<SPAN name="CH3"><!-- CH3 --></SPAN>
<h2>CHAPTER III</h2>
<p>I looked at my clock as I went down-stairs. It was just
twelve-thirty. I thought of telephoning for Mr. Reynolds to meet
me, but it was his lunch hour, and besides I was afraid to
telephone from the house while Mr. Ladley was in it.</p>
<p>Peter had been whining again. When I came down the stairs he had
stopped whimpering and was wagging his tail. A strange boat had put
into the hallway and was coming back.</p>
<p>"Now, old boy!" somebody was saying from the boat. "Steady, old
chap! I've got something for you."</p>
<p>A little man, elderly and alert, was standing up in the boat,
poling it along with an oar. Peter gave vent to joyful yelps. The
elderly gentleman brought his boat to a stop at the foot of the
stairs, and reaching down into a tub at his feet, held up a large
piece of raw liver. Peter almost went crazy, and I remembered
suddenly that I had forgotten to feed the poor beast for more than
a day.</p>
<p>"Would you like it?" asked the gentleman. Peter sat up, as he
had been taught to do, and barked. The gentleman reached down
again, got a wooden platter from a stack of them at his feet, and
placing the liver on it, put it on the step. The whole thing was so
neat and businesslike that I could only gaze.</p>
<p>"That's a well-trained dog, madam," said the elderly gentleman,
beaming at Peter over his glasses. "You should not have neglected
him."</p>
<p>"The flood put him out of my mind," I explained, humbly enough,
for I was ashamed.</p>
<p>"Exactly. Do you know how many starving dogs and cats I have
found this morning?" He took a note-book out of his pocket and
glanced at it. "Forty-eight. Forty-eight, madam! And ninety-three
cats! I have found them marooned in trees, clinging to fences,
floating on barrels, and I have found them in comfortable houses
where there was no excuse for their neglect. Well, I must be moving
on. I have the report of a cat with a new litter in the loft of a
stable near here."</p>
<p>He wiped his hands carefully on a fresh paper napkin, of which
also a heap rested on one of the seats of the boat, and picked up
an oar, smiling benevolently at Peter. Then, suddenly, he bent over
and looked at the stained rope end, tied to the stair-rail.</p>
<p>"What's that?" he said.</p>
<p>"That's what I'm going to find out," I replied. I glanced up at
the Ladleys' door, but it was closed.</p>
<p>The little man dropped his oar, and fumbling in his pockets,
pulled out a small magnifying-glass. He bent over, holding to the
rail, and inspected the stains with the glass. I had taken a fancy
to him at once, and in spite of my excitement I had to smile a
little.</p>
<p>"Humph!" he said, and looked up at me. "That's blood. Why did
you <i>cut</i> the boat loose?"</p>
<p>"I didn't," I said. "If that is blood, I want to know how it got
there. That was a new rope last night." I glanced at the Ladleys'
door again, and he followed my eyes.</p>
<p>"I wonder," he said, raising his voice a little, "if I come into
your kitchen, if you will allow me to fry a little of that liver.
There's a wretched Maltese in a tree at the corner of Fourth Street
that won't touch it, raw."</p>
<p>I saw that he wanted to talk to me, so I turned around and led
the way to the temporary kitchen I had made.</p>
<p>"Now," he said briskly, when he had closed the door, "there's
something wrong here. Perhaps if you tell me, I can help. If I
can't, it will do you good to talk about it. My name's Holcombe,
retired merchant. Apply to First National Bank for references."</p>
<p>"I'm not sure there <i>is</i> anything wrong," I began. "I guess
I'm only nervous, and thinking little things are big ones. There's
nothing to tell."</p>
<p>"Nonsense. I come down the street in my boat. A white-faced
gentleman with a cigarette looks out from a window when I stop at
the door, and ducks back when I glance up. I come in and find a pet
dog, obviously overfed at ordinary times, whining with hunger on
the stairs. As I prepare to feed him, a pale woman comes down,
trying to put a right-hand glove on her left hand, and with her
jacket wrong side out. What am I to think?"</p>
<p>I started and looked at my coat. He was right. And when, as I
tried to take it off, he helped me, and even patted me on the
shoulder—what with his kindness, and the long morning alone,
worrying, and the sleepless night, I began to cry. He had a clean
handkerchief in my hand before I had time to think of one.</p>
<p>"That's it," he said. "It will do you good, only don't make a
noise about it. If it's a husband on the annual flood spree, don't
worry, madam. They always come around in time to whitewash the
cellars."</p>
<p>"It isn't a husband," I sniffled.</p>
<p>"Tell me about it," he said. There was something so kindly in
his face, and it was so long since I had had a bit of human
sympathy, that I almost broke down again.</p>
<p>I sat there, with a crowd of children paddling on a raft outside
the window, and Molly Maguire, next door, hauling the morning's
milk up in a pail fastened to a rope, her doorway being too narrow
to admit the milkman's boat, and I told him the whole story.</p>
<p>"Humph!" he exclaimed, when I had finished. "It's curious,
but—you can't prove a murder unless you can produce a
body."</p>
<p>"When the river goes down, we'll find the body," I said,
shivering. "It's in the parlor."</p>
<p>"Then why doesn't he try to get away?"</p>
<p>"He is ready to go now. He only went back when your boat came
in."</p>
<p>Mr. Holcombe ran to the door, and flinging it open, peered into
the lower hall. He was too late. His boat was gone, tub of liver,
pile of wooden platters and all!</p>
<p>We hurried to the room the Ladleys had occupied. It was empty.
From the window, as we looked out, we could see the boat, almost a
square away. It had stopped where, the street being higher, a
door-step rose above the flood. On the step was sitting a forlorn
yellow puppy. As we stared, Mr. Ladley stopped the boat, looked
back at us, bent over, placed a piece of liver on a platter, and
reached it over to the dog. Then, rising in the boat, he bowed,
with his hat over his heart, in our direction, sat down calmly, and
rowed around the corner out of sight.</p>
<p>Mr. Holcombe was in a frenzy of rage. He jumped up and down,
shaking his fist out the window after the retreating boat. He ran
down the staircase, only to come back and look out the window
again. The police boat was not in sight, but the Maguire children
had worked their raft around to the street and were under the
window. He leaned out and called to them.</p>
<p>"A quarter each, boys," he said, "if you'll take me on that raft
to the nearest pavement."</p>
<p>"Money first," said the oldest boy, holding his cap.</p>
<p>But Mr. Holcombe did not wait. He swung out over the
window-sill, holding by his hands, and lit fairly in the center of
the raft.</p>
<p>"Don't touch anything in that room until I come back," he called
to me, and jerking the pole from one of the boys, propelled the
raft with amazing speed down the street.</p>
<p>The liver on the stove was burning. There was a smell of
scorching through the rooms and a sort of bluish haze of smoke. I
hurried back and took it off. By the time I had cleaned the pan,
Mr. Holcombe was back again, in his own boat. He had found it at
the end of the next street, where the flood ceased, but no sign of
Ladley anywhere. He had not seen the police boat.</p>
<p>"Perhaps that is just as well," he said philosophically. "We
can't go to the police with a wet slipper and a blood-stained rope
and accuse a man of murder. We have to have a body."</p>
<p>"He killed her," I said obstinately. "She told me yesterday he
was a fiend. He killed her and threw the body in the water."</p>
<p>"Very likely. But he didn't throw it here."</p>
<p>But in spite of that, he went over all the lower hall with his
boat, feeling every foot of the floor with an oar, and finally, at
the back end, he looked up at me as I stood on the stairs.</p>
<p>"There's something here," he said.</p>
<p>I went cold all over, and had to clutch the railing. But when
Terry had come, and the two of them brought the thing to the
surface, it was only the dining-room rug, which I had rolled up and
forgotten to carry up-stairs!</p>
<p>At half past one Mr. Holcombe wrote a note, and sent it off with
Terry, and borrowing my boots, which had been Mr. Pitman's,
investigated the dining-room and kitchen from a floating plank; the
doors were too narrow to admit the boat. But he found nothing more
important than a rolling-pin. He was not at all depressed by his
failure. He came back, drenched to the skin, about three, and asked
permission to search the Ladleys' bedroom.</p>
<p>"I have a friend coming pretty soon, Mrs. Pitman," he said, "a
young newspaper man, named Howell. He's a nice boy, and if there is
anything to this, I'd like him to have it for his paper. He and I
have been having some arguments about circumstantial evidence, too,
and I know he'd like to work on this."</p>
<p>I gave him a pair of Mr. Pitman's socks, for his own were
saturated, and while he was changing them the telephone rang. It
was the theater again, asking for Jennie Brice.</p>
<p>"You are certain she is out of the city?" some one asked, the
same voice as in the morning.</p>
<p>"Her husband says so."</p>
<p>"Ask him to come to the phone."</p>
<p>"He is not here."</p>
<p>"When do you expect him back?"</p>
<p>"I'm not sure he is coming back."</p>
<p>"Look here," said the voice angrily, "can't you give me any
satisfaction? Or don't you care to?"</p>
<p>"I've told you all I know."</p>
<p>"You don't know where she is?"</p>
<p>"No, sir."</p>
<p>"She didn't say she was coming back to rehearse for next week's
piece?"</p>
<p>"Her husband said she went away for a few days' rest. He went
away about noon and hasn't come back. That's all I know, except
that they owe me three weeks' rent that I'd like to get hold
of."</p>
<p>The owner of the voice hung up the receiver with a snap, and
left me pondering. It seemed to me that Mr. Ladley had been very
reckless. Did he expect any one to believe that Jennie Brice had
gone for a vacation without notifying the theater? Especially when
she was to rehearse that week? I thought it curious, to say the
least. I went back and told Mr. Holcombe, who put it down in his
note-book, and together we went to the Ladleys' room.</p>
<p>The room was in better order than usual, as I have said. The bed
was made—which was out of the ordinary, for Jennie Brice
never made a bed—but made the way a man makes one, with the
blankets wrinkled and crooked beneath, and the white counterpane
pulled smoothly over the top, showing every lump beneath. I showed
Mr. Holcombe the splasher, dotted with ink as usual.</p>
<p>"I'll take it off and soak it in milk," I said. "It's his
fountain pen; when the ink doesn't run, he shakes it,
and—"</p>
<p>"Where's the clock?" said Mr. Holcombe, stopping in front of the
mantel with his note-book in his hand.</p>
<p>"The clock?"</p>
<p>I turned and looked. My onyx clock was gone from the
mantel-shelf.</p>
<p>Perhaps it seems strange, but from the moment I missed that
clock my rage at Mr. Ladley increased to a fury. It was all I had
had left of my former gentility. When times were hard and I got
behind with the rent, as happened now and then, more than once I'd
been tempted to sell the clock, or to pawn it. But I had never done
it. Its ticking had kept me company on many a lonely night, and its
elegance had helped me to keep my pride and to retain the respect
of my neighbors. For in the flood district onyx clocks are not
plentiful. Mrs. Bryan, the saloon-keeper's wife, had one, and I had
another. That is, I <i>had</i> had.</p>
<p>I stood staring at the mark in the dust of the mantel-shelf,
which Mr. Holcombe was measuring with a pocket tape-measure.</p>
<p>"You are sure you didn't take it away yourself, Mrs. Pitman?" he
asked.</p>
<p>"Sure? Why, I could hardly lift it," I said.</p>
<p>He was looking carefully at the oblong of dust where the clock
had stood. "The key is gone, too," he said, busily making entries
in his note-book. "What was the maker's name?"</p>
<p>"Why, I don't think I ever noticed."</p>
<p>He turned to me angrily. "Why didn't you notice?" he snapped.
"Good God, woman, do you only use your eyes to cry with? How can
you wind a clock, time after time, and not know the maker's name?
It proves my contention: the average witness is totally
unreliable."</p>
<p>"Not at all," I snapped, "I am ordinarily both accurate and
observing."</p>
<p>"Indeed!" he said, putting his hands behind him. "Then perhaps
you can tell me the color of the pencil I have been writing
with."</p>
<p>"Certainly. Red." Most pencils are red, and I thought this was
safe.</p>
<p>But he held his right hand out with a flourish. "I've been
writing with a fountain pen," he said in deep disgust, and turned
his back on me.</p>
<p>But the next moment he had run to the wash-stand and pulled it
out from the wall. Behind it, where it had fallen, lay a towel,
covered with stains, as if some one had wiped bloody hands on it.
He held it up, his face working with excitement. I could only cover
my eyes.</p>
<p>"This looks better," he said, and began making a quick search of
the room, running from one piece of furniture to another, pulling
out bureau drawers, drawing the bed out from the wall, and crawling
along the base-board with a lighted match in his hand. He gave a
shout of triumph finally, and reappeared from behind the bed with
the broken end of my knife in his hand.</p>
<p>"Very clumsy," he said. "<i>Very</i> clumsy. Peter the dog could
have done better."</p>
<p>I had been examining the wall-paper about the wash-stand. Among
the ink-spots were one or two reddish ones that made me shiver. And
seeing a scrap of note-paper stuck between the base-board and the
wall, I dug it out with a hairpin, and threw it into the grate, to
be burned later. It was by the merest chance there was no fire
there. The next moment Mr. Holcombe was on his knees by the
fireplace reaching for the scrap.</p>
<p>"<i>Never</i> do that, under such circumstances," he snapped,
fishing among the ashes. "You might throw away
valuable—Hello, Howell!"</p>
<p>I turned and saw a young man in the doorway, smiling, his hat in
his hand. Even at that first glance, I liked Mr. Howell, and later,
when every one was against him, and many curious things were
developing, I stood by him through everything, and even helped him
to the thing he wanted more than anything else in the, world. But
that, of course, was later.</p>
<p>"What's the trouble, Holcombe?" he asked. "Hitting the trail
again?"</p>
<p>"A very curious thing that I just happened on," said Mr.
Holcombe. "Mrs. Pitman, this is Mr. Howell, of whom I spoke. Sit
down, Howell, and let me read you something."</p>
<p>With the crumpled paper still unopened in his hand, Mr. Holcombe
took his note-book and read aloud what he had written. I have it
before me now:</p>
<p>"'Dog meat, two dollars, boat hire'—that's not it. Here.
'Yesterday, Sunday, March the 4th, Mrs. Pitman, landlady at 42
Union Street, heard two of her boarders quarreling, a man and his
wife. Man's name, Philip Ladley. Wife's name, Jennie Ladley, known
as Jennie Brice at the Liberty Stock Company, where she has been
playing small parts.'"</p>
<p>Mr. Howell nodded. "I've heard of her," he said. "Not much of an
actress, I believe."</p>
<p>"'The husband was also an actor, out of work, and employing his
leisure time in writing a play.'"</p>
<p>"Everybody's doing it," said Mr. Howell idly.</p>
<p>"The Shuberts were to star him in this," I put in. "He said that
the climax at the end of the second act—"</p>
<p>Mr. Holcombe shut his note-book with a snap. "After we have
finished gossiping," he said, "I'll go on."</p>
<p>"'Employing his leisure time in writing a play—'" quoted
Mr. Howell.</p>
<p>"Exactly. 'The husband and wife were not on good terms. They
quarreled frequently. On Sunday they fought all day, and Mrs.
Ladley told Mrs. Pitman she was married to a fiend. At four o'clock
Sunday afternoon, Philip Ladley went out, returning about five.
Mrs. Pitman carried their supper to them at six, and both ate
heartily. She did not see Mrs. Ladley at the time, but heard her in
the next room. They were apparently reconciled: Mrs. Pitman reports
Mr. Ladley in high good humor. If the quarrel recommenced during
the night, the other boarder, named Reynolds, in the next room,
heard nothing. Mrs. Pitman was up and down until one o'clock, when
she dozed off. She heard no unusual sound.</p>
<p>"'At approximately two o'clock in the morning, however, this
Reynolds came to the room, and said he had heard some one in a boat
in the lower hall. He and Mrs. Pitman investigated. The boat which
Mrs. Pitman uses during a flood, and which she had tied to the
stair-rail, was gone, having been cut loose, not untied. Everything
else was quiet, except that Mrs. Ladley's dog had been shut in a
third-story room.</p>
<p>"'At a quarter after four that morning Mrs. Pitman, thoroughly
awake, heard the boat returning, and going to the stairs, met
Ladley coming in. He muttered something about having gone for
medicine for his wife and went to his room, shutting the dog out.
This is worth attention, for the dog ordinarily slept in their
room.'"</p>
<p>"What sort of a dog?" asked Mr. Howell. He had been listening
attentively.</p>
<p>"A water-spaniel. 'The rest of the night, or early morning, was
quiet. At a quarter after seven, Ladley asked for coffee and toast
for one, and on Mrs. Pitman remarking this, said that his wife was
not playing this week, and had gone for a few days' vacation,
having left early in the morning.' Remember, during the night he
had been out for medicine for her. Now she was able to travel, and,
in fact, had started."</p>
<p>Mr. Howell was frowning at the floor. "If he was doing anything
wrong, he was doing it very badly," he said.</p>
<p>"This is where I entered the case," said Mr. Holcombe, "I rowed
into the lower hall this morning, to feed the dog, Peter, who was
whining on the staircase. Mrs. Pitman was coming down, pale and
agitated over the fact that the dog, shortly before, had found
floating in the parlor down-stairs a slipper belonging to Mrs.
Ladley, and, later, a knife with a broken blade. She maintains that
she had the knife last night up-stairs, that it was not broken, and
that it was taken from a shelf in her room while she dozed. The
question is, then: Why was the knife taken? Who took it? And why?
Has this man made away with his wife, or has he not?"</p>
<p>Mr. Howell looked at me and smiled. "Mr. Holcombe and I are old
enemies," he said. "Mr. Holcombe believes that circumstantial
evidence may probably hang a man; I do not." And to Mr. Holcombe:
"So, having found a wet slipper and a broken knife, you are
prepared for murder and sudden death!"</p>
<p>"I have more evidence," Mr. Holcombe said eagerly, and proceeded
to tell what we had found in the room. Mr. Howell listened, smiling
to himself, but at the mention of the onyx clock he got up and went
to the mantel.</p>
<p>"By Jove!" he said, and stood looking at the mark in the dust.
"Are you sure the clock was here yesterday?"</p>
<p>"I wound it night before last, and put the key underneath.
Yesterday, before they moved up, I wound it again."</p>
<p>"The key is gone also. Well, what of it, Holcombe? Did he brain
her with the clock? Or choke her with the key?"</p>
<p>Mr. Holcombe was looking at his note-book. "To summarize," he
said, "we have here as clues indicating a crime, the rope, the
broken knife, the slipper, the towel, and the clock. Besides, this
scrap of paper may contain some information." He opened it and sat
gazing at it in his palm. Then, "Is this Ladley's writing?" he
asked me in a curious voice.</p>
<p>"Yes."</p>
<p>I glanced at the slip. Mr. Holcombe had just read from his
note-book: "Rope, knife, slipper, towel, clock."</p>
<p>The slip I had found behind the wash-stand said "Rope, knife,
shoe, towel. Horn—" The rest of the last word was torn
off.</p>
<p>Mr. Howell was staring at the mantel. "Clock!" he repeated.</p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
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