<h2>CHAPTER XI</h2>
<h3>THE REFUSAL</h3>
<p>Fifteen months after John's death, and the inquest on his body,
and the clandestine funeral, Leonora sat alone one evening in the
garden of the house at Hillport. She wore a black dress trimmed
with jet; a narrow band of white muslin clasped her neck, and from
her shoulders hung a long thin antique gold chain, once the
ornament of Aunt Hannah. Her head was uncovered, and the mild
breeze which stirred the new leaves of the poplars moved also the
stray locks of her hair. Her calm and mature beauty was unchanged;
it was a common remark in the town that during the past year she
had looked handsomer than ever, more content, radiant, and serene.
'And it's not surprising, either!' people added. The homestead
appeared to be as of old. Carpenter was feeding Prince in the
stable; Bran lay huge and benign at the feet of his mistress; the
borders of the lawn were vivid with bloom; and within the house
Bessie still ruled the kitchen. No <SPAN name='Page317' id="Page317"></SPAN><span class="pagenum">317</span>luxury was abated,
and no custom altered. Time apparently had nothing to show there,
save an engagement ring on Bessie's finger. Many things, however,
had occurred; but they had seemed to occur so placidly, and the
days had been so even, that the term of her widowhood was to
Leonora more like three months than fifteen, and she often reminded
herself: 'It was last spring, not this, that he died.'</p>
<p>'The business is right enough!' Fred Ryley had said positively,
with an emphasis on the word 'business,' when he met Leonora and
Uncle Meshach in family council, during the first week of the
disaster; and Meshach had replied: 'Thou shalt prove it, lad!' The
next morning Mr. Mayer, the manager, and everybody on the bank,
learned that Fred, with old Myatt at his back, was in sole control
of the works at Shawport; creditors breathed with relief; and the
whole of Bursley remembered that it had always prophesied that
Fred's sterling qualities were bound to succeed. Meshach lent
several thousands of pounds to Fred at five per cent., and Fred was
to pay half the net profits of the business to Leonora as long as
she lived. The youth did not change his lodgings, nor his tailor,
nor his modest manners; but he became nevertheless suddenly
important, and none appreciated this fact better than Mr. Mayer,
whose <SPAN name='Page318' id="Page318"></SPAN><span class="pagenum">318</span>sandy hair was getting grey, and who, having
six children but no rich great-uncle, could never hope to earn more
than three pounds a week. Fred was now an official member of the
Myatt clan, and, in the town, men of position, pompous individuals
who used to ignore him, greeted the sole principal of Twemlow &
Stanway's with a certain cordiality. After an interval his
engagement to Ethel was announced. Every evening he came up to
Hillport. The couple were ardently and openly in love; they
expected always to have the dining-room at their private disposal,
and they had it. Ethel simply adored him, and he was immeasurably
proud of her. Even in presence of the family they would sit hand in
hand, making no attempt to conceal their bliss. For the rest Fred's
attitude to Leonora was very affectionate and deferential; it
touched her, though she knew he worshipped her ignorantly. Rose and
Millicent wondered 'what Ethel could see in him'; he was neither
amusing nor smart nor clever, nor even vivacious; he had little
acquaintance with games, music, novels, or the feminist movement;
he was indeed rather dull; but they liked him because he was
fundamentally and invariably 'nice.' At the close of the year of
Stanway's death, Fred had paid to Leonora four hundred and fifty
pounds as her share of the profits of the firm for nine <SPAN name=
'Page319' id="Page319"></SPAN><span class="pagenum">319</span>months.
But long before that Leonora was rich. Uncle Meshach had died and
left her the Myatt fortune for life, with remainder to the three
girls absolutely in equal shares. Fred was the executor and
trustee, and Fred's own share of the bounty was a total remission
of Meshach's loan to him. Thus it is that providence watches over
the wealthy, the luxurious, and the well-connected, and over the
lilies of the field who toil not.</p>
<p>Aroused from lethargy by the dramatic circumstances of her
father's death, Rose had resumed her reading with a vigour that
amounted almost to fury. In the following January she miraculously
passed the Matriculation examination of London University in the
first division, and on returning home she informed Leonora that she
had decided to go back to London and study medicine at a hospital
for women.</p>
<p>But of the three girls, it was Millicent who had made the most
history. Millicent was rapidly developing the natural gift, so
precious to the theatrical artist, of existing picturesquely in the
eye of the public. When the rehearsals of <i>Princess Ida</i> began
for the annual performance of the Operatic Society Milly
confidently expected to receive the principal part, despite the
fact that Lucy Turner, who had the prescriptive right to it, was
once more in a position to sing; and Milly <SPAN name='Page320' id="Page320"></SPAN><span class="pagenum">320</span>was not disappointed.
As a heroine of comic opera she now accounted herself an extremely
serious person, and it soon became apparent that the conductor and
his prima donna would have to decide between them who was to
control the rehearsals while Milly was on the stage. One evening a
difference of opinion as to the <i>tempo</i> of a song and chorus
reached the condition of being acute. Exasperated by the pretty and
wayward child, the conductor laid down his stick and lighted a
cigarette, and those who knew him knew that the rehearsal would not
proceed until the duel had been fought to a finish. Milly thought
hard and said: 'Mr. Corfe says the Hanbridge people would jump at
me!' 'My good girl,' the conductor replied, 'Mr. Corfe's views on
the acrobatic propensities of the Hanbridge people are just a shade
off the point.' Every one laughed, except Milly. She possessed
little appreciation of wit, and she had scarcely understood the
remark; but she had an objection to the laughter, and a very strong
objection to being the conductor's good girl. The instant result
was that she vowed never again to sing or act under his baton, and
took the entire Society to witness; her place was filled by Lucy
Turner. The Hanbridge Society happened to be doing <i>Patience</i>
that year, and they justified <SPAN name='Page321' id="Page321"></SPAN><span class="pagenum">321</span>Mr. Corfe's
prediction. Moreover, they hired the Hanbridge Theatre Royal for
six nights. On the first night Milly was enthusiastically applauded
by two thousand people, and in addition to half a column of praise
in the 'Signal,' she had the happiness of being mentioned in the
district news of the 'Manchester Guardian' and the 'Birmingham
Daily Post.' She deemed it magnificent for her; Leonora tried to
think so too. But on the fourth day the Hanbridge conductor was in
bed with influenza; and the Bursley conductor, upon a flattering
request, undertook his work for the remaining nights. Milly broke
her vow; her practical common sense was really wonderful. On the
last and most glorious night of the six, after responding to
several frenzied calls, Milly was inspired to seize the conductor
in the wings and drag him with her before the curtain. The effect
was tremendous. The conductor had won, but he very willingly
admitted that, in losing, the adorable chit had triumphed over him.
The episode was gossip for many days.</p>
<p>And this was by no means the end of the matter. The
agent-in-advance of one of the touring musical-comedy companies of
Lionel Belmont, the famous Anglo-American manager, was in Hanbridge
during that week, and after seeing Milly in the piece he <SPAN name=
'Page322' id="Page322"></SPAN><span class="pagenum">322</span>telegraphed to Liverpool, where his company
was, and the next day the manager visited Hanbridge incognito. Then
Harry Burgess began to play a part in Millicent's history. Harry
had abandoned his stool at the Bank, expressing his intention to
undertake some large commercial enterprise; he had persuaded his
mother to find the capital. The leisurely search for a large
commercial enterprise precisely suited to Harry's tastes
necessitated frequent sojourns in London. Harry became a
man-about-town and a member of the renowned New Fantastics Club.
The New Fantastics were powerful supporters of the dramatic art,
and the roll of the club included numerous theatrical stars of
magnitudes varying from the first to the tenth. It was during one
of the club's official excursions—in pantechnicon
vans—to a suburban theatre where a good French actress was
performing, that Harry made the acquaintance of that important man,
Louis Lewis, Belmont's head representative in Europe. Louis Lewis,
over champagne, asked Harry if he knew a Millicent Stanway of
Bursley. The effect of the conversation was that Harry came home
and astounded Milly by telling her what Louis Lewis had authorised
him to say. There were conferences between Leonora and Milly and
Mr. Cecil Corfe, a journey to Manchester, hesitations, excitations,
thrills, and in <SPAN name='Page323' id="Page323"></SPAN><span class="pagenum">323</span>the end an arrangement. Millicent was to go to
London to be finally appraised, and probably to sign a contract for
a sixteen-weeks provincial tour at three pounds a week.</p>
<hr class='short' />
<p>Leonora's prevailing mood was the serenity of high resolve and
of resignation. She had renounced the chance of ecstasy. She was
sad, but she was not unhappy. The melancholy which filled the
secret places of her soul was sweet and radiant, and she had proved
the ancient truth that he who gives up all, finds all. Still in
rich possession of beauty and health, she nevertheless looked
forward to nothing but old age—an old age of solitude and
sufferance. Hannah and Meshach were gone; John was gone; and she
alone seemed to be left of the elder generations. In four days
Ethel was to be married. Already for more than three months Rose
had been in London, and in a fortnight Leonora was to take
Millicent there. And when Ethel was married and perhaps a mother,
and Rose versed and absorbed in the art and craft of obstetrics,
and the name of Millicent familiar in the mouths of clubmen, what
was Leonora to do then? She could not control her daughters; she
could scarcely guide them. Ethel knew only one law, Fred's wish;
and Rose had too much intellect, and Millicent <SPAN name='Page324' id="Page324"></SPAN><span class="pagenum">324</span>too little heart,
to submit to her. Since John's death the house had been the abode
of peace and amiability, but it had also been Liberty Hall. If
sometimes Leonora regretted that she could not more dominantly
impress herself upon her children, she never doubted that on the
whole the new republic was preferable to the old tyranny. What then
had she to do? She had to watch over her girls, and especially over
Rose and Milly. And as she sat in the garden with Bran at her feet,
in the solitude which foreshadowed the more poignant solitude to
come, she said to herself with passionate maternity: 'I shall watch
over them. If anything occurs I shall always be ready.' And this
blissful and transforming thought, this vehement purpose, allayed
somewhat the misgivings which she had long had about Millicent, and
which her recent glimpses into the factitious and erratic world of
the theatre had only served to increase.</p>
<p>It was Milly's affair which had at length brought Leonora to the
point of communicating with Arthur Twemlow. In the first weeks of
widowhood, the most terrible of her life, she could not dream of
writing to him. Then the sacrifice had dimly shaped itself in her
mind, and while actually engaged in fighting against it she
hesitated to send any message whatever. And <SPAN name='Page325' id="Page325"></SPAN><span class="pagenum">325</span>when she realised
that the sacrifice was inevitable for her, when she inwardly knew
that Arthur and the splendid rushing life of New York must be
renounced in obedience to the double instinct of maternity and of
repentance, she could not write. She felt timorous; she was unable
to frame the sentences. And she procrastinated, ruled by her
characteristic quality of supineness. Once she heard that he had
been over to London and gone back; she drew a deep breath as though
a peril had been escaped, and procrastinated further. Then came the
overtures from Lionel Belmont, or at least from his agents, to
Milly. Belmont was a New Yorker, and the notion suddenly struck her
of writing to Arthur for information about Belmont. It was a
capricious notion, but it provided an extrinsic excuse for a letter
which might be followed by another of more definite import. In the
end she was obliged to yield to it. She wrote, as she had performed
every act of her relationship with Arthur, unwillingly, in spite of
her reason, governed by a strange and arbitrary impulse. No sooner
was the letter in the pillar-box than she began to wonder what
Arthur would say in his response, and how she should answer that
response. She grew impatient and restless, and called at the chief
Post Office in Bursley for information about the American mails. On
this <SPAN name='Page326' id="Page326"></SPAN><span class="pagenum">326</span>evening, as Leonora sat in the garden, Milly
was reciting at a concert at Knype, and Ethel and Fred had
accompanied her. Leonora, resisting some pressure, had declined to
go with them. Assuming that Arthur wrote on the day he received her
missive, his reply, she had ascertained, ought to be delivered in
Hillport the next morning, but there was just a chance that it
might be delivered that night. Hence she had stayed at home,
expectant, and—with all her serenity—a little nervous
and excited.</p>
<p>Carpenter emerged from the region of the stable and began to
water some flower-beds in the vicinity of her seat.</p>
<p>'Terrible dry month we've had, ma'am,' he murmured in his quiet
pastoral voice, waving the can to and fro.</p>
<p>She agreed perfunctorily. Her mind was divided between suspense
concerning the postman, contemplation of the placid vista of the
remainder of her career, and pleasure in the languorous charm of
the May evening.</p>
<p>Bran moved his head, and rising ponderously walked round the
seat towards the house. Then Carpenter, following the dog with his
eyes, smiled and touched his cap. Leonora turned sharply. Arthur
Twemlow himself stood on the <SPAN name='Page327' id="Page327"></SPAN><span class="pagenum">327</span>step of the
drawing-room window, and Bessie's white apron was just disappearing
within.</p>
<p>In the first glance Leonora noticed that Arthur was considerably
thinner. She was overcome by a violent emotion that contained both
fear and joy. And as he approached her, agitated and unsmiling, the
joy said: 'How heavenly it is to see him again!' But the fear
asked: 'Why is he so worn? What have you been doing to him all
these months, Leonora?' She met him in the middle of the lawn, and
they shook hands timidly, clumsily, embarrassed. Carpenter, with
that inborn delicacy of tact which is the mark of a simple soul,
walked away out of sight, and Bran, receiving no attention,
followed him.</p>
<p>'Were you surprised to see me?' Arthur lamely questioned.</p>
<p>In their hearts a thousand sensations struggled, some for
expression, others for concealment; and speech, pathetically
unequal to the swift crisis, was disconcerted by it almost to the
verge of impotence.</p>
<p>'Yes,' she said. 'Very.'</p>
<p>'You ought not to have been,' he replied.</p>
<p>His tone alarmed her. 'Why?' she said. 'When did you get my
letter?'</p>
<p>'Just after one o'clock to-day.'</p>
<p><SPAN name='Page328' id="Page328"></SPAN><span class="pagenum">328</span>'To-day?'</p>
<p>'I was in London. It was sent on to me from New York.'</p>
<p>She was relieved. When she saw him first at the window, she had
a lightning vision of him tearing open her letter in New York,
jumping instantly into a cab, and boarding the English steamer.
This had frightened her. It was, if not exactly reassuring, at any
rate less terrifying, to learn that he had flown to her only from
London.</p>
<p>'Well,' he exclaimed, 'how's everybody? And where are the
girls?'</p>
<p>She gave the news, and then they walked together to the seat and
sat down, in silence.</p>
<p>'You don't look too well,' she ventured. 'You've been working
too hard.'</p>
<p>He passed his hand across his forehead and moved on the seat so
as to meet her eyes directly.</p>
<p>'Quite the reverse,' he said. 'I haven't been working half hard
enough.'</p>
<p>'Not half hard enough?' she repeated mechanically.</p>
<p>As his eyes caught hers and held them she was conscious of an
exquisite but mortal tremor; her spine seemed to give way. The old
desire for youth and love, for that brilliant and tender existence
in which were united virtue and the <SPAN name='Page329' id="Page329"></SPAN><span class="pagenum">329</span>flavour of sin,
dalliance and high endeavour, eternal appetite and eternal
satisfaction, rushed wondrously over her. The life which she had
mapped out for herself suddenly appeared miserable, inadequate,
even contemptible. Was she, with her rich blood, her perfect
health, her proud carriage, her indestructible beauty, and her
passionate soul, to wither solitary in the cold shadow? She felt
intensely, as every human heart feels sometimes, that the
satisfactions of duty were chimerical, and that the only authentic
bliss was to be found in a wild and utter abandonment to instinct.
No matter what the cost of rapture, in self-respect or in remorse,
it was worth the cost. Why did not mankind rise up and put an end
to this endless crucifixion of instinct which saddened the whole
earth, and say gloriously, 'Let us live'? And in a moment dalliance
without endeavour, and the flavour of sin without virtue, were
beautiful ideals for her. She could have put her arms round
Arthur's neck and drawn him to her, and blotted out all the past
and sullied all the future with one kiss. She wondered what
recondite force dissuaded her from doing so. 'I have but to lift my
arms and smile,' she thought.</p>
<p>'You've been very cruel,' said Arthur. 'I wouldn't have believed
you could have been so <SPAN name='Page330' id="Page330"></SPAN><span class="pagenum">330</span>cruel. I guess you
didn't know how cruel you were. Why didn't you write before?'</p>
<p>'I couldn't,' she answered submissively. 'Didn't you
understand?' The question was not quite ingenuous, but she meant it
well.</p>
<p>'I understood at first,' he said. 'I knew you would want to
wait. I knew how upset you'd be—I—I think I knew all
you'd feel.... But it will soon be eighteen months ago.' His voice
was full of emotion. Then he smiled, gravely and charmingly.'
However, it's finished now, and I'm here.'</p>
<p>His indictment was very kind, very mild; but she could see how
he had suffered, and that his wrath against her had been none the
less genuine because it was the wrath of love. She grew more and
more humble before his gaze so adoring and so reproachful. She knew
that she had been selfish, and that she had ransomed her conscience
as much at his expense as at her own. She perceived the vital
inferiority of women to men—that quality of callousness which
allows them to commit all cruelties in the name of self-sacrifice,
and that lack of imagination by which they are blinded to the
wounds they deal. Women have brief moods in which they judge
themselves as men judge them, in which they escape from their sex
and know the truth. Such a mood came then <SPAN name='Page331' id="Page331"></SPAN><span class="pagenum">331</span>to Leonora. And she
wished ardently to compensate Arthur for the martyrdom which she
had inflicted on him. They were close to one another. The
atmosphere between them was electric. And the darkness of a calm
and delicious night was falling. Could she not obey her instinct,
and in one bright word, one word laden with the invitation and
acquiescence of femininity, atone for her sin against him? Could
she not shatter the images of Rose and Milly, who loved her after
their hard fashion, but who would never thank her for her watchful
affection—would even resent it? Vain hope!</p>
<p>'Oh!' she exclaimed grievously, trying uselessly to keep the
dream of joyous indulgence from fading away. 'I must tell
you—I cannot leave them!'</p>
<p>'Leave whom?'</p>
<p>'The girls—Rose and Milly. I daren't. You don't know what
I went through after John's death—and I can't desert them. I
should have told you in my next letter.'</p>
<p>Her tones moved not only him but herself. He was obliged at once
to receive what she said with the utmost seriousness, as something
fully weighed and considered.</p>
<p>'Do you mean,' he demanded, 'that you won't marry me and come to
New York?'</p>
<p><SPAN name='Page332' id="Page332"></SPAN><span class="pagenum">332</span>'I can't, I can't,' she replied.</p>
<p>He got up and walked along the garden towards the meadow, so far
that in the twilight her eyes could scarcely distinguish his figure
against the bushes. Then he returned.</p>
<p>'Just let me hear all about the girls.' He stood in front of
her.</p>
<p>'You see,' she said entreatingly, when she had hurried through
her recital, 'I couldn't leave them, could I?'</p>
<p>But instead of answering, he questioned her further about
Milly's projects, and made suggestions, and they seemed to have
been discussing the complex subject for an hour before she found a
chance to reassert, plaintively: 'I couldn't leave them.'</p>
<p>'You're entirely wrong,' he said firmly and authoritatively.
'You've just got an idea fixed in your head, and it's all wrong,
all wrong.'</p>
<p>'It isn't as if they were going to be married,' she obstinately
pursued the sequence of her argument. 'Ethel now——'</p>
<p>'Married!' he cried, roused. 'Are we to wait patiently, you and
I, until Rose and Milly choose to get married?' He was bitterly
scornful. 'Is that our rôle? I fancy I know something about
Rose and Milly, and allow me to tell you they never will get
married, neither of them. <SPAN name='Page333' id="Page333"></SPAN><span class="pagenum">333</span>They aren't the
marrying sort. Not but what that's beside the point!... Yes,' he
continued, 'and if there ever were two girls in this world able to
look after themselves without parental assistance Rose and Milly
are those two.'</p>
<p>'You don't understand women; you don't know, you don't
understand,' she murmured. She was shocked and hurt by this candid
and hostile expression of opinion concerning Rose and Milly, whom
hitherto he had always appeared to like.</p>
<p>'No,' he retorted with solemn resentment. 'And no other man
either!... Before, when they needed your protection perhaps, when
your husband was alive, you would have left Rose and Milly then,
wouldn't you?... Wouldn't you?'</p>
<p>'Oh!' the exclamation escaped her unawares. She burst into a
sob. She had not meant to cry, but she was crying.</p>
<p>He sat down close to her, and put his hand on her shoulder, and
leaned over her. 'My dearest girl,' he whispered in a new voice of
infinite softness, 'you've forgotten that you have a duty to
yourself, and to me, as well as to Rose and Milly. Our lives want
looking after, too. We're human creatures, you know, you and I.
This row that we're having now has occurred thousands of times
before, but this time it's going to be settled with common sense,
isn't it?' <SPAN name='Page334' id="Page334"></SPAN><span class="pagenum">334</span>And he kissed her with a kiss as soft as his
voice.</p>
<p>She sighed. Still perplexed and unconvinced, she was
nevertheless in those minutes acutely happy. The mysterious and
profound affinity of the flesh had made a truce between the warring
principles of the male and of the female; a truce only. To the left
of the house, over the Marsh, the last silver relics of day hung in
the distant sky. She looked at the dying light, so provocative of
melancholy in its reluctance to depart, and at the
timidly-appearing stars and the sombre trees, and her thought was:
'World, how beautiful and sad you are!'</p>
<p>Bran emerged forlorn from the gloom, and rested his great chin
confidingly on her knees.</p>
<p>'Bran!' she condoled with him through her tears, stroking the
dog's head tenderly, 'Ah! Bran!'</p>
<p>Arthur stood up, resolute, victorious, but prudent and
magnanimous too. He put one foot on the seat beside her, and leaned
forward on the raised knee, tapping his stick. 'I've hired a flat
over there,' he said low in her ear, 'such as can't be gotten
outside of New York. And in my thoughts I've made a space for you
in New York, where it's life and no mistake, and where I'm known,
and where my interests are. And if <SPAN name='Page335' id="Page335"></SPAN><span class="pagenum">335</span>you didn't come I
don't know what I should do. I tell you fair I don't know what I
should do. And wouldn't your life be spoilt? Wouldn't it? But it
isn't the flat I've got, and it isn't the space I've sort of
cleared, and it isn't the ruin and smash for you and me—it
isn't so much these things that make me feel wicked when I think of
the mere possibility of you refusing to come, as the fundamental
injustice of the thing to both of us. My dear girl, no one ever
understood you as I do. I can see it all as well as if I'd been
here all the time. You took fright after—after his death.
Women are always more frightened after the danger's over than at
the time, especially when they're brave. And you thought, "I must
do something very good because it was on the cards I might have
been very wicked." And so it's Rose and Milly that mustn't be left
... I'm not much of an intellect, outside crocks, you know, but
there's one thing I can do, I <i>can</i> see clear?... Can't I see
clear?'</p>
<p>Their hands met in the dog's fur. She was still crying, but she
smiled up at him admiringly and appreciatively,</p>
<p>'If Rose and Milly want a change any time,' he continued, 'let
'em come over. And we can come to Europe just as often as you feel
that way ... Eh?'</p>
<p><SPAN name='Page336' id="Page336"></SPAN><span class="pagenum">336</span>'Why,' she meditated, 'cannot this last for
ever?' She felt so feminine and illogical, and the masculine,
masterful rationality of his appeal touched her so intimately, that
she had discovered in the woe and the indecision of her situation a
kind of happiness. And she wished to keep what she had got. At
length a certain courage and resolution visited her, and summoning
all her sweetness she said to him: 'Don't press me, please, please!
In a fortnight I shall be in London with Milly.... Will you wait a
fortnight? Will you wait that long? I know that what you say
is—You will wait that long, won't you? You'll be in London
then to meet us?'</p>
<p>'God!' he exclaimed, deeply moved by the fainting, beseeching
poignancy of her voice, 'I will wait forty fortnights. And I guess
I shall be in London.'</p>
<p>She sank back on the reprieve as on a pillow.</p>
<p>'Of course I'll wait,' he repeated lightly, and his tone said:
'I understand. Life isn't all logic, and allowances must be made.
Women are women—that's what makes them so adorable—and
I'm not in a hurry.'</p>
<p>They did not speak further.</p>
<p>A moving patch of white on the path indicated Bessie.</p>
<p>'If you please, ma'am, shall I set supper for <SPAN name='Page337' id="Page337"></SPAN><span class="pagenum">337</span>five?' she asked
vivaciously in the summer darkness.</p>
<p>There was a silence.</p>
<p>'I'm not staying, Bessie,' said Twemlow.</p>
<p>'Thank you, sir. Come along, Bran, come kennel.'</p>
<p>The great beast slouched off, and left them together.</p>
<hr class='short' />
<p>'Guess who's been!' Leonora demanded of her girls and Fred, with
feverish gaiety, when they returned from the concert. The
dining-room was very cheerful, and brightly lit; outside lay the
dark garden and Bran reflective in his kennel. No one could guess
Arthur, and so Leonora had to tell. They were surprised; and they
were interested, but not for long. Millicent was preoccupied with
her successful performance at the concert; and Ethel and Fred had
had a brilliant idea. This couple were to commence married life
modestly in Uncle Meshach's house; but the place was being repaired
and redecorated, and there seemed to be an annoying probability
that it would not be finished for immediate occupation after the
short honeymoon—Fred could only spare 'two week-ends' from
the works. Why should they not return on the very day when Leonora
and Milly were to go to London <SPAN name='Page338' id="Page338"></SPAN><span class="pagenum">338</span>and keep house at
Hillport during Leonora's absence? Such was the brilliant idea, one
of those domestic ideas whose manifold excellences call for
interminable explanation and discussion. The name of Arthur Twemlow
was not again mentioned.</p>
<hr class='long' />
<SPAN name='Page339' id="Page339"></SPAN><span class="pagenum">339</span>
<SPAN name='CHAPTER_XII' id="CHAPTER_XII"></SPAN>
<div style="break-after:column;"></div><br />