<h2><SPAN name="CHAPTER_V" id="CHAPTER_V"></SPAN>CHAPTER V</h2>
<h3>OLIVE</h3>
<blockquote><p>'The yearnings of her solitary spirit, the out-gushings of her
shrinking sensibility, the cravings of her alienated heart, are
indulged only in the quiet holiness of her solitude. The world
sees not, guesses not the conflict, and in the ignorance of
others lies her strength.'—<span class="smcap">Bethmont.</span></p>
</blockquote>
<hr style="width: 65%;" />
<p>Dinner was hardly a sociable meal at the vicarage. Olive was in her
place looking hot and dusty when Mildred came downstairs, and Chriss
tore in and took her seat in breathless haste, but the boys did not make
their appearance till it was half over. Richard immediately seated
himself by his aunt, and explained the reason of their delay in a low
tone, though he interrupted himself once by a few reproachful words to
Olive on the comfortless appearance of the room.</p>
<p>'It is Chriss's fault,' returned Olive. 'I have asked her so often not
to bring all that litter in at dinner-time; and, Chriss, you have pulled
down the blind too.'</p>
<p>Richard darted an angry look at the offender, which was met defiantly,
and then he resumed the subject, though with a perturbed brow. Roy and
he had been over to Musgrave to read classics with the vicar. Roy had
left Sedbergh, and since their trouble their father had been obliged to
resign this duty to another. 'He was bent on preparing me for Oxford
himself, but since his illness he has occupied himself solely with
parish matters. So Mr. Wigram offered to read with us for a few months,
and as the offer was too good a one to be refused, Roy and I walk over
three or four times a week.'</p>
<p>'Have you settled to take Holy Orders then, Richard?' asked Mildred, a
little surprised.</p>
<p>'It has been settled for me, I believe,' he returned, a slight hardness
perceptible in his voice; 'at least it is my father's great wish, and I
have not yet made up my mind to disappoint him, though I own there is a
probability of my doing so.'</p>
<p>'And Roy?'</p>
<p>Richard smiled grimly. 'You had better ask him; he is looked upon in the
light of a sucking barrister, but he is nothing but a dabbler in art at
present; he has been under a hedge most of the morning, taking the
portrait of a tramp that he chose to consider picturesque. Where is your
Zingara, Roy?' But Roy chose to be deaf, and went on eagerly with his
plans for the afternoon's excursion to Podgill.</p>
<p>Mildred watched the party set out, Polly and Chriss in their
broad-brimmed hats, and Roy with a sketch-book under his arm. Richard
was going over to Nateby with his father. Olive looked after them
longingly.</p>
<p>'My dear, are you not going too? it will do you good; and I am sure you
have a headache.'</p>
<p>'Oh, it is nothing,' returned Olive, putting her hair back with her
hands; 'it is so warm this afternoon, and——'</p>
<p>'And you were up late last night,' continued Mildred in a sympathising
voice.</p>
<p>'Not later than usual. I often work when the others go to bed; it does
not hurt me,' she finished hastily, as a dissenting glance from Mildred
met her. 'Indeed, I am quite strong, and able to bear much more.'</p>
<p>'We must not work the willing horse, then. Come, my dear, put on your
hat; or let me fetch it for you, and we will overtake the Podgill
party.'</p>
<p>'Oh no,' returned Olive, shrinking back, and colouring nervously. 'You
may go, aunt; but Rex does not want me, or Chriss either; nobody wants
me—and I have so much work to do.'</p>
<p>'What sort of work, mending?'</p>
<p>'Yes, all the socks and things. I try to keep them under, but there is a
basketful still. Roy and Chriss are so careless, and wear out their
things; and then you heard Richard say he could not trust me with his.'</p>
<p>'Richard is particular; many young men are. You must not be so
sensitive, Olive. Well, my dear, I shall be very glad of your help, of
course; but these things will be my business now.'</p>
<p>Olive contracted her brow in a puzzled way. 'I do not understand.'</p>
<p>'Not that I have come to be your father's housekeeper, and to save your
young shoulders from being quite weighed down with burdens too heavy for
them? There, come into my room, and let us talk this matter over at our
leisure. Our fingers can be busy at the same time;' and drawing the girl
gently to a low seat by the open window, Mildred placed herself beside
her, and was soon absorbed in the difficulties of a formidable rent.</p>
<p>'You must be tired too, aunt,' observed Olive presently, with an
admiring glance at the erect figure and nimble fingers.</p>
<p>'Not too tired to listen if you have anything to tell me,' returned
Mildred with a winning smile. 'I want to hear where all those books were
going this morning, and why Chriss was running on empty-handed.'</p>
<p>'Chriss does not like carrying things, and I don't mind,' replied Olive.
'We go every morning, and in the afternoon too when we are able, to
study with Mrs. Cranford; she is so nice and clever. She is a
Frenchwoman, and has lived in Germany half her life; only she married an
Englishman.'</p>
<p>'And you study with her?'</p>
<p>'Yes, Dr. Heriot recommended her; she was a great friend of his, and
after her husband's death—he was a lawyer here—she was obliged to do
something to maintain herself and her three little girls, so Dr. Heriot
proposed her opening a sort of school; not a regular one, you know, but
just morning and afternoon classes for a few girls.'</p>
<p>'Have you many companions?'</p>
<p>'No; only Gertrude Sadler and the two Misses Northcote. Polly is to join
us, I believe.'</p>
<p>'So her guardian says. I hope, you like our young <i>protégée</i> Olive.'</p>
<p>'I shall not dislike her, at least, for one reason,' and as Mildred
looked up in surprise, she added more graciously, 'I mean we are all so
fond of Dr. Heriot that we will try to like her for his sake.'</p>
<p>'Polly deserves to be loved for her own sake,' replied Mildred, somewhat
piqued at Olive's coldness. 'I was wrong to ask you such a question. Of
course you cannot judge of any one in so short a time.'</p>
<p>'Oh, it is not that,' returned Olive, eager, and yet stammering. 'I am
afraid I am slow to like people always, and Polly seems so bright and
clever, that I am sure never to get on with her.'</p>
<p>'My dear Olive, you must not allow yourself to form such morbid ideas.
Polly is very original, and will charm you into liking her, before many
days are over; even our fastidious Richard shows signs of relenting.'</p>
<p>'Oh, but he will never care for her as Roy seems to do already. Cardie
cares for so few people; you don't half know how particular he is, and
how soon he is offended; nothing but perfection will ever please him,'
she finished with a sigh.</p>
<p>'We must not be too hard in our estimate of other people. I am half
inclined to find fault with Richard myself in this respect; he does not
make sufficient allowance for a very young housekeeper,' laying her hand
softly on Olive's dark hair; and as the girl looked up at her quickly,
surprised by the caressing action, Mildred noticed, for the first time,
the bright intelligence of the brown eyes.</p>
<p>'Oh, you must not say that,' she returned, colouring painfully. 'Cardie
is very good, and helps me as much as he can; but you see he was so used
to seeing mamma do everything so beautifully.'</p>
<p>'It is not worse for Richard than for the others.'</p>
<p>'Oh yes, it is; she made so much of him, and they were always together.
Roy feels it dreadfully; but he is light-hearted, and forgets it at
times. I don't think Cardie ever does.'</p>
<p>'How do you know; does he tell you so?' asked Mildred, with kindly
scrutiny.</p>
<p>Olive shook her head mournfully. 'No, he never talks to me, at least in
that way; but I know it all the same; one can tell it by his silence and
pained look. It makes him irritable too. Roy has terrible breaks-down
sometimes, and so has Chriss; but no one knows what Cardie suffers.'</p>
<p>Mildred dropped her work, and regarded the young speaker attentively.
There was womanly thoughtfulness, and an underlying tenderness in the
words of this girl of fifteen; under the timid reserve there evidently
beat a warm, affectionate heart. For a moment Mildred scanned the
awkward hunching of the shoulders, the slovenly dress and hair, and the
plain, cloudy face, so slow to beam into anything like a smile; Olive's
normal expression seemed a heavy, anxious look, that furrowed her brow
with unnatural lines, and made her appear years older than her actual
age; the want of elasticity and the somewhat slouching gait confirming
this impression.</p>
<p>'If she were not so plain; if she would only dress and hold herself like
other people, and be a little less awkward,' sighed Mildred. 'No wonder
Richard's fastidiousness is so often offended; but his continual
fault-finding makes her worse. She is too humble-minded to defend
herself, and too generous to resent his interference. If I do not
mistake, this girl has a fine nature, though it is one that is difficult
to understand; but to think of this being Betha's daughter!' and a
vision rose before Mildred of the slight, graceful figure and active
movements of the bright young house-mother, so strangely contrasted with
Olive's clumsy gestures.</p>
<p>The silence was unbroken for a little time, and then Olive raised her
head. 'I think I must go down now, the others will be coming in. It has
been a nice quiet time, and has done my head good; but,' a little
plaintively, 'I am afraid I have not done much work.'</p>
<p>Mildred laughed. 'Why not? you have not looked out of the window half so
often as I have. I suppose you are too used to all that purple
loveliness; your eyes have not played truant once.'</p>
<p>'Yes, it is very beautiful; but one seems to have no time now to enjoy,'
sighed the poor drudge. 'You work so fast, aunt; your fingers fly. I
shall always be awkward at my needle; mamma said so.'</p>
<p>'It is a pity, of course; but perhaps your talents lie in another
direction,' returned her aunt, gravely. 'You must not lose heart, Olive.
It is possible to acquire ordinary skill by persevering effort.'</p>
<p>'If one had leisure to learn—I mean to take pains. But look, how little
I have done all this afternoon.' Olive looked so earnest and lugubrious
that Mildred bit her lip to keep in the amused smile.</p>
<p>'My dear,' she returned quaintly, 'there is a sin not mentioned in the
Decalogue, but which is a very common one among women, nevertheless,
"the lust of finishing." We ought to love work for the work's sake, and
leave results more than we do. Over-hurry and too great anxiety for
completion has a great deal to do with the overwrought nerves of which
people complain nowadays. "In quietness and in confidence shall be your
strength."'</p>
<p>Olive looked up with something like tears in her eyes. 'Oh, aunt, how
beautiful. I never thought of that.'</p>
<p>'Did you not? I will illuminate the text for you and hang it in your
room. So much depends on the quietness we bring to our work; without
being exactly miserly with our eyes and hands, as you have been this
afternoon, one can do so much with a little wise planning of our time,
always taking care not to resent interference by others. You will think
I deal in proverbial philosophy, if I give you another maxim, "Man's
importunity is God's opportunity."'</p>
<p>'I will always try to remember that when Chriss interrupts me, as she
does continually,' answered Olive, thoughtfully. 'People say there are
no such things as conflicting duties, but I have often such hard work to
decide—which is the right thing to be done.'</p>
<p>'I will give you an infallible guide then: choose that which seems
hardest, or most disagreeable; consciences are slippery things; they
always give us such good reasons for pleasing ourselves.'</p>
<p>'I don't think that would answer with me,' returned Olive doubtfully.
'There are so many things I do not like, the disagreeable duties quite
fill one's day. I like hearing you talk very much, aunt. But there is
Cardie's voice, and he will be disappointed not to find the tea ready
when he comes in from church.'</p>
<p>'Then I will not detain you another moment; but you must promise me one
thing.'</p>
<p>'What is that?'</p>
<p>'There must be no German book behind the urn to-night. Better ill-learnt
verbs than jarring harmony, and a trifle that vexes the soul of another
ceases to be a trifle. There, run along, my child.'</p>
<p>Mildred had seen very little of her brother that day, and after tea she
accompanied him for a quiet stroll in the churchyard. There was much
that she had to hear and tell. Arnold would fain know the particulars of
his mother's last hours from her lips, while she on her side yearned for
a fuller participation in her brother's sorrow, and to gather up the
treasured recollections of the sister she had loved so well.</p>
<p>The quiet evening hour—the scene—the place—fitted well with such
converse. Arnold was less reticent to-night, and though his smothered
tones of pain at times bore overwhelming testimony to the agony that had
shattered his very soul, his expressions of resignation, and the absence
of anything like bitterness in the complaint that he had lost his youth,
the best and brightest part of himself, drew his sister's heart to him
in endearing reverence.</p>
<p>'I was dumb, and opened not my mouth, because Thou didst it,' seemed to
be the unspoken language of his thoughts, and every word breathed the
same mournful submission to what was felt to be the chastisement of
love.</p>
<p>'Dear, beautiful Betha; but she was ready to go, Arnold?'</p>
<p>'None so ready as she—God forbid it were otherwise—but I do not know.
I sometimes think the darling would have been glad to stay a little
longer with me. Hers was the nature that saw the sunny side of life.
Heriot could never make her share in his dark views of earthly troubles.
If the cloud came she was always looking for the silver lining.'</p>
<p>'It is sad to think how rare these natures are,' replied Mildred. 'What
a contrast to our mother's sickbed!'</p>
<p>'Ah, then we had to battle with the morbidity of hypochondria, the
sickness of the body aggravated by the diseased action of the mind, the
thickening of shadows that never existed except in one weary brain. My
darling never lost her happy smile except when she saw my grief. I think
that troubled the still waters of her soul. In thinking of their end,
Mildred, one is reminded of Bunyan's glorious allegory—glorious,
inspired, I should rather say. That part where the pilgrims make ready
for their passage across the river. My darling Betha entered the river
with the sweet bravery of Christiana, while, according to your account,
my poor mother's sufferings only ceased with her breath.'</p>
<p>'Yet she was praying for the end to come, Arnold.'</p>
<p>'Yes, but the grasshopper was ever a burden to her. Do you remember what
stout old Bunyan says? "The last words of Mr. Despondency were: Farewell
night! Welcome day! His daughter (Much-afraid) went through the river
singing, but no one could understand what she said."'</p>
<p>'As no one could tell the meaning of the sweet solemn smile that crossed
our mother's face at the last; she had no fears then, Arnold.'</p>
<p>'Just so. If she could have spoken she would have doubtless told you
that such was the case, or used such words as Mr. Despondency leaves as
his dying legacy. Do you remember them, Mildred? They are so true of
many sick souls,' and he quoted in a low sweet voice, '"My will and my
daughter's is (that tender, loving Much-afraid, Milly), that our
desponds and slavish fears be by no man ever received from the day of
our departure for ever, for I know after my death they will offer
themselves to others. For, to be plain with you, they are ghosts which
we entertained when we first began to be pilgrims, and could never throw
them off after; and they will walk about and seek entertainment of the
pilgrims; but, for our sakes, shut the doors upon them."'</p>
<p>'It is a large subject, Arnold, and a very painful one.'</p>
<p>'It is one on which you should talk to Heriot; he has a fine
benevolence, and is very tender in his dealings with these
self-tormentors. He is always fighting the shadows, as he calls them.'</p>
<p>'I have often wondered why women are so much more morbid than men.'</p>
<p>'Their lives are more to blame than they; want of vigour and action, a
much-to-be-deplored habit of incessant introspection and a too nice
balancing of conscientious scruples, a lack of large-mindedness, and
freedom of principle. All these things lie at the root of the mischief.
As John Heriot has it, "The thinking machine is too finely polished."'</p>
<p>'I fancy Olive is slightly bitten with the complaint,' observed Mildred,
wishing to turn her brother's thought to more practical matters.</p>
<p>'Indeed! her mother never told me so. She once said Olive was a noble
creature in a chrysalis state, and that she had a mind beyond the
generality of girls, but she generally only laughed at her for a
bookworm, and blamed her for want of order. I don't profess to
understand my children,' he continued mournfully; 'their mother was
everything to them. Richard often puzzles me, and Olive still more. Roy
is the most transparent, and Christine is a mere child. It has often
struck me lately that the girls are in sad need of training. Betha was
over-lenient with them, and Richard is too hard at times.'</p>
<p>'They are at an angular age,' returned his sister, smiling. 'Olive seems
docile, and much may be made of her. I suppose you wish me to enter on
my new duties at once, Arnold?'</p>
<p>'The sooner the better, but I hope you do not expect me to define them?'</p>
<p>'Can a mother's duties be defined?' she asked, very gravely.</p>
<p>'Sweetly said, Milly. I shall not fear to trust my girls to you after
that. Ah, there comes Master Richard to tell us the dews are falling.'</p>
<p>Richard gave Mildred a reproachful look as he hastened to his father's
side.</p>
<p>'You have let him talk too much; he will have no sleep to-night, Aunt
Milly. You have been out here more than two hours, and supper is
waiting.'</p>
<p>'So late, Cardie? Well, well; it is something to find time can pass
otherwise than slowly now. You must not find fault with your aunt; she
is a good creature, and her talk has refreshed me. I hope, Milly, you
and my boy mean to be great friends.'</p>
<p>'Do you doubt it, sir?' asked Richard gravely.</p>
<p>'I don't doubt your good heart, Cardie, though your aunt may not always
understand your manner,' answered his father gently. 'Youth is sometimes
narrow-minded and intolerant, Milly. One graduates in the school of
charity later in life.'</p>
<p>'I understand your reproof, sir. I am aware you consider me often
overbearing and dogmatical, but in my opinion petty worries would try
the temper of a saint.'</p>
<p>'Pin-pricks often repeated would be as bad as a dagger-thrust, and not
nearly so dignified. Never mind, Cardie, many people find toleration a
very difficult duty.'</p>
<p>'I could never tolerate evils of our own making, and what is more, I
should never consider it my duty to do so. I do not know that you would
have to complain of my endurance in greater matters.'</p>
<p>'Possibly not, Cardie. This boy of mine, Milly,' pressing the strong
young arm on which he leant, 'is always leading some crusade or other.
He ought to have lived centuries ago, and belted on his sword as a Red
Cross Knight. He would have brought us home one of the dragon's heads at
last.'</p>
<p>'You are jesting,' returned Richard, with a forced smile.</p>
<p>'A poor jest, Cardie, then; only clothing the truth in allegory. After
all, you are right, my boy, and I am somewhat weary; help me to my
study. I will not join the others to-night.'</p>
<p>Richard's face so plainly expressed 'I told you so,' that Mildred felt a
warm flush come to her face, as though she had been discovered in a
fault. It added to her annoyance also to find on inquiry that Olive had
been shut up in her room all the evening, 'over Roy's socks,' as Chrissy
explained, while the others had been wandering over the fells at their
own sweet will.</p>
<p>'This will never do; you will be quite ill, Olive,' exclaimed Mildred,
impatiently; but as Richard entered that moment, to fetch some wine for
his father, she forbore to say any more, only entering a mental resolve
to kidnap the offending basket and lock it up safely from Olive's
scrupulous fingers.</p>
<p>'I am coming into your room to have a talk,' whispered Polly when supper
was over; 'I have hardly seen you all day. How I do miss not having my
dear Aunt Milly to myself.'</p>
<p>'I don't believe you have missed me at all, Polly,' returned Mildred,
stroking the short hair, and looking with a sort of relief into the
bright piquant face, for her heart was heavy with many sad thoughts.</p>
<p>'Roy and I have been talking about you, though; he has found out you
have a pretty hand, and so you have.'</p>
<p>'Silly children.'</p>
<p>'He says you are awfully jolly. That is the schoolboy jargon he talks;
but he means it too; and even Chriss says you are not so bad, though she
owned she dreaded your coming.'</p>
<p>Mildred winced at this piece of unpalatable intelligence, but she only
replied quietly, 'Chrissy was afraid I should prove strict, I suppose.'</p>
<p>'Oh, don't let us talk of Chriss,' interrupted Polly, eagerly; 'she is
intolerable. I want to tell you about Roy. Do you know, Aunt Milly, he
wants to be an artist.'</p>
<p>'Richard hinted as much at dinner time.'</p>
<p>'Oh, Richard only laughs at him, and thinks it is all nonsense; but I
have lived among artists all my life,' continued Polly, drawing herself
up, 'and I am quite sure Roy is in earnest. We were talking about it all
the afternoon, while Chrissy was hunting for bird-nests. He told me all
his plans, and I have promised to help him.'</p>
<p>'It appears his father intends him to be a barrister.'</p>
<p>'Yes; some old uncle left him a few hundred pounds, and Mr. Lambert
wished him to go to the University, and, as he had no vocation for the
Church, to study for the bar. Roy told me all about it; he cannot bear
disappointing his father, but he is quite sure that he will make nothing
but an artist.'</p>
<p>'Many boys have these fancies. You ought not to encourage him in it
against his father's wish.'</p>
<p>'Roy is seventeen, Aunt Milly; as he says, he is no child, and he draws
such beautiful pictures. I have told him all about Dad Fabian, and he
wants to have him here, and ask his advice about things. Dad could look
after Roy when he goes to London. Roy and I have arranged everything.'</p>
<p>'My dear Polly,' began Mildred, in a reproving tone; but her
remonstrance was cut short, for at that instant loud sobs were
distinctly audible from the farthest room, where the girls slept.</p>
<p>Mildred rose at once, and softly opened the door; at the same moment
there was a quick step on the stairs, and Richard's low, admonishing
voice reached her ear; but as the loud sobbing sounds still continued,
Mildred followed him in unperceived.</p>
<p>'Hush, Chrissy. What is all this about? You are disturbing my father;
but, as usual, you only think of yourself.'</p>
<p>'Please don't speak to her like that, Cardie,' pleaded Olive. 'She is
not naughty; she has only woke up in a fright; she has been dreaming, I
think.'</p>
<p>'Dreaming!—I should think so, with that light full in her eyes, those
sickening German books as usual,' with a glance of disgust at the little
round table, strewn with books and work, from which Olive had evidently
that moment risen. 'There, hush, Chrissy, like a good girl, and don't
let us have any more of this noise.'</p>
<p>'No, I can't. Oh, Cardie, I want mamma—I want mamma!' cried poor
Chrissy, rolling on her pillow in childish abandonment of sorrow, but
making heroic efforts to stifle her sobs. 'Oh, mamma—mamma—mamma!'</p>
<p>'Hush!—lie silent. Do you think you are the only one who wants her?'
returned Richard, sternly; but the hand that held the bedpost shook
visibly, and he turned very pale as he spoke. 'We must bear what we have
to bear, Chrissy.'</p>
<p>'But I won't bear it,' returned the spoilt child. 'I can't bear it,
Cardie; you are all so unkind to me. I want to kiss her, and put my arms
round her, as I dreamt I was doing. I don't love God for taking her
away, when she didn't want to go; I know she didn't.'</p>
<p>'Oh, hush, Chriss—don't be wicked!' gasped out Olive, with the tears in
her eyes; but, as though the child's words had stung him beyond
endurance, Richard turned on her angrily.</p>
<p>'What is the good of reasoning with a child in this state? can't you
find something better to say? You are of no use at all, Olive. I don't
believe you feel the trouble as much as we do.'</p>
<p>'Yes, she does. You must not speak so to your sister, Richard. Hush, my
dear—hush;' and Mildred stooped with sorrowful motherly face over the
pillow, where Chrissy, now really hysterical, was stuffing a portion of
the sheet in her mouth to resist an almost frantic desire to scream. 'Go
to my room, Olive, and you will find a little bottle of sal-volatile on
my table. The child has been over-tired. I noticed she looked pale at
supper.' And as Olive brought it to her with shaking hand and pallid
face, Mildred quietly measured the drops, and, beckoning to Richard to
assist her, administered the stimulating draught to the exhausted child.
Chrissy tried to push it away, but Mildred's firm, 'You must drink it,
my dear,' overcame her resistance, though her painful choking made
swallowing difficult.</p>
<p>'Now we will try some nice fresh water to this hot face and these
feverish hands,' continued Mildred, in a brisk, cheerful tone; and
Chrissy ceased her miserable sobbing in astonishment at the novel
treatment. Every one but Dr. Heriot had scolded her for these fits, and
in consequence she had used an unwholesome degree of restraint for a
child: an unusually severe breakdown had been the result.</p>
<p>'Give me a brush, Olive, to get rid of some of this tangle. I think we
look a little more comfortable now, Richard. Let me turn your pillow,
dear—there, now;' and Mildred tenderly rested the child's heavy head
against her shoulder, stroking the rough yellowish mane very softly.
Chrissy's sobs were perceptibly lessening now, though she still gasped
out 'mamma' at intervals.</p>
<p>'She is better now,' whispered Mildred, who saw Richard still near them.
'Had you not better go downstairs, or your father will wonder?'</p>
<p>'Yes, I will go,' he returned; yet he still lingered, as though some
visitings of compunction for his hardness troubled him. 'Good-night,
Chrissy;' but Chrissy, whose cheek rested comfortably against her aunt's
shoulder, took no notice. Possibly want of sympathy had estranged the
little sore heart.</p>
<p>'Kiss your brother, my dear, and bid him good-night. All this has given
him pain.' And as Chrissy still hesitated, Richard, with more feeling
than he had hitherto shown, bent over them, and kissed them both, and
then paused by the little round table.</p>
<p>'I am very sorry I said that, Livy.'</p>
<p>'There was no harm in saying it, if you thought it, Cardie. I am only
grieved at that.'</p>
<p>'I ought not to have said it, all the same; but it is enough to drive
one frantic to see how different everything is.' Then, in a whisper, and
looking at Mildred, 'Aunt Milly has given us all a lesson; me, as well
as you. You must try to be like her, Livy.'</p>
<p>'I will try;' but the tone was hopeless.</p>
<p>'You must begin by plucking up a little spirit, then. Well, good-night.'</p>
<p>'Good-night, Cardie,' was the listless answer, as she suffered him to
kiss her cheek. 'It was only Olive's ordinary want of demonstration,'
Richard thought, as he turned away, a little relieved by his voluntary
confession; 'only one of her cold, tiresome ways.'</p>
<p>Only one of her ways!</p>
<p>Long after Chrissy had fallen into a refreshing sleep, and Mildred had
crept softly away to sleepy, wondering Polly, Olive sat at the little
round table with her face buried in her arms, both hid in the
loosely-dropping hair.</p>
<p>'I could have borne him to have said anything else but this,' she
moaned. 'Not feel as they do, not miss her as much, my dear, beautiful
mother, who never scolded me, who believed in me always, even when I
disappointed her most;—oh, Cardie, Cardie, how could you have found it
in your heart to say that!'</p>
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