<h2><SPAN name="CHAPTER_XXVI" id="CHAPTER_XXVI"></SPAN>CHAPTER XXVI</h2>
<h3>THE THREE WORDS</h3>
<p>Knight was generally far away long before Annesley was up in the morning,
and often he did not come in till evening. She thought that on Easter
Day, however, he would perhaps not go far. She half expected that he
would linger about the house or sit reading on the veranda; and she could
not resist the temptation to put on one of the dresses he had liked in
England.</p>
<p>It was a little <i>passé</i> and old-fashioned, but he would not know this.
What he might remember was that she had worn it at Valley House.</p>
<p>And the wish to say something, as if accidentally, about the flaming
miracle of the cactus hedge was as persistent in her heart as the desire
of a crocus to push through the earth to the sunshine on a spring
morning. She did not know whether the wish would survive the meeting with
her husband. She thought that would depend as much upon him as upon her
mood.</p>
<p>But luncheon time came and Knight did not appear.</p>
<p>Annesley lunched alone, in her gray frock. Even on days when Knight was
with her, and they sat through their meals formally, it was the same as
if she were alone, for they spoke little, and each was in the habit of
bringing a book to the table.</p>
<p>But she had not meant it to be so on this Easter Day. Even if she did not
speak of the blossoming of the cactus, she had planned to show Knight
that she was willing to begin a conversation. To talk at meals would be
a way out of "treating him like a dog."</p>
<p>The pretty frock and the good intention were wasted. Late in the
afternoon she heard from one of the line riders whom she happened to see
that something had gone wrong with a windmill which gave water to the
pumps for the cattle, and that her husband was attending to it.</p>
<p>"He's a natural born engineer," said the man, whose business as "line
rider" was to keep up the wire fencing from one end of the ranch to the
other. "I don't know how much he <i>knows</i>, but I know what he can <i>do</i>.
Queer thing, ma'am! There don't seem to be much that Mike Donaldson
<i>can't</i> do!"</p>
<p>Annesley smiled to hear Knight called "Mike" by one of his employees. She
knew that he was popular, but never before had she felt personal pleasure
in the men's tributes of affection.</p>
<p>To-day she felt a thrill. Her heart was warm with the spring and the
miracle of the cactus hedge, and memories of impetuous—<i>seemingly</i>
impetuous—words of last night.</p>
<p>If she could have seen Knight she would have spoken of his allegory; and
that small opening might have let sunlight into their darkness. But he
did not come even to dinner; and tired of waiting, and weary from a
sleepless night, she went to bed.</p>
<p>Next morning a man arrived who wished to buy a bunch of Donaldson's
cattle, which were beginning to be famous. He stayed several days; and
when he left Knight had business at the copper mine—business that
concerned the sinking of a new shaft, which took him back and forth
nearly every day for a week. By and by the cactus flowers began to fade,
and Annesley had never found an opportunity of mentioning them, or what
they might signify.</p>
<p>When she met Knight his manner was as usual: kind, unobtrusive, slightly
stiff, as though he were embarrassed—though he never showed signs of
embarrassment with any one else. She could hardly believe that she had
not dreamed those words overheard in the moonlight.</p>
<p>Week after week slipped away. The one excitement at Las Cruces Ranch was
the fighting across the border; the great "scare" at El Paso, and the
stories of small yet sometimes tragic raids made by bands of cattle
stealers upon American ranches which touched the Rio Grande. The water
was low. This made private marauding expeditions easier, and the men of
Las Cruces Ranch were prepared for anything.</p>
<hr style='width: 45%;' />
<p>One night in May there was a sandstorm, which as usual played strange
tricks with Annesley's nerves. She could never grow used to these storms,
and the moaning of the hot wind seemed to her a voice that wailed for
coming trouble. Knight had been away on one of his motoring expeditions
to the Organ Mountains, and though he had told the Chinese boy that he
would be back for dinner, he did not come. Doors and windows were closed
against the blowing sand, but they could not shut out the voice of the
wind.</p>
<p>After dinner Annesley tried to read a new book from the library at El
Paso, but between her eyes and the printed page would float the picture
of a small, open automobile and its driver lost in clouds of yellow sand.</p>
<p>Why should she care? The man was used to roughing it. He liked
adventures. He was afraid of nothing, and nothing ever hurt him. But she
did care. She seemed to feel the sting of the sharp grains of sand on
cheeks and eyes.</p>
<p>She was sitting in her own room, as she was accustomed to do in the
evening if she were not out on the veranda—the pretty room which Knight
had extravagantly made possible for her, with chintzes and furnishings
from the best shops in El Paso. On this evening, however, she set both
doors wide open, one which led into the living room, another leading into
a corridor or hall. She could not fail to hear her husband when he came,
even if he left his noisy car at the garage and walked to the house.</p>
<p>A travelling clock on the mantelpiece—Constance Annesley-Seton's
gift—struck nine. The girl looked up at the first stroke, wondering if
serious accidents were likely to happen in sandstorms; and before the
last note had ended she heard steps in the patio.</p>
<p>"He has come!" she thought, with a throb of relief which shamed her. But
the step was not like Knight's. It was hurried and nervous; and as she
told herself this there sounded a loud knock at the door.</p>
<p>There was an electric bell, which Knight had fitted up with his own
hands, but it was not visible at night. No one except herself could hear
this knocking, for the servants' quarters were at the far end of the
bungalow. A little frightened, recalling stories of cattle thieves and
things they had done, Annesley went into the hall.</p>
<p>"Who is there?" she cried, her face near the closed door, which locked
itself in shutting. If a man's voice—the voice of a stranger—should
reply in "Mex," or with a foreign accent, the girl did not intend to let
him in. A man's voice did reply, but neither in "Mex" nor with a foreign
accent. It said: "My name is Paul Van Vreck. Open quickly, please. I may
be followed."</p>
<p>Annesley's heart jumped; but without hesitation she pulled back the
latch, and as she opened the door a rush of sand-laden wind wrenched it
from her hand. She staggered away as the door swung free, and there was
just time to see a tall, thin figure slip in like a shadow before the
light of the hanging-lamp blew out. The girl and the newcomer were in the
dark save for a yellow ray that filtered into the hall from her room, but
she saw him stoop to place a bag or bundle on the floor, and then,
pulling the door to against the wind, slammed it shut with a click.</p>
<p>Having done this, the tall shadow bent to pick up what it had laid down.</p>
<p>"Thank you, Mrs. Donaldson, for letting me in," said the most charming
voice Annesley had ever heard—more charming even than Knight's.
"Evidently you've heard your husband mention me, or you might have kept
me out there parleying, if you're alone, for these are stirring times."</p>
<p>"Yes, I—I've heard you mentioned by—many people," the girl answered,
stammering like a nervous child. "Won't you come in—into the living
room? Not the room with the open door. That's mine. It's another, farther
along the hall. I'm sorry my husband's out."</p>
<p>As she talked she wondered at herself. She knew Van Vreck for a super
thief. He did not steal with his own hands, but he commanded other hands
to steal, and that was even worse. Or she had thought it worse in her
husband's case, and for more than a year she had punished him for his
sins. Yet here she was almost welcoming this man.</p>
<p>She did not understand why she felt—even without seeing him except as a
shadow—that she would find herself wishing to do whatever he might ask.
It must be, she thought, the influence of his voice. She had heard Paul
Van Vreck spoken of as an old man, but the voice was the voice of
magnetic youth.</p>
<p>He opened the door of the living room, and, carrying his bundle,
followed her as she entered. There was only one lamp in this room, a tall
reading-lamp with a green silk shade, which stood on a table, its heavy
base surrounded by books and magazines. A good light for reading was
thrown from under the green shade on to the table, but the rest of the
room was of a cool, green dimness; and, looking up with irresistible
curiosity at the face of her night visitor, it floated pale on a vague
background, like a portrait by Whistler.</p>
<p>It was unnaturally white, the girl thought, and—yes, it <i>was</i> old! But
it was a wonderful face, and the eyes illumined it; immense eyes, though
deepset and looking out of shadowed hollows under level brows black as
ink. Annesley had never seen eyes so like strange jewels, lit from
behind.</p>
<p>That simile came to her, and she smiled, for it was appropriate that this
jewel expert should have jewels for eyes. They were dark topazes, and
from them gazed the spirit of the man with a compelling charm.</p>
<p>Under a rolled-back wave of iron-gray hair he had a broad forehead, high
cheekbones, a pointed prominent chin, a mouth both sweet and humorous,
like that of some enchanting woman; but its sweetness was contradicted by
a hawk nose. Had it not been for that nose he would have been handsome.</p>
<p>"I guessed by the startled tone of your voice, when you asked, 'Who is
there?' that your husband was out," explained the shadow, now transformed
by the light into an extremely tall, extremely thin man in gray
travelling clothes. "I had a moment of repentance at troubling a lady
alone; but, you see, the case was urgent."</p>
<p>He had carelessly tossed his Panama hat on to the table, but kept the
black bag, which he now held out with a smile.</p>
<p>"Not a big bag, is it? And so common, it wouldn't be likely to tempt
a thief. But it holds what is worth—if it has a price—about half a
million dollars."</p>
<p>"Oh!" exclaimed Annesley. She looked horrified; and through the green
gloom the old man read her face.</p>
<p>"I see!" he said, with a laugh in his young voice. "You have heard the
great secret! That makes another who knows. But I'm not afraid you'll
throw me to the dogs. You wouldn't do that even if you weren't
Donaldson's wife. Being his wife, you could not."</p>
<p>"My husband has told me no secret about you, none at all," the girl
protested, defending Knight involuntarily. "I beg you to believe that,
Mr. Van Vreck."</p>
<p>"I do believe it. If there's one thing I pride myself on, it's being a
judge of character. That's why I've made a success of life. You wouldn't
lie, perhaps not even to save the one you love best. I believe that he
did not tell you the secret. Yet I'm certain you know it. I suppose other
discoveries you must have made gave you supernatural intuition. You
guessed."</p>
<p>Annesley did not answer. Yet she could not take her eyes from his.</p>
<p>"You needn't mind confessing. But I won't catechize you. I'll take it
for granted that what Donaldson knows you know—not in detail, in the
rough.... In this bag are six gold images set with precious stones. They
are of the time of the Incas, and they've been up till now the most
precious things in Mexico. From now on they will be among the most
precious things in Paul Van Vreck's secret collection.</p>
<p>"Some weeks ago I hoped that Donaldson would get them for me. He refused,
so I had to go myself. I couldn't trust any one else, though the only
difficulty was getting to Central Mexico with Constitutionals raging on
one side and Federals on the other. A man promised to deliver the goods
to my messenger. I've been bargaining over these things for years. But,
as I said, Don wouldn't go, so I had to do the job myself. You see, Mrs.
Donaldson, your husband is the only honest man I ever came across."</p>
<p>"Honest!" The exclamation burst from Annesley's lips.</p>
<p>"Yes. Honest is the word. I might add two others: 'true' and 'loyal.'"
Paul Van Vreck held her with his strange, straight look, commanding, yet
amused. "That is the opinion," he added after a pause, "of a very old
friend. It's worth its weight in—gold images."</p>
<p>The girl gave him no answer. But the effort of keeping her face under
control made lips and eyelids quiver.</p>
<p>"May I sit down, Mrs. Donaldson?" Van Vreck asked in a tone which changed
to commonplaceness—if his voice could ever be commonplace. "I'm a
fugitive, and have had a run for my money, so to speak. I'm seeking
sanctuary. Also I came in the hope of trying my eloquence on Donaldson.
But now I've seen you, I will not do that. In future he's safe from me,
I promise you."</p>
<p>"Oh!" Annesley faltered. And then: "Thank you!" came out, grudgingly.
How astonishing that <i>she</i> should thank Paul Van Vreck, the monster of
wickedness and secrecy she had pictured, for "sparing" her husband—her
husband whom <i>he</i> called loyal, true, and honest; whom she had called in
her heart a thief!</p>
<p>"Do sit down," she hurried on, hypnotized. "Forgive my not asking you.
I——"</p>
<p>"I understand," he soothed her. "I've taken advantage of you—sprung
a surprise, as Don would say, and then turned on the tortures of the
Inquisition. Aren't <i>you</i> going to sit? I can't, you know, if you don't."</p>
<p>"I thought you might like something to eat," the girl stammered. "I could
call our cook——"</p>
<p>"No, thank you," replied Van Vreck. "I'm peculiar in more ways than one.
I never eat at night. I live mostly on milk, water, fruit, and nuts.
That's why I feel forty at seventy-two. I give out that I'm frail—an
invalid—that I spend much time in nursing homes. This is my joke on a
public which has no business to be curious about my habits. While it
thinks I'm recuperating in a nursing home I—but no matter! That won't
interest you."</p>
<p>When she had obediently sat down, her knees trembling a little, Van Vreck
drew up a chair for himself, and, resting his arms on the table, leaned
across it gazing at the girl with a queer, humorous benevolence.</p>
<p>"How soon do you think your husband will come?" he asked, abruptly.</p>
<p>"I don't know," Annesley replied. "He told our Chinese boy he'd be early.
I suppose the sandstorm has delayed him."</p>
<p>"No doubt.... And you're worried?"</p>
<p>"No-o," she answered, looking sidewise at Van Vreck, her face half turned
from him. "I don't think that I'm worried."</p>
<p>"May I talk to you frankly till Don does come?" the old man asked.</p>
<p>"Certainly."</p>
<p>"I'll take you at your word!... Mrs. Donaldson, when your husband called
on me a year ago last spring, in New York, he said nothing about you. I
knew he'd married an English girl of good connections (isn't that what
you say on your side?), and why he thought it would be wise to marry. But
when he informed me that our association was to be ended, that nothing
would induce him to continue it, I read between the lines. I'm sharp at
that! I knew as well as if he'd told me that he'd fallen in love with the
girl, that she'd unexpectedly become the important factor in his life,
and that—she'd found out a secret she'd never been meant to find out:
<i>his</i> secret, and maybe mine.</p>
<p>"I realized by his face—the look in the eyes, the tone of the voice, or
rather, the tonelessness of the voice—what her finding out meant for
Don. I read by all signs that she was making him suffer atrociously and
I owed that girl a grudge. She'd taken him from me. For the first time a
power stronger than mine was at work; and yet, things being as they were,
my hope of getting him back lay in her."</p>
<p>"What do you mean?" The question spoke itself. Annesley's lips felt cold
and stiff. Her hands, nervously clasped in her lap, were cold, too,
though the shut-up room had but lately seemed hot as a furnace.</p>
<p>"I mean, if the girl behaved as I thought she would behave—as I think
you have behaved—he might grow tired of her and the cast-iron coat of
virtue he'd put on to please her. He might grow tired of life on a ranch
if his wife made him eat ashes and wear sack-cloth. That was my hope.
Well, I sent a messenger to find out how the land lay a few weeks ago."</p>
<p>"The Countess de Santiago!" Annesley exclaimed.</p>
<p>"He told you?"</p>
<p>"No, I saw her. I—by accident—(it really was by accident!) I heard
things. He doesn't know—I believe he doesn't know—I was there."</p>
<p>"Perhaps that's just as well. Perhaps not. But if I were you I'd tell him
when the right time comes. The Countess wrote me she'd had her journey in
vain, and why. She said—spitefully it struck me—that Don was bewitched
by his wife, a cold, cruel creature with ice in her veins, who treated
him like a dog."</p>
<p>"She said that to you, too?"</p>
<p>"Yes, she said that. She seemed to gather the impression. But the dog
stuck to his kennel. Nothing <i>she</i> could do would tempt him to budge. So
I decided to call here myself, on the way back from Mexico. I couldn't
delay the trip. A man was waiting for me. And waiting quietly is
difficult in Mexico just now. I got what I wanted, and crammed the lot
into this bag, which cost me at the outside, if I remember, five dollars.
A good idea of mine for putting thieves off the track. They expect sane
men to carry nightgowns and newspapers in such bags. I thought I'd
managed so well that I'd put the gang who follow me about, generally on
'spec,' off the track.</p>
<p>"I speak Spanish well. I've been passing for a Mexican lawyer from
Chihuahua. But to-day I caught a look from a pair of eyes in a train. I
fancied I'd seen those eyes before—and the rest of the features. Perhaps
I imagined it. But I don't think so. I trust my instinct. I advise you
to! It's a tip.</p>
<p>"At El Paso I bought a ticket for Albuquerque. The eyes were behind me.
I got into the train. So did Eyes, and a friend with a long nose. Not
into my car, however, so I was able to skip out again as the train was
starting. Not a bad feat for a man of my age! I hope Eyes and Nose,
and any other features that may have been with them, travelled on
unsuspectingly. But I can't be sure. Instinct says they saw my trick
and trumped it.</p>
<p>"I oughtn't to have come here, bringing danger to your house, Mrs.
Donaldson. But I want to see Don, and I know he is afraid neither of man
nor devil—afraid of nothing in the world except one woman.</p>
<p>"As for her—well, what I'd heard hadn't prepossessed me in her favour.
I sacrificed her for the safety of my golden images and my talk with Don.
But the sound of your voice behind the shut door broke the picture I'd
made of that young woman. And when I saw you—well, Mrs. Donaldson, I've
already told you I don't intend to exert my influence over your husband,
though to do so was my principal object in coming. Even if I did, I
believe yours would prove stronger. But if I could count on all my old
power over him, I wouldn't use it now I have seen you.</p>
<p>"I adore myself, and—my specialties. But there must be an unselfish
streak in me which shows in moments like this. I respect and admire it.
You may treat Don like a dog, but he'd never be happy away from you. And
I am fool enough to want him to be happy. This kicked dog of yours,
madame, happens to be the finest fellow I ever knew or expect to know."</p>
<p>"You say I treat him like a dog!" cried Annesley, roused to anger.
"But how ought I to treat him? He came into my life in a way I thought
romantic as a fairy tale. It was a trick—a play got up to deceive me!
I knew nothing of his life; but because of the faith he inspired, I
believed in him. No one except himself could have broken that belief. I
would not have listened to a word against him. But when he thought I'd
discovered something, the whole story came out. If I hadn't loved him so
much to begin with, and put him on such a high pedestal, the fall
wouldn't have been so great—wouldn't have broken my heart in pieces."</p>
<p>"But Don gave up everything pleasant in his life, and came down here to
this God-forsaken ranch—a man like Michael Donaldson, with a few hundred
dollars where he'd had thousands—all for you," said Van Vreck, "and he's
had no thought except for you and the ranch for more than a year. Yet
apparently you haven't changed your opinion. By Jove, madame, you must
somehow, through your personality and God knows what besides, have got a
mighty hold on his heart, in the days when you loved him, or he wouldn't
have stood this dog's life, this punishment too harsh for human nature to
bear. Good Lord, how were you brought up? Evidently not as a Christian."</p>
<p>"My father was a clergyman," said Annesley.</p>
<p>"There are many clergymen who have got as far from the light as the moon
from the earth. I know more about Christianity myself than some of those
narrow men with their 'cold Christs and tangled Trinities'! That is, I
know all this on principle. I don't practise what I know, but that's my
affair. Did Don ever excuse himself by mentioning the influence I brought
to bear on him when he was almost a boy?"</p>
<p>"No," breathed Annesley. "He didn't excuse himself at all except to tell
me about his father and mother, and a vow he'd made to revenge them on
society."</p>
<p>"It was like him not to whine for your forgiveness."</p>
<p>"He would never whine," the girl agreed. But she remembered that night of
confession when on his knees he had begged her to forgive, to grant him
another chance, and she had refused. He had never asked again. And he had
struggled alone for redemption.</p>
<p>"I haven't forgotten some early teachings which impressed me," said Paul
Van Vreck. "Christ made a remark about forgiving till seventy times
seven. Did you forgive Donaldson four hundred and eighty-nine times, and
draw the line at the four hundred and ninetieth?"</p>
<p>"No, I never had anything to forgive him—till that one thing came out.
But it was a very big thing. Too big!"</p>
<p>"<i>Too</i> big, eh? There was another saying of Christ's about those without
sin throwing the first stone. Of course I'm sure <i>you</i> were without sin.
But you look as if you might have had a heart—once."</p>
<p>"Oh, I had, I had!" Tears streamed down Annesley's pale face, and she did
not wipe them away. "It's dead now I think."</p>
<p>"Think again. Think of what the man is—what he's proved himself to be.
He's twice as good now as one of your best saints of the Church. He's
purified by fire. You've got the face of an angel, Mrs. Donaldson, but in
my opinion you're a wicked woman unworthy of the love you've inspired."</p>
<p>"You speak to me cruelly," the girl said through her tears. "I've been
very unhappy!"</p>
<p>"Not as unhappy as you've made Don by <i>your</i> cruelty. Good heavens, these
tender girls can be more cruel when they set about punishing us, than the
hardest man! And to punish a fellow like that by making him live in an
ice-house, when you could have done anything with him by a little
kindness! Don't <i>I</i> know that?</p>
<p>"I'm the sponsor for such sins as Don's committed. He was meant to be
straight. But I got hold of him through an agent, and caught his
imagination when that wild vow was freshly branded on his heart or brain.
I have the gift of fascination, Mrs. Donaldson. I know that better than I
know most things. <i>You</i> feel it to-night, or you wouldn't sit there
letting me tear your heart to pieces—what's left of your heart. And I
have an idea there's a good deal more than you think, if you have the
sense to patch the bits together.</p>
<p>"I have fascination, and I've cultivated it. Napoleon himself didn't
study more ardently than I the art of winning men. I won Don. I appealed
to the romance in him. I became his hero and—slowly—I was able to make
him my servant. Not much of my money or anything else has ever stuck to
his hands. He's too generous—too impulsive; though I taught him it was
necessary to control his impulses.</p>
<p>"What he did, he did for love of me, till you came along and lit another
sort of fire in his blood. I saw in one minute, when he called on me,
what had happened to his soul. It's taken you more than a year to see,
though he's lived for you and would have died for you. Great Heaven,
young woman, you ought to be on your knees before a miracle of God!
Instead, you've mounted a marble pedestal and worshipped your own
purity!"</p>
<p>Annesley bowed her head under a wave of shame. <i>This</i> man, of all others,
had shown her a vision of herself as she was. It seemed that she could
never lift her eyes. But suddenly, into the crying of the wind, a shot
broke sharply; then another and another, till the sobbing wail was lost
in a crackling fusillade.</p>
<p>The girl leaped to her feet.</p>
<p>"Raiders!" she gasped. "Or else——"</p>
<p>Paul Van Vreck sprang up also, his face paler, his eyes brighter than
before.</p>
<p>"They've come after me," he said. "Clever trick—if they've bribed
ruffians from over the border to cover their ends. The real errand's
here, inside this house."</p>
<p>Annesley's heart faltered.</p>
<p>"You must hide," she breathed. "I must save you—somehow."</p>
<p>"Why should you save <i>me</i>?" Van Vreck asked, sharply. "Why not think
about saving yourself?"</p>
<p>"Because I know Knight would wish to save you," she answered. "I want to
do what he would do.... God help us, they're coming nearer! Take your
bag, and I'll hide you in the cellar. There's a corner there, behind some
barrels. If they break in, I'll say——"</p>
<p>"Brave girl! But they won't break in."</p>
<p>"How do you know?"</p>
<p>"Your husband won't let them. Trust him, as I do."</p>
<p>"He's not here. Do you think I told you a lie? Thank Heaven he <i>isn't</i>
here, or they'd kill him, and I could never beg him to forgive——" She
covered her face with her hands.</p>
<p>The old man looked at her gravely.</p>
<p>"You don't understand what's happening," he said, with a new gentleness.
"Don's out there now, defending you and his home. That's what the
shooting means. Do you think those brutes would advertise themselves with
their guns if they hadn't been attacked?"</p>
<p>With a cry the girl rushed to the long window, and began to unfasten it,
but Van Vreck caught her hands.</p>
<p>"Stop!" he commanded. "Don't play the robbers' own game for them! <i>How do
you know which is nearer the house, Don and his men, or the others?</i>"</p>
<p>She stared at him, panting, "Don and his men?" she echoed.</p>
<p>"Yes. Even if he were alone to begin with, I'll bet all I've got he
roused every cowpuncher on the ranch with his first shot; and they'd be
out with their guns like a streak of greased lightning. If you open that
window with a light in the room, the wrong lot may get in and barricade
themselves against Don and his bunch—to say nothing of what would happen
to us. But——"</p>
<p>Annesley waited for no more. She ran to the table and blew out the flame
of the green-shaded lamp. Black darkness shut down like the lid of a box.
But she knew the room as she knew her own features. Straight and
unerring, she found her way back to the window.</p>
<p>This time Van Vreck stood still while she opened it and began noiselessly
to undo the outside wooden shutters. As she pushed them apart, against
the wind, a spray of sand dashed into her face and Van Vreck's, stinging
their eyelids. But disregarding the pain, the two passed out into the
night.</p>
<p>Clouds of blowing sand hid the stars, yet there was a faint glimmer of
light which showed moving figures on horseback. Men were shouting, and
with the bark of their guns fire spouted.</p>
<p>Annesley rushed on to the veranda, but Van Vreck caught her dress.</p>
<p>"Stay where you are!" he ordered. "Our side is winning. Don't you
see—don't you hear—the fight's going farther away? That means the
raid's failed—the skunks have got the worst of it. They're trying to get
back to the river and across to their own country. There'll be some, I
bet, who'll never see Mexico again!"</p>
<p>"But Knight——" the girl faltered. "He may be shot——"</p>
<p>"He may. We've got to take the chances and hope for the best. He wouldn't
leave the chase now if every door and window were open and lit for him.
Wait. Watch. That's the only thing to do."</p>
<p>She yielded to the detaining hand. All strength had gone out of her. She
staggered a little, and fell back against Van Vreck's shoulder. He held
her up strongly, as though he had been a young man.</p>
<p>"How can I live through it?" she moaned.</p>
<p>"You care for him after all, then?" she heard the calm voice asking in
her ear. And she heard her own voice answer: "I love him more than ever."
She knew that it was true, true in spite of everything, and that she had
never ceased to love him. It would be joy to give her life to save
Knight's, with just one moment of breath to tell him that his atonement
had not been vain.</p>
<hr style='width: 45%;' />
<p>Away out of sight the chase went, but the watching eyes had time to see
that not all the figures were on horseback. Some ran on foot; and some
horses were riderless. As Van Vreck had said, there was nothing for him
and for Annesley to do except to wait. They stood silent in the rain of
sand, listening when there was nothing more to see. The shots were
scattered and blurred by distance. Annesley realized how a heart may stop
beating in the anguish of suspense.</p>
<p>But at last when the fierce wind, purring like a tiger, was the only
sound in the night, there came a sudden padding of feet. A form stumbled
up the veranda steps, and before she could cry out in her surprise, the
girl recognized their Chinese servant.</p>
<p>She had fancied him in bed. But she might have known he would be out!</p>
<p>He had been running so fast that his breath came chokingly.</p>
<p>"What is it?" Annesley implored.</p>
<p>The boy pointed, trying to speak, "Bling Mist' Donal back," he gulped.
"Me come tell."</p>
<p>Annesley pushed past him, and springing down the steps ran blindly
through the sand cloud, taking the way by which the Chinese boy must have
come home. Her mind pictured a procession carrying a dead man, or one
grievously wounded; but at the cactus hedge she came upon three men—one
in the centre, who limped, two who supported him on either side.</p>
<p>"Why, Anita!" exclaimed her husband's voice.</p>
<p>"Knight!" she sobbed. It was the first time since Easter a year ago that
she had given him the old name.</p>
<p>"Thank God you're alive!"</p>
<p>"If you thank Him, so do I," he answered, whether lightly or gravely she
could not tell. His tone was controlled, as if to hide pain. "It's all
right. You mustn't worry any more. Wish I could have sent you news
sooner. I hoped you'd guess we were getting the upper hand when the shots
died away. Coming home I spotted the sneaks fording the river. I turned
the car, and stirred up the boys. Then we had a shindy, and scared the
dogs cold—bagged a few, but I guess nobody croaked—anyhow, none of our
crowd. Half a dozen are after the curs.</p>
<p>"As for me, I feel as if I'd got a dum-dum in my ankle, but I'll be fit
as a fiddle in a week or two. I'm afraid you had a fright."</p>
<p>How strange it was to hear him speak so coolly after what she had
endured! But his calmness quieted her.</p>
<p>"Mr. Van Vreck was with me," she said.</p>
<p>"Van Vreck! Great Scott, then the raid was a frameup! I see. Boys, let's
get along to the house quick."</p>
<p>"Wait an instant!" the girl intervened. "Knight, I never had a chance to
tell you—about the cactus blossoms. I understood. I understand even
better now. Mr. Van Vreck has made me understand. That is all I can tell
you. Let them help you to the house. I'll follow. Some other time I'll
explain."</p>
<p>"No—now!" he said. "Let go a minute, boys. I can stand by myself. Three
words with my wife."</p>
<p>As the two men moved off hastily, Annesley sprang forward, giving her
shoulder for her husband's support.</p>
<p>"Lean on me," she said. "Oh, Knight, you don't need an explanation, for
the three words are, love—love and forgiveness. Forgiveness from <i>you</i>
to <i>me</i>."</p>
<p>He held out his arms, and caught her to him fiercely. Neither could
speak. The past was forgotten. Only the present and future counted. Both
the man and woman had atoned.</p>
<p>THE END</p>
<hr style="width: 65%;" />
<h2><SPAN name="BOOK_BY_THE_SAME_AUTHOR" id="BOOK_BY_THE_SAME_AUTHOR"></SPAN>BOOKS BY THE SAME AUTHOR</h2>
<p><span class="smcap">Car of Destiny, The</span></p>
<p><span class="smcap">Chaperon, The</span></p>
<p><span class="smcap">Everyman's Land</span></p>
<p><span class="smcap">Golden Silence, The</span></p>
<p><span class="smcap">Guests of Hercules, The</span></p>
<p><span class="smcap">Heather Moon, The</span></p>
<p><span class="smcap">It Happened in Egypt</span></p>
<p><span class="smcap">Lady Betty Across the Water</span></p>
<p><span class="smcap">Lightning Conductor, The</span></p>
<p><span class="smcap">Lightning Conductor Discovers America, The</span></p>
<p><span class="smcap">Lion's Mouse, The</span></p>
<p><span class="smcap">Lord Loveland Discovers America</span></p>
<p><span class="smcap">Motor Maid, The</span></p>
<p><span class="smcap">My Friend the Chauffeur</span></p>
<p><span class="smcap">Port of Adventure, The</span></p>
<p><span class="smcap">Princess Passes, The</span></p>
<p><span class="smcap">Princess Virginia</span></p>
<p><span class="smcap">Rosemary in Search of a Father</span></p>
<p><span class="smcap">Secret History</span></p>
<p><span class="smcap">Set in Silver</span></p>
<p><span class="smcap">Soldier of the Legion, A</span></p>
<p> </p>
<p> </p>
<hr class="full" />
<p><SPAN name="endofbook"></SPAN>
<div style="break-after:column;"></div><br />