<h2><SPAN name="LETTER_XXXVIII" id="LETTER_XXXVIII"></SPAN>LETTER XXXVIII.</h2>
<p><span class="smcap">Dearest:</span> St. Mark's inside is entirely different from anything
I had imagined. I had expected a grove of pillars instead of these
wonderful breadths of wall; and the marble overlay I had not understood
at all till I saw it. My admiration mounts every time I enter: it has a
different gloom from any I have ever been in, more joyous and
satisfying, not in the least moody as our own Gothic seems sometimes to
be; and saints instead of devils look at you solemn-eyed from every
corner of shade.</p>
<p>A heavy rain turns the Piazza into a lake: this morning Arthur had to
carry me across. Other foolish Englishwomen were shocked at such means,
and paddled their own leaky canoes, or stood on the brink and looked
miserable. The effect of rain-pool reflections on the inside of St.
Mark's is noticeable, causing it to bloom unexpectedly into fresh
subtleties and glories. The gold takes so sympathetically to any least
tint of color that is in the air, and counts up the altar candles even
unto its furthest recesses and cupolas.</p>
<p><SPAN name="Page_144" id="Page_144"></SPAN></p>
<p>I think before I leave Venice I shall find about ten Tintorettos which I
really like. Best of all is that Bacchus and Ariadne in the Ducal
Palace, of which you gave me the engraving. His "Marriage of St.
Catherine," which is there also, has all Veronese's charm of color and
what I call his "breeding"; and in the ceiling of the Council Chamber is
one splendid figure of a sea-youth striding a dolphin.</p>
<p>Last evening we climbed the San Giorgio campanile for a sunset view of
Venice; it is a much better point of view than the St. Mark's one, and
we were lucky in our sunset. Venice again looked like a beautified
factory town, blue and blue with smoke and evening mists. Down below in
the church I met a delightful Capuchin priest who could talk French, and
a poor, very young lay-brother who had the holy custody of the eyes
heavily upon his conscience when I spoke to him. I was so sorry for him!</p>
<p>The Mother-Aunt is ill in bed; but as she is at the present moment
receiving three visitors, you will understand about how ill. The fact
is, she is worn to death with sight-seeing. I can't stop her; while she
is on her legs it is her duty, and she will. The consequence is I get
rushed through things I want to let soak into me, and have to go again.
My only way of getting her to rest has been by deserting her; and then I
<SPAN name="Page_145" id="Page_145"></SPAN>come back and receive reproaches with a meek countenance.</p>
<p>Mr. C—— has been good to us and cordial, and brings his gondola often
to our service. A gondola and pair has quite a different motion from a
one-oared gondola; it is like riding a seahorse instead of a
sea-camel—almost exciting, only it is so soft in its prancings.</p>
<p>He took A. and myself into the procession which welcomed the crowned
heads last Wednesday; the hurly-burly of it was splendid. We tore down
the Grand Canal from end to end, almost cheek by jowl with the
royalties; the M.-A. was quite jubilant when she heard we had had such
"good places." Hundreds of gondolas swarmed round; many of them in the
old Carpaccio rig-outs, very gorgeous though a little tawdry when taken
out of the canvas. Hut the rush and the collisions, and the sound of
many waters walloping under the bellies of the gondolas, and the blows
of fighting oars—regular underwater wrestling matches—made it as vivid
and amusing as a prolonged Oxford and Cambridge boat-race in fancy
costume. Our gondoliers streamed with the exertion, and looked like men
fighting a real battle, and yet enjoyed it thoroughly. Violent
altercations with police-boats don't ruffle them at all; at one moment
it looks daggers drawn; at the next it is shrugs <SPAN name="Page_146" id="Page_146"></SPAN>and smiles. Often,
from not knowing enough of Italian and Italian ways, I get hot all over
when an ordinary discussion is going on, thinking that blows are about
to be exchanged. The Mother-Aunt had hung a wonderful satin skirt out of
window for decoration; and when she leaned over it in a bodice of the
same color, it looked as if she were sitting with her legs out as well!
I suppose it was this peculiar effect that, when the King and Queen came
by earlier in the morning, won for her a special bow and smile.</p>
<p>I must hurry or I shall miss the post that I wish to catch. There seems
little chance now of my getting you in Venice; but elsewhere perhaps you
will drop to me out of the clouds.</p>
<div class="poem"><div class="stanza">
<span class="i0">Your own and most loving.<br/></span></div>
</div>
<p><SPAN name="Page_147" id="Page_147"></SPAN></p>
<hr style="width: 65%;" />
<h2><SPAN name="LETTER_XXXIX" id="LETTER_XXXIX"></SPAN>LETTER XXXIX.</h2>
<p><span class="smcap">My Own, Own Beloved:</span> Say that my being away does not seem too
long? I have not had a letter yet, and that makes me somehow not anxious
but compunctious; only writing to you of all I do helps to keep me in
good conscience. Not the other foot gone to the mender's, I hope, with
the same obstructive accompaniments as went to the setting-up again of
the last? If I don't hear soon, you will have me dancing on wires, which
cost as much by the word as a gondola by the hour.</p>
<p>Yesterday we went to see Carpaccio at his best in San Giorgio di
Schiavone: two are St. George pictures, three St. Jeromes, and two of
some other saint unknown to me. The St. Jerome series is really a homily
on the love and pathos of animals. First is St. Jerome in his study with
a sort of unclipped white poodle in the pictorial place of honor, all
alone on a floor beautifully swept and garnished, looking up wistfully
to his master busy at writing (a Benjy saying, "Come and take me for a
walk, there's a <SPAN name="Page_148" id="Page_148"></SPAN>good saint!"). Scattered among the adornments of the
room are small bronzes of horses and, I think, birds. So, of course,
these being his tastes, when St. Jerome goes into the wilderness, a lion
takes to him, and accompanies him when he pays a call on the monks in a
neighboring monastery. Thereupon, holy men of little faith, the entire
fraternity take to their heels and rush upstairs, the hindermost
clinging to the skirts of the formermost to be hauled the quicker out of
harm's way. And all the while the lion stands incorrectly offering the
left paw, and Jerome with shrugs tries to explain that even the best
butter wouldn't melt in his dear lion's mouth. After that comes the
tragedy. St. Jerome lies dying in excessive odor of sanctity, and all
the monks crowd round him with prayers and viaticums, and the ordinary
stuffy pieties of a "happy death," while Jerome wonders feebly what it
is he misses in all this to-do for which he cares so little. And there,
elbowed far out into the cold, the lion lies and lifts his poor head and
howls because he knows his master is being taken from him. Quite near to
him, fastened to a tree, a queer, nondescript, crocodile-shaped dog runs
out the length of its tether to comfort the disconsolate beast: but <i>la
bête humaine</i> has got the whip-hand of the situation. In another picture
is a parrot that has just mimicked a dog, <SPAN name="Page_149" id="Page_149"></SPAN>or called "Carlo!" and then
laughed: the dog turns his head away with a sleek, sheepish, shy look,
exactly as a sensitive dog does when you make fun of him.</p>
<p>These are, perhaps, mere undercurrents of pictures which are quite
glorious in color and design, but they help me to love Carpaccio to
distraction; and when the others lose me, they hunt through all the
Carpaccios in Venice till they find me!</p>
<p>Love me a little more if possible while I am so long absent from you!
What I do and what I think go so much together now, that you will take
what I write as the most of me that it is possible to cram in, coming
back to you to share everything.</p>
<p>Under such an Italian sky as to-day how I would like to see your face!
Here, dearest, among these palaces you would be in your peerage, for I
think you have some southern blood in you.</p>
<p>Curious that, with all my fairness, somebody said to me to-day, "But you
are not quite English, are you?" And I swore by the nine gods of my
ancestry that I was nothing else. But the look is in us: my father had a
foreign air, but made up for it by so violent a patriotism that Uncle N.
used to call him "John Bull let loose."</p>
<p>My love to England. Is it showing much <SPAN name="Page_150" id="Page_150"></SPAN>autumn yet? My eyes long for
green fields again. Since I have been in Italy I had not seen one until
the other day from the top of St. Giorgio Maggiore, where one lies in
hiding under the monastery walls.</p>
<p>All that I see now quickens me to fresh thoughts of you. Yet do not
expect me to come back wiser: my last effort at wisdom was to fall in
love with you, and there I stopped for good and all. There I am still,
everything included: what do you want more? My letter and my heart both
threaten to be over-weight, so no more of them this time. Most dearly do
I love you.</p>
<p><SPAN name="Page_151" id="Page_151"></SPAN></p>
<hr style="width: 65%;" />
<h2><SPAN name="LETTER_XL" id="LETTER_XL"></SPAN>LETTER XL.</h2>
<p><span class="smcap">Beloved:</span> If two days slip by, I don't know where I am when I
come to write; things get so crowded in such a short space of time.
Where I left off I know not: I will begin where I am most awake—your
letter which I have just received.</p>
<p>That is well, dearest, that is well indeed: a truce till February! And
since the struggle then must needs be a sharp one—with only one end, as
we know,—do not vex her now by any overt signs of preparation as if you
assumed already that her final arguments were to be as so much chaff
before the wind. You do not tell me <i>what</i> she argues, and I do not ask.
She does not say I shall not love you enough!</p>
<p>To answer businesslike to your questions first: with your forgiveness we
stay here till the 25th, and get back to England with the last of the
month. Does that seem a very cruel, far-off date? Others have the wish
to stay even longer, and it would be no fairness to hurry them beyond a
certain degree of reasonableness with my <SPAN name="Page_152" id="Page_152"></SPAN>particular reason for
impatience, seeing, moreover, that in your love I have every help for
remaining patient. It is too much to hope, I suppose, that the "truce"
sets you free now, and that you could meet us here after all, and
prolong our stay indefinitely? I know one besides myself who would be
glad, and would welcome an outside excuse dearly.</p>
<p>For, oh, the funniness of near and dear things! Arthur's heart is laid
up with a small love affair, and it is the comicalest of internal
maladies. He is screwing up courage to tell me all about it, and I write
in haste before my mouth is sealed by his confidences. I fancy I know
the party, an energetic little mortal whom we met at Lucerne, where
Arthur lingered while we came on to Florence. She talked vaguely of
being in Venice some time this autumn; and the vagueness continues.
Arthur, in consequence, roams round disconsolately with no interest but
in hotel books. And for fear lest we should gird up his loins and drag
him away with us out of Paradisal possibilities, he is forever praising
Venice as a resting-place, and saying he wants to be nowhere else. The
bathing just keeps him alive; but when put to it to explain what charms
him since pictures do not, and architecture only slightly, he says in
exemplary brotherly fashion that he likes to see me completing my
educa<SPAN name="Page_153" id="Page_153"></SPAN>tion and enthusiasms,—and does not realize with how foreign an
air that explanation sits upon his shoulders.</p>
<p>I saw to-day a remnant of your patron saint, and for your sake
transferred a kiss to it, Italian fashion, with my thumb and the sign of
the cross. I hope it will do you good. Also, I have been up among the
galleries of St. Mark's, and about the roof and the west front where
somebody or another painted his picture of the bronze horses.</p>
<p>The pigeons get to recognize people personally, and grow more intimate
every time we come. I even conceive they make favorites, for I had three
pecking food out of my mouth to-day and refusing to take it in any other
fashion, and they coo and say thank you before and after every seed they
take or spill. They are quite the pleasantest of all the Italian
beggars—and the cleanest.</p>
<p>Your friend pressed us in to tea yesterday: I think less for the sake of
giving us tea than that we should see his palace, or rather his first
floor, in which alone he seems to lose himself. I have no idea for
measurements, but I imagine his big sala is about eighty feet long and
perhaps twenty-five feet across, with a flat-beamed roof, windows at
each end, and portières along the walls of old blue Venetian linen: a
place in which it seems one could only live and think nobly.<SPAN name="Page_154" id="Page_154"></SPAN> His face
seems to respond to its teachings. What more might not an environment
like that bring out in you? Come and let me see! I have hopes springing
as I think of things that you may be coming after all; and that that is
what lay concealed under the gayety of your last paragraph. Then I am
more blessed even than I knew. What, you are coming? So well I do love
you, my Beloved!</p>
<p><SPAN name="Page_155" id="Page_155"></SPAN></p>
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