<p><SPAN name="chap22"></SPAN></p>
<h3> CHAPTER XXII <br/> "WELL, HARDLY EVER—" </h3>
<p>Minot went below and sent two messages,
one to Jephson, the other to Thacker.
The lobby of the De la Pax was thronged with
brilliantly attired wedding guests who, metaphorically,
beat their breasts in perplexity over the
tidings that had come even as they craned their
necks to catch the first glimpse of that
distinguished bridal party. The lavishly decorated
parlor that was to have been the scene of the
ceremony stood tragically deserted. Minot cast
one look at it, and hurried again to his own
particular cell.</p>
<p>He took a couple of time-tables from his desk,
and sat down in a chair facing the window. All
over now. Nothing to do but return to the North,
as fast as the trains would take him. He had
won, but he had also lost. He felt listless, weary.
He let the time-tables fall to the floor, and sat
gazing out at that narrow
street—thinking—wondering—wishing—</p>
<p>It was late in the afternoon when the clamor
of his telephone recalled him to himself. He
leaped up, and seized the receiver. Allan
Harrowby's voice came over the wire.</p>
<p>"Can you run down to the room, Minot?" he
inquired. "The last call, old boy."</p>
<p>Minot went. He found both the Harrowbys
there, prepared to say good-by to San Marco
forever.</p>
<p>"Going to New York on the <i>Lady Evelyn</i>,"
said George Harrowby, who was aggressively
cheerful. "From there I'm taking Allan to
Chicago. Going to have him reading George Ade
and talking our language in a week."</p>
<p>Lord Harrowby smiled wanly.</p>
<p>"Nothing left but Chicago," he drawled. "I
wanted to see you before I went, Minot, old chap.
Not that I can thank you for all you did—I
don't know how. You stood by me like—like a
gentleman. And I realize that I have no claim
on Lloyds—it was all my fault—if I'd never
let Martin Wall have that confounded
policy— But what's the use of if-ing? All my fault.
And—my thanks, old boy." He sighed.</p>
<p>"Nonsense," said Minot. "A business proposition,
solely, from my point of view. There's no
thanks coming to me."</p>
<p>"It seems to me," said George Harrowby, "that
as the only victor in this affair, you don't exhibit
a proper cheerfulness. By the way, we'd be
delighted to take you north on our boat. Why
not—"</p>
<p>But Minot shook his head.</p>
<p>"Can't spare the time—thank you just the
same," he replied. "I'd like nothing better—"</p>
<p>Amid expressions of regret, the Harrowbys
started for the elevator. Minot walked along
the dusky corridor with them.</p>
<p>"We've had a bit of excitement—what?" said
Allan. "If you're ever in London, you're to be
my guest. Old George has some sort of a berth
for me over there—"</p>
<p>"Not a berth, Allan," objected George, pressing
the button for the elevator. "You're not going
to sleep. A job. Might as well begin to talk
the Chicago language now. Mr. Minot, I, too,
want to thank you—"</p>
<p>They stepped into the elevator, the door
slammed, the car began to descend. Minot stood
gazing through the iron scroll work until the
blond head of the helpless Lord Harrowby moved
finally out of sight. Then he returned to his
room and the time-tables, which seemed such
dull unhappy reading.</p>
<p>Mr. Jack Paddock appeared to invite Minot to
take dinner with him. His bags, he remarked,
were all packed, and he was booked for the
seven o'clock train.</p>
<p>"I've slipped down the mountain of gold," he
said in the course of the dinner. "But all good
things must end, and I certainly had a good thing.
Somehow, I'm not so gloomy as I ought to be."</p>
<p>"Where are you going, Jack?" Minot asked.</p>
<p>Mr. Paddock leaned over confidentially.</p>
<p>"Did I say her father was in the plumbing
business?" he inquired. "My error, Dick. He
owns a newspaper—out in Grand Rapids.
Offered me a job any time I wanted it. Great
joke then—pretty serious now. For I'm going
out to apply."</p>
<p>"I'm glad of it."</p>
<p>"So am I, Dick. I was a fool to let her go
back like that. Been thinking it all over—and
over—one girl in—how many are there in the
world, should you say? The other day I had
a chill. It occurred to me maybe she'd gone
and married the young man with the pale purple
necktie who passes the plate in the Methodist
Church. So I beat it to the telegraph counter.
And—"</p>
<p>"She's heart whole and fancy free?"</p>
<p>"O.K. in both respects. So it's me for Grand
Rapids. And say, Dick, I—er—I want you to
know I'd sent that telegram before the accident
last night. As a matter of fact, I sent it two
days ago."</p>
<p>"Good boy," said Minot. "I knew this game
down here didn't satisfy you. May I be the first
to wish you joy?"</p>
<p>"You? With a face like a defeated candidate?
I say, cheer up! She'll stretch out eager arms
in your direction yet."</p>
<p>"I don't believe it, Jack."</p>
<p>"Well, while there's life there's still considerable
hope lying loose about the landscape. That's
why I don't urge you to take the train with me."</p>
<p>An hour later Mr. Paddock spoke further
cheering words in his friend's ear, and departed
for the North. And in that city of moonlight and
romance Minot was left (practically) alone.</p>
<p>He took a little farewell walk through that
quaint old town, then retired to his room to read
another chapter in the time-table. At four-twenty
in the morning, he noted, a small local
train would leave for Jacksonville. He decided
he would take it. With no parlor cars, no
sleepers, he would not be likely to encounter upon
it any of the startled wedding party bound north.</p>
<p>The call he left did not materialize, and it was
four o'clock when he awoke. Hastily in the chill
dawn he bade farewell to town and hotel. In
fifteen minutes he had left both behind, and was
speeding toward the small yellow station set on
the town's edge. He glanced feverishly at his
watch. There was need of haste, for this train
was made up in San Marco, and had had as yet
no chance to be late.</p>
<p>He rushed through the gate just as it was
being closed, and caught a dreary little train in the
very act of pulling out. Gloomy oil lamps
sought vainly to lessen the dour aspect of its
two coaches. Panting, he entered the rear coach
and threw himself and his bag into a seat.</p>
<p>Five seconds later he glanced across the aisle
and discovered in the opposite seat Miss Cynthia
Meyrick, accompanied by a very sleepy-eyed
family!</p>
<p>"The devil!" said Minot to himself. He knew
that she would see in this utter accident nothing
save a deliberate act of following. What use to
protest his innocence?</p>
<p>He considered moving to another seat. But
such a theatric act could only increase the
embarrassment. Already his presence had been
noted—Aunt Mary had given him a glare,
Spencer Meyrick a scowl, the girl a cloudy
vague "where have I seen this person before?"
glance in passing.</p>
<p>Might as well make the best of it. He
settled himself in his seat. Once again, as on
another railroad car, he sought to keep his eyes
on the landscape without—the dim landscape
with the royal palms waving like grim ghosts
in the half light. The train sped on.</p>
<p>A most uncomfortable situation! If only it
would grow light! It seemed so silly to be
forced to find the view out the window
entrancing while it was still very dark.</p>
<p>Spencer Meyrick went forward to the smoker.
Aunt Mary, weary of life, slid gently down to
slumber. Her unlovely snore filled the dim car.</p>
<p>How different this from the first ride together!
The faint pink of the sky grew brighter. Now
Minot could see the gray moss hanging to the
evergreens, and here and there a squalid shack
where human beings lived and knew nothing of
life. And beside him he heard a sound as of
a large body being shaken. Also the guttural
protest of Aunt Mary at this inconsiderate treatment.</p>
<p>Aunt Mary triumphed. Her snore rose to
shatter the smoky roof. Three times Minot
dared to look, and each time wished he hadn't.
The whole sky was rosy now. Somewhere off
behind the horizon the good old sun was rising
to go to work for the passenger department of
the coast railroad.</p>
<p>Some sense in looking out now. Minot saw
a shack that seemed familiar—then another.
Next a station, bearing on its sad shingle the
cheery name of "Sunbeam." And close to the
station, gloomy in the dawn, a desiccated
chauffeur beside an aged automobile.</p>
<p>Minot turned quickly, and caught Cynthia
Meyrick in the act of peering over his shoulder.
She had seen the chauffeur too.</p>
<p>The train had stopped a moment, but was
under way again. In those brown eyes Minot
saw something wistful, something hurt,—saw
things that moved him to put everything to a
sudden test. He leaped to his feet and pulled
madly at the bell cord.</p>
<p>"What—what have you done?" Startled, she
stared at him.</p>
<p>"I've stopped the train. I'm going to ride to
Jacksonville as I rode to San Marco—ages ago.
I'm not going alone."</p>
<p>"Indeed?"</p>
<p>"Quick. The conductor will be here in a
minute. Here's a card and pencil—write a note
for Aunt Mary. Say you'll meet them in
Jacksonville! Hurry, please!"</p>
<p>"Mr. Minot!" With great dignity.</p>
<p>"One last ride together. One last chance for
me to—to set things right if I can."</p>
<p>"If you can."</p>
<p>"If—I admit it. Won't you give me the
chance? I thought you would be game. I dare
you!"</p>
<p>For a second they gazed into each other's
eyes. The train had come to a stop, and Aunt
Mary stirred fretfully in her sleep. With
sudden decision Cynthia Meyrick wrote on the
card and dropped it on her slumbering relative.</p>
<p>"I know I'll be sorry—but—" she gasped.</p>
<p>"Hurry! This way! The conductor's coming
there!"</p>
<p>A moment later they stood together on the
platform of the Sunbeam station, while the brief
little train disappeared indignantly in the distance.</p>
<p>"You shouldn't have made me do that!" cried
the girl in dismay. "I'm always doing things
on the spur of the moment—things I regret
afterward—"</p>
<p>"I know. You explained that to me once.
But you can also do things on the spur of the
moment that you're glad about all your life.
Oh—good morning, Barney Oldfield."</p>
<p>"Good morning," replied the rustic chauffeur
with gleeful recognition. "Where's it to this
time, mister?"</p>
<p>"Jacksonville. And no hurry at all." Minot
held open the door and the girl stepped into
the car.</p>
<p>"The gentleman is quite mistaken," she said
to the chauffeur. "There is a very great hurry."</p>
<p>"Ages of time until luncheon," replied Minot
blithely, also getting in. "If you were thinking
of announcing—something—then."</p>
<p>"I shall have nothing to announce, I'm sure.
But I must be in Jacksonville before that train.
Father will be furious."</p>
<p>"Trust me, lady," said the chauffeur, grinding
again at his hooded music-box. "I've been doing
stunts with this car since I saw you last. Been
over a hundred miles from Sunbeam. Begins
to look as though Florida wasn't going to be
big enough, after all."</p>
<p>He leaped to the wheel, and again that ancient
automobile carried Cynthia Meyrick and the
representative of Lloyds out of the town of
Sunbeam. But the exit was not a laughing one.
The girl's eyes were serious, cold, and with
real concern in his voice Minot spoke:</p>
<p>"Won't you forgive me—can't you? I was
only trying to be faithful to the man who sent
me down here—faithful through everything—as
I should be faithful to you if you gave me the
chance. Is it too late—Cynthia—"</p>
<p>"There was a time," said the girl, her eyes
wide, "when it was not too late. Have you
forgotten? That night on the balcony, when I
threw myself at your feet, and you turned away.
Do you think that was a happy moment for me?"</p>
<p>"Was it happy for me, for that matter?"</p>
<p>"Oh, I was humiliated, ashamed. Then your
silly rescue of my gown—your advice to me to
marry Harrowby—"</p>
<p>"Would you have had me throw over the men
who trusted me—"</p>
<p>"I—I don't know. I only know that I can't
forgive what has happened—in a minute—"</p>
<p>"What was that last?"</p>
<p>"Nothing."</p>
<p>"You said in a minute."</p>
<p>"Your ears are deceiving you."</p>
<p>"Cynthia—you're not going to punish me
because I was faithful— Don't you suppose I
tried to get some one in my place?"</p>
<p>"Did you?"</p>
<p>"The day I first rode in this car with you.
And then—I stopped trying—"</p>
<p>"Why?"</p>
<p>"Because I realized that if some one came in
my place I'd have to go away and never see you
again—and I couldn't do that I had to be near
you, dear girl—don't worry, he can't hear, the
motor's too noisy—I had to be where I could
see that little curl making a question mark round
your ear—where I could hear your voice—I had
to be near you even if to do it I must break
my heart by marrying you to another man. I
loved you. I love you now—"</p>
<p>A terrific crash interrupted. Dolefully the
chauffeur descended from the car to make an
examination. Dolefully he announced the result.</p>
<p>"Busted right off," he remarked. "Say, I'm
sorry. I'll have to walk back to the garage at
Sunbeam and—and I'm afraid you'll have to
jest sit here until I come back."</p>
<p>He went slowly down the road, and the two
sat in that ancient car in the midst of sandy
desolation.</p>
<p>"Cynthia," Minot cried. "I worship you.
Won't you—"</p>
<p>The girl gave a strange little cry.</p>
<p>"I wanted to be cross with you a little longer,"
she said almost tearfully. "But I can't. I
wonder why I can't. I cried all night at the
thought of never seeing you again. I wonder
why I cried. I guess—it's because—for the first
time—I'm really—in love."</p>
<p>"Cynthia!"</p>
<p>"Oh, Dick—don't let me change my mind
again—ever—ever!"</p>
<p>"Only over my dead body!"</p>
<p>With one accord they turned and looked at
that quaint southern chauffeur plodding along
through the dust and the sunshine. It did not
seem to either of them that there was any danger
of his looking back.</p>
<p>And, happily, he didn't.</p>
<p><br/><br/></p>
<p class="t3">
THE END</p>
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