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<h3>FOREST DAYS</h3>
<br/>
<h4>A ROMANCE OF OLD TIMES.</h4>
<br/>
<h4>BY G. P. R. JAMES,</h4>
<br/>
<h4>CHAPTER I.</h4>
<br/>
<p>Merry England!--Oh, merry England! What a difference has there always
been between thee and every other land! What a cheerfulness there seems
to hang about thy very name! What yeoman-like hilarity is there in all
the thoughts of the past! What a spirit of sylvan cheer and rustic
hardihood in all the tales of thy old times!</p>
<p>When England was altogether an agricultural land--when a rude plough
produced an abundant harvest, and a thin, but hardy and generous
peasantry, devoted themselves totally to the cultivation of the
earth,--when wide forests waved their green boughs over many of the
richest manufacturing districts of Great Britain, and the lair of the
fawn and the burrow of the coney were found, where now appear the
fabric and the mill, there stood, in a small town, or rather, I should
call it, village, some fourteen miles from Pontefract, a neat little
inn, well known to all the wayfarers on the road as a comfortable
resting place, where they could dine on their journey to or from the
larger city.</p>
<p>The house was constructed of wood, and was but of two stories; but let
it not be supposed on that account that it was devoid of ornament, for
manifold were the quaint carvings and rude pieces of sculpture with
which it was decorated, and not small had been the pains which had been
bestowed upon mouldings and cornices, and lintels and door-posts by the
hand of more than one laborious artisan. Indeed, altogether, it was a
very elaborate piece of work, and had probably been originally built
for other purposes than that which it now served; for many were the
changes which had taken place in that part of the country, as well as
over the rest of England, between the days I speak of, and those of a
century before.</p>
<p>Any one who examined the house closely, would have seen that it must
have been constructed before the year 1180, for there was very strong
proof, in the forms of the windows, and the cutting across of several
of the beams which traversed the front, that at the period of its
erection the use of glazed casements in private houses was not known.
At the time I speak of, however, glass had become plentiful in England,
and, though cottages were seldom ornamented with anything like a
lattice, yet no house with the rank and dignity of an inn, where
travellers might stop in rainy and boisterous weather, was now without
windows, formed of manifold small lozenge-shaped pieces of glass, like
those still frequently employed in churches, only of a smaller size.</p>
<p>The inn was a gay-looking, cheerful place, either in fine weather or in
foul; for, as there are some men who, clothe them as you will, have a
distinguished and graceful air, so are there some dwellings which look
sunshiny and bright, let the aspect of the sky be what it will. The
upper story of the house projected beyond the lower, and formed of
itself a sort of portico, giving a shelter to two long benches placed
beneath it, either from the heat of the summer sun, or the rain of the
spring and autumn; and it need not be said that these benches formed
the favourite resting place of sundry old men on bright summer
evenings; and that many a time, in fine weather, a table would be put
out upon the green before the house, the bench offering seats on one
side, while settles and stools gave accommodation on the other, to many
a merry party round the good roast beef and humming ale.</p>
<p>Before the door of the inn, spread out one of those pleasant open
pieces of ground, which generally found room for themselves in every
country village in England; on which the sports of the place were held;
to which the jockey brought his horse for sale, and tried his paces up
and down; on which many a wrestler took a fall, and cudgel-player got a
broken head. There too, in their season, were the merry maypole and the
dance, the tabor and the pipe. There was many a maiden wooed and won;
and there passed along all the three processions of life--the infant to
the font, the bride to the altar, the corpse to the grave.</p>
<p>Various were the memories attached to that village green in the hearts
of all the neighbourhood; various were the associations which it called
up in every bosom and various were the romances, probably much better
worth listening to than this that we are going to tell, which that
village green could have related. It had all the things pertaining to
its character and profession: it had a dry, clear, sandy horse-road
running at one side, it had two foot-paths crossing each other in the
middle, it had a tall clump of elms on the south side, with a well, and
an iron ladle underneath. It had a pond, which was kept clear by a
spring at the bottom, welling constantly over at the side next the
road, and forming a little rivulet, full of pricklebacks, flowing on
towards a small river at some distance. It had its row of trees on the
side next to the church, with the priest's house at the corner. The
surface was irregular, just sufficiently so to let some of the young
people, in any of their merry meetings, get out of sight of their
elders for a minute or two; and the whole was covered with that short,
dry, green turf, which is only to be found upon a healthy sandy soil.
In short, dear reader, it was as perfect a village green as ever was
seen, and I should like very much, if such a thing were possible, to
transport you and me to the bench before the inn door on some fine
afternoon in the end of the month of June, and there, with a white jug
of clear Nottingham ale before us, while the sun sunk down behind the
forest, and the sky began to glow with his slant rays, to tell you the
tale which is about to follow, marking in your face the signs of
interest which you would doubtless show--the hope, the fear, the
expectation, perhaps the smile of surprise, perhaps the glistening drop
of sympathy--suffering you to interrupt and ask a question here and
there, but not too often--forgiving a moment's impatience when the tale
was dull, and thanking you in the end for your friendship towards the
good and noble who lived and died more than five centuries ago.</p>
<p>In truth, reader, you know not what a pleasure there is--when the mind
is clear from care or sorrow, the heart well attuned, the object a good
one, and the tale interesting--you know not what a pleasure there is,
to sit down and tell a long story to those who are worthy of hearing
one.</p>
<p>And now, having made a somewhat wide excursion, and finding it
difficult to get back again to the tale by any easy and gradual
process, I will even in this place, close the first chapter, which, by
your leave, shall serve for a Preface and Introduction both.</p>
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