<SPAN name="CH9"><!-- CH9 --></SPAN>
<h2>CHAPTER IX</h2>
<p>The coroner held an inquest over the headless body the next day,
Tuesday. Mr. Graves telephoned me in the morning, and I went to the
morgue with him.</p>
<p>I do not like the morgue, although some of my neighbors pay it
weekly visits. It is by way of excursion, like nickelodeons or
watching the circus put up its tents. I have heard them threaten
the children that if they misbehaved they would not be taken to the
morgue that week!</p>
<p>I failed to identify the body. How could I? It had been a tall
woman, probably five feet eight, and I thought the nails looked
like those of Jennie Brice. The thumb-nail of one was broken short
off. I told Mr. Graves about her speaking of a broken nail, but he
shrugged his shoulders and said nothing.</p>
<p>There was a curious scar over the heart, and he was making a
sketch of it. It reached from the center of the chest for about six
inches across the left breast, a narrow thin line that one could
hardly see. It was shaped like this:</p>
<br/>
<p style="text-align: center;"><ANTIMG style=
"width: 337px; height: 249px;" alt="" src="images/jb003.jpg"></p>
<p>I felt sure that Jennie Brice had had no such scar, and Mr.
Graves thought as I did. Temple Hope, called to the inquest, said
she had never heard of one, and Mr. Ladley himself, at the inquest,
swore that his wife had had nothing of the sort. I was watching
him, and I did not think he was lying. And yet—the hand was
very like Jennie Brice's. It was all bewildering.</p>
<p>Mr. Ladley's testimoney at the inquest was disappointing. He was
cool and collected: said he had no reason to believe that his wife
was dead, and less reason to think she had been drowned; she had
left him in a rage, and if she found out that by hiding she was
putting him in an unpleasant position, she would probably hide
indefinitely.</p>
<p>To the disappointment of everybody, the identity of the woman
remained a mystery. No one with such a scar was missing. A small
woman of my own age, a Mrs. Murray, whose daughter, a stenographer,
had disappeared, attended the inquest. But her daughter had had no
such scar, and had worn her nails short, because of using the
typewriter. Alice Murray was the missing girl's name. Her mother
sat beside me, and cried most of the time.</p>
<p>One thing was brought out at the inquest: the body had been
thrown into the river <i>after</i> death. There was no water in the
lungs. The verdict was "death by the hands of some person or
persons unknown."</p>
<p>Mr. Holcombe was not satisfied. In some way or other he had got
permission to attend the autopsy, and had brought away a tracing of
the scar. All the way home in the street-car he stared at the
drawing, holding first one eye shut and then the other. But, like
the coroner, he got nowhere. He folded the paper and put it in his
note-book.</p>
<p>"None the less, Mrs. Pitman," he said, "that is the body of
Jennie Brice; her husband killed her, probably by strangling her;
he took the body out in the boat and dropped it into the swollen
river above the Ninth Street bridge."</p>
<p>"Why do you think he strangled her?"</p>
<p>"There was no mark on the body, and no poison was found."</p>
<p>"Then if he strangled her, where did the blood come from?"</p>
<p>"I didn't limit myself to strangulation," he said irritably. "He
may have cut her throat."</p>
<p>"Or brained her with my onyx clock," I added with a sigh. For I
missed the clock more and more.</p>
<p>He went down in his pockets and brought up a key. "I'd forgotten
this," he said. "It shows you were right—that the clock was
there when the Ladleys took the room. I found this in the yard this
morning."</p>
<p>It was when I got home from the inquest that I found old Isaac's
basket waiting. I am not a crying woman, but I could hardly see my
mother's picture for tears.—Well, after all, that is not the
Brice story. I am not writing the sordid tragedy of my life.</p>
<p>That was on Tuesday. Jennie Brice had been missing nine days. In
all that time, although she was cast for the piece at the theater
that week, no one there had heard from her. Her relatives had had
no word. She had gone away, if she had gone, on a cold March night,
in a striped black and white dress with a red collar, and a red and
black hat, without her fur coat, which she had worn all winter. She
had gone very early in the morning, or during the night. How had
she gone? Mr. Ladley said he had rowed her to Federal Street at
half after six and had brought the boat back. After they had
quarreled violently all night, and when she was leaving him,
wouldn't he have allowed her to take herself away? Besides, the
police had found no trace of her on an early train. And then at
daylight, between five and six, my own brother had seen a woman
with Mr. Howell, a woman who might have been Jennie Brice. But if
it was, why did not Mr. Howell say so?</p>
<p>Mr. Ladley claimed she was hiding, in revenge. But Jennie Brice
was not that sort of woman; there was something big about her,
something that is found often in large women—a lack of spite.
She was not petty or malicious. Her faults, like her virtues, were
for all to see.</p>
<p>In spite of the failure to identify the body, Mr. Ladley was
arrested that night, Tuesday, and this time it was for murder. I
know now that the police were taking long chances. They had no
strong motive for the crime. As Mr. Holcombe said, they had
provocation, but not motive, which is different. They had
opportunity, and they had a lot of straggling links of clues, which
in the total made a fair chain of circumstantial evidence. But that
was all.</p>
<p>That is the way the case stood on Tuesday night, March the
thirteenth.</p>
<p>Mr. Ladley was taken away at nine o'clock. He was perfectly
cool, asked me to help him pack a suit case, and whistled while it
was being done. He requested to be allowed to walk to the jail, and
went quietly, with a detective on one side and I think a sheriff's
officer on the other.</p>
<p>Just before he left, he asked for a word or two with me, and
when he paid his bill up to date, and gave me an extra dollar for
taking care of Peter, I was almost overcome. He took the manuscript
of his play with him, and I remember his asking if he could have
any typing done in the jail. I had never seen a man arrested for
murder before, but I think he was probably the coolest suspect the
officers had ever seen. They hardly knew what to make of it.</p>
<p>Mr. Reynolds and I had a cup of tea after all the excitement,
and were sitting at the dining-room table drinking it, when the
bell rang. It was Mr. Howell! He half staggered into the hall when
I opened the door, and was for going into the parlor bedroom
without a word.</p>
<p>"Mr. Ladley's gone, if you want him," I said. I thought his face
cleared.</p>
<p>"Gone!" he said. "Where?"</p>
<p>"To jail."</p>
<p>He did not reply at once. He stood there, tapping the palm of
one hand with the forefinger of the other. He was dirty and
unshaven. His clothes looked as if he had been sleeping in
them.</p>
<p>"So they've got him!" he muttered finally, and turning, was
about to go out the front door without another word, but I caught
his arm.</p>
<p>"You're sick, Mr. Howell," I said. "You'd better not go out just
yet."</p>
<p>"Oh, I'm all right." He took his handkerchief out and wiped his
face. I saw that his hands were shaking.</p>
<p>"Come back and have a cup of tea, and a slice of home-made
bread."</p>
<p>He hesitated and looked at his watch. "I'll do it, Mrs. Pitman,"
he said. "I suppose I'd better throw a little fuel into this engine
of mine. It's been going hard for several days."</p>
<p>He ate like a wolf. I cut half a loaf into slices for him, and
he drank the rest of the tea. Mr. Reynolds creaked up to bed and
left him still eating, and me still cutting and spreading. Now that
I had a chance to see him, I was shocked. The rims of his eyes were
red, his collar was black, and his hair hung over his forehead. But
when he finally sat back and looked at me, his color was
better.</p>
<p>"So they've canned him!" he said.</p>
<p>"Time enough, too," said I.</p>
<p>He leaned forward and put both his elbows on the table. "Mrs.
Pitman," he said earnestly, "I don't like him any more than you do.
But he never killed that woman."</p>
<p>"Somebody killed her."</p>
<p>"How do you know? How do you know she is dead?"</p>
<p>Well, I didn't, of course—I only felt it.</p>
<p>"The police haven't even proved a crime. They can't hold a man
for a supposititious murder."</p>
<p>"Perhaps they can't but they're doing it," I retorted. "If the
woman's alive, she won't let him hang."</p>
<p>"I'm not so sure of that," he said heavily, and got up. He
looked in the little mirror over the sideboard, and brushed back
his hair. "I look bad enough," he said, "but I feel worse. Well,
you've saved my life, Mrs. Pitman. Thank you."</p>
<p>"How is my—how is Miss Harvey?" I asked, as we started
out. He turned and smiled at me in his boyish way.</p>
<p>"The best ever!" he said. "I haven't seen her for days, and it
seems like centuries. She—she is the only girl in the world
for me, Mrs. Pitman, although I—" He stopped and drew a long
breath. "She is beautiful, isn't she?"</p>
<p>"Very beautiful," I answered. "Her mother was always—"</p>
<p>"Her mother!" He looked at me curiously.</p>
<p>"I knew her mother years ago," I said, putting the best face on
my mistake that I could.</p>
<p>"Then I'll remember you to her, if she ever allows me to see her
again. Just now I'm <i>persona non grata</i>."</p>
<p>"If you'll do the kindly thing, Mr. Howell," I said, "you'll
<i>forget</i> me to her."</p>
<p>He looked into my eyes and then thrust out his hand.</p>
<p>"All right," he said. "I'll not ask any questions. I guess there
are some curious stories hidden in these old houses."</p>
<p>Peter hobbled to the front door with him. He had not gone so far
as the parlor once while Mr. Ladley was in the house.</p>
<hr>
<p>They had had a sale of spring flowers at the store that day, and
Mr. Reynolds had brought me a pot of white tulips. That night I
hung my mother's picture over the mantel in the dining-room, and
put the tulips beneath it. It gave me a feeling of comfort; I had
never seen my mother's grave, or put flowers on it.</p>
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