<h2>Act III</h2>
<p><i>It is after dinner in <span class="char">Belinda's</span> hall. The log fire, chandelier and
wall brackets are all alight</i>. <span class="char">Belinda</span> <i>is lying on the Chesterfield
with a coffee-cup in her hand</i>. <span class="char">Delia</span>, <i>in the chair down</i> <span class="stage">L.</span> <i>below
the fireplace, has picked up "The Lute of Love" from a table and is
reading it impatiently. She also has a coffee-cup in her hand</i>.</p>
<p><span class="char">Delia</span> (<i>throwing the book away</i>). What rubbish he writes!</p>
<p><span class="char">Belinda</span> (<i>coming back from her thoughts</i>). Who, dear?</p>
<p><span class="char">Delia</span>. Claude</p>
<p>(<span class="char">Belinda</span> <i>gives her a quick look of surprise</i>.)</p>
<p>–Mr. Devenish. (<i>She rises and stands by the fireplace with her cup
in her hand</i>.) Of course, he's very young.</p>
<p><span class="char">Belinda</span>. So was Keats, darling.</p>
<p><span class="char">Delia</span>. I don't think Claude has had Keats' advantages. Keats started
life as an apothecary.</p>
<p><span class="char">Belinda</span>. So much nicer than a chemist.</p>
<p><span class="char">Delia</span>. Now, Claude started with nothing to do.</p>
<p><span class="char">Belinda</span> (<i>mildly</i>). Do you always call him Claude, darling? I hope
you aren't going to grow into a flirt like that horrid Mrs. Tremayne.</p>
<p><span class="char">Delia</span>. Silly mother! (<i>She moves to</i> <span class="char">Belinda</span>, <i>takes her cup,
then crosses to the table and places both the cups on the table–seriously</i>.) I don't think he'll ever be any good till he really gets
work. Did you notice his hair this evening?</p>
<p><span class="char">Belinda</span> (<i>dreamily</i>). Whose, dear?</p>
<p><span class="char">Delia</span> (<i>going to the back of the Chesterfield and to the</i> <span class="stage">L.</span> <i>of</i>
<span class="char">Belinda</span>). Mummy, look me in the eye and tell me you are not being bad.</p>
<p><span class="char">Belinda</span> (<i>having playfully turned her head away and hidden her face
with her handkerchief, says innocently</i>). Bad, darling?</p>
<p><span class="char">Delia</span> (<i>moving down to the front of the fireplace</i>). You've made
Mr. Robinson fall in love with you.</p>
<p><span class="char">Belinda</span> (<i>happily</i>). Have I?</p>
<p><span class="char">Delia</span>. Yes; it's serious this time. He's not like the other two.</p>
<p><span class="char">Belinda</span>. However did you know that?</p>
<p><span class="char">Delia</span>. Oh, I know.</p>
<p><span class="char">Belinda</span>. Darling, I believe you've grown up. It's quite time I settled
down.</p>
<p><span class="char">Delia</span>. With Mr. Robinson?</p>
<p>(<span class="char">Belinda</span> <i>sits up and looks thoughtfully at</i> <span class="char">Delia</span> <i>for a little
time</i>.)</p>
<p><span class="char">Belinda</span> (<i>mysteriously</i>). Delia, are you prepared for a great
secret to be revealed to you?</p>
<p><span class="char">Delia</span> (<i>childishly and jumping on to the</i> <span class="stage">L.</span> <i>arm of the
Chesterfield facing</i> <span class="char">Belinda</span>). Oh, I love secrets.</p>
<p><span class="char">Belinda</span> (<i>reproachfully</i>). Darling, you mustn't take it like that.
This is a great, deep, dark secret; you'll probably need your sal
volatile.</p>
<p><span class="char">Delia</span> (<i>excitedly</i>). Go on!</p>
<p><span class="char">Belinda</span>. Well— (<i>Looking round the room</i>.) Shall we have the
lights down a little?</p>
<p><span class="char">Delia</span>. Go on, mummy.</p>
<p><span class="char">Belinda</span>. Well, Mr. Robinson is–(<i>impressively</i>)–is not quite the
Robinson he appears to be.</p>
<p><span class="char">Delia</span>. Yes?</p>
<p><span class="char">Belinda</span>. In fact, child, he is— Darling, hadn't you better come and
hold your mother's hand?</p>
<p><span class="char">Delia</span> (<i>struggling with some emotion and placing her hand on</i>
<span class="char">Belinda's</span> <i>arm, who playfully smacks it</i>). Go on.</p>
<p><span class="char">Belinda</span>. Well, Mr. Robinson is a–sort of relation of yours; in fact–(<i>playing with her rings and looking down coyly</i>)–he is your–father. (<i>She looks up at</i> <span class="char">Delia</span> <i>to see how the news is being
received</i>.) (<span class="char">Delia</span> <i>gives a happy laugh</i>.)</p>
<p>Dear one, this is not a matter for mirth.</p>
<p><span class="char">Delia</span>. Darling, it is lovely, isn't it? (<i>Sliding down to the seat of
the Chesterfield next to</i> <span class="char">Belinda</span>, <i>who moves along to make room
for her</i>.) I am laughing because I am so happy.</p>
<p><span class="char">Belinda</span>. Aren't you surprised?</p>
<p><span class="char">Delia</span>. No. You see, Claude told me this morning. (<span class="char">Belinda</span> <i>displays
annoyance</i>.) He found out just before Mr. Baxter.</p>
<p><span class="char">Belinda</span>. Well! Every one seems to have known except me.</p>
<p><span class="char">Delia</span>. Didn't you see how friendly father and I got at dinner? I thought
I'd better start breaking the ice–because I suppose he'll be kissing me
directly.</p>
<p><span class="char">Belinda</span>. Say you like him.</p>
<p><span class="char">Delia</span>. I think he's going to be awfully nice. (<i>She kisses</i> <span class="char">Belinda</span>
<i>and rises</i>.) Does he <i>know</i> you know?</p>
<p><span class="char">Belinda</span>. Not yet.</p>
<p><span class="char">Delia</span>. Oh! (<i>She moves to the fireplace and warms her hands</i>.)</p>
<p><span class="char">Belinda</span>. Just at present I've rather got Mr. Baxter on my mind. I
suppose, darling, you wouldn't like him as well as Mr. Devenish!
(<i>Pathetically</i>.) You see, they're so used to going about together.</p>
<p><span class="char">Delia</span>. Claude is quite enough.</p>
<p><span class="char">Belinda</span>. I think I must see Mr. Baxter and get it over. Do you mind if I
have Mr. Devenish too? I feel more at home with both of them. I'll give
you him back. Oh dear, I feel so happy to-night! (<i>She jumps up and
goes to</i> <span class="char">Delia</span>.) And is my little girl going to be happy too? That's
what mothers always say on the stage. I think it's so sweet.</p>
<p>(<i>They move together to below table</i>.)</p>
<p><span class="char">Delia</span> (<i>smiling at her</i>). Yes, I think so, mummy. Of course, I'm
not romantic like you. I expect I'm more like father, really.</p>
<p><span class="char">Belinda</span> (<i>dreamily</i>). Jack can be romantic now. He was telling me
this morning all about the people he has proposed to. I mean, I was
telling him. Anyhow, he wasn't a bit like a father. Of course, he
doesn't know he is a father yet. Darling, I think you might take him
into the garden; only don't let him know who he is. You see, he ought to
propose to me first, oughtn't he?</p>
<p>(<i>The men come in from</i> <span class="stage">R.</span> <span class="char">Tremayne</span> <i>goes to the foot of the
settee <span class="stage">R.</span>, <span class="char">Devenish</span> to the back of the table up</i> <span class="stage">R.</span>, <i>while</i>
<span class="char">Baxter</span> <i>stands at the back of the settee</i>. <span class="char">Belinda</span> <i>moves to the
front of the settee and <span class="char">Delia</span> sits on the table</i>.)</p>
<p>Here you all are! I do hope you haven't been throwing away your cigars,
because smoking is allowed all over the house.</p>
<p><span class="char">Tremayne</span> (<i>as he comes to the foot of the settee</i>). Oh, we've
finished, thank you.</p>
<p><span class="char">Belinda</span> (<i>going up to the swing doors and opening them</i>). Isn't it
a wonderful night?–and so warm for April. Delia, you must show Mr.
Robinson the garden by moonlight–it's the only light he hasn't seen it
by.</p>
<p><span class="char">Devenish</span> (<i>quickly coming to</i> <span class="stage">R.</span> <i>back of table</i> <span class="stage">C.</span>). I don't
think I've ever seen it by moonlight, Miss Delia.</p>
<p><span class="char">Belinda</span> (<i>coming down a little</i>). I thought poets were always
seeing things by moonlight.</p>
<p><span class="char">Baxter</span> (<i>moving toward</i> <span class="char">Belinda</span>). I was hoping, Mrs. Tremayne,
that–er–perhaps—</p>
<p><span class="char">Delia</span> (<i>moving quickly to above</i> <span class="char">Tremayne</span> <i>and taking his</i> <span class="stage">L.</span>
<i>hand, and pulling him up stage to swing doors</i>). Come along, Mr.
Robinson.</p>
<p>(<span class="char">Tremayne</span> <i>looks at</i> <span class="char">Belinda</span>, <i>who gives him a nod</i>. <span class="char">Belinda</span>
<i>then moves down</i> <span class="stage">R.</span>)</p>
<p><span class="char">Tremayne</span> (<span class="stage">L.</span> <i>of</i> <span class="char">Delia</span>). It's very kind of you, Miss Robinson. I
suppose there is no chance of a nightingale?</p>
<p><span class="char">Belinda</span>. There ought to be. I ordered one specially for Mr. Devenish.</p>
<p>(<span class="char">Delia</span> <i>and</i> <span class="char">Tremayne</span> <i>go out together</i>. <span class="char">Belinda</span>, <i>with a
sigh, moves over to the Chesterfield and settles herself comfortably
into it</i>. <span class="char">Devenish</span>, <i>annoyed by</i> <span class="char">Tremayne's</span> <i>attentions to</i> <span class="char">Delia</span>,
<i>crosses up angrily and looks off through the window up</i> <span class="stage">L.</span> <i>above
fireplace, then comes down</i> <span class="stage">L.</span> <i>of the Chesterfield to the front
of the fireplace</i>. <span class="char">Baxter</span> <i>moves up to the swing doors angrily watching</i>
<span class="char">Delia</span> <i>and</i> <span class="char">Tremayne</span>, <i>then moves to the window</i> <span class="stage">R.</span> <i>and looks off</i>.
<span class="char">Betty</span> <i>then enters with a salver from</i> <span class="stage">R.</span> <i>She moves by the back of
the settee to the back of the table</i> <span class="stage">C.</span>, <i>picks up the coffee-cups and
goes out</i> <span class="stage">R.</span> <span class="char">Baxter</span> <i>then moves over to the window facing the audience,
up</i> <span class="stage">L.</span> <i>He looks off, then comes down to the</i> <span class="stage">R.</span> <i>of</i> <span class="char">Belinda</span>.)</p>
<p>Now we're together again. Well, Mr. Devenish?</p>
<p><span class="char">Devenish</span>. Er–I—</p>
<p><span class="char">Belinda</span>. No; I think I'll let Mr. Baxter speak first. I know he's
longing to.</p>
<p><span class="char">Baxter</span> (<i>leaning on the back of the chair</i> <span class="stage">L.</span> <i>of table–he
clears his throat</i>). H'r'm! Mrs. Tremayne, I beg formally to claim
your hand.</p>
<p><span class="char">Belinda</span> (<i>sweetly</i>). On what grounds, Mr. Baxter?</p>
<p><span class="char">Devenish</span> (<i>spiritedly</i>). Yes, sir, on what grounds?</p>
<p><span class="char">Baxter</span> (<i>coming to</i> <span class="stage">R.</span> <i>of Chesterfield, close to</i> <span class="char">Belinda</span>).
On the grounds that, as I told you this morning, I had succeeded in the
quest.</p>
<p><span class="char">Devenish</span> (<i>appearing to be greatly surprised</i>). Succeeded?</p>
<p><span class="char">Baxter</span>. Yes, Mr. Devenish, young fellow, you have lost. (<i>He moves a
few paces</i> <span class="stage">R.</span> <i>to below the chair</i> <span class="stage">L.</span> <i>of the table</i>.) I have
discovered the missing Mr. Robinson.</p>
<p><span class="char">Devenish</span> (<i>wiping hit brow and coming to</i> <span class="char">Baxter</span>). Who–where—</p>
<p><span class="char">Baxter</span> (<i>dramatically</i>). Miss Robinson has at this moment gone out
with her father.</p>
<p><span class="char">Devenish</span> (<i>placing his hands heavily on</i> <span class="char">Baxter's</span> <i>shoulders, who
staggers</i>). Good heavens! It was he!</p>
<p>(<i><span class="char">Baxter</span> pats</i> <span class="char">Devenish</span> <i>sympathetically and moves to the back of
the Chesterfield and is about to speak to</i> <span class="char">Belinda</span>. <i>She, however,
silences him and he drops down to the front of the fireplace</i>.)</p>
<p><span class="char">Belinda</span> (<i>sympathetically</i>). Poor Mr. Devenish!</p>
<p><span class="char">Devenish</span> (<i>pointing tragically to the table</i>). And to think that I
actually sat on that table–no, that seat (<i>he points to the
settee</i> <span class="stage">R.</span>, <i>then he moves up stage between it and the table</i>)–that I sat there with him this morning, and never guessed! Why, ten
minutes ago I was asking him for the nuts!</p>
<p><span class="char">Baxter</span>. Aha, Devenish, you're not so clever as you thought you were.</p>
<p><span class="char">Devenish</span> (<i>coming quickly to the back of the chair</i> <span class="stage">L.</span> <i>of the
table</i>). Why, I must have given you the clue myself! He told me he
had a scar on his arm, and I never thought any more of it. And then I
went away innocently and left you two talking about it.</p>
<p><span class="char">Belinda</span> (<i>alarmed</i>). A scar on his arm?</p>
<p><span class="char">Devenish</span>. Where a lion mauled him.</p>
<p>(<span class="char">Belinda</span> <i>gives a little cry and shudder</i>.)</p>
<p><span class="char">Baxter</span>. It's quite healed up now, Mrs. Tremayne.</p>
<p><span class="char">Belinda</span> (<i>looking at him admiringly</i>). A lion! What you two have
adventured for my sake!</p>
<p><span class="char">Baxter</span>. I suppose you will admit, Devenish, that I may fairly claim to
have won?</p>
<p>(<i>Looking the picture of despair</i>, <span class="char">Devenish</span> <i>drops down</i> <span class="stage">L.</span>
<i>of the chair, droops his head, raises his arms and lets them fall
hopelessly to his sides</i>.)</p>
<p><span class="char">Belinda</span>. Mr. Devenish, I have never admired you so much as I do at this
moment. (<i>She extends her</i> <span class="stage">R.</span> <i>hand to</i> <span class="char">Devenish</span>, <i>who gropes
for it with his</i> <span class="stage">L.</span> <i>hand and eventually manages to seize it</i>.)</p>
<p><span class="char">Baxter</span> (<i>noticing he is holding her hand, moving to them and looking
at them quizzically–indignantly to</i> <span class="char">Devenish</span>). I say, you know,
that's not fair. It's all very well to take your defeat like a man, but
you mustn't overdo it. (<i>They release their hands</i>.) Mrs. Tremayne,
I claim the reward which I have earned.</p>
<p><span class="char">Belinda</span> (<i>after a pause and rising</i>). Mr. Baxter–Mr. Devenish, I
have something to tell you.</p>
<p>(<span class="char">Devenish</span> <i>moves to her</i> <span class="stage">R.</span>)</p>
<p>(<span class="char">Belinda</span> <i>kneels upon the Chesterfield facing them. Penitently</i>.) I
have not been quite frank with you. I think you both ought to know that–I–I made a mistake. Delia is not my niece; she is my daughter. (<i>She
buries her face in her hands</i>.)</p>
<p><span class="char">Devenish</span>. Your daughter! I say, how ripping!</p>
<p>(<span class="char">Belinda</span> <i>gives him an understanding look</i>.)</p>
<p><span class="char">Baxter</span>. Your daughter!</p>
<p><span class="char">Belinda</span>. Yes.</p>
<p><span class="char">Baxter</span>. But–but you aren't old enough to have a daughter of that age.</p>
<p><span class="char">Belinda</span> (<i>apologetically</i>). Well, there she is.</p>
<p><span class="char">Baxter</span>. But–but she's grown up.</p>
<p><span class="char">Belinda</span>. Quite.</p>
<p><span class="char">Baxter</span>. Then in that case you must be–(<i>He hesitates, evidently
working it out</i>.)</p>
<p><span class="char">Belinda</span> (<i>hastily</i>). I'm afraid so, Mr. Baxter.</p>
<p><span class="char">Baxter</span>. But this makes a great difference. I had no idea. Why, when I'm
fifty you would be—</p>
<p><span class="char">Belinda</span> (<i>sighing</i>). Yes, I suppose I should.</p>
<p><span class="char">Baxter</span>. And when I'm sixty—</p>
<p><span class="char">Belinda</span> (<i>pleadingly to</i> <span class="char">Devenish</span>). Can't you stop him?</p>
<p><span class="char">Devenish</span> (<i>with a threatening gesture</i>). Look here, Baxter, another
word from you and you'll never <i>get</i> to sixty.</p>
<p><span class="char">Baxter</span>. And then there's Miss–er–Delia. In the event of our marrying,
Mrs. Tremayne, she, I take it, would be my step-daughter.</p>
<p><span class="char">Belinda</span>. I don't think she would trouble us much, Mr. Baxter. (<i>With a
sly look at</i> <span class="char">Devenish</span>.) I have an idea that she will be getting
married before long. (<i>She again glances at</i> <span class="char">Devenish</span>, <i>who
returns her look gratefully</i>.)</p>
<p><span class="char">Baxter</span> (<i>moving up</i> <span class="stage">L.</span> <i>into the inner room</i>). None the less,
the fact would be disturbing.</p>
<p>(<span class="char">Devenish</span> <i>with a wink at</i> <span class="char">Belinda</span> <i>crosses in front of her and
warms his hands at the fire</i>. <span class="char">Belinda</span> <i>watches</i> <span class="char">Baxter</span> <i>over
the back of the Chesterfield</i>.)</p>
<p>I have never yet considered myself seriously as a step-father.
(<i>Moving round the refectory table</i>.) I don't think I am going too
far if I say that to some extent I have been deceived in this matter.
(<i>He comes down to behind the</i> <span class="stage">C.</span> <i>table</i>.)</p>
<p><span class="char">Belinda</span> (<i>reproachfully</i>). And so have I. I thought you loved me.</p>
<p><span class="char">Devenish</span> (<i>sympathetically</i>). Yes, yes.</p>
<p><span class="char">Belinda</span> (<i>turning to him suddenly</i>). And Mr. Devenish too.</p>
<p><span class="char">Baxter</span> (<i>moving to</i> <span class="char">Belinda</span>). Er—</p>
<p><span class="char">Devenish</span>. Er—</p>
<p>(<i>They stand before her guiltily and have nothing to say</i>.)</p>
<p><span class="char">Belinda</span> (<i>with a shrug</i>). Well, I shall have to marry somebody
else, that's all.</p>
<p><span class="char">Baxter</span> (<i>moving to below table</i>). Who? Who?</p>
<p><span class="char">Belinda</span>. I suppose Mr. Robinson. After all, if I am Delia's mother, and
Mr. Baxter says that Mr. Robinson's her father, it's about time we
<i>were</i> married.</p>
<p><span class="char">Devenish</span> (<i>eagerly</i>). Mrs. Tremayne, what fools we are! He
<i>is</i> your husband all the time!</p>
<p><span class="char">Belinda</span>. Yes.</p>
<p><span class="char">Baxter</span> (<i>moving up to the</i> <span class="stage">R.</span> <i>of</i> <span class="char">Belinda</span>). You've had a
husband all the time?</p>
<p><span class="char">Belinda</span> (<i>apologetically</i>). I lost him; it wasn't my fault.</p>
<p><span class="char">Baxter</span>. Really, this is very confusing. I don't know where I am. I
gather–I am to gather, it seems, that you are no longer eligible as a
possible wife?</p>
<p><span class="char">Belinda</span>. I am afraid not, Mr. Baxter.</p>
<p><span class="char">Baxter</span>. But this is very confusing–(<i>moving towards the swing
doors</i>)–this is very disturbing to a man of my age. For weeks past I
have been regarding myself as a–a possible benedict. I have–ah–taken
steps. (<i>Back to the</i> <span class="stage">L.</span> <i>end of the</i> <span class="stage">C.</span> <i>table</i>.) Only this morning,
in writing to my housekeeper, I warned her that she might hear at
any moment a most startling announcement.</p>
<p><span class="char">Devenish</span> (<i>cheerfully</i>). Oh, that's all right. That might only mean
that you were getting a new bowler-hat.</p>
<p><span class="char">Baxter</span> (<i>dropping down</i> <span class="stage">L.C.</span> <i>a few steps–suddenly</i>). Ah, and
what about you, sir? How is it that you take this so lightly?
(<i>Triumphantly</i>.) I have it. It all becomes clear to me. You have
transferred your affections to her daughter!</p>
<p><span class="char">Devenish</span>. Oh, I say, Baxter, this is very crude.</p>
<p><span class="char">Belinda</span>. And why should he not, Mr. Baxter? (<i>Softly</i>.) He has made
me very happy.</p>
<p><span class="char">Baxter</span> (<i>staggered</i>). He has made you happy, Mrs. Tremayne!</p>
<p><span class="char">Belinda</span>. Very happy.</p>
<p><span class="char">Baxter</span> (<i>thoughtfully</i>). Oh! Oh ho! Oh ho! (<i>He takes a turn up
the room into the inner room, muttering to himself</i>. <span class="char">Belinda</span>
<i>kneels and watches him over the back of the Chesterfield. Then he
comes down again to her</i> <span class="stage">R.</span> <i>side</i>.) Mrs. Tremayne, I have taken
a great resolve. (<i>Solemnly</i>.) I also will make you happy.
(<i>Thumping his heart</i>.) I also will woo Miss Delia.</p>
<p><span class="char">Belinda</span>. Oh!</p>
<p><span class="char">Devenish</span>. Look here, Baxter—</p>
<p><span class="char">Baxter</span> (<i>suddenly crossing and seizing</i> <span class="char">Devenish's</span> <i>arm and
pulling him towards the siding doors up</i> <span class="stage">R.</span> <i>between the Chesterfield
and the table</i>). Come, we will seek Miss Delia together.</p>
<p>(<span class="char">Belinda</span> <i>seizes</i> <span class="char">Devenish's</span> <i>hand as he is passing and he, clinging
to it, nearly pulls her off the Chesterfield. She is very amused</i>.)</p>
<p>It may be that she will send us upon another quest in which I shall
again be victorious.</p>
<p>(<span class="char">Belinda</span> <i>releases her hand and slips down into the Chesterfield.
Tempestuously</i>.)</p>
<p>Come, I say—</p>
<p>(<i>He marches the resisting</i> <span class="char">Devenish</span> <i>to the swing doors</i>.)</p>
<p>Let us put it to the touch, to win or lose it all.</p>
<p><span class="char">Devenish</span> (<i>turning and appealing to</i> <span class="char">Belinda</span>). Please!</p>
<p><span class="char">Belinda</span> (<i>gently</i>). Mr. Baxter... Harold.</p>
<p>(<span class="char">Baxter</span> <i>stops and turns round</i>.)</p>
<p>You are too impetuous. I think that as Delia's mother—</p>
<p><span class="char">Baxter</span> (<i>coming down</i> <span class="stage">R.</span> <i>to the foot of the</i> <span class="stage">C.</span>
<i>table</i>). Your pardon, Mrs. Tremayne. In the intoxication of the
moment I am forgetting. (<i>Formally</i>.) I have the honour to ask your
permission to pay my addresses–(<i>Moves to chair</i> <span class="stage">L.</span> <i>of table</i>.)</p>
<p><span class="char">Belinda</span>. No, no, I didn't mean that. But, as Delia's mother, I ought to
warn you that she is hardly fitted to take the place of your
housekeeper. She is not very domesticated.</p>
<p><span class="char">Baxter</span> (<i>indignantly</i>). Not domesticated? (<i>Sits</i> <span class="stage">L.</span> <i>of
table</i>.) Why, did I not hear her tell her father at dinner that she
had arranged all the flowers?</p>
<p><span class="char">Belinda</span>. There are other things than flowers.</p>
<p><span class="char">Devenish</span> (<i>on</i> <span class="char">Baxter's</span> <span class="stage">R.</span>, <i>behind the table</i>). Bed-socks,
for instance, Baxter.</p>
<p>(<span class="char">Baxter</span> <i>is annoyed</i>.)</p>
<p>It's a very tricky thing airing bed-socks. I am sure your house-keeper—</p>
<p><span class="char">Baxter</span> (<i>silencing</i> <span class="char">Devenish</span>). Mrs. Tremayne, she will learn. The
daughter of such a mother... I need say no more.</p>
<p><span class="char">Belinda</span>. Oh, thank you. But there is something else, Mr. Baxter. You are
not being quite fair to yourself. In starting out upon this simultaneous
wooing, you forget that Mr. Devenish has already had his turn–(<span class="char">Devenish</span>
<i>tries to stop her</i>. <span class="char">Baxter</span> <i>turns round and nearly catches
him</i>.)–this morning alone. You should have yours ... alone ... too.</p>
<p><span class="char">Devenish</span>. Oh, I say!</p>
<p><span class="char">Baxter</span>. Yes, yes, you are right. I must introduce myself first as a
suitor. I see that. (<i>Rising, to</i> <span class="char">Devenish</span>.) You stay here;
<i>I</i> will go alone into the garden, and–(<i>Moving below table and
up to the swing doors</i>.)</p>
<p><span class="char">Belinda</span>. It is perhaps a little cold out of doors for people of ... of
our age, Mr. Baxter. Now, in the library—</p>
<p><span class="char">Baxter</span> (<i>at the swing doors, turning to her, astonished</i>). Library?</p>
<p><span class="char">Belinda</span>. Yes.</p>
<p><span class="char">Baxter</span> (<i>moving down</i> <span class="stage">R.</span> <i>a little</i>). You have a library?</p>
<p><span class="char">Belinda</span> (<i>to</i> <span class="char">Devenish</span>). He doesn't believe I have a library.</p>
<p><span class="char">Devenish</span>. You ought to see the library, Baxter.</p>
<p><span class="char">Baxter</span> (<i>moving more down to below</i> <span class="stage">R.</span> <i>of table</i>). But you
are continually springing surprises on me this evening, Mrs. Tremayne.
First a daughter, then a husband, and then–a library! I have been here
three weeks, and I never knew you had a library. Dear me, I wonder how
it is that I never saw it?</p>
<p><span class="char">Belinda</span> (<i>modestly, rising</i>). I thought you came to see <i>me</i>.</p>
<p><span class="char">Baxter</span>. Yes, yes, to see you, certainly. But if I had known you had a
library ....</p>
<p><span class="char">Belinda</span>. Oh, I am so glad I mentioned it. Wasn't it lucky, Mr. Devenish?</p>
<p><span class="char">Baxter</span>. My work has been greatly handicapped of late.</p>
<p>(<span class="char">Delia</span> <i>and</i> <span class="char">Tremayne</span> <i>enter the garden from up</i> <span class="stage">L.</span> <i>and
pass the window at the back</i>.)</p>
<p><span class="char">Belinda</span> (<i>sweetly</i>). By me?</p>
<p><span class="char">Baxter</span>. I was about to say by lack of certain books to which I wanted to
refer. It would be a great help. (<i>He moves up R, reflectively
muttering "Library."</i>)</p>
<p><span class="char">Belinda</span> (<i>moving below and to</i> <span class="stage">R.</span> <i>of</i> <span class="stage">C.</span> <i>table</i>). My
dear Mr. Baxter, my whole library is at your disposal. (<i>She turns
to</i> <span class="char">Devenish</span>, <i>who is on her</i> <span class="stage">L.</span>, <i>and at the back of the table.
She speaks in a confidential whisper</i>.) I'm just going to show him
the Encyclopedia Britannica. (<i>She moves below the settee to the door</i>
<span class="stage">R.</span>) You won't mind waiting–Delia will be in directly.</p>
<p>(<span class="char">Baxter</span>, <i>still muttering "Library," crosses to the door and opens it
for her. She goes out and he follows her</i>. <span class="char">Devenish</span> <i>moves to the
<span class="stage">R.</span> of the swing doors and welcomes</i> <span class="char">Delia</span> <i>and</i> <span class="char">Tremayne</span>. <span class="char">Tremayne</span>
<i>enters from the portico and holds open the swing doors for</i> <span class="char">Delia</span>.)</p>
<p><span class="char">Delia</span> (<i>speaking from the portico</i>). Hullo, we're just coming in.</p>
<p>(<i>They enter and</i> <span class="char">Delia</span> <i>moves down</i> <span class="stage">R.</span> <i>of the
table</i>.)</p>
<p><span class="char">Tremayne</span>. Where's Mrs. Tremayne?</p>
<p><span class="char">Devenish</span> (<i>moving to down</i> <span class="stage">R.</span>). She's gone to the library with
Baxter.</p>
<p><span class="char">Tremayne</span> (<i>coming down on</i> <span class="char">Delia's</span> <span class="stage">R.</span> <i>side–carelessly</i>). Oh,
the library. Where's that?</p>
<p><span class="char">Devenish</span> (<i>promptly going towards the door, opening it and standing
above it</i>). The end door on the right.</p>
<p>(<span class="char">Delia</span> <i>sits on the</i> <span class="stage">R.</span> <i>end of the table facing</i> <span class="stage">R.</span>)</p>
<p>Right at the end. You can't mistake it. On the right.</p>
<p><span class="char">Tremayne</span>. Ah, yes. (<i>He looks round at</i> <span class="char">Delia</span>, <i>who points
significantly at the door twice</i>.) Yes. (<i>He looks at</i>
<span class="char">Devenish</span>.) Yes. (<i>He goes out</i>.)</p>
<p>(<span class="char">Devenish</span> <i>hastily shuts the door and comes back to</i> <span class="char">Delia</span>.)</p>
<p><span class="char">Devenish</span>. I say, your mother is a ripper.</p>
<p><span class="char">Delia</span> (<i>enthusiastically</i>). Isn't she! (<i>Remembering</i>.) At
least, you mean my aunt?</p>
<p><span class="char">Devenish</span> (<i>smiling at her</i>). No, I mean your mother. To think that
I once had the cheek to propose to her.</p>
<p><span class="char">Delia</span>. Oh! Is it cheek to propose to people!</p>
<p><span class="char">Devenish</span>. To <i>her</i>.</p>
<p><span class="char">Delia</span>. But not to me?</p>
<p><span class="char">Devenish</span>. Oh I say, Delia!</p>
<p><span class="char">Delia</span> (<i>with great dignity</i>). Thank you, my name is Miss Robinson–I mean, Tremayne.</p>
<p><span class="char">Devenish</span>. Well, if you're not quite sure which it is, it's much safer to
call you Delia.</p>
<p><span class="char">Delia</span> (<i>smiling</i>). Well, perhaps it is.</p>
<p><span class="char">Devenish</span>. And if I did propose to you, you haven't answered</p>
<p><span class="char">Delia</span> (<i>sitting in the chair</i> <span class="stage">R.</span> <i>of the table</i>). If you want
an answer now, it's no; but if you like to wait till next April—</p>
<p><span class="char">Devenish</span> (<i>moving up to behind table–reproachfully</i>). Oh, I say,
and I cut my hair for you the same afternoon. (<i>Turning quickly</i>.)
You haven't really told me how you like it yet.</p>
<p><span class="char">Delia</span>. Oh, how bad of me! You look lovely.</p>
<p><span class="char">Devenish</span> (<i>sitting at back of the table</i>). And I promised to give
up poetry for your sake.</p>
<p><span class="char">Delia</span>. Perhaps I oughtn't to have asked you that.</p>
<p><span class="char">Devenish</span>. As far as I'm concerned, Delia, I'll do it gladly, but, of
course, one has to think about posterity.</p>
<p><span class="char">Delia</span>. But you needn't be a poet. You could give posterity plenty to
think about if you were a statesman.</p>
<p><span class="char">Devenish</span>. I don't quite see your objection to poetry.</p>
<p><span class="char">Delia</span>. You would be about the house so much. I want you to go away every
day and do great things, and then come home in the evening and tell me
all about it.</p>
<p><span class="char">Devenish</span>. Then you <i>are</i> thinking of marrying me!</p>
<p><span class="char">Delia</span>. Well, I was just thinking in case I had to.</p>
<p><span class="char">Devenish</span> (<i>he rises and taking her hands, raises her from the chair.
She backs a step to</i> <span class="stage">R.</span>). Do. It would be rather fun if you did. And
look here–(<i>he pulls her gently back. They both sit on the table. He
places his arm round her waist</i>)–I <i>will</i> be a statesman, if
you like, and go up to Downing Street every day, and come back in the
evening and tell you all about it.</p>
<p><span class="char">Delia</span>. How nice of you!</p>
<p><span class="char">Devenish</span> (<i>magnificently, holding up his</i> <span class="stage">L.</span> <i>hand to
Heaven</i>). Farewell, Parnassus!</p>
<p><span class="char">Delia</span> (<i>pulling down his hand</i>). What does that mean?</p>
<p><span class="char">Devenish</span>. Well, it means that I've chucked poetry. A statesman's life
is the life for me; behold Mr. Devenish, the new M.P.–(<i>she holds up
her</i> <span class="stage">L.</span> <i>hand admonishingly and he laughs apologetically</i> )–no,
look here, that was quite accidental.</p>
<p><span class="char">Delia</span> (<i>smiling at him</i>). I believe I shall really like you when I
get to know you.</p>
<p><span class="char">Devenish</span>. I don't know if it's you, or Devonshire, or the fact that I've
had my hair cut, but I feel quite a different being from what I was
three days ago.</p>
<p><span class="char">Delia</span>. You <i>are</i> different. (<i>They both rise from the table. She
pulls him to</i> <span class="stage">R.</span> <i>one step</i>.) Perhaps it's your sense of humour
coming back.</p>
<p><span class="char">Devenish</span>. Perhaps that's it. It's a curious feeling.</p>
<p><span class="char">Delia</span> (<i>pulling him towards the swing doors</i>). Let's go outside;
there's a heavenly moon.</p>
<p><span class="char">Devenish</span>. Moon? Moon? Now where have I heard that word before?</p>
<p><span class="char">Delia</span>. What <i>do</i> you mean?</p>
<p><span class="char">Devenish</span>. I was trying not to be a poet.</p>
<p>(<span class="char">Delia</span> <i>opens the doors</i>.)</p>
<p>Well, I'll come with you, but I shall refuse to look at it. (<i>Putting
his</i> <span class="stage">L.</span> <i>hand behind his back, he walks slowly out with her, saying
to himself</i>) The Prime Minister then left the House.</p>
<p>(<i>They cross the windows at the back and go off</i> <span class="stage">L.</span>)</p>
<p>(<span class="char">Belinda</span> <i>and</i> <span class="char">Tremayne</span> <i>come from the library, the latter
holding the door for her to pass</i>.)</p>
<p><span class="char">Belinda</span> (<i>moving below the settee across the room</i>). Thank you. I
don't think it's unkind to leave him, do you? He seemed quite happy.</p>
<p><span class="char">Tremayne</span> (<i>following her</i>). I shouldn't have been happy if we'd
stayed.</p>
<p><span class="char">Belinda</span> (<i>reaching the Chesterfield she puts her feet up. Her head it
towards</i> <span class="stage">L.</span>). Yes, but I was really thinking of Mr. Baxter.</p>
<p><span class="char">Tremayne</span> (<i>above table</i> <span class="stage">C.</span>). Not of me?</p>
<p><span class="char">Belinda</span>. Well, I thought it was Mr. Baxter's turn. Poor man, he's had a
disappointment lately.</p>
<p><span class="char">Tremayne</span> (<i>coming to <span class="stage">R.</span> of the Chesterfield–eagerly</i>). A
disappointment?</p>
<p><span class="char">Belinda</span>. Yes, he thought I was–younger than I was.</p>
<p><span class="char">Tremayne</span> (<i>smiling to himself</i>). How old are you, Belinda?</p>
<p><span class="char">Belinda</span> (<i>dropping her eyes</i>). Twenty-two. (<i>After a pause</i>.)
He thought I was eighteen. Such a disappointment!</p>
<p><span class="char">Tremayne</span> (<i>smiling openly at her</i>). Belinda, how old are you?</p>
<p><span class="char">Belinda</span>. Just about the right age, Mr. Robinson.</p>
<p><span class="char">Tremayne</span>. The right age for what?</p>
<p><span class="char">Belinda</span>. For this sort of conversation.</p>
<p><span class="char">Tremayne</span>. Shall I tell you how old you are?</p>
<p><span class="char">Belinda</span>. Do you mean in figures or–poetically?</p>
<p><span class="char">Tremayne</span>. I meant—</p>
<p><span class="char">Belinda</span>. Mr. Devenish said I was as old as the–now, I must get this the
right way round–as old as the—</p>
<p><span class="char">Tremayne</span>. I don't want to talk about Mr. Devenish.</p>
<p><span class="char">Belinda</span> (<i>with a sigh</i>). Nobody ever does–except Mr. Devenish. As
old as the stars, and as young as the dawn. (<i>Settling herself
cosily</i>.) I think that's rather a nice age to be, don't you?</p>
<p><span class="char">Tremayne</span>. A very nice age to be.</p>
<p><span class="char">Belinda</span>. It's a pity he's thrown me over for Delia; I shall miss that
sort of thing rather. You don't say those sort of things about your
aunt-in-law–not so often.</p>
<p><span class="char">Tremayne</span> (<i>eagerly</i>). He really is in love with Miss Robinson!</p>
<p><span class="char">Belinda</span>. Oh yes. I expect he is out in the moonlight with her now,
comparing her to Diana.</p>
<p><span class="char">Tremayne</span>. Well, that accounts for <i>him</i>. Now what about Baxter?</p>
<p><span class="char">Belinda</span>. I thought I told you. Deeply disappointed to find that I was
four years older than he expected, Mr. Baxter hurried from the drawing-room and buried himself in a column of the <i>Encyclopedia Britannica</i>.</p>
<p><span class="char">Tremayne</span>. Well, that settles Baxter. Are there any more men in the
neighbourhood?</p>
<p><span class="char">Belinda</span> (<i>shaking her head</i>). Isn't it awful? I've only had those
two for the last three weeks.</p>
<p>(<span class="char">Tremayne</span> <i>sits on the back of the Chesterfield and looks down at
her</i>.)</p>
<p><span class="char">Tremayne</span>. Belinda.</p>
<p><span class="char">Belinda</span>. Yes, Henry!</p>
<p><span class="char">Tremayne</span>. My name is John.</p>
<p><span class="char">Belinda</span>. Well, you never told me. I had to guess. Everybody thinks they
can call me Belinda without giving me the least idea what their own
names are. You were saying, John?</p>
<p><span class="char">Tremayne</span>. My friends call me Jack.</p>
<p><span class="char">Belinda</span>. Jack Robinson. That's the man who always goes away so quickly.
I hope you're making more of a stay?</p>
<p><span class="char">Tremayne</span> (<i>seizing her by both arms</i>). Oh, you maddening, maddening
woman!</p>
<p><span class="char">Belinda</span>. Well, I have to keep the conversation going. You do nothing but
say "Belinda."</p>
<p><span class="char">Tremayne</span> (<i>taking her hand</i>). Have you ever loved anybody
seriously, Belinda?</p>
<p><span class="char">Belinda</span>. I don't ever do anything very seriously. The late Mr. Tremayne,
my first husband–Jack— Isn't it funny, <i>his</i> name was Jack–he
used to complain about it too sometimes.</p>
<p><span class="char">Tremayne</span> (<i>with conviction</i>). Silly ass!</p>
<p><span class="char">Belinda</span>. Ah, I think you are a little hard on the late Mr. Tremayne.</p>
<p><span class="char">Tremayne</span>. Belinda, I want you to marry me and forget about him.</p>
<p><span class="char">Belinda</span> (<i>happily to herself and lying back</i>). This is the proposal
that those lamb cutlets interrupted this morning.</p>
<p><span class="char">Tremayne</span>. Belinda, I love you–do you understand?</p>
<p><span class="char">Belinda</span>. Suppose my first husband turns up suddenly like–like E. A.?</p>
<p><span class="char">Tremayne</span>. Like who?</p>
<p><span class="char">Belinda</span>. Well, like anybody.</p>
<p><span class="char">Tremayne</span>. He won't–I know he won't. Don't you love me enough to risk
it, Belinda?</p>
<p><span class="char">Belinda</span>. I haven't really said I love you at all yet.</p>
<p><span class="char">Tremayne</span>. Well, say it now.</p>
<p>(<span class="char">Belinda</span> <i>looks at him, and then down again</i>.)</p>
<p>You do! Well, I'm going to have a kiss, anyway, (<i>He kisses her
quickly–moves to</i> <span class="stage">L.</span> <i>of Chesterfield</i>.) There!</p>
<p><span class="char">Belinda</span> (<i>rising</i>). O-oh I The late Mr. Tremayne never did that.
(<i>She powders her nose</i>.)</p>
<p><span class="char">Tremayne</span>. I have already told you that he was a silly ass. (<i>He makes
a move as if to kiss her again</i>.)</p>
<p><span class="char">Belinda</span> (<i>holding up her hand and sitting on the</i> <span class="stage">R.</span> <i>side of the
Chesterfield</i>). I shall scream for Mr. Baxter.</p>
<p><span class="char">Tremayne</span> (<i>sitting down on the Chesterfield, on her</i> L, <i>side</i>.)
Belinda—</p>
<p><span class="char">Belinda</span>. Yes, Henry–I mean, Jack?</p>
<p><span class="char">Tremayne</span>. Do you know who I am! (<i>He is thoroughly enjoying the
surprise he is about to give her</i>.)</p>
<p><span class="char">Belinda</span> (<i>nodding</i>). Yes, Jack.</p>
<p><span class="char">Tremayne</span>. Who?</p>
<p><span class="char">Belinda</span>. Jack Tremayne.</p>
<p><span class="char">Tremayne</span> (<i>jumping up</i>). Good heavens, you <i>know</i>!</p>
<p><span class="char">Belinda</span> (<i>gently</i>). Yes, Jack.</p>
<p><span class="char">Tremayne</span> (<i>angrily</i>). You've known all the time that I was your
husband, and you've been playing with me and leading me on.</p>
<p><span class="char">Belinda</span> (<i>mildly</i>). Well, darling, you knew all the time that I was
your wife, and you've been making love to me and leading me on.</p>
<p><span class="char">Tremayne</span>. That's different.</p>
<p><span class="char">Belinda</span> (<i>to herself</i>). That's just what the late Mr. Tremayne
said, and then he slammed the door and went straight off to the Rocky
Mountains and shot bears; and I didn't see him again for eighteen years.</p>
<p><span class="char">Tremayne</span> (<i>remorsefully</i>). Darling, I was a fool then, and I'm a
fool now.</p>
<p><span class="char">Belinda</span>. I was a fool then, but I'm not such a fool now–I'm not going
to let you go. It's quite time I married and settled down.</p>
<p><span class="char">Tremayne</span>. You darling I (<i>He kisses her</i>.) How did you find out who
I was?</p>
<p><span class="char">Belinda</span> (<i>awkwardly</i>). Well, it was rather curious, darling.
(<i>After a pause</i>.) It was April, and I felt all sort of Aprily,
and–and–there was the garden all full of daffodils–and–and there was
Mr. Baxter–the one we left in the library–knowing all about moles.
He's probably got the M. volume down now. Well, we were talking about
them one day, and I happened to say that the late Mr. Tremayne–that was
you, darling–had rather a peculiar one on his arm. And then he happened
to see it this morning and told me about it.</p>
<p><span class="char">Tremayne</span>. What an extraordinary story!</p>
<p><span class="char">Belinda</span>. Yes, darling; it's really much more extraordinary than that. I
think perhaps I'd better tell you the rest of it another time.
(<i>Coaxingly</i>.) Now show me where the nasty lion scratched you.</p>
<p>(<span class="char">Tremayne</span> <i>pulls up his sleeve</i>.) Oh! (<i>She kisses his arm</i>.)
You shouldn't have left Chelsea, darling.</p>
<p><span class="char">Tremayne</span>. I should never have found you if I hadn't.</p>
<p><span class="char">Belinda</span> (<i>squeezing his arm</i>). No, Jack, you wouldn't. (<i>After a
pause</i>.) I–I've got another little surprise for you if–if you're
ready for it. (<i>Standing up and moving to the chair</i> <span class="stage">L.</span> <i>of the
table</i>.) Properly speaking, I ought to be wearing white. I shall
certainly stand up while I'm telling you. (<i>Modestly</i>.) Darling, we
have a daughter–our little Delia. (<i>He is standing in front of the
fireplace</i>.)</p>
<p><span class="char">Tremayne</span>. Delia? You said her name was Robinson.</p>
<p><span class="char">Belinda</span>. Yes, darling, but you said yours was. One always takes one's
father's name. Unless, of course, you were Lord Robinson.</p>
<p><span class="char">Tremayne</span>. But you said her name was Robinson before you—</p>
<p>(<i>She makes a playful move</i>.)</p>
<p>–Oh, never mind about that. A daughter? Belinda, how could you let me
go and not tell me?</p>
<p><span class="char">Belinda</span>. You forget how you'd slammed the door. It isn't the sort of
thing you shout through the window to a man on his way to America.</p>
<p><span class="char">Tremayne</span> (<i>taking her in his arms</i>). Oh, Belinda, don't let me ever
go away again.</p>
<p>(<span class="char">Devenish</span> <i>and</i> <span class="char">Delia</span> <i>enter from up</i> <span class="stage">L.</span> <i>and pass the
windows on the way to the swing doors</i>.)</p>
<p><span class="char">Belinda</span>. I'm not going to, Jack. I'm going to settle down into a staid
old married woman.</p>
<p><span class="char">Tremayne</span>. Oh no, you're not. You're going on just as you did before. And
I'm going to propose to you every April, and win you, over all the other
men in love with you.</p>
<p><span class="char">Belinda</span>. You darling! (<i>They embrace</i>.)</p>
<p>(<span class="char">Delia</span> <i>and</i> <span class="char">Devenish</span> <i>come in from the garden</i>.)</p>
<p><span class="char">Tremayne</span> (<i>quietly to</i> <span class="char">Belinda</span>). Our daughter.</p>
<p><span class="char">Delia</span> (<i>going up to</i> <span class="char">Tremayne</span>). You're my father.</p>
<p><span class="char">Tremayne</span>. If you don't mind very much, Delia.</p>
<p><span class="char">Delia</span>. You've been away a long time.</p>
<p><span class="char">Tremayne</span>. I'll do my best to make up for it.</p>
<p><span class="char">Belinda</span>. Delia, darling, I think you might kiss your poor old father.</p>
<p>(<i>As the does to</i>, <span class="char">Devenish</span> <i>suddenly and hastily kisses</i>
<span class="char">Belinda</span> <i>on the cheek</i>.)</p>
<p><span class="char">Devenish</span>. Just in case you're going to be my mother-in-law.</p>
<p><span class="char">Tremayne</span>. We seem to be rather a family party.</p>
<p><span class="char">Belinda</span> (<i>suddenly</i>). There! (<i>Moving to the door</i> <span class="stage">L.</span>) We've
forgotten Mr. Baxter again.</p>
<p><span class="char">Baxter</span> (<i>who has come in quietly with a book in his hand</i>). Oh, don't mind
about me, Mrs. Tremayne. I've enjoyed myself immensely. (<i>He crosses to
the arm-chair below the fireplace and places it in front of the fire</i>.)</p>
<p>(<span class="char">Belinda</span> <i>and</i> <span class="char">Tremayne</span> <i>move up into the inner room by the
refectory table and embrace, their backs to</i> <span class="char">Baxter</span>. <span class="char">Delia</span> <i>and</i>
<span class="char">Devenish</span> <i>are by the swing doors. They also embrace, their backs to</i>
<span class="char">Baxter</span>.)</p>
<p>(<i>Referring to his book</i>.) I have been collecting some most valuable
information on (looking round at them and sitting in the arm-chair and
continuing to read) lunacy in the–er–county of Devonshire.</p>
<p>(<i>The</i> <span style="font-variant: small-caps">Curtain</span> <i>falls</i>.)</p>
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