<p><SPAN name="link2HCH0004" id="link2HCH0004"></SPAN></p>
<h2> CHAPTER IV. </h2>
<p>Kenneth the Scot was uncertain how long his senses had been lost in
profound repose, when he was roused to recollection by a sense of
oppression on his chest, which at first suggested a flirting dream of
struggling with a powerful opponent, and at length recalled him fully to
his senses. He was about to demand who was there, when, opening his eyes,
he beheld the figure of the anchorite, wild and savage-looking as we have
described him, standing by his bedside, and pressing his right hand upon
his breast, while he held a small silver lamp in the other.</p>
<p>"Be silent," said the hermit, as the prostrate knight looked up in
surprise; "I have that to say to you which yonder infidel must not hear."</p>
<p>These words he spoke in the French language, and not in the lingua franca,
or compound of Eastern and European dialects, which had hitherto been used
amongst them.</p>
<p>"Arise," he continued, "put on thy mantle; speak not, but tread lightly,
and follow me."</p>
<p>Sir Kenneth arose, and took his sword.</p>
<p>"It needs not," answered the anchorite, in a whisper; "we are going where
spiritual arms avail much, and fleshly weapons are but as the reed and the
decayed gourd."</p>
<p>The knight deposited his sword by the bedside as before, and, armed only
with his dagger, from which in this perilous country he never parted,
prepared to attend his mysterious host.</p>
<p>The hermit then moved slowly forwards, and was followed by the knight,
still under some uncertainty whether the dark form which glided on before
to show him the path was not, in fact, the creation of a disturbed dream.
They passed, like shadows, into the outer apartment, without disturbing
the paynim Emir, who lay still buried in repose. Before the cross and
altar, in the outward room, a lamp was still burning, a missal was
displayed, and on the floor lay a discipline, or penitential scourge of
small cord and wire, the lashes of which were recently stained with blood—a
token, no doubt, of the severe penance of the recluse. Here Theodorick
kneeled down, and pointed to the knight to take his place beside him upon
the sharp flints, which seemed placed for the purpose of rendering the
posture of reverential devotion as uneasy as possible. He read many
prayers of the Catholic Church, and chanted, in a low but earnest voice,
three of the penitential psalms. These last he intermixed with sighs, and
tears, and convulsive throbs, which bore witness how deeply he felt the
divine poetry which he recited. The Scottish knight assisted with profound
sincerity at these acts of devotion, his opinion of his host beginning, in
the meantime, to be so much changed, that he doubted whether, from the
severity of his penance and the ardour of his prayers, he ought not to
regard him as a saint; and when they arose from the ground, he stood with
reverence before him, as a pupil before an honoured master. The hermit
was, on his side, silent and abstracted for the space of a few minutes.</p>
<p>"Look into yonder recess, my son," he said, pointing to the farther corner
of the cell; "there thou wilt find a veil—bring it hither."</p>
<p>The knight obeyed, and in a small aperture cut out of the wall, and
secured with a door of wicker, he found the veil inquired for. When he
brought it to the light, he discovered that it was torn, and soiled in
some places with some dark substance. The anchorite looked at it with a
deep but smothered emotion, and ere he could speak to the Scottish knight,
was compelled to vent his feelings in a convulsive groan.</p>
<p>"Thou art now about to look upon the richest treasure that the earth
possesses," he at length said; "woe is me, that my eyes are unworthy to be
lifted towards it! Alas! I am but the vile and despised sign, which points
out to the wearied traveller a harbour of rest and security, but must
itself remain for ever without doors. In vain have I fled to the very
depths of the rocks, and the very bosom of the thirsty desert. Mine enemy
hath found me—even he whom I have denied has pursued me to my
fortresses."</p>
<p>He paused again for a moment, and turning to the Scottish knight, said, in
a firmer tone of voice, "You bring me a greeting from Richard of England?"</p>
<p>"I come from the Council of Christian Princes," said the knight; "but the
King of England being indisposed, I am not honoured with his Majesty's
commands."</p>
<p>"Your token?" demanded the recluse.</p>
<p>Sir Kenneth hesitated. Former suspicions, and the marks of insanity which
the hermit had formerly exhibited, rushed suddenly on his thoughts; but
how suspect a man whose manners were so saintly? "My password," he said at
length, "is this—Kings begged of a beggar."</p>
<p>"It is right," said the hermit, while he paused. "I know you well; but the
sentinel upon his post—and mine is an important one—challenges
friend as well as foe."</p>
<p>He then moved forward with the lamp, leading the way into the room which
they had left. The Saracen lay on his couch, still fast asleep. The hermit
paused by his side, and looked down on him.</p>
<p>"He sleeps," he said, "in darkness, and must not be awakened."</p>
<p>The attitude of the Emir did indeed convey the idea of profound repose.
One arm, flung across his body, as he lay with his face half turned to the
wall, concealed, with its loose and long sleeve, the greater part of his
face; but the high forehead was yet visible. Its nerves, which during his
waking hours were so uncommonly active, were now motionless, as if the
face had been composed of dark marble, and his long silken eyelashes
closed over his piercing and hawklike eyes. The open and relaxed hand, and
the deep, regular, and soft breathing, all gave tokens of the most
profound repose. The slumberer formed a singular group along with the tall
forms of the hermit in his shaggy dress of goat-skins, bearing the lamp,
and the knight in his close leathern coat—the former with an austere
expression of ascetic gloom, the latter with anxious curiosity deeply
impressed on his manly features.</p>
<p>"He sleeps soundly," said the hermit, in the same low tone as before; and
repeating the words, though he had changed the meaning from that which is
literal to a metaphorical sense—"he sleeps in darkness, but there
shall be for him a dayspring.—O Ilderim, thy waking thoughts are yet
as vain and wild as those which are wheeling their giddy dance through thy
sleeping brain; but the trumpet shall be heard, and the dream shall be
dissolved."</p>
<p>So saying, and making the knight a sign to follow him, the hermit went
towards the altar, and passing behind it, pressed a spring, which, opening
without noise, showed a small iron door wrought in the side of the cavern,
so as to be almost imperceptible, unless upon the most severe scrutiny.
The hermit, ere he ventured fully to open the door, dropped some oil on
the hinges, which the lamp supplied. A small staircase, hewn in the rock,
was discovered, when the iron door was at length completely opened.</p>
<p>"Take the veil which I hold," said the hermit, in a melancholy tone, "and
blind mine eyes; For I may not look on the treasure which thou art
presently to behold, without sin and presumption."</p>
<p>Without reply, the knight hastily muffled the recluse's head in the veil,
and the latter began to ascend the staircase as one too much accustomed to
the way to require the use of light, while at the same time he held the
lamp to the Scot, who followed him for many steps up the narrow ascent. At
length they rested in a small vault of irregular form, in one nook of
which the staircase terminated, while in another corner a corresponding
stair was seen to continue the ascent. In a third angle was a Gothic door,
very rudely ornamented with the usual attributes of clustered columns and
carving, and defended by a wicket, strongly guarded with iron, and studded
with large nails. To this last point the hermit directed his steps, which
seemed to falter as he approached it.</p>
<p>"Put off thy shoes," he said to his attendant; "the ground on which thou
standest is holy. Banish from thy innermost heart each profane and carnal
thought, for to harbour such while in this place were a deadly impiety."</p>
<p>The knight laid aside his shoes as he was commanded, and the hermit stood
in the meanwhile as if communing with his soul in secret prayer, and when
he again moved, commanded the knight to knock at the wicket three times.
He did so. The door opened spontaneously—at least Sir Kenneth beheld
no one—and his senses were at once assailed by a stream of the
purest light, and by a strong and almost oppressive sense of the richest
perfumes. He stepped two or three paces back, and it was the space of a
minute ere he recovered the dazzling and overpowering effects of the
sudden change from darkness to light.</p>
<p>When he entered the apartment in which this brilliant lustre was
displayed, he perceived that the light proceeded from a combination of
silver lamps, fed with purest oil, and sending forth the richest odours,
hanging by silver chains from the roof of a small Gothic chapel, hewn,
like most part of the hermit's singular mansion, out of the sound and
solid rock. But whereas, in every other place which Sir Kenneth had seen,
the labour employed upon the rock had been of the simplest and coarsest
description, it had in this chapel employed the invention and the chisels
of the most able architects. The groined roofs rose from six columns on
each side, carved with the rarest skill; and the manner in which the
crossings of the concave arches were bound together, as it were, with
appropriate ornaments, were all in the finest tone of the architecture of
the age. Corresponding to the line of pillars, there were on each side six
richly-wrought niches, each of which contained the image of one of the
twelve apostles.</p>
<p>At the upper and eastern end of the chapel stood the altar, behind which a
very rich curtain of Persian silk, embroidered deeply with gold, covered a
recess, containing, unquestionably, some image or relic of no ordinary
sanctity, in honour of which this singular place of worship had been
erected, Under the persuasion that this must be the case, the knight
advanced to the shrine, and kneeling down before it, repeated his
devotions with fervency, during which his attention was disturbed by the
curtain being suddenly raised, or rather pulled aside, how or by whom he
saw not; but in the niche which was thus disclosed he beheld a cabinet of
silver and ebony, with a double folding-door, the whole formed into the
miniature resemblance of a Gothic church.</p>
<p>As he gazed with anxious curiosity on the shrine, the two folding-doors
also flew open, discovering a large piece of wood, on which were blazoned
the words, VERA CRUX; at the same time a choir of female voices sung
GLORIA PATRI. The instant the strain had ceased, the shrine was closed,
and the curtain again drawn, and the knight who knelt at the altar might
now continue his devotions undisturbed, in honour of the holy relic which
had been just disclosed to his view. He did this under the profound
impression of one who had witnessed, with his own eyes, an awful evidence
of the truth of his religion; and it was some time ere, concluding his
orisons, he arose, and ventured to look around him for the hermit, who had
guided him to this sacred and mysterious spot. He beheld him, his head
still muffled in the veil which he had himself wrapped around it,
crouching, like a rated hound, upon the threshold of the chapel; but,
apparently, without venturing to cross it—the holiest reverence, the
most penitential remorse, was expressed by his posture, which seemed that
of a man borne down and crushed to the earth by the burden of his inward
feelings. It seemed to the Scot that only the sense of the deepest
penitence, remorse, and humiliation could have thus prostrated a frame so
strong and a spirit so fiery.</p>
<p>He approached him as if to speak; but the recluse anticipated his purpose,
murmuring in stifled tones, from beneath the fold in which his head was
muffled, and which sounded like a voice proceeding from the cerements of a
corpse,—"Abide, abide—happy thou that mayest—the vision
is not yet ended." So saying, he reared himself from the ground, drew back
from the threshold on which he had hitherto lain prostrate, and closed the
door of the chapel, which, secured by a spring bolt within, the snap of
which resounded through the place, appeared so much like a part of the
living rock from which the cavern was hewn, that Kenneth could hardly
discern where the aperture had been. He was now alone in the lighted
chapel which contained the relic to which he had lately rendered his
homage, without other arms than his dagger, or other companion than his
pious thoughts and dauntless courage.</p>
<p>Uncertain what was next to happen, but resolved to abide the course of
events, Sir Kenneth paced the solitary chapel till about the time of the
earliest cock-crowing. At this dead season, when night and morning met
together, he heard, but from what quarter he could not discover, the sound
of such a small silver bell as is rung at the elevation of the host in the
ceremony, or sacrifice, as it has been called, of the mass. The hour and
the place rendered the sound fearfully solemn, and, bold as he was, the
knight withdrew himself into the farther nook of the chapel, at the end
opposite to the altar, in order to observe, without interruption, the
consequences of this unexpected signal.</p>
<p>He did not wait long ere the silken curtain was again withdrawn, and the
relic again presented to his view. As he sunk reverentially on his knee,
he heard the sound of the lauds, or earliest office of the Catholic
Church, sung by female voices, which united together in the performance as
they had done in the former service. The knight was soon aware that the
voices were no longer stationary in the distance, but approached the
chapel and became louder, when a door, imperceptible when closed, like
that by which he had himself entered, opened on the other side of the
vault, and gave the tones of the choir more room to swell along the ribbed
arches of the roof.</p>
<p>The knight fixed his eyes on the opening with breathless anxiety, and,
continuing to kneel in the attitude of devotion which the place and scene
required, expected the consequence of these preparations. A procession
appeared about to issue from the door. First, four beautiful boys, whose
arms, necks, and legs were bare, showing the bronze complexion of the
East, and contrasting with the snow-white tunics which they wore, entered
the chapel by two and two. The first pair bore censers, which they swung
from side to side, adding double fragrance to the odours with which the
chapel already was impregnated. The second pair scattered flowers.</p>
<p>After these followed, in due and majestic order, the females who composed
the choir—six, who from their black scapularies, and black veils
over their white garments, appeared to be professed nuns of the order of
Mount Carmel; and as many whose veils, being white, argued them to be
novices, or occasional inhabitants in the cloister, who were not as yet
bound to it by vows. The former held in their hands large rosaries, while
the younger and lighter figures who followed carried each a chaplet of red
and white roses. They moved in procession around the chapel, without
appearing to take the slightest notice of Kenneth, although passing so
near him that their robes almost touched him, while they continued to
sing. The knight doubted not that he was in one of those cloisters where
the noble Christian maidens had formerly openly devoted themselves to the
services of the church. Most of them had been suppressed since the
Mohammedans had reconquered Palestine, but many, purchasing connivance by
presents, or receiving it from the clemency or contempt of the victors,
still continued to observe in private the ritual to which their vows had
consecrated them. Yet, though Kenneth knew this to be the case, the
solemnity of the place and hour, the surprise at the sudden appearance of
these votaresses, and the visionary manner in which they moved past him,
had such influence on his imagination that he could scarce conceive that
the fair procession which he beheld was formed of creatures of this world,
so much did they resemble a choir of supernatural beings, rendering homage
to the universal object of adoration.</p>
<p>Such was the knight's first idea, as the procession passed him, scarce
moving, save just sufficiently to continue their progress; so that, seen
by the shadowy and religious light which the lamps shed through the clouds
of incense which darkened the apartment, they appeared rather to glide
than to walk.</p>
<p>But as a second time, in surrounding the chapel, they passed the spot on
which he kneeled, one of the white-stoled maidens, as she glided by him,
detached from the chaplet which she carried a rosebud, which dropped from
her fingers, perhaps unconsciously, on the foot of Sir Kenneth. The knight
started as if a dart had suddenly struck his person; for, when the mind is
wound up to a high pitch of feeling and expectation, the slightest
incident, if unexpected, gives fire to the train which imagination has
already laid. But he suppressed his emotion, recollecting how easily an
incident so indifferent might have happened, and that it was only the
uniform monotony of the movement of the choristers which made the incident
in the slightest degree remarkable.</p>
<p>Still, while the procession, for the third time, surrounded the chapel,
the thoughts and the eyes of Kenneth followed exclusively the one among
the novices who had dropped the rosebud. Her step, her face, her form were
so completely assimilated to the rest of the choristers that it was
impossible to perceive the least marks of individuality; and yet Kenneth's
heart throbbed like a bird that would burst from its cage, as if to assure
him, by its sympathetic suggestions, that the female who held the right
file on the second rank of the novices was dearer to him, not only than
all the rest that were present, but than the whole sex besides. The
romantic passion of love, as it was cherished, and indeed enjoined, by the
rules of chivalry, associated well with the no less romantic feelings of
devotion; and they might be said much more to enhance than to counteract
each other. It was, therefore, with a glow of expectation that had
something even of a religious character that Sir Kenneth, his sensations
thrilling from his heart to the ends of his fingers, expected some second
sign of the presence of one who, he strongly fancied, had already bestowed
on him the first. Short as the space was during which the procession again
completed a third perambulation of the chapel, it seemed an eternity to
Kenneth. At length the form which he had watched with such devoted
attention drew nigh. There was no difference betwixt that shrouded figure
and the others, with whom it moved in concert and in unison, until, just
as she passed for the third time the kneeling Crusader, a part of a little
and well-proportioned hand, so beautifully formed as to give the highest
idea of the perfect proportions of the form to which it belonged, stole
through the folds of the gauze, like a moonbeam through the fleecy cloud
of a summer night, and again a rosebud lay at the feet of the Knight of
the Leopard.</p>
<p>This second intimation could not be accidental—-it could not be
fortuitous, the resemblance of that half-seen but beautiful female hand
with one which his lips had once touched, and, while they touched it, had
internally sworn allegiance to the lovely owner. Had further proof been
wanting, there was the glimmer of that matchless ruby ring on that
snow-white finger, whose invaluable worth Kenneth would yet have prized
less than the slightest sign which that finger could have made; and,
veiled too, as she was, he might see, by chance or by favour, a stray curl
of the dark tresses, each hair of which was dearer to him a hundred times
than a chain of massive gold. It was the lady of his love! But that she
should be here—in the savage and sequestered desert—among
vestals, who rendered themselves habitants of wilds and of caverns, that
they might perform in secret those Christian rites which they dared not
assist in openly; that this should be so, in truth and in reality, seemed
too incredible—it must be a dream—a delusive trance of the
imagination. While these thoughts passed through the mind of Kenneth, the
same passage, by which the procession had entered the chapel, received
them on their return. The young sacristans, the sable nuns, vanished
successively through the open door. At length she from whom he had
received this double intimation passed also; yet, in passing, turned her
head, slightly indeed, but perceptibly, towards the place where he
remained fixed as an image. He marked the last wave of her veil—it
was gone—and a darkness sunk upon his soul, scarce less palpable
than that which almost immediately enveloped his external sense; for the
last chorister had no sooner crossed the threshold of the door than it
shut with a loud sound, and at the same instant the voices of the choir
were silent, the lights of the chapel were at once extinguished, and Sir
Kenneth remained solitary and in total darkness. But to Kenneth, solitude,
and darkness, and the uncertainty of his mysterious situation were as
nothing—he thought not of them—cared not for them—cared
for nought in the world save the flitting vision which had just glided
past him, and the tokens of her favour which she had bestowed. To grope on
the floor for the buds which she had dropped—to press them to his
lips, to his bosom, now alternately, now together—to rivet his lips
to the cold stones on which, as near as he could judge, she had so lately
stepped—to play all the extravagances which strong affection
suggests and vindicates to those who yield themselves up to it, were but
the tokens of passionate love common to all ages. But it was peculiar to
the times of chivalry that, in his wildest rapture, the knight imagined of
no attempt to follow or to trace the object of such romantic attachment;
that he thought of her as of a deity, who, having deigned to show herself
for an instant to her devoted worshipper, had again returned to the
darkness of her sanctuary—or as an influential planet, which, having
darted in some auspicious minute one favourable ray, wrapped itself again
in its veil of mist. The motions of the lady of his love were to him those
of a superior being, who was to move without watch or control, rejoice him
by her appearance, or depress him by her absence, animate him by her
kindness, or drive him to despair by her cruelty—all at her own free
will, and without other importunity or remonstrance than that expressed by
the most devoted services of the heart and sword of the champion, whose
sole object in life was to fulfil her commands, and, by the splendour of
his own achievements, to exalt her fame.</p>
<p>Such were the rules of chivalry, and of the love which was its ruling
principle. But Sir Kenneth's attachment was rendered romantic by other and
still more peculiar circumstances. He had never even heard the sound of
his lady's voice, though he had often beheld her beauty with rapture. She
moved in a circle which his rank of knighthood permitted him indeed to
approach, but not to mingle with; and highly as he stood distinguished for
warlike skill and enterprise, still the poor Scottish soldier was
compelled to worship his divinity at a distance almost as great as divides
the Persian from the sun which he adores. But when was the pride of woman
too lofty to overlook the passionate devotion of a lover, however inferior
in degree? Her eye had been on him in the tournament, her ear had heard
his praises in the report of the battles which were daily fought; and
while count, duke, and lord contended for her grace, it flowed,
unwillingly perhaps at first, or even unconsciously, towards the poor
Knight of the Leopard, who, to support his rank, had little besides his
sword. When she looked, and when she listened, the lady saw and heard
enough to encourage her in a partiality which had at first crept on her
unawares. If a knight's personal beauty was praised, even the most prudish
dames of the military court of England would make an exception in favour
of the Scottish Kenneth; and it oftentimes happened that, notwithstanding
the very considerable largesses which princes and peers bestowed on the
minstrels, an impartial spirit of independence would seize the poet, and
the harp was swept to the heroism of one who had neither palfreys nor
garments to bestow in guerdon of his applause.</p>
<p>The moments when she listened to the praises of her lover became gradually
more and more dear to the high-born Edith, relieving the flattery with
which her ear was weary, and presenting to her a subject of secret
contemplation, more worthy, as he seemed by general report, than those who
surpassed him in rank and in the gifts of fortune. As her attention became
constantly, though cautiously, fixed on Sir Kenneth, she grew more and
more convinced of his personal devotion to herself and more and more
certain in her mind that in Kenneth of Scotland she beheld the fated
knight doomed to share with her through weal and woe—and the
prospect looked gloomy and dangerous—the passionate attachment to
which the poets of the age ascribed such universal dominion, and which its
manners and morals placed nearly on the same rank with devotion itself.</p>
<p>Let us not disguise the truth from our readers. When Edith became aware of
the state of her own sentiments, chivalrous as were her sentiments,
becoming a maiden not distant from the throne of England—gratified
as her pride must have been with the mute though unceasing homage rendered
to her by the knight whom she had distinguished, there were moments when
the feelings of the woman, loving and beloved, murmured against the
restraints of state and form by which she was surrounded, and when she
almost blamed the timidity of her lover, who seemed resolved not to
infringe them. The etiquette, to use a modern phrase, of birth and rank,
had drawn around her a magical circle, beyond which Sir Kenneth might
indeed bow and gaze, but within which he could no more pass than an evoked
spirit can transgress the boundaries prescribed by the rod of a powerful
enchanter. The thought involuntarily pressed on her that she herself must
venture, were it but the point of her fairy foot, beyond the prescribed
boundary, if she ever hoped to give a lover so reserved and bashful an
opportunity of so slight a favour as but to salute her shoe-tie. There was
an example—the noted precedent of the "King's daughter of Hungary,"
who thus generously encouraged the "squire of low degree;" and Edith,
though of kingly blood, was no king's daughter, any more than her lover
was of low degree—fortune had put no such extreme barrier in
obstacle to their affections. Something, however, within the maiden's
bosom—that modest pride which throws fetters even on love itself
forbade her, notwithstanding the superiority of her condition, to make
those advances, which, in every case, delicacy assigns to the other sex;
above all, Sir Kenneth was a knight so gentle and honourable, so highly
accomplished, as her imagination at least suggested, together with the
strictest feelings of what was due to himself and to her, that however
constrained her attitude might be while receiving his adorations, like the
image of some deity, who is neither supposed to feel nor to reply to the
homage of its votaries, still the idol feared that to step prematurely
from her pedestal would be to degrade herself in the eyes of her devoted
worshipper.</p>
<p>Yet the devout adorer of an actual idol can even discover signs of
approbation in the rigid and immovable features of a marble image; and it
is no wonder that something, which could be as favourably interpreted,
glanced from the bright eye of the lovely Edith, whose beauty, indeed,
consisted rather more in that very power of expression, than an absolute
regularity of contour or brilliancy of complexion. Some slight marks of
distinction had escaped from her, notwithstanding her own jealous
vigilance, else how could Sir Kenneth have so readily and so undoubtingly
recognized the lovely hand, of which scarce two fingers were visible from
under the veil, or how could he have rested so thoroughly assured that two
flowers, successively dropped on the spot, were intended as a recognition
on the part of his lady-love? By what train of observation—by what
secret signs, looks, or gestures—by what instinctive freemasonry of
love, this degree of intelligence came to subsist between Edith and her
lover, we cannot attempt to trace; for we are old, and such slight
vestiges of affection, quickly discovered by younger eyes, defy the power
of ours. Enough that such affection did subsist between parties who had
never even spoken to one another—though, on the side of Edith, it
was checked by a deep sense of the difficulties and dangers which must
necessarily attend the further progress of their attachment; and upon that
of the knight by a thousand doubts and fears lest he had overestimated the
slight tokens of the lady's notice, varied, as they necessarily were, by
long intervals of apparent coldness, during which either the fear of
exciting the observation of others, and thus drawing danger upon her
lover, or that of sinking in his esteem by seeming too willing to be won,
made her behave with indifference, and as if unobservant of his presence.</p>
<p>This narrative, tedious perhaps, but which the story renders necessary,
may serve to explain the state of intelligence, if it deserves so strong a
name, betwixt the lovers, when Edith's unexpected appearance in the chapel
produced so powerful an effect on the feelings of her knight.</p>
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