<h3 align="CENTER">Chapter 19</h3>
<p>If one wanted to show a foreigner England, perhaps the wisest
course would be to take him to the final section of the Purbeck
Hills, and stand him on their summit, a few miles to the east of
Corfe. Then system after system of our island would roll
together under his feet. Beneath him is the valley of the Frome,
and all the wild lands that come tossing down from Dorchester,
black and gold, to mirror their gorse in the expanses of Poole.
The valley of the Stour is beyond, unaccountable stream, dirty at
Blandford, pure at Wimborne--the Stour, sliding out of fat
fields, to marry the Avon beneath the tower of Christchurch. The
valley of the Avon--invisible, but far to the north the trained
eye may see Clearbury Ring that guards it, and the imagination
may leap beyond that on to Salisbury Plain itself, and beyond the
Plain to all the glorious downs of Central England. Nor is
Suburbia absent. Bournemouth's ignoble coast cowers to the
right, heralding the pine-trees that mean, for all their beauty,
red houses, and the Stock Exchange, and extend to the gates of
London itself. So tremendous is the City's trail! But the
cliffs of Freshwater it shall never touch, and the island will
guard the Island's purity till the end of time. Seen from the
west, the Wight is beautiful beyond all laws of beauty. It is as
if a fragment of England floated forward to greet the
foreigner--chalk of our chalk, turf of our turf, epitome of what
will follow. And behind the fragment lies Southampton, hostess
to the nations, and Portsmouth, a latent fire, and all around it,
with double and treble collision of tides, swirls the sea. How
many villages appear in this view! How many castles! How many
churches, vanished or triumphant! How many ships, railways, and
roads! What incredible variety of men working beneath that
lucent sky to what final end! The reason fails, like a wave on
the Swanage beach; the imagination swells, spreads, and deepens,
until it becomes geographic and encircles England.<br/>
So Frieda Mosebach, now Frau Architect Liesecke, and mother
to her husband's baby, was brought up to these heights to be
impressed, and, after a prolonged gaze, she said that the hills
were more swelling here than in Pomerania, which was true, but
did not seem to Mrs. Munt apposite. Poole Harbour was dry, which
led her to praise the absence of muddy foreshore at Friedrich
Wilhelms Bad, Rügen, where beech-trees hang over the
tideless Baltic, and cows may contemplate the brine. Rather
unhealthy Mrs. Munt thought this would be, water being safer when
it moved about.<br/>
"And your English lakes--Vindermere, Grasmere--are they,
then, unhealthy?"<br/>
"No, Frau Liesecke; but that is because they are fresh water,
and different. Salt water ought to have tides, and go up and
down a great deal, or else it smells. Look, for instance, at an
aquarium."<br/>
"An aquarium! Oh, <em>Meesis</em> Munt, you mean to tell me
that fresh aquariums stink less than salt? Why, when Victor, my
brother-in-law, collected many tadpoles--"<br/>
"You are not to say 'stink,'" interrupted Helen; "at least,
you may say it, but you must pretend you are being funny while
you say it."<br/>
"Then 'smell.' And the mud of your Pool down there--does it
not smell, or may I say 'stink, ha, ha'?"<br/>
"There always has been mud in Poole Harbour," said Mrs. Munt,
with a slight frown. "The rivers bring it down, and a most
valuable oyster-fishery depends upon it."<br/>
"Yes, that is so," conceded Frieda; and another international
incident was closed.<br/>
"'Bournemouth is,'" resumed their hostess, quoting a local
rhyme to which she was much attached--" 'Bournemouth is, Poole
was, and Swanage is to be the most important town of all and
biggest of the three.' Now, Frau Liesecke, I have shown you
Bournemouth, and I have shown you Poole, so let us walk backward
a little, and look down again at Swanage."<br/>
"Aunt Juley, wouldn't that be Meg's train?"<br/>
A tiny puff of smoke had been circling the harbour, and now
was bearing southwards towards them over the black and the
gold.<br/>
"Oh, dearest Margaret, I do hope she won't be overtired."<br/>
"Oh, I do wonder--I do wonder whether she's taken the
house."<br/>
"I hope she hasn't been hasty."<br/>
"So do I--oh, so do I."<br/>
"Will it be as beautiful as Wickham Place?" Frieda asked.<br/>
"I should think it would. Trust Mr. Wilcox for doing himself
proud. All those Ducie Street houses are beautiful in their
modern way, and I can't think why he doesn't keep on with it.
But it's really for Evie that he went there, and now that Evie's
going to be married--"<br/>
"Ah!"<br/>
"You've never seen Miss Wilcox, Frieda. How absurdly
matrimonial you are!"<br/>
"But sister to that Paul?"<br/>
"Yes."<br/>
"And to that Charles," said Mrs. Munt with feeling. "Oh,
Helen, Helen, what a time that was!"<br/>
Helen laughed. "Meg and I haven't got such tender hearts.
If there's a chance of a cheap house, we go for it."<br/>
"Now look, Frau Liesecke, at my niece's train. You see, it
is coming towards us--coming, coming; and, when it gets to Corfe,
it will actually go <em>through</em> the downs, on which we are
standing, so that, if we walk over, as I suggested, and look down
on Swanage, we shall see it coming on the other side. Shall
we?"<br/>
Frieda assented, and in a few minutes they had crossed the
ridge and exchanged the greater view for the lesser. Rather a
dull valley lay below, backed by the slope of the coastward
downs. They were looking across the Isle of Purbeck and on to
Swanage, soon to be the most important town of all, and ugliest
of the three. Margaret's train reappeared as promised, and was
greeted with approval by her aunt. It came to a standstill in
the middle distance, and there it had been planned that Tibby
should meet her, and drive her, and a tea-basket, up to join
them.<br/>
"You see," continued Helen to her cousin, "the Wilcoxes
collect houses as your Victor collects tadpoles. They have, one,
Ducie Street; two, Howards End, where my great rumpus was; three,
a country seat in Shropshire; four, Charles has a house in
Hilton; and five, another near Epsom; and six, Evie will have a
house when she marries, and probably a pied-à-terre in the
country--which makes seven. Oh yes, and Paul a hut in Africa
makes eight. I wish we could get Howards End. That was
something like a dear little house! Didn't you think so, Aunt
Juley?"<br/>
" I had too much to do, dear, to look at it," said Mrs. Munt,
with a gracious dignity. "I had everything to settle and
explain, and Charles Wilcox to keep in his place besides. It
isn't likely I should remember much. I just remember having
lunch in your bedroom."<br/>
"Yes so do I. But, oh dear, dear, how dead it all seems!
And in the autumn there began this anti-Pauline movement--you,
and Frieda, and Meg, and Mrs. Wilcox, all obsessed with the idea
that I might yet marry Paul."<br/>
"You yet may," said Frieda despondently.<br/>
Helen shook her head. "The Great Wilcox Peril will never
return. If I'm certain of anything it's of that."<br/>
"One is certain of nothing but the truth of one's own
emotions."<br/>
The remark fell damply on the conversation. But Helen
slipped her arm round her cousin, somehow liking her the better
for making it. It was not an original remark, nor had Frieda
appropriated it passionately, for she had a patriotic rather than
a philosophic mind. Yet it betrayed that interest in the
universal which the average Teuton possesses and the average
Englishman does not. It was, however illogically, the good, the
beautiful, the true, as opposed to the respectable, the pretty,
the adequate. It was a landscape of Böcklin's beside a
landscape of Leader's, strident and ill-considered, but quivering
into supernatural life. It sharpened idealism, stirred the
soul. It may have been a bad preparation for what followed.<br/>
"Look!" cried Aunt Juley, hurrying away from generalities
over the narrow summit of the down. "Stand where I stand, and
you will see the pony-cart coming. I see the pony-cart
coming."<br/>
They stood and saw the pony-cart coming. Margaret and Tibby
were presently seen coming in it. Leaving the outskirts of
Swanage, it drove for a little through the budding lanes, and
then began the ascent.<br/>
"Have you got the house?" they shouted, long before she could
possibly hear.<br/>
Helen ran down to meet her. The highroad passed over a
saddle, and a track went thence at right angles along the ridge
of the down.<br/>
"Have you got the house?"<br/>
Margaret shook her head.<br/>
"Oh, what a nuisance! So we're as we were?"<br/>
"Not exactly."<br/>
She got out, looking tired.<br/>
"Some mystery," said Tibby. "We are to be enlightened
presently."<br/>
Margaret came close up to her and whispered that she had had
a proposal of marriage from Mr. Wilcox.<br/>
Helen was amused. She opened the gate on to the downs so
that her brother might lead the pony through. "It's just like a
widower," she remarked. "They've cheek enough for anything, and
invariably select one of their first wife's friends."<br/>
Margaret's face flashed despair.<br/>
"That type--" She broke off with a cry. "Meg, not anything
wrong with you?"<br/>
"Wait one minute," said Margaret, whispering always.<br/>
"But you've never conceivably--you've never--" She pulled
herself together. "Tibby, hurry up through; I can't hold this
gate indefinitely. Aunt Juley! I say, Aunt Juley, make the tea,
will you, and Frieda; we've got to talk houses, and I'll come on
afterwards." And then, turning her face to her sister's, she
burst into tears.<br/>
Margaret was stupefied. She heard herself saying, "Oh,
really--" She felt herself touched with a hand that
trembled.<br/>
"Don't," sobbed Helen, "don't, don't, Meg, don't!" She
seemed incapable of saying any other word. Margaret, trembling
herself, led her forward up the road, till they strayed through
another gate on to the down.<br/>
"Don't, don't do such a thing! I tell you not to--don't! I
know--don't!"<br/>
"What do you know?"<br/>
"Panic and emptiness," sobbed Helen. "Don't!"<br/>
Then Margaret thought, "Helen is a little selfish. I have
never behaved like this when there has seemed a chance of her
marrying. She said: "But we would still see each other very
often, and--"<br/>
"It's not a thing like that," sobbed Helen. And she broke
right away and wandered distractedly upwards, stretching her
hands towards the view and crying.<br/>
"What's happened to you?" called Margaret, following through
the wind that gathers at sundown on the northern slopes of
hills. "But it's stupid!" And suddenly stupidity seized her,
and the immense landscape was blurred. But Helen turned
back.<br/>
" Meg--"<br/>
"I don't know what's happened to either of us," said
Margaret, wiping her eyes. "We must both have gone mad." Then
Helen wiped hers, and they even laughed a little.<br/>
"Look here, sit down."<br/>
"All right; I'll sit down if you'll sit down."<br/>
"There. (One kiss.) Now, whatever, whatever is the
matter?"<br/>
"I do mean what I said. Don't; it wouldn't do."<br/>
"Oh, Helen, stop saying 'don't'! It's ignorant. It's as if
your head wasn't out of the slime. 'Don't' is probably what Mrs.
Bast says all the day to Mr. Bast."<br/>
Helen was silent.<br/>
"Well?"<br/>
"Tell me about it first, and meanwhile perhaps I'll have got
my head out of the slime."<br/>
"That's better. Well, where shall I begin? When I arrived
at Waterloo--no, I'll go back before that, because I'm anxious
you should know everything from the first. The 'first' was about
ten days ago. It was the day Mr. Bast came to tea and lost his
temper. I was defending him, and Mr. Wilcox became jealous about
me, however slightly. I thought it was the involuntary thing,
which men can't help any more than we can. You know--at least, I
know in my own case--when a man has said to me, 'So-and-so's a
pretty girl,' I am seized with a momentary sourness against
So-and-so, and long to tweak her ear. It's a tiresome feeling,
but not an important one, and one easily manages it. But it
wasn't only this in Mr. Wilcox's case, I gather now."<br/>
"Then you love him?"<br/>
Margaret considered. "It is wonderful knowing that a real
man cares for you," she said. "The mere fact of that grows more
tremendous. Remember, I've known and liked him steadily for
nearly three years.<br/>
"But loved him?"<br/>
Margaret peered into her past. It is pleasant to analyze
feelings while they are still only feelings, and unembodied in
the social fabric. With her arm round Helen, and her eyes
shifting over the view, as if this county or that could reveal
the secret of her own heart, she meditated honestly, and said,
"No."<br/>
"But you will?"<br/>
"Yes," said Margaret, "of that I'm pretty sure. Indeed, I
began the moment he spoke to me."<br/>
"And have settled to marry him?"<br/>
"I had, but am wanting a long talk about it now. What is it
against him, Helen? You must try and say."<br/>
Helen, in her turn, looked outwards. "It is ever since
Paul," she said finally.<br/>
"But what has Mr. Wilcox to do with Paul?"<br/>
"But he was there, they were all there that morning when I
came down to breakfast, and saw that Paul was frightened--the man
who loved me frightened and all his paraphernalia fallen, so that
I knew it was impossible, because personal relations are the
important thing for ever and ever, and not this outer life of
telegrams and anger."<br/>
She poured the sentence forth in one breath, but her sister
understood it, because it touched on thoughts that were familiar
between them.<br/>
"That's foolish. In the first place, I disagree about the
outer life. Well, we've often argued that. The real point is
that there is the widest gulf between my love-making and yours.
Yours--was romance; mine will be prose. I'm not running it
down--a very good kind of prose, but well considered, well
thought out. For instance, I know all Mr. Wilcox's faults. He's
afraid of emotion. He cares too much about success, too little
about the past. His sympathy lacks poetry, and so isn't sympathy
really. I'd even say"--she looked at the shining lagoons--"that,
spiritually, he's not as honest as I am. Doesn't that satisfy
you?"<br/>
"No, it doesn't," said Helen. "It makes me feel worse and
worse. You must be mad."<br/>
Margaret made a movement of irritation.<br/>
"I don't intend him, or any man or any woman, to be all my
life--good heavens, no! There are heaps of things in me that he
doesn't, and shall never, understand."<br/>
Thus she spoke before the wedding ceremony and the physical
union, before the astonishing glass shade had fallen that
interposes between married couples and the world. She was to
keep her independence more than do most women as yet. Marriage
was to alter her fortunes rather than her character, and she was
not far wrong in boasting that she understood her future
husband. Yet he did alter her character--a little. There was an
unforeseen surprise, a cessation of the winds and odours of life,
a social pressure that would have her think conjugally.<br/>
"So with him," she continued. "There are heaps of things in
him--more especially things that he does--that will always be
hidden from me. He has all those public qualities which you so
despise and enable all this--" She waved her hand at the
landscape, which confirmed anything. "If Wilcoxes hadn't worked
and died in England for thousands of years, you and I couldn't
sit here without having our throats cut. There would be no
trains, no ships to carry us literary people about in, no fields
even. Just savagery. No--perhaps not even that. Without their
spirit life might never have moved out of protoplasm. More and
more do I refuse to draw my income and sneer at those who
guarantee it. There are times when it seems to me--"<br/>
"And to me, and to all women. So one kissed Paul."<br/>
"That's brutal," said Margaret. "Mine is an absolutely
different case. I've thought things out."<br/>
"It makes no difference thinking things out. They come to
the same."<br/>
" Rubbish!"<br/>
There was a long silence, during which the tide returned into
Poole Harbour. "One would lose something," murmured Helen,
apparently to herself. The water crept over the mud-flats
towards the gorse and the blackened heather. Branksea Island
lost its immense foreshores, and became a sombre episode of
trees. Frome was forced inward towards Dorchester, Stour against
Wimborne, Avon towards Salisbury, and over the immense
displacement the sun presided, leading it to triumph ere he sank
to rest. England was alive, throbbing through all her estuaries,
crying for joy through the mouths of all her gulls, and the north
wind, with contrary motion, blew stronger against her rising
seas. What did it mean? For what end are her fair complexities,
her changes of soil, her sinuous coast? Does she belong to those
who have moulded her and made her feared by other lands, or to
those who have added nothing to her power, but have somehow seen
her, seen the whole island at once, lying as a jewel in a silver
sea, sailing as a ship of souls, with all the brave world's fleet
accompanying her towards eternity? </p>
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