<SPAN name="startofbook"></SPAN>
<h2>By KEITH LAUMER</h2>
<h1><big>it could be<br/> ANYTHING</big></h1>
<div class="p1"><i><b><big>Keith Laumer, well-known for his tales of adventure<br/>
and action, shows us a different side of his talent<br/>
in this original, exciting and thought-provoking<br/>
exploration of the meaning of meaning.</big></b></i></div>
<div class="figleft"><small><b>Illustrated by FINLAY</b></small><br/><br/> <ANTIMG src="images/001.png" width-obs="220" height-obs="250" alt="" title="" /></div>
<p class="cap"><span class="dcap">"She'll</span> be pulling out in a
minute, Brett," Mr. Phillips
said. He tucked his railroader's
watch back in his vest pocket.
"You better get aboard—if you're
still set on going."</p>
<p>"It was reading all them books
done it," Aunt Haicey said.
"Thick books, and no pictures in
them. I knew it'd make trouble."
She plucked at the faded hand-embroidered
shawl over her thin
shoulders, a tiny bird-like woman
with bright anxious eyes.</p>
<p>"Don't worry about me," Brett
said. "I'll be back."</p>
<p>"The place'll be yours when
I'm gone," Aunt Haicey said.
"Lord knows it won't be long."</p>
<p>"Why don't you change your
mind and stay on, boy?" Mr.
Phillips said, blinking up at the
young man. "If I talk to Mr.
J.D., I think he can find a job for
you at the plant."</p>
<p>"So many young people leave
Casperton," Aunt Haicey said.
"They never come back."</p>
<p>Mr. Phillips clicked his teeth.
"They write, at first," he said.
"Then they gradually lose touch."</p>
<p>"All your people are here,
Brett," Aunt Haicey said. "Haven't
you been happy here?"</p>
<p>"Why can't you young folks be
content with Casperton?" Mr.
Phillips said. "There's everything
you need here."</p>
<p>"It's that Pretty-Lee done it,"
Aunt Haicey said. "If it wasn't
for that girl—"</p>
<p>A clatter ran down the line of
cars. Brett kissed Aunt Haicey's
dry cheek, shook Mr. Phillips'
hand, and swung aboard. His
suitcase was on one of the seats.
He put it up above in the rack,
and sat down, turned to wave
back at the two old people.</p>
<p>It was a summer morning.
Brett leaned back and watched
the country slide by. It was nice
country, Brett thought; mostly
in corn, some cattle, and away in
the distance the hazy blue hills.
Now he would see what was on
the other side of them: the cities,
the mountains, and the ocean. Up
until now all he knew about anything
outside of Casperton was
what he'd read or seen pictures
of. As far as he was concerned,
chopping wood and milking cows
back in Casperton, they might as
well not have existed. They were
just words and pictures printed
on paper. But he didn't want to
just read about them. He wanted
to see for himself.</p>
<hr />
<div class="figright"> <ANTIMG src="images/002.png" width-obs="358" height-obs="550" alt="" title="" /></div>
<p class="cap"><span class="dcap">Pretty-Lee</span> hadn't come to
see him off. She was probably
still mad about yesterday. She
had been sitting at the counter
at the Club Rexall, drinking a
soda and reading a movie magazine
with a big picture of an impossibly
pretty face on the cover—the
kind you never see just
walking down the street. He had
taken the next stool and ordered
a coke.</p>
<p>"Why don't you read something
good, instead of that pap?"
he asked her.</p>
<p>"Something good? You mean
something dry, I guess. And
don't call it ... that word. It
doesn't sound polite."</p>
<p>"What does it say? That somebody
named Doll Starr is fed up
with glamor and longs for a simple
home in the country and lots
of kids? Then why doesn't she
move to Casperton?"</p>
<p>"You wouldn't understand,"
said Pretty-Lee.</p>
<p>He took the magazine, leafed
through it. "Look at this: all
about people who give parties
that cost thousands of dollars,
and fly all over the world having
affairs with each other and committing
suicide and getting divorced.
It's like reading about
Martians."</p>
<p>"I still like to read about the
stars. There's nothing wrong
with it."</p>
<p>"Reading all that junk just
makes you dissatisfied. You want
to do your hair up crazy like the
pictures in the magazines and
wear weird-looking clothes—"</p>
<p>Pretty-Lee bent her straw double.
She stood up and took her
shopping bag. "I'm very glad to
know you think my clothes are
weird—"</p>
<p>"You're taking everything I
say personally. Look." He showed
her a full-color advertisement on
the back cover of the magazine.
"Look at this. Here's a man supposed
to be cooking steaks on
some kind of back-yard grill. He
looks like a movie star; he's
dressed up like he was going to
get married; there's not a wrinkle
anywhere. There's not a spot
on that apron. There isn't even a
grease spot on the frying pan.
The lawn is as smooth as a billiard
table. There's his son; he
looks just like his pop, except
that he's not grey at the temples.
Did you ever really see a man
that handsome, or hair that was
just silver over the ears and the
rest glossy black? The daughter
looks like a movie starlet, and
her mom is exactly the same, except
that she has that grey
streak in front to match her husband.
You can see the car in the
drive; the treads of the tires
must have just been scrubbed;
they're not even dusty. There's
not a pebble out of place; all the
flowers are in full bloom; no
dead ones. No leaves on the
lawn; no dry twigs showing on
the trees. That other house in the
background looks like a palace,
and the man with the rake, looking
over the fence: he looks like
this one's twin brother, and he's
out raking leaves in brand new
clothes—"</p>
<p>Pretty-Lee grabbed her magazine.
"You just seem to hate
everything that's nicer than this
messy town—"</p>
<p>"I don't think it's nicer. I like
you; your hair isn't always perfectly
smooth, and you've got a
mended place on your dress, and
you feel human, you smell human—"</p>
<p>"Oh!" Pretty-Lee turned and
flounced out of the drug store.</p>
<hr />
<p class="cap"><span class="dcap">Brett</span> shifted in the dusty
plush seat and looked
around. There were a few other
people in the car. An old man
was reading a newspaper; two
old ladies whispered together.
There was a woman of about
thirty with a mean-looking kid;
and some others. They didn't
look like magazine pictures, any
of them. He tried to picture them
doing the things you read in
newspapers: the old ladies putting
poison in somebody's tea;
the old man giving orders to
start a war. He thought about
babies in houses in cities, and
airplanes flying over, and bombs
falling down: huge explosive
bombs. Blam! Buildings fall in,
pieces of glass and stone fly
through the air. The babies are
blown up along with everything
else—</p>
<p>But the kind of people he knew
couldn't do anything like that.
They liked to loaf and eat and
talk and drink beer and buy a
new tractor or refrigerator and
go fishing. And if they ever got
mad and hit somebody—afterwards
they were embarrassed
and wanted to shake hands....</p>
<p>The train slowed, came to a
shuddery stop. Through the window
he saw a cardboardy-looking
building with the words <span class="smcap">BAXTER'S
JUNCTION</span> painted across it.
There were a few faded posters
on a bulletin board. An old man
was sitting on a bench, waiting.
The two old ladies got off and a
boy in blue jeans got on. The
train started up. Brett folded his
jacket and tucked it under his
head and tried to doze off....</p>
<hr class="tb" />
<p>Brett awoke, yawned, sat up.
The train was slowing. He remembered
you couldn't use the
toilets while the train was
stopped. He got up and went to
the end of the car. The door was
jammed. He got it open and went
inside and closed the door behind
him. The train was going slower,
clack-clack ... clack-clack ...
clack; clack ... cuh-lack ...</p>
<p>He washed his hands, then
pulled at the door. It was stuck.
He pulled harder. The handle
was too small; it was hard to get
hold of. The train came to a halt.
Brett braced himself and
strained against the door. It
didn't budge.</p>
<p>He looked out the grimy window.
The sun was getting lower.
It was about three-thirty, he
guessed. He couldn't see anything
but some dry-looking fields.</p>
<p>Outside in the corridor there
were footsteps. He started to call,
but then didn't. It would be too
embarrassing, pounding on the
door and yelling, "Let me out!
I'm stuck in the toilet ..."</p>
<p>He tried to rattle the door. It
didn't rattle. Somebody was
dragging something heavy past
the door. Mail bags, maybe. He'd
better yell. But dammit, the door
couldn't be all that hard to open.
He studied the latch. All he had
to do was turn it. He got a good
grip and twisted. Nothing.</p>
<p>He heard the mail bag bump-bump,
and then another one. To
heck with it; he'd yell. He'd wait
until he heard the footsteps pass
the door again and then he'd
make some noise.</p>
<p>Brett waited. It was quiet now.
He rapped on the door anyway.
No answer. Maybe there was nobody
left in the car. In a minute
the train would start up and he'd
be stuck here until the next stop.
He banged on the door. "Hey!
The door is stuck!"</p>
<p>It sounded foolish. He listened.
It was very quiet. He pounded
again. The car creaked once. He
put his ear to the door. He
couldn't hear anything. He
turned back to the window. There
was no one in sight. He put his
cheek flat against it, looked along
the car. He saw only dry fields.</p>
<p>He turned around and gave
the door a good kick. If he damaged
it, it was too bad; the railroad
shouldn't have defective
locks on the doors. If they tried
to make him pay for it, he'd tell
them they were lucky he didn't
sue the railroad ...</p>
<hr />
<p class="cap"><span class="dcap">He</span> braced himself against the
opposite wall, drew his foot
back, and kicked hard at the
lock. Something broke. He pulled
the door open.</p>
<p>He was looking out the open
door and through the window
beyond. There was no platform,
just the same dry fields he could
see on the other side. He came
out and went along to his seat.
The car was empty now.</p>
<p>He looked out the window.
Why had the train stopped here?
Maybe there was some kind of
trouble with the engine. It had
been sitting here for ten minutes
or so now. Brett got up and went
along to the door, stepped down
onto the iron step. Leaning out,
he could see the train stretching
along ahead, one car, two cars—</p>
<p>There was no engine.</p>
<p>Maybe he was turned around.
He looked the other way. There
were three cars. No engine there
either. He must be on some kind
of siding ...</p>
<p>Brett stepped back inside, and
pushed through into the next
car. It was empty. He walked
along the length of it, into the
next car. It was empty too. He
went back through the two cars
and his own car and on, all the
way to the end of the train. All
the cars were empty. He stood on
the platform at the end of the
last car, and looked back along
the rails. They ran straight,
through the dry fields, right to
the horizon. He stepped down to
the ground, went along the cindery
bed to the front of the train,
stepping on the ends of the wooden
ties. The coupling stood open.
The tall, dusty coach stood silently
on its iron wheels, waiting.
Ahead the tracks went on—</p>
<p>And stopped.</p>
<p>He walked along the ties, following
the iron rails, shiny on
top, and brown with rust on the
sides. A hundred feet from the
train they ended. The cinders
went on another ten feet and petered
out. Beyond, the fields
closed in. Brett looked up at the
sun. It was lower now in the
west, its light getting yellow and
late-afternoonish. He turned and
looked back at the train. The cars
stood high and prim, empty, silent.
He walked back, climbed
in, got his bag down from the
rack, pulled on his jacket. He
jumped down to the cinders, followed
them to where they ended.
He hesitated a moment, then
pushed between the knee-high
stalks. Eastward across the field
he could see what looked like a
smudge on the far horizon.</p>
<p>He walked until dark, then
made himself a nest in the dead
stalks, and went to sleep.</p>
<hr />
<p class="cap"><span class="dcap">He</span> lay on his back, looking up
at pink dawn clouds. Around
him, dry stalks rustled in a faint
stir of air. He felt crumbly earth
under his fingers. He sat up,
reached out and broke off a stalk.
It crumbled into fragile chips.
He wondered what it was. It wasn't
any crop he'd ever seen before.</p>
<p>He stood, looked around. The
field went on and on, dead flat.
A locust came whirring toward
him, plumped to earth at his feet.
He picked it up. Long elbowed
legs groped at his fingers aimlessly.
He tossed the insect in the
air. It fluttered away. To the east
the smudge was clearer now; it
seemed to be a grey wall, far
away. A city? He picked up his
bag and started on.</p>
<p>He was getting hungry. He
hadn't eaten since the previous
morning. He was thirsty too.
The city couldn't be more than
three hours' walk. He tramped
along, the dry plants crackling
under his feet, little puffs of dust
rising from the dry ground. He
thought about the rails, running
across the empty fields, ending ...</p>
<p>He had heard the locomotive
groaning up ahead as the train
slowed. And there had been feet
in the corridor. Where had they
gone?</p>
<p>He thought of the train, Casperton,
Aunt Haicey, Mr. Phillips.
They seemed very far away,
something remembered from
long ago. Up above the sun was
hot. That was real. The rest
seemed unimportant. Ahead there
was a city. He would walk until
he came to it. He tried to think of
other things: television, crowds
of people, money: the tattered
paper and the worn silver—</p>
<p>Only the sun and the dusty
plain and the dead plants were
real now. He could see them, feel
them. And the suitcase. It was
heavy; he shifted hands, kept going.</p>
<p>There was something white on
the ground ahead, a small shiny
surface protruding from the
earth. Brett dropped the suitcase,
went down on one knee, dug
into the dry soil, pulled out a
china teacup, the handle missing.
Caked dirt crumbled away under
his thumb, leaving the surface
clean. He looked at the bottom of
the cup. It was unmarked. Why
just one teacup, he wondered,
here in the middle of nowhere?
He dropped it, took up his suitcase,
and went on.</p>
<hr />
<p class="cap"><span class="dcap">After</span> that he watched the
ground more closely. He
found a shoe; it was badly weathered,
but the sole was good. It
was a high-topped work shoe,
size 10½-C. Who had dropped it
here? He thought of other lone
shoes he had seen, lying at the
roadside or in alleys. How did
they get there...?</p>
<p>Half an hour later he detoured
around the rusted front fender of
an old-fashioned car. He looked
around for the rest of the car but
saw nothing. The wall was closer
now; perhaps five miles more.</p>
<p>A scrap of white paper fluttered
across the field in a stir of
air. He saw another, more, blowing
along in the fitful gusts. He
ran a few steps, caught one,
smoothed it out.</p>
<p class="center"><span class="smcap">BUY NOW—PAY LATER!</span></p>
<p>He picked up another.</p>
<p class="center"><span class="smcap">PREPARE TO MEET GOD</span></p>
<p>A third said:</p>
<p class="center"><span class="smcap">WIN WITH WILLKIE</span></p>
<hr class="tb" />
<p>The wall loomed above him,
smooth and grey. Dust was
caked on his skin and clothes,
and as he walked he brushed at
himself absently. The suitcase
dragged at his arm, thumped
against his shin. He was very
hungry and thirsty. He sniffed
the air, instinctively searching
for the odors of food. He had
been following the wall for a long
time, searching for an opening.
It curved away from him, rising
vertically from the level earth.
Its surface was porous, unadorned,
too smooth to climb. It
was, Brett estimated, twenty feet
high. If there were anything to
make a ladder from—</p>
<p>Ahead he saw a wide gate,
flanked by grey columns. He
came up to it, put the suitcase
down, and wiped at his forehead
with his handkerchief. Through
the opening in the wall a paved
street was visible, and the facades
of buildings. Those on the
street before him were low, not
more than one or two stories, but
behind them taller towers reared
up. There were no people in
sight; no sounds stirred the hot
noon-time air. Brett picked up
his bag and passed through the
gate.</p>
<p>For the next hour he walked
empty pavements, listening to
the echoes of his footsteps
against brownstone fronts, empty
shop windows, curtained glass
doors, and here and there a vacant
lot, weed-grown and desolate.
He paused at cross streets,
looked down long vacant ways.
Now and then a distant sound
came to him: the lonely honk of
a horn, a faintly tolling bell, a
clatter of hooves.</p>
<p>He came to a narrow alley that
cut like a dark canyon between
blank walls. He stood at its
mouth, listening to a distant
murmur, like a crowd at a funeral.
He turned down the narrow
way.</p>
<p>It went straight for a few
yards, then twisted. As he followed
its turnings the crowd
noise gradually grew louder. He
could make out individual voices
now, an occasional word above
the hubbub. He started to hurry,
eager to find someone to talk to.</p>
<p>Abruptly the voices—hundreds
of voices, he thought—rose
in a roar, a long-drawn
Yaaayyyyy...! Brett thought
of a stadium crowd as the home
team trotted onto the field. He
could hear a band now, a shrilling
of brass, the clatter and
thump of percussion instruments.
Now he could see the
mouth of the alley ahead, a sunny
street hung with bunting, the
backs of people, and over their
heads the rhythmic bobbing of a
passing procession, tall shakos
and guidons in almost-even
rows. Two tall poles with a
streamer between them swung
into view. He caught a glimpse
of tall red letters:</p>
<p class="center">... For Our Side!</p>
<hr />
<p class="cap"><span class="dcap">He</span> moved closer, edged up behind
the grey-backed crowd.
A phalanx of yellow-tuniced men
approached, walking stiffly, fez
tassels swinging. A small boy
darted out into the street, loped
along at their side. The music
screeched and wheezed. Brett
tapped the man before him.</p>
<p>"What's it all about...?"</p>
<p>He couldn't hear his own
voice. The man ignored him.
Brett moved along behind the
crowd, looking for a vantage
point or a thinning in the ranks.
There seemed to be fewer people
ahead. He came to the end of the
crowd, moved on a few yards,
stood at the curb. The yellow-jackets
had passed now, and a
group of round-thighed girls in
satin blouses and black boots
and white fur caps glided into
view, silent, expressionless. As
they reached a point fifty feet
from Brett, they broke abruptly
into a strutting prance, knees
high, hips flirting, tossing shining
batons high, catching them,
twirling them, and up again ...</p>
<p>Brett craned his neck, looking
for TV cameras. The crowd lining
the opposite side of the street
stood in solid ranks, drably clad,
eyes following the procession,
mouths working. A fat man in a
rumpled suit and a panama hat
squeezed to the front, stood picking
his teeth. Somehow, he
seemed out of place among the
others. Behind the spectators,
the store fronts looked normal,
dowdy brick and mismatched
glass and oxidizing aluminum,
dusty windows and cluttered displays
of cardboard, a faded sign
that read <span class="smcap">TODAY ONLY—PRICES
SLASHED</span>. To Brett's left the sidewalk
stretched, empty. To his
right the crowd was packed close,
the shout rising and falling. Now
a rank of blue-suited policemen
followed the majorettes, swinging
along silently. Behind them,
over them, a piece of paper blew
along the street. Brett turned to
the man on his right.</p>
<p>"Pardon me. Can you tell me
the name of this town?"</p>
<p>The man ignored him. Brett
tapped the man's shoulder. "Hey!
What town is this?"</p>
<p>The man took off his hat,
whirled it overhead, then threw
it up. It sailed away over the
crowd, lost. Brett wondered
briefly how people who threw
their hats ever recovered them.
But then, nobody he knew would
throw his hat ...</p>
<p>"You mind telling me the name
of this place?" Brett said, as he
took the man's arm, pulled. The
man rotated toward Brett, leaning
heavily against him. Brett
stepped back. The man fell, lay
stiffly, his arms moving, his eyes
and mouth open.</p>
<p>"Ahhhhh," he said. "Whum-whum-whum.
Awww, jawww ..."</p>
<p>Brett stooped quickly. "I'm
sorry," he cried. He looked
around. "Help! This man ..."</p>
<p>Nobody was watching. The
next man, a few feet away, stood
close against his neighbor, hatless,
his jaw moving.</p>
<p>"This man's sick," said Brett,
tugging at the man's arm. "He
fell."</p>
<p>The man's eyes moved reluctantly
to Brett. "None of my
business," he muttered.</p>
<p>"Won't anybody give me a
hand?"</p>
<p>"Probably a drunk."</p>
<p>Behind Brett a voice called in
a penetrating whisper: "Quick!
You! Get into the alley...!"</p>
<p>He turned. A gaunt man of
about thirty with sparse reddish
hair, perspiration glistening on
his upper lip, stood at the mouth
of a narrow way like the one
Brett had come through. He wore
a grimy pale yellow shirt with a
wide-flaring collar, limp and
sweat-stained, dark green knee-breeches,
soft leather boots,
scuffed and dirty, with limp tops
that drooped over his ankles. He
gestured, drew back into the
alley. "In here."</p>
<p>Brett went toward him. "This
man ..."</p>
<p>"Come on, you fool!" The man
took Brett's arm, pulled him
deeper into the dark passage.
Brett resisted. "Wait a minute.
That fellow ..." He tried to
point.</p>
<p>"Don't you know yet?" The
red-head spoke with a strange
accent. "Golems ... You got to
get out of sight before the—"</p>
<hr />
<p class="cap"><span class="dcap">The</span> man froze, flattened himself
against the wall. Automatically
Brett moved to a place
beside him. The man's head was
twisted toward the alley mouth.
The tendons in his weathered
neck stood out. He had a three-day
stubble of beard. Brett could
smell him, standing this close.
He edged away. "What—"</p>
<p>"Don't make a sound! Don't
move, you idiot!" His voice was
a thin hiss.</p>
<p>Brett followed the other's eyes
toward the sunny street. The
fallen man lay on the pavement,
moving feebly, eyes open. Something
moved up to him, a translucent
brownish shape, like muddy
water. It hovered for a moment,
then dropped on the man
like a breaking wave, flowed
around him. The body shifted,
rotating stiffly, then tilted upright.
The sun struck through
the fluid shape that flowed down
now, amber highlights twinkling,
to form itself into the crested
wave, flow away.</p>
<p>"What the hell...!"</p>
<p>"Come on!" The red-head
turned, trotted silently toward
the shadowy bend under the high
grey walls. He looked back, beckoned
impatiently, passed out of
sight around the turn—</p>
<p>Brett came up behind him,
saw a wide avenue, tall trees
with chartreuse springtime
leaves, a wrought-iron fence, and
beyond it, rolling green lawns.
There were no people in sight.</p>
<p>"Wait a minute! What is this
place?!"</p>
<p>His companion turned red-rimmed
eyes on Brett. "How long
have you been here?" he asked.
"How did you get in?"</p>
<p>"I came through a gate. Just
about an hour ago."</p>
<p>"I knew you were a man as
soon as I saw you talking to the
golem," said the red-head. "I've
been here two months; maybe
more. We've got to get out of
sight. You want food? There's a
place ..." He jerked his thumb.
"Come on. Time to talk later."</p>
<hr />
<p class="cap"><span class="dcap">Brett</span> followed him. They
turned down a side street,
pushed through the door of a
dingy cafe. It banged behind
them. There were tables, stools
at a bar, a dusty juke box. They
took seats at a table. The red-head
groped under the table,
pulled off a shoe, hammered it
against the wall. He cocked his
head, listening. The silence was
absolute. He hammered again.
There was a clash of crockery
from beyond the kitchen door.
"Now don't say anything," the
red-head said. He eyed the door
behind the counter expectantly.
It flew open. A girl with red
cheeks and untidy hair, dressed
in a green waitress' uniform appeared,
swept up to the table,
pad and pencil in hand.</p>
<p>"Coffee and a ham sandwich,"
said the red-head. Brett said
nothing. The girl glanced at him
briefly, jotted hastily, whisked
away.</p>
<p>"I saw them here the first
day," the red-head said. "It was
a piece of luck. I saw how the
Gels started it up. They were big
ones—not like the tidiers-up. As
soon as they were finished, I
came in and tried the same thing.
It worked. I used the golem's
lines—"</p>
<p>"I don't know what you're
talking about," Brett said. "I'm
going to ask that girl—"</p>
<p>"Don't say anything to her; it
might spoil everything. The
whole sequence might collapse;
or it might call the Gels. I'm not
sure. You can have the food when
it comes back with it."</p>
<p>"Why do you say 'when "it"
comes back'?"</p>
<p>"Ah." He looked at Brett
strangely. "I'll show you."</p>
<p>Brett could smell food now.
His mouth watered. He hadn't
eaten for twenty-four hours.</p>
<p>"Care, that's the thing," the
red-head said. "Move quiet, and
stay out of sight, and you can
live like a County Duke. Food's
the hardest, but here—"</p>
<p>The red-cheeked girl reappeared,
a tray balanced on one
arm, a heavy cup and saucer in
the other hand. She clattered
them down on the table.</p>
<p>"Took you long enough," the
red-head said. The girl sniffed,
opened her mouth to speak—and
the red-head darted out a stiff
finger, jabbed her under the ribs.
She stood, mouth open, frozen.</p>
<p>Brett half rose. "He's crazy,
miss," he said. "Please accept—"</p>
<p>"Don't waste your breath."
Brett's host was looking at him
triumphantly. "Why do I call it
'it'?" He stood up, reached out
and undid the top buttons of the
green uniform. The waitress
stood, leaning slightly forward,
unmoving. The blouse fell open,
exposing round white breasts—unadorned,
blind.</p>
<p>"A doll," said the red-head. "A
puppet; a golem."</p>
<hr />
<p class="cap"><span class="dcap">Brett</span> stared at her, the damp
curls at her temple, the tip
of her tongue behind her teeth,
the tiny red veins in her round
cheeks, and the white skin curving ...</p>
<p>"That's a quick way to tell
'em," said the red-head. "The
teat is smooth." He rebuttoned
the uniform, then jabbed again at
the girl's ribs. She straightened,
patted her hair.</p>
<p>"No doubt a gentleman like
you is used to better," she said
carelessly. She went away.</p>
<p>"I'm Awalawon Dhuva," the
red-head said.</p>
<p>"My name's Brett Hale." Brett
took a bite of the sandwich.</p>
<p>"Those clothes," Dhuva said.
"And you have a strange way of
talking. What county are you
from?"</p>
<p>"Jefferson."</p>
<p>"Never heard of it. I'm from
Wavly. What brought you here?"</p>
<p>"I was on a train. The tracks
came to an end out in the middle
of nowhere. I walked ... and
here I am. What is this place?"</p>
<p>"Don't know." Dhuva shook
his head. "I knew they were lying
about the Fire River, though.
Never did believe all that stuff.
Religious hokum, to keep the
masses quiet. Don't know what
to believe now. Take the roof.
They say a hundred kharfads
up; but how do we know? Maybe
it's a thousand—or only ten. By
Grat, I'd like to go up in a balloon,
see for myself."</p>
<p>"What are you talking about?"
Brett said. "Go where in a balloon?
See what?"</p>
<p>"Oh, I've seen one at the Tourney.
Big hot-air bag, with a
basket under it. Tied down with
a rope. But if you cut the rope...!
But you can bet the priests
will never let that happen, no,
sir." Dhuva looked at Brett speculatively.
"What about your
county: Fession, or whatever
you called it. How high do they
tell you it is there?"</p>
<p>"You mean the sky? Well, the
air ends after a few miles and
space just goes on—millions of
miles—"</p>
<p>Dhuva slapped the table and
laughed. "The people in Fesseron
must be some yokels! Just goes
on up; now who'd swallow that
tale?" He chuckled.</p>
<p>"Only a child thinks the sky is
some kind of tent," said Brett.
"Haven't you ever heard of the
Solar System, the other planets?"</p>
<p>"What are those?"</p>
<p>"Other worlds. They all circle
around the sun, like the Earth."</p>
<p>"Other worlds, eh? Sailing
around up under the roof? Funny;
I never saw them." Dhuva
snickered. "Wake up, Brett. Forget
all those stories. Just believe
what you see."</p>
<p>"What about that brown
thing?"</p>
<p>"The Gels? They run this
place. Look out for them, Brett.
Stay alert. Don't let them see
you."</p>
<hr />
<p class="cap"><span class="dcap">"What</span> do they do?"</p>
<p>"I don't know—and I don't
want to find out. This is a great
place—I like it here. I have all I
want to eat, plenty of nice rooms
for sleeping. There's the parades
and the scenes. It's a good life—as
long as you keep out of
sight."</p>
<p>"How do you get out of here?"
Brett asked, finishing his coffee.</p>
<p>"Don't know how to get out;
over the wall, I suppose. I don't
plan to leave though. I left home
in a hurry. The Duke—never
mind. I'm not going back."</p>
<p>"Are all the people here ...
golems?" Brett said. "Aren't
there any more real people?"</p>
<p>"You're the first I've seen. I
spotted you as soon as I saw you.
A live man moves different than
a golem. You see golems doing
things like knitting their brows,
starting back in alarm, looking
askance, and standing arms
akimbo. And they have things
like pursed lips and knowing
glances and mirthless laughter.
You know: all the things you
read about, that real people never
do. But now that you're here,
I've got somebody to talk to. I
did get lonesome, I admit. I'll
show you where I stay and we'll
fix you up with a bed."</p>
<p>"I won't be around that long."</p>
<p>"What can you get outside that
you can't get here? There's everything
you need here in the
city. We can have a great time."</p>
<p>"You sound like my Aunt Haicey,"
Brett said. "She said I had
everything I needed back in
Casperton. How does she know
what I need? How do you know?
How do I know myself? I can
tell you I need more than food
and a place to sleep—"</p>
<p>"What more?"</p>
<p>"Everything. Things to think
about and something worth doing.
Why, even in the movies—"</p>
<p>"What's a movie?"</p>
<p>"You know, a play, on film. A
moving picture."</p>
<p>"A picture that moves?"</p>
<p>"That's right."</p>
<p>"This is something the priests
told you about?" Dhuva seemed
to be holding in his mirth.</p>
<p>"Everybody's seen movies."</p>
<p>Dhuva burst out laughing.
"Those priests," he said. "They're
the same everywhere, I see.
The stories they tell, and people
believe them. What else?"</p>
<p>"Priests have nothing to do
with it."</p>
<p>Dhuva composed his features.
"What do they tell you about
Grat, and the Wheel?"</p>
<p>"Grat? What's that?"</p>
<p>"The Over-Being. The Four-eyed
One." Dhuva made a sign,
caught himself. "Just habit," he
said. "I don't believe that rubbish.
Never did."</p>
<p>"I suppose you're talking
about God," Brett said.</p>
<p>"I don't know about God. Tell
me about it."</p>
<p>"He's the creator of the world.
He's ... well, superhuman. He
knows everything that happens,
and when you die, if you've led a
good life, you meet God in
Heaven."</p>
<p>"Where's that?"</p>
<p>"It's ..." Brett waved a hand
vaguely, "up above."</p>
<p>"But you said there was just
emptiness up above," Dhuva recalled.
"And some other worlds
whirling around, like islands
adrift in the sea."</p>
<p>"Well—"</p>
<p>"Never mind," Dhuva held up
his hands. "Our priests are liars
too. All that balderdash about
the Wheel and the River of Fire.
It's just as bad as your Hivvel or
whatever you called it. And our
Grat and your Mud, or Gog:
they're the same—" Dhuva's
head went up. "What's that?"</p>
<p>"I didn't hear anything."</p>
<hr />
<p class="cap"><span class="dcap">Dhuva</span> got to his feet, turned
to the door. Brett rose. A
towering brown shape, glassy
and transparent, hung in the
door, its surface rippling. Dhuva
whirled, leaped past Brett, dived
for the rear door. Brett stood
frozen. The shape flowed—swift
as quicksilver—caught Dhuva in
mid-stride, engulfed him. For an
instant Brett saw the thin figure,
legs kicking, upended within the
muddy form of the Gel. Then the
turbid wave swept across to the
door, sloshed it aside, disappeared.
Dhuva was gone.</p>
<p>Brett stood rooted, staring at
the doorway. A bar of sunlight
fell across the dusty floor. A
brown mouse ran along the baseboard.
It was very quiet. Brett
went to the door through which
the Gel had disappeared, hesitated
a moment, then thrust it
open.</p>
<p>He was looking down into a
great dark pit, acres in extent,
its sides riddled with holes, the
amputated ends of water and
sewage lines and power cables
dangling. Far below light glistened
from the surface of a black
pool. A few feet away the waitress
stood unmoving in the dark
on a narrow strip of linoleum. At
her feet the chasm yawned. The
edge of the floor was ragged, as
though it had been gnawed away
by rats. There was no sign of
Dhuva.</p>
<p>Brett stepped back into the
dining room, let the door swing
shut. He took a deep breath,
picked up a paper napkin from a
table and wiped his forehead,
dropped the napkin on the floor
and went out into the street, his
suitcase forgotten now. At the
corner he turned, walked along
past silent shop windows crowded
with home permanents, sun
glasses, fingernail polish, suntan
lotion, paper cartons, streamers,
plastic toys, vari-colored garments
of synthetic fiber, home
remedies, beauty aids, popular
music, greeting cards ...</p>
<p>At the next corner he stopped,
looking down the silent streets.
Nothing moved. Brett went to a
window in a grey concrete wall,
pulled himself up to peer through
the dusty pane, saw a room filled
with tailor's forms, garment
racks, a bicycle, bundled back issues
of magazines without covers.</p>
<p>He went along to a door. It was
solid, painted shut. The next
door looked easier. He wrenched
at the tarnished brass nob,
then stepped back and kicked the
door. With a hollow sound the
door fell inward, taking with it
the jamb. Brett stood staring at
the gaping opening. A fragment
of masonry dropped with a dry
clink. Brett stepped through the
breach in the grey facade. The
black pool at the bottom of the
pit winked a flicker of light back
at him in the deep gloom.</p>
<hr />
<p class="cap"><span class="dcap">Around</span> him, the high walls
of the block of buildings
loomed in silhouette; the squares
of the windows were ranks of
luminous blue against the dark.
Dust motes danced in shafts of
sunlight. Far above, the roof was
dimly visible, a spidery tangle of
trusswork. And below was the
abyss.</p>
<p>At Brett's feet the stump of a
heavy brass rail projected an
inch from the floor. It was long
enough, Brett thought, to give
firm anchor to a rope. Somewhere
below, Dhuva—a stranger who
had befriended him—lay in the
grip of the Gels. He would do
what he could—but he needed
equipment—and help. First he
would find a store with rope,
guns, knives. He would—</p>
<p>The broken edge of masonry
where the door had been caught
his eye. The shell of the wall, exposed
where the door frame had
torn away, was wafer-thin. Brett
reached up, broke off a piece.
The outer face—the side that
showed on the street—was
smooth, solid-looking. The back
was porous, nibbled. Brett
stepped outside, examined the
wall. He kicked at the grey surface.
A great piece of wall, six
feet high, broke into fragments,
fell on the sidewalk with a crash,
driving out a puff of dust. Another
section fell. One piece of it
skidded away, clattered down
into the depths. Brett heard a
distant splash. He looked at the
great jagged opening in the wall—like
a jigsaw picture with a
piece missing. He turned and
started off at a trot, his mouth
dry, his pulse thumping painfully
in his chest.</p>
<p>Two blocks from the hollow
building, Brett slowed to a walk,
his footsteps echoing in the
empty street. He looked into each
store window as he passed. There
were artificial legs, bottles of colored
water, immense dolls, wigs,
glass eyes—but no rope. Brett
tried to think. What kind of store
would handle rope? A marine
supply company, maybe. But
where would he find one?</p>
<p>Perhaps it would be easiest to
look in a telephone book. Ahead
he saw a sign lettered <span class="smcap">HOTEL</span>.
Brett went up to the revolving
door, pushed inside. He was in a
dim, marble-panelled lobby, with
double doors leading into a
beige-carpeted bar on his right,
the brass-painted cage of an elevator
directly before him, flanked
by tall urns of sand and an ascending
staircase. On the left
was a dark mahogany-finished
reception desk. Behind the desk
a man stood silently, waiting.
Brett felt a wild surge of relief.</p>
<p>"Those things, those Gels!" he
called, starting across the room.
"My friend—"</p>
<p>He broke off. The clerk stood,
staring over Brett's shoulder,
holding a pen poised over a book.
Brett reached out, took the pen.
The man's finger curled stiffly
around nothing. A golem.</p>
<hr />
<p class="cap"><span class="dcap">Brett</span> turned away, went into
the bar. Vacant stools were
ranged before a dark mirror. At
the tables empty glasses stood
before empty chairs. Brett started
as he heard the revolving door
thump-thump. Suddenly soft
light bathed the lobby behind
him. Somewhere a piano tinkled
<i>More Than You Know</i>. With a
distant clatter of closing doors
the elevator came to life.</p>
<p>Brett hugged a shadowed corner,
saw a fat man in a limp
seersucker suit cross to the reception
desk. He had a red face,
a bald scalp blotched with large
brown freckles. The clerk inclined
his head blandly.</p>
<p>"Ah, yes, sir, a nice double
with bath ..." Brett heard the
unctuous voice of the clerk as he
offered the pen. The fat man took
it, scrawled something in the
register. "... at fourteen dollars,"
the clerk murmured. He
smiled, dinged the bell. A boy in
tight green tunic and trousers
and a pillbox cap with a chin
strap pushed through a door beside
the desk, took the key, led
the way to the elevator. The fat
man entered. Through the openwork
of the shaft Brett watched
as the elevator car rose, greasy
cables trembling and swaying.
He started back across the lobby—and
stopped dead.</p>
<p>A wet brown shape had appeared
in the entrance. It flowed
across the rug to the bellhop.
Face blank, the golem turned
back to its door. Above, Brett
heard the elevator stop. Doors
clashed. The clerk stood poised
behind the desk. The Gel hovered,
then flowed away. The
piano was silent now. The lights
burned, a soft glow, then winked
out. Brett thought about the fat
man. He had seen him before ...</p>
<p>He went up the stairs. In the
second floor corridor Brett felt
his way along in near-darkness,
guided by the dim light coming
through transoms. He tried a
door. It opened. He stepped into
a large bedroom with a double
bed, an easy chair, a chest of
drawers. He crossed the room,
looked out across an alley. Twenty
feet away white curtains hung
at windows in a brick wall. There
was nothing behind the windows.</p>
<p>There were sounds in the corridor.
Brett dropped to the floor
behind the bed.</p>
<p>"All right, you two," a drunken
voice bellowed. "And may all
your troubles be little ones."
There was laughter, squeals, a
dry clash of beads flung against
the door. A key grated. The door
swung wide. Lights blazed in the
hall, silhouetting the figures of
a man in black jacket and trousers,
a woman in a white bridal
dress and veil, flowers in her
hand.</p>
<p>"Take care, Mel!"</p>
<p>"... do anything I wouldn't
do!"</p>
<p>"... kiss the bride, now!"</p>
<p>The couple backed into the
room, pushed the door shut, stood
against it. Brett crouched behind
the bed, not breathing, waiting.
The couple stood at the door, in
the dark, heads down ...</p>
<hr />
<p class="cap"><span class="dcap">Brett</span> stood, rounded the foot
of the bed, approached the
two unmoving figures. The girl
looked young, sleek, perfect-featured,
with soft dark hair. Her
eyes were half-open; Brett
caught a glint of light reflected
from the eyeball. The man was
bronzed, broad-shouldered, his
hair wavy and blond. His lips
were parted, showing even white
teeth. The two stood, not breathing,
sightless eyes fixed on nothing.</p>
<p>Brett took the bouquet from
the woman's hand. The flowers
seemed real—except that they
had no perfume. He dropped
them on the floor, pulled at the
male golem to clear the door.
The figure pivoted, toppled, hit
with a heavy thump. Brett raised
the woman in his arms and
propped her against the bed.
Back at the door he listened. All
was quiet now. He started to
open the door, then hesitated. He
went back to the bed, undid the
tiny pearl buttons down the front
of the bridal gown, pulled it open.
The breasts were rounded,
smooth, an unbroken creamy
white ...</p>
<p>In the hall, he started toward
the stair. A tall Gel rippled into
view ahead, its shape flowing
and wavering, now billowing out,
then rising up. The shifting form
undulated toward Brett. He made
a move to run, then remembered
Dhuva, stood motionless. The
Gel wobbled past him, slumped
suddenly, flowed under a door.
Brett let out a breath. Never
mind the fat man. There were
too many Gels here. He started
back along the corridor.</p>
<p>Soft music came from double
doors which stood open on a
landing. Brett went to them,
risked a look inside. Graceful
couples moved sedately on a polished
floor, diners sat at tables,
black-clad waiters moving among
them. At the far side of the room,
near a dusty rubber plant, sat
the fat man, studying a menu.
As Brett watched he shook out a
napkin, ran it around inside his
collar, then mopped his face.</p>
<p>Never disturb a scene, Dhuva
had said. But perhaps he could
blend with it. Brett brushed at
his suit, straightened his tie,
stepped into the room. A waiter
approached, eyed him dubiously.
Brett got out his wallet, took
out a five-dollar bill.</p>
<p>"A quiet table in the corner,"
he said. He glanced back. There
were no Gels in sight. He followed
the waiter to a table near
the fat man.</p>
<hr />
<p class="cap"><span class="dcap">Seated</span>, he looked around.
He wanted to talk to the fat
man, but he couldn't afford to
attract attention. He would
watch, and wait his chance.</p>
<p>At the nearby tables men with
well-pressed suits, clean collars,
and carefully shaved faces murmured
to sleekly gowned women
who fingered wine glasses, smiled
archly. He caught fragments of
conversation:</p>
<p>"My dear, have you heard ..."</p>
<p>"... in the low eighties ..."</p>
<p>"... quite impossible. One
must ..."</p>
<p>"... for this time of year."</p>
<p>The waiter returned with a
shallow bowl of milky soup.
Brett looked at the array of
spoons, forks, knives, glanced
sideways at the diners at the
next table. It was important to
follow the correct ritual. He put
his napkin in his lap, careful to
shake out all the folds. He looked
at the spoons again, picked a
large one, glanced at the waiter.
So far so good ...</p>
<p>"Wine, sir?"</p>
<p>Brett indicated the neighboring
couple. "The same as they're
having." The waiter turned
away, returned holding a wine
bottle, label toward Brett. He
looked at it, nodded. The waiter
busied himself with the cork, removing
it with many flourishes,
setting a glass before Brett,
pouring half an inch of wine. He
waited expectantly.</p>
<p>Brett picked up the glass,
tasted it. It tasted like wine. He
nodded. The waiter poured. Brett
wondered what would have happened
if he had made a face and
spurned it. But it would be too
risky to try. No one ever did it.</p>
<p>Couples danced, resumed their
seats; others rose and took the
floor. A string ensemble in a distant
corner played restrained
tunes that seemed to speak of the
gentle faded melancholy of decorous
tea dances on long-forgotten
afternoons. Brett glanced toward
the fat man. He was eating
soup noisily, his napkin tied under
his chin.</p>
<p>The waiter was back with a
plate. "Lovely day, sir," he said.</p>
<p>"Great," Brett agreed.</p>
<p>The waiter placed a covered
platter on the table, removed the
cover, stood with carving knife
and fork poised.</p>
<p>"A bit of the crispy, sir?"</p>
<p>Brett nodded. He eyed the
waiter surreptitiously. He looked
real. Some golems seemed realer
than others; or perhaps it merely
depended on the parts they
were playing. The man who had
fallen at the parade had been
only a sort of extra, a crowd
member. The waiter, on the
other hand, was able to converse.
Perhaps it would be possible to
learn something from him ...</p>
<p>"What's ... uh ... how do
you spell the name of this town?"
Brett asked.</p>
<p>"I was never much of a one
for spelling, sir," the waiter said.</p>
<p>"Try it."</p>
<p>"Gravy, sir?"</p>
<p>"Sure. Try to spell the name."</p>
<p>"Perhaps I'd better call the
headwaiter, sir," the golem said
stiffly.</p>
<p>From the corner of an eye
Brett caught a flicker of motion.
He whirled, saw nothing. Had it
been a Gel?</p>
<p>"Never mind," he said. The
waiter served potatoes, peas, refilled
the wine glass, moved off
silently. The question had been a
little too unorthodox, Brett decided.
Perhaps if he led up to
the subject more obliquely ...</p>
<hr />
<p class="cap"><span class="dcap">When</span> the waiter returned
Brett said, "Nice day."</p>
<p>"Very nice, sir."</p>
<p>"Better than yesterday."</p>
<p>"Yes indeed, sir."</p>
<p>"I wonder what tomorrow'll be
like."</p>
<p>"Perhaps we'll have a bit of
rain, sir."</p>
<p>Brett nodded toward the dance
floor. "Nice orchestra."</p>
<p>"They're very popular, sir."</p>
<p>"From here in town?"</p>
<p>"I wouldn't know as to that,
sir."</p>
<p>"Lived here long yourself?"</p>
<p>"Oh, yes, sir." The waiter's expression
showed disapproval.
"Would there be anything else,
sir?"</p>
<p>"I'm a newcomer here," Brett
said. "I wonder if you could tell
me—"</p>
<p>"Excuse me, sir." The waiter
was gone. Brett poked at the
mashed potatoes. Quizzing golems
was hopeless. He would
have to find out for himself. He
turned to look at the fat man.
As Brett watched he took a large
handkerchief from a pocket,
blew his nose loudly. No one
turned to look. The orchestra
played softly. The couples danced.
Now was as good a time as any ...</p>
<p>Brett rose, crossed to the other's
table. The man looked up.</p>
<p>"Mind if I sit down?" Brett
said. "I'd like to talk to you."</p>
<p>The fat man blinked, motioned
to a chair. Brett sat down, leaned
across the table. "Maybe I'm
wrong," he said quietly, "but I
think you're real."</p>
<p>The fat man blinked again.
"What's that?" he snapped. He
had a high petulant voice.</p>
<p>"You're not like the rest of
them. I think I can talk to you.
I think you're another outsider."</p>
<p>The fat man looked down at
his rumpled suit. "I ... ah ... was
caught a little short today.
Didn't have time to change. I'm
a busy man. And what business
is it of yours?" He clamped his
jaw shut, eyed Brett warily.</p>
<p>"I'm a stranger here," Brett
said. "I want to find out what's
going on in this place—"</p>
<p>"Buy an amusement guide.
Lists all the shows—"</p>
<p>"I don't mean that. I mean
these dummies all over the place,
and the Gels—"</p>
<p>"What dummies? Jells? Jello?
You don't like Jello?"</p>
<p>"I love Jello. I don't—"</p>
<p>"Just ask the waiter. He'll
bring you your Jello. Any flavor
you like. Now if you'll excuse
me ..."</p>
<p>"I'm talking about the brown
things; they look like muddy water.
They come around if you interfere
with a scene."</p>
<p>The fat man looked nervous.
"Please. Go away."</p>
<p>"If I make a disturbance, the
Gels will come. Is that what
you're afraid of?"</p>
<p>"Now, now. Be calm. No need
for you to get excited."</p>
<p>"I won't make a scene," Brett
said. "Just talk to me. How long
have you been here?"</p>
<p>"I dislike scenes. I dislike them
intensely."</p>
<p>"When did you come here?"</p>
<p>"Just ten minutes ago. I just
sat down. I haven't had my dinner
yet. Please, young man. Go
back to your table." The fat man
watched Brett warily. Sweat
glistened on his bald head.</p>
<p>"I mean this town. How long
have you been here? Where did
you come from?"</p>
<p>"Why, I was born here. Where
did I come from? What sort of
question is that? Just consider
that the stork brought me."</p>
<p>"You were born here?"</p>
<p>"Certainly."</p>
<p>"What's the name of the
town?"</p>
<hr />
<p class="cap"><span class="dcap">"Are</span> you trying to make a fool
of me?" The fat man was
getting angry. His voice was
rising.</p>
<p>"Shhh," Brett cautioned.
"You'll attract the Gels."</p>
<p>"Blast the Jilts, whatever that
is!" the fat man snapped. "Now,
get along with you. I'll call the
manager."</p>
<p>"Don't you know?" Brett said,
staring at the fat man. "They're
all dummies; golems, they're
called. They're not real."</p>
<p>"Who're not real?"</p>
<p>"All these imitation people at
the tables and on the dance floor.
Surely you realize—"</p>
<p>"I realize you're in need of
medical attention." The fat man
pushed back his chair and got to
his feet. "You keep the table," he
said. "I'll dine elsewhere."</p>
<p>"Wait!" Brett got up, seized
the fat man's arm.</p>
<p>"Take your hands off me—"
The fat man went toward the
door. Brett followed. At the cashier's
desk Brett turned suddenly,
saw a fluid brown shape flicker—</p>
<p>"Look!" He pulled at the fat
man's arm—</p>
<p>"Look at what?" The Gel was
gone.</p>
<p>"It was there: a Gel."</p>
<p>The fat man flung down a bill,
hurried away. Brett fumbled out
a ten, waited for change. "Wait!"
he called. He heard the fat man's
feet receding down the stairs.</p>
<p>"Hurry," he said to the cashier.
The woman sat glassy-eyed,
staring at nothing. The music
died. The lights flickered, went
off. In the gloom Brett saw a
fluid shape rise up—</p>
<p>He ran, pounding down the
stairs. The fat man was just
rounding the corner. Brett
opened his mouth to call—and
went rigid, as a translucent
shape of mud shot from the door,
rose up to tower before him.
Brett stood, mouth half open,
eyes staring, leaning forward
with hands outflung. The Gel
loomed, its surface flickering—waiting.
Brett caught an acrid
odor of geraniums.</p>
<p>A minute passed. Brett's cheek
itched. He fought a desire to
blink, to swallow—to turn and
run. The high sun beat down on
the silent street, the still window
displays.</p>
<p>Then the Gel broke form,
slumped, flashed away. Brett tottered
back against the wall, let
his breath out in a harsh sigh.</p>
<p>Across the street he saw a
window with a display of camping
equipment, portable stoves,
boots, rifles. He crossed the
street, tried the door. It was
locked. He looked up and down
the street. There was no one in
sight. He kicked in the glass beside
the latch, reached through
and turned the knob. Inside he
looked over the shelves, selected
a heavy coil of nylon rope, a
sheath knife, a canteen. He examined
a Winchester repeating
rifle with a telescopic sight, then
put it back and strapped on a .22
revolver. He emptied two boxes
of long rifle cartridges into his
pocket, then loaded the pistol.
He coiled the rope over his shoulder
and went back out into the
empty street.</p>
<hr />
<p class="cap"><span class="dcap">The</span> fat man was standing in
front of a shop in the next
block, picking at a blemish on
his chin and eyeing the window
display. He looked up with a
frown, started away as Brett
came up.</p>
<p>"Wait a minute," Brett called.
"Didn't you see the Gel? the one
that cornered me back there?"</p>
<p>The fat man looked back suspiciously,
kept going.</p>
<p>"Wait!" Brett caught his arm.
"I know you're real. I've seen
you belch and sweat and scratch.
You're the only one I can call on—and
I need help. My friend is
trapped—"</p>
<p>The fat man pulled away, his
face flushed an even deeper red.
"I'm warning you, you maniac:
get away from me...!"</p>
<p>Brett stepped close, rammed
the fat man hard in the ribs. He
sank to his knees, gasping. The
panama hat rolled away. Brett
grabbed his arm, steadied him.</p>
<p>"Sorry," he said. "I had to be
sure. You're real, all right.
We've got to rescue my friend,
Dhuva—"</p>
<p>The fat man leaned against
the glass, rolling terrified eyes,
rubbing his stomach. "I'll call
the police!" he gasped.</p>
<p>"What police?" Brett waved
an arm. "Look. Not a car in sight.
Did you ever see the street that
empty before?"</p>
<p>"Wednesday afternoon," the
fat man gasped.</p>
<p>"Come with me. I want to show
you. It's all hollow. There's nothing
behind these walls—"</p>
<p>"Why doesn't somebody come
along?" the fat man moaned.</p>
<p>"The masonry is only a quarter-inch
thick," Brett said.
"Come on; I'll show you."</p>
<p>"I don't like it," said the fat
man. His face was pale and
moist. "You're mad. What's
wrong? It's so quiet ..."</p>
<p>"We've got to try to save him.
The Gel took him down into this
pit—"</p>
<p>"Let me go," the man whined.
"I'm afraid. Can't you just let
me lead my life in peace?"</p>
<p>"Don't you understand? The
Gel took a man. They may be
after you next."</p>
<p>"There's no one after me! I'm
a business man ... a respectable
citizen. I mind my own business,
give to charity, go to
church. All I want is to be left
alone!"</p>
<hr />
<p class="cap"><span class="dcap">Brett</span> dropped his hands
from the fat man's arms,
stood looking at him: the blotched
face, pale now, the damp forehead,
the quivering jowls. The fat
man stooped for his hat, slapped
it against his leg, clamped it on
his head.</p>
<p>"I think I understand now,"
said Brett. "This is your place,
this imitation city. Everything's
faked to fit your needs—like in
the hotel. Wherever you go, the
scene unrolls in front of you.
You never see the Gels, never
discover the secret of the golems—because
you conform. You
never do the unexpected."</p>
<p>"That's right. I'm law-abiding.
I'm respectable. I don't pry.
I don't nose into other people's
business. Why should I? Just let
me alone ..."</p>
<p>"Sure," Brett said. "Even if I
dragged you down there and
showed you, you wouldn't believe
it. But you're not in the scene
now. I've taken you out of it—"</p>
<p>Suddenly the fat man turned
and ran a few yards, then looked
back to see whether Brett was
pursuing him. He shook a round
fist.</p>
<p>"I've seen your kind before,"
he shouted. "Troublemakers."</p>
<p>Brett took a step toward him.
The fat man yelped and ran another
fifty feet, his coat tails
bobbing. He looked back, stopped,
a fat figure alone in the empty
sunny street.</p>
<p>"You haven't seen the last of
me!" he shouted. "We know how
to deal with your kind." He
tugged at his vest, went off along
the sidewalk. Brett watched him
go, then started back toward the
hollow building.</p>
<hr class="tb" />
<p>The jagged fragments of masonry
Brett had knocked from
the wall lay as he had left them.
He stepped through the opening,
peered down into the murky pit,
trying to judge its depth. A hundred
feet at least. Perhaps a
hundred and fifty.</p>
<p>He unslung the rope from his
shoulder, tied one end to the
brass stump, threw the coil down
the precipitous side. It fell away
into darkness, hung swaying. It
was impossible to tell whether
the end reached any solid footing
below. He couldn't waste any
more time looking for help. He
would have to try it alone.</p>
<p>There was a scrape of shoe
leather on the pavement outside.
He turned, stepped out into the
white sunlight. The fat man
rounded the corner, recoiled as
he saw Brett. He flung out a
pudgy forefinger, his protruding
eyes wide in his blotchy red face.</p>
<p>"There he is! I told you he
came this way!" Two uniformed
policemen came into view. One
eyed the gun at Brett's side, put
a hand on his own.</p>
<p>"Better take that off, sir."</p>
<p>"Look!" Brett said to the fat
man. He stooped, picked up a
crust of masonry. "Look at this—just
a shell—"</p>
<p>"He's blasted a hole right in
that building, officer!" the fat
man shrilled. "He's dangerous."</p>
<p>The cop ignored the gaping
hole in the wall. "You'll have to
come along with me, sir. This
gentleman registered a complaint ..."</p>
<p>Brett stood staring into the
cop's eyes. They were pale blue
eyes, looking steadily back at him
from a bland face. Could the cop
be real? Or would he be able to
push him over, as he had other
golems?</p>
<p>"The fellow's not right in the
head," the fat man was saying
to the cop. "You should have
heard his crazy talk. A troublemaker.
His kind have got to be
locked up!"</p>
<p>The cop nodded. "Can't have
anyone causing trouble."</p>
<p>"Only a young fellow," said
the fat man. He mopped at his
forehead with a large handkerchief.
"Tragic. But I'm sure that
you men know how to handle
him."</p>
<p>"Better give me the gun, sir."
The cop held out a hand. Brett
moved suddenly, rammed stiff
fingers into the cop's ribs. He
stiffened, toppled, lay rigid, staring
up at nothing.</p>
<p>"You ... you killed him," the
fat man gasped, backing. The
second cop tugged at his gun.
Brett leaped at him, sent him
down with a blow to the ribs. He
turned to face the fat man.</p>
<p>"I didn't kill them! I just
turned them off. They're not real,
they're just golems."</p>
<p>"A killer! And right in the
city, in broad daylight."</p>
<p>"You've got to help me!" Brett
cried. "This whole scene: don't
you see? It has the air of something
improvised in a hurry, to
deal with the unexpected factor;
that's me. The Gels know something's
wrong, but they can't
quite figure out what. When you
called the cops the Gels obliged—"</p>
<hr />
<p class="cap"><span class="dcap">Startlingly</span> the fat man
burst into tears. He fell to
his knees.</p>
<p>"Don't kill me ... oh, don't
kill me ..."</p>
<p>"Nobody's going to kill you,
you fool!" Brett snapped. "Look!
I want to show you!" He seized
the fat man's lapel, dragged him
to his feet and across the sidewalk,
through the opening. The
fat man stopped dead, stumbled
back—</p>
<p>"What's this? What kind of
place is this?" He scrambled for
the opening.</p>
<p>"It's what I've been trying to
tell you. This city you live in—it's
a hollow shell. There's nothing
inside. None of it's real.
Only you ... and me. There was
another man: Dhuva. I was in a
cafe with him. A Gel came. He
tried to run. It caught him. Now
he's ... down there."</p>
<p>"I'm not alone," the fat man
babbled. "I have my friends, my
clubs, my business associates.
I'm insured. Lately I've been
thinking a lot about Jesus—"</p>
<p>He broke off, whirled, and
jumped for the doorway. Brett
leaped after him, caught his coat.
It ripped. The fat man stumbled
over one of the cop-golems, went
to hands and knees. Brett stood
over him.</p>
<p>"Get up, damn it!" he snapped.
"I need help and you're going to
help me!" He hauled the fat man
to his feet. "All you have to do is
stand by the rope. Dhuva may be
unconscious when I find him.
You'll have to help me haul him
up. If anybody comes along, any
Gels, I mean—give me a signal.
A whistle ... like this—" Brett
demonstrated. "And if I get in
trouble, do what you can. Here ..."
Brett started to offer the
fat man the gun, then handed
him the hunting knife. "If anybody
interferes, this may not do
any good, but it's something. I'm
going down now."</p>
<p>The fat man watched as Brett
gripped the rope, let himself over
the edge. Brett looked up at the
glistening face, the damp strands
of hair across the freckled scalp.
Brett had no assurance that the
man would stay at his post, but
he had done what he could.</p>
<p>"Remember," said Brett. "It's
a real man they've got, like you
and me ... not a golem. We
owe it to him." The fat man's
hands trembled. He watched
Brett, licked his lips. Brett started
down.</p>
<hr class="tb" />
<p>The descent was easy. The
rough face of the excavation
gave footholds. The end of a decaying
timber projected; below
it was the stump of a crumbling
concrete pipe two feet in diameter.
Brett was ten feet below the
rim of floor now. Above, the
broad figure of the fat man was
visible in silhouette against the
jagged opening in the wall.</p>
<p>Now the cliff shelved back;
the rope hung free. Brett eased
past the cut end of a rusted water
pipe, went down hand over
hand. If there were nothing at
the bottom to give him footing,
it would be a long climb back ...</p>
<p>Twenty feet below he could
see the still black water, pockmarked
with expanding rings
where bits of debris dislodged
by his passage peppered the surface.</p>
<p>There was a rhythmic vibration
in the rope. Brett felt it
through his hands, a fine sawing
sensation ...</p>
<p>He was falling, gripping the
limp rope ...</p>
<p>He slammed on his back in
three feet of oily water. The coils
of rope collapsed around him
with a sustained splashing. He
got to his feet, groped for the
end of the rope. The glossy nylon
strands had been cleanly cut.</p>
<hr />
<p class="cap"><span class="dcap">For</span> half an hour Brett waded
in waist-deep water along a
wall of damp clay that rose sheer
above him. Far above, bars of
dim sunlight crossed the upper
reaches of the cavern. He had
seen no sign of Dhuva ... or the
Gels.</p>
<p>He encountered a sodden timber
that projected above the surface
of the pool, clung to it to
rest. Bits of flotsam—a plastic
pistol, bridge tallies, a golf bag—floated
in the black water. A
tunnel extended through the clay
wall ahead; beyond, Brett could
see a second great cavern rising.
He pictured the city, silent and
empty above, and the honey-combed
earth beneath. He moved
on.</p>
<p>An hour later Brett had traversed
the second cavern. Now
he clung to an outthrust spur of
granite directly beneath the
point at which Dhuva had disappeared.
Far above he could see
the green-clad waitress standing
stiffly on her ledge. He was tired.
Walking in water, his feet floundering
in soft mud, was exhausting.
He was no closer to escape,
or to finding Dhuva, than he had
been when the fat man cut the
rope. He had been a fool to leave
the man alone, with a knife ...
but he had had no choice.</p>
<p>He would have to find another
way out. Endlessly wading at
the bottom of the pit was useless.
He would have to climb. One
spot was as good as another. He
stepped back and scanned the
wall of clay looming over him.
Twenty feet up, water dripped
from the broken end of a four-inch
water main. Brett uncoiled
the rope from his shoulder, tied
a loop in the end, whirled it and
cast upward. It missed, fell back
with a splash. He gathered it in,
tried again. On the third try it
caught. He tested it, then started
up. His hands were slippery with
mud and water. He twined the
rope around his legs, inched
higher. The slender cable was
smooth as glass. He slipped back
two feet, then inched upward,
slipped again, painfully climbed,
slipped, climbed.</p>
<p>After the first ten feet he
found toe-holds in the muddy
wall. He worked his way up, his
hands aching and raw. A projecting
tangle of power cable
gave a secure purchase for a foot.
He rested. Nearby, an opening
two feet in diameter gaped in
the clay: a tunnel. It might be
possible to swing sideways
across the face of the clay and
reach the opening. It was worth
a try. His stiff, clay-slimed
hands would pull him no higher.</p>
<p>He gripped the rope, kicked off
sideways, hooked a foot in the
tunnel mouth, half jumped, half
fell into the mouth of the tunnel.
He clung to the rope, shook it
loose from the pipe above, coiled
it and looped it over his shoulder.
On hands and knees he
started into the narrow passage.</p>
<hr />
<p class="cap"><span class="dcap">The</span> tunnel curved left, then
right, dipped, then angled up.
Brett crawled steadily, the
smooth stiff clay yielding and
cold against his hands and sodden
knees. Another smaller tunnel
joined from the left. Another
angled in from above. The tunnel
widened to three feet, then four.
Brett got to his feet, walked in a
crouch. Here and there, barely
visible in the near-darkness, objects
lay imbedded in the mud: a
silver-plated spoon, its handle
bent; the rusted engine of an
electric train; a portable radio,
green with corrosion from burst
batteries.</p>
<p>At a distance, Brett estimated,
of a hundred yards from the pit,
the tunnel opened into a vast
cave, green-lit from tiny discs of
frosted glass set in the ceiling
far above. A row of discolored
concrete piles, the foundations
of the building above, protruded
against the near wall, their surfaces
nibbled and pitted. Between
Brett and the concrete columns
the floor was littered with
pale sticks and stones, gleaming
dully in the gloom.</p>
<p>Brett started across the floor.
One of the sticks snapped underfoot.
He kicked a melon-sized
stone. It rolled lightly, came to
rest with hollow eyes staring toward
him. A human skull.</p>
<hr class="tb" />
<p>The floor of the cave covered
an area the size of a city block.
It was blanketed with human
bones, with here and there a
small cat skeleton or the fanged
snout-bones of a dog. There was
a constant rustling of rats that
played among the rib cages, sat
atop crania, scuttled behind
shin-bones. Brett picked his way,
stepping over imitation pearl
necklaces, zircon rings, plastic
buttons, hearing aids, lipsticks,
compacts, corset stays, prosthetic
devices, rubber heels, wrist
watches, lapel watches, pocket
watches with corroded brass
chains.</p>
<p>Ahead Brett saw a patch of
color: a blur of pale yellow. He
hurried, stumbling over bone
heaps, crunching eyeglasses underfoot.
He reached the still figure
where it lay slackly, face
down. Gingerly he squatted,
turned it on its back. It was
Dhuva.</p>
<p>Brett slapped the cold wrists,
rubbed the clammy hands. Dhuva
stirred, moaned weakly. Brett
pulled him to a sitting position.
"Wake up!" he whispered.
"Wake up!"</p>
<p>Dhuva's eyelids fluttered. He
blinked dully at Brett.</p>
<p>"The Gels may turn up any
minute," Brett hissed. "We have
to get away from here. Can you
walk?"</p>
<p>"I saw it," said Dhuva faintly.
"But it moved so fast ..."</p>
<p>"You're safe here for the moment,"
Brett said. "There are
none of them around. But they
may be back. We've got to find a
way out!"</p>
<p>Dhuva started up, staring
around. "Where am I?" he said
hoarsely. Brett seized his arm,
steadied him on his feet.</p>
<p>"We're in a hollowed-out
cave," he said. "The whole city is
undermined with them. They're
connected by tunnels. We have to
find one leading back to the surface."</p>
<p>Dhuva gazed around at the
acres of bones. "It left me here
for dead."</p>
<p>"Or to die," said Brett.</p>
<p>"Look at them," Dhuva
breathed. "Hundreds ... thousands ..."</p>
<p>"The whole population, it looks
like. The Gels must have whisked
them down here one by one."</p>
<p>"But why?"</p>
<p>"For interfering with the
scenes. But that doesn't matter
now. What matters is getting
out. Come on. I see tunnels on
the other side."</p>
<p>They crossed the broad floor,
around them the white bones, the
rustle of rats. They reached the
far side of the cave, picked a
six-foot tunnel which trended
upward, a trickle of water seeping
out of the dark mouth. They
started up the slope.</p>
<hr />
<p class="cap"><span class="dcap">"We</span> have to have a weapon
against the Gels," said
Brett.</p>
<div class="figr1">
<ANTIMG src="images/003-1.png" width-obs="173" height-obs="397" alt="" title="" /></div>
<div class="figright"> <ANTIMG src="images/003-2.png" width-obs="358" height-obs="153" alt="" title="" /></div>
<p>"Why? I don't want to fight
them." Dhuva's voice was thin,
frightened. "I want to get away
from here ... even back to Wavly.
I'd rather face the Duke."</p>
<p>"This was a real town, once,"
said Brett. "The Gels have taken
it over, hollowed out the buildings,
mined the earth under it,
killed off the people, and put imitation
people in their place. And
nobody ever knew. I met a man
who's lived here all his life. He
doesn't know. But we know ...
and we have to do something
about it."</p>
<p>"It's not our business. I've had
enough. I want to get away."</p>
<p>"The Gels must stay down below,
somewhere in that maze of
tunnels. For some reason they
try to keep up appearances ...
but only for the people who belong
here. They play out scenes
for the fat man, wherever he
goes. And he never goes anywhere
he isn't expected to."</p>
<p>"We'll get over the wall somehow,"
said Dhuva. "We may
starve, crossing the dry fields,
but that's better than this."</p>
<p>They emerged from the tunnel
into a coal bin, crossed to a sagging
door, found themselves in a
boiler room. Stairs led up to sunlight.
In the street, in the shadow
of tall buildings, a boxy sedan
was parked at the curb. Brett
went to it, tried the door. It
opened. Keys dangled from the
ignition switch. He slid into the
dusty seat. Behind him there was
a hoarse scream. Brett looked
up. Through the streaked windshield
he saw a mighty Gel rear
up before Dhuva, who crouched
back against the blackened brick
front of the building.</p>
<p>"Don't move, Dhuva!" Brett
shouted. Dhuva stood frozen,
flattened against the wall. The
Gel towered, its surface rippling.</p>
<p>Brett eased from the seat. He
stood on the pavement, fifteen
feet from the Gel. The rank Gel
odor came in waves from the
creature. Beyond it he could see
Dhuva's white terrified face.</p>
<p>Silently Brett turned the latch
of the old-fashioned auto hood,
raised it. The copper fuel line
curved down from the firewall to
a glass sediment cup. The
knurled retaining screw turned
easily; the cup dropped into
Brett's hand. Gasoline ran down
in an amber stream. Brett pulled
off his damp coat, wadded it,
jammed it under the flow. Over
his shoulder he saw Dhuva, still
rigid—and the Gel, hovering, uncertain.</p>
<p>The coat was saturated with
gasoline now. Brett fumbled a
match box from his pocket. Wet.
He threw the sodden container
aside. The battery caught his
eye, clamped in a rusted frame
under the hood. He jerked the
pistol from its holster, used it to
short the terminals. Tiny blue
sparks jumped. He jammed the
coat near, rasped the gun against
the soft lead poles. With a
whoosh! the coat caught; yellow
flames leaped, soot-rimmed. Brett
snatched at a sleeve, whirled the
coat high. The great Gel, attracted
by the sudden motion,
rushed at him. He flung the
blazing garment over the monster,
leaped aside.</p>
<p>The creature went mad. It
slumped, lashed itself against
the pavement. The burning coat
was thrown clear. The Gel threw
itself across the pavement, into
the gutter, sending a splatter of
filthy water over Brett. From the
corner of his eye, Brett saw
Dhuva seize the burning coat,
hurl it into the pooled gasoline
in the gutter. Fire leaped twenty
feet high; in its center the great
Gel bucked and writhed. The ancient
car shuddered as the frantic
monster struck it. Black
smoke boiled up; an unbelievable
stench came to Brett's nostrils.
He backed, coughing. Flames
roared around the front of the
car. Paint blistered and burned.
A tire burst. In a final frenzy,
the Gel whipped clear, lay, a
great blackened shape of melting
rubber, twitching, then still.</p>
<hr />
<p class="cap"><span class="dcap">"They've</span> tunneled under everything,"
Brett said. "They've
cut through power lines and
water lines, concrete, steel, earth;
they've left the shell, shored up
with spidery-looking trusswork.
Somehow they've kept water and
power flowing to wherever they
needed it—"</p>
<p>"I don't care about your theories,"
Dhuva said; "I only want
to get away."</p>
<p>"It's bound to work, Dhuva. I
need your help."</p>
<p>"No."</p>
<p>"Then I'll have to try alone."
He turned away.</p>
<p>"Wait," Dhuva called. He
came up to Brett. "I owe you a
life; you saved mine. I can't let
you down now. But if this doesn't
work ... or if you can't find
what you want—"</p>
<p>"Then we'll go."</p>
<p>Together they turned down a
side street, walking rapidly. At
the next corner Brett pointed.</p>
<p>"There's one!" They crossed
to the service station at a run.
Brett tried the door. Locked. He
kicked at it, splintered the wood
around the lock. He glanced
around inside. "No good," he
called. "Try the next building.
I'll check the one behind."</p>
<p>He crossed the wide drive, battered
in a door, looked in at a
floor covered with wood shavings.
It ended ten feet from the
door. Brett went to the edge,
looked down. Diagonally, forty
feet away, the underground fifty-thousand-gallon
storage tank
which supplied the gasoline
pumps of the station perched,
isolated, on a column of striated
clay, ribbed with chitinous Gel
buttresses. The truncated feed
lines ended six feet from the
tank. From Brett's position, it
was impossible to say whether
the ends were plugged.</p>
<p>Across the dark cavern a
square of light appeared. Dhuva
stood in a doorway looking toward
Brett.</p>
<p>"Over here, Dhuva!" Brett uncoiled
his rope, arranged a slip-noose.
He measured the distance
with his eye, tossed the loop. It
slapped the top of the tank,
caught on a massive fitting. He
smashed the glass from a window,
tied the end of the rope to
the center post. Dhuva arrived,
watched as Brett went to the
edge, hooked his legs over the
rope, and started across to the
tank.</p>
<p>It was an easy crossing.
Brett's feet clanged against the
tank. He straddled the six-foot
cylinder, worked his way to the
end, then clambered down to the
two two-inch feed lines. He tested
their resilience, then lay flat,
eased out on them. There were
plugs of hard waxy material in
the cut ends of the pipes. Brett
poked at them with the pistol.
Chunks loosened and fell. He
worked for fifteen minutes before
the first trickle came. Two
minutes later, two thick streams
of gasoline were pouring down
into the darkness.</p>
<hr />
<p class="cap"><span class="dcap">Brett</span> and Dhuva piled sticks,
scraps of paper, shavings,
and lumps of coal around a core
of gasoline-soaked rags. Directly
above the heaped tinder a taut
rope stretched from the window
post to a child's wagon, the steel
bed of which contained a second
heap of combustibles. The wagon
hung half over the ragged edge
of the floor.</p>
<p>"It should take about fifteen
minutes for the fire to burn
through the rope," Brett said.
"Then the wagon will fall and
dump the hot coals in the gasoline.
By then it will have spread
all over the surface and flowed
down side tunnels into other
parts of the cavern system."</p>
<p>"But it may not get them all."</p>
<p>"It will get some of them. It's
the best we can do right now.
You get the fire going in the
wagon; I'll start this one up."</p>
<p>Dhuva sniffed the air. "That
fluid," he said. "We know it in
Wavly as phlogistoneum. The
wealthy use it for cooking."</p>
<p>"We'll use it to cook Gels."
Brett struck a match. The fire
leaped up, smoking. Dhuva
watched, struck his match awkwardly,
started his blaze. They
stood for a moment watching.
The nylon curled and blackened,
melting in the heat.</p>
<p>"We'd better get moving,"
Brett said. "It doesn't look as
though it will last fifteen minutes."</p>
<p>They stepped out into the
street. Behind them wisps of
smoke curled from the door. Dhuva
seized Brett's arm. "Look!"</p>
<p>Half a block away the fat man
in the panama hat strode toward
them at the head of a group of
men in grey flannel. "That's
him!" the fat man shouted, "the
one I told you about. I knew the
scoundrel would be back!" He
slowed, eyeing Brett and Dhuva
warily.</p>
<p>"You'd better get away from
here, fast!" Brett called.
"There'll be an explosion in a few
minutes—"</p>
<p>"Smoke!" the fat man yelped.
"Fire! They've set fire to the
city! There it is! pouring out of
the window ... and the door!"
He started forward. Brett
yanked the pistol from the holster,
thumbed back the hammer.</p>
<p>"Stop right there!" he barked.
"For your own good I'm telling
you to run. I don't care about
that crowd of golems you've collected,
but I'd hate to see a real
human get hurt—even a cowardly
one like you."</p>
<p>"These are honest citizens,"
the fat man gasped, standing,
staring at the gun. "You won't
get away with this. We all know
you. You'll be dealt with ..."</p>
<p>"We're going now. And you're
going too."</p>
<p>"You can't kill us all," the fat
man said. He licked his lips. "We
won't let you destroy our city."</p>
<hr />
<p class="cap"><span class="dcap">As</span> the fat man turned to exhort
his followers Brett
fired, once twice, three times.
Three golems fell on their faces.
The fat man whirled.</p>
<p>"Devil!" he shrieked. "A killer
is abroad!" He charged, mouth
open. Brett ducked aside, tripped
the fat man. He fell heavily,
slamming his face against the
pavement. The golems surged
forward. Brett and Dhuva
slammed punches to the sternum,
took clumsy blows on the
shoulder, back, chest. Golems
fell. Brett ducked a wild swing,
toppled his attacker, turned to
see Dhuva deal with the last of
the dummies. The fat man sat in
the street, dabbing at his bleeding
nose, the panama still in
place.</p>
<p>"Get up," Brett commanded.
"There's no time left."</p>
<p>"You've killed them. Killed
them all ..." The fat man got
to his feet, then turned suddenly
and plunged for the door from
which a cloud of smoke poured.
Brett hauled him back. He and
Dhuva started off, dragging the
struggling man between them.
They had gone a block when
their prisoner, with a sudden
frantic jerk, freed himself, set
off at a run for the fire.</p>
<p>"Let him go!" Dhuva cried.
"It's too late to go back!"</p>
<p>The fat man leaped fallen
golems, wrestled with the door,
disappeared into the smoke.
Brett and Dhuva sprinted for
the corner. As they rounded it a
tremendous blast shook the
street. The pavement before
them quivered, opened in a wide
crack. A ten-foot section dropped
from view. They skirted the gaping
hole, dashed for safety as the
facades along the street cracked,
fell in clouds of dust. The street
trembled under a second explosion.
Cracks opened, dust rising
in puffs from the long wavering
lines. Masonry collapsed around
them. They put their heads down
and ran.</p>
<hr class="tb" />
<p>Winded, Brett and Dhuva
walked through the empty
streets of the city. Behind them,
smoke blackened the sky. Embers
floated down around them.
The odor of burning Gel was carried
on the wind. The late sun
shone on the blank pavement. A
lone golem in a tasseled fez, left
over from the morning's parade,
leaned stiffly against a lamp
post, eyes blank. Empty cars sat
in driveways. TV antennae stood
forlornly against the sunset.</p>
<p>"That place looks lived-in,"
said Brett, indicating an open
apartment window with a curtain
billowing above a potted geranium.
"I'll take a look."</p>
<p>He came back shaking his
head. "They were all in the TV
room. They looked so natural at
first; I mean, they didn't look
up or anything when I walked
in. I turned the set off. The electricity
is still working anyway.
Wonder how long it will last?"</p>
<p>They turned down a residential
street. Underfoot the pavement
trembled at a distant blast.
They skirted a crack, kept going.
Occasional golems stood in
awkward poses or lay across
sidewalks. One, clad in black,
tilted awkwardly in a gothic entry
of fretted stone work. "I
guess there won't be any church
this Sunday," said Brett.</p>
<p>He halted before a brown
brick apartment house. An untended
hose welled on a patch of
sickly lawn. Brett went to the
door, stood listening, then went
in. Across the room the still figure
of a woman sat in a rocker.
A curl stirred on her smooth
forehead. A flicker of expression
seemed to cross the lined face.
Brett started forward. "Don't be
afraid. You can come with us—"</p>
<p>He stopped. A flapping window-shade
cast restless shadows
on the still golem features on
which dust was already settling.
Brett turned away, shaking his
head.</p>
<p>"All of them," he said. "It's as
though they were snipped out of
paper. When the Gels died their
dummies died with them."</p>
<p>"Why?" said Dhuva. "What
does it all mean?"</p>
<p>"Mean?" said Brett. He shook
his head, started off again along
the street. "It doesn't mean anything.
It's just the way things
are."</p>
<hr />
<p class="cap"><span class="dcap">Brett</span> sat in a deserted Cadillac,
tuning the radio.</p>
<p>"... anybody hear me?" said
a plaintive voice from the speaker.
"This is Ab Gullorian, at the
Twin Spires. Looks like I'm the
only one left alive. Can anybody
hear me?"</p>
<p>Brett tuned. "... been asking
the wrong questions ...
looking for the Final Fact. Now
these are strange matters, brothers.
But if a flower blooms, what
man shall ask why? What lore
do we seek in a symphony...?"</p>
<p>He twisted the knob again.
"... Kansas City. Not more
than half a dozen of us. And the
dead! Piled all over the place.
But it's a funny thing: Doc Potter
started to do an autopsy—"</p>
<p>Brett turned the knob. "...
CQ, CQ, CQ. This is Hollip
Quate, calling CQ, CQ. There's
been a disaster here at Port
Wanderlust. We need—"</p>
<p>"Take Jesus into your hearts,"
another station urged.</p>
<p>"... to base," the radio said
faintly, with much crackling.
"Lunar Observatory to base.
Come in, Lunar Control. This is
Commander McVee of the Lunar
Detachment, sole survivor—"</p>
<p>"... hello, Hollip Quate?
Hollip Quate? This is Kansas
City calling. Say, where did you
say you were calling from...?"</p>
<p>"It looks as though both of us
had a lot of mistaken ideas about
the world outside," said Brett.
"Most of these stations sound as
though they might as well be
coming from Mars."</p>
<p>"I don't understand where the
voices come from," Dhuva said.
"But all the places they name
are strange to me ... except
the Twin Spires."</p>
<p>"I've heard of Kansas City,"
Brett said, "but none of the other
ones."</p>
<p>The ground trembled. A low
rumble rolled. "Another one,"
Brett said. He switched off the
radio, tried the starter. It
groaned, turned over. The engine
caught, sputtered, then ran
smoothly.</p>
<p>"Get in, Dhuva. We might as
well ride. Which way do we go
to get out of this place?"</p>
<p>"The wall lies in that direction,"
said Dhuva. "But I don't
know about a gate."</p>
<p>"We'll worry about that when
we get to it," said Brett. "This
whole place is going to collapse
before long. We really started
something. I suppose other underground
storage tanks caught—and
gas lines, too."</p>
<p>A building ahead cracked, fell
in a heap of pulverized plaster.
The car bucked as a blast sent a
ripple down the street. A manhole
cover popped up, clattered a
few feet, dropped from sight.
Brett swerved, gunned the car.
It leaped over rubble, roared
along the littered pavement.
Brett looked in the rear-view mirror.
A block behind them the
street ended. Smoke and dust
rose from the immense pit.</p>
<p>"We just missed it that time!"
he called. "How far to the wall?"</p>
<p>"Not far! Turn here ..."</p>
<p>Brett rounded the corner with
a shrieking of tires. Ahead the
grey wall rose up, blank, featureless.</p>
<p>"This is a dead end!" Brett
shouted.</p>
<p>"We'd better get out and run
for it—"</p>
<p>"No time! I'm going to ram
the wall! Maybe I can knock a
hole in it."</p>
<hr />
<p class="cap"><span class="dcap">Dhuva</span> crouched; teeth gritted,
Brett held the accelerator
to the floor, roared straight
toward the wall. The heavy car
shot across the last few yards,
struck—</p>
<p>And burst through a curtain
of canvas into a field of dry
stalks.</p>
<p>Brett steered the car in a wide
curve to halt and look back. A
blackened panama hat floated
down, settled among the stalks.
Smoke poured up in a dense
cloud from behind the canvas
wall. A fetid stench pervaded the
air.</p>
<p>"That finishes that, I guess,"
Brett said.</p>
<p>"I don't know. Look there."</p>
<p>Brett turned. Far across the
dry field columns of smoke rose
from the ground.</p>
<p>"The whole thing's undermined,"
Brett said. "How far
does it go?"</p>
<p>"No telling. But we'd better be
off. Perhaps we can get beyond
the edge of it. Not that it matters.
We're all that's left ..."</p>
<p>"You sound like the fat man,"
Brett said. "But why should we
be so surprised to find out the
truth? After all, we never saw
it before. All we knew—or
thought we knew—was what
they told us. The moon, the other
side of the world, a distant
city ... or even the next town.
How do we really know what's
there ... unless we go and see
for ourselves? Does a goldfish in
his bowl know what the ocean is
like?"</p>
<p>"Where did they come from,
those Gels? How much of the
world have they undermined?
What about Wavly? Is it a golem
country too? The Duke ...
and all the people I knew?"</p>
<p>"I don't know, Dhuva. I've
been wondering about the people
in Casperton. Like Doc
Welch. I used to see him in the
street with his little black bag.
I always thought it was full of
pills and scalpels; but maybe it
really had zebra's tails and
toad's eyes in it. Maybe he's really
a magician on his way to cast
spells against demons. Maybe
the people I used to see hurrying
to catch the bus every morning
weren't really going to the office.
Maybe they go down into
caves and chip away at the foundations
of things. Maybe they go
up on rooftops and put on rainbow-colored
robes and fly away.
I used to pass by a bank in Casperton:
a big grey stone building
with little curtains over the bottom
half of the windows. I never
go in there. I don't have anything
to do in a bank. I've always
thought it was full of bankers,
banking ... Now I don't know.
It could be anything ..."</p>
<p>"That's why I'm afraid," Dhuva
said. "It could be anything."</p>
<p>"Things aren't really any different
than they were," said
Brett, "... except that now we
know." He turned the big car out
across the field toward Casperton.</p>
<p>"I don't know what we'll find
when we get back. Aunt Haicey,
Pretty-Lee ... But there's only
one way to find out."</p>
<p>The moon rose as the car
bumped westward, raising a trail
of dust against the luminous sky
of evening.</p>
<p class="p2"><b>THE END</b></p>
<hr class="tb" />
<div class="bk1"><div class="bk2"><p>"The body shifted,
rotating stiffly,
then tilted upright.</p>
<p>"The sun struck through the
amber shape that
flowed down to
form itself into the
crested wave."</p>
<p>see IT COULD BE ANYTHING</p>
</div>
</div>
<hr class="tb" />
<div class="trn"><b>Transcriber's Note:</b>
This etext was produced from <i>Amazing Stories</i> January 1963.
Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed. Minor spelling and
typographical errors have been corrected without note.</div>
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