<h2 class="vspace"><SPAN name="CHAPTER_XXVI" id="CHAPTER_XXVI"></SPAN>CHAPTER XXVI.<br/> <span class="subhead">SWINGING AROUND EUROPE.</span></h2>
<p>This man of many parts, this unique exemplification of
the possibilities of human intellectual and physical development
and progress, had now passed through successive, and
with all truth it can be said, successful, gradations from the
illiterate urchin of the rough cabin on the plains to a great
practical educator; and the lessons taught in his magnificently
illustrated lectures had for their object the welding together
of human interests and the enlarging of the mutual sympathies
of nations. I am aware that the selfish, captious, and narrow-minded
may see in the exhibitions and travels of the
Wild West under Colonel Cody’s leadership simply a scheme
for personal aggrandizement or for the accumulation of great
wealth. With the same foundation for truth, might not these
same unworthy motives be attributed to the magnetic Edison,
whose discoveries and inventions have startled the world into
a wondering recognition of electric power? to Stanley,
through whose terrible trials, weary wanderings, and persevering
persistency the heart of Africa has been laid bare to
scientific and humane investigation? to Humboldt and scores
of other world-instructors? Such unworthy commentators, to
whose eyes all advancement in knowledge is veneered
with a base coating of selfish aims, are unworthy of serious
consideration.</p>
<p>In pursuance of a resolve made during his visit to England
in 1887, Colonel Cody, in the spring preceding the Paris<span class="pagenum"><SPAN name="Page_233" id="Page_233">233</SPAN></span>
Exposition, set all of his able lieutenants and coadjutors to
work preparing another Wild West for a trip to the French
capital, thence through Continental Europe, and, after another
visit to Old England, back to dear America. Under the spell
of their leader’s energetic and systematic direction, these
trusted assistants soon had all things in complete readiness,
and once again on board the majestic Persian Monarch,
and under the care of that able seaman and popular officer
Captain Bristow, the Wild West was launched upon “the
briny,” for Paris bound.</p>
<p>The Wild West camp in Paris was pitched on immense
grounds near the Porte Maillot, and the welcome extended to
the Americans by the people of the sister republic was hearty,
spontaneous, and grand. It was said that the audience which
assembled on the occasion of the opening exhibition equaled
any known in the record of <i>premières</i> of that brilliant <i xml:lang="fr" lang="fr">capitale
des deux mondes</i>. Early in the performance the vast audience
became thoroughly enthusiastic, and every act attracted
the closest attention and the most absorbing interest. It was
evident that the novel and startling display had won the fullest
approval of the experienced sight-seers of the gay capital;
and in France audiences rarely if ever take the middle ground.
With them approval or commendation comes promptly and is
quickly manifested, and the immediate triumph of the Wild
West was a subject of hearty congratulation. As in England
upon his first appearance there Colonel Cody was welcomed
by those highest in authority and honor, so in France the
initial performance was graced by the presence of the notables
of the republic. President Carnot and wife, the members
of his cabinet, and families; two American ministers, Hon.
Whitelaw Reid, Hon. Louis MacLean; the Diplomatic Corps,<span class="pagenum"><SPAN name="Page_234" id="Page_234">234</SPAN></span>
officers of the United States Marine, and other prominent
personages were among the auditors. It was an audience
thoroughly representative of science, art, literature, and
society, and the Wild West soon became second only in public
interest to the great Exhibition itself. Colonel Cody soon
became the recipient of especial social courtesies, the first of
which was a breakfast given in his honor on May 29th by the
Vicomtesse Chaudon de Briailles, at which the <i xml:lang="fr" lang="fr">haut ton</i> of Paris
was present. In recognition of the courtesy of the Minister
of War in granting the Wild West the use of a large tract of
land in the military district, Colonel Cody invited fifty
soldiers of the garrison of Paris to visit the show each day, a
courtesy that was duly appreciated.</p>
<p>Among the many incidents that occurred in Paris may be
noted the fact that Isabella, ex-Queen of Spain, with her companions
enjoyed a ride in the famous old Deadwood stagecoach.</p>
<p>Altogether the Wild West’s visit to Paris, which lasted
seven months, was a most thorough and emphatic success,
and closed in a blaze of glory.</p>
<p>It may seem strange to claim that the Wild West abroad
was an incentive to the introduction of American subjects for
art illustration; but the facts strongly warrant the assertion.</p>
<p>It became a fad to introduce curios and <i xml:lang="fr" lang="fr">bijouterie</i> from the
American plains and mountains. Buffalo robes of Indian tanning,
bear-skins embroidered with porcupine quills, and mats
woven in redskin camps became fashionable; while lassos,
bows and arrows, Mexican bridles and saddles, and other
things from the American borderland became most popular
as souvenirs.</p>
<div id="ip_234" class="figcenter" style="width: 420px;">
<ANTIMG src="images/i_235.jpg" width-obs="364" height-obs="615" alt="" />
<div class="caption">ROSA BONHEUR’S PAINTING, “BUFFALO BILL ON HORSEBACK.”</div>
</div>
<p>Nor was this all, for the artists took a turn at producing<span class="pagenum"><SPAN name="Page_236" id="Page_236">236</SPAN></span>
American scenes, characters, and animals, and the Indian and
cowboy were chiseled in marble. Busts were made of Buffalo
Bill, the illustrated papers were full of pictures of the
Wild West and its characters, and the comic papers were constantly
caricaturing Cody and his people, some of their work
being remarkably clever and artistic in execution.</p>
<p>Invited to the studios of artists in Rome, Berlin, Paris, and
elsewhere, Buffalo Bill extended the courtesies of his camp to
many whose names are known the world over by their works.
The Wild West became a central place of attraction to artists
as well as to military men and statesmen, and often painters
and sculptors were seen going about the camp looking for
subjects for their brush and chisel.</p>
<p>Having accepted an invitation from Rosa Bonheur to visit
her at her elegant chateau, Buffalo Bill in turn extended the
hospitalities of his camp to the famous artist, who day after
day visited it and made studies for her pleasure, giving much
time to sittings for a painting of Colonel Cody.</p>
<p>The result was the superb painting that attracted so much
comment abroad, and which she presented to the great frontiersman,
who prizes it above all the souvenirs he has in his
charming home at North Platte, where it holds the place of
honor.</p>
<p>The painting represents Buffalo Bill mounted upon his
favorite horse, and it is needless to say that where both man
and animal are portraits, it is a work of art coming from such
a hand as that of Rosa Bonheur. The fact of uniting man
and beast in a painting, giving each equal prominence, was
never before done, I believe, by this great artist, yet her hand
did not lose its cunning in departing from the rule of her
life, as all can testify who have seen this superb picture.</p>
<p><span class="pagenum"><SPAN name="Page_237" id="Page_237">237</SPAN></span></p>
<div id="ip_237" class="figcenter" style="width: 473px;">
<ANTIMG src="images/i_237.jpg" width-obs="473" height-obs="317" alt="" />
<div class="caption">INDIANS UNDER THE SHADOW OF ST. PETER’S, ROME.</div>
</div>
<p><span class="pagenum"><SPAN name="Page_238" id="Page_238">238</SPAN></span>
With America as a vast and grand field for the brushes of
English and European artists, there is little doubt that hereafter
the foreign academies will possess many works on
American scenes and characters; and with the example thus
set them our own artists will find in their own country material
enough to prevent their going to other lands to get artistic
inspiration.</p>
<p>After a short tour in the south of France in the fall, a
vessel was chartered at Marseilles, the Mediterranean crossed
at Barcelona, landing the first band of Americans with accompanying
associates, scouts, cowboys, Mexican horses of
Spanish descent, and wild buffaloes, etc., on the very spot
where on his return to Spain landed the world’s greatest
explorer Christopher Columbus. Here the patrons were
demonstratively eulogistic, the exhibition seeming to delight
them greatly, savoring as it did of an addenda to their national
history; recalling after a lapse of 400 years the resplendent
glories of Spanish conquests under Ferdinand and Isabella, of
the sainted hero Cristobal Colon (1492), Columbus in America
(1890), “Buffalo Bill” and the native American in Spain!</p>
<p>Recrossing the Mediterranean via Corsica and Sardinia
(encountering a tremendous storm), Naples (the placid waters
of whose noble bay gave a welcome refuge) was reached,
and in the shadow of old Vesuvius, which in fact formed a
superbly grand scenic background, another peg in history was
pinned by the visit of the cowboy and Indian to the various
noted localities that here abound; the ruins of Herculaneum,
Pompeii, and the great crater of “the burning mountain”
striking wonder and awe as well as giving geological and
geographical knowledge to the stoical “red man.”</p>
<p><span class="pagenum"><SPAN name="Page_239" id="Page_239">239</SPAN></span>
Then the “famed of the famous cities” of the world,
Rome, was next visited, to be conquered through the gentle
power of intellectual interest in, and the reciprocal pleasure
exchanged by, its unusual visitors; the honor being given to
“the outfit,” as an organization, of attending a dazzling fête
given in the Vatican by his holiness Pope Leo XIII., and of
receiving the exalted pontiff’s blessing. The grandeur of the
spectacle, the heavenly music, the entrancing singing, and
impressive adjuncts produced a most profound impression on
the astonished children of the prairie. The Wild West in the
Vatican!</p>
<p>The company were photographed in the Coliseum, which
stately ruin seemed silently and solemnly to regret that its
famed ancient arena was too small for this modern exhibition
of the mimic struggle between that civilization born
and emanating from ’neath its very walls, and a primitive
people who were ne’er dreamed of in Rome’s world-conquering
creators’ wildest flights of vivid imaginings.</p>
<p>Strolling through its arena, gazing at its lions’ dens, or
lolling lazily on its convenient ruins, hearing its interpreted
history of Romulus, of Cæsar, and of Nero, roamed this band
of Wild West Sioux (a people whose history in barbaric deeds
equals, if not excels, the ancient Romans’), now hand-in-hand
in peace and firmly cemented friendship with the American
frontiersman, once gladiatorial antagonists on the Western
plains. They, listening to the tale, on the spot, of those whose
“morituri te salutant” was the short prelude to a savage
death, formed a novel picture in a historic frame. The Wild
West in the Coliseum!</p>
<div id="ip_239" class="figcenter" style="width: 431px;">
<ANTIMG src="images/i_240.jpg" width-obs="431" height-obs="313" alt="" />
<div class="caption">CAMPED IN THE COLISEUM.</div>
</div>
<p>The following extracts from cablegrams sent to the New
York <i>Herald</i> by its special correspondent, tell of interesting<span class="pagenum"><SPAN name="Page_241" id="Page_241">241</SPAN></span>
occurrences that happened during the visit of the Wild West
to the historic city of Rome:</p>
<blockquote>
<p class="sigright">
<span class="smcap">Rome</span>, March 4, 1890.</p>
<p>All Rome was to-day astir over an attempt of Buffalo Bill’s
cowboys with wild horses, which were provided for the occasion
by the Prince of Sermoneta.</p>
<p>Several days past the Roman authorities have been busy
with the erection of specially cut barriers for the purpose of
keeping back the wild horses from the crowds.</p>
<p>The animals are from the celebrated stud of the Prince of
Sermoneta, and the prince himself declared that no cowboy in
the world could ride these horses. The cowboys laughed over
this surmise and then offered at least to undertake to mount
one of them, if they might choose it.</p>
<p>Every man, woman, and child expected that two or three
people would be killed by this attempt.</p>
<p>The anxiety and enthusiasm was great. Over 2,000 carriages
were ranged round the field and more than 20,000
people lined the spacious barriers. Lord Dufferin and many
other diplomatists were on the terrace, and among Romans
were presently seen the consort of the Prime Minister Crispi,
the Prince of Torlonia, Madame Depretis, Princess Collona,
Gravina Antonelli, the Baroness Reugis, Princess Brancaccia,
Grave Giannotti, and critics from among the highest aristocracy.</p>
<p>In five minutes the horses were tamed.</p>
<p>Two of the wild horses were driven without saddle or
bridle in the arena. Buffalo Bill gave out that they would be
tamed. The brutes made springs into the air, darted hither
and thither in all directions, and bent themselves into all sorts
of shapes—but all in vain.</p>
<p>In five minutes the cowboys had caught the wild horses
with the lasso, saddled, subdued, and bestrode them. Then
the cowboys rode them round the arena, while the dense
crowds of people applauded with delight.</p>
</blockquote>
<p><span class="pagenum"><SPAN name="Page_242" id="Page_242">242</SPAN></span></p>
<div id="ip_242" class="figcenter" style="width: 491px;">
<ANTIMG src="images/i_242.jpg" width-obs="491" height-obs="278" alt="" />
<div class="caption">THE ARENA IN VERONA.</div>
</div>
<p><span class="pagenum"><SPAN name="Page_243" id="Page_243">243</SPAN></span></p>
<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
<blockquote>
<h3>BUFFALO BILL IN VENICE.</h3>
<p>(By Telegraph, New York Herald.)</p>
<p class="sigright">
<span class="smcap">Venice</span>, April 16, 1890.</p>
<p>Buffalo Bill and his Wild West have made a big show in
Venice. This evening the directors have a special invitation
on the Grand Canal, where the whole troupe will be shown.
Colonel Cody is taken by the Venetian prefect in his own
private residence. No one can think them ordinary artistes
after they have seen the gathering of different Indians in
gondolas, or seen the wonderful sight which presents itself at
the Venetian palace and in the little steamboats that ply
between the pier of St. Mark and the railway station.</p>
<p>Thousands of Venetians assembled yesterday in Verona,
where the company of the municipal authorities of justice
have allowed the use of the amphitheater, or the so-called
arena, one of the most interesting structures of Italy, and
a rival of the Coliseum of Rome itself.</p>
<p>Forty-five thousand persons can conveniently find sitting-room
in this arena, and for standing-room there is also
extensive space. As his royal highness Victor Emanuel was
on a visit here once, 60,000 people were accommodated in it.
It is, perhaps, interesting to know that this building is the
largest in the world, although the Wild West Show quite
filled it.</p>
<p>The amphitheater (arena) was built in the year 290 A. D.,
under Diocletian, and is known in Germany as the Home of
the Dietrich of Bern. It is 106 feet high, 168 meters long,
and 134 meters broad (the arena itself is 83 meters long, 48
meters broad); the circumference is 525 meters. In the surrounding
amphitheater (entering by the west side through
arch No. 5, admission 1 franc, Sunday free), are five-and-forty
rows of steps 18 inches high, 26 inches broad, built of
gray, or rather reddish-yellow, limestone, where nearly 20,000
spectators can find places, and where many more people can
see by standing on the wooden benches behind them. From an<span class="pagenum"><SPAN name="Page_244" id="Page_244">244</SPAN></span>
inscription on the second story it will be remembered that
Napoleon I. visited this place in 1805. The restoration of
the building was by recommendation of that emperor. A
wonderful view is obtained from the higher steps.</p>
</blockquote>
<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
<blockquote>
<h3>THE WILD WEST AT THE VATICAN.—BUFFALO BILL’S INDIANS AND COWBOYS AT THE ANNIVERSARY CEREMONY OF LEO XIII.</h3>
<p>New York Herald, March 4, 1890.—(From our Special
Correspondent.)</p>
<p class="sigright">
<span class="smcap">Rome</span>, March 3d.</p>
<p>One of the strangest spectacles ever seen within the walls
of the Vatican was the dramatic entry of Buffalo Bill at the
head of his Indians and cowboys this morning, when the
ecclesiastical and secular military court of the Holy See
assembled to witness the twelfth annual thanksgiving of Leo
XIII. for his coronation. In the midst of the splendid scene,
crowded with the old Roman aristocracy and surrounded by
walls immortalized by Michael Angelo and Raphael, there
suddenly appeared a host of savages in war-paint, feathers,
and blankets, carrying tomahawks and knives.</p>
<p>A vast multitude surged in the great square before St.
Peter’s early in the morning to witness the arrival of the
Americans. Before half-past 9 o’clock the Ducal Hall, Royal
Hall, and Sistine Chapel of the Vatican were packed with those
who had influence enough to obtain admittance. Through
the middle of the three audiences the pathway was bordered
with the brilliant uniforms of the Swiss Guards, Palatine
Guards, papal gendarmes, and private chamberlains. The
sunlight fell upon the lines of glittering steel, nodding plumes,
golden chains, shimmering robes of silk, and all the blazing
emblems of pontifical power and glory.</p>
<h4>THE WILD WEST MAKE THEIR ENTRÉE.</h4>
<p>Suddenly a tall and chivalrous figure appeared at the
entrance, and all eyes were turned toward him. It was<span class="pagenum"><SPAN name="Page_245" id="Page_245">245</SPAN></span>
Col. W. F. Cody, “Buffalo Bill.” With a sweep of his
great sombrero he saluted the chamberlains, and then strode
between the guards with his partner, Mr. Nate Salsbury, by
his side.</p>
<p>Rocky Bear led the Sioux warriors, who brought up
the rear. They were painted in every color that Indian
imagination could devise. Every man carried something
with which to make big medicine in the presence of the
great medicine man sent by the great spirit.</p>
<p>Rocky Bear rolled his eyes and folded his hands on
his breast as he stepped on tiptoe through the glowing sea
of color. His braves furtively eyed the halbreds and two-handed
swords of the Swiss Guards.</p>
<p>The Indians and cowboys were ranged in the south corners
of the Ducal Hall. Colonel Cody and Mr. Salsbury were
escorted into the Sistine Chapel by chamberlains, where they
were greeted by Miss Sherman, daughter of General Sherman.
A princess invited Colonel Cody to a place in the tribune of
the Roman nobles.</p>
<p>He stood facing the gorgeous Diplomatic Corps, surrounded
by the Prince and Princess Borghesi, the Marquis Serlupi,
Princess Bandini, Duchess di Grazioli, Prince and Princess
Massimo, Prince and Princess Ruspoli, and all the ancient
noble families of the city.</p>
<h4>THE PAPAL BLESSING.</h4>
<p>When the Pope appeared in the <i xml:lang="la" lang="la">sedia gestatoria</i>, carried
above the heads of his guards, preceded by the Knights of
Malta and a procession of cardinals and archbishops, the cowboys
bowed, and so did the Indians. Rocky Bear knelt
and made the sign of the cross. The pontiff leaned affectionately
toward the rude groups and blessed them. He
seemed to be touched by the sight.</p>
<p>As the papal train swept on the Indians became excited,
and a squaw fainted. They had been warned not to utter a
sound, and were with difficulty restrained from whooping.<span class="pagenum"><SPAN name="Page_246" id="Page_246">246</SPAN></span>
The Pope looked at Colonel Cody intently as he passed, and
the great scout and Indian fighter bent low as he received the
pontifical benediction.</p>
<p>After the thanksgiving mass, with its grand choral accompaniment
and now and then the sound of Leo XIII.’s voice
heard ringing through the chapel, the great audience poured
out of the Vatican.</p>
</blockquote>
<div id="ip_246" class="figcenter" style="width: 312px;">
<ANTIMG src="images/i_246.jpg" width-obs="312" height-obs="367" alt="" />
<div class="caption">POPE LEO XIII.</div>
</div>
<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
<p>Among the many verses written of and to the noted scout,
the following may be given as a poet’s idea of his visit to
Rome:</p>
<h3>BUFFALO BILL AND THE ROMANS.<span class="pagenum"><SPAN name="Page_247" id="Page_247">247</SPAN></span></h3>
<div class="poem-container">
<div class="poem"><div class="stanza">
<span class="i0">I’ll take my stalwart Indian braves<br/></span>
<span class="i2">Down to the Coliseum,<br/></span>
<span class="i0">And the old Romans from their graves<br/></span>
<span class="i2">Will all arise to see ’em;<br/></span>
<span class="i0">Pretors and censors will return<br/></span>
<span class="i2">And hasten through the Forum,<br/></span>
<span class="i0">The ghostly Senate will adjourn<br/></span>
<span class="i2">Because it lacks a quorum.<br/></span></div>
<div class="stanza">
<span class="i0">And up the ancient Appian way<br/></span>
<span class="i2">Will flock the ghostly legions,<br/></span>
<span class="i0">From Gaul unto Calabria,<br/></span>
<span class="i2">And from remoter regions;<br/></span>
<span class="i0">From British bog and wild lagoon,<br/></span>
<span class="i2">And Libyan desert sandy,<br/></span>
<span class="i0">They’ll all come, marching to the tune<br/></span>
<span class="i2">Of “Yankee Doodle Dandy.”<br/></span></div>
<div class="stanza">
<span class="i0">Prepare the triumph car for me<br/></span>
<span class="i2">And purple throne to sit on,<br/></span>
<span class="i0">For I’ve done more than Julius C.—<br/></span>
<span class="i2">He could not down the Briton!<br/></span>
<span class="i0">Cæsar and Cicero shall bow,<br/></span>
<span class="i2">And ancient warriors famous,<br/></span>
<span class="i0">Before the myrtle-bandaged brow<br/></span>
<span class="i2">Of Buffalo Williamus.<br/></span></div>
<div class="stanza">
<span class="i0">We march, unwhipped, through history—<br/></span>
<span class="i2">No bulwark can detain us—<br/></span>
<span class="i0">And link the age of Grover C.<br/></span>
<span class="i2">And Scipio Africanus.<br/></span>
<span class="i0">I’ll take my stalwart Indian braves<br/></span>
<span class="i2">Down to the Coliseum,<br/></span>
<span class="i0">And the old Romans from their graves<br/></span>
<span class="i2">Will all arise to see ’em.<br/></span></div>
</div></div>
<p>Artistic Florence, practical Bologna, grand and stately
Milan, and unique Verona were next added to the list. Verona’s
superb and well-preserved Arena, excelling in
superficial area the Coliseum and holding 45,000 people, was
especially granted for the Wild West’s use. The Indians were<span class="pagenum"><SPAN name="Page_249" id="Page_249">249</SPAN></span>
taken by Buffalo Bill to picturesque Venice, and there shown
the marvelous results of the ancient white man’s energy and
artistic architectural skill. They were immortalized by the
camera in the ducal palace, St. Marc’s Piazza, and in the
strange street vehicle of the Adriatic’s erstwhile pride—the
gondola; contributing another interesting object lesson to
the distant juvenile student members of their tribe, to testify
more fully to their puzzled senses the fact of strange sights
and marvels whose existence is to be learned in the breadth
of knowledge.</p>
<div id="ip_249" class="figcenter" style="width: 587px;">
<ANTIMG src="images/i_248.jpg" width-obs="587" height-obs="349" alt="" />
<div class="caption">BUFFALO BILL AND HIS INDIANS IN VENICE.</div>
</div>
<p>Moving via Innsbruck through the beautifully scenic
Tyrol, the Bavarian capital, Munich, with its naturally artistic
instincts, gave a grand reception to the beginning of a marvelously
successful tour through German land, which included
Vienna (with an excursion on the “Blue Danube”), Berlin,
Dresden, Leipsic, Magdeburg, Hanover, Brunswick, Hamburg,
Bremen, Dusseldorf, Cologne, along the Rhine past Bonn,
Coblentz, “Fair Bingen on the Rhine,” to Frankfort, Stuttgart,
and Strasburg. These historic cities, with all their
wealth of legendary interest, art galleries, scientific conservatories,
educative edifices, cathedrals, modern palaces, ancient
ruins, army maneuverings, fortifications, commercial and
varied manufacturing and agricultural industries, and the
social, genial, friendly, quiet customs of its peoples, should
form good instruction to the rugged rovers of the American
plains—heirs to an empire as much more vast in extent and
resources as is the brightness of the diamond—after the skill
expended by the lapidary—in dazzling brilliancy to the rude,
unpolished stone before man’s <i>industry</i> lends value to its
existence.</p>
<p>At Strasburg the management decided to close temporarily<span class="pagenum"><SPAN name="Page_250" id="Page_250">250</SPAN></span>
this extraordinary tour and winter the company. Although
in the proximity of points contemplated for a winter campaign
(southern France and the Riviera), this was deemed advisable
on account of the first and only attack from envious
humanity that the organization had encountered. This matter
necessitated the manly but expensive voluntary procedure of
taking the Indians to America to meet face to face and deny
the imputations of some villifiers, whom circumstances of
petty political “charity” and “I-am-ism” and native buoyancy
permit at times to float temporarily on the surface of a cosmopolite
community, and to whose ravings a too credulous
public and press give hearing.</p>
<p>The quaint little village of Benfield furnished an ancient
nunnery and a castle with stables and good range. Here the
little community of Americans spent the winter comfortably,
being feasted and fêted by the inhabitants, whose esteem they
gained to such an extent that their departure was marked by
a general holiday, assisting hands, and such public demonstrations
of regret that many a rude cowboy when once again
careering o’er the pampas of Texas will rest his weary steed
while memory reverts to the pleasant days and whole-souled
friendships cemented at the foot of the Vosges Mountains in
disputed Alsace-Lorraine.</p>
<p>In Alsace-Lorraine! whose anomalous position menaces
the peace not only of the two countries interested but of the
civilized world; whose situation makes it intensely even
sadly interesting as the theater of that future human tragedy
for which the ear of mankind strains day and night, listening
for detonations from the muzzles of the acme of invented
mechanisms of destruction. The lurid-garbed Angel of
Devastation hovers, careering through the atmosphere of the<span class="pagenum"><SPAN name="Page_251" id="Page_251">251</SPAN></span>
seemingly doomed valley, gaily laughing, shrieking exultingly,
at the white-robed Angel of Peace as the latter gloomily
wanders, prayerful, tearful, hopelessly hunting, ceaselessly
seeking, the return of modern man’s boasted newly created
gods—Equity, Justice, Reason!</p>
<p>What a field for the vaunted champions of humanity, the
leaders of civilization! What a neighborhood wherein to sow
the seeds of “peace on earth and good-will to men.” What a
crucible for the universal panacea, arbitration! What a test
of the efficacy of prayer in damming up the conflicting torrents
of ambition, cupidity, passion, and revenge, which threaten
to color crimson the swift current of the Rhine, until its
renown as the home of wealth and luxury be eclipsed by
eternal notoriety as the Valley of Death!</p>
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<p><span class="pagenum"><SPAN name="Page_252" id="Page_252">252</SPAN></span></p>
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