<SPAN name="CH6"></SPAN>
<h3> VI. THE STANWAY CAMEO MYSTERY </h3>
<p>It is now a fair number of years back since the loss of the famous
Stanway Cameo made its sensation, and the only person who had the least
interest in keeping the real facts of the case secret has now been dead
for some time, leaving neither relatives nor other representatives.
Therefore no harm will be done in making the inner history of the case
public; on the contrary, it will afford an opportunity of vindicating the
professional reputation of Hewitt, who is supposed to have completely
failed to make anything of the mystery surrounding the case. At the
present time connoisseurs in ancient objects of art are often heard
regretfully to wonder whether the wonderful cameo, so suddenly discovered
and so quickly stolen, will ever again be visible to the public eye. Now
this question need be asked no longer.</p>
<p>The cameo, as may be remembered from the many descriptions published at
the time, was said to be absolutely the finest extant. It was a sardonyx
of three strata—one of those rare sardonyx cameos in which it has been
possible for the artist to avail himself of three different colors of
superimposed stone—the lowest for the ground and the two others for the
middle and high relief of the design. In size it was, for a cameo,
immense, measuring seven and a half inches by nearly six. In subject it
was similar to the renowned Gonzaga Cameo—now the property of the Czar
of Russia—a male and a female head with imperial insignia; but in this
case supposed to represent Tiberius Claudius and Messalina. Experts
considered it probably to be the work of Athenion, a famous gem-cutter of
the first Christian century, whose most notable other work now extant is
a smaller cameo, with a mythological subject, preserved in the Vatican.</p>
<p>The Stanway Cameo had been discovered in an obscure Italian village by
one of those traveling agents who scour all Europe for valuable
antiquities and objects of art. This man had hurried immediately to
London with his prize, and sold it to Mr. Claridge of St. James Street,
eminent as a dealer in such objects. Mr. Claridge, recognizing the
importance and value of the article, lost no opportunity of making its
existence known, and very soon the Claudius Cameo, as it was at first
usually called, was as famous as any in the world. Many experts in
ancient art examined it, and several large bids were made for its
purchase.</p>
<p>In the end it was bought by the Marquis of Stanway for five thousand
pounds for the purpose of presentation to the British Museum. The marquis
kept the cameo at his town house for a few days, showing it to his
friends, and then returned it to Mr. Claridge to be finally and carefully
cleaned before passing into the national collection. Two nights after Mr.
Claridge's premises were broken into and the cameo stolen.</p>
<p>Such, in outline, was the generally known history of the Stanway Cameo.
The circumstances of the burglary in detail were these: Mr. Claridge had
himself been the last to leave the premises at about eight in the
evening, at dusk, and had locked the small side door as usual. His
assistant, Mr. Cutler, had left an hour and a half earlier. When Mr.
Claridge left, everything was in order, and the policeman on fixed-point
duty just opposite, who bade Mr. Claridge good-evening as he left, saw
nothing suspicious during the rest of his term of duty, nor did his
successors at the point throughout the night.</p>
<p>In the morning, however, Mr. Cutler, the assistant, who arrived first,
soon after nine o'clock, at once perceived that something unlooked-for
had happened. The door, of which he had a key, was still fastened, and
had not been touched; but in the room behind the shop Mr. Claridge's
private desk had been broken open, and the contents turned out in
confusion. The door leading on to the staircase had also been forced.
Proceeding up the stairs, Mr. Cutler found another door open, leading
from the top landing to a small room; this door had been opened by the
simple expedient of unscrewing and taking off the lock, which had been on
the inside. In the ceiling of this room was a trap-door, and this was six
or eight inches open, the edge resting on the half-wrenched-off bolt,
which had been torn away when the trap was levered open from the outside.</p>
<p>Plainly, then, this was the path of the thief or thieves. Entrance had
been made through the trap-door, two more doors had been opened, and then
the desk had been ransacked. Mr. Cutler afterward explained that at this
time he had no precise idea what had been stolen, and did not know where
the cameo had been left on the previous evening. Mr. Claridge had himself
undertaken the cleaning, and had been engaged on it, the assistant said,
when he left.</p>
<p>There was no doubt, however, after Mr. Claridge's arrival at ten
o'clock—the cameo was gone. Mr. Claridge, utterly confounded at his
loss, explained incoherently, and with curses on his own carelessness,
that he had locked the precious article in his desk on relinquishing
work on it the previous evening, feeling rather tired, and not taking the
trouble to carry it as far as the safe in another part of the house.</p>
<p>The police were sent for at once, of course, and every investigation
made, Mr. Claridge offering a reward of five hundred pounds for the
recovery of the cameo. The affair was scribbled off at large in the
earliest editions of the evening papers, and by noon all the world was
aware of the extraordinary theft of the Stanway Cameo, and many people
were discussing the probabilities of the case, with very indistinct ideas
of what a sardonyx cameo precisely was.</p>
<p>It was in the afternoon of this day that Lord Stanway called on Martin
Hewitt. The marquis was a tall, upstanding man of spare figure and active
habits, well known as a member of learned societies and a great patron of
art. He hurried into Hewitt's private room as soon as his name had been
announced, and, as soon as Hewitt had given him a chair, plunged into
business.</p>
<p>"Probably you already guess my business with you, Mr. Hewitt—you have
seen the early evening papers? Just so; then I needn't tell you again
what you already know. My cameo is gone, and I badly want it back. Of
course the police are hard at work at Claridge's, but I'm not quite
satisfied. I have been there myself for two or three hours, and can't see
that they know any more about it than I do myself. Then, of course, the
police, naturally and properly enough from their point of view, look
first to find the criminal, regarding the recovery of the property almost
as a secondary consideration. Now, from <i>my</i> point of view, the chief
consideration is the property. Of course I want the thief caught, if
possible, and properly punished; but still more I want the cameo."</p>
<p>"Certainly it is a considerable loss. Five thousand pounds——"</p>
<p>"Ah, but don't misunderstand me! It isn't the monetary value of the thing
that I regret. As a matter of fact, I am indemnified for that already.
Claridge has behaved most honorably—more than honorably. Indeed, the
first intimation I had of the loss was a check from him for five thousand
pounds, with a letter assuring me that the restoration to me of the
amount I had paid was the least he could do to repair the result of what
he called his unpardonable carelessness. Legally, I'm not sure that I
could demand anything of him, unless I could prove very flagrant neglect
indeed to guard against theft."</p>
<p>"Then I take it, Lord Stanway," Hewitt observed, "that you much prefer
the cameo to the money?"</p>
<p>"Certainly. Else I should never have been willing to pay the money for
the cameo. It was an enormous price—perhaps much above the market value,
even for such a valuable thing—but I was particularly anxious that it
should not go out of the country. Our public collections here are not so
fortunate as they should be in the possession of the very finest examples
of that class of work. In short, I had determined on the cameo, and,
fortunately, happen to be able to carry out determinations of that sort
without regarding an extra thousand pounds or so as an obstacle. So that,
you see, what I want is not the value, but the thing itself. Indeed, I
don't think I can possibly keep the money Claridge has sent me; the
affair is more his misfortune than his fault. But I shall say nothing
about returning it for a little while; it may possibly have the effect of
sharpening everybody in the search."</p>
<p>"Just so. Do I understand that you would like me to look into the case
independently, on your behalf?"</p>
<p>"Exactly. I want you, if you can, to approach the matter entirely from my
point of view—your sole object being to find the cameo. Of course, if
you happen on the thief as well, so much the better. Perhaps, after all,
looking for the one is the same thing as looking for the other?"</p>
<p>"Not always; but usually it is, or course; even if they are not
together, they certainly <i>have</i> been at one time, and to have one is a
very long step toward having the other. Now, to begin with, is anybody
suspected?"</p>
<p>"Well, the police are reserved, but I believe the fact is they've nothing
to say. Claridge won't admit that he suspects any one, though he believes
that whoever it was must have watched him yesterday evening through the
back window of his room, and must have seen him put the cameo away in his
desk; because the thief would seem to have gone straight to the place.
But I half fancy that, in his inner mind, he is inclined to suspect one
of two people. You see, a robbery of this sort is different from others.
That cameo would never be stolen, I imagine, with the view of its being
sold—it is much too famous a thing; a man might as well walk about
offering to sell the Tower of London. There are only a very few people
who buy such things, and every one of them knows all about it. No dealer
would touch it; he could never even show it, much less sell it, without
being called to account. So that it really seems more likely that it has
been taken by somebody who wishes to keep it for mere love of the
thing—a collector, in fact—who would then have to keep it secretly at
home, and never let a soul besides himself see it, living in the
consciousness that at his death it must be found and this theft known;
unless, indeed, an ordinary vulgar burglar has taken it without knowing
its value."</p>
<p>"That isn't likely," Hewitt replied. "An ordinary burglar, ignorant of
its value, wouldn't have gone straight to the cameo and have taken it in
preference to many other things of more apparent worth, which must be
lying near in such a place as Claridge's."</p>
<p>"True—I suppose he wouldn't. Although the police seem to think that the
breaking in is clearly the work of a regular criminal—from the
jimmy-marks, you know, and so on."</p>
<p>"Well, but what of the two people you think Mr. Claridge suspects?"</p>
<p>"Of course I can't say that he does suspect them—I only fancied from his
tone that it might be possible; he himself insists that he can't, in
justice, suspect anybody. One of these men is Hahn, the traveling agent
who sold him the cameo. This man's character does not appear to be
absolutely irreproachable; no dealer trusts him very far. Of course
Claridge doesn't say what he paid him for the cameo; these dealers are
very reticent about their profits, which I believe are as often something
like five hundred per cent as not. But it seems Hahn bargained to have
something extra, depending on the amount Claridge could sell the carving
for. According to the appointment he should have turned up this morning,
but he hasn't been seen, and nobody seems to know exactly where he is."</p>
<p>"Yes; and the other person?"</p>
<p>"Well, I scarcely like mentioning him, because he is certainly a
gentleman, and I believe, in the ordinary way, quite incapable of
anything in the least degree dishonorable; although, of course, they say
a collector has no conscience in the matter of his own particular hobby,
and certainly Mr. Wollett is as keen a collector as any man alive. He
lives in chambers in the next turning past Claridge's premises—can, in
fact, look into Claridge's back windows if he likes. He examined the
cameo several times before I bought it, and made several high
offers—appeared, in fact, very anxious indeed to get it. After I had
bought it he made, I understand, some rather strong remarks about people
like myself 'spoiling the market' by paying extravagant prices, and
altogether cut up 'crusty,' as they say, at losing the specimen." Lord
Stanway paused a few seconds, and then went on: "I'm not sure that I
ought to mention Mr. Woollett's name for a moment in connection with such
a matter; I am personally perfectly certain that he is as incapable of
anything like theft as myself. But I am telling you all I know."</p>
<p>"Precisely. I can't know too much in a case like this. It can do no harm
if I know all about fifty innocent people, and may save me from the risk
of knowing nothing about the thief. Now, let me see: Mr. Wollett's rooms,
you say, are near Mr. Claridge's place of business? Is there any means of
communication between the roofs?"</p>
<p>"Yes, I am told that it is perfectly possible to get from one place to
the other by walking along the leads."</p>
<p>"Very good! Then, unless you can think of any other information that may
help me, I think, Lord Stanway, I will go at once and look at the place."</p>
<p>"Do, by all means. I think I'll come back with you. Somehow, I don't like
to feel idle in the matter, though I suppose I can't do much. As to more
information, I don't think there is any."</p>
<p>"In regard to Mr. Claridge's assistant, now: Do you know anything of
him?"</p>
<p>"Only that he has always seemed a very civil and decent sort of man.
Honest, I should say, or Claridge wouldn't have kept him so many
years—there are a good many valuable things about at Claridge's.
Besides, the man has keys of the place himself, and, even if he were a
thief, he wouldn't need to go breaking in through the roof."</p>
<p>"So that," said Hewitt, "we have, directly connected with this cameo,
besides yourself, these people: Mr. Claridge, the dealer; Mr. Cutler, the
assistant in Mr. Claridge's business; Hahn, who sold the article to
Claridge, and Mr. Woollett, who made bids for it. These are all?"</p>
<p>"All that I know of. Other gentlemen made bids, I believe, but I don't
know them."</p>
<p>"Take these people in their order. Mr. Claridge is out of the question,
as a dealer with a reputation to keep up would be, even if he hadn't
immediately sent you this five thousand pounds—more than the market
value, I understand, of the cameo. The assistant is a reputable man,
against whom nothing is known, who would never need to break in, and who
must understand his business well enough to know that he could never
attempt to sell the missing stone without instant detection. Hahn is a
man of shady antecedents, probably clever enough to know as well as
anybody how to dispose of such plunder—if it be possible to dispose of
it at all; also, Hahn hasn't been to Claridge's to-day, although he had
an appointment to take money. Lastly, Mr. Woollett is a gentleman of the
most honorable record, but a perfectly rabid collector, who had made
every effort to secure the cameo before you bought it; who, moreover,
could have seen Mr. Claridge working in his back room, and who has
perfectly easy access to Mr. Claridge's roof. If we find it can't be none
of these, then we must look where circumstances indicate."</p>
<p>There was unwonted excitement at Mr. Claridge's place when Hewitt and his
client arrived. It was a dull old building, and in the windows there was
never more show than an odd blue china vase or two, or, mayhap, a few old
silver shoe-buckles and a curious small sword. Nine men out of ten would
have passed it without a glance; but the tenth at least would probably
know it for a place famous through the world for the number and value of
the old and curious objects of art that had passed through it.</p>
<p>On this day two or three loiterers, having heard of the robbery,
extracted what gratification they might from staring at nothing between
the railings guarding the windows. Within, Mr. Claridge, a brisk, stout,
little old man, was talking earnestly to a burly police-inspector in
uniform, and Mr. Cutler, who had seized the opportunity to attempt
amateur detective work on his own account, was groveling perseveringly
about the floor, among old porcelain and loose pieces of armor, in the
futile hope of finding any clue that the thieves might have
considerately dropped.</p>
<p>Mr. Claridge came forward eagerly.</p>
<p>"The leather case has been found, I am pleased to be able to tell you,
Lord Stanway, since you left."</p>
<p>"Empty, of course?"</p>
<p>"Unfortunately, yes. It had evidently been thrown away by the thief
behind a chimney-stack a roof or two away, where the police have found
it. But it is a clue, of course."</p>
<p>"Ah, then this gentleman will give me his opinion of it," Lord Stanway
said, turning to Hewitt. "This, Mr. Claridge, is Mr. Martin Hewitt, who
has been kind enough to come with me here at a moment's notice. With the
police on the one hand and Mr. Hewitt on the other we shall certainly
recover that cameo, if it is to be recovered, I think."</p>
<p>Mr. Claridge bowed, and beamed on Hewitt through his spectacles. "I'm
very glad Mr. Hewitt has come," he said. "Indeed, I had already decided
to give the police till this time to-morrow, and then, if they had found
nothing, to call in Mr. Hewitt myself."</p>
<p>Hewitt bowed in his turn, and then asked: "Will you let me see the
various breakages? I hope they have not been disturbed."</p>
<p>"Nothing whatever has been disturbed. Do exactly as seems best. I need
scarcely say that everything here is perfectly at your disposal. You know
all the circumstances, of course?"</p>
<p>"In general, yes. I suppose I am right in the belief that you have no
resident housekeeper?"</p>
<p>"No," Claridge replied, "I haven't. I had one housekeeper who sometimes
pawned my property in the evening, and then another who used to break my
most valuable china, till I could never sleep or take a moment's ease at
home for fear my stock was being ruined here. So I gave up resident
housekeepers. I felt some confidence in doing it because of the policeman
who is always on duty opposite."</p>
<p>"Can I see the broken desk?"</p>
<p>Mr. Claridge led the way into the room behind the shop. The desk was
really a sort of work-table, with a lifting top and a lock. The top had
been forced roughly open by some instrument which had been pushed in
below it and used as a lever, so that the catch of the lock was torn
away. Hewitt examined the damaged parts and the marks of the lever, and
then looked out at the back window.</p>
<p>"There are several windows about here," he remarked, "from which it might
be possible to see into this room. Do you know any of the people who live
behind them?"</p>
<p>"Two or three I know," Mr. Claridge answered, "but there are two
windows—the pair almost immediately before us—belonging to a room or
office which is to let. Any stranger might get in there and watch."</p>
<p>"Do the roofs above any of those windows communicate in any way with
yours?"</p>
<p>"None of those directly opposite. Those at the left do; you may walk all
the way along the leads."</p>
<p>"And whose windows are they?"</p>
<p>Mr. Claridge hesitated. "Well," he said, "they're Mr. Woollett's, an
excellent customer of mine. But he's a gentleman, and—well, I really
think it's absurd to suspect him."</p>
<p>"In a case like this," Hewitt answered, "one must disregard nothing but
the impossible. Somebody—whether Mr. Woollett himself or another
person—could possibly have seen into this room from those windows, and
equally possibly could have reached this room from that one. Therefore we
must not forget Mr. Woollett. Have any of your neighbors been burgled
during the night? I mean that strangers anxious to get at your trap-door
would probably have to begin by getting into some other house close by,
so as to reach your roof."</p>
<p>"No," Mr. Claridge replied; "there has been nothing of that sort. It was
the first thing the police ascertained."</p>
<p>Hewitt examined the broken door and then made his way up the stairs with
the others. The unscrewed lock of the door of the top back-room required
little examination. In the room below the trap-door was a dusty table on
which stood a chair, and at the other side of the table sat
Detective-Inspector Plummer, whom Hewitt knew very well, and who bade him
"good-day" and then went on with his docket.</p>
<p>"This chair and table were found as they are now, I take it?" Hewitt
asked.</p>
<p>"Yes," said Mr. Claridge; "the thieves, I should think, dropped in
through the trap-door, after breaking it open, and had to place this
chair where it is to be able to climb back."</p>
<p>Hewitt scrambled up through the trap-way and examined it from the top.
The door was hung on long external barn-door hinges, and had been forced
open in a similar manner to that practiced on the desk. A jimmy had been
pushed between the frame and the door near the bolt, and the door had
been pried open, the bolt being torn away from the screws in the
operation.</p>
<p>Presently Inspector Plummer, having finished his docket, climbed up to
the roof after Hewitt, and the two together went to the spot, close under
a chimney-stack on the next roof but one, where the case had been found.
Plummer produced the case, which he had in his coat-tail pocket, for
Hewitt's inspection.</p>
<p>"I don't see anything particular about it; do you?" he said. "It shows us
the way they went, though, being found just here."</p>
<p>"Well, yes," Hewitt said; "if we kept on in this direction, we should be
going toward Mr. Woollett's house, and <i>his</i> trap-door, shouldn't we!"</p>
<p>The inspector pursed his lips, smiled, and shrugged his shoulders. "Of
course we haven't waited till now to find that out," he said.</p>
<p>"No, of course. And, as you say, I didn't think there is much to be
learned from this leather case. It is almost new, and there isn't a mark
on it." And Hewitt handed it back to the inspector.</p>
<p>"Well," said Plummer, as he returned the case to his pocket, "what's your
opinion?"</p>
<p>"It's rather an awkward case."</p>
<p>"Yes, it is. Between ourselves—I don't mind telling you—I'm having a
sharp lookout kept over there"—Plummer jerked his head in the direction
of Mr. Woollett's chambers—"because the robbery's an unusual one.
There's only two possible motives—the sale of the cameo or the keeping
of it. The sale's out of the question, as you know; the thing's only
salable to those who would collar the thief at once, and who wouldn't
have the thing in their places now for anything. So that it must be taken
to keep, and that's a thing nobody but the maddest of collectors would
do, just such persons as—" and the inspector nodded again toward Mr.
Woollett's quarters. "Take that with the other circumstances," he added,
"and I think you'll agree it's worth while looking a little farther that
way. Of course some of the work—taking off the lock and so on—looks
rather like a regular burglar, but it's just possible that any one badly
wanting the cameo would like to hire a man who was up to the work."</p>
<p>"Yes, it's possible."</p>
<p>"Do you know anything of Hahn, the agent?" Plummer asked, a moment later.</p>
<p>"No, I don't. Have you found him yet?"</p>
<p>"I haven't yet, but I'm after him. I've found he was at Charing Cross a
day or two ago, booking a ticket for the Continent. That and his failing
to turn up to-day seem to make it worth while not to miss <i>him</i> if we can
help it. He isn't the sort of man that lets a chance of drawing a bit of
money go for nothing."</p>
<p>They returned to the room. "Well," said Lord Stanway, "what's the result
of the consultation? We've been waiting here very patiently, while you
two clever men have been discussing the matter on the roof."</p>
<p>On the wall just beneath the trap-door a very dusty old tall hat hung on
a peg. This Hewitt took down and examined very closely, smearing his
fingers with the dust from the inside lining. "Is this one of your
valuable and crusted old antiques?" he asked, with a smile, of Mr.
Claridge.</p>
<p>"That's only an old hat that I used to keep here for use in bad weather,"
Mr. Claridge said, with some surprise at the question. "I haven't touched
it for a year or more."</p>
<p>"Oh, then it couldn't have been left here by your last night's visitor,"
Hewitt replied, carelessly replacing it on the hook. "You left here at
eight last night, I think?"</p>
<p>"Eight exactly—or within a minute or two."</p>
<p>"Just so. I think I'll look at the room on the opposite side of the
landing, if you'll let me."</p>
<p>"Certainly, if you'd like to," Claridge replied; "but they haven't been
there—it is exactly as it was left. Only a lumber-room, you see," he
concluded, flinging the door open.</p>
<p>A number of partly broken-up packing-cases littered about this room, with
much other rubbish. Hewitt took the lid of one of the newest-looking
packing-cases, and glanced at the address label. Then he turned to a
rusty old iron box that stood against a wall. "I should like to see
behind this," he said, tugging at it with his hands. "It is heavy and
dirty. Is there a small crowbar about the house, or some similar lever?"</p>
<p>Mr. Claridge shook his head. "Haven't such a thing in the place," he
said.</p>
<p>"Never mind," Hewitt replied, "another time will do to shift that old
box, and perhaps, after all, there's little reason for moving it. I will
just walk round to the police-station, I think, and speak to the
constables who were on duty opposite during the night. I think, Lord
Stanway, I have seen all that is necessary here."</p>
<p>"I suppose," asked Mr. Claridge, "it is too soon yet to ask if you have
formed any theory in the matter?"</p>
<p>"Well—yes, it is," Hewitt answered. "But perhaps I may be able to
surprise you in an hour or two; but that I don't promise. By the by," he
added suddenly, "I suppose you're sure the trap-door was bolted last
night?"</p>
<p>"Certainly," Mr. Claridge answered, smiling. "Else how could the bolt
have been broken? As a matter of fact, I believe the trap hasn't been
opened for months. Mr. Cutler, do you remember when the trap-door was
last opened?"</p>
<p>Mr. Cutler shook his head. "Certainly not for six months," he said.</p>
<p>"Ah, very well; it's not very important," Hewitt replied.</p>
<p>As they reached the front shop a fiery-faced old gentleman bounced in at
the street door, stumbling over an umbrella that stood in a dark corner,
and kicking it three yards away.</p>
<p>"What the deuce do you mean," he roared at Mr. Claridge, "by sending
these police people smelling about my rooms and asking questions of my
servants? What do you mean, sir, by treating me as a thief? Can't a
gentleman come into this place to look at an article without being
suspected of stealing it, when it disappears through your wretched
carelessness? I'll ask my solicitor, sir, if there isn't a remedy for
this sort of thing. And if I catch another of your spy fellows on my
staircase, or crawling about my roof, I'll—I'll shoot him!"</p>
<p>"Really, Mr. Woollett——" began Mr. Claridge, somewhat abashed, but the
angry old man would hear nothing.</p>
<p>"Don't talk to me, sir; you shall talk to my solicitor. And am I to
understand, my lord"—turning to Lord Stanway—"that these things are
being done with your approval?"</p>
<p>"Whatever is being done," Lord Stanway answered, "is being done by the
police on their own responsibility, and entirely without prompting, I
believe, by Mr. Claridge—certainly without a suggestion of any sort from
myself. I think that the personal opinion of Mr. Claridge—certainly my
own—is that anything like a suspicion of your position in this wretched
matter is ridiculous. And if you will only consider the matter calmly——"</p>
<p>"Consider it calmly? Imagine yourself considering such a thing calmly,
Lord Stanway. I <i>won't</i> consider it calmly. I'll—I'll—I won't have it.
And if I find another man on my roof, I'll pitch him off!" And Mr.
Woollett bounced into the street again.</p>
<p>"Mr. Woollett is annoyed," Hewitt observed, with a smile. "I'm afraid
Plummer has a clumsy assistant somewhere."</p>
<p>Mr. Claridge said nothing, but looked rather glum, for Mr. Woollett was a
most excellent customer.</p>
<p>Lord Stanwood and Hewitt walked slowly down the street, Hewitt staring at
the pavement in profound thought. Once or twice Lord Stanway glanced at
his face, but refrained from disturbing him. Presently, however, he
observed: "You seem, at least, Mr. Hewitt, to have noticed something that
has set you thinking. Does it look like a clue?"</p>
<p>Hewitt came out of his cogitation at once. "A clue?" he said; "the case
bristles with clues. The extraordinary thing to me is that Plummer,
usually a smart man, doesn't seem to have seen one of them. He must be
out of sorts, I'm afraid. But the case is decidedly a most remarkable
one."</p>
<p>"Remarkable in what particular way?"</p>
<p>"In regard to motive. Now it would seem, as Plummer was saying to me just
now on the roof, that there were only two possible motives for such a
robbery. Either the man who took all this trouble and risk to break into
Claridge's place must have desired to sell the cameo at a good price, or
he must have desired to keep it for himself, being a lover of such
things. But neither of these has been the actual motive."</p>
<p>"Perhaps he thinks he can extort a good sum from me by way of ransom?"</p>
<p>"No, it isn't that. Nor is it jealousy, nor spite, nor anything of that
kind. I know the motive, I <i>think</i>—but I wish we could get hold of Hahn.
I will shut myself up alone and turn it over in my mind for half an hour
presently."</p>
<p>"Meanwhile, what I want to know is, apart from all your professional
subtleties—which I confess I can't understand—can you get back the
cameo?"</p>
<p>"That," said Hewitt, stopping at the corner of the street, "I am rather
afraid I can not—nor anybody else. But I am pretty sure I know the
thief."</p>
<p>"Then surely that will lead you to the cameo?"</p>
<p>"It <i>may</i>, of course; but, then, it is just possible that by this evening
you may not want to have it back, after all."</p>
<p>Lord Stanway stared in amazement.</p>
<p>"Not want to have it back!" he exclaimed. "Why, of course I shall want to
have it back. I don't understand you in the least; you talk in
conundrums. Who is the thief you speak of?"</p>
<p>"I think, Lord Stanway," Hewitt said, "that perhaps I had better not say
until I have quite finished my inquiries, in case of mistakes. The case
is quite an extraordinary one, and of quite a different character from
what one would at first naturally imagine, and I must be very careful to
guard against the possibility of error. I have very little fear of a
mistake, however, and I hope I may wait on you in a few hours at
Piccadilly with news. I have only to see the policemen."</p>
<p>"Certainly, come whenever you please. But why see the policemen? They
have already most positively stated that they saw nothing whatever
suspicious in the house or near it."</p>
<p>"I shall not ask them anything at all about the house," Hewitt responded.
"I shall just have a little chat with them—about the weather." And with
a smiling bow he turned away, while Lord Stanway stood and gazed after
him, with an expression that implied a suspicion that his special
detective was making a fool of him.</p>
<hr>
<p>In rather more than an hour Hewitt was back in Mr. Claridge's shop. "Mr.
Claridge," he said, "I think I must ask you one or two questions in
private. May I see you in your own room?"</p>
<p>They went there at once, and Hewitt, pulling a chair before the window,
sat down with his back to the light. The dealer shut the door, and sat
opposite him, with the light full in his face.</p>
<p>"Mr. Claridge," Hewitt proceeded slowly, "<i>when did you first find that
Lord Stanway's cameo was a forgery</i>?"</p>
<p>Claridge literally bounced in his chair. His face paled, but he managed
to stammer sharply: "What—what—what d'you mean? Forgery? Do you mean to
say I sell forgeries? Forgery? It wasn't a forgery!"</p>
<p>"Then," continued Hewitt in the same deliberate tone, watching the
other's face the while, "if it wasn't a forgery, <i>why did you destroy it
and burst your trap-door and desk to imitate a burglary</i>?"</p>
<p>The sweat stood thick on the dealer's face, and he gasped. But he
struggled hard to keep his faculties together, and ejaculated hoarsely:
"Destroy it? What—what—I didn't—didn't destroy it!"</p>
<p>"Threw it into the river, then—don't prevaricate about details."</p>
<p>"No—no—it's a lie! Who says that? Go away! You're insulting me!"
Claridge almost screamed.</p>
<p>"Come, come, Mr. Claridge," Hewitt said more placably, for he had gained
his point; "don't distress yourself, and don't attempt to deceive me—you
can't, I assure you. I know everything you did before you left here last
night—everything."</p>
<p>Claridge's face worked painfully. Once or twice he appeared to be on the
point of returning an indignant reply, but hesitated, and finally broke
down altogether.</p>
<p>"Don't expose me, Mr. Hewitt!" he pleaded; "I beg you won't expose me! I
haven't harmed a soul but myself. I've paid Lord Stanway every penny
back, and I never knew the thing was a forgery till I began to clean it.
I'm an old man, Mr. Hewitt, and my professional reputation has been
spotless until now. I beg you won't expose me."</p>
<p>Hewitt's voice softened. "Don't make an unnecessary trouble of it," he
said. "I see a decanter on your sideboard—let me give you a little
brandy and water. Come, there's nothing criminal, I believe, in a man's
breaking open his own desk, or his own trap-door, for that matter. Of
course I'm acting for Lord Stanway in this affair, and I must, in duty,
report to him without reserve. But Lord Stanway is a gentleman, and I'll
undertake he'll do nothing inconsiderate of your feelings, if you're
disposed to be frank. Let us talk the affair over; tell me about it."</p>
<p>"It was that swindler Hahn who deceived me in the beginning," Claridge
said. "I have never made a mistake with a cameo before, and I never
thought so close an imitation was possible. I examined it most carefully,
and was perfectly satisfied, and many experts examined it afterward, and
were all equally deceived. I felt as sure as I possibly could feel that I
had bought one of the finest, if not actually the finest, cameos known to
exist. It was not until after it had come back from Lord Stanway's, and I
was cleaning it the evening before last, that in course of my work it
became apparent that the thing was nothing but a consummately clever
forgery. It was made of three layers of molded glass, nothing more nor
less. But the glass was treated in a way I had never before known of, and
the surface had been cunningly worked on till it defied any ordinary
examination. Some of the glass imitation cameos made in the latter part
of the last century, I may tell you, are regarded as marvelous pieces of
work, and, indeed, command very fair prices, but this was something quite
beyond any of those.</p>
<p>"I was amazed and horrified. I put the thing away and went home. All that
night I lay awake in a state of distraction, quite unable to decide what
to do. To let the cameo go out of my possession was impossible. Sooner or
later the forgery would be discovered, and my reputation—the highest in
these matters in this country, I may safely claim, and the growth of
nearly fifty years of honest application and good judgment—this
reputation would be gone forever. But without considering this, there was
the fact that I had taken five thousand pounds of Lord Stanway's money
for a mere piece of glass, and that money I must, in mere common honesty
as well as for my own sake, return. But how? The name of the Stanway
Cameo had become a household word, and to confess that the whole thing
was a sham would ruin my reputation and destroy all confidence—past,
present, and future—in me and in my transactions. Either way spelled
ruin. Even if I confided in Lord Stanway privately, returned his money,
and destroyed the cameo, what then? The sudden disappearance of an
article so famous would excite remark at once. It had been presented to
the British Museum, and if it never appeared in that collection, and no
news were to be got of it, people would guess at the truth at once. To
make it known that I myself had been deceived would have availed nothing.
It is my business <i>not</i> to be deceived; and to have it known that my most
expensive specimens might be forgeries would equally mean ruin, whether I
sold them cunningly as a rogue or ignorantly as a fool. Indeed, my pride,
my reputation as a connoisseur, is a thing near to my heart, and it would
be an unspeakable humiliation to me to have it known that I had been
imposed on by such a forgery. What could I do? Every expedient seemed
useless but one—the one I adopted. It was not straightforward, I admit;
but, oh! Mr. Hewitt, consider the temptation—and remember that it
couldn't do a soul any harm. No matter who might be suspected, I knew
there could not possibly be evidence to make them suffer. All the next
day—yesterday—I was anxiously worrying out the thing in my mind and
carefully devising the—the trick, I'm afraid you'll call it, that you by
some extraordinary means have seen through. It seemed the only
thing—what else was there? More I needn't tell you; you know it. I have
only now to beg that you will use your best influence with Lord Stanway
to save me from public derision and exposure. I will do anything—pay
anything—anything but exposure, at my age, and with my position."</p>
<p>"Well, you see," Hewitt replied thoughtfully, "I've no doubt Lord Stanway
will show you every consideration, and certainly I will do what I can to
save you in the circumstances; though you must remember that you <i>have</i>
done some harm—you have caused suspicions to rest on at least one honest
man. But as to reputation, I've a professional reputation of my own. If I
help to conceal your professional failure, I shall appear to have failed
in <i>my</i> part of the business."</p>
<p>"But the cases are different, Mr. Hewitt. Consider. You are not
expected—it would be impossible—to succeed invariably; and there are
only two or three who know you have looked into the case. Then your other
conspicuous successes——"</p>
<p>"Well, well, we shall see. One thing I don't know, though—whether you
climbed out of a window to break open the trap-door, or whether you got
up through the trap-door itself and pulled the bolt with a string through
the jamb, so as to bolt it after you."</p>
<p>"There was no available window. I used the string, as you say. My poor
little cunning must seem very transparent to you, I fear. I spent hours
of thought over the question of the trap-door—how to break it open so as
to leave a genuine appearance, and especially how to bolt it inside after
I had reached the roof. I thought I had succeeded beyond the possibility
of suspicion; how you penetrated the device surpasses my comprehension.
How, to begin with, could you possibly know that the cameo was a forgery?
Did you ever see it?"</p>
<p>"Never. And, if I had seen it, I fear I should never have been able to
express an opinion on it; I'm not a connoisseur. As a matter of fact, I
<i>didn't</i> know that the thing was a forgery in the first place; what I
knew in the first place was that it was <i>you</i> who had broken into the
house. It was from that that I arrived at the conclusion, after a certain
amount of thought, that the cameo must have been forged. Gain was out of
the question. You, beyond all men, could never sell the Stanway Cameo
again, and, besides, you had paid back Lord Stanway's money. I knew
enough of your reputation to know that you would never incur the scandal
of a great theft at your place for the sake of getting the cameo for
yourself, when you might have kept it in the beginning, with no trouble
and mystery. Consequently I had to look for another motive, and at first
another motive seemed an impossibility. Why should you wish to take all
this trouble to lose five thousand pounds? You had nothing to gain;
perhaps you had something to save—your professional reputation, for
instance. Looking at it so, it was plain that you were <i>suppressing</i> the
cameo—burking it; since, once taken as you had taken it, it could never
come to light again. That suggested the solution of the mystery at
once—you had discovered, after the sale, that the cameo was not
genuine."</p>
<p>"Yes, yes—I see; but you say you began with the knowledge that I broke
into the place myself. How did you know that? I can not imagine a
trace——"</p>
<p>"My dear sir, you left traces everywhere. In the first place, it struck
me as curious, before I came here, that you had sent off that check for
five thousand pounds to Lord Stanway an hour or so after the robbery was
discovered; it looked so much as though you were sure of the cameo never
coming back, and were in a hurry to avert suspicion. Of course I
understood that, so far as I then knew the case, you were the most
unlikely person in the world, and that your eagerness to repay Lord
Stanway might be the most creditable thing possible. But the point was
worth remembering, and I remembered it.</p>
<p>"When I came here, I saw suspicious indications in many directions, but
the conclusive piece of evidence was that old hat hanging below the
trap-door."</p>
<p>"But I never touched it; I assure you, Mr. Hewitt, I never touched the
hat; haven't touched it for months——"</p>
<p>"Of course. If you <i>had</i> touched it, I might never have got the clue. But
we'll deal with the hat presently; that wasn't what struck me at first.
The trap-door first took my attention. Consider, now: Here was a
trap-door, most insecurely hung on <i>external</i> hinges; the burglar had a
screwdriver, for he took off the door-lock below with it. Why, then,
didn't he take this trap off by the hinges, instead of making a noise and
taking longer time and trouble to burst the bolt from its fastenings? And
why, if he were a stranger, was he able to plant his jimmy from the
outside just exactly opposite the interior bolt? There was only one mark
on the frame, and that precisely in the proper place.</p>
<p>"After that I saw the leather case. It had not been thrown away, or some
corner would have shown signs of the fall. It had been put down carefully
where it was found. These things, however, were of small importance
compared with the hat. The hat, as you know, was exceedingly thick with
dust—the accumulation of months. But, on the top side, presented toward
the trap-door, were a score or so of <i>raindrop marks</i>. That was all. They
were new marks, for there was no dust over them; they had merely had time
to dry and cake the dust they had fallen on. <i>Now, there had been no rain
since a sharp shower just after seven o'clock last night</i>. At that time
you, by your own statement, were in the place. You left at eight, and the
rain was all over at ten minutes or a quarter past seven. The trap-door,
you also told me, had not been opened for months. The thing was plain.
You, or somebody who was here when you were, had opened that trap-door
during, or just before, that shower. I said little then, but went, as
soon as I had left, to the police-station. There I made perfectly certain
that there had been no rain during the night by questioning the policemen
who were on duty outside all the time. There had been none. I knew
everything.</p>
<p>"The only other evidence there was pointed with all the rest. There were
no rain-marks on the leather case; it had been put on the roof as an
after-thought when there was no rain. A very poor after-thought, let me
tell you, for no thief would throw away a useful case that concealed his
booty and protected it from breakage, and throw it away just so as to
leave a clue as to what direction he had gone in. I also saw, in the
lumber-room, a number of packing-cases—one with a label dated two days
back—which had been opened with an iron lever; and yet, when I made an
excuse to ask for it, you said there was no such thing in the place.
Inference, you didn't want me to compare it with the marks on the desks
and doors. That is all, I think."</p>
<p>Mr. Claridge looked dolorously down at the floor. "I'm afraid," he said,
"that I took an unsuitable rôle when I undertook to rely on my wits to
deceive men like you. I thought there wasn't a single vulnerable spot in
my defense, but you walk calmly through it at the first attempt. Why did
I never think of those raindrops?"</p>
<p>"Come," said Hewitt, with a smile, "that sounds unrepentant. I am going,
now, to Lord Stanway's. If I were you, I think I should apologize to Mr.
Woollett in some way."</p>
<p>Lord Stanway, who, in the hour or two of reflection left him after
parting with Hewitt, had come to the belief that he had employed a man
whose mind was not always in order, received Hewitt's story with natural
astonishment. For some time he was in doubt as to whether he would be
doing right in acquiescing in anything but a straightforward public
statement of the facts connected with the disappearance of the cameo, but
in the end was persuaded to let the affair drop, on receiving an
assurance from Mr. Woollett that he unreservedly accepted the apology
offered him by Mr. Claridge.</p>
<p>As for the latter, he was at least sufficiently punished in loss of money
and personal humiliation for his escapade. But the bitterest and last
blow he sustained when the unblushing Hahn walked smilingly into his
office two days later to demand the extra payment agreed on in
consideration of the sale. He had been called suddenly away, he
exclaimed, on the day he should have come, and hoped his missing the
appointment had occasioned no inconvenience. As to the robbery of the
cameo, of course he was very sorry, but "pishness was pishness," and he
would be glad of a check for the sum agreed on. And the unhappy Claridge
was obliged to pay it, knowing that the man had swindled him, but unable
to open his mouth to say so.</p>
<p>The reward remained on offer for a long time; indeed, it was never
publicly withdrawn, I believe, even at the time of Claridge's death. And
several intelligent newspapers enlarged upon the fact that an ordinary
burglar had completely baffled and defeated the boasted acumen of Mr.
Martin Hewitt, the well-known private detective.</p>
<p> </p>
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