<SPAN name="chap34"></SPAN>
<p> </p>
<p> </p>
<h3>CHAPTER XXXIV</h3>
<h2><i>ZAMIEL</i></h2>
<p> </p>
<p>It was all vain my remonstrating. She vowed that by crossing
the stepping-stones close by she could, by a short cut, reach the
house, and return with my pencils and block-book in a quarter of
an hour. Away then, with many a jump and fling, scampered
Milly's queer white stockings and navvy boots across the irregular
and precarious stepping-stones, over which I dared not follow
her; so I was fain to return to the stone so 'pure and flat,' on
which I sat, enjoying the grand sylvan solitude, the dark background
and the grey bridge mid-way, so tall and slim, across
whose ruins a sunbeam glimmered, and the gigantic forest trees
<span class="pagenum"><SPAN name="page213" id="page213"></SPAN></span>
that slumbered round, opening here and there in dusky vistas,
and breaking in front into detached and solemn groups. It was
the setting of a dream of romance.</p>
<p>It would have been the very spot in which to read a volume of
German folk-lore, and the darkening colonnades and silent
nooks of the forest seemed already haunted with the voices and
shadows of those charming elves and goblins.</p>
<p>As I sat here enjoying the solitude and my fancies among the
low branches of the wood, at my right I heard a crashing, and
saw a squat broad figure in a stained and tattered military coat,
and loose short trousers, one limb of which flapped about a
wooden leg. He was forcing himself through. His face was rugged
and wrinkled, and tanned to the tint of old oak; his eyes
black, beadlike, and fierce, and a shock of sooty hair escaped
from under his battered wide-awake nearly to his shoulders. This
forbidding-looking person came stumping and jerking along toward
me, whisking his stick now and then viciously in the air,
and giving his fell of hair a short shake, like a wild bull
preparing to attack.</p>
<p>I stood up involuntarily with a sense of fear and surprise,
almost fancying I saw in that wooden-legged old soldier, the
forest demon who haunted Der Freischütz.</p>
<p>So he approached shouting—</p>
<p>'Hollo! you—how came you here? Dost 'eer?'</p>
<p>And he drew near panting, and sometimes tugging angrily in
his haste at his wooden leg, which sunk now and then deeper
than was convenient in the sod. This exertion helped to anger
him, and when he halted before me, his dark face smirched with
smoke and dust, and the nostrils of his flat drooping nose
expanded and quivered as he panted, like the gills of a fish; an
angrier or uglier face it would not be easy to fancy.</p>
<p>'Ye'll all come when ye like, will ye? and do nout but what
pleases yourselves, won't you? And who'rt thou? Dost 'eer—who
<i>are</i> ye, I say; and what the deil seek ye in the woods
here? Come, bestir thee!'</p>
<p>If his wide mouth and great tobacco-stained teeth, his scowl,
and loud discordant tones were intimidating, they were also
extremely irritating. The moment my spirit was roused, my
courage came.</p>
<span class="pagenum"><SPAN name="page214" id="page214"></SPAN></span>
<p>'I am Miss Ruthyn of Knowl, and Mr. Silas Ruthyn, your
master, is my uncle.'</p>
<p>'Hoo!' he exclaimed more gently, 'an' if Silas be thy uncle
thou'lt be come to live wi' him, and thou'rt she as come overnight—eh?'</p>
<p>I made no answer, but I believe I looked both angrily and
disdainfully.</p>
<p>'And what make ye alone here? and how was I to know 't,
an' Milly not wi' ye, nor no one? But Maud or no Maud, I
wouldn't let the Dooke hisself set foot inside the palin' without
Silas said let him. And you may tell Silas them's the words o'
Dickon Hawkes, and I'll stick to 'm—and what's more I'll tell
him <i>myself</i>—I will; I'll tell him there be no use o' my
striving and straining hee, day an' night and night and day, watchin'
again poachers, and thieves, and gipsies, and they robbing lads,
if rules won't be kep, and folk do jist as they pleases. Dang it,
lass, thou'rt in luck I didn't heave a brick at thee when I saw
thee first.'</p>
<p>'I'll complain of you to my uncle,' I replied.</p>
<p>'So do, and and 'appen thou'lt find thyself in the wrong box,
lass; thou canst na' say I set the dogs arter thee, nor cau'd thee
so much as a wry name, nor heave a stone at thee—did I? Well?
and where's the complaint then?'</p>
<p>I simply answered, rather fiercely,</p>
<p>'Be good enough to leave me.'</p>
<p>'Well, I make no objections, mind. I'm takin' thy word—thou'rt
Maud Ruthyn—'appen thou be'st and 'appen thou baint.
I'm not aweer on't, but I takes thy word, and all I want to
know's just this, did Meg open the gate to thee?'</p>
<p>I made him no answer, and to my great relief I saw Milly
striding and skipping across the unequal stepping-stones.</p>
<p>'Hallo, Pegtop! what are you after now?' she cried, as she
drew near.</p>
<p>'This man has been extremely impertinent. You know him,
Milly?' I said.</p>
<p>'Why that's Pegtop Dickon. Dirty old Hawkes that never
was washed. I tell you, lad, ye'll see what the Governor thinks
o't—a-ha! He'll talk to you.'</p>
<p>'I done or said nout—not but I <i>should</i>, and there's the fack—she
can't deny't; she hadn't a hard word from I; and I don't
<span class="pagenum"><SPAN name="page215" id="page215"></SPAN></span>
care the top o' that thistle what no one says—not I. But I tell
thee, Milly, I stopped <i>some</i> o' thy pranks, and I'll stop more.
Ye'll be shying no more stones at the cattle.'</p>
<p>'Tell your tales, and welcome,' cried Milly. 'I wish I was
here when you jawed cousin. If Winny was here she'd catch you
by the timber toe and put you on your back.'</p>
<p>'Ay, she'll be a good un yet if she takes arter thee,' retorted
the old man with a fierce sneer.</p>
<p>'Drop it, and get away wi' ye,' cried she, 'or maybe I'd call
Winny to smash your timber leg for you.'</p>
<p>'A-ha! there's more on't. She's a sweet un. Isn't she?' he
replied sardonically.</p>
<p>'You did not like it last Easter, when Winny broke it with a
kick.'</p>
<p>''Twas a kick o' a horse,' he growled with a glance at me.</p>
<p>''Twas no such thing—'twas Winny did it—and he laid on his
back for a week while carpenter made him a new one.' And
Milly laughed hilariously.</p>
<p>'I'll fool no more wi' ye, losing my time; I won't; but mind
ye, I'll speak wi' Silas.' And going away he put his hand to his
crumpled wide-awake, and said to me with a surly difference—</p>
<p>'Good evening, Miss Ruthyn—good evening, ma'am—and ye'll
please remember, I did not mean nout to vex thee.'</p>
<p>And so he swaggered away, jerking and waddling over the
sward, and was soon lost in the wood.</p>
<p>'It's well he's a little bit frightened—I never saw him so
angry, I think; he is awful mad.'</p>
<p>'Perhaps he really is not aware how very rude he is,' I suggested.</p>
<p>'I hate him. We were twice as pleasant with poor Tom Driver—he
never meddled with any one, and was always in liquor;
Old Gin was the name he went by. But this brute—I do hate
him—he comes from Wigan, I think, and he's always spoiling
sport—and he whops Meg—that's Beauty, you know, and I don't
think she'd be half as bad only for him. Listen to him whistlin'.'</p>
<p>'I did hear whistling at some distance among the trees.'</p>
<p>'I declare if he isn't callin' the dogs! Climb up here, I tell
ye,' and we climbed up the slanting trunk of a great walnut
<span class="pagenum"><SPAN name="page216" id="page216"></SPAN></span>
tree, and strained our eyes in the direction from which we expected the
onset of Pegtop's vicious pack.</p>
<p>But it was a false alarm.</p>
<p>'Well, I don't think he <i>would</i> do that, after all—<i>hardly</i>; but
he is a brute, sure!'</p>
<p>'And that dark girl who would not let us through, is his
daughter, is she?'</p>
<p>'Yes, that's Meg—Beauty, I christened her, when I called him
Beast; but I call him Pegtop now, and she's Beauty still, and
that's the way o't.'</p>
<p>'Come, sit down now, an' make your picture,' she resumed so
soon as we had dismounted from our position of security.</p>
<p>'I'm afraid I'm hardly in the vein. I don't think I could draw
a straight line. My hand trembles.'</p>
<p>'I wish you could, Maud,' said Milly, with a look so wistful
and entreating, that considering the excursion she had made for
the pencils, I could not bear to disappoint her.</p>
<p>'Well, Milly, we must only try; and if we fail we can't help
it. Sit you down beside me and I'll tell you why I begin with
one part and not another, and you'll see how I make trees and
the river, and—yes, <i>that</i> pencil, it is hard and answers for the
fine
light lines; but we must begin at the beginning, and learn to
copy drawings before we attempt real views like this. And if you
wish it, Milly, I'm resolved to teach you everything I know,
which, after all, is not a great deal, and we shall have such fun
making sketches of the same landscapes, and then comparing.'</p>
<p>And so on, Milly, quite delighted, and longing to begin her
course of instruction, sat down beside me in a rapture, and
hugged and kissed me so heartily that we were very near rolling
together off the stone on which we were seated. Her boisterous
delight and good-nature helped to restore me, and both laughing
heartily together, I commenced my task.</p>
<p>'Dear me! who's that?' I exclaimed suddenly, as looking up
from my block-book I saw the figure of a slight man in the
careless morning-dress of a gentleman, crossing the ruinous
bridge in our direction, with considerable caution, upon the
precarious footing of the battlement, which alone offered an unbroken
passage.</p>
<p>This was a day of apparitions! Milly recognised him instantly. The
gentleman was Mr. Carysbroke. He had taken The
<span class="pagenum"><SPAN name="page217" id="page217"></SPAN></span>
Grange only for a year. He lived quite to himself, and was very
good to the poor, and was the only gentleman, for ever so long,
who had visited at Bartram, and oddly enough nowhere else.
But he wanted leave to cross through the grounds, and having
obtained it, had repeated his visit, partly induced, no doubt, by
the fact that Bartram boasted no hospitalities, and that there
was no risk of meeting the county folk there.</p>
<p>With a stout walking-stick in his hand, and a short shooting-coat,
and a wide-awake hat in much better trim than Zamiel's,
he emerged from the copse that covered the bridge, walking at a
quick but easy pace.</p>
<p>'He'll be goin' to see old Snoddles, I guess,' said Milly, looking
a little frightened and curious; for Milly, I need not say,
was a bumpkin, and stood in awe of this gentleman's good-breeding,
though she was as brave as a lion, and would have
fought the Philistines at any odds, with the jawbone of an ass.</p>
<p>''Appen he won't see us,' whispered Milly, hopefully.</p>
<p>But he did, and raising his hat, with a cheerful smile, that
showed very white teeth, he paused.</p>
<p>'Charming day, Miss Ruthyn.'</p>
<p>I raised my head suddenly as he spoke, from habit appropriating
the address; it was so marked that he raised his hat respectfully
to me, and then continued to Milly—</p>
<p>'Mr. Ruthyn, I hope, quite well? but I need hardly ask, you
seem so happy. Will you kindly tell him, that I expect the book
I mentioned in a day or two, and when it comes I'll either send
or bring it to him immediately?'</p>
<p>Milly and I were standing, by this time, but she only stared
at him, tongue-tied, her cheeks rather flushed, and her eyes
very round, and to facilitate the dialogue, as I suppose, he said
again—</p>
<p>'He's quite well, I hope?'</p>
<p>Still no response from Milly, and I, provoked, though myself
a little shy, made answer—</p>
<p>'My uncle, Mr. Ruthyn, is very well, thank you,' and I felt
that I blushed as I spoke.</p>
<p>'Ah, pray excuse me, may I take a great liberty? you are Miss
Ruthyn, of Knowl? Will you think me very impertinent—I'm
afraid you will—if I venture to introduce myself? My name is
Carysbroke, and I had the honour of knowing poor Mr. Ruthyn
<span class="pagenum"><SPAN name="page218" id="page218"></SPAN></span>
when I was quite a little boy, and he has shown a kindness for
me since, and I hope you will pardon the liberty I fear I've
taken. I think my friend, Lady Knollys, too, is a relation of
yours; what a charming person she is!'</p>
<p>'Oh, is not she? such a darling!' I said, and then blushed at
my outspoken affection.</p>
<p>But he smiled kindly, as if he liked me for it; and he said—</p>
<p>'You know whatever I think, I dare not quite say that; but
frankly I can quite understand it. She preserves her youth so
wonderfully, and her fun and her good-nature are so entirely
girlish. What a sweet view you have selected,' he continued,
changing all at once. 'I've stood just at this point so often to
look back at that exquisite old bridge. Do you observe—you're
an artist, I see—something very peculiar in that tint of the grey,
with those odd cross stains of faded red and yellow?'</p>
<p>'I do, indeed; I was just remarking the peculiar beauty of the
colouring—was not I, Milly?'</p>
<p>Milly stared at me, and uttered an alarmed 'Yes,' and looked
as if she had been caught in a robbery.</p>
<p>'Yes, and you have so very peculiar a background,' he resumed.
'It was better before the storm though; but it is very
good still.'</p>
<p>Then a little pause, and 'Do you know this country at all?'
rather suddenly.</p>
<p>'No, not in the least—that is, I've only had the drive to this
place; but what I did see interested me very much.'</p>
<p>'You will be charmed with it when you know it better—the
very place for an artist. I'm a wretched scribbler myself, and I
carry this little book in my pocket,' and he laughed deprecatingly
while he drew forth a thin fishing-book, as it looked.
'They are mere memoranda, you see. I walk so much and come
unexpectedly on such pretty nooks and studies, I just try to
make a note of them, but it is really more writing than sketching;
my sister says it is a cipher which nobody but myself understands.
However, I'll try and explain just two—because you really
ought to go and see the places. Oh, no; not that,' he laughed, as
accidentally the page blew over, 'that's the Cat and Fiddle, a
curious little pot-house, where they gave me some very good ale
one day.'</p>
<p>Milly at this exhibited some uneasy tokens of being about to
<span class="pagenum"><SPAN name="page219" id="page219"></SPAN></span>
speak, but not knowing what might be coming, I hastened
to observe on the spirited little sketches to which he meant to
draw my attention.</p>
<p>'I want to show you only the places within easy reach—a short
ride or drive.'</p>
<p>So he proceeded to turn over two or three, in addition to the
two he had at first proposed, and then another; then a little
sketch just tinted, and really quite a charming little gem, of
Cousin Monica's pretty gabled old house; and every subject
had its little criticism, or its narrative, or adventure.</p>
<p>As he was about returning this little sketch-book to his pocket,
still chatting to me, he suddenly recollected poor Milly, who was
looking rather lowering; but she brightened a good deal as he
presented it to her, with a little speech which she palpably misunderstood,
for she made one of her odd courtesies, and was
about, I thought, to put it into her large pocket, and accept it
as a present.</p>
<p>'Look at the drawings, Milly, and then return it,' I whispered.</p>
<p>At his request I allowed him to look at my unfinished sketch
of the bridge, and while he was measuring distances and proportions
with his eye, Milly whispered rather angrily to me.</p>
<p>'And why should I?'</p>
<p>'Because he wants it back, and only meant to lend it to you,'
whispered I.</p>
<p>'<i>Lend</i> it to me—and after you! Bury-me-wick if I look at a
leaf of it,' she retorted in high dudgeon. 'Take it, lass; give it
him yourself—I'll not,' and she popped it into my hand, and
made a sulky step back.</p>
<p>'My cousin is very much obliged,' I said, returning the book,
and smiling for her, and he took it smiling also and said—</p>
<p>'I think if I had known how very well you draw, Miss
Ruthyn, I should have hesitated about showing you my poor
scrawls. But these are not my best, you know; Lady Knollys will
tell you that I can really do better—a great deal better, I think.'</p>
<p>And then with more apologies for what he called his impertinence,
he took his leave, and I felt altogether very much pleased
and flattered.</p>
<p>He could not be more than twenty-nine or thirty, I thought,
and he was decidedly handsome—that is, his eyes and teeth, and
<span class="pagenum"><SPAN name="page220" id="page220"></SPAN></span>
clear brown complexion were—and there was something distinguished
and graceful in his figure and gesture; and altogether
there was the indescribable attraction of intelligence; and I
fancied—though this, of course, was a secret—that from the moment
he spoke to us he felt an interest in me. I am not going to be
vain. It was a <i>grave</i> interest, but still an interest, for I could
see him studying my features while I was turning over his
sketches, and he thought I saw nothing else. It was flattering,
too, his anxiety that I should think well of his drawing, and referring
me to Lady Knollys. Carysbroke—had I ever heard my
dear father mention that name? I could not recollect it. But
then he was habitually so silent, that his not doing so argued
nothing.</p>
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