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<div class="figcenter"> <ANTIMG class="plain" src="images/fcover.jpg" alt="Front Cover" title="The Old Tobacco Shop By William Bowen" /></div>
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<p class="center" style="font-size: smaller">
By<br/>
WILLIAM BOWEN<br/>
The Enchanted Forest<br/>
The Old Tobacco Shop<br/></p>
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<div class="figcenter"> <ANTIMG src="images/frontis.png" alt=""Lord bless us!" cried the hunch back. "Look at that!"" /> <p class="caption">"Lord bless us!" cried the hunch back. "Look at that!"</p> </div>
<h1><i>The Old Tobacco Shop</i></h1>
<br/>
<span style="font-size: smaller">
<i>A True Account of What Befell<br/>
a Little Boy in Search<br/>
of Adventure</i>
</span>
<br/><br/>
<h3>By</h3>
<h2>WILLIAM BOWEN</h2>
<br/>
<div class="initquot">
<p><i>Though you believe it not, I care not much: but an honest man,
and of good judgment, believeth still what is told him, and that
which he finds written.</i>—<span class="smcap">Rabelais</span>.</p>
</div>
<p class="center">
<br/><br/>
New York<br/>
THE MACMILLAN COMPANY<br/>
1921<br/>
<span style="font-size: smaller"><i>All rights reserved</i></span>
<br/><br/>
PRINTED IN THE UNITED STATES OF AMERICA</p>
<p class="center"><span class="smcap">Copyright</span>, 1921<br/>
BY THE MACMILLAN COMPANY</p>
<p class="center">Set up and Electrotyped. Published October, 1921</p>
<p class="center">FERRIS PRINTING COMPANY<br/>
NEW YORK</p>
<hr class="minor" />
<p class="center">To<br/>
<span style="font-size: larger">BILLY AND JOHN</span><br/>
TWO LITTLE BOYS<br/></p>
<hr class="minor" /></div>
<h3><SPAN name="PRINCIPAL_PERSONS" id="PRINCIPAL_PERSONS"></SPAN>PRINCIPAL PERSONS</h3>
<div style="margin-left: 30%;">
<p>Freddie<br/>
Mr. Toby<br/>
Aunt Amanda<br/>
Mr. Punch<br/>
The Churchwarden<br/>
Mr. Hanlon<br/>
The Sly Old Fox<br/>
The Old Codger with the Wooden Leg<br/>
Mr. Lemuel Mizzen<br/>
The Cabin-Boy<br/>
Marmaduke<br/>
Captain Lingo<br/>
Ketch the Practitioner<br/>
The Third Vice-President<br/>
Mr. Matthew Speak<br/>
Shiraz the Rug-Merchant<br/>
The King and Queen<br/>
Robert, Jenny, and James<br/>
Mr. Punch's Father<br/></p>
</div>
<hr class="major" />
<h3><SPAN name="LIST_OF_ILLUSTRATIONS" id="LIST_OF_ILLUSTRATIONS"></SPAN>LIST OF ILLUSTRATIONS</h3>
<ol class="TOC">
<li><span>"Lord bless us!" cried the hunch back. "Look at that!"</span>
<span class="ralign"><SPAN href="#Frontispiece">Frontispiece</SPAN></span>
</li>
<li>"I'm Lemuel Mizzen, A.B., that's me!"
<span class="ralign"><SPAN href="#image01">50</SPAN></span>
</li>
<li>"L-l-Lem!" shrieked the parrot. "Who's your f-f-f-friends?"
<span class="ralign"><SPAN href="#image02">86</SPAN></span>
</li>
<li>Mr. Hanlon was standing on his feet by the log on which his head had been cut off
<span class="ralign"><SPAN href="#image03">134</SPAN></span>
</li>
<li>Shiraz the Rug-Merchant looked at his visitor with little beady black eyes
<span class="ralign"><SPAN href="#image04">188</SPAN></span>
</li>
<li>"Ah, yes," said Aunt Amanda, "there's no place like the Old Tobacco Shop after all"
<span class="ralign"><SPAN href="#image05">235</SPAN></span>
</li>
</ol>
<div style="text-align: left; margin-bottom: 4.00em; margin-top: 4.00em;">
<hr class="major" />
<h3><SPAN name="CONTENTS" id="CONTENTS"></SPAN>CONTENTS</h3>
<ol class="TOC" style="list-style-type: upper-roman;" >
<li>Mr. Punch and the Clock-Tower
<span class="ralign"><SPAN href="#Page_1">1</SPAN></span>
</li>
<li>Aunt Amanda and the Two Old Codgers
<span class="ralign"><SPAN href="#Page_9">9</SPAN></span>
</li>
<li>Introducing the Churchwarden
<span class="ralign"><SPAN href="#Page_22">22</SPAN></span>
</li>
<li> In which Mr. Hanlon makes a Great Impression
<span class="ralign"><SPAN href="#Page_31">31</SPAN></span>
</li>
<li>The Chinaman's Head
<span class="ralign"><SPAN href="#Page_39">39</SPAN></span>
</li>
<li>Lemuel Mizzen, A.B.
<span class="ralign"><SPAN href="#Page_48">48</SPAN></span>
</li>
<li>The Hands of the Clock come Together
<span class="ralign"><SPAN href="#Page_54">54</SPAN></span>
</li>
<li>Celluloid Cuffs and a Silk Hat
<span class="ralign"><SPAN href="#Page_60">60</SPAN></span>
</li>
<li>The Odour of Sanctity
<span class="ralign"><SPAN href="#Page_65">65</SPAN></span>
</li>
<li>Captain Higginson and the Spanish Main
<span class="ralign"><SPAN href="#Page_69">69</SPAN></span>
</li>
<li>A Mixed Company in search of Adventure
<span class="ralign"><SPAN href="#Page_74">74</SPAN></span>
</li>
<li>The Voyage of the Sieve
<span class="ralign"><SPAN href="#Page_81">81</SPAN></span>
</li>
<li>The Cabin-Boy's Revenge
<span class="ralign"><SPAN href="#Page_93">93</SPAN></span>
</li>
<li>The Cruise of the Mattresses
<span class="ralign"><SPAN href="#Page_107">107</SPAN></span>
</li>
<li>A Fall in the Dark
<span class="ralign"><SPAN href="#Page_111">111</SPAN></span>
</li>
<li>Captain Lingo and a Fine Piece of Head-Work
<span class="ralign"><SPAN href="#Page_122">122</SPAN></span>
</li>
<li>High Dudgeon and Low Dudgeon
<span class="ralign"><SPAN href="#Page_139">139</SPAN></span>
</li>
<li>The Society for Piratical Research
<span class="ralign"><SPAN href="#Page_146">146</SPAN></span>
</li>
<li>A Knock at the Door
<span class="ralign"><SPAN href="#Page_160">160</SPAN></span>
</li>
<li>The City of Towers
<span class="ralign"><SPAN href="#Page_171">171</SPAN></span>
</li>
<li>Shiraz the Rug-Merchant
<span class="ralign"><SPAN href="#Page_178">178</SPAN></span>
</li>
<li>Six Enchanted Souls
<span class="ralign"><SPAN href="#Page_187">187</SPAN></span>
</li>
<li>From the Fire Back to the Frying-Pan
<span class="ralign"><SPAN href="#Page_196">196</SPAN></span>
</li>
<li>Disenchantment Complete
<span class="ralign"><SPAN href="#Page_200">200</SPAN></span>
</li>
<li>The Old Man of the Mountain
<span class="ralign"><SPAN href="#Page_209">209</SPAN></span>
</li>
<li>The King's Tower
<span class="ralign"><SPAN href="#Page_216">216</SPAN></span>
</li>
<li>The Sorcerer's Den
<span class="ralign"><SPAN href="#Page_222">222</SPAN></span>
</li>
<li>The Old Tobacco Shop
<span class="ralign"><SPAN href="#Page_231">231</SPAN></span>
</li>
</ol></div>
<hr class="major" />
<p><!-- Page 1 --><span class="pagenum"><SPAN name="Page_1" id="Page_1">[Pg 1]</SPAN></span></p>
<h2><SPAN name="THE_OLD_TOBACCO_SHOP" id="THE_OLD_TOBACCO_SHOP"></SPAN>THE OLD TOBACCO SHOP</h2>
<h2><SPAN name="CHAPTER_I" id="CHAPTER_I"></SPAN>CHAPTER I</h2>
<h3>MR. PUNCH AND THE CLOCK-TOWER</h3>
<p>When the Little Boy first went to the Old
Tobacco Shop, he stood a long while before
going in, to look at the wooden figure which
stood beside the door.</p>
<p>His father was sitting at home in his carpet-slippers,
waiting for tobacco for his pipe, but when the
Little Boy saw the wooden figure he forgot all about
hurrying,—"Now don't be long," his mother had said,
and his father had said "Hurry back,"—but he forgot
all about hurrying, and stood and looked at the wooden
figure a long time: a little hunchbacked man, not so
very much taller than himself, on a low wooden box,
holding out in one hand a packet of black wooden
cigars. His back was terribly humped up between his
shoulders, his face was square and bony, if wood can
be said to be bony, he was bareheaded and bald-headed,
he had a wide mouth, and his high nose curved down
over it and his pointed chin curved up under it; and
his breast stuck out in front almost as much as his
shoulders stuck out behind.</p>
<p>The Little Boy's name was Freddie; his mother
called him that, and his father usually called him Fred;<!-- Page 2 --><span class="pagenum"><SPAN name="Page_2" id="Page_2">[Pg 2]</SPAN></span>
but sometimes his father called him Frederick, in fact
whenever he didn't come back after he had been told
to hurry, and then his father looked at him—you
know that look—and said "Frederick!" just like that.
But his mother never called him anything but Freddie,
even when he was late.</p>
<p>He grasped his money tight in his hand, as he had
been told to do, and stood and looked at the little
hunchbacked wooden man holding out his packet of
black wooden cigars. "I wonder," thought Freddie,
"what makes him so crooked?" He walked around
him and looked at his back. He walked around in
front of him again and wondered if the black cigars in
his hand would smoke; he decided he would ask about
it. The little man wore blue knee breeches and black
stockings and buckled shoes, and his coat was cut away
in front over his stomach and had two tails behind,
down to his knees. It was easy to see that he wasn't
a boy, though, even if he did wear knee breeches; you
only had to look at his face, for he had the kind of
hard boniness in his face that grown-ups have. Freddie
made up his mind that he liked him, anyway; and it
must have been hard to have to stand out there all day
without moving, rain or shine, and offer that bunch of
cigars to all the people who went by, and never get
a single soul to take them. Freddie put out his other
hand (not the one with the money in it) towards the
cigars, but he quickly drew it back, for he looked at
the little man's face at the same time, and there was
something about his eyes—anyhow, he stood back a
little.</p>
<p>"Better be careful o' Mr. Punch, young feller," said
a deep voice from the shop door.</p>
<p>Freddie looked, and in the doorway, leaning against
the doorpost, with his hands in his trousers' pockets,<!-- Page 3 --><span class="pagenum"><SPAN name="Page_3" id="Page_3">[Pg 3]</SPAN></span>
and one foot crossed over the other, stood a little man,
not so very much taller than himself, and certainly no
taller than the figure on the stand, who stared at Freddie
as if he knew all about human boys and did not
trust them out of his sight. Freddie looked at him
and then at the wooden figure beside the door; they
might have been brothers. The little man had a hump
on his back, and his breast stuck out in front; his
head was big and square, and he had high cheek-bones;
his face was bony and his mouth wide, and his big
nose curved down and his chin curved up; but he
did not wear knee breeches; his trousers were the
trousers of grown-ups, and his coat was a square coat,
buttoned tight over his chest from top to bottom. He
was bareheaded, and he had plenty of hair, brushed
from the top of his head down towards his forehead.
He looked as if he belonged to the tobacco shop; or
perhaps the tobacco shop belonged to him.</p>
<p>He stared at Freddie without blinking, and there was
something in his eyes—anyway, Freddie stepped back,
and held his money tighter in his hand behind him.</p>
<p>"You'd <i>better</i> stand away from Mr. Punch," said the
hunchbacked man, without moving.</p>
<p>"Yes, sir," said Freddie.</p>
<p>"Did you say 'why'? Because you know I'm terrible
deef, and can't never hear boys when they talk
down in their stomicks. I'll <i>tell</i> you why, as long as
you ast me. Do you see that clock on the church-tower
over there?" He nodded his big wooden head
up the street, without taking his hands from his pockets.
Freddie looked, and there the clock was, plain enough.
"Well," said the hunchbacked man, "I'll tell you, seeing
as you insist upon it, and won't take no for an answer:
but you mustn't never tell it to no one. Do you
promise me that? Cross your heart?"</p>
<p>"Yes, sir," said Freddie.<!-- Page 4 --><span class="pagenum"><SPAN name="Page_4" id="Page_4">[Pg 4]</SPAN></span></p>
<p>"Done," said the hunchback. "Mr. Punch's father
lives up there behind that clock. And sometimes, just
exactly when the two hands of that clock come together,
one on top of the other, mind you, like you lay one stick
along another, Mr. Punch's father comes out and stands
on that there sill under the clock; he's a little old man
with a long white beard; and he stands there and puts
his hand to his mouth and calls down here to Mr.
Punch, and Mr. Punch climbs down off his little perch
and goes over to that church, and climbs up the inside
of that tower to the very top and meets his father!
And I've heard tell that they have regular high jinks
up there all by theirselves, and vittles! more vittles and
drink than you ever seen at one time; yes, sir; a regular
feast, as sure as you're born; and they don't only
eat vittles; no, sir; if they can only get hold of a
nice plump little boy or two, with plenty o' meat to
him, that's what they like best; and if it happens to be
night-time, there's a lot of queer ones with 'em up
there, and all sorts of queer noises—you ask the sextant
over there about it—<i>he's</i> heard 'em; and if you
should just happen to be around when Mr. Punch
climbs down off of this here perch, you'd better look
out; for he's just as likely as not to snatch you up
and carry you off with him up there into that church-tower
to his father, and if he does <i>that</i>, that's the last
of you; and your ma and your pa could cry their
eyes out, and it wouldn't be no use; you'd be <i>gone</i>!
And never come back no more. They say there's many
a boy been took up into that tower by Mr. Punch here
when his father comes out and calls him. But he
don't <i>always</i> come out when the hands of the clock
come together; nobody ever knows when he's going
to do it, no sirree; Mr. Punch himself never knows
when his father's going to call him. Lord bless us!"
cried the little hunchback, looking up again in alarm at<!-- Page 5 --><span class="pagenum"><SPAN name="Page_5" id="Page_5">[Pg 5]</SPAN></span>
the clock in the church-tower. "Lord bless us, look
at that!"</p>
<p>Freddie stared at the clock. It was twenty-five minutes
past five. He knew how to tell twelve o'clock
and ten minutes to ten, but he had never got as far
as twenty-five minutes past five; he could easily see,
however, that the big hand was almost on top of the
little hand. He edged away further from the wooden
figure on the box; he was almost sure that the hand
which held the cigars moved a little.</p>
<p>The hunchbacked man in the doorway stood up
straight on his two feet and took his hands out of
his pockets.</p>
<p>"Look alive, young feller!" he said. "It's pretty
near time! In another minute! I can't help it if Mr.
Punch's father comes out and—Quick, boy! Come
here to me, before it's too late! I'll see if I can
save you!"</p>
<p>Freddie gave another look at the clock; the hands
were surely almost together, and quick as a flash he
darted to the hunchback and hid behind him and held
on to his coat, peeping around him through the doorway.
The little man put his arm about Freddie and
held him close; it was a strong muscular arm, and
Freddie felt quite safe. The little man could not have
been laughing, for his face was as solemn and wooden-looking
as ever; but Freddie could feel his body shaking
all over, he couldn't tell why.</p>
<p>"You'd better come in and see Aunt Amanda," he
said, "before it's too late. You'll be safe in there."</p>
<p>He took Freddie by the hand and drew him into the
shop.</p>
<p>The Old Tobacco Shop stands at the corner of two
streets, as you surely must know if you have ever
been in the city that lies on the river called Patapsco,
which runs along ever so far out of a great bay where
ships sail from all over the world, called Chesapeake<!-- Page 6 --><span class="pagenum"><SPAN name="Page_6" id="Page_6">[Pg 6]</SPAN></span>
Bay. It is an old brick house, and you go into the
shop by the door that opens in the side just round the
corner, not in the front, for there isn't any door at
the front, but only a window with pipes and cigars
and tobacco in it, and the stuffed head of a bull-dog
with a pipe in his mouth. The house is only one story
and a half high, and has a steep gabled roof, with
two dormer windows in the slope of the roof above the
side of the house, and one dormer window in the
slope of the roof above the shop-window in front,
where the bull-dog is. All the other houses fronting
in the row are good high two-story houses; why this
corner house never grew up like the others, no one
knows.</p>
<p>When Freddie was standing at the corner of the
street, before he had seen the wooden figure offering
his bundle of wooden cigars there beside the door, he
looked down the street that runs along the side of the
shop, across the street that crosses it, and saw the
masts of tall ships in the harbor beside the wharves;
some with their sails up, some with their sails hanging
most untidily, and some with their sails neatly
rolled up and tied; and he would certainly have gone
down there, only his father had told him to hurry.</p>
<p>Freddie lived in a fine two-story brick house in
a row like this one, a long, long way off; three squares
off (they say "squares" in that city when they mean
a straight line between two streets and not a square at
all) down the same street on which the Old Tobacco
Shop fronts; and it really takes a good while to go all
that way, for there is a boy half-way down, a big boy,
who belongs to a Gang, and likes to bully little boys,
and you have to watch your chance to get out of his
way, and there is a place with a knot-hole in the fence
where you can see all kinds of rusty springs and bed-rails
and birdcages and barrel hoops piled up inside<!-- Page 7 --><span class="pagenum"><SPAN name="Page_7" id="Page_7">[Pg 7]</SPAN></span>
the yard, and a tin-can factory where you can pick up
little round pieces of tin just as good as dollars, and
a church (where the clock is) with a fat old man
sitting on the pavement in a chair tilted back against
the church wall smoking a long pipe, who doesn't
mind being stared at from the curbstone, and a street-car
track where you have to look out for the horse-car,
which is very dangerous when the horse begins to trot,
and—but Freddie hadn't lived long in his fine two-story
house in that street, and these things were new
to him and took time. But the newest and biggest
thing he had yet found (not that it was really big, you
know) was the wooden hunchback outside the door of
the Old Tobacco Shop; and you have seen how much
time <i>that</i> took.</p>
<p>Freddie found himself inside the shop, and his hand
grasped tight by the big strong hand of the hunchback,
so tight that he wriggled a little to get loose;
but the hunchback only held him tighter. "Come
along," he said, "you'd better come in here and see
my Aunt Amanda, or Mr. Punch may step out and
get you; and <i>then</i> where would you be?"</p>
<p>Freddie looked back out of doors over his shoulder,
but it did not seem as if Mr. Punch meant to step
out that time. He breathed easier. The shop was
a very little shop, with shelves on the wall behind
the counter, and a window in front where he saw the
back of the bull-dog's head. The two show-cases on
the counter were full of pipes of all kinds, and cigars
and tobacco and cigarettes, and piled on the shelves
were boxes of cigars and jars and tins of tobacco, and
on the wooden top of the counter between the two show-cases
stood a tobacco-cutter and a little pair of scales
with a scoop lying beside it and little iron weights in
a box. The counter ran from the front window
lengthwise to the back of the shop, and at the back,<!-- Page 8 --><span class="pagenum"><SPAN name="Page_8" id="Page_8">[Pg 8]</SPAN></span>
on your left as you went in, was a closed door. A
wooden chair with arms stood beside the front window.
You could get behind the counter only by a swinging
gate at the back end. There was a delightful warm
odour about the place, very much the same odour
Freddie liked to smell when his father opened his old
tobacco-box on the mantel-piece in the sitting-room
upstairs and filled his pipe, when he came home in the
evening and put on his carpet-slippers and spread out
that everlasting newspaper that had no pictures in it.
He never could understand why his mother opened all
the windows the next morning.</p>
<p>"All right, young feller," said the hunchback, "we'll
get on the other side of that door, and then we'll be
safe. Here we are."</p>
<p>They reached the door at the back of the shop, and
the hunchback opened it and pulled Freddie into the
back room and closed the door behind them. Freddie
hung back a little, but his hand was gripped tight, and
he couldn't have got away if he had tugged with all
his might. He was not so much afraid now of Mr.
Punch and his father, but he didn't know what this
little man was going to do with him; and besides, his
father had told him to hurry.</p>
<p>In this back room, near a window which looked out
on the street, sat a lady. The hunchback marched
Freddie up to her and stopped there before her, and
wagged his head sidewise towards the Little Boy. The
hunchback and the Little Boy stood hand in hand, and
the lady looked at them steadily.</p>
<hr class="major" />
<!-- Page 9 --><p class="pagenum"><SPAN name="Page_9" id="Page_9" />[Pg 9]</p>
<div style="break-after:column;"></div><br />