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<ANTIMG class="imgcenter" src="images/img-front.jpg" alt="'You must accept my word.'" />
<br/>
"You must accept my word."</p>
<h1> <br/><br/> INSIDE THE LINES<br/> </h1>
<p><br/></p>
<p class="t3b">
<i>By</i><br/></p>
<p class="t2">
EARL DERR BIGGERS<br/></p>
<p class="t3b">
AND<br/></p>
<p class="t2">
ROBERT WELLES RITCHIE<br/></p>
<p><br/></p>
<p class="t3">
<i>Founded on Earl Derr Biggers'<br/>
Play of the Same Name</i><br/></p>
<p><br/><br/></p>
<p class="t3">
INDIANAPOLIS<br/>
THE BOBBS-MERRILL COMPANY<br/>
PUBLISHERS<br/></p>
<p><br/><br/><br/></p>
<p class="t4">
COPYRIGHT 1915<br/>
THE BOBBS-MERRILL COMPANY<br/></p>
<p><br/><br/></p>
<p class="t4">
PRESS OF<br/>
BRAUNWORTH & CO.<br/>
BOOKBINDERS AND PRINTERS<br/>
BROOKLYN. N. Y.<br/></p>
<p><br/><br/><br/></p>
<p class="t3b">
CONTENTS<br/></p>
<p>CHAPTER<br/></p>
<p>I <SPAN href="#chap01">Jane Gerson, Buyer</SPAN><br/>
II <SPAN href="#chap02">From the Wilhelmstrasse</SPAN><br/>
III <SPAN href="#chap03">Billy Capper at Play</SPAN><br/>
IV <SPAN href="#chap04">32 Queen's Terrace</SPAN><br/>
V <SPAN href="#chap05">A Ferret</SPAN><br/>
VI <SPAN href="#chap06">A Fugitive</SPAN><br/>
VII <SPAN href="#chap07">The Hotel Splendide</SPAN><br/>
VIII <SPAN href="#chap08">Chaff of War</SPAN><br/>
IX <SPAN href="#chap09">Room D</SPAN><br/>s
X <SPAN href="#chap10">A Visit to a Lady</SPAN><br/>
XI <SPAN href="#chap11">A Spy in the Signal Tower</SPAN><br/>
XII <SPAN href="#chap12">Her Country's Example</SPAN><br/>
XIII <SPAN href="#chap13">Enter, a Cigarette</SPAN><br/>
XIV <SPAN href="#chap14">The Captain Comes to Tea</SPAN><br/>
XV <SPAN href="#chap15">The Third Degree</SPAN><br/>
XVI <SPAN href="#chap16">The Pendulum of Fate</SPAN><br/>
XVII <SPAN href="#chap17">Three-Thirty A. M.</SPAN><br/>
XVIII <SPAN href="#chap18">The Trap Is Sprung</SPAN><br/>
XIX <SPAN href="#chap19">At the Quay</SPAN><br/></p>
<p><br/><br/><br/></p>
<p><SPAN name="chap01"></SPAN></p>
<h2> INSIDE THE LINES </h2>
<p><br/><br/></p>
<h3> CHAPTER I <br/> JANE GERSON, BUYER </h3>
<p>"I had two trunks—two, you ninny! Two!
<i>Ou est l'autre?</i>"</p>
<p>The grinning customs guard lifted his
shoulders to his ears and spread out his palms.
"<i>Mais, mamselle——</i>"</p>
<p>"Don't you '<i>mais</i>' me, sir! I had two trunks—<i>deux
troncs</i>—when I got aboard that wabbly
old boat at Dover this morning, and I'm not
going to budge from this wharf until I find
the other one. Where <i>did</i> you learn your
French, anyway? Can't you understand when
I speak your language?"</p>
<p>The girl plumped herself down on top of
the unhasped trunk and folded her arms
truculently. With a quizzical smile, the customs
guard looked down into her brown eyes,
smoldering dangerously now, and began all over
again his speech of explanation.</p>
<p>"<i>Wagon-lit?</i>" She caught a familiar word.
"<i>Mais oui</i>; that's where I want to go—aboard
your wagon-lit, for Paris. <i>Voilà!</i>"—the girl
carefully gave the word three syllables—"<i>mon
ticket pour Paree!</i>" She opened her
patent-leather reticule, rummaged furiously therein,
brought out a handkerchief, a tiny mirror, a
packet of rice papers, and at last a folded and
punched ticket. This she displayed with a
triumphant flourish.</p>
<p>"<i>Voilà! Il dit</i> 'Miss Jane Gerson'; that's
me—<i>moi-meme</i>, I mean. And <i>il dit 'deux troncs'</i>;
now you can't go behind that, can you? Where
is that other trunk?"</p>
<p>A whistle shrilled back beyond the swinging
doors of the station. Folk in the customs shed
began a hasty gathering together of parcels
and shawl straps, and a general exodus toward
the train sheds commenced. The girl on the
trunk looked appealingly about her; nothing
but bustle and confusion; no Samaritan to turn
aside and rescue a fair traveler fallen among
customs guards. Her eyes filled with trouble,
and for an instant her reliant mouth broke its
line of determination; the lower lip quivered
suspiciously. Even the guard started to walk
away.</p>
<p>"Oh, oh, please don't go!" Jane Gerson was
on her feet, and her hands shot out in an
impulsive appeal. "Oh, dear; maybe I forgot to
tip you. Here, <i>attende au secours</i>, if you'll only
find that other trunk before the train——"</p>
<p>"Pardon; but if I may be of any assistance——"</p>
<p>Miss Gerson turned. A tallish, old-young-looking
man, in a gray lounge suit, stood heels
together and bent stiffly in a bow. Nothing of
the beau or the boulevardier about his face or
manner. Miss Gerson accepted his intervention
as heaven-sent.</p>
<p>"Oh, thank you ever so much! The guard,
you see, doesn't understand good French. I
just can't make him understand that one of
my trunks is missing. And the train for
Paris——"</p>
<p>Already the stranger was rattling incisive
French at the guard. That official bowed low,
and, with hands and lips, gave rapid explanation.
The man in the gray lounge suit turned
to the girl.</p>
<p>"A little misunderstanding, Miss—ah——"</p>
<p>"Gerson—Jane Gerson, of New York," she
promptly supplied.</p>
<p>"A little misunderstanding, Miss Gerson.
The customs guard says your other trunk has
already been examined, passed, and placed on
the baggage van. He was trying to tell you
that it would be necessary for you to permit
a porter to take this trunk to the train before
time for starting. With your permission——"</p>
<p>The stranger turned and halloed to a porter,
who came running. Miss Gerson had the
trunk locked and strapped in no time, and it
was on the shoulders of the porter.</p>
<p>"You have very little time, Miss Gerson.
The train will be making a start directly. If
I might—ah—pilot you through the station to
the proper train shed. I am not presuming?"</p>
<p>"You are very kind," she answered hurriedly.</p>
<p>They set off, the providential Samaritan in
the lead. Through the waiting-room and on to
a broad platform, almost deserted, they went.
A guard's whistle shrilled. The stranger
tucked a helping hand under Jane Gerson's
arm to steady her in the sharp sprint down a
long aisle between tracks to where the Paris
train stood. It began to move before they had
reached its mid-length. A guard threw open
a carriage door, in they hopped, and with a
rattle of chains and banging of buffers the
Express du Nord was off on its arrow flight
from Calais to the capital.</p>
<p>The carriage, which was of the second class,
was comfortably filled. Miss Gerson stumbled
over the feet of a puffy Fleming nearest the
door, was launched into the lap of a comfortably
upholstered widow on the opposite seat,
ricochetted back to jam an elbow into a French
gentleman's spread newspaper, and finally was
catapulted into a vacant space next to the
window on the carriage's far side. She giggled,
tucked the skirts of her pearl-gray duster
about her, righted the chic sailor hat on her
chestnut-brown head, and patted a stray wisp
of hair back into place. Her meteor flight into
and through the carriage disturbed her not a
whit.</p>
<p>As for the Samaritan, he stood uncertainly
in the narrow cross aisle, swaying to the
swing of the carriage and reconnoitering
seating possibilities. There was a place, a very
narrow one, next to the fat Fleming; also
there was a vacant place next to Jane Gerson.
The Samaritan caught the girl's glance in his
indecision, read in it something frankly
comradely, and chose the seat beside her.</p>
<p>"Very good of you, I'm sure," he murmured.
"I did not wish to presume——"</p>
<p>"You're not," the girl assured, and there was
something so fresh, so ingenuous, in the tone
and the level glance of her brown eyes that
the Samaritan felt all at once distinctly
satisfied with the cast of fortune that had thrown
him in the way of a distressed traveler. He
sat down with a lifting of the checkered Alpine
hat he wore and a stiff little bow from the
waist.</p>
<p>"If I may, Miss Gerson—I am Captain
Woodhouse, of the signal service."</p>
<p>"Oh!" The girl let slip a little gasp—the
meed of admiration the feminine heart always
pays to shoulder straps. "Signal service; that
means the army?"</p>
<p>"His majesty's service; yes, Miss Gerson."</p>
<p>"You are, of course, off duty?" she suggested,
with the faintest possible tinge of regret
at the absence of the stripes and buttons that
spell "soldier" with the woman.</p>
<p>"You might say so, Miss Gerson. Egypt—the
Nile country is my station. I am on my
way back there after a bit of a vacation at
home—London I mean, of course."</p>
<p>She stole a quick side glance at the face of
her companion. A soldier's face it was, lean and
school-hardened and competent. Lines about
the eyes and mouth—the stamp of the sun and
the imprint of the habit to command—had
taken from Captain Woodhouse's features
something of freshness and youth, though
giving in return the index of inflexible will and
lust for achievement. His smooth lips were
a bit thin, Jane Gerson thought, and the
out-shooting chin, almost squared at the angles,
marked Captain Woodhouse as anything but a
trifler or a flirt. She was satisfied that
nothing of presumption or forwardness on the part
of this hard-molded chap from Egypt would
give her cause to regret her unconventional
offer of friendship.</p>
<p>Captain Woodhouse, in his turn, had made
a satisfying, though covert, appraisal of his
traveling companion by means of a narrow
mirror inset above the baggage rack over the
opposite seat. Trim and petite of figure, which
was just a shade under the average for height
and plumpness; a small head set sturdily on a
round smooth neck; face the very embodiment
of independence and self-confidence, with its
brown eyes wide apart, its high brow under
the parting waves of golden chestnut, broad
humorous mouth, and tiny nose slightly nibbed
upward: Miss Up-to-the-Minute New York,
indeed! From the cocked red feather in her
hat to the dainty spatted boots Jane Gerson
appeared in Woodhouse's eyes a perfect, virile,
vividly alive American girl. He'd met her
kind before; had seen them browbeating
bazaar merchants in Cairo and riding desert
donkeys like strong young queens. The type
appealed to him.</p>
<p>The first stiffness of informal meeting wore
away speedily. The girl tactfully directed the
channel of conversation into lines familiar to
Woodhouse. What was Egypt like; who owned
the Pyramids, and why didn't the owners plant
a park around them and charge admittance?
Didn't he think Rameses and all those other
old Pharaohs had the right idea in advertising—putting
up stone billboards to last all time?
The questions came crisp and startling;
Woodhouse found himself chuckling at the shrewd
incisiveness of them. Rameses an advertiser
and the Pyramids stone hoardings to carry all
those old boys' fame through the ages! He'd
never looked on them in that light before.</p>
<p>"I say, Miss Gerson, you'd make an excellent
business person, now, really," the captain
voiced his admiration.</p>
<p>"Just cable that at my expense to old Pop
Hildebrand, of Hildebrand's department store,
New York," she flashed back at him. "I'm
trying to convince him of just that very
thing."</p>
<p>"Really, now; a department shop! What,
may I ask, do you have to do for—ah—Pop
Hildebrand?"</p>
<p>"Oh, I'm his foreign buyer," Jane answered,
with a conscious note of pride. "I'm over here
to buy gowns for the winter season, you see.
Paul Poiret—Worth—Paquin; you've heard of
those wonderful people, of course?"</p>
<p>"Can't say I have," the captain confessed,
with a rueful smile into the girl's brown eyes.</p>
<p>"Then you've never bought a Worth?" she
challenged. "For if you had you'd not forget
the name—or the price—very soon."</p>
<p>"Gowns—and things are not in my line, Miss
Gerson," he answered simply, and the girl
caught herself feeling a secret elation. A man
who didn't know gowns couldn't be very
intimately acquainted with women. And—well—</p>
<p>"And this Hildebrand, he sends you over
here alone just to buy pretties for New York's
wonderful women?" the captain was saying.
"Aren't you just a bit—ah—nervous to be over
in this part of the world—alone?"</p>
<p>"Not in the least," the girl caught him up.
"Not about the alone part, I should say. Maybe
I am fidgety and sort of worried about making
good on the job. This is my first trip—my
very first as a buyer for Hildebrand. And,
of course, if I should fall down——"</p>
<p>"Fall down?" Woodhouse echoed, mystified.
The girl laughed, and struck her left wrist a
smart blow with her gloved right hand.</p>
<p>"There I go again—slang; 'vulgar American
slang,' you'll call it. If I could only rattle off
the French as easily as I do New Yorkese I'd
be a wonder. I mean I'm afraid I won't make
good."</p>
<p>"Oh!"</p>
<p>"But why should I worry about coming over
alone?" Jane urged. "Lots of American girls
come over here alone with an American flag
pinned to their shirt-waists and wearing a
Baedeker for a wrist watch. Nothing ever
happens to them."</p>
<p>Captain Woodhouse looked out on the flying
panorama of straw-thatched houses and
fields heavy with green grain. He seemed to
be balancing words. He glanced at the
passenger across the aisle, a wizened little man,
asleep. In a lowered voice he began:</p>
<p>"A woman alone—over here on the Continent
at this time; why, I very much fear she
will have great difficulties when
the—ah—trouble comes."</p>
<p>"Trouble?" Jane's eyes were questioning.</p>
<p>"I do not wish to be an alarmist, Miss
Gerson," Captain Woodhouse continued, hesitant.
"Goodness knows we've had enough calamity
shouters among the Unionists at home. But
have you considered what you would do—how
you would get back to America in case
of—war?" The last word was almost a whisper.</p>
<p>"War?" she echoed. "Why, you don't mean
all this talk in the papers is——"</p>
<p>"Is serious, yes," Woodhouse answered quietly.
"Very serious."</p>
<p>"Why, Captain Woodhouse, I thought you
had war talk every summer over here just as
our papers are filled each spring with gossip
about how Tesreau is going to jump to the
Feds, or the Yanks are going to be sold. It's
your regular midsummer outdoor sport over
here, this stirring up the animals."</p>
<p>Woodhouse smiled, though his gray eyes
were filled with something not mirth.</p>
<p>"I fear the animals are—stirred, as you say,
too far this time," he resumed. "The
assassination of the Archduke Ferd——"</p>
<p>"Yes, I remember I did read something
about that in the papers at home. But
archdukes and kings have been killed before, and
no war came of it. In Mexico they murder a
president before he has a chance to send out
'At home' cards."</p>
<p>"Europe is so different from Mexico," her
companion continued, the lines of his face
deepening. "I am afraid you over in the States
do not know the dangerous politics here; you
are so far away; you should thank God for
that. You are not in a land where one
man—or two or three—may say, 'We will now go
to war,' and then you go, willy-nilly."</p>
<p>The seriousness of the captain's speech and
the fear that he could not keep from his eyes
sobered the girl. She looked out on the
sun-drenched plains of Pas de Calais, where toy
villages, hedged fields, and squat farmhouses
lay all in order, established, seeming for all
time in the comfortable doze of security. The
plodding manikins in the fields, the slumberous
oxen drawing the harrows amid the beet rows,
pigeons circling over the straw hutches by the
tracks' side—all this denied the possibility of
war's corrosion.</p>
<p>"Don't you think everybody is suffering
from a bad dream when they say there's to
be fighting?" she queried. "Surely it is
impossible that folks over here would all consent
to destroy this." She waved toward the
peaceful countryside.</p>
<p>"A bad dream, yes. But one that will end
in a nightmare," he answered. "Tell me, Miss
Gerson, when will you be through with your
work in Paris, and on your way back to America?"</p>
<p>"Not for a month; that's sure. Maybe I'll
be longer if I like the place."</p>
<p>Woodhouse pondered.</p>
<p>"A month. This is the tenth of July. I am
afraid—— I say, Miss Gerson, please do not
set me down for a meddler—this short
acquaintance, and all that; but may I not urge
on you that you finish your work in Paris
and get back to England at least in two
weeks?" The captain had turned, and was
looking into the girl's eyes with an earnest
intensity that startled her. "I can not tell you
all I know, of course. I may not even know
the truth, though I think I have a bit of it,
right enough. But one of your sort—to be
caught alone on this side of the water by the
madness that is brewing! By George, I do
not like to think of it!"</p>
<p>"I thank you, Captain Woodhouse, for your
warning," Jane answered him, and impulsively
she put out her hand to his. "But, you see, I'll
have to run the risk. I couldn't go scampering
back to New York like a scared pussy-cat just
because somebody starts a war over here. I'm
on trial. This is my first trip as buyer for
Hildebrand, and it's a case of make or break
with me. War or no war, I've got to make
good. Anyway"—this with a toss of her round
little chin—"I'm an American citizen, and
nobody'll dare to start anything with me."</p>
<p>"Right you are!" Woodhouse beamed his
admiration. "Now we'll talk about those
skyscrapers of yours. Everybody back from the
States has something to say about those famous
buildings, and I'm fairly burning for first-hand
information from one who knows them."</p>
<p>Laughingly she acquiesced, and the grim
shadow of war was pushed away from them,
though hardly forgotten by either. At the
man's prompting, Jane gave intimate pictures
of life in the New World metropolis, touching
with shrewd insight the fads and shams of
New York's denizens even as she exalted the
achievements of their restless energy.</p>
<p>Woodhouse found secret amusement and
delight in her racy nervous speech, in the
dexterity of her idiom and patness of her
characterizations. Here was a new sort of
for him. Not the languid creature of
studied suppression and feeble enthusiasm he
had known, but a virile, vivid, sparkling
woman of a new land, whose impulses were as
unhindered as her speech was heterodox. She
was a woman who worked for her living; that
was a new type, too. Unafraid, she threw
herself into the competition of a man's world;
insensibly she prided herself on her ability to
"make good"—expressive Americanism,
that,—under any handicap. She was a woman with
a "job"; Captain Woodhouse had never before
met one such.</p>
<p>Again, here was a woman who tried none
of the stale arts and tricks of coquetry; no
eyebrow strategy or maidenly simpering about
Jane Gerson. Once sure Woodhouse was what
she took him to be, a gentleman, the girl had
established a frank basis of comradeship that
took no reckoning of the age-old conventions
of sex allure and sex defense. The
unconventionality of their meeting weighed nothing
with her. Equally there was not a hint of
sophistication on the girl's part.</p>
<p>So the afternoon sped, and when the sun
dropped over the maze of spires and chimney
pots that was Paris, each felt regret at parting.</p>
<p>"To Egypt, yes," Woodhouse ruefully admitted.
"A dreary deadly 'place in the sun' for
me. To have met you, Miss Gerson; it has
been delightful, quite."</p>
<p>"I hope," the girl said, as Woodhouse handed
her into a taxi, "I hope that <i>if</i> that war comes
it will find you still in Egypt, away from the
firing-line."</p>
<p>"Not a fair thing to wish for a man in the
service," Woodhouse answered, laughing. "I
may be more happy when I say my best wish
for you is that <i>when</i> the war comes it will find
you a long way from Paris. Good-by, Miss
Gerson, and good luck!"</p>
<p>Captain Woodhouse stood, heels together and
hat in hand, while her taxi trundled off, a
farewell flash of brown eyes rewarding him for the
military correctness of his courtesy. Then he
hurried to another station to take a train—not
for a Mediterranean port and distant Egypt,
but for Berlin.</p>
<p><br/><br/><br/></p>
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