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Story of Eclipses

<h2>[40]CHAPTER V.</h2> WHAT IS OBSERVED DURING THE EARLIER STAGES OF AN ECLIPSE OF THE SUN. The information to be given in this and the next following chapters will almost exclusively concern total and annular eclipses of the Sun, for, in real truth, there is practically only one thing to think about during a partial eclipse of the Sun. This is, to watch when the Moon’s black body comes on to the Sun and goes off again, for there are no subsidiary phenomena, either interesting or uninteresting, unless, indeed, the eclipse should be nearly total. The progress of astronomical science in regard to eclipses has been so extensive and remarkable of late years that, unless the various points for consideration are kept together under well-defined heads, it will be almost impossible either for a writer or a reader to do full justice to the subject. Having regard to the fact that the original conception of this volume was that it should serve as a forerunner to the total solar eclipse of May 28, 1900 (and through that to other total eclipses), from a popular rather than from a technical standpoint, I think it will be best to mention one by one the principal features which spectators should look out for, and to do so as nearly as may be in the order which Nature itself will observe when the time comes. Of course the commencement of an eclipse, which is virtually the moment when the encroachment[41] on the circular outline of the Sun by the Moon begins, or can be seen, though interesting as a proof that the astronomer’s prophecy is about to be fulfilled, is not a matter of any special importance, even in a popular sense, much less in a scientific sense. As a rule, the total phase does not become imminent, so to speak, until a whole hour and more has elapsed since the first contact; and that hour will be employed by the scientific observer, less in looking at the Sun than in looking at his instruments and apparatus. He will do this for the purpose of making quite sure that everything will be ready for the full utilisation to the utmost extent of the precious seconds of time into which all his delicate observations have to be squeezed during the total phase. With these preliminary observations I shall proceed now to break up the remainder of what I have to say respecting total eclipses into what suggest themselves as convenient sectional heads. <h3>THE MOON’S SHADOW AND THE DARKNESS IT CAUSES.</h3> In awaiting the darkness which is expected to manifest itself an unthinking and inexperienced observer is apt to look out for the coming obscurity, as he looks out for night-fall half an hour or more after sunset and during the evening twilight. The darkness of an eclipse is all this and something more. It is something more in two senses; for the interval of time between the commencement of an eclipse and totality is different in duration and different in quality, so to speak, from the diminution of daylight on the[42] Earth which ensues as the twilight of evening runs its course. Speaking roughly, sunset may be described as an almost instantaneous loss of full sunlight; and the gradual loss of daylight is noticeable even at such short intervals as from one five minutes to another. This is by no means the case previous to a total eclipse of the Sun. When that is about to occur, the reduction of the effective sunlight is far more gradual. For instance, half an hour after an eclipse has commenced more than half the Sun’s disc will still be imparting light to the Earth: but half an hour after sunset the deficiency of daylight will be very much more marked and, if no artificial light is at hand, very much more inconvenient. If there should be within easy reach of the observer’s post a bushy tree, such for instance as an elm, 30 ft. or 40 ft. high, and spreading out sufficiently for him to place himself under it in a straight line with the Sun, and with a nice smooth surface of ground for the sun’s rays to fall on, he will see a multitude of images of the Sun thrown upon the ground. Until the eclipse has commenced these images will be tiny circles overlapping one another, and of course each of these circles means so many images of the Sun. These images indeed can be seen on any fine day, and the circles increase in size in proportion to the height of the foliage above the ground, being something like 1 inch for every 10 feet. It may be remarked, by the way, that the images are circles, because the Sun is a source of light having a circular outline, and is not a point of light like a star. If it were, the[43] outline of the foliage would be reproduced on the ground leaf for leaf. It follows naturally from all this that when in consequence of there being an eclipse in progress the shape of the Sun’s contour gradually changes, so will the shape of the Solar images on the ground change, becoming eventually so many crescents. Moreover, the horns of the crescent-shaped images will be in the reverse direction to the horns of the actual crescent of the Sun at the moment, the rays of the Sun crossing as they pass through the foliage, just as if each interstice were a lens. Supposing there are some spots on the Sun at a time when an eclipse is in progress the Moon’s passage over these spots may as well be noticed. In bygone years some amount of attention was devoted to this matter with the view of ascertaining whether any alteration took place in the appearance of the spots; distortion, for instance, such as might be produced by the intervention of a lunar atmosphere. No such distortion was ever noticed, and observations with this idea in view may be said to possess now only an academic interest, for it may be regarded as a well-established fact that the Moon has no atmosphere. During the passage of the Moon over Sun-spots an opportunity is afforded of comparing the blackness, or perhaps we should rather say, the intensity of the shade of a Sun-spot with the blackness of the Moon’s disc. Testimony herein is unanimous that the blackness of the Moon during the stages of partial eclipse is intense[44] compared with the darkest parts of a Sun-spot; and this, be it remembered, in spite of the fact that during the partial phase the atmosphere between the observer and the Sun is brilliantly illuminated, whilst the Moon itself, being exposed to Earth-shine, is by no means absolutely devoid of all illumination. When the Moon is passing across the Sun there have often been noticed along the limb of the Moon fringes of colour, and dark and bright bands. This might not necessarily be a real appearance for it is conceivable that such traces of colour might be due to the telescopes employed not having been truly achromatic, that is, not sufficiently corrected for colour; but making every allowance for this possible source of mistake there yet remains proof that the colour which has often been seen has been real. As to whether the Moon’s limb can be seen during a partial eclipse, or during the partial phase of what is to be a total eclipse, the evidence is somewhat conflicting. There is no doubt that when the totality is close at hand the Moon’s limb can be seen projected on the Corona (presently to be described); but the question is, whether the far-off limb of the Moon can be detected in the open sky whilst something like full daylight still prevails on the Earth. Undoubtedly the preponderance of evidence is against the visibility of the Moon as a whole, under such circumstances; but there is nevertheless some testimony to the contrary. A French observer, E. Liais, said that three photographic plates of the eclipse of 1858 seen in S.[45] America all showed the outer limb of the Moon with more or less distinctness. This testimony, be it noted, is photographic and not visual; and on the whole it seems safest to say that there is very small probability of the Moon as a whole ever being seen under the circumstances in question. What has just been said concerns the visibility of the Moon during quite the early, or on the other hand during quite the late, stages of a total eclipse. Immediately before or after totality the visibility of the whole contour of the Moon is a certain fact; and the only point upon which there is a difference of opinion is as to what are the time-limits beyond which the Moon must not be expected to be seen. The various records are exceedingly contradictory: perhaps the utmost that can be said is that the whole Moon must not be expected to be visible till about 20 minutes before totality, or for more than 5 minutes after totality—but it must be admitted that these figures are very uncertain in regard to any particular eclipse. It has been sometimes noticed when the crescent of the Sun had become comparatively small, say that the Sun was about ⅞ths covered, that the uncovered portion exhibited evident colour which has been variously described as “violet,” “brick-red,” “reddish,” “pink,” “orange,” “yellowish.” The observations on this point are not very numerous and, as will appear from the statement just made, are not very consistent; still it seems safe to assume that a hue, more or less reddish, does often pervade[46] the uncovered portion of a partially-eclipsed Sun. The remark just made as regards the Sun seems to have some application to the Moon. There are a certain number of instances on record that what is commonly spoken of as the black body of the Moon does, under certain circumstances, display traces of red which has been variously spoken of as “crimson,” “dull coppery,” “reddish-brownish” and “dull glowing coal.” <h3>SHADOW BANDS.</h3> Let us suppose that we have a chance of observing a total eclipse of the Sun; have completed all our preliminary preparations; have taken note of everything which needs to be noted or suggests itself for that purpose up till nearly the grand climax; and that the clock tells us that we are within, say, five minutes of totality. Somewhere about this time perhaps we shall be able to detect, dancing across the landscape, singular wavy lines of light and shade. These are the “Shadow Bands,” as they are called. The phrase is curiously inexplicit, but seemingly cannot be improved upon at present because the philosophy of these appearances—their origin and the laws which regulate their visibility—are unknown, perhaps because amid the multitude of other things to think about sufficient attention has hitherto not been paid to the study of them. These shadow bands are most striking if a high plastered wall, such as the front of a stone or stuccoed house, is in their track as a screen to[47] receive them. The shadow bands seem to vary both in breadth and distance apart at different eclipses, and also in the speed with which they pass along. Though, as already stated, little is known of their origin yet they may be conceived to be due to irregularities in the atmospheric refraction of the slender beam of light coming from the waning or the waxing crescent of the Sun, for be it understood they may be visible after totality as well as before it. It is to be remarked that they have never been photographed. <div class="figcenter"> <ANTIMG class="border" src="images/fig06_th.jpg" width-obs="345" height-obs="286" alt="Shadow Bands" title="Shadow Bands" /> Fig. 6.—SHADOW BANDS.</div> [48]In addition to the shadow bands there are instances on record of the limbs of the Sun’s crescent appearing to undulate violently on the approach of totality. These undulations were noticed by Airy in 1842 about 6 minutes before totality. Blake, in America in 1869, observed the same phenomenon 8 minutes before totality. In other cases the interval would seem to have been very much shorter—a mere matter of seconds. A very singular observation was made in 1858 by Mr. J. D. Smith at Laycock Abbey, Wiltshire, on the occasion of the annular eclipse of that year. He says[13]:—“Both my brother and myself were distinctly impressed with the conviction that the withdrawal of light was not continuous, but by pulsations, or, as it were, waves of obscuration, the darkness increasing by strokes which sensibly smote the eye, and were repeated distinctly some five or seven times after we had remarked the phenomenon and before the time of greatest obscuration. This did not occur on the return of light, which came back continuously and without shock or break.” Rümker mentions that though this phenomenon was very apparent to the naked eye it was not visible in the telescope. Faint rays or brushes of light sometimes seem to spring from the diminishing crescent of the Sun. These rays generally are very transient and not very conspicuous, and perhaps must be distinguished as regards both their appearance and their origin from the more striking rays[49] which are usually seen a few minutes before or after totality, and which are generally associated with, or even deemed to belong to, the Corona. Fig. 7 represents these rays as seen in Spain on July 18, 1860, some minutes after totality. They are described as having been well defined, but at some moments more marked than at others, and though well-defined yet constantly varying. Radiations of light more or less of the character just described may probably be regarded as a standing feature of every total eclipse. <div class="figcenter"> <ANTIMG class="border" src="images/fig07_th.jpg" width-obs="195" height-obs="330" alt="Rays of light seen near the time of totality" title="Rays of light seen near the time of totality" /> Fig. 7.—RAYS OF LIGHT SEEN NEAR THE TIME OF TOTALITY.</div> <h3>THE APPROACH OF TOTALITY.</h3> The next thing to think about and to look out for is the approach of the Moon’s shadow. I have mentioned this already,[14] and also the[50] appalling velocity with which it seems to approach. By this time the coming darkness, which characterises every total phase, will have reached an advanced stage of development. The darkness begins to be felt. The events which manifest themselves at this juncture on the Earth (rather than in the sky around the Sun) are so graphically described by the American writer whom I have already quoted, and who writes, moreover, from personal experience, that I cannot do better than transfer her striking account to my pages.[15] “Then, with frightful velocity, the actual shadow of the Moon is often seen approaching, a tangible darkness advancing almost like a wall, swift as imagination, silent as doom. The immensity of nature never comes quite so near as then, and strong must be the nerves not to quiver as this blue-black shadow rushes upon the spectator with incredible speed. A vast, palpable presence seems overwhelming the world. The blue sky changes to gray or dull purple, speedily becoming more dusky, and a death-like trance seizes upon everything earthly. Birds, with terrified cries, fly bewildered for a moment, and then silently seek their night-quarters. Bats emerge stealthily. Sensitive flowers, the scarlet pimpernel, the African mimosa, close their delicate petals, and a sense of hushed expectancy deepens with the darkness. An assembled crowd is awed into absolute silence almost invariably. Trivial chatter and senseless joking cease. Sometimes the shadow[51] engulfs the observer smoothly, sometimes apparently with jerks; but all the world might well be dead and cold and turned to ashes. Often the very air seems to hold its breath for sympathy; at other times a lull suddenly awakens into a strange wind, blowing with unnatural effect. Then out upon the darkness, gruesome but sublime, flashes the glory of the incomparable corona, a silvery, soft, unearthly light, with radiant streamers, stretching at times millions of uncomprehended miles into space, while the rosy, flaming protuberances skirt the black rim of the Moon in ethereal splendour. It becomes curiously cold, dew frequently forms, and the chill is perhaps mental as well as physical. Suddenly, instantaneous as a lightning flash, an arrow of actual sunlight strikes the landscape, and Earth comes to life again, while corona and protuberances melt into the returning brilliance, and occasionally the receding lunar shadow is glimpsed as it flies away with the tremendous speed of its approach.” In connection with the approach of the Moon’s shadow, it is to be noted that at totality the heavens appear in a certain sense to descend upon the Earth. If an observer is looking upwards towards the zenith over his head, he will see the clouds appear to drop towards the Earth, and the surrounding gloom seems also to have the effect of vitiating one’s estimate of distances. To an observer upon a high hill, a plain below him appears to become more distant. Although what has been called the[52] descent of the clouds (that is to say their appearance of growing proximity) is most manifest immediately before the totality, yet a sense of growing nearness may sometimes be noticed a very considerable time before the total phase is reached. Whilst on the subject of clouds, it may be mentioned that although there is in the vault of heaven generally during the total phase an appreciable sensation of black darkness, more or less absolute, that is to say, either blackish or greyish, yet in certain regions of the sky, (generally in the direction of the horizon) the clouds, when there are any, often exhibit colours in strata, orange hue below and red above, with indigo or grey or black higher up still, right away to the Sun’s place. The cause of these differences is to be found in the fact that the lower part of the atmosphere within the area of the Moon’s shadow is, under the circumstances in question, illuminated by light which having passed through many miles of atmosphere near to the Earth’s surface, has lost much from the violet end of its spectrum, leaving an undue proportion of the red end. On certain occasions iridescent or rainbow-tinted clouds may be seen in the vicinity of the Sun, either before, or during, or after totality, depending on circumstances unknown. Such clouds have been observed at all these three stages of a total eclipse. The effects of course are atmospheric, and have no physical connection with either Sun or Moon. <h3>[53]THE DARKNESS OF TOTALITY.</h3> With respect to the general darkness which prevails during totality, great discrepancies appear in the accounts, not only as between different eclipses, but in respect of the same eclipse observed by different people at different places. Perhaps the commonest test applied by most observers is that of the facility or difficulty of reading the faces of chronometers or watches. Sometimes this is done readily, at other times with difficulty. In India in 1868, one observer stated that it was impossible to recognise a person’s face three yards off, and lamplight was needed for reading his chronometer. On the other hand in Spain in 1860, it was noted that a thermometer, as well as the finest hand-writing, could be read easily. The foregoing remarks apply to the state of things in the open air. In 1860, it was stated that inside a house in Spain the darkness was so great that people moving about had to take great care lest they should run violently against the household furniture. Perhaps on the whole it may be said that the darkness of an ordinary totality is decidedly greater than that of a full Moon night. Many observers have noted during totality that even when there has not been any very extreme amount of absolute darkness, yet the ruddy light already mentioned as prevailing towards the horizon often gives rise to weird unearthly effects, so that the faces of bystanders[54] assume a sickly livid hue not unlike that which results from the light of burning salt. <h3>METEOROLOGICAL AND OTHER EFFECTS.</h3> It is very generally noticed that great changes take place in the meteorological conditions of the atmosphere as an eclipse of the Sun runs its course from partial phase to totality, and back again to partial phase. It goes without saying that the obstruction of the solar rays by the oncoming Moon would necessarily lead to a steady and considerable diminution in the general temperature of the air. This has often been made the matter of exact thermometric record, but it is not equally obvious why marked changes in the wind should take place. As the partial phase proceeds it is very usual for the wind to rise or blow in gusts and to die away during totality, though there are many exceptions to this, and it can hardly be called a rule. The depression of temperature varies very much indeed according to the locality where the eclipse is being observed and the local thermometric conditions which usually prevail. The actual depression will often amount to 10° or 20° and the deposit of dew is occasionally noticed. In addition to the general effects of a total solar eclipse on men, animals, and plants as summarised in the extract already made from Mrs. Todd’s book a few additional particulars may be given culled from many recorded observations. Flowers and leaves which ordinarily close at night begin long before totality to show signs[55] of closing up. Thus we are told that in 1836 “the crocus, gentian and anemone partially closed their flowers and reopened them as the phenomenon passed off: and a delicate South African mimosa which we had reared from a seed entirely folded its pinnate leaves until the Sun was uncovered.” In 1851 “the night violet, which shortly before the beginning of the eclipse had little of its agreeable scent about it, smelt strongly during the totality.” In the insect world ants have been noticed to go on working during totality, whilst grasshoppers are stilled by the darkness, and earth-worms come to the surface. Birds of all kinds seem always upset in their habits, almost invariably going to roost as the darkness becomes intensified before totality. In 1868 “a small cock which had beforehand been actively employed in grubbing about in the sand went to sleep with his head under his wing and slept for about 10 minutes, and on waking uttered an expression of surprise, but did not crow.” In 1869 mention is made of an unruly cow “accustomed to jump into a corn-field at night” being found to have trespassed into the said corn-field during the total phase. The thrilling descriptions of the effects of the oncoming darkness of totality, derived from the records of past total eclipses, are not likely to be improved upon in the future, for we shall receive them more and more from amateurs and less and less from astronomical experts. Every additional total eclipse which happens testifies to the fact that the time and thoughts of these latter classes[56] of people will be to an increasing degree dedicated to instrumental work rather than to simple naked eye or even telescopic observation. The spectroscope and the camera are steadily ousting the simple telescope of every sort and unassisted eye observations from solar eclipse work. Mrs. Todd has the following apt remarks by way of summary of the results to an individual of observing a total eclipse of the Sun:—“I doubt if the effect of witnessing a total eclipse ever quite passes away. The impression is singularly vivid and quieting for days, and can never be wholly lost. A startling nearness to the gigantic forces of Nature and their inconceivable operation seems to have been established. Personalities and towns and cities, and hates and jealousies, and even mundane hopes, grow very small and very far away.” <div class="footnotes">Footnotes: <div class="footnote">[13] Month. Not., R.A.S., vol. xviii. p. 251. </div> <div class="footnote">[14] See p. 36 (ante). </div> <div class="footnote">[15] Mrs. D. P. Todd, Total Eclipses of the Sun, p. 21. </div> </div> <div style="break-after:column;"></div>

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