id="Page84"></SPAN><span class="pagenum">84</span>'Ah! Twemlow!' he broke forth, 'how d'ye do? How
d'ye do? Glad to see you. Hadn't given me up, had you? How d'ye
do?'</p>
<p>'Not quite,' said Twemlow gravely as they shook hands.</p>
<p>Leonora took the water-jug from the tray and went to a
chrysanthemum in the farthest corner of the room, where she
remained listening, and pretending to be busy with the plant. The
men talked freely but vapidly with the most careful politeness, and
it seemed to her that Twemlow was annoyed, while Stanway was
determined to offer no explanation of his absence from tea. Once,
in a pause, John turned to Leonora and said that he had been
upstairs to see Rose. Leonora was surprised at the change in
Twemlow's demeanour. It was as though the pair were fighting a duel
and Twemlow wore a coat of mail. 'And these two have not seen each
other for twenty-five years!' she thought. 'And they talk like
this!' She knew then that something lay between them; she could
tell from a peculiar well-known look in her husband's eyes.</p>
<p>When she summoned decision to approach them where they stood
side by side on the hearthrug, both tall, big, formal, and
preoccupied, Twemlow at once said that unfortunately he must
<SPAN name='Page85' id="Page85"></SPAN><span class="pagenum">85</span>go;
Stanway made none but the merest perfunctory attempt to detain him.
He thanked Leonora stiffly for her hospitality, and said good-bye
with scarcely a smile. But as John opened the door for him to pass
out, he turned to glance at her, and smiled brightly, kindly,
bowing a final adieu, to which she responded. She who never in her
life till then had condescended to such a device softly stepped to
the unlatched door and listened.</p>
<p>'This one yours?' she heard John say, and then the sound of a
hat bouncing on the tiled floor.</p>
<p>'My fault entirely,' said Twemlow's voice. 'By the way, I guess
I can see you at your office one day soon?'</p>
<p>'Yes, certainly,' John answered with false glib lightness. 'What
about? Some business?'</p>
<p>'Well, yes—business,' drawled Twemlow.</p>
<p>They walked away towards the outer hall, and she heard no more,
except the indistinct murmur of a sudden brief dialogue between the
visitor and the two girls, who must have come in from the garden.
Then the front door banged heavily. He was gone. The vast and arid
tedium of her life closed in upon her again; she seemed to exist in
a colourless void peopled only by ominous dim elusive shapes of
disaster.</p>
<p><SPAN name='Page86' id="Page86"></SPAN><span class="pagenum">86</span>But as involuntarily she clenched her hands the
formidable thought swept through her brain that Arthur Twemlow was
not so calm, nor so impassive, nor so set apart, but that her spell
over him, if she chose to exert it, might be a shield to the
devious man her husband.</p>
<hr class='long' />
<SPAN name='Page87' id="Page87"></SPAN><span class="pagenum">87</span>
<SPAN name='CHAPTER_IV' id="CHAPTER_IV"></SPAN>
<div style="break-after:column;"></div><br />