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Harper's Young People, Vol. 01, Issue 11, January 13, 1880

<div class='center'> <table border="0" cellpadding="0" cellspacing="0" summary=""> <tr><td align='left'>JEANIE LOWRIE, THE YOUNG IMMIGRANT.</td></tr> <tr><td align='left'>LADY PRIMROSE.</td></tr> <tr><td align='left'>WILD-BOAR HUNTING IN JAPAN.</td></tr> <tr><td align='left'>SEEKING HIS FORTUNE.</td></tr> <tr><td align='left'>A GREAT CATHEDRAL.</td></tr> <tr><td align='left'>THE LYNX.</td></tr> <tr><td align='left'>THE DEAD-LETTER OFFICE.</td></tr> <tr><td align='left'>HOW MOTHER ROBIN CALLED A NEW MATE.</td></tr> <tr><td align='left'>CHARLEY BENNET'S GHOST STORY.</td></tr> <tr><td align='left'>THE HOUSE THAT BELL BUILT;</td></tr> <tr><td align='left'>OUR POST-OFFICE BOX</td></tr> <tr><td align='left'>THE EGG TOMBOLA.</td></tr> <tr><td align='left'>STORIES OF DOGS.</td></tr> </table></div> [Pg 105] <div class="figcenter"> <ANTIMG src="images/ill_001.jpg" width-obs="1000" height-obs="390" alt="Banner: Harper's Young People" title="" /></div> <hr style='width: 100%;' /> <div class='center'> <table border="0" cellpadding="4" cellspacing="0" width="100%" summary=""> <tr><td align='left'>Vol. I.—No. 11.</td><td align='center'>Published by HARPER & BROTHERS, New York.</td><td align='right'>Price Four Cents.</td></tr> <tr><td align='left'>Tuesday, January 13, 1880.</td><td align='center'>Copyright, 1880, by Harper & Brothers.</td><td align='right'>$1.50 per Year, in Advance.</td></tr> </table></div> <hr style='width: 100%;' /> <div class="figcenter"> <ANTIMG src="images/ill_002.jpg" width-obs="454" height-obs="600" alt="JEANIE AND THE UMBRELLA." title="" /> JEANIE AND THE UMBRELLA.</div> <h2>JEANIE LOWRIE, THE YOUNG IMMIGRANT.</h2> <h3>BY MISS F. E. FRYATT.</h3> It was early winter evening at Castle Garden, the scores of gas jets that light the vast rotunda dimly showing the great hall deserted by all the bustling throngs of the morning, save the few women and children clustered around the glowing stove, and closely watched by the keen-eyed officials who smoked and chatted within the railings near them. Sitting apart from these, taking no notice of the gambols of the children, was a wee lassie of perhaps eight summers, her round, childish face drawn with trouble, and her great blue eyes brimful of tears. She was evidently expecting somebody, for her gaze was fixed on the door beyond, which seemed never to open. It was little Jeanie Lowrie waiting for her grandfather's return. Old Sandy Lowrie, thinking to take advantage of their stay overnight in New York to visit his foster-son, who had left Scotland for America when a lad, had gone out in the afternoon into the great city, bidding Jeanie carefully guard their small luggage—a few treasures tied up in a silken kerchief, and Granny's precious umbrella, which was a sort of heirloom in the family. While the great crowd surged to and fro, and the winter sunlight flooded the room, Jeanie had been content to watch and wait, half pleased and half frightened at the shouts and noises that fill the place on steamer day; but when the men, women, and children all went away, by twos and threes, save a few, and silence came with the increasing darkness, and the dim gas jets were lighted overhead, her heart, oppressed by a thousand fears, sunk within her, and she fell to sobbing bitterly. Now there were not wanting kind hearts in the little groups around the stove; for there was Mary Dennett, with her five laddies, going to join her husband at the mines in Maryland; and Janet Brown, her neighbor, with her three rosy lassies; and Jessie Lawson, with her wee Davie; and not one of these three would see a child suffering without offering consolation. Kind Janet soon had her folded in motherly arms in spite of the bundle and the great umbrella, which the lassie stoutly refused to part with for a moment; and Mary Dennett, crossing over to the counter on the far side of the room, bought her cakes and apples; while[Pg 106] the children, not to be outdone, made shy endeavors to beguile her into their innocent play. But to each and all of these Jeanie turned a deaf ear, moaning constantly: "I want my ain, ain gran'daddie; he hae gaun awa', an' left me alane. Oh, gran'daddie, cam back to your Jeanie!" The evening wore on into night, and still no Sandy came to comfort Jeanie; but there came that great consoler, sleep. Soon she slumbered in Janet's arms, and the kind soul, fearing to waken her, held her there till the beds for the little company were spread on the floor; then she laid Jeanie tenderly down, with her treasures still clasped in her arms, and covering her, stooped to print a warm kiss on the round tear-stained cheek, not forgetting to breathe a prayer for the missing Sandy's safe return. The snow glistened on the walks and grass-plats of the park without; the wind roared down the streets and whistled among the bare branches of the trees, and rushing along, heaped up the waters in huge billows, dashing them against the great stone pier; men passed to and fro, but Sandy came not, for far off in the great city he had lost his way. In vain he had asked every one to tell him where his foster-son Alec Deans lived. Meeting only laughter or rebuffs, he tried in the growing darkness to find his way back to Castle Garden, but could not. No one seemed to understand him, or cared to; so at last, worn out in mind and body, he sunk down on the stone steps of a house, unable to proceed a step further. Bright and early the next morning at Castle Garden the women were roused from their sleep, for the beds must be rolled up, and the place cleared for the business of the day, and all must be ready for the early train. In the confusion of preparing the children for breakfast and the journey, the women had forgotten Jeanie for the time, till suddenly Janet, spying her, with her bundle and her umbrella, standing and casting troubled, wistful glances at the door, ran over and brought her to where the women and children were drinking coffee from great cups, and eating rolls of brown-bread and butter. Seating her in the midst of them, she said, "Eat a bit o' the bannock, dearie. Gran'daddie will cam back wi' a braw new bonnet for Jeanie, and then we'll a' gang awa' i' the train togither." "I dinna want a bonnet," cried Jeanie; "I on'y want gran'daddie." "Dinna greet, bairnie; he'll no leave ye lang noo." But the old man, contrary to their hopes, failed to appear, so there rose a troubled consultation among the women regarding Jeanie. They had all lived neighbors to the Lowries, a mile or so beyond the dike which is a stone's-throw from the duke's palace, near Hamilton; the "gudemen" of their families, hearing great reports of the mines in America, and the times being hard for miners at home, had gone out to verify them, Angus Lowrie among the rest. All four had prospered, and now sent for their wives and bairnies. Young Lowrie, however, was doomed to the bitter sorrow of never more seeing the bonny wife he had left behind him, for a fever had carried her off in her prime; so that Jeanie, her bairn, was left to the sole care of her grandfather, who loved her tenderly, as the old are wont to love the young. While the women were in the midst of their dilemma, half resolved to carry off the "lane bairnie" privately, lest the officers should interfere, the superintendent, seeing some trouble was afoot, came over and soon settled the matter, for there was a law on the subject that he was bound to obey. But we are quite forgetting old Sandy all this time. Seeing that he was lost, and there was no help for it, that he should sit down in the particular spot he did was a peculiar stroke of good fortune, for it was the very house he had been seeking, and what was most wonderful, just at that moment the door above opened, and down came Alec Deans in time to hear Sandy's faint cry, "God help my puir Jeanie!" Alec Deans had not heard the dear Scottish accent in many a year, so straightway that sound went to his very heart-strings, making them thrill and tingle with a joy that was as suddenly turned to pain, when, stooping down, he found the old man fallen back as one dead. With little ado—for Sandy was small and thin—he lifted him bodily, carried him up the steps, and rang a peal which soon brought his wife to the door. Placing the old man on a sofa in the warm sitting-room where the light fell on his poor, pale face, Alec Deans in a moment recognized his foster-father, and set to work to restore him. The long stormy passage, and the trials incident to emigrant life on shipboard, added to the fatigue and fright of his night's wanderings, had so told on the old man's feeble frame, that after much effort on the part of Alec Deans to revive him, he could do no more than move restlessly, murmuring, "Puir Jeanie! Puir wee bairnie Jeanie!" Before he could well tell his story, the most of it became known to his foster-son, for the Commissioners, finding he did not return to Castle Garden, sending Jeanie weeping away to the Refuge on Ward's Island, and notifying the police, advertised the missing man in the papers. It was on the second day after Sandy's falling into such good hands that Alec, reading the morning paper at his breakfast table, saw the advertisement describing Sandy to the very Glengarry cap he wore on his head when missing. In short order he made his way to the Rotunda at Castle Garden, told the old man's adventure, and obtained a permit to bring Jeanie away from the Refuge. There was an hour to spare before the little steamboat Fidelity would start for Ward's Island, so Alec, being a thoughtful man, employed it in purchasing a pretty fur hat and tippet and some warm mittens, lest Jeanie should suffer from cold, for it was a bitter day to sail down the East River. When Alec, arriving at his destination, was taken into the long school-room, and saw the sad pale-faced little creatures bending wearily over their lessons, stopping only to lift timid glances to his friendly face, as if they would gladly pour out their little hearts to him, he was filled with a great pity and a sharp regret that he could not take the wee things away with him, and give them each the shelter of as happy a home as that in which his own Phemie bloomed and flourished. "Jeanie Lowrie, step this way; you are wanted," exclaimed a teacher. Poor Jeanie, as she came reluctantly forward with downcast eyes, looked as if she feared some new disaster. Pale and dejected, could this be the blooming lassie who so short a time since parted with her grandfather? "Jeanie," said Alec, softly, "I've come to take you to your gran'daddie. Here's some warm things; put them on, and get ready." "Oh, sir, may I gang awa' frae here to see my ain, ain gran'daddie once mair?" cried the lassie, the glow of a great joy dawning on her pale face and lighting her eyes. "Yes, Jeanie," said Alec, brokenly, "home with my Phemie: he's there. There, do not cry; the trouble is all over," said Alec, soothingly, carrying her away in his arms, and trying to stay the sobs that convulsed her small body. Arrived at Castle Garden, a new surprise awaited him and Jeanie, for who should be there, pacing up and down in his strong impatience to see the bairnie, but Angus Lowrie. He had left his Southern cottage, which was prepared for their arrival, and hastened on to know the fate of Sandy and Jeanie. And now he had his darling in his strong arms, and so great was his joy that he could do little but press her to his breast, then hold her[Pg 107] off and look into her eyes again and again, seeing mirrored there the eyes of his girl-wife Elsie, whom he had loved with a love he would bear to his grave. And now they must hasten to the dear old father who had braved the perils of the wintry deep that he might bring Elsie's one and only treasure to her husband, little recking that, far away from kith and kin, he should lay his old bones in a foreign land. If sorrow had had power to steal the roses from Jeanie's cheek, joy planted new and fairer ones there; and never did a brighter light dance in the blue eyes than when, a little later, with a soft sound of rapture, she flung her arms around Sandy's neck, crying, "My ain, ain gran'daddie, ye s'all never, never leave me ony mair!" Jeanie's presence did more to set old Sandy on his feet again than all the physic in the world; so in a few days the happy trio were whirling off to the mining village in Maryland, where they are living and prospering to-day. <hr style="width: 65%;" /> <h2>LADY PRIMROSE.</h2> <h3>BY FLETCHER READE.</h3> <h3>CHAPTER I.</h3> "As it fell upon a day In the merry month of May." It was a long, long time ago that it happened—so long, in fact, that most people have forgotten all about it—but once upon a time, as the old, old stories tell, there lived in the village of Hollowbush an old woman and a little girl. And other people lived there too; but that does not concern us. The old woman, plain and brown and wrinkled though she was, was the wisest and kindest old lady anywhere to be found, which is reason enough for her being in the story; and as for the little girl, you have already guessed that she is Lady Primrose; but how she came to be Lady Primrose is what makes the story. The village of Hollowbush was as pretty a place as you would care to see—a quiet, quaint little town, where the grass ran up and down the streets in a wild, free way it had, to which no one thought of objecting; but as year after year went by, and the little girl who lived there grew older without, unfortunately, growing wiser, she became so tired of Hollowbush and its grass-grown streets that she was almost ready to run away. "If I were only rich," she was constantly saying to herself, "then I might go where I chose." Now it came to pass that one day in the merry spring-time, when the world is so sweet and fragrant that you can hardly put your nose out-of-doors without feeling as if you had tumbled head-foremost into a huge bouquet, this little girl sat by the open window, wishing and wishing with all her might that she were rich. "For then," she said to herself, "I could have a diamond necklace; and perhaps," she added, aloud, "I might have a jewelled coronet, like a queen." Just then the wise old woman of Hollowbush, who had the amiable peculiarity of appearing just when people most needed her, stopped before the window, and said, as she looked up at her young friend, "You were wishing for a diamond necklace, my child. What would you do if I should tell you of a country where diamonds are as plenty as flowers are here?" "What would I do?"—and the child laughed at the idea of there being but one thing she could do. "I would go to it at once, and fill my hands with the shining, beautiful things. But you don't mean that there really is such a place," she added, after a pause. The old lady smiled, and said, "If you really love gems better than anything else in the world, I can tell you where to find all and more than all you want." "That would be impossible," answered the child. "I could never have more than enough. But what a beautiful country it must be! Do tell me where to find it." Still smiling, this wonderful old lady, who knew all manner of strange secrets, called the child to her, and having whispered in her ear, pointed in the direction of the woods just beyond the village. The girl's face looked serious, as if she were perhaps a little frightened at what the old lady had told her; but if she could get all the jewels she wanted, it was worth more than one fright, she thought; so off she started without a word. The shy little blossoms that hide their faces from the sunlight grew here and there in the woods. White star-flowers and purple hepaticas nodded on their slender stems, while the crimson and white wood-sorrel fairly ran wild, creeping in and out through bush and brier, like a host of fairies in striped petticoats. "A nice place enough," said the child, tossing her head, "for those who know of nothing better; but I can't stop to admire such simple things. Gems and jewels are the only flowers I care for." The shadows were growing longer and deeper all around her, for the sun was almost down, and as she looked up through the trees she could see the pale face of the young moon peeping down at her through the branches. "Oh, if the wise old woman had only come with me!" said the child, in a whisper. The shadows took on strange, ghostly shapes, and the tall pine-trees, so high that their topmost branches seemed to rest against the sky, sang softly and slowly and all together, "Take care—take care—oh—oh—ough." She had never realized before how full of sounds the stillness of the deep woods may be, and it seemed to her as if the rustling of the leaves and the singing of the wind were strange unearthly voices calling out to her and warning her to go back. But in spite of the rustling leaves and the mournful sighing of the pines the little girl hurried on. Perhaps, just because of them, she hurried all the faster, for she felt quite sure that she was nearing the place to which she had been directed. And in a few moments she saw just before her the gray moss-grown rocks piled one above another which the wise old woman of Hollowbush had described, and heard far below the rushing and tumbling of a brook. Surely I must have been deceived! she thought. Here was no strange country sown with jewels, but simply a rocky ravine, where ferns waved in the wind, clinging to the rocks, and catching the spray from the water as it bubbled and hissed and fell in a snowy pool below. "This can't be the place," said the child, as she looked around; "but while I am here I may as well see what it is." So she clambered over the loose stones and decaying logs till she reached the level of the stream, and there, strangely enough, scattered among broken bits of granite, were small bright stones of a deep wine-color. "These are not diamonds," she said to herself, "but they are too pretty to lie neglected here, whatever they may be." She gathered them one by one, tying her handkerchief into four knots at the corners for a basket; and so absorbed was she that she had quite forgotten the weird shadows and the strange noises in the wood, until she was startled by a voice close beside her. Her heart gave a sudden bound, as if it were going to jump away from her without so much as saying by your leave, and turning quickly, she saw, not the old woman—although the voice had sounded curiously like hers—but a quaint pale-faced little man, with small faded-looking blue eyes that blinked in the moonlight as if the brightest of June-day suns had been shining upon him. <div class="figright"> <ANTIMG src="images/ill_003.jpg" width-obs="400" height-obs="400" alt=""SO YOU ARE FOND OF GEMS, MY LITTLE MAIDEN?"" title="" /> "SO YOU ARE FOND OF GEMS, MY LITTLE MAIDEN?"</div> "So you are fond of gems, my little maiden?" said the small man, in a small thin voice, winking and blinking good-naturedly as he spoke.[Pg 108] The child stood staring at her companion, too much astonished to answer him a word, for she, nor you, nor I, I believe, had ever seen such a curious being before. He was so small that she could have tucked him under her arm and run away with him, but his pale blue eyes had a strange light in them, like nothing seen above the ground, and she might have gone on staring at him from that day to this if her handkerchief had not slipped from her fingers, letting her stones roll here and there over the ground, whereupon she uttered a low cry of disappointment. "Oh, never mind those," said the little man, smiling; "they are nothing but garnets. Just come with me, and I will show you stones a thousand times more beautiful." "So you live in the country where gems grow instead of flowers?" said the child, recovering her voice and her self-possession at the same time. "Yes," he answered; "I am the keeper of the gate, and if you will come with me, I will show you more beautiful things than any you ever dreamed of." This invitation was just what the child wanted, and she followed the gate-keeper without another word. What a strange place it was, this country of his into which he was leading her! It was so dark that she could see nothing but gleaming lights shining through the darkness, red and yellow and green and crimson, like tiny magic lanterns hung at intervals high above her head against the wall. She began to perceive that they were going deep down under the earth, and she shivered, partly with cold and partly with fear, as she stepped carefully and slowly over the uneven path down which she and her guide were descending. "Is it far we have to go?" she asked at length, rather timidly. "Oh no," answered her companion. "This is simply a long corridor that runs through the base of the hills, but we have almost reached the end of it. In a few moments I shall lead you into the presence-chamber of the king." "The king!" echoed the child, hardly knowing whether to be frightened or pleased. "And am I to go before a king?" "Yes, yes," laughed the little man. "You don't suppose we are a people without a king?" As he spoke he knocked three times against the wall, and a voice from within called out, "Who's there? who's there? who's there?" "Aleck the gate-keeper," answered her companion, and immediately a door flew open. <h4>[to be continued.]</h4> <hr style="width: 65%;" /> <h2>WILD-BOAR HUNTING IN JAPAN.</h2> <h3>BY WILLIAM ELLIOT GRIFFIS.</h3> <div class="figleft"> <ANTIMG src="images/ill_004.jpg" width-obs="400" height-obs="297" alt="SPEARING A WILD BOAR.—FROM AN ORIGINAL JAPANESE DRAWING." title="" /> SPEARING A WILD BOAR.—From an Original Japanese Drawing.</div> Winter is the harvest-time of the Japanese hunter. The snow-covered ground is a great tell-tale, and the deer, bears, rabbits, and wild hogs can be easily tracked. Though the Japanese hunter often uses a matchlock or rifle, his favorite weapons are his long spear and short sword. He covers his head with a helmet made of plaited straw, having a long flap to protect his neck, and keep out the snow or rain. His feet are shod with a pair of sandals made of rice straw, his baggy cotton trousers are bound at the calves with a pair of straw leggings, and in wet weather he puts on a grass rain cloak. To see a group of hunters stalking through the forests in Japan, as I have often seen them, reminds one of bundles of straw out on a tramp. I once enjoyed a dinner of fresh boar-steak at the house of a famous Japanese hunter named Nakano Kawachi, who lived in a village at the top of a mountain, between the provinces of Omi and Echizen. I had been travelling all the morning on snow-shoes through the forests of Echizen. The snow was full of tracks of deer, hogs, rabbits, woodchucks, weasels, martens, porcupines, monkeys, and ferrets. The hunters were out in force, and their shouts made the forest ring with echoes. Our path lay through a valley, with rocks on either side. Just as we were within a mile of a village named Toné, a wild boar, closely pressed by a man with a spear, rushed down through the woods, and around a huge mass of[Pg 109] rocks. The hunter, knowing every inch of the ground, sprang round a shorter curve, and reached the path at the end of the gully just as the boar at full trot leaped down. Levelling his long weapon, with all his might he drove the blade with a terrific lunge between the boar's ribs, just back of the heart. So great was the impetus of the swift animal that the hunter was nearly taken off his feet, while the boar turned a complete somersault. We expected to see the blade of the lance snap, or the handle wrench off; but no, steel and wood were too true. The boar struggled and rolled over the bloody snow, but was helpless to get on his feet again. The hunter quietly drew out the steel, wiped it with a bunch of dead leaves, and then, with equal coolness, drew his sword and severed the jugular vein of the dying boar. By this time the hunter's two sons, who had helped to start the animal from his lair, came down the hill. Passing two strands of rope made of rice straw around the carcass, they inserted a thick bamboo pole under the withes. Then swinging the pole over their shoulders, they started off on a dog-trot to the village, shouting as they went. We followed them, and when near the village gate heard a bedlam of unearthly yells and whoops of triumph from all the boys and girls of the village, who were proud of their famous hunter. We had entered into conversation with him, and learned that his name was Nakano Kawachi. Our party, at the invitation of the hunter, entered his house, first taking off our shoes. We all sat round the fire, which was in a great square hearth in the middle of the floor, while the chimney was a gaping black funnel in the ceiling. My party consisted of three of my students from the government school of Fukui, my interpreter, a brave soldier named Inouyé, and my body-servant Sahei. The six mountaineers with huge wide snow-shoes, whom I hired for the size of their feet to beat a path in the snow-drift for our party, remained outside with the villagers. They, with their children, stood in crowds outside to catch a sight of me, as they had never seen an American before. Our host, first unstrapping his sword, carefully wiped and cleansed his spear, which he stands on its iron butt in the corner. We all sit around the fire, on which turnips and rice are boiling and omelet is frying. All around the ceiling from the smoky rafters hang strings of large dried persimmons, almost as sweet and luscious as figs. These we munch while Nakano cuts tenderloin steaks from half the carcass of a boar which he speared the day before. In a few moments seven hungry travellers are watching the sputtering, sizzling boar-steak as it wafts its appetizing odors everywhere, as it seems, but up the chimney. "Is this the second wild hog you've speared this winter?" asks Iwabuchi, the interpreter. "No, your honor," answers Nakano; "the snow began to fall ten days ago, and this is the eighth hog I have killed; but yesterday I speared my first boar this winter." "How long have you been a hunter?" "Hai! your honor, ever since I was a boy. I speared my first hog when I was fifteen." "What do you do with the boar's tusks?" "Hai! your honor, they are the most valuable part of the animal. I sell them to an agent of an ivory-carving shop in Tokio, who comes through these parts in the spring. The Tokio men carve nétsukés from them. They are not as good as ivory, but they do for bimbo [poor men]. My own nétsuké is of boar's tusk." "Meshi shitaku" (rice is ready), cried the housewife, at this moment, and conversation was suspended. A little table of lacquered wood a foot square and four inches high was set before each man of our party. With chopsticks for the rice and knives for the boar-steak, we partook of the hunter's fare. The march of eight miles in the frosty air, plodding our way through drifts, and stepping on snow-shoes, which furnished good exercise for our legs, had made us ravenously hungry. When full, and all had said "Mo yoroshio" (even enough) to the polite girls who waited on us, we walked out to the front, where a gaping crowd gazed at the American white-face, as if they were at Barnum's, and he was the Tattooed Man. I rushed at them, pretending to catch the children, when they scattered like sheep. In their fright they tumbled over each other, until a dozen or more were sprawling on the snow or had tumbled head-foremost in the drifts. A smile, and the distribution of some sugared cakes of peas and barley, made them good friends again. After an hour's rest we bade the hunter, the villagers, and our snow-shoe men good-by, and resumed our journey in single file over the mountains to Tokio. <hr style="width: 65%;" /> <h2>SEEKING HIS FORTUNE.</h2> <h3>BY MRS. W. J. HAYS.</h3> A boy sat whistling on a fence. He was a lad of twelve years, and worked at all sorts of odd chores on the river farm, which sent most of its produce down to the city on the barges which one sees on the Hudson River, headed by little steam-tugs, and which are commonly called "tows." This boy, Tom Van Wyck, was a poor[Pg 110] boy, and worked hard; he did not much care for the beautiful hills which encompassed the winding, gleaming river, nor the fair and fertile fields beyond, but he had an adventurous and daring spirit, which just now was working up in the manner of yeast when it is pushing its way through the mass of unbaked bread. All sorts of bubbles were bothering his brain, and foremost was the wish to leave his country home, and go to the great city of which he had heard so much, but about which he knew little. Aunt Maria, he was sure, would never say "yes" to his project. She looked upon the city as a great den of thieves, and she did not want Tom to go there; but he was tired of being a farm hand, and thought it would be fine to stand behind a counter, to wear kid gloves on a Sunday, to be able to buy good broadcloth and shining boots—indeed, with one bound to be a merchant prince whose grandeur should be the town talk. He had not very clear ideas as to how all this was to be attained, but he knew he could work hard; he had read how many a poor boy had struggled up to fame, and he meant to try, anyhow. And now, as he sat on the fence whistling, he was considering a plan of action. There was no use in being too tender-hearted. He would have to leave Aunt Maria without asking permission. True, the little red house by the hill was a snug little home, and his aunt toiled hard to make it so; but would he not come home to her with silks and diamonds which should so outshine her best alpaca that it would only do for common use? Often down at the dock he had talked with the men on the boats, but he knew none of them other than as Jack and Bill. His proposed plan was to leave some night quietly, get on a barge, go to the city, and secure work; then write home to Aunt Maria, and make his peace with her. Perhaps if Aunt Maria had known all these thoughts, she might have been less harsh when Tom scolded about farm-work, and called it drudgery; but she had a scornful way of sniffing at him and his ideas, which made Tom more and more close and reserved. On this very day, when the momentous project was ripening, she had said he was lazy, that "a rolling stone gathered no moss," that the "boy was father to the man," and that if all he could do was to whistle and whittle, he had better go over to Squire Green's and help them shuck their corn. "Shuck corn! In a week's or a month's time he'd show her what he could do." It was a clear October night, calm and beautiful, and Tom rose softly, tied his best suit up in a bundle with a couple of shirts, took off his shoes—he had not undressed—slipped down stairs, unfastened the door, which, however, was only latched, and crept out into the moonlight. He paused to count the few silver pieces in his little well-worn purse, took one long look at the red house, and especially at the window where little Jane's yellow head was oftenest to be seen—for Aunt Maria was mother as well as aunt to these two motherless children—and away he went. If he had any qualms of conscience, they were soon forgotten in the excitement of the moment. The walk was not a long one to the river-side, and he had made a right guess as to the time the night boat would land. One by one a sleepy head appeared from the sheds as the boat neared the wharf, but despite the moonlight, no one noticed him particularly as he slipped stealthily on board, and to his great relief the truck was soon shipped, the gang-plank drawn up, and the steamboat making its white furrow through the sparkling water. He was too wide-awake now to think of sleeping, and after paying his fare, sat down to watch the progress of the boat. By-and-by the moon sank, and it was dark; the chilly dawn soon came, and then long rows of sparkling lights appeared; the tall spires of the town; the masts of the shipping; the flitting ferry-boats, each with its green or scarlet blaze of lantern; rows of house-tops; docks; wharves; flag-staffs; sheds. This, then, was the great city of his hopes. Now there was a stirring and calling; a rush of men to the work of unlading; a heaving of ropes, winding of cables, shouts, curses, the rattling of carts on the piers, the tinkle of bells on the cars, the roar of escaping steam, the scream of whistles, and the foul smells of garbage and bilge-water. He watched the men at their work, he saw the passengers come out, with sleepy eyes and sodden faces, and take their departure. He too must go—but where? He wandered off the pier in a maze. Where should he go? what should he do in all this crowd of strange faces? He was hungry, and stopped at an apple stand, where a woman in a huge cap and plaid shawl sold him an apple and a molasses cake. He asked her if she knew where he could get work. "Shure an' I don't. It is hard enough to find it for my boy Jim, lettin' alone sthrangers." He went up to a man pitching boxes on a cart, and asked him the same question. "Be off, now! none of your nonsense with me," was the reply. To a dozen he spoke, and with little variety in the replies. This was somewhat disheartening, but of course he could not expect success at once. He must keep up a stout heart, so on he walked. It was a fine clear morning, but the air seemed to him heavy with bad odors, and he had never seen such filth as lay in the streets before him. The children looked wan and wizened and old, the grown people cross and care-worn; but by-and-by the streets improved; he came to the region of shops, where it was somewhat cleaner, and now every window attracted his gaze. There was so much to look at that he forgot himself until hunger again attacked him. One window was most inviting—raw oysters reposing in their shells, boiled eggs, salad, strings of sausages, and a juicy array of pies. He went in and asked the price of a dinner. "Fifty cents," was the reply of a personage whose florid countenance and well-oiled locks looked unctuous. Tom glanced at his purse in a corner. It was all he possessed, so he turned away. A little farther on was another window of the same sort, only the pies looked drier, and the viands staler; and as an ornament, flanked by beer bottles, was a queer, dwarfish-looking man built of empty oyster shells. He peered into the shop, and looked so hungry, that a man shouted at him in a manner that was not meant to be unkind, but which startled him much: "Vat for you comes here, hey? Can you open oyshters? Ve vant some one to open two or tree hundert; ve have one supper here to-night—the 'Bavarian Brüders' meet. If you can do the vork, you may have von goot sqvare meal." Tom hardly understood the man, but the gestures aided him, and putting his bundle down, he set to work on the cellar steps. Talk of farm-work being drudgery any more! In the pure, sweet October air they were gathering apples for the cider-press to-day. Tom remembered well what would have been his portion, as he sat on the dirty cellar steps and pegged away with his oyster-knife. It took him a long while to get the right touch, to clip off the muddy edge of the shells, to pry into the bivalve without injury to the luscious morsel within, and then to slip it into the big tin pail at hand. He got a bad cut in the palm as he did it, but he bound it up with his handkerchief, finished his score, and asked the man for his dinner. "You tink I gif you von plate und knife und fork und napkin; no, go to vork at the oyshters, und here is brod a blenty." So he had to take his meal as he could get it on the cellar stairs, but he stowed away enough to satisfy him before he again started on his travels. The food revived his drooping spirits, and he made bold to ask more people for work. Some shook their heads without a word; some said, "No, my boy," in a kind sort of way that made a lump come in his throat; others told him to go to the place assigned to evil spirits; and others again stared at[Pg 111] him and passed on. This was not very promising. It was now late in the day, and he was far from the steamboat landing. He knew nobody, and was just wondering where he should pass the night, when a boy with a box strung by a leathern strap over his shoulder jostled him. He was a rough fellow, about his own age, but there was a twinkle in his eye which emboldened Tom to speak to him. "Do you know where I can get any work to do?" The boy put his fingers aside of his nose, winked violently, and made a grimace, but said nothing. "I'm in earnest," said Tom. "I want work badly." "Yes, in my eye!" was the response, regarding Tom's more decent apparel. "Oh, but I do. What is your trade?" "Now see here, feller-citizen, if you've any idea of comin' on my beat, I jist warn ye ye'd better git at once," and he shook his fist in Tom's face to make the reply more emphatic. "But I have not," said Tom, anxiously. "I only want work of some sort, and a decent lodging. I'm just from the country, and don't know a soul in this town; besides, I've hurt my hand, and it pains a good deal." "Let's see. I'm a crack doctor on all the fellers' cuts." Tom unbound his hand, and the youthful Æsculapius gazed at it with great interest. "That'll knock you up yet," was the comforting diagnosis, with a wise shake of the head. "Bad place to git a cut. Jim Jones had one jist in that spot, and it festered, and hurt him so he had to go to the hospital." "Pshaw!" said Tom. "Ye'd better get yer granny to poultice it." "I tell you I don't know a human being in this city, and I haven't an idea where I am going to sleep to-night." The boy surveyed him doubtfully. "You might go to the station-house." "Not if I know it," said Tom, whose visions of grandeur, though dimmer, were not to be brought down so low. "Then there's the Newsboys' Lodging-House." "Could I get in there? But I don't know the way." "Come along with me; I'll show yer. I sleep there most o' the time." This was, indeed, unforeseen good fortune, and Tom embraced it heartily. As they walked along, Tim got out of him his whole story; and when it was finished, he said to him: "You were a big fool to leave a good home and try your luck here. For one that swims, a hundred sinks. Why, half the time I'm hungry, and the way we fellers gits knocked about is jist awful." They reached the Lodging-House, and Tom, with his companion's aid, registered his name, got his ticket, and secured a bed. He was so tired he could hardly speak, and the pain in his hand was increasing. In the morning his friend had gone. The matron seeing his suffering dressed his hand, and led him on to tell her who he was and what was his errand to the city. Kindly and patiently, she pointed out to him the great wrong of his beginning, the wickedness of leaving his aunt in ignorance of his whereabouts, the mistake of supposing that it was an easy matter to work one's way up from obscurity to places of trust and honor; that if his endeavors were sanctioned by those in authority over him, and kind friends were willing to assist him and procure him occupation, he yet would find that it would only be by patient labor and constant effort that he could maintain himself, and that larks ready cooked no longer dropped into open mouths. All this and more came home to the sorrowful Tom with great force, for the dirt and jargon of the city were to him very distasteful. His castles were crumbling as he wended his way again to the docks. It was a weary time he had to find the boat which would carry him back, and it was with a grieved spirit that he found himself again at the door of the little red house by the hill. Grieved and weary and hungry, Aunt Maria, whose eyes were red with weeping, perceived him to be, and with wonderful wisdom she kept down her questions, and silently made him comfortable. Little Jane was full of curiosity, and more than one neighbor put their heads in to have a word to say. <div class="figcenter"> <ANTIMG src="images/ill_005.jpg" width-obs="600" height-obs="258" alt="TOM TELLS THE STORY OF HIS DAY IN THE CITY.—DRAWN BY J. HODGSON." title="" /> TOM TELLS THE STORY OF HIS DAY IN THE CITY.—Drawn by J. Hodgson.</div> A year afterward, as Tom, Ned Green, and Jonas were busy husking corn in the calm stillness of the fall, when the stacks were all about them, like Indian wigwams, and the stubble only of the golden pumpkins was left in the field, and the beautiful river wound itself away in the distance, bearing all kinds of craft, Tom told them about his day in the city, and said he had concluded that the country was good enough for him, and he meant to be a farmer all the days of his life. <hr style="width: 65%;" /> <h2>A GREAT CATHEDRAL.</h2> I remember well, when a child, hearing the Cathedral of St. Peter, in Rome, spoken of as being so immense that I thought of an ideal cathedral little less than a mountain in size, and the dome to be seen only as if looking at the stars. When the real cathedral was seen, of course that exaggerated idea had then long been tempered to something like the reality. Yet it was not without a certain pleasure to find that to get a good view, particularly of the dome, it was necessary for me to go from it several miles—to the Pincian hill, or a terrace of the beautiful Villa Doria-Pamfili. The latter view is one of the finest, as nothing else of all Rome is seen. The cathedral stands on the site of Nero's Circus, where many Christians were martyred, and where the Apostle Peter is said to have been buried after his crucifixion. In the year 90 an oratory was built there, and in 306 Emperor Constantine erected a church. It was the grandest of that time, and exceeded in size all existing cathedrals except two, yet was only half the size of the present building. This cathedral was begun in 1506, and after forty years all the foundations were not built. Then Michael Angelo, though seventy-two years old, was persuaded to be the architect. His predecessor had wasted four years in making a model of the proposed edifice, at a great cost, but he, with marvellous energy, completed his model in a fortnight. Though the work went rapidly on, he knew he could not live to see his cathedral finished, and he patiently made a wooden model of the great dome of exact proportions. From this model his idea was carried out. Twenty popes came and went, pressing the work to completion; eighteen architects planned and replanned, and expended $100,000,000, brought from the four quarters of the globe; and a hundred and fifty years rolled around before St. Peter's was finished. Sixtus V. employed six hundred men, night and day, ceaselessly at work upon the dome. The cathedral was consecrated on the 18th of November, 1626, the thirteen-hundredth anniversary of a similar rite in the first cathedral. It covers 212,321 square feet of ground, nearly twice the area of the next largest cathedral, that of Milan, which is a little larger than St. Paul's, of London. Its length is about equal to two ordinary city blocks, its width to that of a short block, and its total height that of a long block, or a little less than the height of the Great Pyramid of Egypt. The circumference of the base of the dome is such that two hundred ten-year-old boys and girls clasped hand to hand would just about stretch around it. The dome rests upon four buttresses, each seventy feet thick, and above them runs a frieze carved in letters as high as a man. Then, one above another, are four galleries, from the lower one of which a fine view of the inside of the church can be had. The little black things seen crawling on the pavement away down below are grown men and women. The[Pg 112] whole inside of the dome is of mosaic-work, and set in this are mosaics of the evangelists—colossal figures, you may know, as the pen which St. Luke holds is seven feet long. The roof of the cathedral is reached by means of an easy slope, up which one could ride on a donkey. Emerging on the roof, all Rome is seen, the country from the mountains, and the blue Mediterranean Sea in the distance. The roof holds a number of small domes, and dwellings for the workmen and custodians, who live there with their families. But stranger still is a fountain fed from the rain caught upon the roof. There we would be as high as the top of many church steeples, but away above us, like a whole mountain, would rise the dome, with a little copper ball on the summit. If our courage and knees did not fail us, we would ascend to that ball by staircases between the internal and external walls of the dome, and find it large enough to hold a score of persons. So vast is the cathedral's interior that it has an atmosphere of its own—in winter slowly losing the heat of the preceding summer, and in summer slowly warming up for another winter. In cold weather the poor of Rome go there for comfort, as a Roman winter sometimes brings frosty days and ice. A traveller says he once saw a great sheet of ice around the fountain before the cathedral, and some little Romans awkwardly sliding on it. For the sake of doing what he never thought to do in Rome, he took a slide with them. The mosaic pictures, statues, and monuments are almost numberless, and the pavement of colored marble stretches away from the doors like a large polished field. Formerly, on Easter and June 28, the dome, façade, and the colonnades of the cathedral were illumined in the early evening by the light of between four and five thousand lamps. It was called the silver illumination, and is described as having been very grand and delicate. Suddenly, on a given signal, four hundred men, stationed at their posts, exchanged the lamps for lighted pitch in iron pans fastened to the ribs of the dome. Then the dome shone afar as a splendid flaming crown of light. <hr style="width: 65%;" /> <div class="figcenter"> <ANTIMG src="images/ill_006.jpg" width-obs="700" height-obs="485" alt="TIRED OUT.—DRAWN BY A. B. FROST." title="" /> TIRED OUT.—Drawn by A. B. Frost.</div> <hr style="width: 65%;" /> <h2>THE LYNX.</h2> An ugly and savage member of the great cat family is the lynx, a creature very numerous in Canada and in the wild forests of our most northern States. It is found all over Northern Europe as well, and in Germany and Switzerland; a smaller variety, called the swamp lynx, is also an inhabitant of Persia, Syria, and some portions of Egypt. The Canada lynx is a beast about three feet long, with a short stubbed tail, and might easily be mistaken for a large wild-cat. Its fur, which is short and very thick, and of a beautiful silver gray, is much used for muffs, tippets, and fur trimming. The lynx is a cowardly beast, and seldom attacks anything larger than hares, squirrels, and birds. It will sometimes rob a sheep-fold, as the gentle and pretty lambs have no means of defense against its terrible claws. It is very much hunted for its valuable fur, and some years thousands of these beautiful skins are sent to market. The ears are very curious, having a tuft of bristling hair on the very point; indeed, this ear ornament is a distinguishing characteristic of all the varieties of the lynx tribe. <div class="figleft"> <ANTIMG src="images/ill_007.jpg" width-obs="600" height-obs="521" alt="LYNX TREED BY DOGS." title="" /> LYNX TREED BY DOGS.</div> The large and powerful dogs which are found in Canada and the northern portions of Michigan, Minnesota, and other border States, where they are used as train dogs to drag the mail sledges over vast wastes of snow during the winter, are natural enemies of the lynx, and pursue it furiously through the snow-bound forests. Their loud barking[Pg 113] often warns the hunter before he himself catches sight of the game that the desired prize is treed, and awaits its fate, with arched back and fur bristling, after the manner of an enraged cat. The Canada lynx is a very stupid beast, and easily trapped—a method of catching it generally adopted by the Hudson Bay Company, as in this way its beautiful fur is uninjured by bullets. The European lynx is a much larger, stronger, and more ferocious beast than its Canadian brother. Its great hairy paws are like those of the lion and tiger, which, strange as it may seem, are also members of the pussy-cat family. It lives in wild Siberian forests (where large numbers of trappers subsist on the proceeds of its valuable fur), in Norway and Sweden, in Switzerland, and also in other countries where wild forests exist. Vast numbers roam through the steppes of Asia and the uninhabited portions of the Eastern world. So much is this creature dreaded in Switzerland for its depredations on the flocks that the shepherds whose sheep feed on the mountain pastures do all in their power to exterminate this cruel enemy of their fold, and a prize is offered by the government for every one killed. Driven by hunger, the European lynx will often attack deer and other large animals. A story is told of a lynx in Norway which, much against its will, was forced to take a furious ride on the back of a goat. The winter had been very severe, and failing to find food in the forests and rocky barrens, a young lynx spied a flock of goats feeding among the dry stubble of a field. Giving a quick spring, it landed on the back of a large goat, with the purpose of tearing open the arteries of its neck—its method of killing large animals. But the goat, feeling its unwelcome rider, set out at a gallop for the farm-yard, followed by the whole herd, all bleating in concert. The claws of the lynx had become so entangled in the heavy beard of its intended victim that escape was impossible, and the farmer by a skillfully aimed shot put an end to its life. Patience is largely developed in the lynx. It will lie stretched out for hours, on a branch of a tree, watching for its prey. If anything approaches, it crouches and springs. Should the rabbit or bird escape, the lynx never pursues, but slyly creeps back to its branch, and resumes its patient watch. When captured very young, lynxes may be tamed, and have been known to live on friendly terms with domestic animals, such as dogs and cats. But they are never healthy away from their native woods, and usually die in a short time. Even in the wild state the lynx is short-lived, and is said rarely to reach the age of fifteen years. In confinement the lynx never thrives. Specimens kept in menageries never become friendly, but grow sullen and suspicious. Spending the day in sleep, at night they walk[Pg 114] restlessly up and down their cage, giving vent to hideous howls and yells. The glistening, piercing eyes of the lynx were formerly the subject of strange superstitions. In the days of Pliny it was known to the Romans by the same name it still bears. Specimens were first brought to Rome from Gaul (the country now called France), and so terrible was the glaring eye that it was said to be able to look through a stone wall as through glass, and to penetrate the darkest mysteries. Hence, no doubt, the expression "lynx-eyed," which is so often used to indicate keen and sharp watchfulness from which nothing can escape. <hr style="width: 65%;" /> <h2>THE DEAD-LETTER OFFICE.</h2> <h3>BY MRS. P. L. COLLINS.</h3> Of course, dear readers, all of you have heard of the Dead-letter Office at Washington, and I suppose you have the same vague idea that I had until I went there and learned better—that it is a place where letters are sent when they fail to reach those for whom they are intended, and are thence returned to the writers. Really, now, I believe this is what most grown-up people think too; but in truth, it is such a wonderful place that I am sure you will be surprised when I tell you of some of the things you may find there, and I think when you come to Washington it will be one of the first places you will wish to visit. Probably you have never written a great many letters, and I do not doubt that each one had its envelope neatly addressed by your father or mother, while you stood by to see that it was well done. I hope, too, that in due time your letters had the nice replies they deserved. You would have been much disappointed if any of them had been "lost in the mail," as people say, wouldn't you? You will not forget your stamp, I am sure, after I have related the following incident: There was once a little girl, only ten years old, who was spending six months in the city of New York, just previous to sailing for Europe. Her heart was filled with love for her darling grandpapa, whom she had left in New Orleans, and she wrote to him twice every week. Her letters were in the French language; at least, the one that I saw was, and it began "Cher Grandpère cheri." She said, "I hope that you have received the slippers I embroidered for you, and the fifteen dollars I sent in my last letter to have them made." But, alas! the package containing the slippers had reached the "cher grandpère cheri," while the letter and money were missing. Then this old gentleman wrote to the Dead-letter Office, and said that it was the only one of his granddaughter's letters he had ever failed to receive; that it could not have been misdirected; and his carrier had been on the same route for many years, so he knew him to be honest; therefore the money must have been mysteriously swallowed up in the D. L. O. What was to be done? Do you imagine the Dead-letter Office shook in its shoes? Not a bit of it. It turned to a big book, and found a number which stood opposite the little girl's letter, and then straightway laid hands upon the letter itself, and forwarded it to the indignant "grandpère." Now why all this trouble and delay, and saying of naughty things to the D. L. O., without which he might never have seen either his letter or his money? Simply this: the dear child had dropped her letter into the box without a stamp. You will be surprised to learn that something over four millions of letters are sent to the Dead-letter Office every year. There are three things that render them liable to this: first, being unclaimed by persons to whom they are addressed; second, when some important part of the address is omitted, as James Smith, Maryland; third, the want of postage. All sealed letters must have at least one three-cent stamp, unless they are to be delivered from the same office in which they are mailed, when they must have a one or a two cent stamp, according to whether the office has carriers or not. For the second cause mentioned above about sixty-five thousand letters were sent to the Dead-letter Office during the past year; for the third, three hundred thousand, and three thousand had no address whatever. When these letters reach the Dead-letter Office, they are divided into two general classes, viz., Domestic and Foreign, the latter being returned unopened to the countries from which they started. The domestic letters, after being opened, are classed according to their contents. Those containing money are called "Money Letters;" those with drafts, money-orders, deeds, notes, etc., "Minor Letters;" and such as inclose receipts, photographs, etc., "Sub-Minors." Letters which contain anything, even a postage-stamp, are recorded, and those with money or drafts are sent to the postmasters where the letters were first mailed, for them to find the owners, and get a receipt. From $35,000 to $50,000 come into the office in this way during the year; but a large proportion is restored to the senders, and the remainder is deposited in the United States Treasury to the credit of the Post-office Department. When letters contain nothing of value, if possible they are returned to the writers. There are clerks so expert in reading all kinds of writing that they can discern a plain address where ordinary eyes could not trace a word. For instance, you could not make much of this: <div class="figcenter"> <ANTIMG src="images/ill_008.jpg" width-obs="400" height-obs="201" alt="" title="" /></div> A dead-letter clerk at once translates it: Mr. Hensson King, Tobacco Stick, Dorchester County, Maryland. In haste. And such spelling! Would you ever imagine that Galveston could be tortured into "Calresdon," Connecticut into "Kanedikait," and Territory into "Teartoir"? Recently the Postmaster-General has found it necessary to issue very strict orders about plain addresses, and a great many people have tried to be witty at his expense. I copied this address from a postal card: Alden Simmons, Savannah Township, Ashland County, State of Ohio; Age 29; Occupation, Lawyer; Politics, Republican; Longitude West from Troy 2°; Street Main No. 249; Box 1008. Color, White; Sex, Male; Ancestry, Domestic. For President 1880, U. S. Grant! About once in two years there is a sale of the packages which are detained in the office for the same reason that[Pg 115] letters are. All the small articles are placed in envelopes, on which are written brief descriptions of their contents. Any one is allowed the privilege of examining them before purchasing. There are thousands of these packages, containing almost everything you can think of. I glanced over an old catalogue, and selected at random half a dozen things that will give you an idea of the endless variety: Florida beans, surgical instruments, cat-skin, boy's jacket, map of the Holy Land, two packages of corn starch, and a diamond ring—in truth, as the chief of the D. L. O. says in his report, "everything from a small bottle of choice perfumery to a large box of Limburger cheese." But there were two things that nobody would ever buy, so this great institution was obliged to keep them. One was a horrid, grinning, skeleton head, that had been sent to Dr. Gross, the eminent Philadelphia surgeon; but the box being nailed so that the postmaster could not examine its contents without breaking it, he was obliged to charge letter rates of postage, which the doctor refused to pay; consequently it found a proper resting-place in the house appropriated specially to dead things. Occupying the same shelf are several glass jars containing serpents of various sizes preserved in alcohol. These snakes were received at the D. L. O. in two large tin cans, the ends of which were perforated to admit air. They were addressed to a professor in Germany. It could not be ascertained at what office they had been mailed. There were seventeen in all, but some of the smaller ones were dead. System, punctuality, industry, belong to the Dead-letter Office. It seems to embrace every other branch of business, and, as I have shown you, even to know how to treat such unwelcome guests as a nest of live serpents. <hr style="width: 65%;" /> <h2>HOW MOTHER ROBIN CALLED A NEW MATE.</h2> <h3>BY E. JAY EDWARDS.</h3> A friend of mine has a robin's nest that he guards with very great care, and about which he tells a story to all the young and old people who call upon him. "There is a romance," he says, as he shows you the nest, "about this, and if you want to hear it, I will tell it to you." "It was a good many years ago," my friend begins, "that this nest was made. There came one morning early in April two robins to the big fir-tree in front of my window. One of them had, as sure as you live, a club-foot, and he hobbled about upon it in a very lively manner, and I know that it was this one—Mr. Robin, I call him—that fixed upon the precise place for the nest. For he whetted his bill upon a bough a great many times, and then he danced upon it with one foot and the other, as though trying its strength, and at last he flew up to Mrs. Robin, who was standing on the limb above looking at him. My window was open, and I heard him peeping the gentlest little song to her that you can imagine. Then she jumped down upon the limb, rubbed her bill upon it, and danced, while he looked at her, and after she had done these things she sang the same little melody. After that they flew away with great speed, and the next that I saw of them they were working with might and main, bringing twigs, moss, twine, and all sorts of things, until at last they had the nest made." Now my friend, when he gets so far in his story, always stops a moment and laughs, though you can not see anything to laugh at. But he looks closely at you, and just as soon as he observes the surprise that your eyes show, he says: "I ought to say right here that my mother had a very choice piece of lace, a collar or something of that sort, that was washed and put out upon a little bush to dry on the very day that Mr. and Mrs. Robin decided to build the nest in the fir-tree. A great fuss was made that evening because the lace collar could not be found, and mother wanted the police called, so that the thief might be arrested and the collar got back, for that collar was worth, I have heard, a great many dollars. But the police never found the thief. "Now I will go on, with my story," always continues my friend, and he generally takes the nest in his hands at this time. "Well, after this nest—this is the very one I hold in my hand—was built, you never saw a more attentive lover than this Mr. Robin. He would hop about with his club-foot, and seem to put his eye right upon an angle-worm's cave every time he flew down to the ground, and you might see him from early morning to sunset flying back and forth with his mouth full of good things for Mrs. Robin, and he would feed her as she sat upon the nest. "One day he seemed specially excited and happy; you could hear him singing in the tree more loudly than before, and I could see from my window the cause of his joy. Four yellow mouths were put up to receive the dainties he had brought, and then I knew that the little robins had come. Well, old Mr. Robin was so excited that he did not see our cat stealthily coming, as he was pulling away at a very long angle-worm. Pussy had him in her mouth before he could even give a warning cry, and the last I saw of Mr. Robin was the club-foot that hung out of Puss's mouth. "By-and-by Mrs. Robin seemed to get hungry, and I heard her uttering two strange notes that I had never heard before, and which seemed to me to sound just as though she was saying, 'Come here! come here!' Of course that was not what she said, but I have no doubt that the notes meant just that, and that every robin that might have heard them would have understood them as a call for help. But no robin came. It rained all that day, and poor Mrs. Robin kept up that cry, and her young ones continually thrust their bills from beneath her body, and opened them. I could not help them, of course, for little birds would rather starve than be fed by any one but their parents. "Now I am coming to the strangest part of my story," my friend always says when he reaches this point. "The next morning was clear, and I happened to be up early. Old Mrs. Robin had begun her plaintive call. Suddenly I saw a great many robins—not less than twenty, I should say—that had come together from some place, and rested upon the branches of a great elm-tree that was only a few yards away from the fir-tree. Of all the noises I ever heard from birds, those that these robins made were the strangest. At last they were quiet, and two of them flew off to the fir-tree, and cautiously made their way to the nest. Mrs. Robin looked at them, and sang a little trill. One of the visitors, with much shaking of his head, sang something in reply, and then the other one did the same thing. Mrs. Robin repeated her trill, and then she hopped up to the branch above, and sang another note or two, and the smaller of the two robins took his place beside her. Then the other robin flew away to his companions, and after singing a little, they all went off together. "When I looked back to the nest, Mrs. Robin sat there perfectly quiet, and, not more than a minute after, the new Mr. Robin brought a worm, and he was from that time until the little ones got their feathers and flew off as kind and attentive to Mrs. Robin as had been poor old club-footed Mr. "Now isn't this a pretty love story?" my friend inquires, and of course you say it is, and then ask him why he laughed, and what his mother's lace collar had to do with it, and he will answer you in this way: "Look in the nest. See what lies on the bottom, where the little robins nestled. I got the nest after they all flew away together, and there in the bottom was my mother's lace collar, not good to wear any longer, so I have let it stay there ever since. Do you suppose young robins ever had such a costly bed?"[Pg 116] <hr style="width: 65%;" /> <h2>CHARLEY BENNET'S GHOST STORY.</h2> <h3>BY MRS. MARGARET EYTINGE.</h3> "It is a sin to steal a pin, As well as any greater thing," sang little Al Smith, in a loud, shrill voice. "Very good sentiment, but very poor rhyme," drawled Hen Rowe (whose father was a poet), patting the singer's flaxen head in a patronizing manner. "Talking of stealing," said Charley Bennet, dropping the pumpkin he was turning into a lantern, "did I ever tell you fellers about the time I went down to old Pop Robins's to steal apples, and came back past the barn where the horse-thief hung himself years and years ago, 'cause he knew the constables—they called 'em constables in those times—were after him, and that he'd be hung by somebody else if he didn't? No? Here's a ghost story for you, then, and I hope it will be a warning to you all never to take anything that doesn't belong to you, 'specially apples. "You see, Billy Evans and I were staying with our folks at the hotel in Bramblewood that summer, and about two miles away was Pop Robins's farm. He used to bring eggs and chickens and vegetables and fruit to the hotel; and, oh my! wasn't he stingy?—you'd better believe it. He wouldn't even give you two or three blackberries, and if you asked him for an apple, he'd tremble all over. A reg'lar old miser he was, with lots of money, and a bully apple orchard. 'Let's go there some night and help ourselves,' says Billy Evans, one day. 'Dogs,' says I. 'Only one,' says he; 'I know him, and so do you—old Snaggletooth; I gave him almost all the meat we took for crab bait the day we didn't catch any.' 'All right,' says I. "But when the night we'd agreed on came, Billy had cousins—girls—down from New York, and he had to stay home and entertain them. I don't care much for girls myself, and I was afraid they might want me to help entertain them too, so I made up my mind to go down to Pop Robins's alone. It was a splendid night; the moon shone so bright that it was almost as light as day. I scudded along, whistling away, until I got within half a mile of the orchard, and then I stopped my noise and walked as softly as possible, till I came to the first apple-tree. I shinned up that tree in a jiffy (old Snaggletooth didn't put in an appearance), filled my bag with jolly fat apples, and slid down again. But when I came to lift the bag up on my shoulder, I found it was awful heavy to carry so far, and I was just agoing to dump some of the apples out, when I remembered all of a sudden that if I cut across the meadow to the plank-road, I could get back to the hotel in a little more than half the time it would take to go the way I came. "So I shouldered my load, and was nearly across the meadow before I thought of the haunted barn at the end of it. It wasn't a nice thing to remember; but I wasn't agoing to turn back, ghost or no ghost, and I tried to whistle again, when all at once that thing Al Smith was singing just now popped into my head, and says I to myself, 'That's so, Charles F. Bennet; you and your chums may think it's great fun to help yourselves to other people's apples and water-melons and such things, but it's just as much stealing as though you went into a man's house and stole his coat.' It doesn't seem as bad when you're going for 'em; but when you're coming back, up a lonely road, all alone, at ten o'clock at night, a lot of stolen apples on your back, and a haunted barn not far off, it seems worse. <div class="figleft"> <ANTIMG src="images/ill_009.jpg" width-obs="400" height-obs="394" alt=""'THERE IT IS,' SAYS BARNEY."" title="" /> "'THERE IT IS,' SAYS BARNEY."</div> "All the same, I held on to the apples. And when I faced the barn I determined I'd whistle if I died in the attempt; but, boys, I don't believe anybody could have told that 'Yankee Doodle' from 'Auld Lang Syne.' I tell you my heart jumped when I passed the tumble-down old place; but it stood still when, as I marched up the plank-road, I heard a step behind me. I wheeled around in an instant, but there was nothing to be seen. The moon shone as bright as ever, but there was nothing to be seen! 'I must have imagined it,' says I to myself, and I walked a little faster, listening with all my might, and sure enough pat, pat, pat, came the step after me. Again I wheeled round. Not a thing did I see. And again I started on, the apples growing heavier and heavier. Pat, pat, pat, came the step. It wasn't like a human step. That made it more dreadful. 'It must be the ghost,' I thought; and I don't mind telling you, fellers, I never was so frightened in my life. The time I fell overboard was nothing to it. I made up my mind, when I reached the bridge that crossed a little brook near our hotel, I'd streak it (I hadn't exactly run yet, for I was saving my strength till the last). But before I got to the bridge, says I to myself—and I must have said it out loud, though I didn't mean to—'Perhaps he wants the apples.' "'Apples!' repeated a hoarse voice, with a horrid laugh. "I tell you, boys, those apples flew, and I flew too. Over the bridge I went like lightning, and ran right into Barney Reardon, one of the stable-men, who was coming to look for me. 'Something has followed me,' I gasped, 'from the haunted barn—the ghost!' 'Did you see it?' says he. 'No,' says I, 'though I turned round a dozen times to look for it. But I heard it pat, pat, pat, behind me all the way.' 'And it's behind you now,' says Barney, bursting into a loud laugh. I jumped about six feet. 'There it is,' says Barney, roaring again, and pointing to—Pop Robins's tame raven! The sly old thing looked up at me, nodded its shining black head, croaked 'Apples!' and walked off. It had followed me from the barn, and every time I wheeled quickly round, it hopped just as quickly behind me, and so of course I saw nothing but the long road and the moonlight on it. But I never want to be so scared again, and if ever any of you boys go for anything belonging to other people, don't you count me in." "What became of the apples?" asked Jerry O'Neil. "If you'd 'a been there I could have told you," said Charley.[Pg 117] <hr style="width: 65%;" /> <h2>THE HOUSE THAT BELL BUILT;</h2> <h3>Or, the Sad End of a little Girl's Romance.</h3> <div class="figcenter"> <ANTIMG src="images/ill_010.jpg" width-obs="400" height-obs="385" alt="" title="" /></div> Sitting alone in the fire-light's flare, This is the house that Bell built. <div class="figcenter"> <ANTIMG src="images/ill_011.jpg" width-obs="400" height-obs="394" alt="" title="" /></div> This is the girl with the golden hair, That lived in the house that Bell built. <div class="figcenter"> <ANTIMG src="images/ill_012.jpg" width-obs="400" height-obs="413" alt="" title="" /></div> This is the garden fresh and fair, Where played the girl with the golden hair, That lived in the house that Bell built. <div class="figcenter"> <ANTIMG src="images/ill_013.jpg" width-obs="400" height-obs="419" alt="" title="" /></div> These are the peaches sweet and rare, That grew in the garden fresh and fair, Where played the girl with the golden hair, That lived in the house that Bell built. <div class="figcenter"> <ANTIMG src="images/ill_014.jpg" width-obs="400" height-obs="370" alt="" title="" /></div> This is the great and terrible bear, That ate the peaches sweet and rare, That grew in the garden fresh and fair, Where played the girl with the golden hair, That lived in the house that Bell built. <div class="figcenter"> <ANTIMG src="images/ill_015.jpg" width-obs="400" height-obs="403" alt="" title="" /></div> This is the prince with noble air, Who killed the great and terrible bear, That ate the peaches sweet and rare, That grew in the garden fresh and fair, Where played the girl with the golden hair, That lived in the house that Bell built. <div class="figcenter"> <ANTIMG src="images/ill_016.jpg" width-obs="400" height-obs="407" alt="" title="" /></div> This is the wedding beyond compare, In which the prince of noble air, Who killed the great and terrible bear, That ate the peaches so sweet and rare, That grew in the garden fresh and fair, Married the girl with the golden hair, That lived in the house that Bell built. <div class="figcenter"> <ANTIMG src="images/ill_017.jpg" width-obs="400" height-obs="407" alt="" title="" /></div> This is the house-maid, Biddy McNair, With face so red and arms so bare, Who took the poker without a care, And slew the prince of noble air, Who killed the great and terrible bear, That ate the peaches so sweet and rare, That grew in the garden fresh and fair, And married the girl with the golden hair, That lived in the house that Bell built. [Pg 118] <hr style='width: 45%;' /> Flower-Pots for Rooms.—Fill a pot with coarse moss of any kind, in the same manner as it would be filled with earth, and place a cutting or a seed in this moss: it will succeed admirably, especially with plants destined to ornament a drawing-room. In such a situation plants grown in moss will thrive better than in garden mould, and possess the very great advantage of not causing dirt by the earth washing out of them when watered. The explanation of the practice seems to be this: that moss rammed into a pot, and subjected to continual watering, is soon brought into a state of decomposition, when it becomes a very pure vegetable mould; and it is well known that very pure vegetable mould is the most proper of all materials for the growth of almost all kinds of plants. The moss would also not retain more moisture than precisely the quantity best adapted to the absorbent powers of the root—a condition which can scarcely be obtained with any certainty by the use of earth. <hr style='width: 45%;' /> The Advantages of Foreign Tongues.—In the Letters of Charles Dickens, recently published, occurs this pleasant child's story: "I heard of a little fellow the other day whose mamma had been telling him that a French governess was coming over to him from Paris, and had been expatiating on the blessings and advantages of having foreign tongues. After leaning his plump little cheek against the window glass in a dreary little way for some minutes, he looked round, and inquired in a general way, and not as if it had any special application, whether she didn't think 'that the tower of Babel was a great mistake altogether.'" <hr style="width: 65%;" /> <div class="figcenter"> <ANTIMG src="images/ill_018.jpg" width-obs="600" height-obs="255" alt="OUR POST-OFFICE BOX" title="" /></div> Vancouver, Washington Territory. <div class="blockquot">Mamma takes the Bazar, papa the Weekly and Magazine. I have the first and second numbers of Young People. I like it very much, but I like "The Brave Swiss Boy" the best. I am ten years old. I saw in your letter to us that you wanted us to write to your paper. I think it must have been very funny to come across the plains in a wagon. I came across from Fond du Lac, Wisconsin (where I was born), in the cars, and not in the long trains of wagons. Oro Brown read "Two Ways of Putting It," from the first number of Young People, in school last Friday. The pets I have are gray and Maltese kittens. I did once have a chicken that would come and eat wheat out of my hand, and fly into my arms. </div> Julia B. <hr style='width: 45%;' /> <div class="blockquot">I live a little way from Scranton, Pennsylvania, and a friend takes Harper's Young People for me. I have had a great deal of fun trying to draw a pig with my eyes shut. It is very funny to sit down with your eyes shut and try to feed another person with a spoon. </div> Daisy. <hr style='width: 45%;' /> Middletown, New York. <div class="blockquot">I wanted to write to you, and tell you how much I liked your nice paper. I like the story of "The Brave Swiss Boy" best. I live with my grandpa and grandma, who are very good to me, and I love them very much. Please print this, and oblige </div> Harry W. T. <hr style='width: 45%;' /> Pretty communications are received from Frederick B., Brooklyn, New York; Perkins S., New York city; Annie L., New London, Connecticut; Mary E. R., Albany, New York; Mabel L., New York city; and Lottie S. B., Boston, Massachusetts. <hr style='width: 45%;' /> A. M. S.—As it may interest other young readers, we print the whole list of portraits on the United States postage-stamps in use at present, as well as the one you require: One cent, Franklin; two cent, Jackson; three cent, Washington; five cent, General Taylor; six cent, Lincoln; seven cent, Stanton; ten cent, Jefferson; twelve cent, Clay; fifteen cent, Webster; twenty-four cent, Scott; thirty cent, Hamilton; ninety cent, Commodore O. H. Perry. <hr style='width: 45%;' /> Bessie G.—Your "Bran Pudding" is excellent, but it came too late for use. We shall reserve it for next Christmas, as it is good enough to keep. <hr style='width: 45%;' /> Correct answers to Christmas Puzzle in No. 8 are received from Charlie G. G., Gussie L., Birdie C., J. N. D., Fred A. O., Herbert W. B., Emily J. M., Nina B. F., Willie C., Herbert H., Isabella C. Van B., and William W. F. The answer will be published in our next number. <hr style='width: 45%;' /> The following easy puzzles from very young readers are offered for other very young readers to solve: <h3>No. 1.</h3> <h3>WORD SQUARE.</h3> My first is a battle. My second is a girl's name. My third is not cooked. K. S. (nine years old). <hr style='width: 45%;' /> <h3>No. 2.</h3> <h3>ENIGMA.</h3> My first is in stove, but not in coal. My second is in pit, but not in hole. My third is in rod, but not in pole. My fourth is in bear, and also in mole. My fifth is in head, but not in scroll. My sixth is in steal, and also in stole. If you can not guess this, you are not witty, For my whole is found in every city. C. G. (eleven years old). <hr style='width: 45%;' /> <h3>No. 3.</h3> <h3>NUMERICAL CHARADE.</h3> I am a word of 10 letters. My 1, 2, 3, 4 is a kind of labor. My 8, 9, 10 is a weight. My 6, 5, 7 is what a boy of a certain race is often called. My whole was a great man. R. D. C. <hr style='width: 45%;' /> <h3>No. 4.</h3> <h3>NUMERICAL CHARADE.</h3> I am a word of 6 letters. My 1, 5, 2 is a noun. My 3, 4, 5 is a biped. My 6, 1, 2 is a verb. My whole is a city in Europe. F. C. <hr style='width: 45%;' /> <h3>No. 5.</h3> <h3>ENIGMA.</h3> My first is in cold, but not in hot. My second is in pan, but not in pot. My third is in nap, but not in sleep. My fourth is in sold, but not in keep. My fifth is in flute, but not in drum. My sixth is in example, but not in sum. My whole is useful in the dark. M. L. <hr style='width: 45%;' /> <h3>No. 6.</h3> <h3>DOUBLE ACROSTIC.</h3> A girl's name. A measure. A fine net. A girl's name. A verb. An explanation. The answer is two cities of the United States. M. L. <hr style='width: 45%;' /> <h3>No. 7.</h3> <h3>RIDDLE.</h3> Decline ice-cream. M. L. <hr style='width: 45%;' /> <h3>No. 8.</h3> <h3>NUMERICAL CHARADE.</h3> I am composed of 18 letters. My 17, 18, 9 is the Latin name of an animal. My 16, 10, 4, 13, 8 is a young animal. My 14, 11 is a prefix. My 6, 2, 12, 7 is a word applied to old clothes. My 1, 5, 3 is a pronoun. My 15 is a vowel. A good many little folks like my whole very much. M. E. R. <hr style='width: 45%;' /> Answers to the above puzzles will be given in Young People No. 15. <hr style='width: 65%;' /> <h2>ADVERTISEMENTS.</h2> <hr style='width: 65%;' /> <h2>HARPER'S YOUNG PEOPLE.</h2> Harper's Young People will be issued every Tuesday, and may be had at the following rates—payable in advance, postage free: <div class='center'> <table border="0" cellpadding="4" cellspacing="0" summary=""> <tr><td align='left'>Single Copies</td><td align='right'>$0.04</td></tr> <tr><td align='left'>One Subscription, one year</td><td align='right'>1.50</td></tr> <tr><td align='left'>Five Subscriptions, one year</td><td align='right'>7.00</td></tr> </table></div> Subscriptions may begin with any Number. When no time is specified, it will be understood that the subscriber desires to commence with the Number issued after the receipt of order. Remittances should be made by POST-OFFICE MONEY ORDER or DRAFT, to avoid risk of loss. <h3>ADVERTISING.</h3> The extent and character of the circulation of Harper's Young People will render it a first-class medium for advertising. A limited number of approved advertisements will be inserted on two inside pages at 75 cents per line. Address HARPER & BROTHERS, Franklin Square, N. Y. <hr style="width: 65%;" /> <h2>A LIBERAL OFFER FOR 1880 ONLY.</h2> ☞ Harper's Young People and Harper's Weekly will be sent to any address for one year, commencing with the first Number of Harper's Weekly for January, 1880, on receipt of $5.00 for the two Periodicals. <hr style="width: 65%;" /> <h2>FRAGRANT</h2> <h2>SOZODONT</h2> Is a composition of the purest and choicest ingredients of the vegetable kingdom. It cleanses, beautifies, and preserves the TEETH, hardens and invigorates the gums, and cools and refreshes the mouth. Every ingredient of this Balsamic dentifrice has a beneficial effect on the Teeth and Gums. Impure Breath, caused by neglected teeth, catarrh, tobacco, or spirits, is not only neutralized, but rendered fragrant, by the daily use of SOZODONT. It is as harmless as water, and has been indorsed by the most scientific men of the day. Sold by druggists. <hr style="width: 65%;" /> PLAYS FOR YOUNG PEOPLE, with Songs and Choruses, adapted for Private Theatricals. With the Music and necessary directions for getting them up. Sent on receipt of 30 cents, by HAPPY HOURS COMPANY, No. 5 Beekman Street, New York. Send your address for a Catalogue of Tableaux, Charades, Pantomimes, Plays, Reciters, Masks, Colored Fire, &c., &c. [Pg 119] <hr style="width: 65%;" /> <h2>Old Books for Young Readers.</h2> <hr style='width: 25%;' /> <h3>Arabian Nights' Entertainments.</h3> <div class="blockquot">The Thousand and One Nights; or, The Arabian Nights' Entertainments. Translated and Arranged for Family Reading, with Explanatory Notes, by E. W. Lane. 600 Illustrations by Harvey. 2 vols., 12mo, Cloth, $3.50. </div> <h3>Robinson Crusoe.</h3> <div class="blockquot">The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner. By Daniel Defoe. With a Biographical Account of Defoe. Illustrated by Adams. Complete Edition. 12mo, Cloth, $1.50. </div> <h3>The Swiss Family Robinson.</h3> <div class="blockquot">The Swiss Family Robinson; or, Adventures of a Father and Mother and Four Sons on a Desert Island. Illustrated. 2 vols., 18mo, Cloth, $1.50. The Swiss Family Robinson—Continued: being a Sequel to the Foregoing. 2 vols., 18mo, Cloth, $1.50. </div> <h3>Sandford and Merton.</h3> <div class="blockquot">The History of Sandford and Merton. By Thomas Day. 18mo, Half Bound, 75 cents. </div> <hr style='width: 25%;' /> <h3>Published by HARPER & BROTHERS, New York.</h3> <h4>☞ Harper & Brothers will send any of the above works by mail, postage prepaid, to any part of the United States, on receipt of the price.</h4> <hr style="width: 65%;" /> <h2>The Fairy Books.</h2> <hr style='width: 25%;' /> THE PRINCESS IDLEWAYS. By Mrs. W. J. Hays. Illustrated. l6mo, Cloth, 75 cents. <hr style='width: 25%;' /> THE CATSKILL FAIRIES. By Virginia W. Johnson. 8vo, Illuminated Cloth, Gilt Edges, $3.00. <hr style='width: 25%;' /> FAIRY BOOK ILLUSTRATED. 16mo, Cloth, $1.50. <hr style='width: 25%;' /> PUSS-CAT MEW, and other New Fairy Stories for my Children. By E. H. Knatchbull-Hugessen, M.P. Illustrated. 12mo, Cloth, $1.25. <hr style='width: 25%;' /> FAIRY BOOK. The Best Popular Fairy Stories selected and rendered anew. By the Author of "John Halifax." Illustrated. 12mo, Cloth, $1.25. <hr style='width: 25%;' /> FAIRY TALES. By Jean Macé. Translated by Mary L. Booth. Illustrated. 12mo, Bevelled Edges, $1.75; Gilt Edges, $2.25. <hr style='width: 25%;' /> FAIRY TALES OF ALL NATIONS. By É. Laboulaye. Translated by Mary L. Booth. Illustrated. 12mo, Cloth, Bevelled Edges, $2.00; Gilt Edges, $2.50. <hr style='width: 25%;' /> THE LITTLE LAME PRINCE. By the Author of "John Halifax, Gentleman." Illustrated. Square 16mo, Cloth, $1.00. <hr style='width: 25%;' /> FOLKS AND FAIRIES. Stories for Little Children. By Lucy Crandall Comfort. Illustrated. Square 4to, Cloth, $1.00. <hr style='width: 25%;' /> THE ADVENTURES OF A BROWNIE, as Told to my Child. By the Author of "John Halifax, Gentleman." Illustrated. Square 16mo, Cloth, 90 cents. <hr style='width: 25%;' /> <h3>Published by HARPER & BROTHERS, New York.</h3> <h4>☞ Sent by mail, postage prepaid, to any part of the United States, on receipt of the price.</h4> <hr style="width: 65%;" /> "A book beyond the pale of criticism." N. Y. Daily Graphic. <hr style='width: 25%;' /> <h2>THE</h2> <h2>Boy Travellers in the Far East.</h2> <hr style='width: 25%;' /> <h3>ADVENTURES OF</h3> <h3>TWO YOUTHS IN A JOURNEY</h3> <h3>TO</h3> <h3>JAPAN AND CHINA.</h3> <h4>Illustrated, 8vo, Cloth, $3.00.</h4> <hr style='width: 25%;' /> A more attractive book for boys and girls can scarcely be imagined.—N. Y. Times. The best thing for a boy who cannot go to China and Japan is to get this book and read it.—Philadelphia Ledger. Juvenile literature seems to have come to a climax in this book. In literary quality and in material form it is a decided improvement on anything of the kind ever before produced in America.—N. Y. Journal of Commerce. One of the richest and most entertaining books for young people, both in text, illustrations, and binding, which has ever come to our table.—Providence Press. <hr style='width: 25%;' /> <h3>Published by HARPER & BROTHERS, N. Y.</h3> <h4>☞ Sent by mail, postage prepaid, to any part of the United States, on receipt of the price.</h4> <hr style="width: 65%;" /> <h2>WHAT MR. DARWIN SAW</h2> <h3>In His Voyage Round the World</h3> <h3>in the Ship "Beagle."</h3> <h4>ADAPTED FOR YOUTHFUL READERS.</h4> <h4>Illustrated, 8vo, Cloth, $3.00.</h4> <hr style='width: 25%;' /> A capital book on natural history for young readers.—Hartford Courant. A superb volume filled with maps and pictures of beasts, birds, and fishes, as well as the faces of all sorts of men, and with all this a most delightful story of real travel round the world by a very famous naturalist.—Christian Intelligencer, N. Y. To the intelligent boy or girl the book will be a perfect bonanza. * * * Every statement it contains may be accepted as accurately true. * * * This book shows once more that truth is stranger than fiction.—Philadelphia North American. It can scarcely be opened anywhere without conveying interest and instruction.—S. S. Times, Phila. <hr style='width: 25%;' /> <h3>Published by HARPER & BROTHERS, New York.</h3> <h4>☞ Sent by mail, postage prepaid, to any part of the United States, on receipt of the price.</h4> <hr style="width: 65%;" /> "A nice Gift for Children." Pittsburgh Telegraph. <hr style='width: 25%;' /> <h2>THE PRINCESS IDLEWAYS.</h2> <h3>A FAIRY STORY.</h3> <h4>Illustrated, 16mo, Cloth, 75 cents.</h4> <hr style='width: 25%;' /> Written in a simple but charming manner, and illustrated by beautiful pictures, so that a youngster just past the first reading-book would appreciate every word.—Christian Intelligencer, N. Y. The illustrations are worthy of special commendation. Any so airy, pretty, and full of grace, have rarely appeared in any American book for children.—Hartford Courant. The language in which it is told is so pure and agreeable, that parents and good bachelor uncles will find it a pleasure to read it aloud to the little ones.—Boston Courier. <hr style='width: 25%;' /> <h3>Published by HARPER & BROTHERS, N. Y.</h3> <h4>☞ Sent by mail, postage prepaid, to any part of the United States, on receipt of the price.</h4> <hr style="width: 65%;" /> "A most enchanting story for boys." Pittsburgh Telegraph. <hr style='width: 25%;' /> <h2>AN INVOLUNTARY VOYAGE.</h2> <h3>By LUCIEN BIART,</h3> <h4>Author of "Adventures of a Young Naturalist."</h4> <h3>TRANSLATED BY</h3> <h3>Mrs. CASHEL HOEY and Mr. JOHN LILLIE.</h3> <h4>ILLUSTRATED.</h4> <h4>l2mo, Cloth, $1.25.</h4> <hr style='width: 25%;' /> A very charming book, brimming full of adventures, and has not an uninteresting page between its covers.—Baltimore Gazette. A book that is at once novel and entertaining. * * * All the book is lively, and the voyagers have some adventures, the telling of which is as entertaining as any book of Jules Verne's, besides having nothing in them that is improbable or extravagant.—Philadelphia Bulletin. A most enchanting story for boys. * * * It is a story of adventure, and also contains much interesting and useful information.—Pittsburgh Telegraph. A narrative crowded with adventure, told in the lively and graphic style for which the French writers of books for boys are so noted.—Cleveland Herald. One of the most attractive books of the season. * * * Spirited sketches of travel and adventure on the ocean wave, among the islands and on southern coasts, fill these chapters. But the main point which gives them their highest flavor is the experience of naval warfare during our late civil conflict.—Observer, N. Y. <hr style='width: 25%;' /> <h3>Published by HARPER & BROTHERS, N. Y.</h3> <h4>☞ Sent by mail, postage prepaid, to any part of the United States, on receipt of the price.</h4> <hr style='width: 65%;' /> <h3>A BOOK FOR EVERYBODY.</h3> <hr style='width: 25%;' /> <h4>Ninth Edition now Ready.</h4> <hr style='width: 45%;' /> HOW TO GET STRONG, AND HOW TO STAY SO. By William Blaikie. With Illustrations. 16mo, Cloth, $1.00. <hr style='width: 25%;' /> Your book is timely. Its large circulation cannot fail to be of great public benefit.—Rev. Henry Ward Beecher. It is a book of extraordinary merit in matter and style, and does you great credit as a thinker and writer.—Hon. Calvin E. Pratt, of the New York Supreme Bench. A capital little treatise. It is the very book for ministers to study.—Rev. Theodore L. Cuyler, D.D., in New York Evangelist. It is unquestionably one of the most practical and useful books on this topic which have ever been published in this country.—N. Y. Evening Express. We know of no man in America more capable of writing such a book, or who has a better right to do so.—Rutland Daily Herald and Globe. It will pay any person—whether a farmer or lawyer, laborer or idler, school-girl or housewife—to buy and read it, and follow its teachings.—Springfield Union. A veritable treasury of muscular common-sense.—Charleston News and Courier. <hr style='width: 25%;' /> <h3>Published by HARPER & BROTHERS, New York.</h3> <h4>☞ Sent by mail, postage prepaid, to any part of the United States, on receipt of the price.</h4> [Pg 120] <hr style="width: 65%;" /> <div class="figcenter"> <ANTIMG src="images/ill_019.jpg" width-obs="600" height-obs="330" alt="Capricornus No. 1. "You butter stop!"" title="" /> Capricornus No. 1. "You butter stop!"</div> <div class="figcenter"> <ANTIMG src="images/ill_020.jpg" width-obs="600" height-obs="330" alt="Capricornus No. 2. "You butter get out of the way!"" title="" /> Capricornus No. 2. "You butter get out of the way!"</div> <hr style="width: 65%;" /> <h2>THE EGG TOMBOLA.</h2> <div class="figleft"> <ANTIMG src="images/ill_021.jpg" width-obs="300" height-obs="300" alt="Fig. 1." title="" /> Fig. 1.</div> <div class="figright"> <ANTIMG src="images/ill_022.jpg" width-obs="233" height-obs="300" alt="Fig. 2." title="" /> Fig. 2.</div> A very amusing toy can be made out of an egg, to resemble Fig. 1 in our picture. The one from which our drawing is copied was constructed in half an hour. The way to do it is this: Get a clean, well-shaped fresh egg. With a strong needle make a hole at each end about the size of a large shot, then suck out the contents of the egg. Now you have the hollow shell. Through one of the holes drop in about half a tea-spoonful of shot and the same quantity of pellets of bees-wax or tallow. Now take a small bit of bread and work it between the fingers till it becomes a paste; with this stop up the hole at the big end of the egg. Then procure a cup of boiling water, and hold the egg in it till the wax is melted, taking care to hold it quite upright, so that all the shot will settle in the big end. This will take about five minutes. Then hold the egg in very cold water till the wax has cooled. This will take about five minutes more. You will now find that the egg will stand upright on the table, no matter in what position you may lay it down. The next thing is to paint or draw on it the figure of an old gentleman like our picture, and you have the Tombola complete. If the figure be painted with oil-colors, the Tombola can be made to perform his pranks in a basin of water. Fig. 2 shows the interior of the egg and the position of the shot and wax. <hr style="width: 65%;" /> <h2>STORIES OF DOGS.</h2> We are sure all young people will read with pleasure the following description of a very remarkable dog which belonged to the Hon. Alexander H. Stephens. This dog, which is mentioned in the Life of Mr. Stephens, was a very large and fine white poodle, named Rio, a dog of unusual intelligence and affection, to which Mr. Stephens became very strongly attached. While Mr. Stephens was in Washington, Rio staid with Linton Stephens, at Sparta, Georgia, until his master returned. Mr. Stephens would usually come on during the session of Greene County court, where Linton would meet him, having Rio with him in his buggy, and the dog would then return with his master. When this had happened once or twice, the dog learned to expect him on these occasions. The cars usually arrived at about nine o'clock at night. During the evening, Rio would be extremely restless, and at the first sound of the approaching train he would rush from the hotel to the dépôt, and in a few seconds would know whether his master was on the train or not, for he would search for him through all the cars. He was well known to the conductors, and if the train happened to start before Rio had finished his search, they would stop to let him get out. But when his search was successful, his raptures of joy at seeing his master again were really affecting. His intelligence was so great that he seemed to understand whatever was said to him; at a word he would shut a door as gently as a careful servant might have done, or would bring a cane, hat, or umbrella. He always slept in his master's room, which he scarcely left during Mr. Stephens's attacks of illness. In a word, Mr. Stephens found in him a companion of almost human intelligence, and of unbounded affection and fidelity, and the tie between the man and the dog was strong and enduring. "For nearly thirteen years he was," says Mr. Stephens, "my constant companion, when at home, day and night, and until he became blind, a few years ago, he always attended me wherever I went, except to Washington. You may well imagine, then, how I miss him!—miss him in the yard, in the house, in my walks; for though blind, he used to follow me about the lot wherever I went. When I was reading or writing, he was always at my feet. At night, too, his bed was the foot of my own. His beautiful white thick coat of wool was soft as silk. Who that knew him as I did could refrain from shedding a tear for poor Rio?" Of course he was properly interred, in a coffin, in the garden, and placed in the position in which he usually slept, with his face on his fore-feet. The smartest Newfoundland dog yet discovered lives at Haverhill, Massachusetts. He meets the newsboy at the gate every morning, and carries his master's paper into the house; that is, he did so till the other day, when his master stopped taking the paper. The next morning the dog noticing the boy passing on the other side without leaving the newspaper, went over and took the whole bundle from him, and carried them into the house. That's the kind of dog he is. <hr style="width: 65%;" /> <div class="figcenter"> <ANTIMG src="images/ill_023.jpg" width-obs="600" height-obs="651" alt="" title="" /></div> Ike and Tommy know that Aunt Patty is awfully scared of Tramps, and so they rig up this figure, and knock at the door. Dreadful mean, wasn't it? <div style="break-after:column;"></div>

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