<SPAN name="startofbook"></SPAN>
<h2> GALSWORTHY PLAYS </h2>
<h2> <i>SECOND SERIES—NO. 3</i> </h2>
<p><br/><br/></p>
<h1> JUSTICE </h1>
<p><br/><br/></p>
<h2> By John Galsworthy </h2>
<p><br/></p>
<hr />
<p><br/></p>
<table summary="" style="margin-right: auto; margin-left: auto" cellpadding="4" border="3">
<tr>
<td>
<p><SPAN href="#link2H_4_0002"> ACT I </SPAN></p>
<p><SPAN href="#link2H_4_0003"> ACT II </SPAN></p>
<p><SPAN href="#link2H_4_0004"> ACT III </SPAN></p>
<p><SPAN href="#link2H_4_0005"> ACT IV </SPAN></p>
</td>
</tr>
</table>
<p><br/></p>
<hr />
<p><br/> <br/> PERSONS OF THE PLAY</p>
<p>JAMES HOW, solicitor<br/>
WALTER HOW, solicitor<br/>
ROBERT COKESON, their managing clerk<br/>
WILLIAM FALDER, their junior clerk<br/>
SWEEDLE, their office-boy<br/>
WISTER, a detective<br/>
COWLEY, a cashier<br/>
MR. JUSTICE FLOYD, a judge<br/>
HAROLD CLEAVER, an old advocate<br/>
HECTOR FROME, a young advocate<br/>
CAPTAIN DANSON, V.C., a prison governor<br/>
THE REV. HUGH MILLER, a prison chaplain<br/>
EDWARD CLEMENT, a prison doctor<br/>
WOODER, a chief warder<br/>
MOANEY, convict<br/>
CLIFTON, convict<br/>
O'CLEARY, convict<br/>
RUTH HONEYWILL, a woman<br/>
A NUMBER OF BARRISTERS, SOLICITERS, SPECTATORS, USHERS, REPORTERS,<br/>
JURYMEN, WARDERS, AND PRISONERS<br/>
<br/>
TIME: The Present.<br/>
<br/>
ACT I. The office of James and Walter How. Morning. July.<br/>
<br/>
ACT II. Assizes. Afternoon. October.<br/>
<br/>
ACT III. A prison. December.<br/>
SCENE I. The Governor's office.<br/>
SCENE II. A corridor.<br/>
SCENE III. A cell.<br/>
<br/>
ACT IV. The office of James and Walter How. Morning.<br/>
March, two years later.<br/></p>
<p><br/></p>
<hr />
<p><br/> <br/> CAST OF THE FIRST PRODUCTION</p>
<p>AT THE DUKE OF YORK'S THEATRE, FEBRUARY 21, 1910<br/>
<br/>
James How MR. SYDNEY VALENTINE<br/>
Walter How MR. CHARLES MAUDE<br/>
Cokeson MR. EDMUND GWENN<br/>
Falder MR. DENNIS EADIE<br/>
The Office-boy MR. GEORGE HERSEE<br/>
The Detective MR. LESLIE CARTER<br/>
The Cashier MR. C. E. VERNON<br/>
The Judge MR. DION BOUCICAULT<br/>
The Old Advocate MR. OSCAR ADYE<br/>
The Young Advocate MR. CHARLES BRYANT<br/>
The Prison Governor MR. GRENDON BENTLEY<br/>
The Prison Chaplain MR. HUBERT HARBEN<br/>
The Prison Doctor MR. LEWIS CASSON<br/>
Wooder MR. FREDERICK LLOYD<br/>
Moaney MR. ROBERT PATEMAN<br/>
Clipton MR. O. P. HEGGIE<br/>
O'Cleary MR. WHITFORD KANE<br/>
Ruth Honeywill Miss EDYTH OLIVE<br/></p>
<p><br/></p>
<hr />
<p><SPAN name="link2H_4_0002" id="link2H_4_0002"></SPAN></p>
<br/>
<h2> ACT I </h2>
<blockquote>
<p>The scene is the managing clerk's room, at the offices of James and
Walter How, on a July morning. The room is old fashioned, furnished with
well-worn mahogany and leather, and lined with tin boxes and estate
plans. It has three doors. Two of them are close together in the centre
of a wall. One of these two doors leads to the outer office, which is
only divided from the managing clerk's room by a partition of wood and
clear glass; and when the door into this outer office is opened there
can be seen the wide outer door leading out on to the stone stairway of
the building. The other of these two centre doors leads to the junior
clerk's room. The third door is that leading to the partners' room. The
managing clerk, COKESON, is sitting at his table adding up figures in a
pass-book, and murmuring their numbers to himself. He is a man of sixty,
wearing spectacles; rather short, with a bald head, and an honest,
pugdog face. He is dressed in a well-worn black frock-coat and
pepper-and-salt trousers.</p>
</blockquote>
<p>COKESON. And five's twelve, and three—fifteen, nineteen,
twenty-three, thirty-two, forty-one-and carry four. [He ticks the page,
and goes on murmuring] Five, seven, twelve, seventeen, twenty-four and
nine, thirty-three, thirteen and carry one.</p>
<blockquote>
<p>He again makes a tick. The outer office door is opened, and SWEEDLE, the
office-boy, appears, closing the door behind him. He is a pale youth of
sixteen, with spiky hair.</p>
</blockquote>
<p>COKESON. [With grumpy expectation] And carry one.</p>
<p>SWEEDLE. There's a party wants to see Falder, Mr. Cokeson.</p>
<p>COKESON. Five, nine, sixteen, twenty-one, twenty-nine—and carry two.
Send him to Morris's. What name?</p>
<p>SWEEDLE. Honeywill.</p>
<p>COKESON. What's his business?</p>
<p>SWEEDLE. It's a woman.</p>
<p>COKESON. A lady?</p>
<p>SWEEDLE. No, a person.</p>
<p>COKESON. Ask her in. Take this pass-book to Mr. James. [He closes the
pass-book.]</p>
<p>SWEEDLE. [Reopening the door] Will you come in, please?</p>
<blockquote>
<p>RUTH HONEYWILL comes in. She is a tall woman, twenty-six years old,
unpretentiously dressed, with black hair and eyes, and an ivory-white,
clear-cut face. She stands very still, having a natural dignity of pose
and gesture. SWEEDLE goes out into the partners' room with the
pass-book.</p>
</blockquote>
<p>COKESON. [Looking round at RUTH] The young man's out. [Suspiciously] State
your business, please.</p>
<p>RUTH. [Who speaks in a matter-of-fact voice, and with a slight
West-Country accent] It's a personal matter, sir.</p>
<p>COKESON. We don't allow private callers here. Will you leave a message?</p>
<p>RUTH. I'd rather see him, please.</p>
<blockquote>
<p>She narrows her dark eyes and gives him a honeyed look.</p>
</blockquote>
<p>COKESON. [Expanding] It's all against the rules. Suppose I had my friends
here to see me! It'd never do!</p>
<p>RUTH. No, sir.</p>
<p>COKESON. [A little taken aback] Exactly! And here you are wanting to see a
junior clerk!</p>
<p>RUTH. Yes, sir; I must see him.</p>
<p>COKESON. [Turning full round to her with a sort of outraged interest] But
this is a lawyer's office. Go to his private address.</p>
<p>RUTH. He's not there.</p>
<p>COKESON. [Uneasy] Are you related to the party?</p>
<p>RUTH. No, sir.</p>
<p>COKESON. [In real embarrassment] I don't know what to say. It's no affair
of the office.</p>
<p>RUTH. But what am I to do?</p>
<p>COKESON. Dear me! I can't tell you that.</p>
<blockquote>
<p>SWEEDLE comes back. He crosses to the outer office and passes through
into it, with a quizzical look at Cokeson, carefully leaving the door an
inch or two open.</p>
</blockquote>
<p>COKESON. [Fortified by this look] This won't do, you know, this won't do
at all. Suppose one of the partners came in!</p>
<blockquote>
<p>An incoherent knocking and chuckling is heard from the outer door of the
outer office.</p>
</blockquote>
<p>SWEEDLE. [Putting his head in] There's some children outside here.</p>
<p>RUTH. They're mine, please.</p>
<p>SWEEDLE. Shall I hold them in check?</p>
<p>RUTH. They're quite small, sir. [She takes a step towards COKESON]</p>
<p>COKESON. You mustn't take up his time in office hours; we're a clerk short
as it is.</p>
<p>RUTH. It's a matter of life and death.</p>
<p>COKESON. [Again outraged] Life and death!</p>
<p>SWEEDLE. Here is Falder.</p>
<blockquote>
<p>FALDER has entered through the outer office. He is a pale, good-looking
young man, with quick, rather scared eyes. He moves towards the door of
the clerks' office, and stands there irresolute.</p>
</blockquote>
<p>COKESON. Well, I'll give you a minute. It's not regular.</p>
<blockquote>
<p>Taking up a bundle of papers, he goes out into the partners' room.</p>
</blockquote>
<p>RUTH. [In a low, hurried voice] He's on the drink again, Will. He tried to
cut my throat last night. I came out with the children before he was
awake. I went round to you.</p>
<p>FALDER. I've changed my digs.</p>
<p>RUTH. Is it all ready for to-night?</p>
<p>FALDER. I've got the tickets. Meet me 11.45 at the booking office. For
God's sake don't forget we're man and wife! [Looking at her with tragic
intensity] Ruth!</p>
<p>RUTH. You're not afraid of going, are you?</p>
<p>FALDER. Have you got your things, and the children's?</p>
<p>RUTH. Had to leave them, for fear of waking Honeywill, all but one bag. I
can't go near home again.</p>
<p>FALDER. [Wincing] All that money gone for nothing. How much must you have?</p>
<p>RUTH. Six pounds—I could do with that, I think.</p>
<p>FALDER. Don't give away where we're going. [As if to himself] When I get
out there I mean to forget it all.</p>
<p>RUTH. If you're sorry, say so. I'd sooner he killed me than take you
against your will.</p>
<p>FALDER. [With a queer smile] We've got to go. I don't care; I'll have you.</p>
<p>RUTH. You've just to say; it's not too late.</p>
<p>FALDER. It is too late. Here's seven pounds. Booking office 11.45
to-night. If you weren't what you are to me, Ruth——!</p>
<p>RUTH. Kiss me!</p>
<blockquote>
<p>They cling together passionately, there fly apart just as COKESON
re-enters the room. RUTH turns and goes out through the outer office.
COKESON advances deliberately to his chair and seats himself.</p>
</blockquote>
<p>COKESON. This isn't right, Falder.</p>
<p>FALDER. It shan't occur again, sir.</p>
<p>COKESON. It's an improper use of these premises.</p>
<p>FALDER. Yes, sir.</p>
<p>COKESON. You quite understand-the party was in some distress; and, having
children with her, I allowed my feelings——[He opens a drawer
and produces from it a tract] Just take this! "Purity in the Home." It's a
well-written thing.</p>
<p>FALDER. [Taking it, with a peculiar expression] Thank you, sir.</p>
<p>COKESON. And look here, Falder, before Mr. Walter comes, have you finished
up that cataloguing Davis had in hand before he left?</p>
<p>FALDER. I shall have done with it to-morrow, sir—for good.</p>
<p>COKESON. It's over a week since Davis went. Now it won't do, Falder.
You're neglecting your work for private life. I shan't mention about the
party having called, but——</p>
<p>FALDER. [Passing into his room] Thank you, sir.</p>
<blockquote>
<p>COKESON stares at the door through which FALDER has gone out; then
shakes his head, and is just settling down to write, when WALTER How
comes in through the outer Office. He is a rather refined-looking man of
thirty-five, with a pleasant, almost apologetic voice.</p>
</blockquote>
<p>WALTER. Good-morning, Cokeson.</p>
<p>COKESON. Morning, Mr. Walter.</p>
<p>WALTER. My father here?</p>
<p>COKESON. [Always with a certain patronage as to a young man who might be
doing better] Mr. James has been here since eleven o'clock.</p>
<p>WALTER. I've been in to see the pictures, at the Guildhall.</p>
<p>COKESON. [Looking at him as though this were exactly what was to be
expected] Have you now—ye—es. This lease of Boulter's—am
I to send it to counsel?</p>
<p>WALTER. What does my father say?</p>
<p>COKESON. 'Aven't bothered him.</p>
<p>WALTER. Well, we can't be too careful.</p>
<p>COKESON. It's such a little thing—hardly worth the fees. I thought
you'd do it yourself.</p>
<p>WALTER. Send it, please. I don't want the responsibility.</p>
<p>COKESON. [With an indescribable air of compassion] Just as you like. This
"right-of-way" case—we've got 'em on the deeds.</p>
<p>WALTER. I know; but the intention was obviously to exclude that bit of
common ground.</p>
<p>COKESON. We needn't worry about that. We're the right side of the law.</p>
<p>WALTER. I don't like it,</p>
<p>COKESON. [With an indulgent smile] We shan't want to set ourselves up
against the law. Your father wouldn't waste his time doing that.</p>
<blockquote>
<p>As he speaks JAMES How comes in from the partners' room. He is a
shortish man, with white side-whiskers, plentiful grey hair, shrewd
eyes, and gold pince-nez.</p>
</blockquote>
<p>JAMES. Morning, Walter.</p>
<p>WALTER. How are you, father?</p>
<p>COKESON. [Looking down his nose at the papers in his hand as though
deprecating their size] I'll just take Boulter's lease in to young Falder
to draft the instructions. [He goes out into FALDER'S room.]</p>
<p>WALTER. About that right-of-way case?</p>
<p>JAMES. Oh, well, we must go forward there. I thought you told me yesterday
the firm's balance was over four hundred.</p>
<p>WALTER. So it is.</p>
<p>JAMES. [Holding out the pass-book to his son] Three—five—one,
no recent cheques. Just get me out the cheque-book.</p>
<blockquote>
<p>WALTER goes to a cupboard, unlocks a drawer and produces a cheque-book.</p>
</blockquote>
<p>JAMES. Tick the pounds in the counterfoils. Five, fifty-four, seven, five,
twenty-eight, twenty, ninety, eleven, fifty-two, seventy-one. Tally?</p>
<p>WALTER. [Nodding] Can't understand. Made sure it was over four hundred.</p>
<p>JAMES. Give me the cheque-book. [He takes the check-book and cons the
counterfoils] What's this ninety?</p>
<p>WALTER. Who drew it?</p>
<p>JAMES. You.</p>
<p>WALTER. [Taking the cheque-book] July 7th? That's the day I went down to
look over the Trenton Estate—last Friday week; I came back on the
Tuesday, you remember. But look here, father, it was nine I drew a cheque
for. Five guineas to Smithers and my expenses. It just covered all but
half a crown.</p>
<p>JAMES. [Gravely] Let's look at that ninety cheque. [He sorts the cheque
out from the bundle in the pocket of the pass-book] Seems all right.
There's no nine here. This is bad. Who cashed that nine-pound cheque?</p>
<p>WALTER. [Puzzled and pained] Let's see! I was finishing Mrs. Reddy's will—only
just had time; yes—I gave it to Cokeson.</p>
<p>JAMES. Look at that 't' 'y': that yours?</p>
<p>WALTER. [After consideration] My y's curl back a little; this doesn't.</p>
<p>JAMES. [As COKESON re-enters from FALDER'S room] We must ask him. Just
come here and carry your mind back a bit, Cokeson. D'you remember cashing
a cheque for Mr. Walter last Friday week—the day he went to Trenton?</p>
<p>COKESON. Ye-es. Nine pounds.</p>
<p>JAMES. Look at this. [Handing him the cheque.]</p>
<p>COKESON. No! Nine pounds. My lunch was just coming in; and of course I
like it hot; I gave the cheque to Davis to run round to the bank. He
brought it back, all gold—you remember, Mr. Walter, you wanted some
silver to pay your cab. [With a certain contemptuous compassion] Here, let
me see. You've got the wrong cheque.</p>
<blockquote>
<p>He takes cheque-book and pass-book from WALTER.</p>
</blockquote>
<p>WALTER. Afraid not.</p>
<p>COKESON. [Having seen for himself] It's funny.</p>
<p>JAMES. You gave it to Davis, and Davis sailed for Australia on Monday.
Looks black, Cokeson.</p>
<p>COKESON. [Puzzled and upset] why this'd be a felony! No, no! there's some
mistake.</p>
<p>JAMES. I hope so.</p>
<p>COKESON. There's never been anything of that sort in the office the
twenty-nine years I've been here.</p>
<p>JAMES. [Looking at cheque and counterfoil] This is a very clever bit of
work; a warning to you not to leave space after your figures, Walter.</p>
<p>WALTER. [Vexed] Yes, I know—I was in such a tearing hurry that
afternoon.</p>
<p>COKESON. [Suddenly] This has upset me.</p>
<p>JAMES. The counterfoil altered too—very deliberate piece of
swindling. What was Davis's ship?</p>
<p>WALTER. 'City of Rangoon'.</p>
<p>JAMES. We ought to wire and have him arrested at Naples; he can't be there
yet.</p>
<p>COKESON. His poor young wife. I liked the young man. Dear, oh dear! In
this office!</p>
<p>WALTER. Shall I go to the bank and ask the cashier?</p>
<p>JAMES. [Grimly] Bring him round here. And ring up Scotland Yard.</p>
<p>WALTER. Really?</p>
<blockquote>
<p>He goes out through the outer office. JAMES paces the room. He stops and
looks at COKESON, who is disconsolately rubbing the knees of his
trousers.</p>
</blockquote>
<p>JAMES. Well, Cokeson! There's something in character, isn't there?</p>
<p>COKESON. [Looking at him over his spectacles] I don't quite take you, sir.</p>
<p>JAMES. Your story, would sound d——d thin to any one who didn't
know you.</p>
<p>COKESON. Ye-es! [He laughs. Then with a sudden gravity] I'm sorry for that
young man. I feel it as if it was my own son, Mr. James.</p>
<p>JAMES. A nasty business!</p>
<p>COKESON. It unsettles you. All goes on regular, and then a thing like this
happens. Shan't relish my lunch to-day.</p>
<p>JAMES. As bad as that, Cokeson?</p>
<p>COKESON. It makes you think. [Confidentially] He must have had temptation.</p>
<p>JAMES. Not so fast. We haven't convicted him yet.</p>
<blockquote>
<p>COKESON. I'd sooner have lost a month's salary than had this happen. [He
broods.]</p>
</blockquote>
<p>JAMES. I hope that fellow will hurry up.</p>
<p>COKESON. [Keeping things pleasant for the cashier] It isn't fifty yards,
Mr. James. He won't be a minute.</p>
<p>JAMES. The idea of dishonesty about this office it hits me hard, Cokeson.</p>
<blockquote>
<p>He goes towards the door of the partners' room.</p>
</blockquote>
<p>SWEEDLE. [Entering quietly, to COKESON in a low voice] She's popped up
again, sir-something she forgot to say to Falder.</p>
<p>COKESON. [Roused from his abstraction] Eh? Impossible. Send her away!</p>
<p>JAMES. What's that?</p>
<p>COKESON. Nothing, Mr. James. A private matter. Here, I'll come myself. [He
goes into the outer office as JAMES passes into the partners' room] Now,
you really mustn't—we can't have anybody just now.</p>
<p>RUTH. Not for a minute, sir?</p>
<p>COKESON. Reely! Reely! I can't have it. If you want him, wait about; he'll
be going out for his lunch directly.</p>
<p>RUTH. Yes, sir.</p>
<blockquote>
<p>WALTER, entering with the cashier, passes RUTH as she leaves the outer
office.</p>
</blockquote>
<p>COKESON. [To the cashier, who resembles a sedentary dragoon] Good-morning.
[To WALTER] Your father's in there.</p>
<blockquote>
<p>WALTER crosses and goes into the partners' room.</p>
</blockquote>
<p>COKESON. It's a nahsty, unpleasant little matter, Mr. Cowley. I'm quite
ashamed to have to trouble you.</p>
<p>COWLEY. I remember the cheque quite well. [As if it were a liver] Seemed
in perfect order.</p>
<p>COKESON. Sit down, won't you? I'm not a sensitive man, but a thing like
this about the place—it's not nice. I like people to be open and
jolly together.</p>
<p>COWLEY. Quite so.</p>
<p>COKESON. [Buttonholing him, and glancing toward the partners' room] Of
course he's a young man. I've told him about it before now— leaving
space after his figures, but he will do it.</p>
<p>COWLEY. I should remember the person's face—quite a youth.</p>
<p>COKESON. I don't think we shall be able to show him to you, as a matter of
fact.</p>
<blockquote>
<p>JAMES and WALTER have come back from the partners' room.</p>
</blockquote>
<p>JAMES. Good-morning, Mr. Cowley. You've seen my son and myself, you've
seen Mr. Cokeson, and you've seen Sweedle, my office-boy. It was none of
us, I take it.</p>
<blockquote>
<p>The cashier shakes his head with a smile.</p>
</blockquote>
<p>JAMES. Be so good as to sit there. Cokeson, engage Mr. Cowley in
conversation, will you?</p>
<blockquote>
<p>He goes toward FALDER'S room.</p>
</blockquote>
<p>COKESON. Just a word, Mr. James.</p>
<p>JAMES. Well?</p>
<p>COKESON. You don't want to upset the young man in there, do you? He's a
nervous young feller.</p>
<p>JAMES. This must be thoroughly cleared up, Cokeson, for the sake of
Falder's name, to say nothing of yours.</p>
<p>COKESON. [With Some dignity] That'll look after itself, sir. He's been
upset once this morning; I don't want him startled again.</p>
<p>JAMES. It's a matter of form; but I can't stand upon niceness over a thing
like this—too serious. Just talk to Mr. Cowley.</p>
<blockquote>
<p>He opens the door of FALDER'S room.</p>
</blockquote>
<p>JAMES. Bring in the papers in Boulter's lease, will you, Falder?</p>
<p>COKESON. [Bursting into voice] Do you keep dogs?</p>
<blockquote>
<p>The cashier, with his eyes fixed on the door, does not answer.</p>
</blockquote>
<p>COKESON. You haven't such a thing as a bulldog pup you could spare me, I
suppose?</p>
<blockquote>
<p>At the look on the cashier's face his jaw drops, and he turns to see
FALDER standing in the doorway, with his eyes fixed on COWLEY, like the
eyes of a rabbit fastened on a snake.</p>
</blockquote>
<p>FALDER. [Advancing with the papers] Here they are, sir!</p>
<p>JAMES. [Taking them] Thank you.</p>
<p>FALDER. Do you want me, sir?</p>
<p>JAMES. No, thanks!</p>
<blockquote>
<p>FALDER turns and goes back into his own room. As he shuts the door JAMES
gives the cashier an interrogative look, and the cashier nods.</p>
</blockquote>
<p>JAMES. Sure? This isn't as we suspected.</p>
<p>COWLEY. Quite. He knew me. I suppose he can't slip out of that room?</p>
<p>COKESON. [Gloomily] There's only the window—a whole floor and a
basement.</p>
<blockquote>
<p>The door of FALDER'S room is quietly opened, and FALDER, with his hat in
his hand, moves towards the door of the outer office.</p>
</blockquote>
<p>JAMES. [Quietly] Where are you going, Falder?</p>
<p>FALDER. To have my lunch, sir.</p>
<p>JAMES. Wait a few minutes, would you? I want to speak to you about this
lease.</p>
<p>FALDER. Yes, sir. [He goes back into his room.]</p>
<p>COWLEY. If I'm wanted, I can swear that's the young man who cashed the
cheque. It was the last cheque I handled that morning before my lunch.
These are the numbers of the notes he had. [He puts a slip of paper on the
table; then, brushing his hat round] Good-morning!</p>
<p>JAMES. Good-morning, Mr. Cowley!</p>
<p>COWLEY. [To COKESON] Good-morning.</p>
<p>COKESON. [With Stupefaction] Good-morning.</p>
<blockquote>
<p>The cashier goes out through the outer office. COKESON sits down in his
chair, as though it were the only place left in the morass of his
feelings.</p>
</blockquote>
<p>WALTER. What are you going to do?</p>
<p>JAMES. Have him in. Give me the cheque and the counterfoil.</p>
<p>COKESON. I don't understand. I thought young Davis——</p>
<p>JAMES. We shall see.</p>
<p>WALTER. One moment, father: have you thought it out?</p>
<p>JAMES. Call him in!</p>
<p>COKESON. [Rising with difficulty and opening FALDER'S door; hoarsely] Step
in here a minute.</p>
<p>FALDER. [Impassively] Yes, sir?</p>
<p>JAMES. [Turning to him suddenly with the cheque held out] You know this
cheque, Falder?</p>
<p>FALDER. No, sir.</p>
<p>JADES. Look at it. You cashed it last Friday week.</p>
<p>FALDER. Oh! yes, sir; that one—Davis gave it me.</p>
<p>JAMES. I know. And you gave Davis the cash?</p>
<p>FALDER. Yes, sir.</p>
<p>JAMES. When Davis gave you the cheque was it exactly like this?</p>
<p>FALDER. Yes, I think so, sir.</p>
<p>JAMES. You know that Mr. Walter drew that cheque for nine pounds?</p>
<p>FALDER. No, sir—ninety.</p>
<p>JAMES. Nine, Falder.</p>
<p>FALDER. [Faintly] I don't understand, sir.</p>
<p>JAMES. The suggestion, of course, is that the cheque was altered; whether
by you or Davis is the question.</p>
<p>FALDER. I—I</p>
<p>COKESON. Take your time, take your time.</p>
<p>FALDER. [Regaining his impassivity] Not by me, sir.</p>
<p>JAMES. The cheque was handed to—Cokeson by Mr. Walter at one
o'clock; we know that because Mr. Cokeson's lunch had just arrived.</p>
<p>COKESON. I couldn't leave it.</p>
<p>JAMES. Exactly; he therefore gave the cheque to Davis. It was cashed by
you at 1.15. We know that because the cashier recollects it for the last
cheque he handled before his lunch.</p>
<p>FALDER. Yes, sir, Davis gave it to me because some friends were giving him
a farewell luncheon.</p>
<p>JAMES. [Puzzled] You accuse Davis, then?</p>
<p>FALDER. I don't know, sir—it's very funny.</p>
<blockquote>
<p>WALTER, who has come close to his father, says something to him in a low
voice.</p>
</blockquote>
<p>JAMES. Davis was not here again after that Saturday, was he?</p>
<p>COKESON. [Anxious to be of assistance to the young man, and seeing faint
signs of their all being jolly once more] No, he sailed on the Monday.</p>
<p>JAMES. Was he, Falder?</p>
<p>FALDER. [Very faintly] No, sir.</p>
<p>JAMES. Very well, then, how do you account for the fact that this nought
was added to the nine in the counterfoil on or after Tuesday?</p>
<p>COKESON. [Surprised] How's that?</p>
<blockquote>
<p>FALDER gives a sort of lurch; he tries to pull himself together, but he
has gone all to pieces.</p>
</blockquote>
<p>JAMES. [Very grimly] Out, I'm afraid, Cokeson. The cheque-book remained in
Mr. Walter's pocket till he came back from Trenton on Tuesday morning. In
the face of this, Falder, do you still deny that you altered both cheque
and counterfoil?</p>
<p>FALDER. No, sir—no, Mr. How. I did it, sir; I did it.</p>
<p>COKESON. [Succumbing to his feelings] Dear, dear! what a thing to do!</p>
<p>FALDER. I wanted the money so badly, sir. I didn't know what I was doing.</p>
<p>COKESON. However such a thing could have come into your head!</p>
<p>FALDER. [Grasping at the words] I can't think, sir, really! It was just a
minute of madness.</p>
<p>JAMES. A long minute, Falder. [Tapping the counterfoil] Four days at
least.</p>
<p>FALDER. Sir, I swear I didn't know what I'd done till afterwards, and then
I hadn't the pluck. Oh! Sir, look over it! I'll pay the money back—I
will, I promise.</p>
<p>JAMES. Go into your room.</p>
<blockquote>
<p>FALDER, with a swift imploring look, goes back into his room. There is
silence.</p>
</blockquote>
<p>JAMES. About as bad a case as there could be.</p>
<p>COKESON. To break the law like that-in here!</p>
<p>WALTER. What's to be done?</p>
<p>JAMES. Nothing for it. Prosecute.</p>
<p>WALTER. It's his first offence.</p>
<p>JAMES. [Shaking his head] I've grave doubts of that. Too neat a piece of
swindling altogether.</p>
<p>COKESON. I shouldn't be surprised if he was tempted.</p>
<p>JAMES. Life's one long temptation, Cokeson.</p>
<p>COKESON. Ye-es, but I'm speaking of the flesh and the devil, Mr. James.
There was a woman come to see him this morning.</p>
<p>WALTER. The woman we passed as we came in just now. Is it his wife?</p>
<p>COKESON. No, no relation. [Restraining what in jollier circumstances would
have been a wink] A married person, though.</p>
<p>WALTER. How do you know?</p>
<p>COKESON. Brought her children. [Scandalised] There they were outside the
office.</p>
<p>JAMES. A real bad egg.</p>
<p>WALTER. I should like to give him a chance.</p>
<p>JAMES. I can't forgive him for the sneaky way he went to work—
counting on our suspecting young Davis if the matter came to light. It was
the merest accident the cheque-book stayed in your pocket.</p>
<p>WALTER. It must have been the temptation of a moment. He hadn't time.</p>
<p>JAMES. A man doesn't succumb like that in a moment, if he's a clean mind
and habits. He's rotten; got the eyes of a man who can't keep his hands
off when there's money about.</p>
<p>WALTER. [Dryly] We hadn't noticed that before.</p>
<p>JAMES. [Brushing the remark aside] I've seen lots of those fellows in my
time. No doing anything with them except to keep 'em out of harm's way.
They've got a blind spat.</p>
<p>WALTER. It's penal servitude.</p>
<p>COKESON. They're nahsty places-prisons.</p>
<p>JAMES. [Hesitating] I don't see how it's possible to spare him. Out of the
question to keep him in this office—honesty's the 'sine qua non'.</p>
<p>COKESON. [Hypnotised] Of course it is.</p>
<p>JAMES. Equally out of the question to send him out amongst people who've
no knowledge of his character. One must think of society.</p>
<p>WALTER. But to brand him like this?</p>
<p>JAMES. If it had been a straightforward case I'd give him another chance.
It's far from that. He has dissolute habits.</p>
<p>COKESON. I didn't say that—extenuating circumstances.</p>
<p>JAMES. Same thing. He's gone to work in the most cold-blooded way to
defraud his employers, and cast the blame on an innocent man. If that's
not a case for the law to take its course, I don't know what is.</p>
<p>WALTER. For the sake of his future, though.</p>
<p>JAMES. [Sarcastically] According to you, no one would ever prosecute.</p>
<p>WALTER. [Nettled] I hate the idea of it.</p>
<p>COKESON. That's rather 'ex parte', Mr. Walter! We must have protection.</p>
<p>JAMES. This is degenerating into talk.</p>
<blockquote>
<p>He moves towards the partners' room.</p>
</blockquote>
<p>WALTER. Put yourself in his place, father.</p>
<p>JAMES. You ask too much of me.</p>
<p>WALTER. We can't possibly tell the pressure there was on him.</p>
<p>JAMES. You may depend on it, my boy, if a man is going to do this sort of
thing he'll do it, pressure or no pressure; if he isn't nothing'll make
him.</p>
<p>WALTER. He'll never do it again.</p>
<p>COKESON. [Fatuously] S'pose I were to have a talk with him. We don't want
to be hard on the young man.</p>
<p>JAMES. That'll do, Cokeson. I've made up my mind. [He passes into the
partners' room.]</p>
<p>COKESON. [After a doubtful moment] We must excuse your father. I don't
want to go against your father; if he thinks it right.</p>
<p>WALTER. Confound it, Cokeson! why don't you back me up? You know you feel——</p>
<p>COKESON. [On his dignity] I really can't say what I feel.</p>
<p>WALTER. We shall regret it.</p>
<p>COKESON. He must have known what he was doing.</p>
<p>WALTER. [Bitterly] "The quality of mercy is not strained."</p>
<p>COKESON. [Looking at him askance] Come, come, Mr. Walter. We must try and
see it sensible.</p>
<p>SWEEDLE. [Entering with a tray] Your lunch, sir.</p>
<p>COKESON. Put it down!</p>
<blockquote>
<p>While SWEEDLE is putting it down on COKESON's table, the detective,
WISTER, enters the outer office, and, finding no one there, comes to the
inner doorway. He is a square, medium-sized man, clean-shaved, in a
serviceable blue serge suit and strong boots.</p>
</blockquote>
<p>COKESON. [Hoarsely] Here! Here! What are we doing?</p>
<p>WISTER. [To WALTER] From Scotland Yard, sir. Detective-Sergeant Blister.</p>
<p>WALTER. [Askance] Very well! I'll speak to my father.</p>
<blockquote>
<p>He goes into the partners' room. JAMES enters.</p>
</blockquote>
<p>JAMES. Morning! [In answer to an appealing gesture from COKESON] I'm
sorry; I'd stop short of this if I felt I could. Open that door. [SWEEDLE,
wondering and scared, opens it] Come here, Mr. Falder.</p>
<blockquote>
<p>As FALDER comes shrinkingly out, the detective in obedience to a sign
from JAMES, slips his hand out and grasps his arm.</p>
</blockquote>
<p>FALDER. [Recoiling] Oh! no,—oh! no!</p>
<p>WALTER. Come, come, there's a good lad.</p>
<p>JAMES. I charge him with felony.</p>
<p>FALTER. Oh, sir! There's some one—I did it for her. Let me be till
to-morrow.</p>
<blockquote>
<p>JAMES motions with his hand. At that sign of hardness, FALDER becomes
rigid. Then, turning, he goes out quietly in the detective's grip. JAMES
follows, stiff and erect. SWEEDLE, rushing to the door with open mouth,
pursues them through the outer office into the corridor. When they have
all disappeared COKESON spins completely round and makes a rush for the
outer office.</p>
</blockquote>
<p>COKESON: [Hoarsely] Here! What are we doing?</p>
<blockquote>
<p>There is silence. He takes out his handkerchief and mops the sweat from
his face. Going back blindly to his table, sits down, and stares blankly
at his lunch.</p>
</blockquote>
<blockquote>
<p>The curtain falls.</p>
</blockquote>
<div style="break-after:column;"></div><br />