<h2><SPAN name="chap23"></SPAN>CHAPTER XXIII.</h2>
<p class="poem">
Such was our fallen father’s fate,<br/>
Yet better than mine own;<br/>
He shared his exile with his mate,<br/>
I’m banish’d forth alone.<br/>
<br/>
W<small>ALLER</small></p>
<p>I will not attempt to describe the mixture of indignation and regret with which
Ravenswood left the seat which had belonged to his ancestors. The terms in
which Lady Ashton’s billet was couched rendered it impossible for him,
without being deficient in that spirit of which he perhaps had too much, to
remain an instant longer within its walls. The Marquis, who had his share in
the affront, was, nevertheless, still willing to make some efforts at
conciliation. He therefore suffered his kinsman to depart alone, making him
promise, however, that he would wait for him at the small inn called the
Tod’s Hole, situated, as our readers may be pleased to recollect,
half-way betwixt Ravenswood Castle and Wolf’s Crag, and about five
Scottish miles distant from each. Here the Marquis proposed to join the Master
of Ravenswood, either that night or the next morning. His own feelings would
have induced him to have left the castle directly, but he was loth to forfeit,
without at least one effort, the advantages which he had proposed from his
visit to the Lord Keeper; and the Master of Ravenswood was, even in the very
heat of his resentment, unwilling to foreclose any chance of reconciliation
which might arise out of the partiality which Sir William Ashton had shown
towards him, as well as the intercessory arguments of his noble kinsman. He
himself departed without a moment’s delay, farther than was necessary to
make this arrangement.</p>
<p>At first he spurred his horse at a quick pace through an avenue of the park, as
if, by rapidity of motion, he could stupify the confusion of feelings with
which he was assailed. But as the road grew wilder and more sequestered, and
when the trees had hidden the turrets of the castle, he gradually slackened his
pace, as if to indulge the painful reflections which he had in vain endeavoured
to repress. The path in which he found himself led him to the Mermaiden’s
Fountain, and to the cottage of Alice; and the fatal influence which
superstitious belief attached to the former spot, as well as the admonitions
which had been in vain offered to him by the inhabitant of the latter, forced
themselves upon his memory. “Old saws speak truth,” he said to
himself, “and the Mermaiden’s Well has indeed witnessed the last
act of rashness of the heir of Ravenswood. Alice spoke well,” he
continued, “and I am in the situation which she foretold; or rather, I am
more deeply dishonoured—not the dependant and ally of the destroyer of my
father’s house, as the old sibyl presaged, but the degraded wretch who
has aspired to hold that subordinate character, and has been rejected with
disdain.”</p>
<p>We are bound to tell the tale as we have received it; and, considering the
distance of the time, and propensity of those through whose mouths it has
passed to the marvellous, this could not be called a Scottish story unless it
manifested a tinge of Scottish superstition. As Ravenswood approached the
solitary fountain, he is said to have met with the following singular
adventure: His horse, which was moving slowly forward, suddenly interrupted its
steady and composed pace, snorted, reared, and, though urged by the spur,
refused to proceed, as if some object of terror had suddenly presented itself.
On looking to the fountain, Ravenswood discerned a female figure, dressed in a
white, or rather greyish, mantle, placed on the very spot on which Lucy Ashton
had reclined while listening to the fatal tale of love. His immediate
impression was that she had conjectured by which path he would traverse the
park on his departure, and placed herself at this well-known and sequestered
place of rendezvous, to indulge her own sorrow and his parting interview. In
this belief he jumped from his horse, and, making its bridle fast to a tree,
walked hastily towards the fountain, pronouncing eagerly, yet under his breath,
the words, “Miss Ashton!—Lucy!”</p>
<p>The figure turned as he addressed it, and displayed to his wondering eyes the
features, not of Lucy Ashton, but of old blind Alice. The singularity of her
dress, which rather resembled a shroud than the garment of a living woman; the
appearance of her person, larger, as it struck him, than it usually seemed to
be; above all, the strange circumstance of a blind, infirm, and decrepit person
being found alone and at a distance from her habitation (considerable, if her
infirmities be taken into account), combined to impress him with a feeling of
wonder approaching to fear. As he approached, she arose slowly from her seat,
held her shrivelled hand up as if to prevent his coming more near, and her
withered lips moved fast, although no sound issued from them. Ravenswood
stopped; and as, after a moment’s pause, he again advanced towards her,
Alice, or her apparition, moved or glided backwards towards the thicket, still
keeping her face turned towards him. The trees soon hid the form from his
sight; and, yielding to the strong and terrific impression that the being which
he had seen was not of this world, the Master of Ravenswood remained rooted to
the ground whereon he had stood when he caught his last view of her. At length,
summoning up his courage, he advanced to the spot on which the figure had
seemed to be seated; but neither was there pressure of the grass nor any other
circumstance to induce him to believe that what he had seen was real and
substantial.</p>
<p>Full of those strange thoughts and confused apprehensions which awake in the
bosom of one who conceives he has witnessed some preternatural appearance, the
Master of Ravenswood walked back towards his horse, frequently, however,
looking behind him, not without apprehension, as if expecting that the vision
would reappear. But the apparition, whether it was real or whether it was the
creation of a heated and agitated imagination, returned not again; and he found
his horse sweating and terrified, as if experiencing that agony of fear with
which the presence of a supernatural being is supposed to agitate the brute
creation. The Master mounted, and rode slowly forward, soothing his steed from
time to time, while the animal seemed internally to shrink and shudder, as if
expecting some new object of fear at the opening of every glade. The rider,
after a moment’s consideration, resolved to investigate the matter
further. “Can my eyes have deceived me,” he said, “and
deceived me for such a space of time? Or are this woman’s infirmities but
feigned, in order to excite compassion? And even then, her motion resembled not
that of a living and existing person. Must I adopt the popular creed, and think
that the unhappy being has formed a league with the powers of darkness? I am
determined to be resolved; I will not brook imposition even from my own
eyes.”</p>
<p>In this uncertainty he rode up to the little wicket of Alice’s garden.
Her seat beneath the birch-tree was vacant, though the day was pleasant and the
sun was high. He approached the hut, and heard from within the sobs and wailing
of a female. No answer was returned when he knocked, so that, after a
moment’s pause, he lifted the latch and entered. It was indeed a house of
solitude and sorrow. Stretched upon her miserable pallet lay the corpse of the
last retainer of the house of Ravenswood who still abode on their paternal
domains! Life had but shortly departed; and the little girl by whom she had
been attended in her last moments was wringing her hands and sobbing, betwixt
childish fear and sorrow, over the body of her mistress.</p>
<p>The Master of Ravenswood had some difficulty to compose the terrors of the poor
child, whom his unexpected appearance had at first rather appalled than
comforted; and when he succeeded, the first expression which the girl used
intimated that “he had come too late.” Upon inquiring the meaning
of this expression, he learned that the deceased, upon the first attack of the
mortal agony, had sent a peasant to the castle to beseech an interview of the
Master of Ravenswood, and had expressed the utmost impatience for his return.
But the messengers of the poor are tardy and negligent: the fellow had not
reached the castle, as was afterwards learned, until Ravenswood had left it,
and had then found too much amusement among the retinue of the strangers to
return in any haste to the cottage of Alice. Meantime her anxiety of mind
seemed to increase with the agony of her body; and, to use the phrase of Babie,
her only attendant, “she prayed powerfully that she might see her
master’s son once more, and renew her warning.” She died just as
the clock in the distant village tolled one; and Ravenswood remembered, with
internal shuddering, that he had heard the chime sound through the wood just
before he had seen what he was now much disposed to consider as the spectre of
the deceased.</p>
<p>It was necessary, as well from his respect to the departed as in common
humanity to her terrified attendant, that he should take some measures to
relieve the girl from her distressing situation. The deceased, he understood,
had expressed a desire to be buried in a solitary churchyard, near the little
inn of the Tod’s Hole, called the Hermitage, or more commonly Armitage,
in which lay interred some of the Ravenswood family, and many of their
followers. Ravenswood conceived it his duty to gratify this predilection,
commonly found to exist among the Scottish peasantry, and despatched Babie to
the neighbouring village to procure the assistance of some females, assuring
her that, in the mean while, he would himself remain with the dead body, which,
as in Thessaly of old, it is accounted highly unfit to leave without a watch.</p>
<p>Thus, in the course of a quarter of an hour or little more, he found himself
sitting a solitary guard over the inanimate corpse of her whose dismissed
spirit, unless his eyes had strangely deceived him, had so recently manifested
itself before him. Notwithstanding his natural courage, the Master was
considerably affected by a concurrence of circumstances so extraordinary.
“She died expressing her eager desire to see me. Can it be, then,”
was his natural course of reflection—“can strong and earnest
wishes, formed during the last agony of nature, survive its catastrophe,
surmount the awful bounds of the spiritual world, and place before us its
inhabitants in the hues and colouring of life? And why was that manifested to
the eye which could not unfold its tale to the ear? and wherefore should a
breach be made in the laws of nature, yet its purpose remain unknown? Vain
questions, which only death, when it shall make me like the pale and withered
form before me, can ever resolve.”</p>
<p>He laid a cloth, as he spoke, over the lifeless face, upon whose features he
felt unwilling any longer to dwell. He then took his place in an old carved
oaken chair, ornamented with his own armorial bearings, which Alice had
contrived to appropriate to her own use in the pillage which took place among
creditors, officers, domestics, and messengers of the law when his father left
Ravenswood Castle for the last time. Thus seated, he banished, as much as he
could, the superstitious feelings which the late incident naturally inspired.
His own were sad enough, without the exaggeration of supernatural terror, since
he found himself transferred from the situation of a successful lover of Lucy
Ashton, and an honoured and respected friend of her father, into the melancholy
and solitary guardian of the abandoned and forsaken corpse of a common pauper.</p>
<p>He was relieved, however, from his sad office sooner that he could reasonably
have expected, considering the distance betwixt the hut of the deceased and the
village, and the age and infirmities of three old women who came from thence,
in military phrase, to relieve guard upon the body of the defunct. On any other
occasion the speed of these reverend sibyls would have been much more moderate,
for the first was eighty years of age and upwards, the second was paralytic,
and the third lame of a leg from some accident. But the burial duties rendered
to the deceased are, to the Scottish peasant of either sex, a labour of love. I
know not whether it is from the temper of the people, grave and enthusiastic as
it certainly is, or from the recollection of the ancient Catholic opinions,
when the funeral rites were always considered as a period of festival to the
living; but feasting, good cheer, and even inebriety, were, and are, the
frequent accompaniments of a Scottish old-fashioned burial. What the funeral
feast, or <i>dirgie</i>, as it is called, was to the men, the gloomy
preparations of the dead body for the coffin were to the women. To straight the
contorted limbs upon a board used for that melancholy purpose, to array the
corpse in clean linen, and over that in its woollen shroad, were operations
committed always to the old matrons of the village, and in which they found a
singular and gloomy delight.</p>
<p>The old women paid the Master their salutations with a ghastly smile, which
reminded him of the meeting betwixt Macbeth and the witches on the blasted
heath of Forres. He gave them some money, and recommended to them the charge of
the dead body of their contemporary, an office which they willingly undertook;
intimating to him at the same time that he must leave the hut, in order that
they might begin their mournful duties. Ravenswood readily agreed to depart,
only tarrying to recommend to them due attention to the body, and to receive
information where he was to find the sexton, or beadle, who had in charge the
deserted churchyard of the Armitage, in order to prepare matters for the
reception of Old Alice in the place of repose which she had selected for
herself.</p>
<p>“Ye’ll no be pinched to find out Johnie Mortsheugh,” said the
elder sibyl, and still her withered cheek bore a grisly smile; “he dwells
near the Tod’s Hole, an house of entertainment where there has been mony
a blythe birling, for death and drink-draining are near neighbours to ane
anither.”</p>
<p>“Ay! and that’s e’en true, cummer,” said the lame hag,
propping herself with a crutch which supported the shortness of her left leg,
“for I mind when the father of this Master of Ravenswood that is now
standing before us sticked young Blackhall with his whinger, for a wrang word
said ower their wine, or brandy, or what not: he gaed in as light as a lark,
and he came out wi’ his feet foremost. I was at the winding of the
corpse; and when the bluid was washed off, he was a bonny bouk of man’s
body.” It may be easily believed that this ill-timed anecdote hastened
the Master’s purpose of quitting a company so evil-omened and so odious.
Yet, while walking to the tree to which his horse was tied, and busying himself
with adjusting the girths of the saddle, he could not avoid hearing, through
the hedge of the little garden, a conversation respecting himself, betwixt the
lame woman and the octogenarian sibyl. The pair had hobbled into the garden to
gather rosemary, southernwood, rue, and other plants proper to be strewed upon
the body, and burned by way of fumigation in the chimney of the cottage. The
paralytic wretch, almost exhausted by the journey, was left guard upon the
corpse, lest witches or fiends might play their sport with it.</p>
<p>The following law, croaking dialogue was necessarily overheard by the Master of
Ravenswood:</p>
<p>“That’s a fresh and full-grown hemlock, Annie Winnie; mony a cummer
lang syne wad hae sought nae better horse to flee over hill and how, through
mist and moonlight, and light down in the King of France’s cellar.”</p>
<p>“Ay, cummer! but the very deil has turned as hard-hearted now as the Lord
Keeper and the grit folk, that hae breasts like whinstane. They prick us and
they pine us, and they pit us on the pinnywinkles for witches; and, if I say my
prayers backwards ten times ower, Satan will never gie me amends o’
them.”</p>
<p>“Did ye ever see the foul thief?” asked her neighbour.</p>
<p>“Na!” replied the other spokeswoman; “but I trow I hae
dreamed of him mony a time, and I think the day will come they will burn me
for’t. But ne’er mind, cummer! we hae this dollar of the
Master’s, and we’ll send doun for bread and for yill, and tobacco,
and a drap brandy to burn, and a wee pickle saft sugar; and be there deil, or
nae deil, lass, we’ll hae a merry night o’t.”</p>
<p>Here her leathern chops uttered a sort of cackling, ghastly laugh, resembling,
to a certain degree, the cry of the screech-owl.</p>
<p>“He’s a frank man, and a free-handed man, the Master,” said
Annie Winnie, “and a comely personage—broad in the shouthers, and
narrow around the lunyies. He wad mak a bonny corpse; I wad like to hae the
streiking and winding o’ him.”</p>
<p>“It is written on his brow, Annie Winnie,” returned the
octogenarian, her companion, “that hand of woman, or of man either, will
never straught him: dead-deal will never be laid on his back, make you your
market of that, for I hae it frae a sure hand.”</p>
<p>“Will it be his lot to die on the battle-ground then, Ailsie Gourlay?
Will he die by the sword or the ball, as his forbears had dune before him, mony
ane o’ them?”</p>
<p>“Ask nae mair questions about it—he’ll no be graced sae
far,” replied the sage.</p>
<p>“I ken ye are wiser than ither folk, Aislie Gourlay. But wha tell’d
ye this?”</p>
<p>“Fashna your thumb about that, Annie Winnie,” answered the sibyl,
“I hae it frae a hand sure eneugh.”</p>
<p>“But ye said ye never saw the foul thief,” reiterated her
inquisitive companion.</p>
<p>“I hae it frae as sure a hand,” said Ailsie, “and frae them
that spaed his fortune before the sark gaed ower his head.”</p>
<p>“Hark! I hear his horse’s feet riding aff,” said the other;
“they dinna sound as if good luck was wi’ them.”</p>
<p>“Mak haste, sirs,” cried the paralytic hag from the cottage,
“and let us do what is needfu’, and say what is fitting; for, if
the dead corpse binna straughted, it will girn and thraw, and that will fear
the best o’ us.”</p>
<p>Ravenswood was now out of hearing. He despised most of the ordinary prejudices
about witchcraft, omens, and vaticination, to which his age and country still
gave such implicit credit that to express a doubt of them was accounted a crime
equal to the unbelief of Jews or Saracens; he knew also that the prevailing
belief, concerning witches, operating upon the hypochondriac habits of those
whom age, infirmity, and poverty rendered liable to suspicion, and enforced by
the fear of death and the pangs of the most cruel tortures, often extorted
those confessions which encumber and disgrace the criminal records of Scotland
during the 17th century. But the vision of that morning, whether real or
imaginary, had impressed his mind with a superstitious feeling which he in vain
endeavoured to shake off. The nature of the business which awaited him at the
little inn, called Tod’s Hole, where he soon after arrived, was not of a
kind to restore his spirits.</p>
<p>It was necessary he should see Mortsheugh, the sexton of the old burial-ground
at Armitage, to arrange matters for the funeral of Alice; and, as the man dwelt
near the place of her late residence, the Master, after a slight refreshment,
walked towards the place where the body of Alice was to be deposited. It was
situated in the nook formed by the eddying sweep of a stream, which issued from
the adjoining hills. A rude cavern in an adjacent rock, which, in the interior,
was cut into the shape of a cross, formed the hermitage, where some Saxon saint
had in ancient times done penance, and given name to the place. The rich Abbey
of Coldinghame had, in latter days, established a chapel in the neighbourhood,
of which no vestige was now visible, though the churchyard which surrounded it
was still, as upon the present occasion, used for the interment of particular
persons. One or two shattered yew-trees still grew within the precincts of that
which had once been holy ground. Warriors and barons had been buried there of
old, but their names were forgotten, and their monuments demolished. The only
sepulchral memorials which remained were the upright headstones which mark the
graves of persons of inferior rank. The abode of the sexton was a solitary
cottage adjacent to the ruined wall of the cemetery, but so low that, with its
thatch, which nearly reached the ground, covered with a thick crop of grass,
fog, and house-leeks, it resembled an overgrown grave. On inquiry, however,
Ravenswood found that the man of the last mattock was absent at a bridal, being
fiddler as well as grave-digger to the vicinity. He therefore retired to the
little inn, leaving a message that early next morning he would again call for
the person whose double occupation connected him at once with the house of
mourning and the house of feasting.</p>
<p>An outrider of the Marquis arrived at Tod’s Hole shortly after, with a
message, intimating that his master would join Ravenswood at that place on the
following morning; and the Master, who would otherwise have proceeded to his
old retreat at Wolf’s Crag, remained there accordingly to give meeting to
his noble kinsman.</p>
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