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Riceyman Steps

<h3> LIST OF WORKS TO DATE</h3> <h2>By ARNOLD BENNETT </h2> <h4>NOVELS</h4> Lilian Mr. Prohack The Roll-Call The Pretty Lady The Lion's Share These Twain Clayhanger Hilda Lessways The Old Wives' Tale Denry the Audacious The Old Adam The Matador of the Five Towns Helen with the High Hand The Gates of Wrath The Book of Carlotta Buried Alive A Great Man Leonora Whom God Hath Joined A Man from the North Anna of the Five Towns The Glimpse The City of Pleasure The Grand Babylon Hotel Hugo <h4>POCKET PHILOSOPHIES</h4> Self and Self-Management Married Life Friendship and Happiness The Human Machine How to Live on 24 Hours a Day Literary Taste Mental Efficiency The Author's Craft How to Make the Best of Life <h4>PLAYS</h4> The Love Match Body and Soul Sacred and Profane Love Judith The Title The Great Adventure Cupid and Commonsense What the Public Wants Polite Farces The Honeymoon In Collaboration with Edward Knoblock Milestones <h4>MISCELLANEOUS</h4> Our Women Books and Persons Paris Nights The Truth About an Author Liberty! Over There: War Scenes Things That Have Interested Me Things That Have Interested Me (second series) <h1>RICEYMAN STEPS </h1> <h3>A NOVEL </h3> <h4>BY</h4> <h2>ARNOLD BENNETT </h2> <h3>CASSELL AND COMPANY, LTD </h3> <h4>London, New York, Toronto and Melbourne </h4> <h5>First published 1923 </h5> <h5>Printed in Great Britain </h5> <h3>CONTENTS</h3> <div class="center"> <table border="0" width="60%" cellpadding="4" cellspacing="0" summary="contents"> <tr><td align="right"></td><td align="center">PART I</td><td align="right">Page</td></tr> <tr><td align="right">1.</td><td align="left">Riceyman Steps</td><td align="right">1</td></tr> <tr><td align="right">2.</td><td align="left">The Customer</td><td align="right">4</td></tr> <tr><td align="right">3.</td><td align="left">The Bookseller at Home</td><td align="right">9</td></tr> <tr><td align="right">4.</td><td align="left">Elsie</td><td align="right">14</td></tr> <tr><td align="right">5.</td><td align="left">The Gift</td><td align="right">21</td></tr> <tr><td align="right">6.</td><td align="left">Mrs. Arb's Case</td><td align="right">26</td></tr> <tr><td align="right">7.</td><td align="left">Under an Umbrella</td><td align="right">30</td></tr> <tr><td align="right">8.</td><td align="left">The Carving-knife</td><td align="right">33</td></tr> <tr><td align="right">9.</td><td align="left">Sunday Morning</td><td align="right">39</td></tr> <tr><td align="right">10.</td><td align="left">Riceyman Square</td><td align="right">43</td></tr> <tr><td align="right">11.</td><td align="left">Elsie's Home</td><td align="right">48</td></tr> <tr><td align="right">12.</td><td align="left">The Benefactress</td><td align="right">54</td></tr> <tr><td align="right">13.</td><td align="left">The Passion</td><td align="right">58</td></tr> <tr><td align="right">14.</td><td align="left">A Man's Private Life</td><td align="right">67</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="right"></td><td align="center">PART II</td></tr> <tr><td align="right">1.</td><td align="left">The Day Before</td><td align="right">77</td></tr> <tr><td align="right">2.</td><td align="left">Elsie's Retreat</td><td align="right">86</td></tr> <tr><td align="right">3.</td><td align="left">Waxworks</td><td align="right">90</td></tr> <tr><td align="right">4.</td><td align="left">Vacuum</td><td align="right">99</td></tr> <tr><td align="right">5.</td><td align="left">The Priestess</td><td align="right">103</td></tr> <tr><td align="right">6.</td><td align="left">The Next Day</td><td align="right">114</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="right"></td><td align="center">PART III</td></tr> <tr><td align="right">1.</td><td align="left">Early Morning</td><td align="right">123</td></tr> <tr><td align="right">2.</td><td align="left">After Breakfast</td><td align="right">127</td></tr> <tr><td align="right">3.</td><td align="left">International</td><td align="right">135</td></tr> <tr><td align="right">4.</td><td align="left">Afternoon</td><td align="right">140</td></tr> <tr><td align="right">5.</td><td align="left">Tea</td><td align="right">146</td></tr> <tr><td align="right">6.</td><td align="left">Evening</td><td align="right">155</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="right"></td><td align="center">PART IV</td></tr> <tr><td align="right">1.</td><td align="left">At the Window</td><td align="right">169</td></tr> <tr><td align="right">2.</td><td align="left">Elsie's Motive</td><td align="right">176</td></tr> <tr><td align="right">3.</td><td align="left">Charity</td><td align="right">182</td></tr> <tr><td align="right">4.</td><td align="left">No Verdict</td><td align="right">191</td></tr> <tr><td align="right">5.</td><td align="left">Midnight</td><td align="right">197</td></tr> <tr><td align="right">6.</td><td align="left">Henry's Plot</td><td align="right">201</td></tr> <tr><td align="right">7.</td><td align="left">The Night-call</td><td align="right">205</td></tr> <tr><td align="right">8.</td><td align="left">On the Landing</td><td align="right">213</td></tr> <tr><td align="right">9.</td><td align="left">Violet's Victory</td><td align="right">221</td></tr> <tr><td align="right">10.</td><td align="left">Departure</td><td align="right">227</td></tr> <tr><td></td></tr> <tr><td></td></tr> <tr><td align="right"></td><td align="center">PART V</td></tr> <tr><td align="right">1.</td><td align="left">The Promise</td><td align="right">235</td></tr> <tr><td align="right">2.</td><td align="left">The Refusal</td><td align="right">240</td></tr> <tr><td align="right">3.</td><td align="left">The Message of Violet</td><td align="right">244</td></tr> <tr><td align="right">4.</td><td align="left">Out of The Rain</td><td align="right">253</td></tr> <tr><td align="right">5.</td><td align="left">The Two Patients</td><td align="right">260</td></tr> <tr><td align="right">6.</td><td align="left">The Second Refusal</td><td align="right">264</td></tr> <tr><td align="right">7.</td><td align="left">Malaria</td><td align="right">270</td></tr> <tr><td align="right">8.</td><td align="left">A Climax</td><td align="right">274</td></tr> <tr><td align="right">9.</td><td align="left">The Kiss</td><td align="right">290</td></tr> <tr><td align="right">10.</td><td align="left">The Safe</td><td align="right">295</td></tr> <tr><td align="right">11.</td><td align="left">Prison</td><td align="right">300</td></tr> <tr><td align="right">12.</td><td align="left">Asleep</td><td align="right">304</td></tr> <tr><td align="right">13.</td><td align="left">Disappearance of T. T.'s</td><td align="right">308</td></tr> </table></div> <hr />[Pg 1] <h2>RICEYMAN STEPS</h2> <hr /> <h2>PART I</h2> <hr /> <h2>I</h2> <h3>RICEYMAN STEPS</h3> On an autumn afternoon of 1919 a hatless man with a slight limp might have been observed ascending the gentle, broad acclivity of Riceyman Steps, which lead from King's Cross Road up to Riceyman Square, in the great metropolitan industrial district of Clerkenwell. He was rather less than stout and rather more than slim. His thin hair had begun to turn from black to grey, but his complexion was still fairly good, and the rich, very red lips, under a small greyish moustache and over a short, pointed beard, were quite remarkable in their suggestion of vitality. The brown eyes seemed a little small; they peered at near objects. As to his age, an experienced and cautious observer of mankind, without previous knowledge of this man, would have said no more than that he must be past forty. The man himself was certainly entitled to say that he was in the prime of life. He wore a neat dark-grey suit, which must have been carefully folded at nights, a low, white, starched collar, and a "made" black tie that completely hid the shirt-front; the shirt-cuffs could not be seen. He was shod in old, black leather slippers, well polished. He gave an appearance of quiet, intelligent, refined and kindly prosperity; and in his little eyes shone the varying lights of emotional sensitiveness. Riceyman Steps, twenty in number, are divided by a[Pg 2] half-landing into two series of ten. The man stopped on the half-landing and swung round with a casual air of purposelessness which, however, concealed, imperfectly, a definite design. The suspicious and cynical, slyly watching his movements, would have thought: "What's that fellow after?" A man interested in a strange woman acquires one equine attribute—he can look in two directions at once. This man could, and did, look in two directions at once. Below him and straight in front he saw a cobbled section of King's Cross Road—a hell of noise and dust and dirt, with the County of London tram-cars, and motor-lorries and heavy horse-drawn vans sweeping north and south in a vast clangour of iron thudding and grating on iron and granite, beneath the bedroom windows of a defenceless populace. On the far side of the road were, conspicuous to the right, the huge, red Nell Gwynn Tavern, set on the site of Nell's still huger palace, and displaying printed exhortations to buy fruity Portuguese wines and to attend meetings of workers; and, conspicuous to the left, red Rowton House, surpassing in immensity even Nell's vanished palace, divided into hundreds and hundreds of clean cubicles for the accommodation of the defeated and the futile at a few coppers a night, and displaying on its iron façade a newspaper promise to divulge the names of the winners of horse-races. Nearer to the man who could look two ways lay the tiny open space (not open to vehicular traffic) which was officially included in the title "Riceyman Steps." At the south corner of this was a second-hand bookseller's shop, and at the north an abandoned and decaying mission-hall; both these abutted on King's Cross Road. Then, on either hand, farther from the thoroughfare and nearer the steps, came a few private houses with carefully curtained windows, and one other shop—a confectioner's. And next, also on either hand, two business "yards" full of lorries, goods, gear, and the hum of hidden machinery. And the earth itself faintly throbbed; for, to the vibrations of traffic and manufacture, the[Pg 3] Underground Railway, running beneath Riceyman Steps, added the muffled uproar of its subterranean electric trains. While gazing full at the spectacle of King's Cross Road the man on the steps peered downwards on his right at the confectioner's shop, which held the woman who had begun to inflame him. He failed to descry her, but his thoughts pleasantly held her image, and she held his thoughts. He dreamed that one day he would share with her sympathetic soul his own vision of this wonderful Clerkenwell in which he lived and she now lived. He would explain to her eager ear that once Clerkenwell was a murmuring green land of medicinal springs, wells, streams with mills on their banks, nunneries, aristocrats, and holy clerks who presented mystery-plays. Yes, he would tell her about the drama of Adam and Eve being performed in the costume of Adam and Eve to a simple and unshocked people. (Why not? She was a widow and no longer young.) And he would point out to her how the brown backs of the houses which fronted on King's Cross Road resembled the buttressed walls of a mighty fortress, and how the grim, ochreish, unwindowed backs of the houses of Riceyman Square (behind him) looked just like lofty, mediæval keeps. And he would relate to her the story of the palace of Nell Gwynn, contemporary of Louise de la Vallière, and dividing with Louise the honour of being the first and most ingenuous of modern vampires. Never before had he had the idea of unfolding his mind on these enthralling subjects to a woman. Rain began to fall. It fell on the bargain-books exposed in a stand outside the bookseller's shop. The man did not move. Then a swift gentlemanly person stepped suddenly out of King's Cross Road into the approach to the steps, and after a moment's hesitation entered the shop. The man on the steps quietly limped down and followed the potential customer into the shop, which was his own. <div style="break-after:column;"></div>

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