<h2><SPAN name="LETTER_XLIV" id="LETTER_XLIV"></SPAN>LETTER XLIV.</h2>
<p><span class="smcap">Dearest:</span> I have been doing something so wise and foolish:
mentally wise, I mean, and physically foolish. Do you guess?—Disobeying
your parting injunction, and sitting up to see eclipses.</p>
<p>It was such a luxury to do as I was <i>not</i> told just for once; to feel
there was an independent me still capable of asserting itself. My belief
is that, waking, you hold me subjugated: but, once your godhead has put
on its spiritual nightcap, and begun nodding, your mesmeric influence
relaxes. Up starts resolution and independence, and I breathe desolately
for a time, feeling myself once more a free woman.</p>
<p>'Twas a tremulous experience, Beloved; but I loved it all the more for
that. How we love playing at grief and death—the two things that must
come—before it is their due time! I took a look at my world for three
most mortal hours last night, trying to see you <i>out</i> of it. And oh, how
close it kept bringing me! I almost heard <SPAN name="Page_167" id="Page_167"></SPAN>you breathe, and was forever
wondering—Can we ever be nearer, or love each other more than we do?
For <i>that</i> we should each want a sixth sense, and a second soul: and it
would still be only the same spread out over larger territory. I prefer
to keep it nesting close in its present limitations, where it feels like
a "growing pain"; children have it in their legs, we in our hearts.</p>
<p>I am growing sleepy as I write, and feel I am sending you a dull
letter,—my penalty for doing as you forbade.</p>
<p>I sat up from half-past one to a quarter to five to see our shadow go
over heaven. I didn't see much, the sky was too piebald: but I was not
disappointed, as I had never watched the darkness into dawn like that
before: and it was interesting to hear all the persons awaking:—cocks
at half-past four, frogs immediately after, then pheasants and various
others following. I was cuddled close up against my window, throned in a
big arm-chair with many pillows, a spirit-lamp, cocoa, bread and butter,
and buns; so I fared well. Just after the pheasants and the first
querulous fidgetings of hungry blackbirds comes a soft pattering along
the path below: and Benjy, secretive and important, is fussing his way
to the shrubbery, when instinct or real sentiment prompts him to look up
at my window; he gives <SPAN name="Page_168" id="Page_168"></SPAN>a whimper and a wag, and goes on. I try to
persuade myself that he didn't see me, and that he does this, other
mornings, when I am not thus perversely bolstered up in rebellion, and
peering through blinds at wrong hours. Isn't there something pathetic in
the very idea that a dog may have a behind-your-back attachment of that
sort?—that every morning he looks up at an unresponsive blank, and
wags, and goes by?</p>
<p>I heard him very happy in the shrubs a moment after: he and a pheasant,
I fancy, disputing over a question of boundaries. And he comes in for
breakfast, three hours later, looking positively <i>fresh,</i> and wants to
know why I am yawning.</p>
<p>Most mornings he brings your letter up to my room in his mouth. It is
old Nan-nan's joke: she only sends up <i>yours</i> so, and pretends it is
Benjy's own clever selection. I pretend that, too, to him; and he thinks
he is doing something wonderful. The other morning I was—well, Benjy
hears splashing: and tires of waiting—or his mouth waters. An extra can
of hot water happens to stand at the door; and therein he deposits his
treasure (mine, I mean), and retires saying nothing. The consequence is,
when I open three minutes after his scratch, I find you all ungummed and
swimming, your beautiful handwriting bleared and smeared, so that no eye
<SPAN name="Page_169" id="Page_169"></SPAN>but mine could have read it. Benjy's shame when I showed him what he
had done was wonderful.</p>
<p>How it rejoices me to write quite foolish things to you!—that I <i>can</i>
helps to explain a great deal in the up-above order of things, which I
never took in when I was merely young and frivolous. One must have
touched a grave side of life before one can take in that Heaven is not
opposed to laughter.</p>
<p>My eye has just caught back at what I have written; and the "little
death" runs through me, just because I wrote "grave side." It shouldn't,
but loving has made me superstitious: the happiness seems too great; how
can it go on? I keep thinking—this is not life: you are too much for
me, my dearest!</p>
<p>Oh, my Beloved, come quickly to meet me to-day: this morning! Ride over;
I am willing it. My own dearest, you must come. If you don't, what shall
I believe? That Love cannot outdo space: that when you are away I cannot
reach you by willing. But I can: come to me! You shall see my arms open
to you as never before. What is it?—you must be coming. I have more
love in me after all than I knew.</p>
<p>Ah, I know: I wrote "grave side," and all my heart is in arms against
the treason. With us <SPAN name="Page_170" id="Page_170"></SPAN>it is not "till death us do part": we leap it
altogether, and are clasped on the other side.</p>
<p>My dear, my dear, I lay my head down on your heart: I love you! I post
this to show how certain I am. At twelve to-day I shall see you.</p>
<p><SPAN name="Page_171" id="Page_171"></SPAN></p>
<hr style="width: 65%;" />
<h2><SPAN name="LETTER_XLV" id="LETTER_XLV"></SPAN>LETTER XLV.</h2>
<p><span class="smcap">Beloved:</span> I look at this ridiculous little nib now, running like
a plow along the furrows! What can the poor thing do? Bury its poor
black, blunt little nose in the English language in order to tell you,
in all sorts of roundabout ways, what you know already as well as I do.
And yet, though that is all it can do, you complain of not having had a
letter! Not had a letter? Beloved, there are half a hundred I have not
had from you! Do you suppose you have ever, any one week in your life,
sent me as many as I wanted?</p>
<p>Now, for once, I did hold off and didn't write to you: because there was
something in your last I couldn't give any answer to, and I hoped you
would come yourself before I need. Then I hoped silence would bring you:
and now—no!—instead of your dear peace-giving face I get this
complaint!</p>
<p>Ah, Beloved, have you in reality any complaint, or sorrow that I can set
at rest? Or has that little, little silence made you anxious? I <SPAN name="Page_172" id="Page_172"></SPAN>do come
to think so, for you never flourish your words about as I do: so,
believing that, I would like to write again differently; only it is
truer to let what I have written stand, and make amends for it in all
haste. I love you so infinitely well, how could even a year's silence
give you any doubt or anxiety, so long as you knew I was not ill?</p>
<p>"Should one not make great concessions to great grief even when it is
unreasonable?" I cannot answer, dearest: I am in the dark. Great grief
cannot be great without reasons: it should give them, and you should
judge by them:—you, not I. I imagine you have again been face to face
with fierce, unexplained opposition. Dearest, if it would give you
happiness, I would say, make five, ten, twenty years' "concession," as
you call it. But the only time you ever spoke to me clearly about your
mother's mind toward me, you said she wanted an absolute surrender from
you, not covered only by her lifetime. Then though I pitied her, I had
to smile. A twenty years' concession even would not give rest to her
perturbed spirit. I pray truly—having so much reason for your sake to
pray it—"God rest her soul! and give her a saner mind toward both of
us."</p>
<p>Why has this come about at all? It is not February yet: and <i>our</i> plans
have been putting <SPAN name="Page_173" id="Page_173"></SPAN>forth no buds before their time. When the day comes,
and you have said the inevitable word, I think more calm will follow
than you expect. <i>You</i>, dearest, I do understand: and the instinct of
tenderness you have toward a claim which yet fills you with the sense of
its injustice. I know that you can laugh at her threat to make you poor;
but not at hurting her affections. Did your asking for an "answer" mean
that I was to write so openly? Bless you, my own dearest.</p>
<p><SPAN name="Page_174" id="Page_174"></SPAN></p>
<hr style="width: 65%;" />
<h2><SPAN name="LETTER_XLVI" id="LETTER_XLVI"></SPAN>LETTER XLVI.</h2>
<p><span class="smcap">Dearest:</span> To-day I came upon a strange spectacle: poor old
Nan-nan weeping for wounded pride in me. I found her stitching at
raiment of needlework that is to be mine (piles of it have been through
her fingers since the word first went out; for her love asserts that I
am to go all home-made from my old home to my new one—wherever that may
be!). And she was weeping because, as I slowly got to understand, from
one particular quarter too little attention had been paid to me:—the
kow-tow of a ceremonious reception into my new status had not been deep
enough to make amends to her heart for its partial loss of me.</p>
<p>Her deferential recognition of the change which is coming is pathetic
and full of etiquette; it is at once so jealous and so unselfish.
Because her sense of the proprieties will not allow her to do so much
longer, she comes up to my room and makes opportunity to scold me over
quite slight things:—and there I am, meeker under <SPAN name="Page_175" id="Page_175"></SPAN>her than I would be
to any relative. So to-day I had to bear a statement of your mother's
infirmities rigorously outlined in a way I could only pretend to be deaf
to until she had done. Then I said, "Nan-nan, go and say your prayers!"
And as she stuck her heels down and refused to go, there I left the poor
thing, not to prayer, I fear, but to desolate weeping, in which love and
pride will get more firmly entangled together than ever.</p>
<p>I know when I go up to my room next I shall find fresh flowers put upon
my table: but the grievous old dear will be carrying a sore heart that I
cannot comfort by any words. I cannot convince her that I am not hiding
in myself any wounds such as she feels on my behalf.</p>
<p>I write this, dearest, as an indirect answer to yours,—which is but
Nan-nan's woe writ large. If I could persuade your two dear and very
different heads how very slightly wounded I am by a thing which a little
waiting will bring right, I could give it even less thought than I do.
Are you keeping the truce in spirit when you disturb yourself like this?
Trust me, Beloved, always to be candid: I will complain to you when I
feel in need of comfort. Be comforted yourself, meanwhile, and don't
shape ghosts of grief which never do a goose-step over me! Ah well,
well, <SPAN name="Page_176" id="Page_176"></SPAN>if there is a way to love you better than I do now, only show it
me! Meantime, think of me as your most contented and happy-go-loving.</p>
<p><SPAN name="Page_177" id="Page_177"></SPAN></p>
<hr style="width: 65%;" />
<h2><SPAN name="LETTER_XLVII" id="LETTER_XLVII"></SPAN>LETTER XLVII.</h2>
<p><span class="smcap">Dearest:</span> I am haunted by a line of quotation, and cannot think
where it comes from:</p>
<div class="poem"><div class="stanza">
<span class="i0">"Now sets the year in roaring gray."<br/></span></div>
</div>
<p>Can you help me to what follows? If it is a true poem it ought now to be
able to sing itself to me at large from an outer world which at this
moment is all gray and roaring. To-day the year is bowing itself out
tempestuously, as if angry at having to go. Dear golden year! I am sorry
to see its face so changed and withering: it has held so much for us
both. Yet I am feeling vigorous and quite like spring. All the seasons
have their marches, with buffetings and border-forays: this is an autumn
march-wind; before long I shall be out into it, and up the hill to look
over at your territory and you being swept and garnished for the seven
devils of winter.</p>
<p>"Roaring gray" suggests Tennyson, whom I do very much associate with
this sort of weather, not so much because of passages in "Maud" and<SPAN name="Page_178" id="Page_178"></SPAN> "In
Memoriam" as because I once went over to Swainston, on a day such as
this when rooks and leaves alike hung helpless in the wind; and heard
there the story of how Tennyson, coming over for his friend's funeral,
would not go into the house, but asked for one of Sir John's old hats,
and with that on his head sat in the garden and wrote almost the best of
his small lyrics:</p>
<div class="poem"><div class="stanza">
<span class="i0">"Nightingales warbled without,<br/></span>
<span class="ihalf">Within was weeping for thee."<br/></span></div>
</div>
<p>The "old hat" was mentioned as something humorous: yet an old glove is
the most accepted symbol of faithful absence: and why should head rank
lower than hand? What creatures of convention we are!</p>
<p>There is an old notion, quite likely to be true, that a nightcap carries
in it the dreams of its first owner, or that anything laid over a
sleeper's head will bring away the dream. One of the stories which used
to put a lump in my throat as a child was of an old backwoodsman who by
that means found out that his dog stole hams from the storeroom. The dog
was given away in disgrace, and came to England to die of a broken heart
at the sight of a cargo of hams, which, at their unpacking, seemed like
a monstrous day of judgment—the bones of his misdeeds rising again
reclothed with flesh to re<SPAN name="Page_179" id="Page_179"></SPAN>proach him with the thing he had never
forgotten.</p>
<p>I wonder how long it was before I left off definitely choosing out a
story for the pleasure of making myself cry! When one begins to avoid
that luxury of the fledgling emotions, the first leaf of youth is flown.</p>
<p>To-day I look almost jovially at the decay of the best year I have ever
lived through, and am your very middle-aged faithful and true.</p>
<p><SPAN name="Page_180" id="Page_180"></SPAN></p>
<hr style="width: 65%;" />
<h2><SPAN name="LETTER_XLVIII" id="LETTER_XLVIII"></SPAN>LETTER XLVIII.</h2>
<p><span class="smcap">Dearest:</span> If anybody has been "calling me names" that are not
mine, they do me a fine injury, and you did well to purge the text of
their abuse. I agree with no authority, however immortal, which inquires
"What's in a name?" expecting the answer to be a snap of the fingers. I
answer with a snap of temper that the blood, boots, and bones of my
ancestors are in mine! Do you suppose I could have been the same woman
had such names as Amelia or Bella or Cinderella been clinging leechlike
to my consciousness through all the years of my training? Why, there are
names I can think of which would have made me break down into
side-ringlets had I been forced to wear them audibly.</p>
<p>The effect is not so absolute when it is a second name that can be
tucked away if unpresentable, but even then it is a misfortune. There is
C——, now, who won't marry, I believe, chiefly because of the insane
"Annie" with which she was smitten at the baptismal font by an
afterthought. She regards it as a taint in her constitution which orders
her to a lonely life lest <SPAN name="Page_181" id="Page_181"></SPAN>worse might follow. And apply the
consideration more publicly: do you imagine the Prince of Wales will be
the same sort of king if, when he comes to the throne, he calls himself
King Albert Edward in florid Continental fashion, instead of "Edward the
Seventh," with a right hope that an Edward the Eighth may follow after
him, to make a neck-and-neck race of it with the Henries? I don't know
anything that would do more to knit up the English constitution: but
whenever I pass the Albert Memorial I tremble lest filial piety will not
allow the thing to be done.</p>
<p>Now of all this I had an instance in the village the day before
yesterday. At the corner house by the post-office, as I went by, a bird
opened his bill and sang a note, and down, down, down, down he went over
a golden scale: pitched afresh, and dropped down another; and then up,
up, up, over the range of both. Then he flung back his shaggy head and
laughed. "In all my father's realm there are no such bells as these!" It
was the laughing jackass. "Who gave you your name?" "My godfathers and
my godmothers in my baptism." Well, <i>his</i> will have <i>that</i> to answer
for, however safely for the rest he may have eschewed the world, the
flesh, and the devil. Poor bird, to be set to sing to us under such a
burden:—of which, unconscious failure, he knows nothing.</p>
<p><SPAN name="Page_182" id="Page_182"></SPAN></p>
<p>Here I have remembered for you a bit of a poem that took hold of me some
while ago and touched on the same unkindness: only here the flower is
conscious of the wrong done to it, and looks forward to a day of juster
judgment:—</p>
<div class="poem"><div class="stanza">
<span class="i0">"What have I done?—Man came<br/></span>
<span class="ihalf">(There's nothing that sticks like dirt),<br/></span>
<span class="ihalf">Looked at me with eyes of blame,<br/></span>
<span class="ihalf">And called me 'Squinancy-wort!'<br/></span>
<span class="ihalf">What have I done? I linger<br/></span>
<span class="ihalf">(I cannot say that I live)<br/></span>
<span class="ihalf">In the happy lands of my birth;<br/></span>
<span class="ihalf">Passers-by point with the finger:<br/></span>
<span class="ihalf">For me the light of the sun<br/></span>
<span class="ihalf">Is darkened. Oh, what would I give<br/></span>
<span class="ihalf">To creep away, and hide my shame in the earth!<br/></span>
<span class="ihalf">What have I done?<br/></span>
<span class="ihalf">Yet there is hope. I have seen<br/></span>
<span class="ihalf">Many changes since I began.<br/></span>
<span class="ihalf">The web-footed beasts have been<br/></span>
<span class="ihalf">(Dear beasts!)—and gone, being part of some wider plan.<br/></span>
<span class="ihalf">Perhaps in His infinite mercy God will remove this man!"<br/></span></div>
</div>
<p>Now I am on sentiment and unjust judgments: here is another instance,
where evidently in life I did not love well enough a character nobler
than this capering and accommodating boy Benjy, who toadies to all my
moods. Calling at the lower farm, I missed him whom I used to nickname
"Manger," because his dog-jaws always refused to smile on me. His old
mistress gave me a pa<SPAN name="Page_183" id="Page_183"></SPAN>thetic account of his last days. It was the
muzzling order that broke his poor old heart. He took it as an
accusation on a point where, though of a melancholy disposition, his
reputation had been spotless. He never lifted his head nor smiled again.
And not all his mistress' love could explain to him that he was not in
fault. She wept as she told it me.</p>
<p>Good-by, dearest, and for this letter so full of such little worth call
me what names you like; and I will go to Jemima, Keziah, and
Kerenhappuch for the patience in which they must have taken after their
father when he so named them, I suppose for a discipline.</p>
<p>My Beloved, let my heart come where it wants to be. Twilight has been on
me to-day, I don't know why; and I have not written it off as I hoped to
do.—All yours and nothing left.</p>
<p><SPAN name="Page_184" id="Page_184"></SPAN></p>
<hr style="width: 65%;" />
<div style="break-after:column;"></div><br />