<p><SPAN name="chap20"></SPAN></p>
<h3> CHAPTER XX <br/> "PLEASE KILL" </h3>
<p>Early Tuesday morning, while Mr. Minot
still slept and mercifully forgot, two very
wide awake gentlemen sat alone together in the
office of the <i>San Marco Mail</i>. One was Manuel
Gonzale, proprietor of that paper, as immaculate
as the morn; the other was that broad and breezy
gentleman known in his present incarnation as
Mr. Martin Wall.</p>
<p>"Very neat. Very neat indeed," said Mr. Wall,
gazing with evident approval at an inky smelling
sheet that lay before him. "It ought to do the
work. If it does, it will be the first stroke of luck
I've had in San Marco."</p>
<p>Gonzale smiled, revealing two even rows of
very white teeth.</p>
<p>"You do not like San Marco?" he ventured.</p>
<p>Mr. Wall snorted angrily.</p>
<p>"Like it? Does a beheaded man like the ax?
In a long and golden professional career, I've
never struck anything like this town before for
hard luck. I'm not in it twenty-four hours when
I'm left alone, my hands tied, with stuff enough
to make your eyes pop out of your head. That's
pleasant! Then, after spending two months and
a lot of money trailing Lord Harrowby for the
family jools, I finally cop them. I give the crew
of my borrowed boat orders to steam far, far
away, and run to my cabin to gloat. Do I gloat?
Ask me. I do not gloat. I find the famous Chain
Lightning's Collar is a very superior collection of
glass, worth about twenty-three cents. I send
back the glass, and stick around, hoping for
better days. And the best I get is a call from the
owner of my yacht, with orders to vacate at once.
When I first came here I swore I'd visit that
jewelry store again—alone. But—there's a jinx
after me in this town. What's the use? I'm going
to get out."</p>
<p>"But before you go," smiled Manuel, "one
stroke of luck you shall have."</p>
<p>"Maybe. I leave that to you. This kind of
thing"—he motioned toward the damp paper—"is
not in my line." He bent over a picture on the
front page. "That cut came out pretty well,
didn't it? Lucky we got the photograph before
big brother George arrived."</p>
<p>"I have always found San Marco lucky,"
replied Gonzale. "Always—with one trifling
exception." He drummed reminiscently on his desk.</p>
<p>"I say—who's this?" Mr. Wall pointed to a
line just beneath the name of the paper.
"Robert O'Neill, Editor and Proprietor," he read.</p>
<p>Manuel Gonzale gurgled softly somewhere
within, which was his cunning, non-committal
way of indicating mirth.</p>
<p>"Ah—my very virtuous managing editor," he
said. "One of those dogs who dealt so vilely
with me—I have told you of that. Manuel Gonzale
does not forget." He leaned closer. "This
morning at two, after O'Neill and Howe had sent
to-day's paper to press as usual, Luypas, my
circulation manager, and I arrived. My virtuous
editors had departed to their rest. Luypas and I
stopped the presses, we substituted a new
first-page form. O'Neill and Howe—they will not
know. Always they sleep until noon. In this
balmy climate, it is easy to lie abed."</p>
<p>Again Manuel Gonzale gurgled.</p>
<p>"May their sleep be dreamless," he said. "And
should our work of the morning fail, may the
name of O'Neill be the first to concern the police."</p>
<p>Wall laughed.</p>
<p>"A good idea," he remarked. He looked at his
watch. "Nine-fifteen. The banks ought to be
open now."</p>
<p>Gonzale got to his feet. Carefully he folded
the page that had been lying on his desk.</p>
<p>"The moment for action has come," he said.
"Shall we go down to the street?"</p>
<p>"I'm in strange waters," responded Martin
Wall uneasily. "The first dip I've ever taken
out of my line. Don't believe in it either—a man
should have his specialty and stick to it.
However, I need the money. Am I letter perfect in
my part, I wonder?"</p>
<p>The door of the <i>Mail</i> office opened, and a sly
little Cuban with an evil face stepped in.</p>
<p>"Ah, Luypas," Gonzale said, "you are here at
last? Do you understand? Your boys they are
to be in the next room—yes? You are to sit near
that telephone. At a word from my friend,
Mr. Martin Wall, to-day's edition of the <i>Mail</i> is to
flood the streets—the news-stands. Instantly.
Delay might be fatal. Is that clear?"</p>
<p>"I know," said Luypas.</p>
<p>"Very good," said Gonzale. He turned to
Martin Wall. "Now is the time," he added.</p>
<p>The two descended to the street. Opposite
the Hotel de la Pax they parted. The sleek
little Spaniard went on alone and mounted
boldly those pretentious steps. At the desk he
informed the clerk on duty that he must see
Mr. Spencer Meyrick at once.</p>
<p>"But Mr. Meyrick is very busy to-day," the
clerk objected.</p>
<p>"Say this is—life and death," replied Gonzale,
and the clerk, wilting, telephoned the
millionaire's apartments.</p>
<p>For nearly an hour Gonzale was kept waiting.
Nervously he paced the lobby, consuming one
cigarette after another, glancing often at his
watch. Finally Spencer Meyrick appeared,
pompous, red-faced, a hard man to handle, as he
always had been. The Spaniard noted this, and
his slits of eyes grew even narrower.</p>
<p>"Will you come with me?" he asked suavely.
"It is most important."</p>
<p>He led the way to a summer-house in a far
forgotten corner of the hotel grounds.
Protesting, Spencer Meyrick followed. The two sat
down.</p>
<p>"I have something to show you," said Gonzale
politely, and removed from his pocket a
copy of the <i>San Marco Mail</i>, still damp from the
presses.</p>
<p>Spencer Meyrick took the paper in his own
large capable hands. He glanced casually at
the first page, and his face grew somewhat
redder than its wont. A huge head-line was
responsible:</p>
<p><br/></p>
<p class="t3b">
HARROWBY WASN'T TAKING ANY CHANCES.</p>
<p><br/></p>
<p>Underneath, in slightly smaller type, Spencer
Meyrick read:</p>
<p><br/></p>
<p class="t3b">
<span class="smcap">Remarkable Foresight of English Fortune<br/>
Hunter Who Weds Miss Meyrick To-Day<br/>
Took Out a Policy For Seventy-Five<br/>
Thousand Pounds With Lloyds.<br/>
Same to be Payable in Case the<br/>
Beautiful Heiress Suffered a<br/>
Change of Heart<br/></span></p>
<p><br/></p>
<p>Prominent on the page was a large photograph,
which purported to be "An Exact Facsimile of
the Policy." Mr. Meyrick examined it. He
glanced through the story, which happened to be
commendably brief. He told himself he must
remain calm, avoid fireworks, think quickly.
Laying the paper on his knee, he turned to the
little white-garbed man beside him.</p>
<p>"What trick is this?" he asked sharply.</p>
<p>"It is no trick, sir," said Gonzale pleasantly.
"It is the truth. That is a photograph of the
policy."</p>
<p>Old Meyrick studied the cut again.</p>
<p>"I'll be damned," he remarked.</p>
<p>"I have no desire to annoy," Gonzale went on.
"But—there are five thousand copies of to-day's
<i>Mail</i> at the office ready to be distributed at a
signal from me. Think, sir! Newsboys on the
street with that story at the very moment when
your daughter becomes Lady Harrowby."</p>
<p>"I see," said Meyrick slowly. "Blackmail."</p>
<p>Manuel Gonzale shuddered in horror.</p>
<p>"Oh, I beg of you," he protested. "That is
hardly it. A business proposition, I should call
it. It happens that the men back of the Star
Publishing Company, which issues the <i>Mail</i>,
have grown tired of the newspaper game in
San Marco. They are desirous of closing out
the plant at once—say this morning. It occurs
to them that you might be very glad to purchase
the <i>Mail</i>—before the next edition goes on the
street."</p>
<p>"You're a clever little dog," said Meyrick,
through his teeth.</p>
<p>"You are not exactly complimentary. However—let
us say for the argument—you buy the
<i>Mail</i> at once. I am, by the way, empowered to
make the sale. You take charge. You hurry to
the office. You destroy all copies of to-day's issue
so far printed. You give orders to the
composing-room to kill this first-page story—good
as it is. 'Please kill,' you say. A term with
newspaper men."</p>
<p>"You call yourself a newspaper man?"</p>
<p>"Why not? The story is killed. Another is
put in its place—say, for example, an elaborate
account of your daughter's wedding. And in its
changed form the <i>Mail</i>—your newspaper—goes
on the street."</p>
<p>"Um—and your price?"</p>
<p>"It is a valuable property."</p>
<p>"Especially valuable this morning, I take it,"
sneered Meyrick.</p>
<p>"Valuable at any time. Our presses cost a
thousand. Our linotypes two thousand. And
there is that other thing—so hard to estimate
definitely—the wide appeal of our paper. The
price—well—fifteen thousand dollars. Extremely
reasonable. And I will include—the good will
of the retiring management."</p>
<p>"You contemptible little—" began Spencer
Meyrick.</p>
<p>"My dear sir—control yourself," pleaded
Gonzale. "Or I may be unable to include the good
will I spoke of. Would you care to see that story
on the streets? You may at any moment. There
is but one way out. Buy the newspaper. Buy
it now. Here is the plan—you go with me to
your bank. You procure fifteen thousand in
cash. We go together to the <i>Mail</i> office. You
pay me the money and I leave you in charge."</p>
<p>Old Meyrick leaped to his feet.</p>
<p>"Very good," he cried. "Come on."</p>
<p>"One thing more," continued the crafty Gonzale.
"It may pay you to note—we are watched.
Even now. All the way to the bank and thence
to the office of the <i>Mail</i>—we will be watched.
Should any accident, now unforeseen, happen
to me, that issue of the <i>Mail</i> will go on sale in
five minutes all over San Marco."</p>
<p>Spencer Meyrick stood glaring down at the
little man in white. His enthusiasm of a moment
ago for the journey vanished. However, the
head-lines of the <i>Mail</i> were staring up at him
from the bench. He stooped, pocketed the paper,
and growled:</p>
<p>"I understand. Come on!"</p>
<p>There must be some escape. The trap seemed
absurdly simple. Across the hotel lawn, down
the hot avenue, in the less hot plaza, Meyrick
sought a way. A naturally impulsive man, he
had difficulty restraining himself. But he
thought of his daughter, whose happiness was
more than money in his eyes.</p>
<p>No way offered. At the counter of the tiny
bank Meyrick stood writing his check, Gonzale
at his elbow. Suddenly behind them the screen
door slammed, and a wild-eyed man with flaming
red hair rushed in.</p>
<p>"What is it you want?" Gonzale screamed.</p>
<p>"Out of my way, Don Quixote," cried the
red-topped one. "I'm a windmill and my arms
breathe death. Are you Mr. Meyrick? Well,
tear up that check!"</p>
<p>"Gladly," said Meyrick. "Only—"</p>
<p>"Notice the catbirds down here?" went on the
wild one. "Noisy little beasts, aren't they? Well,
after this take off your hat to 'em. A catbird
saved you a lot of money this morning."</p>
<p>"I'm afraid I don't follow—" said the dazed
Spencer Meyrick.</p>
<p>"No? I'll explain. I have been working on
this man's paper for the last week. So has a
very good friend of mine. We knew he was
crooked, but we needed the money and he
promised us not to pull off any more blackmail
while we stayed. Last night, after we left the
office, he arranged this latest. Planned to
incriminate me. You little devil—"</p>
<p>Manuel, frightened, leaped away.</p>
<p>"We usually sleep until noon," went on
O'Neill. "He counted on that. Enter the
catbird. Sat on our window-sill at ten A.M. and
screeched. Woke us up. We felt uneasy. Went
to the office, broke down a bolted door, and
found what was up."</p>
<p>"Dog!" foamed Manuel. "Outcast of the
gutter—"</p>
<p>"Save your compliments! Mr. Meyrick, my
partner is now at the <i>Mail</i> office destroying
to-day's issue of the <i>Mail</i>. We've already ruined
the first-page form, the cut of the policy, and the
negative. And we're going north as fast as the
Lord'll let us. You can do what you please.
Arrest our little lemon-tinted employer, if you
want to."</p>
<p>Spencer Meyrick stood, considering.</p>
<p>"However—I've done you a favor." O'Neill
went on. "You can do me one. Let Manuel
off—on one condition."</p>
<p>"Name it."</p>
<p>"That he hands me at once two hundred
dollars—one hundred for myself, the other for my
partner. It's legitimate salary money due
us—we need it. A long walk to New York."</p>
<p>"I myself—" began Meyrick.</p>
<p>"Don't want your money," said O'Neill.
"Want Gonzale's."</p>
<p>"Gonzale's you shall have," agreed Meyrick.
"You—pay him!"</p>
<p>"Never!" cried the Spaniard.</p>
<p>"Then it's the police—" hinted O'Neill.</p>
<p>Gonzale took two yellow bills from a wallet
He tossed them at O'Neill.</p>
<p>"There, you cur—"</p>
<p>"Careful," cried O'Neill. "Or I'll punch you
yet—"</p>
<p>He started forward, but Gonzale hastily
withdrew. O'Neill and the millionaire followed to
the street.</p>
<p>"Just as well," commented Meyrick. "I
should not have cared to cause his arrest—it
would have meant country-wide publicity." He
laid a hand on the arm of the newspaper man.
"I take it," he said, "that your fortunes are not
at the highest ebb. You have done me a very
great service. I propose to write two checks—one
for you, one for your partner—and you may
name the amounts."</p>
<p>But the red-haired one shook his head.</p>
<p>"No," he replied. "Nix on the anticlimax to
virtue on a rampage. We can't be paid for it.
It would sort of dim the glory. We've got the
railroad fare at last—and we're going away from
here. Yes—away from here. On the
choo-choo—riding far—riding north."</p>
<p>"Well, my boy," answered Spencer Meyrick,
"if I can ever do anything for you in New York,
come and see me."</p>
<p>"You may have to make good on that,"
laughed O'Neill, and they parted.</p>
<p>O'Neill hastened to the <i>Mail</i> office. He waved
yellow bills before the lanky Howe.</p>
<p>"In the nick of time," he cried. "Me, the
fair-haired hero. And here's the fare,
Harry—the good old railroad fare."</p>
<p>"Heaven be praised," said Howe. "I've
finished the job, Bob. Not a trace of this
morning's issue left. The fare! North in parlor
cars! My tobacco heart sings. Can't you hear
the elevated—"</p>
<p>"Music, Harry, music."</p>
<p>"And the newsboys on Park Row—"</p>
<p>"Caruso can't touch them. Where can we find
a time-table, I wonder?"</p>
<p>Meanwhile, in a corner of the plaza, Manuel
Gonzale spoke sad words in the ear of Martin
Wall.</p>
<p>"It's the jinx," moaned Wall with conviction.
"The star player in everything I do down here.
I'm going to burn the sand hot-footing it away.
But whither, Manuel, whither?"</p>
<p>"In Porto Rico," replied Gonzale, "I have not
yet plied my trade. I go there."</p>
<p>"Palm Beach," sighed Wall, "has diamonds
that can be observed to sparkle as far away as
the New York society columns. But alas, I lack
the wherewithal to support me in the style to
which my victims are accustomed."</p>
<p>"Try Porto Rico," suggested Gonzale. "The
air is mild—so are the police. I will stake you."</p>
<p>"Thanks. Porto Rico it is. How the devil do
we get there?"</p>
<p>Up the main avenue of San Marco Spencer
Meyrick walked as a man going to avenge. With
every determined step his face grew redder, his
eye more dangerous. He looked at his watch.
Eleven.</p>
<p>The eleventh hour! But much might happen
between the eleventh hour and high noon!</p>
<p><br/><br/><br/></p>
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