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House of Whispers

<h3 id="id00120" style="margin-top: 3em">CHAPTER II</h3> <h5 id="id00121">FROM OUT THE NIGHT</h5> There are few of the Perthshire castles that more plainly declare their feudal origin and exhibit traces of obsolete power than does the great gaunt pile of ruins known as Glencardine. Its situation is both picturesque and imposing, and the stern aspect of the two square baronial towers which face the south, perched on a sheer precipice that descends to the Ruthven Water deep below, shows that the castle was once the residence of a predatory chief in the days before its association with the great Montrose. Two miles from the long, straggling village of Auchterarder, in the centre of a fine, well-wooded, well-kept estate, the great ruined castle stands a silent monument of warlike days long since forgotten. There, within those walls, now overgrown with ivy and weeds, and where big trees grow in the centre of what was once the great paved courtyard, Montrose schemed and plotted, and, according to tradition, kept certain of his enemies in the dungeons below. In the twelfth century the aspect of the deep glen was very different from what it is to-day. In those days the Ruthven was a broad river, flowing swiftly down to the Earn, and forming, by reason of a moat, an effective barrier against attack. To-day, however, the river has diminished into a mere burn meandering through a beautiful wooded glen three hundred feet below, a glen the charms of which are well known throughout the whole of Scotland, and where in summer tourists from England endeavour to explore, but are warned back by Stewart, Sir Henry's Highland keeper. A quarter of a mile from the great historic ruin is the modern castle, built mainly of stone from the ancient structure early in the eighteenth century, with oak-panelled rooms, many quaint gables, stained glass, and long, echoing corridors—a residence well adapted for entertaining on a lavish scale, the front overlooking the beautiful glen, and the back with level lawns and stretch of undulating park, well wooded and full of picturesque beauty. The family traditions and history of the old place and its owners had induced Sir Henry Heyburn, himself a Fellow of the Society of Antiquaries, to purchase it from Lord Strathavon, into whose possession it had passed some forty years previously. History showed that William de Graeme or Graham, who settled in Scotland in the twelfth century, became Lord of Glencardine, and the great castle was built by his son. They were indeed a noble race, as their biographer has explained. Ever fearless in their country's cause, they sneered at the mandates from impregnable Stirling, and were loyal in every generation. Glencardine was a stronghold feared by all the surrounding nobles, and its men were full of valour and bravery. One story of them is perhaps worth the telling. In the year 1490 the all-powerful Abbot of Inchaffray issued an order for the collection of the teinds of the Killearns' lands possessed by the Grahams of Glencardine in the parish of Monzievaird, of which he was titular. The order was rigorously executed, the teinds being exacted by force. Lord Killearn of Dunning Castle was from home at the time; but in his absence his eldest son, William, Master of Dunning, called out a number of his clansmen, and marched towards Glencardine for the purpose of putting a stop to the abbot's proceedings. The Grahams of Glencardine, having been apprised of their neighbour's intention, mustered in strong force, and marched to meet him. The opposing forces encountered each other at the north side of Knock Mary, about two miles to the south-west of Crieff, while a number of the clan M'Robbie, who lived beside the Loch of Balloch, marched up the south side of the hill, halting at the top to watch the progress of the combat. The fight began with great fury on both sides. The Glencardine men, however, began to get the upper hand and drive their opponents back, when the M'Robbies rushed down the hill to the succour of the Killearns. The tables were now turned. The Grahams were unable to maintain their ground against the combined forces which they had now to face, and fled towards Glencardine, taking refuge in the Kirk of Monzievaird. The Killearns had no desire to follow up their success any farther, but at this stage they were joined by Duncan Campbell of Dunstaffnage, who had come across from Argyllshire to avenge the death of his father-in-law, Robert of Monzie, who, along with his two sons, had a short time before been killed by the Lord of Glencardine. An arrow shot from the church fatally wounded one of Campbell's men, and so enraged were the besiegers at this that they set fire to the heather-thatched building. Of the one hundred and sixty human beings who are supposed to have been in the church, only one young lad escaped, and this was effected by the help of one of the Killearns, who caught the boy in his arms as he leaped out of the flames. The Killearns did not go unpunished for their barbarous deed. Their leader, with several of his chief retainers, was afterwards beheaded at Stirling, and an assessment was imposed on the Killearns for behoof of the wives and children of the Grahams who had perished by their hands. The Killearn by whose aid the young Graham had been saved was forced to flee to Ireland, but he afterwards returned to Scotland, where he and his attendants were known by the name of "Killearn Eirinich" (or Ernoch), meaning Killearn of Ireland. The estate which he held, and which is situated near Comrie, still bears that name. The site of the Kirk of Monzievaird is now occupied by the mausoleum of the family of Murray of Ochtertyre, which was erected in 1809. When the foundations were being excavated a large quantity of charred bones and wood was found. The history of Scotland is full of references to the doings at Glencardine, the fine home of the great Lord Glencardine, and of events, both in the original stronghold and in the present mansion, which have had important bearings upon the welfare of the country. In the autumn of 1825 the celebrated poetess Baroness Nairne, who had been born at Gask, a few miles away, visited Glencardine and spent several weeks in the pleasantest manner. Within those gaunt ruins of the old castle she first became inspired to write her celebrated "Castell Gloom," near Dollar: Oh Castell Gloom! thy strength is gone, The green grass o'er thee growin'; On Hill of Care thou art alone, The Sorrow round thee flowin'. Oh Castell Gloom! on thy fair wa's Nae banners now are streamin'; The howlit flits amang thy ha's, And wild birds there are screamin'. Oh, mourn the woe! oh, mourn the crime Frae civil war that flows! Oh, mourn, Argyll, thy fallen line, And mourn the great Montrose! The lofty Ochils bright did glow, Though sleepin' was the sun; But mornin's light did sadly show What ragin' flames had done! Oh, mirk, mirk was the misty cloud That hung o'er thy wild wood! Thou wert like beauty in a shroud, And all was solitude. A volume, indeed, could be written upon the history, traditions, and superstitions of Glencardine Castle, a subject in which its blind owner took the keenest possible interest. But, tragedy of it all, he had never seen the lovely old domain he had acquired! Only by Gabrielle's descriptions of it, as she led him so often across the woods, down by the babbling burn, or over the great ivy-covered ruins, did he know and love it. Every shepherd of the Ochils knows of the Lady of Glencardine who, on rare occasions, had been seen dressed in green flitting before the modern mansion, and who was said to be the spectre of the young Lady Jane Glencardine, who in 1710 was foully drowned in the Earn by her jealous lover, the Lord of Glamis, and whose body was never recovered. Her appearance always boded ill-fortune to the family in residence. Glencardine was scarcely ever without guests. Lady Heyburn, a shallow and vain woman many years younger than her husband, was always surrounded by her own friends. She hated the country, and more especially what she declared to be the "deadly dullness" of her Perthshire home. That moment was no exception. There were half-a-dozen guests staying in the house, but neither Gabrielle nor her father took the slightest interest in any of them. They had been, of course, invited to the ball at Connachan, and at dinner had expressed surprise when their host's pretty daughter, the belle of the county, had declared that she was not going. "Oh, Gabrielle is really such a wayward child!" declared her ladyship to old Colonel Burton at her side. "If she has decided not to go, no power on earth will persuade her." "I'm not feeling at all well, mother," the girl responded from the farther end of the table. "You'll make nice excuses for me, won't you?" "I think it's simply ridiculous!" declared the Baronet's wife. "Your first season, too!" Gabrielle glanced round the table, coloured slightly, but said nothing. The guests knew too well that in the Glencardine household there had always been, and always would be, slightly strained relations between her ladyship and her stepdaughter. For an hour after dinner all was bustle and excitement; then, in the covered wagonette, the gay party drove away, while Gabrielle, standing at the door, shouted after them a merry adieu. It was a bright, clear, moonlit night, so beautiful indeed that, twisting a shawl about her shoulders, she went to her father's den, where he usually smoked alone, and, taking his arm, led him out for a walk into the park over that gravelled drive where, upon such nights as that, 'twas said that the unfortunate Lady Jane could be seen. When alone, the sightless man could find his way quite well with the aid of his stick. He knew every inch of his domain. Indeed, he could descend from the castle by the winding path that led deep into the glen, and across the narrow foot-bridges of the rushing Ruthven Water, or he could traverse the most intricate paths through the woods by means of certain landmarks which only he himself knew. He was ever fond of wandering about the estate alone, and often took solitary walks on bright nights with his stout stick tapping before him. On rare occasions, however, when, in the absence of her ladyship, he enjoyed the company of pretty Gabrielle, they would wander in the park arm-in-arm, chatting and exchanging confidences. The departure of their house-party had lifted a heavy weight from both their hearts. It would be dawn before they returned. She loved her father, and was never happier than when describing to him things—the smallest objects sometimes—which he himself could not see. As they strolled on beneath the shadows of the tall elms, the stillness of the night was broken only by the quick scurry of a rabbit into the tall bracken or the harsh cry of some night-bird startled by their approach. Before them, standing black against the night-sky, rose the quaint, ponderous, but broken walls of the ancient stronghold, where an owl hooted weirdly in the ivy, and where the whispering of the waters rose from the deep below. "It's a pity, dear, that you didn't go to the dance," the old man was saying, her arm held within his own. "You've annoyed your mother, I fear." "Mother is quite happy with her guests, dad; while I am quite happy with you," she replied softly. "Therefore, why discuss it?" "But surely it is not very entertaining for you to remain here with a man who is blind. Remember, you are young, and these golden days of youth will very soon pass." "Why, you always entertain and instruct me, dad," she declared; "from you I've learnt so much archaeology and so much about mediaeval seals that I believe I am qualified to become a Fellow of the Society of Antiquaries, if women were admitted to fellowship." "They will be one day, my dear, if the Suffragettes are allowed their own way," he laughed. And then, during the full hour they strolled together, their conversation mostly consisted of questions asked by her father concerning some improvements being made in one of the farms which she had visited on the previous day, and her description of what had been done. The stable-clock had struck half-past ten on its musical chimes before they re-entered the big hall, and, being relieved by Hill of the wraps, passed together into the library, where, from a locked cabinet in a corner, Gabrielle took a number of business papers and placed them upon the writing-table before her father. "No," he said, running his thin white hands over them, "not business to-night, dear, but pleasure. Where is that box from the Professor?" "It's here, dad. Shall I open it?" "Yes," he replied. "That dear old fellow never forgets his old friend. Never a seal finds its way into the collection at Cambridge but he first sends it to me for examination before it is catalogued. He knows what pleasure it is to me to decipher them and make out their history—almost, alas! the only pleasure left to me, except you, my darling." "Professor Moyes adopts your opinion always, dad. He knows, as every other antiquary knows, that you are the greatest living authority on the subject which you have made a lifetime study—that of the bronze seals of the Middle Ages." "Ah!" sighed the old man, "if I could only write my great book! It is the pleasure debarred me. Years ago I started to collect material; but my affliction came, and now I can only feel the matrices and picture them in my mind. I see through your eyes, dear Gabrielle. To me, the world I loved so much is only a blank darkness, with your dear voice sounding out of it—the only voice, my child, that is music to my ears." The girl said nothing. She only glanced at the sad, expressionless face, and, cutting the string of the small packet, displayed three bronze seals—two oval, about two inches long, and the third round, about one inch in diameter, and each with a small kind of handle on the reverse. With them were sulphur-casts or impressions taken from them, ready to be placed in the museum at Cambridge. The old man's nervous fingers travelled over the surfaces quickly, an expression of complete satisfaction in his face. "Have you the magnifying-glass, dear? Tell me what you make of the inscriptions," he said, at the same time carefully feeling the curious mediaeval lettering of one of the casts. At the same instant she started, rose quickly from her chair, and held her breath. A man, tall, dark-faced, and wearing a thin black overcoat, had entered noiselessly from the lawn by the open window, and stood there, with his finger upon his lips, indicating silence. Then he pointed outside, with a commanding gesture that she should follow. Her eyes met his in a glance of fierce resentment, and instinctively she placed her hand upon her breast, as though to stay the beating of her heart. Again he pointed in silent authority, and she as though held in some mysterious thraldom, made excuse to the blind man, and, rising, followed in his noiseless footsteps. <div style="break-after:column;"></div>

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