<h2><SPAN name="CHAPTER_VII" id="CHAPTER_VII"></SPAN>CHAPTER VII</h2>
<h3>THE HANDS OF THE CLOCK COME TOGETHER</h3>
<p>It was some minutes before Freddie recovered from
his astonishment. Certainly this was a strange
Sailorman. And he had come all the way from the
China Sea at a puff of the Chinaman's tobacco! Certainly
magic tobacco, that! But it was a pity that Mr.
Mizzen had been called away from the China Sea, all
for nothing, while he was so busy gathering boxes to
box compasses with! No wonder he had felt put out
about it. And it must have been a queer sort of ship,
with its shutters, and all those skippers and mates—did
they really like to knit and sew after they had got
the ship to going? It would be a wonderful thing to
sail in a ship like that; he wished he had thought to
ask Mr. Mizzen more about it. He must tell Aunt
Amanda at once.</p>
<p>He ran to the back door and burst into the back
room, crying out "Aunt Amanda!"</p>
<p>Aunt Amanda was sound asleep in her chair, with her
head back and her mouth open; the gas was burning
brightly overhead, and the clock was ticking away distinctly
on the mantel-piece.</p>
<p>"Aunt Amanda!" cried Freddie.</p>
<p>She awoke with a jump, blinked her eyes, and said:</p>
<p>"Hah! Where's the—what's the—who said—Where's
Toby? What's the matter?"</p>
<p>"It's me, Aunt Amanda," cried Freddie, breathlessly,
"and the Sailorman's just been here and gone,
and I called him with the pipe, and I can call him whenever<!-- Page 55 --><span class="pagenum"><SPAN name="Page_55" id="Page_55">[Pg 55]</SPAN></span>
I want him, and he gave me a piece of paper, and
he talks like a singing-book, and there's a parrot that
stutters, and they have to bale out the water with dippers
because the ship's named The Sieve, and we
mustn't lose the paper because the runaway sailor wore
false whiskers, and he feeds on tacks instead of pins,
and we have to hold on tight to the paper, and one of
the men on the ship is always late, and we mustn't lose
the paper, because——"</p>
<p>"Stop! Stop!" said Aunt Amanda. "What on earth
is the child talking about? What's all this about a
Sailorman and a paper?"</p>
<p>"He's the one that brought the Chinaman's tobacco
from China, and he gave me a piece of paper, and
here it is, and we mustn't lose it, because——"</p>
<p>"One minute, Freddie! Now you just stand right
there, perfectly still, and tell me about it slowly. Now,
then; what about this Sailorman? Slow, slow."</p>
<p>It was a long time before Freddie made her understand
exactly what had happened, but at last she did
understand, from beginning to end. She was grieved
and horrified that he had smoked the tobacco, but
there was no help for it now, and she was too much
excited by his tale to scold him very long.</p>
<p>"What's the paper he give you?" said she, when he
had told her everything.</p>
<p>Freddie put the paper in her hand, and she unfolded
it carefully.</p>
<p>"Why," said she, "it's a map!"</p>
<p>"What kind of a map?" said Freddie.</p>
<p>"It's a map of an Island," said Aunt Amanda.
"Where's Toby? I wish he would come home. It
looks like an Island, and there's writing here on it.
Looks like some sailorman might have drawn it,
maybe; it's certainly pretty old. I wish Toby would
come."<!-- Page 56 --><span class="pagenum"><SPAN name="Page_56" id="Page_56">[Pg 56]</SPAN></span></p>
<p>"What's the writing on it, Aunt Amanda?" said
Freddie.</p>
<p>"Well, here at the top it says, 'Correction Island,'
and under that it says, 'Spanish Main.' Bless me;
that's where the pirates used to——"</p>
<p>"Pirates?" said Freddie, his eyes sparkling.</p>
<p>"Yes, pirates, of course. You've heard of the
Spanish Main, haven't you?"</p>
<p>"Yes'm. It's a long way off. You have to go there
in a ship. Have you ever been there?"</p>
<p>"Me? Me been to the Spanish Main? Mercy
sakes, no, child! What would I be doing on the Spanish
Main? I ain't been outside of this town since I
was born."</p>
<p>"Wouldn't I like to go there! Pirates!" said
Freddie. "Oh jiminy!"</p>
<p>"You mustn't use such dreadful language," said
Aunt Amanda. "I wonder where Toby is? Just look
at that clock! Why, bless me, it's twenty-seven minutes
to seven."</p>
<p>Freddie looked, and saw that the hands of the clock
were together, one on top of the other. It was the
hour for Mr. Punch's father to call Mr. Punch from
the church-tower.</p>
<p>"Toby's got to talkin' with that barber again, as
sure as you live; when they once begin, they never
know when to leave off. I wish he'd——"</p>
<p>As she said this, the door opened, and in walked
Mr. Toby himself.</p>
<p>"Sorry I'm so late," he cried, "but the barber got
to talking about—What, young feller, are you still
here?" He turned and called through the open door to
someone behind him in the shop. "Come in! Make
you acquainted with my aunt and a young chap here—Don't
be bashful, come right in! Nobody's goin' to
eat you!"</p>
<p>Mr. Toby held the door wide open, and made way<!-- Page 57 --><span class="pagenum"><SPAN name="Page_57" id="Page_57">[Pg 57]</SPAN></span>
for a little gentleman who now advanced into the room.
He was a hunchbacked man, of the same height as
Toby, and he was holding out in one hand a bunch of
black cigars; he was bareheaded and bald-headed; he
had high cheek-bones and a big chin and a hooked
nose; he wore blue knee breeches and black stockings
and buckled shoes, and his coat was cut away in front
over his stomach and had two tails behind, down to
his knees. His joints creaked a little as he walked.
He made a stiff bow to Aunt Amanda, and another
one to Freddie.</p>
<p>"Come in, Mr. Punch," said Toby, "you don't need
to hold them cigars any longer. Give 'em to me."
And he took them from Mr. Punch and laid them on
the table. He then went to Mr. Punch and linked his
arm in his, and the two hunchbacks stepped forward
together and stood before Aunt Amanda.</p>
<p>"Allow me to present my friend Mr. Punch," said
Toby. "Just as I was coming in, I heard a voice sing
out 'Punch!' from the church-tower, and Mr. Punch
stepped down from his perch, and I invited him to
come in, and here we are."</p>
<p>"Good hevening, marm," said Mr. Punch. His
voice sounded harsh, as if his throat were rusty. "Good
hevening, young sir. Hit's wery pleasant within-doors,
wery pleasant indeed; Hi carn't s'y it's so blooming
agreeable hout there on my box, hall d'y and hall
night; the gaslight is wery welcome to me poor heyes,
I assure you, marm. Hi trust I see you well, marm."</p>
<p>"Mercy on us!" said Aunt Amanda, who had been
speechless with astonishment. "Freddie, it's Mr.
Punch himself, bless me if it ain't!"</p>
<p>Freddie edged a little closer to Aunt Amanda, for
he was afraid Mr. Punch might snatch him up and
carry him off to his father in the tower. Mr. Punch
noticed this.</p>
<p>"'Ave no fear, me good sir," said Mr. Punch, his<!-- Page 58 --><span class="pagenum"><SPAN name="Page_58" id="Page_58">[Pg 58]</SPAN></span>
wide mouth expanding in a smile, almost to his ears.
"Hi sharn't see me father this night, hif me kind friends
will permit me to enjoy their society for a brief period,
together with their charmin' gaslight, which it is wery
dim hall night in the street and quite hunsatisfactory,
accordingly most pleased to haccept me friend Toby's
kind 'ospitality, Hi assure you. One grows quite
cramped in one's legs and one's harms when one 'as
to remain in one position on one's box hall night, unless
one's father should tyke hit into 'is 'ead to call one
hup for a bit of a lark, and one can never be sure of
one's father's 'aving it in 'is 'ead to call one hup, to s'y
nothing of one's fingers coming stiffer and stiffer with
one's parcel of cigars 'eld out in one's 'and, and no 'at
on one's 'ead, and no 'air on one's 'ead to defend one
against the hevening hair, with one's nose dropping
hicicles in winter, so that one never knows when one
will lose one's nose off of one's fyce——"</p>
<p>"Excuse me," said Aunt Amanda. It was evident
that Mr. Punch was a talkative person. "Are you an
Englishman?"</p>
<p>"Ho lor' miss, indeed!" said Mr. Punch. "A Henglishman
as ever was, Hi assure you. But I 'opes I give
myself no hairs."</p>
<p>Freddie gave up trying to understand the difference
between air and hair; it was plain enough that the
bald-headed man had never given himself any hair, so
it couldn't be that. Anyway, this was an Englishman,
and Freddie was glad that he would now probably
have a chance to hear English spoken, which he had
never heard before.</p>
<p>"Toby," said Aunt Amanda, "Freddie has seen the
Sailorman from China, and he has a map. I'll tell
you about it."</p>
<p>Thereupon she related the story of Mr. Lemuel
Mizzen, as she had got it from Freddie. Mr. Toby
and Mr. Punch were both tremendously impressed.<!-- Page 59 --><span class="pagenum"><SPAN name="Page_59" id="Page_59">[Pg 59]</SPAN></span></p>
<p>"It's too bad," said Mr. Toby, "this young feller
here had to go and smoke the Chinaman's tobacco
after I told him not to; it's too bad, that's what it is.
What did you mean by it, sir?"</p>
<p>"Hit's a wery naughty haction indeed," said Mr.
Punch. "Wery reprehensible. Wery. Hi carn't s'y
as I ever 'eard of a thing so hextremely reprehensible.
Now when Hi was a lad——"</p>
<p>"You don't say so!" said Mr. Toby. "Well, I don't
see anything so very bad about it. I'd a' done it myself
if I'd been in his place. What do you mean by saying
that my Freddie's reprehensible? I won't have nobody
callin' him names, I won't, and what's more——"</p>
<p>"No offense, Toby! No offense!" cried Mr. Punch.
"Sorry, Hi assure you. Wery reprehensible of me to
s'y such a thing. Wery. Pray be calm; be calm."</p>
<p>"Well, then," grumbled Toby, "don't you go and
say nothing about Freddie, because—Anyway, let's
have a look at the map."</p>
<p>At that moment there came a timid knock upon the
door.</p>
<p>"Who next?" said Toby. "Come in!"</p>
<hr class="major" />
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