<h1>Chapter IX</h1>
<p>They sat awhile and talked of the tragedy, the dead Prépimpin, at once a
link and a barrier between them, lying at their feet. Her ready sympathy
brought her near; but while the dog lay there, mangled and bloody, he could
think of nothing else. It was Elodie who suggested immediate and decent
burial. Why should he not go to the hotel for a workman and a spade?</p>
<p>He smiled. "You always seem to come to my help in time of trouble. But
while I am absent, what will happen to him?"</p>
<p>"I will guard him, my friend," said Elodie.</p>
<p>He marched off. In a few minutes he came back accompanied by one of the
hotel baggage porters. The grave, on the waste land by the Rhone, was
quickly dug, and Prépimpin covered over for ever with the kindly earth. As
soon as the body was hidden, Andrew turned away, the tears in his eyes.</p>
<p>"And now," said he, "let us sit somewhere else and you shall tell me about
yourself. I have been selfish."</p>
<p>The tale she had to tell was very old and very sad. She did not begin
it, however, until, drawing off her old gloves, for coolness' sake, she
disclosed a wedding ring on her finger. His eye caught it at once.</p>
<p>"Why, you are married."</p>
<p>"Yes," she said, "I am married."</p>
<p>"You don't speak in the tone of a happy woman."</p>
<p>She shrugged hopeless shoulders. "A woman isn't happy with a <i>goujat</i>
for a husband."</p>
<p>Now a <i>goujat</i> is a word for which scoundrel, and miscreant, are but
weak translations. It denotes lowest depths of infamy.</p>
<p>Andrew frowned terribly. "He ill-treats you?"</p>
<p>"He did. But that is past. Fortunately I am alone. He has deserted me."</p>
<p>"Children?"</p>
<p>"Thank God, no," replied Elodie.</p>
<p>And then it all came out in the unrestrained torrent of the south. She had
been an honest girl, in spite of a thousand temptations. When André met
her, she was as pure as any young girl in a convent. It wasn't that she was
ignorant. Oh no. The girl who had gone through the workrooms of Marseilles
and the music-halls of France and could retain virginal innocence would
be either a Blessed Saint or an idiot. It was knowledge that had kept her
straight; knowledge and pride. She was not for sale. <i>Grand Dieu</i>, no!
And love? If a man's love fell short of the desire for marriage, well, it
didn't amount to a row of pins. Besides, even where there could be a love
quite true without the possibility of marriage, she had seen enough of the
world to know the unhappinesses that could happen to women. No. André must
not think she was cold or prudish. She had set out to be merely reasonable.
To André the girl's apology for preserving her chastity seemed perfectly
natural. In her world it was somewhat of an eccentric feat.</p>
<p>"<i>Et puis, enfin.</i>" And then, at last, came the conquering male, a
singer in a light opera touring company in the chorus of which she was
engaged. He was young, handsome--played secondary parts; one of the great
ones, in fact, in her limited theatrical hierarchy. He fell in love with
her. She, flattered, responded. Of course, he suggested setting up house
together, then and there. But she had her aforesaid little principles.
His infatuation, however, was such that he consented to run the terrific
gauntlet of French matrimonial procedure. Why people in France go to the
nerve-racking trouble of getting married Heaven only knows. Camels can
gallop much more easily through needles' eyes. Anybody can be born in
France, anybody can die; against these phenomena the form-multiplying and
ream-writing <i>Ad-min-is-tra-tion</i> is powerless. But when you come to
the intermediate business of world population, then bureaucracy steps in
and plays the very devil. Elodie and Raoul Marescaux desired to be married.
In England they would have got a special license, or gone to a registry
office, and the thing would have been over. But in France, Monsieur and
Madame Marescaux, and Madame Figasso, and the <i>huissier</i> Boudin, who
insisted on coming forward although he was not legally united to Madame,
and lawyers representing each family, were set all agog, and there
were meetings and quarrels, and delays--Elodie had not a cent to her
dowry--which of course was the stumbling-block--with the final result that
nothing was done which might not have been done at once, namely, that the
pair were doubly married--once by Monsieur le Maire and then by Monsieur le
Curé.</p>
<p>For a few months she was happy. Then the handsome Raoul became enamoured of
a fresh face. Then Elodie fell ill, oh, so ill, they thought she was going
to die. And during her illness and slow recovery Raoul became enamoured
of every fresh face he saw. A procession. If it had been one, said Elodie
philosophically, she could perhaps have arranged matters. But they had been
endless. And what little beauty she had her illness had taken away, so
her only weapon was gone; and Raoul jeered at her and openly flaunted his
infidelities in her presence. When she used beyond a certain point the
ready tongue with which Providence had endowed her, she was soundly beaten.
"<i>Le goujat!</i>" cried Andrew. Ah! It was a life of hell. But they had
kept nominally together, in the same companies, she singing in the chorus,
he playing his second rôles. And then there came a day when he obtained
an engagement in the Opera at Buenos Ayres. She was to accompany him. Her
berth was booked, her luggage packed. He said to her, "I have to go away
for a day or two on business. Meet me at the boat train for Havre on
Wednesday." She went to the Gare St. Lazare on Wednesday to find that the
boat train had gone on Tuesday. <i>Un sale tour</i>--eh? Did ever anyone
hear of such a dirty trick? And later she learned that her berth was
occupied by a little modiste of the Place de la Madeleine with whom he had
run away.</p>
<p>That was two years ago. Since then she had not heard of him; and she wished
never to hear of him again.</p>
<p>"And you have been supporting yourself all the time, on the stage?"</p>
<p>"Yes, I have lived. But it has been hard. My illness affected my voice. No
one wants me very much. But still"--she smiled wanly--"I can manage. And
now, you. I saw you yesterday at the Palace. They know me there and give me
my <i>entrée</i>. You have had a <i>beau succès</i>. You are famous. I am
so glad."</p>
<p>Modestly he depreciated the fame, but acknowledged the success which was
due to her encouragement. He told her of the racehorse Elodie and his lucky
inspiration. For the first time she laughed and clapped her hands.</p>
<p>"Oh, I am flattered! Yes, and greatly touched. Now I know that you have
remembered me. But if the horse had lost wouldn't you have pested against
me? Say?"</p>
<p>Andrew replied soberly: "I could not possibly have lost. I knew it would
win, just as I know that five minutes hence the sun will continue to shine.
I had faith in your star, Elodie."</p>
<p>"My star--it's not worth very much, my star."</p>
<p>"It has been to me," said Andrew.</p>
<p>They talked on. By dint of questioning she learned most of his not
over-eventful history. He told her of Horatio Bakkus, and of the season
on the sands, when first he realized her original idea of exploiting his
figure; of Prépimpin in his prime and their wanderings about Europe. And
now alas! there was no longer a Prépimpin.</p>
<p>"But how will you give the performance this evening without him?" she
asked.</p>
<p>He shrugged his shoulders. He had not given a thought to that yet. It was
the loss of his friend that wrung his heart.</p>
<p>"You are so gentle and sympathetic. Why is it that no woman has loved you?"</p>
<p>"Perhaps because I've not found a woman I could love," said he.</p>
<p>She did not pursue the subject, but sighed and looked somewhat drearily in
front of her. It was then that he became aware of the cruel treatment that
the years had inflicted on her youth. He knew that she was under thirty,
yet she looked older. The colour had gone from her olive skin, leaving it
sallow; her cheeks were drawn; haggard lines appeared beneath her eyes;
her cheekbones and chin were prominent. It struck him that she might be
fighting a hard battle against poverty. She looked underfed. He asked her.</p>
<p>"Have you an engagement here in Avignon?"</p>
<p>She shook her head. No, she was resting.</p>
<p>"How long have you been out?"</p>
<p>She couldn't tell. Many weeks. And prospects for the immediate future? The
Tournée Tardieu was coming next Monday to Avignon. She knew the manager.
Possibly he would give her a short engagement.</p>
<p>"And if he doesn't?"</p>
<p>"I will arrange," said Elodie with a show of bravery.</p>
<p>Andrew frowned again, and his mild blue eyes narrowed keenly. He stretched
out his arm and put his delicate fingers on her hand.</p>
<p>"You have given me your help and sympathy. Do you refuse mine? Why does
your pride forbid you to tell me that you are in great distress?"</p>
<p>"What would be the good?" she replied with averted face. "How could you
help me? Money? Oh no. I would sooner fling myself in the river."</p>
<p>"You're talking foolishness," said he. "You know that you are in debt for
your little room, and that the <i>propriétaire</i> won't let you stay much
longer. You know that you have not sufficient food. You know that you have
had nothing to-day but a bit of bread and a cup of coffee, if you have had
that. Confess!"</p>
<p>The corners of her mouth worked pathetically. In spite of heroic effort, a
sob came into her throat and tears into her eyes. Then she broke down and
wept wretchedly.</p>
<p>Yes, it was true. She had but a few sous in the world. No other clothes but
those she wore. Oh, she was ashamed, ashamed that he should guess. If she
had not been weak, he would have gone away and never have known. And so on,
and so forth. The situation was plain as day to Andrew. Elodie, if not his
guardian angel, at any rate his mascot, was down and out. While she was
crying, he slipped, unperceived, a hundred-franc note into the side pocket
of her jacket. At all events she should have a roof over her head and food
to eat for the next few days, until he could devise some plan for her
future welfare. Her future welfare! For all his generous impulses, it gave
him cause for cold thought. How the deuce could a wandering, even though
successful, young mountebank assure the future of a forlorn and untalented
young woman?</p>
<p>"<i>Voyons, chère amie</i>," said he comfortingly, "all is not yet lost. If
the theatre does not give you a livelihood, we might try something else. I
have my little savings. I could easily lend you enough to buy a <i>petit
commerce</i>, a little business. You could repay me, bit by bit, at your
convenience. <i>Tiens!</i> Didn't you tell me you were apprenticed to a
dressmaker?"</p>
<p>But Elodie was hopeless. All that she had learned as a child she had
forgotten. She was fit for nothing but posturing on the stage. If André
could get her a good engagement, that was all the aid she would accept.</p>
<p>Andrew looked at his watch. The afternoon had sped with magical rapidity.
He reflected that not only must he dine, but he must think over and
rehearse the evening's performance with Prépimpin's part cut out. He dared
not improvise before the public. He rose with the apologetic explanation--</p>
<p>"My little Elodie," said he, as they walked along the battlemented city
walls towards the great gate, "have courage. Come to the Palace to-night. I
will arrange that you shall have a loge. You only have to ask for it. And
after my turn, you shall meet me, as long ago, at the Café des Négociants,
and we shall sup together and talk of your affairs."</p>
<p>She meekly consented. And when they parted at the entrance to the Hôtel
d'Europe, he said:</p>
<p>"If I do not ask you to dine, it is because I have to think and work. You
understand? But in your pocket you will find <i>de quoi bien dîner. Au
revoir, chère amie</i>."</p>
<p>He put out his hand. She held it, while her eyes, tragically large and
dark, searched his with painful intensity.</p>
<p>"Tell me," she said, "is it better that I should come and see you to-night
or that I should throw myself over the bridge into the Rhone?"</p>
<p>"If you meet me to-night," said Andrew, "you will still be alive, which,
after all, is a very good thing."</p>
<p>"<i>Je viendrai,</i>" said Elodie.</p>
<p>"The devil!" said Andrew, entering the courtyard of the hotel, and wiping a
perspiring brow, "here am I faced with a pretty responsibility!"</p>
<p>Experience enabled him to give a satisfactory performance; and his manager
prepared his path by announcing the unhappy end of Prépimpin and craving
the indulgence of the audience. But Andrew passed a heartbroken hour at the
music-hall. In his dressing-room were neatly stored the dog's wardrobe and
properties--the gay ribbons, the harness, the little yellow silk hat which
he wore with such a swaggering air, the little basket carried over his
front paw into which he would sweep various objects when his master's back
was turned, the drinking dish labelled "Dog" ... He suffered almost a human
bereavement. And then, the audience, for this night, was kind. But, as
conscientious artist, he was sensitively aware of makeshift. A great
element of his success lay in the fact that he had trained the dog to
appear the more clever of the two, to score off his pretended clumsiness
and to complete his tricks. For years he had left uncultivated the art of
being funny by himself. Without Prépimpin he felt lost, like a man in a
sculling race with only one oar. He took off his make-up and dressed,
a very much worried man. Of course he could obtain another trained dog
without much difficulty, and the special training would not take long;
but he would have to love the animal in order to establish that perfect
partnership which was essential to his performance. And how could he love
any other dog than Prépimpin? He felt that he would hate the well-meaning
but pretentious hound. He went out filled with anxieties and repugnances.</p>
<p>Elodie was waiting for him by the stage door. She said:</p>
<p>"You got out of the difficulty marvellously."</p>
<p>"But it was nothing like the performance you saw yesterday."</p>
<p>"<i>Ah non</i>" she replied frankly.
"<i>Voilà</i>," said he, dejectedly.</p>
<p>They walked, almost in silence, along the Avenue de la Gare, thronged,
as it was at the time of their first meeting, with the good citizens
of Avignon, taking the air of the sultry summer evening. She told him
afterwards that she felt absurdly small and insignificant trotting by the
side of his gaunt height, a feeling which she had not experienced years
before when their relative positions were reversed. But now she regarded
him as a kind of stricken god; and womanlike she was conscious of haggard
face and shrunken bosom, whereas before, she had stepped beside him proud
of the ripe fulness of her youth.</p>
<p>Whither the commonplace adventure was leading them neither knew. For his
part pity compelled superstitious sentiment to the payment, in some vague
manner, of a long-standing obligation. She had also given him very rare
sympathy that afternoon, and he was grateful. But things ended there, in a
sort of blind alley.</p>
<p>For her part, she let herself go with the current of destiny into which, by
strange hazard, she had drifted. She had the humility which is the fiercest
form of pride. Although she clung desperately to him, as to the spar that
alone could save her from drowning, although the feminine within her was
drawn to his kind and simple manliness, and although her heart was touched
by his grief at the loss of the dog, yet never for a moment did she count
upon the ordinary romantic <i>dénouement</i> of such a situation. The
idea came involuntarily into her mind. Into the mind of what woman of her
upbringing would not the idea come? But she banished it savagely. Who was
she, waste rag of a woman, to attract a man? And even had she retained the
vivid beauty and plenitude of her maidenhood, it would have been just the
same. Elodie Figasso had never sold herself. No. All that side of things
was out of the question. She wished, however, that he was less of an
enigmatic, though kindly, sphinx.</p>
<p>Over their modest supper of sandwiches and Côtes du Rhône wine, in an
inside corner of the Café des Négociants--it was all the café could
offer, and besides she swore to a plentiful dinner--they discussed their
respective forlorn positions. Adroitly she tacked away from her own
concerns towards his particular dilemma. If he shrank from training another
dog and yet distrusted a solo performance, what was he going to do? Take a
partner like his friend--she forgot the name--yes, Bakkus, on whom perhaps
he couldn't rely, and who naturally would demand half his salary?</p>
<p>"Never again," Andrew declared, feeling better after a draught of old
Hermitage. "The only thing I can think of is to engage a competent
assistant."</p>
<p>Then Elodie's swift brain conceived a daring idea.</p>
<p>"You would have to train the assistant."</p>
<p>"Of course. But," he added in a dismal tone, "most of the assistants I
have seen are abysmally stupid. They are dummies. They give nothing of
themselves, for the performer to act up to."</p>
<p>"In fact," said Elodie, trying hard to steady her voice, "you want someone
entirely in sympathy with you, who can meet you half-way--like Prépimpin."</p>
<p>"Precisely," said Andrew. "But where can I find a human Prépimpin?"</p>
<p>She abandoned knife and fork and, with both arms resting on the table,
looked across at him, and it suddenly struck him that her great dark eyes,
intelligent and submissive, were very much like the eyes of Prépimpin. And
so, womanlike, she conveyed the Idea from her brain to his.</p>
<p>He said very thoughtfully, "I wonder--"</p>
<p>"What?"</p>
<p>"What have you done on the stage? What can you do? Tell me. Unfortunately I
have never seen you."</p>
<p>She could sing--not well now, because her voice had suffered--but still she
sang true. She had a musical ear. She could accompany anyone on the piano,
<i>pas trop mal</i>. She could dance. Oh, to that she owed her first
engagement. She had also learned to play the castagnettes and the
tambourine, <i>à l'Espagnole</i>. And she was accustomed to discipline....
As she proceeded with the unexciting catalogue of her accomplishments she
lost self-control, and her eyes burned and her lips quivered and her voice
shook in unison with the beatings of a desperately anxious heart. Our
Andrew, although an artist dead set on perfection and a shrewd man of
business, was young, pitiful and generous. The pleading dog's look in
Elodie's eyes was too much for him. He felt powerless to resist. His brain
worked swiftly, devising all kinds of artistic possibilities. Besides, was
not Fate accomplishing itself by presenting this solution of both their
difficulties?</p>
<p>"I wonder whether you would care to try the experiment?"</p>
<p>With an effort of feminine duplicity she put on a puzzled and ingenuous
expression.</p>
<p>"What experiment?"</p>
<p>He was somewhat taken aback: surely he must have misinterpreted her
pleading. From the dispenser of fortune, he became the seeker of favours.</p>
<p>"I know it's not much of a position to offer you," said he, almost
apologetically, "but if you care to accept it----"</p>
<p>"Of your assistant?" she asked, as though the idea had never entered her
head.</p>
<p>"Why, yes. If you will consent to a month of very hard work. You would
have to learn a little elementary juggling. You would have to give me
instantaneous replies in act and speech. But if you would give yourself up
to me I could teach you."</p>
<p>"But, <i>mon pauvre André</i>," she said, with an astonished air, "this is
the last thing I ever dreamed of. I am so ignorant. I should put you to
shame."</p>
<p>"Oh no, you wouldn't," said he, confidently. "I know my business. Wait.
<i>Les affaires sont les affaires</i>. I should have to give you a little
contract. Let us see. For the remainder of my tour--ten weeks--ten francs a
day with hotel <i>en pension</i> and railway fares."</p>
<p>To Elodie, independent waif in theatre-land, this was wealth beyond her
dreams. She stretched both hands across the table.</p>
<p>"Do you mean that? It is true? And, if I please you, you will keep me
always?"</p>
<p>"Why not?" said Andrew. "And, if you show talent, we may come to a better
arrangement for the next tour."</p>
<p>"And if I show no talent at all?"</p>
<p>He made a deprecating gesture and grinned in his charming way. But Elodie's
intuition taught her that there was the stern purpose of a man behind the
grin. She had imposed her helplessness on him this once. But if she failed
him she would not have, professionally, a second chance.</p>
<p>"I insist on your having talent," said Andrew.</p>
<p>The walk home to her dingy lodgings repeated itself. She felt very humble
yet triumphant. More than ever did she regard him as a god who had raised
her, by a touch, from despair and starvation to hope and plenty, and in her
revulsion of gratitude she could have taken both his hands and passionately
kissed them. And yet she was proudly conscious of something within her,
unconquerably feminine, which had touched his godship and wrought the
miracle.</p>
<p>They halted in the narrow, squalid street, before the dark entry of the
house where she lodged. Andrew eyed the poverty-stricken hole in disgust.
Obviously she had touched the depths.</p>
<p>"To-morrow you must move," said he. "I shall arrange a room for you at the
hotel. We shall have much business to discuss. Can you be there at ten
o'clock?"</p>
<p>"Whatever you say shall be done," she replied humbly.</p>
<p>He put out his hand.</p>
<p>"Good-night, Elodie. Have courage and all will be well."</p>
<p>She murmured some thanks with a sob in her voice and, turning swiftly,
disappeared up the evil-smelling stone stairs. The idea of kissing her did
not occur to him until he found himself alone and remembered the pretty
idyll of their leave-taking long ago. He laughed, none too gaily. Between
boy and girl and man and woman there was a vast difference.</p>
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