<h2 class="nobreak chap0"><SPAN name="VII" id="VII">VII</SPAN><br/> <span class="subhead">OF FATE IN JEWELS</span></h2>
<p class="drop-cap3"><span class="smcap1">What</span> are the supposed attributes of certain
precious stones but another form
of superstition? According to the popular
lore on this subject, each gem has its peculiar
virtue or virtues, with which the credulous
owner becomes forthwith invested. Authorities
differ so much, however, in regard to this
mystical language that there cannot be said
to be any settled standard of meaning. If,
therefore, we refer only to such precious
stones as have some superstition attached to
them, we shall do all that comes within the
range of our present purpose.</p>
<p>In “A Lover’s Complaint,” Shakespeare sets<span class="pagenum"><SPAN name="Page_110" id="Page_110">110</SPAN></span>
forth, as understood in his day, “Each stone’s
dear nature, worth, and quality.”</p>
<p>We accept, therefore, without reserve, as a
starting point his <i xml:lang="la" lang="la">dictum</i> <span class="locked">that—</span></p>
<div class="center-container"><div class="poem">
<span class="iq">“paléd pearls, and rubies set in blood”<br/></span></div>
</div>
<p class="in0">indicated two extremes of passion, namely, shrinking
modesty and bold desire. He then goes on
to describe the other symbolical gems <span class="locked">thus:—</span></p>
<div class="center-container"><div class="poem">
<span class="iq">“The diamond, why, ‘twas beautiful and hard,<br/></span>
<span class="i0">Whereto his invised properties did tend;<br/></span>
<span class="i0">The deep green emerald in whose fresh regard<br/></span>
<span class="i0">Weak sights their sickly radiance do amend;<br/></span>
<span class="i0">The heaven-hued sapphire and the opal blend<br/></span>
<span class="i0">With objects manifold.”<br/></span></div>
</div>
<p>Those interested in the sale of gems have
observed that most precious stones have their
brief day of popular favor, regardless of any
superstition connected with them. In other
words, the popularity of certain jewels chiefly
depends upon the public taste, for the time
being. And the demand, therefore, fluctuates
according as the particular stone is fashionable
or unfashionable.</p>
<p><span class="pagenum"><SPAN name="Page_111" id="Page_111">111</SPAN></span>
It would require a volume to give the subject
fair treatment, so long is the list, and so
abundant the material. Hardly a week goes
by, however, in which some reference to the
good or evil influence of this or that gem is
not set forth in the public press, supported,
too, by such an array of circumstantial evidence
as to give color and authenticity to the
story. The opal and the moonstone are the
gems most often figuring in these tales. By
turns the opal has borne a good and bad
reputation; by turns it has been as fashionable
as its rare beauty would seem of right
to bespeak for it; and then again, owing to
popular caprice or the sudden revival of some
antiquated superstition, it has laid neglected
in the jewellers’ drawer for years.</p>
<p>The notion that the opal brings misfortune
to the wearer is comparatively modern. Formerly,
it was believed to possess great virtues
as a talisman. In Ben Jonson’s “New Inn,”
Ferret <span class="locked">says:—</span></p>
<p><span class="pagenum"><SPAN name="Page_112" id="Page_112">112</SPAN></span></p>
<div class="center-container"><div class="poem">
<span class="i2">“No fern seed in my pocket; nor an opal<br/></span>
<span class="i0">Wrapt in bay-leaf, in my left fist, to charm<br/></span>
<span class="i16">Thine eyes withal.”<br/></span></div>
</div>
<p>In Jonson’s and Shakespeare’s time, the
opal was justly prized for its quick changes
of color, exhibiting, as it does, almost all of
the hues of the rainbow in rapid succession.
It is quaintly described in an account of that
day as “a precious stone of divers colors,
wherein appeareth the fiery shining of the
carbuncle, the purple color of the amethyst,
and the green shew of the emerald, very
strangely mixed.”</p>
<p>Quite naturally, dealers in gems have no
patience with those superstitions unfavorable to
the sale of their wares, although they show no
particular dislike toward those of a different
nature, if their sales are thereby increased. So
when a customer asks for something synonymous
with good luck, the obliging dealer usually
offers him a moonstone, and after a little
chaffering the buyer departs, possessed of a
duly authenticated amulet, or charm. Agate is<span class="pagenum"><SPAN name="Page_113" id="Page_113">113</SPAN></span>
another stone having, by common fame, the
property of insuring long life, health, and prosperity
to the wearer. The present Emperor of
Germany is said, on good authority, to affect
this stone. Now the ancient magician, who
sold charms and love-philters to love-lorn
swains, did no more than this, with the difference
that he pretended to endow his nostrums
with their supernatural powers by his own arts.</p>
<p>Indeed, the very word “charms” so innocently
given to a bunch of jingling objects
dangling from the belt or watch-chain, is itself
indicative of a superstitious origin, to say the
least.</p>
<p>As an example of the change wrought by the
tyrant fashion in the supposed attributes of
certain gems, the ruby was formerly considered
the correct thing for an engagement ring, but
that stone is now almost wholly superseded by
the diamond for that highly interesting event;
though the ruby continues to be regarded as a
valuable gift upon other occasions, and if of a
fine quality, is much more costly than a diamond.<span class="pagenum"><SPAN name="Page_114" id="Page_114">114</SPAN></span>
Very possibly the familiar Biblical
phrase, “for her price is far above rubies,”
spoken of the truly virtuous woman in Proverbs,
may have suggested the peculiar fitness
of this gem in a promise of marriage. If so,
we can only regret the substitution.</p>
<p>Perhaps the most plausible explanation given
for the present popularity of the diamond—it
must, however, be a <i>solitaire</i> of the purest
water—is that, as the diamond is the most
durable substance known, so it is hoped that
it may symbolize an enduring affection between
the contracting parties. Though in itself nothing
but a symbol or sign, the gift of an engagement
ring is considered as evidence in a breach
of promise case, thus showing that the very
ancient custom in use among princes or noble
personages of sending their signet-rings with
messages of high importance, to give credit to
the messenger, lives on in the spirit, if not in
the actual letter, of the law, as applied to the
sacred pledge of fidelity to one’s promise to
wed.</p>
<p><span class="pagenum"><SPAN name="Page_115" id="Page_115">115</SPAN></span>
A very conscientious dealer once told me
that if a young gentleman were to ask his
advice concerning an engagement ring, he
should dissuade the amorous youth from buying
an emerald, on the ground that the young
lady might regard it as a bad omen, possibly
on account of its color which, as we have
pointed out, is or was considered unlucky; but
more probably, we think, because the emerald
is said to be the chosen symbol of the “green-eyed
monster,” jealousy. An old jeweller
readily confirms the opinion that many young
ladies would be unwilling to accept an emerald
at such a time; while still another adds that
he never knew of one being given as an engagement
gift. The novelist Black makes use
of this superstition in his “Three Feathers,”
as something universally admitted, “for how,”
he naïvely asks, “could any two people marry
who had engaged themselves with an emerald
ring?”</p>
<p>Doctors disagree, however, as to the actual
properties of this beautiful gem, as well as in<span class="pagenum"><SPAN name="Page_116" id="Page_116">116</SPAN></span>
other things, for we find one authority saying
that the emerald “discovers false witnesses,
and ensures happiness in love and domestic
felicity.”</p>
<p>In justice, therefore, to this much abused
stone, we must declare that our research thus
far fails to confirm the odium sought to be
cast upon it, in any particular; on the contrary,
so far as we can find, not one jot or
tittle of superstition attached to the emerald
so long ago as when New England was settled.
A learned writer of that time describes
it as “a precious stone, the greenest of all
other; for which it is very comfortable to the
sight,” and he adds, on the authority of Albertus
Magnus, that “some affirm them (emeralds)
to be taken out of Griffon’s nests, who do
keep this stone with great sedulity. It is
found by experience that if the emerald be
good, it inclineth the wearer to chastity.”</p>
<p>It is therefore highly improbable, to say the
least, that this article of superstitious faith
came over in the <i class="ship">Mayflower</i>.</p>
<p><span class="pagenum"><SPAN name="Page_117" id="Page_117">117</SPAN></span>
The turquoise has long proved a puzzle to
the most experienced dealers in gems, on
account of its singular property of changing
color without apparent cause. Ordinarily it
is of a beautiful blue—about the color of a
robin’s egg. This color sometimes changes to
green, and again, though unfrequently, to
white. In relating his experience with this
stone to me, an old friend described his surprise
as well as alarm at having a very valuable
specimen, which was “beautifully blue”
when put in the workman’s hands to be set
with diamonds, returned to him covered with
a white film, nearly concealing the original
blue color. As the turquoise itself was worth
several hundred dollars, it really was a rather
serious matter. The erratic stone, however,
was put away in the safe. When the purchaser
called for it on the following day, on
its being taken out of the box, it was found
that the true color had partly returned, one
half of the stone being blue, and the other
half white. “And we even fancied” continued<span class="pagenum"><SPAN name="Page_118" id="Page_118">118</SPAN></span>
my informant, “that we could see the
color change as we watched it.”</p>
<p>This change of color in the turquoise gave
rise to the belief that its hue varied with the
health of the wearer, it being blue when the
wearer was in good health and green or
white in the case of ill-health, or as put into
<span class="locked">verse:—</span></p>
<div class="center-container"><div class="poem">
<span class="iq">“A compassionate turquoise that doth tell<br/></span>
<span class="i0">By looking pale the wearer is not well.”<br/></span></div>
</div>
<p>As coral is again becoming quite fashionable,
we recall that it was once considered a
sure protection against the Evil Eye, and is
so still in Italy, where the little coral charm
shaped like the hand, with the thumb and
middle finger closed (a charm against witchcraft),
comes from. It is also a more or less
general belief that coral or red beads, worn
round the neck, prevent nose-bleeding, on the
principle, we suppose, that like cures like.</p>
<p>The carnelian, shaped in the form of a heart,
was formerly much worn as an amulet.</p>
<p>The amethyst, as its Greek name implies, is<span class="pagenum"><SPAN name="Page_119" id="Page_119">119</SPAN></span>
considered an antidote to intoxication. It has
now a formidable rival in the gold-cure. There
is an anecdote of the first Napoleon which
affirms that he took a valuable amethyst from
the crown in the coffin of Charlemagne. The
stolen stone later came into the possession of
Napoleon III., who wore it as a seal on his
watch-guard. In his will he bequeathed the
stone to his son as a talisman. On making her
escape from Paris, in 1870, the empress took
the historical stone with her.</p>
<p>The carbuncle was formerly believed to guard
the wearer against the danger of breathing
infectious air. It was also said to have the
property of shining in the dark, like a burning
coal, thus investing it, in the minds of the
credulous, with supernatural power. This, be
it said, was an Old-World superstition, which is
referred to in some verses written by John
Chalkhill (1649), describing a witch’s <span class="locked">cave:—</span></p>
<div class="center-container"><div class="poem">
<span class="iq">“Through which the carbuncle and diamond shine<br/></span>
<span class="i0">Not set by art, but there by Nature sown<br/></span>
<span class="i0">At the world’s birth so star-like bright they shone.”<br/></span></div>
</div>
<p><span class="pagenum"><SPAN name="Page_120" id="Page_120">120</SPAN></span>
But strangely enough, our forefathers found a
similar belief existing among the Indians of
New England, and what is more, these ignorant
savages were able to convince the more civilized
Englishmen of the truth of it.</p>
<p>According to these Indians, on the loftiest
mountain peak, suspended from a crag overhanging
a dismal lake, there was an enormous
carbuncle, which many declared they had seen
blazing in the night like a live coal; while by
day it emitted blinding rays of light, dazzling
to look upon. No mortal could hope to lay
hands upon this gem, which was under the
special guardianship of the genius of the
mountain.</p>
<p>So ran the legend. It is believed to have
inspired the earliest recorded journeys to the
great White Mountains of New Hampshire, by
adventurous whites. A reference to Sullivan’s
“History of Maine” shows that the story
found full credence among certain of the ignorant
settlers even in his day; and Hawthorne’s
grewsome tale of “The Great Carbuncle” is<span class="pagenum"><SPAN name="Page_121" id="Page_121">121</SPAN></span>
founded upon this weird legend, so vividly recalling
those of the Harz and the Caucasus.</p>
<p>It is noticeable that, in the matter of superstitions
concerning gems, it is not the common
people, but the wealthy who alone are able to
gratify their desires. Everybody has heard of
the Rothschild pearls. The Princess Louise
of Lorne wears a ring of jet, as a preserver of
health. M. Zola carries a bit of coral as a talisman
against all sorts of perils by land or water;
all of which goes to show that neither wealth
nor station is exempt from those secret influences
which so readily affect the poor and
lowly.</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_122" id="Page_122">122</SPAN></span></p>
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