<h2><SPAN name="CHAPTER_VII" id="CHAPTER_VII"></SPAN>CHAPTER VII.</h2>
<p class="h2">WHAT <i>IS</i> IN A NAME?</p>
<ANTIMG class="dropimg" src="images/drop_f.jpg" alt="F" />
<p class="noin"><span style="font-weight:bold">OR</span>
a time that seemed to them long, the
two men stood waiting, while still the
Mother of Light did not return. So long
was she absent that they began to grow
anxious: how were they to find their way from the
natural hollows of the mountain crossed by goblin
paths, if their lamps should go out? To spend the
night there would mean to sit and wait until an earthquake
rent the mountain, or the earth herself fell back
into the smelting furnace of the sun whence she had
issued—for it was all night and no faintest dawn in the
bosom of the world. So long did they wait unrevisited,
that, had there not been two of them, either would at
length have concluded the vision a home-born product of
his own seething brain. And their lamps <i>were</i> going out,
for they grew redder and smokier! But they did not lose
courage, for there is a kind of capillary attraction in the
facing of two souls, that lifts faith quite beyond the level
to which either could raise it alone: they knew that they
had seen the lady of emeralds, and it was to give them
their own desire that she had gone from them, and
neither would yield for a moment to the half-doubts and
half-dreads that awoke in his heart. And still she who
with her absence darkened their air did not return. They
grew weary, and sat down on the rocky floor, for wait
they would—indeed, wait they must. Each set his lamp
by his knee, and watched it die. Slowly it sank, dulled,
looked lazy and stupid. But ever as it sank and dulled,
the image in his mind of the Lady of Light grew
stronger and clearer. Together the two lamps panted
and shuddered. First one, then the other went out,
leaving for a moment a great red, evil-smelling snuff.
Then all was the blackness of darkness up to their very
hearts and everywhere around them. Was it? No. Far
away—it looked miles away—shone one minute faint
point of green light—where, who could tell? They
only knew that it shone. It grew larger, and seemed to
draw nearer, until at last, as they watched with speechless
delight and expectation, it seemed once more within
reach of an outstretched hand. Then it spread and
melted away as before, and there were eyes—and a face—and
a lovely form—and lo! the whole cavern blazing
with lights innumerable, and gorgeous, yet soft and interfused—so
blended, indeed, that the eye had to search and
see in order to separate distinct spots of special colour.</p>
<p>The moment they saw the speck in the vast distance
they had risen and stood on their feet. When it came
nearer they bowed their heads. Yet now they looked
with fearless eyes, for the woman that was old and yet
young was a joy to see, and filled their hearts with
reverent delight. She turned first to Peter.</p>
<p>"I have known you long," she said. "I have met you
going to and from the mine, and seen you working in it
for the last forty years."</p>
<p>"How should it be, madam, that a grand lady like
you should take notice of a poor man like me?" said
Peter, humbly, but more foolishly than he could then have
understood.</p>
<p>"I am poor as well as rich," said she. "I too work
for my bread, and I show myself no favour when I pay
myself my own wages. Last night when you sat by the
brook, and Curdie told you about my pigeon, and my
spinning, and wondered whether he could believe that
he had actually seen me, I heard all you said to each
other. I am always about, as the miners said the other
night when they talked of me as Old Mother Wotherwop."</p>
<p>The lovely lady laughed, and her laugh was a lightning
of delight in their souls.</p>
<p>"Yes," she went on, "you have got to thank me that
you are so poor, Peter. I have seen to that, and it has
done well for both you and me, my friend. Things come
to the poor that can't get in at the door of the rich.
Their money somehow blocks it up. It is a great
privilege to be poor, Peter—one that no man ever
coveted, and but a very few have sought to retain,
but one that yet many have learned to prize. You must
not mistake, however, and imagine it a virtue; it is but
a privilege, and one also that, like other privileges, may
be terribly misused. Hadst thou been rich, my Peter,
thou wouldst not have been so good as some rich men I
know. And now I am going to tell you what no one
knows but myself: you, Peter, and your wife have both
the blood of the royal family in your veins. I have been
trying to cultivate your family tree, every branch of which
is known to me, and I expect Curdie to turn out a
blossom on it. Therefore I have been training him for
a work that must soon be done. I was near losing him,
and had to send my pigeon. Had he not shot it, that
would have been better; but he repented, and that shall
be as good in the end."</p>
<p>She turned to Curdie and smiled.</p>
<p>"Ma'am," said Curdie, "may I ask questions?"</p>
<p>"Why not, Curdie?"</p>
<p>"Because I have been told, ma'am, that nobody must
ask the king questions."</p>
<p>"The king never made that law," she answered,
with some displeasure. "You may ask me as many
as you please—that is, so long as they are sensible.
Only I may take a few thousand years to answer
some of them. But that's nothing. Of all things time
is the cheapest."</p>
<p>"Then would you mind telling me now, ma'am, for I
feel very confused about it—are you the Lady of the
Silver Moon?"</p>
<p>"Yes, Curdie; you may call me that if you like.
What it means is true."</p>
<p>"And now I see you dark, and clothed in green, and
the mother of all the light that dwells in the stones
of the earth! And up there they call you Old
Mother Wotherwop! And the Princess Irene told
me you were her great-great-grandmother! And you
spin the spider-threads, and take care of a whole
people of pigeons; and you are worn to a pale
shadow with old age; and are as young as anybody
can be, not to be too young; and as strong, I do
believe, as I am."</p>
<p>The lady stooped towards a large green stone bedded
in the rock of the floor, and looking like a well of grassy
light in it. She laid hold of it with her fingers, broke it
out, and gave it to Peter.</p>
<p>"There!" cried Curdie, "I told you so. Twenty
men could not have done that. And your fingers are
white and smooth as any lady's in the land. I don't
know what to make of it."</p>
<p>"I could give you twenty names more to call me,
Curdie, and not one of them would be a false one. What
does it matter how many names if the person is one?"</p>
<p>"Ah! but it is not names only, ma'am. Look at
what you were like last night, and what I see you
now!"</p>
<p>"Shapes are only dresses, Curdie, and dresses are only
names. That which is inside is the same all the time."</p>
<p>"But then how can all the shapes speak the truth?"</p>
<p>"It would want thousands more to speak the truth,
Curdie; and then they could not. But there is a point
I must not let you mistake about. It is one thing the
shape I choose to put on, and quite another the shape
that foolish talk and nursery tale may please to put upon
me. Also, it is one thing what you or your father may
think about me, and quite another what a foolish or bad
man may see in me. For instance, if a thief were to
come in here just now, he would think he saw the demon
of the mine, all in green flames, come to protect her
treasure, and would run like a hunted wild goat. I
should be all the same, but his evil eyes would see me as
I was not."</p>
<p>"I think I understand," said Curdie.</p>
<p>"Peter," said the lady, turning then to him, "you will
have to give up Curdie for a little while."</p>
<p>"So long as he loves us, ma'am, that will not matter—much."</p>
<p>"Ah! you are right there, my friend," said the beautiful
princess.</p>
<p>And as she said it she put out her hand, and took the
hard, horny hand of the miner in it, and held it for a
moment lovingly.</p>
<p>"I need say no more," she added, "for we understand
each other—you and I, Peter."</p>
<p>The tears came into Peter's eyes. He bowed his head
in thankfulness, and his heart was much too full to
speak.</p>
<p>Then the great old young beautiful princess turned to
Curdie.</p>
<p>"Now, Curdie, are you ready?" she said.</p>
<p>"Yes, ma'am," answered Curdie.</p>
<p>"You do not know what for."</p>
<p>"You do, ma'am. That is enough."</p>
<p>"You could not have given me a better answer, or
done more to prepare yourself, Curdie," she returned,
with one of her radiant smiles. "Do you think you will
know me again?"</p>
<p>"I think so. But how can I tell what you may look
like next?"</p>
<p>"Ah, that indeed! How can you tell? Or how could
I expect you should? But those who know me <i>well</i>,
know me whatever new dress or shape or name I may be
in; and by-and-by you will have learned to do so too."</p>
<p>"But if you want me to know you again, ma'am, for
certain sure," said Curdie, "could you not give me some
sign, or tell me something about you that never changes—or
some other way to know you, or thing to know
you by?"</p>
<p>"No, Curdie; that would be to keep you from knowing
me. You must know me in quite another way from
that. It would not be the least use to you or me either
if I were to make you know me in that way. It would
be but to know the sign of me—not to know me myself.
It would be no better than if I were to take this emerald
out of my crown and give it you to take home with you,
and you were to call it me, and talk to it as if it heard
and saw and loved you. Much good that would do you,
Curdie! No; you must do what you can to know me,
and if you do, you will. You shall see me again—in
very different circumstances from these, and, I will tell
you so much, it <i>may</i> be in a very different shape. But
come now, I will lead you out of this cavern; my good
Joan will be getting too anxious about you. One word
more: you will allow that the men knew little what they
were talking about this morning, when they told all those
tales of Old Mother Wotherwop; but did it occur to you
to think how it was they fell to talking about me at all?—It
was because I came to them; I was beside them all the
time they were talking about me, though they were far
enough from knowing it, and had very little besides
foolishness to say."</p>
<p>As she spoke she turned and led the way from the
cavern, which, as if a door had been closed, sunk into
absolute blackness behind them. And now they saw
nothing more of the lady except the green star, which
again seemed a good distance in front of them, and to
which they came no nearer, although following it at a
quick pace through the mountain. Such was their confidence
in her guidance, however, and so fearless were
they in consequence, that they felt their way neither with
hand nor foot, but walked straight on through the pitch
dark galleries. When at length the night of the upper
world looked in at the mouth of the mine, the green
light seemed to lose its way amongst the stars, and they
saw it no more.</p>
<p>Out they came into the cool, blessed night. It was
very late, and only starlight. To their surprise, three
paces away they saw, seated upon a stone, an old
countrywoman, in a cloak which they took for black.
When they came close up to it, they saw it was red.</p>
<p>"Good evening!" said Peter.</p>
<p>"Good evening!" returned the old woman, in a
voice as old as herself.</p>
<p>But Curdie took off his cap and said,—</p>
<p>"I am your servant, princess."</p>
<p>The old woman replied,—</p>
<p>"Come to me in the dove-tower to-morrow night,
Curdie—alone."</p>
<p>"I will, ma'am," said Curdie.</p>
<p>So they parted, and father and son went home to wife
and mother—two persons in one rich, happy woman.</p>
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