<h2><SPAN name="CHAPTER_VI" id="CHAPTER_VI"></SPAN>CHAPTER VI</h2>
<h3>CAIN AND ABEL</h3>
<div class="poem"><div class="stanza">
<span class="i0">'There was a little stubborn dame<br/></span>
<span class="i0">Whom no authority could tame;<br/></span>
<span class="i0">Restive by long indulgence grown,<br/></span>
<span class="i0">No will she minded but her own.'—<span class="smcap">Wilkie.</span><br/></span></div>
</div>
<hr style="width: 65%;" />
<p>Chrissy was sufficiently unwell the next day to make her aunt's petting
a wholesome remedy. In moments of languor and depression even a
whimsical and erratic nature will submit to a winning power of
gentleness, and Chriss's flighty little soul was no exception to the
rule: the petting, being a novelty, pleased and amused her, while it
evidently astonished the others. Olive was too timid and awkward, and
Richard too quietly matter-of-fact, to deal largely in caresses, while
Roy's demonstrations somehow never included Contradiction Chriss.</p>
<p>Chriss unfortunately belonged to the awkward squad, whose manœuvres
were generally held to interfere with every one else. People gave her a
wide berth; she trod on their moral corns and offended their tenderest
prejudices; she was growing up thin-lipped and sharp-tongued, and there
was a spice of venom in her words that was not altogether childlike.</p>
<p>'My poor little girl,' thought Mildred, as she sat beside her working;
'it is very evident that the weeds are growing up fast for lack of
attention. Some flowers will only grow in the sunshine; no child's
nature, however sweet, will thrive in an atmosphere of misunderstanding
and constant fault-finding.'</p>
<p>Chrissy liked lying in that cool room, arranging Aunt Milly's work-box,
or watching her long white fingers as they moved so swiftly. Without
wearying the overtasked child, Mildred kept up a strain of pleasant
conversation that stimulated curiosity and raised interest. She had even
leisure and self-denial enough to lay aside a half-crossed darn to read
a story when Chriss's nerves seemed jarring into fretfulness again, and
was rather pleased than otherwise when, at a critical moment, long-drawn
breaths warned her that she had fallen into a sound sleep.</p>
<p>Mildred sat and pondered over a hundred new plans, while tired Chriss
lay with the sweet air blowing on her and the bees humming underneath
the window. Now and then she stole a glance at the little figure,
recumbent under the heartsease quilt. 'She would be almost pretty if
those sharp lines were softened and that tawny tangle of hair arranged
properly; she has nice long eyelashes and a tolerably fair skin, though
it would be the better for soap and water,' thought motherly Mildred,
with the laudable anxiety of one determined to make the best of
everything, though a secret feeling still troubled her that Chrissy
would be the least attractive to her of the four.</p>
<p>Chrissy's sleep lengthened into hours; that kindly foster-nurse Nature
often taking restorative remedies of forcible narcotics into her own
hands. She woke hungry and talkative, and after partaking of the
tempting meal her aunt had provided, submitted with tolerable docility
when Mildred announced her intention of making war with the tangles.</p>
<p>'It hurts dreadfully. I often wish I were bald—don't you, Aunt Milly?'
asked Chrissy, wincing in spite of her bravery.</p>
<p>'In that case you will not mind if I thin some of this shagginess,'
laughed Mildred, at the same time arming herself with a formidable pair
of shears. 'I wonder you are not afraid of Absalom's fate when you go
bird-nesting.'</p>
<p>'I wish you would cut it all off, like Polly's,' pleaded Chriss, her
eyes sparkling at the notion. 'It makes my head so hot, and it is such a
trouble. It would be worth anything to see Cardie's face when I go
downstairs, looking like a clipped sheep; he would not speak to me for a
week. Do please, Aunt Milly.'</p>
<p>'My dear, do you think that such a desirable result?'</p>
<p>'What, making Cardie angry? I like to do it of all things. He never gets
into a rage like Roy—when you have worked him up properly—but his
mouth closes as though his lips were iron, as though it would never open
again; and when he does speak, which is not for a very long time, his
words seem to clip as sharp as your scissors—"Christine, I am ashamed
of you!"'</p>
<p>'Those were the very words I wanted to use myself.'</p>
<p>'What?' and Chrissy screwed herself round in astonishment to look in her
aunt's grave face. 'I am quite serious, I assure you, Aunt Milly. I
sha'n't mind if I look like a singed pony, or a convict; Rex is sure to
call me both. Shall I fetch a pudding-basin and have it done—as Mrs.
Stokes always does little Jem's?'</p>
<p>'Hush, Chrissy; this is pure childish nonsense. There! I've trimmed the
refractory locks: you look a tidy little girl now. You have really very
pretty hair, if you would only keep it in order,' continued Mildred,
trying artfully to rouse a spark of womanly vanity; but Chriss only
pouted.</p>
<p>'I would rather be like the singed pony.'</p>
<p>'Silly child!'</p>
<p>'Rex was in quite a temper when Polly said she hoped hers would never
grow again. You have spoiled such a capital piece of revenge, Aunt
Milly; I have almost a mind to do it myself.' But Chriss's
mischief-loving nature—always a dangerous one—was quelled for the
moment by the look of quiet contempt with which Mildred took the
scissors from her hand.</p>
<p>'I did not expect to find you such a baby at thirteen, Chriss.'</p>
<p>Chriss blazed up in a moment, with a great deal of spluttering and
incoherence. 'Baby! I a baby! No one shall call me that again!' tossing
her head and elevating her chin in childlike disdain.</p>
<p>'Quite right; I am glad you have formed such a wise determination, it
would have been babyish, Chriss,' wilfully misunderstanding her. 'None
but very wicked and spiteful babies would ever scheme to put another in
a rage. Do you know,' continued Mildred cheerfully, as she took up her
work, apparently regardless that Chrissy was eyeing her with the same
withering wrath, 'I always had a notion that Cain must have tried to put
Abel in a passion, and failed, before he killed him!'</p>
<p>Chrissy recoiled a little.</p>
<p>'Perhaps he wanted him to fight, as men and boys do now, you know, only
Abel's exceeding gentleness could not degenerate into such strife. To me
there is something diabolical in the idea of trying to make any one
angry. Certainly the weapons with which we do it are forged for us,
red-hot, and put into our hands by the evil one himself.'</p>
<p>'Aunt Milly!' Chrissy's head was quiescent now, and her chin in its
normal position: the transition from anger to solemnity bewildered her.
Mildred went on in the same quiet tone.</p>
<p>'You cannot love Cardie very much, when you are trying to make him
angry, can you, Chrissy?'</p>
<p>'No—o—at least, I suppose not,' stammered Chriss, who had no want of
truth among her other faults.</p>
<p>'Well, what is the opposite of loving?'</p>
<p>'Hating. Oh, Aunt Milly, you can't think so badly of me as that! I don't
hate Cardie.'</p>
<p>'God forbid, my child! You know what the Bible says—'He who hateth his
brother is a murderer.' But, Chrissy, does it ever strike you that Cain
could not always have been quite bad? He had a childhood too.'</p>
<p>'I never thought of him but as quite grown up,' returned Chriss, with a
touch of stubbornness, arising from an uneasy and awakened conscience.
'How fond you are of Cain, Aunt Milly.'</p>
<p>'He is my example, my warning beacon, you see. He was the first-begotten
of Envy, that eldest-born of Hell—a terrible incarnation of unresisted
human passion. Had he first learned to restrain the beginnings of evil,
it would not have overwhelmed him so completely. Possibly in their
young, hard-working life he would have loved to be able to make Abel
angry.'</p>
<p>'Aunt Milly!' Chrissy was shedding a few indignant tears now.</p>
<p>'Well, my dear?'</p>
<p>'It is too bad. You have no right to compare me with Cain,' sobbing
vengefully.</p>
<p>'Did I do so? Nay, Chriss, I think you are mistaken.'</p>
<p>'First to be called a baby, and then a murderer!'</p>
<p>'Hush! hush!'</p>
<p>'I know I am wicked to try and make them angry, but they tease me so;
they call me Contradiction, and the Barker, and Pugilist Pug, and lots
of horrid names, and it was only like playing at war to get one's
revenge.'</p>
<p>'Choose some fairer play, my little Chriss.'</p>
<p>'It is such miserable work trying to be proper and good; I don't think
I've got the face for it either,' went on Chriss, a subtle spirit of fun
drying up her tears again, as she examined her features curiously in
Mildred's glass. 'I don't look as though I could be made good, do I,
Aunt Milly'—frowning fiercely at herself—'not like a young Christian?'</p>
<p>'More like a long-haired kitten,' returned Mildred, quaintly.</p>
<p>The epithet charmed Chriss into instant good-humour; for a moment she
looked half inclined to hug Mildred, but the effort was too great for
her shyness, so she contented herself with a look of appreciation. 'You
can say funny things then—how nice! I thought you were so dreadfully
solemn—worse than Cardie. Cardie could not say a funny thing to save
his life, except when he is angry, and then, oh! he is droll,' finished
incorrigible Chriss, as she followed her aunt downstairs, skipping three
steps at a time.</p>
<p>Richard met them in the hall, and eyed the pseudo-invalid a little
dubiously.</p>
<p>'So you are better, eh, Chriss? That's right. I thought there was not
much that ailed you after all,' in a tone rather amiable than unfeeling.</p>
<p>'Not much to you, you mean. Perhaps you don't mind having a log in your
head,' began Chrissy, indignantly, but seeing visionary Cains in her
aunt's glance, she checked herself. 'If I am better it is all thanks to
Aunt Milly's nursing, but she spoilt everything at the last.'</p>
<p>'Why?' asked Richard, curiously, detecting a lurking smile at the corner
of Mildred's mouth.</p>
<p>'Why, I had concocted a nice little plan for riling you—putting you in
a towering passion, you know—by coming down looking like a singed pony,
or like Polly, in fact; but she would not let me, took the scissors
away, like the good aunt in a story-book.'</p>
<p>'What nonsense is she talking, Aunt Milly? She looks very nice, though
quite different to Chrissy somehow.'</p>
<p>'We have only shorn a little of the superabundant fleece,' returned
Mildred, wondering why she felt so anxious for Richard's approval, and
laughing at herself for being so.</p>
<p>'But I wanted it to be clipped just so, half an inch long, like</p>
<p>Jemmy Stokes, and offered to fetch Nan's best pudding-basin for the
purpose; but Aunt Milly would not hear of it. She said such dreadful
things, Cardie!' And as Richard looked at her, with puzzled benevolence
in his eyes, she raised herself on tiptoe and whispered into his ear,
'She said—at least she almost implied, but it is all the same,
Cardie—that if I did I should go on from bad to worse, and should
probably end by murdering you, as Cain did Abel.'</p>
<p>The following day was Sunday, and Mildred, who for her own reasons had
not yet actively assumed the reins of government, had full leisure and
opportunity for studying the family ways at the vicarage. In one sense
it was certainly not a day of rest, for, with the exception of Roy and
Chrissy, the young people seemed more fully engrossed than on any other
day.</p>
<p>Richard and Olive were both at the early service, and Mildred, who, as
usual, waited for her brother in the porch, was distressed to find Olive
still with her hat on, snatching a few mouthfuls of food at the
breakfast-table while she sorted a packet of reward cards.</p>
<p>'My dear Olive, this is very wrong; you must sit down and make a proper
meal before going to the Sunday School.'</p>
<p>'Indeed I have not a moment,' returned Olive, hurriedly, without looking
up. 'My class will be waiting for me. I have to go down to old Mrs.
Stevens about her grandchildren. I had no time last night. Richard
always makes the breakfast on Sunday morning.'</p>
<p>'Yes,' returned Richard, in his most repressive tone, as he poured out a
cup of coffee and carried it round to Olive, and then cut her another
piece of bread and butter. 'I believe Livy would like to dispense with
her meals altogether or take them standing. I tell her she is
comfortless by nature. She would go without breakfast often if I did not
make a fuss about it. There you must stay till you have eaten that.' But
Mildred noticed, though his voice was decidedly cross, he had cut the
bread <i>à la tartine</i> for his sister's greater convenience.</p>
<p>Morning service was followed by the early dinner. Mr. Lambert, who was
without a curate, the last having left him from ill-health, was obliged
to accept such temporary assistance as he could procure from the
neighbouring parishes. To-day Mr. Heath, of Brough, had volunteered his
services, and accompanied the party back to the vicarage. Mildred, who
had hoped to hear her brother preach, was somewhat disappointed. She
thought Mr. Heath and his sermon very commonplace and uninteresting.
Ideas seemed wanting in both. The conversation during dinner turned
wholly on parish matters, and the heinous misdemeanours of two or three
ratepayers who had made a commotion at the last vestry meeting. The only
sentence that seemed worthy of attention was at the close of the meal,
just as the bell was ringing for the public catechising.</p>
<p>'Where is Heriot? I have not set eyes on him yet!'</p>
<p>Richard, who was just following Olive out of the room, paused with his
hand on the door to answer.</p>
<p>'He has come back from Penrith. I met him by the Brewery after Church,
coming over from Hartly. He promised if he had time to look in after
service as usual.'</p>
<p>Polly's eyes sparkled, and she almost danced up to Richard, 'Heriot! Is
that my Dr. Heriot?' with a decided stress on the possessive pronoun.</p>
<p>'Oh, that's Heriot's ward, is it, Lambert? Humph, rather a queer affair,
isn't it, leaving that child to him? Heriot's a comparatively young man,
hardly five-and-thirty I should say,' and Mr. Heath's rosy face grew
preternaturally solemn.</p>
<p>'Polly is our charge now,' returned Mr. Lambert, with one of his kind,
sad smiles, stretching out a hand to the girl. 'Mildred has promised to
look after her; and she will be Olive's and Chrissy's companion. You are
one of my little girls now, are you not, Polly?' Polly shook her head,
her face had lengthened a little over Mr. Lambert's words.</p>
<p>'I like you, of course, and I like to be here. Aunt Milly is so nice,
and so is Roy; but I can only belong to my guardian.'</p>
<p>'Hoity-toity, there will be some trouble here, Lambert. You must put
Heriot on his guard,' and Mr. Heath burst out laughing; Polly regarding
him the while with an air of offended dignity.</p>
<p>'Did I say anything to make him laugh? there is nothing laughable in
speaking the truth. Papa gave me to my guardian, and of course that
means I belong to him.'</p>
<p>'Never mind, Polly, let Mr. Heath laugh if he likes. We know how to
value such a faithful little friend—do we not, Mildred?'—and patting
her head gently, he bade her fetch him a book he had left on his study
table, and to Mildred's relief the conversation dropped, and Mr. Heath
shortly afterwards took his departure.</p>
<p>Later on in the afternoon Mildred set out for a quiet walk to the
cemetery. Polly and Chriss were sunning themselves on the terrace, while
Roy was stretched in sleepy enjoyment on the grass at their feet, with
his straw hat pulled over his face. Richard had walked up to Kirkleatham
on business for his father. No one knew exactly what had become of
Olive.</p>
<p>'She will turn up at tea-time, she always does,' suggested Roy, in a
tone of dreamy indifference. 'Go on, Polly, you have a sweet little
voice for reading as well as singing. We are reading Milton, Aunt Milly,
only Polly sometimes stops to spell the long words, which somehow breaks
the Miltonic wave of harmony. Can't you fancy I am Adam, and you are
Eve, Polly, and this is a little bit of Paradise—just that delicious
dip of green, with the trees and the water; and the milky mother of the
herd coming down to the river to drink; and the rich golden streak of
light behind Mallerstang? If it were not Sunday now,' and Roy's fingers
grasped an imaginary brush.</p>
<p>'Roy and Polly seem to live in a Paradise of their own,' thought
Mildred, as she passed through the quiet streets. 'They have only known
each other for two days, and yet they are always together and share a
community of interest—they are both such bright, clever, affectionate
creatures. I wonder where Olive is, and whether she even knows what a
real idle hour of <i>dolce far niente</i> means. That girl must be taught
positively how to enjoy;' and Mildred pushed the heavy swinging cemetery
gates with a sigh, as she thought how joyless and weary seemed Olive's
life compared to that of the bright happy creature they had laid there.
Betha's nature was of the heartsease type; it seemed strange that the
mother had transmitted none of her sweet sunshiny happiness to her young
daughter; but here Mildred paused in her wonderings with a sudden start.
She was not alone as she supposed. She had reached a shady corner behind
the chapel, where there was a little plot of grass and an acacia tree;
and against the marble cross under which Betha Lambert's name was
written there sat, or rather leant—for the attitude was forlorn even in
its restfulness—a drooping, black figure easily recognised as Olive.</p>
<p>'This is where she comes on Sunday afternoons; she keeps it a secret
from the others; none of them have discovered it,' thought Mildred,
grieved at having disturbed the girl's sacred privacy, and she was
quietly retracing her steps, when Olive suddenly raised her head from
the book she was reading. As their eyes met, there was a start and a
sudden rush of sensitive colour to the girl's face.</p>
<p>'I did not know; I am so sorry to disturb you, my love,' began Mildred,
apologetically.</p>
<p>'It does not disturb me—at least, not much,' was the truthful answer.
'I don't like the others to know I come here—because—oh, I have
reasons—but this is your first visit, Aunt Milly,' divining Mildred's
sympathy by some unerring instinct.</p>
<p>'Yes—may I stay for a moment? thank you, my dear,' as Olive willingly
made room for her. 'How beautiful and simple; just the words she loved,'
and Mildred read the inscription and chosen text—'His banner over me is
love.'</p>
<p>'Do you like it? Mamma chose it herself; she said it was so true of her
life.'</p>
<p>'Happy Betha!' and in a lower voice, 'Happy Olive!'</p>
<p>'Why, Aunt Milly?'</p>
<p>'To have had such a mother, though it be only to lose her. Think of the
dear bright smiles with which she will welcome you all home.'</p>
<p>Olive's eyes glistened, but she made no answer. Mildred was struck with
the quiet repose of her manner; the anxious careworn look had
disappeared for the time, and the soft intelligence of her face bore the
stamp of some lofty thought.</p>
<p>'Do you always come here, Olive? At this time I mean.'</p>
<p>'Yes, always—I have never missed once; it seems to rest me for the
week. Just at first, perhaps, it made me sad, but now it is different.'</p>
<p>'How do you mean, my dear?'</p>
<p>'I don't know that I can put it exactly in words,' she returned,
troubled by a want of definite expression. 'At first it used to make me
cry, and wish I were dead, but now I never feel so like living as when I
am here.'</p>
<p>'Try to make me understand. I don't think you will find me
unsympathising,' in Mildred's tenderest tones.</p>
<p>'You are never that, Aunt Milly. I find myself telling you things
already. Don't you see, I can come and pour out all my trouble to her,
just as I used to? and sometimes I fancy she answers me, not in
speaking, you know, but in the thoughts that come as I sit here.'</p>
<p>'That is a beautiful fancy, Olive.'</p>
<p>'Others might laugh at it—Cardie would, I know, but it is impossible to
believe mamma can help loving us wherever she is; and she always liked
us to come and tell her everything, when we were naughty, or if we had
anything nice happening to us.'</p>
<p>'Yes, dear, I quite understand. But you were reading.'</p>
<p>'That was mamma's favourite book. I generally read a few pages before I
go. One seems to understand it all so much better in this quiet place,
with the sun shining, and all those graves round. One's little troubles
seem so small and paltry by comparison.'</p>
<p>Mildred did not answer. She took the book out of Olive's hand—it was
<i>Thomas à Kempis</i>—and a red pencil line had marked the following
passage:—</p>
<div class="poem"><div class="stanza">
<span class="i0">'Thou shalt not long toil here, nor always be oppressed with griefs.<br/></span>
<span class="i0">'Wait a little while, and thou shalt see a speedy end of thy evils.<br/></span>
<span class="i0">'There will come a time when all labour and trouble shall cease,<br/></span>
<span class="i0">'Poor and brief is all that passeth away with time.<br/></span>
<span class="i0">'Do [in earnest] what thou doest; labour faithfully in My vineyard: I will be thy recompense.<br/></span>
<span class="i0">'Write, read, chant, mourn, keep silence, pray, endure crosses manfully; life everlasting is worth all these conflicts, and greater than these.<br/></span>
<span class="i0">'Peace shall come in one day, which is known unto the Lord; and it shall not be day nor night (that is at this present time), but unceasing light, infinite brightness, stedfast peace, and secure rest.'<br/></span></div>
</div>
<p>'Don't you like it?' whispered Olive, timidly; but Mildred still made no
answer. How she had wronged this girl! Under the ungainly form lay this
beautiful soul-coinage, fresh from God's mint, with His stamp of
innocence and divinity fresh on it, to be marred by a world's use or
abuse.</p>
<p>Mildred's clear instinct had already detected unusual intelligence under
the clumsiness and awkward ways that were provocative of perpetual
censure in the family circle. The timidity that seemed to others a cloak
for mere coldness had not deceived her. But she was not prepared for
this faith that defied dead matter, and clung about the spirit footsteps
of the mother, bearing in the silence—that baffling silence to smaller
natures—the faint perceptive whispers of deathless love.</p>
<p>'Olive, you have made me ashamed of my own doubts,' she said at last,
taking the girl's hand and looking on the unlovely face with feelings
akin to reverence. 'I see now, as I never have done before, how a
thorough understanding robs even death of its terror—how "perfect love
casteth out fear."'</p>
<p>'If one could always feel as one does now,' sighed Olive, raising her
dark eyes with a new yearning in them. 'But the rest and the strength
seem to last for such a little time. Last Sunday,' she continued, sadly,
'I felt almost happy sitting here. Life seemed somehow sweet, after all,
but before evening I was utterly wretched.'</p>
<p>'By your own fault, or by that of others?'</p>
<p>'My own, of course. If I were not so provoking in my ways—Cardie, I
mean—the others would not be so hard on me. Thinking makes one absent,
and then mistakes happen.'</p>
<p>'Yes, I see.' Mildred did not say more. She felt the time was not come
for dealing with the strange idiosyncrasies of a peculiar and difficult
character. She was ignorant as yet what special gifts or graces of
imagination lay under the comprehensive term of 'bookishness,' which had
led her to fear in Olive the typical bluestocking. But she was not wrong
in the supposition that Olive's very goodness bordered on faultiness;
over-conscientiousness, and morbid scrupulosity, producing a sort of
mental fatigue in the onlooker—restfulness being always more highly
prized by us poor mortals than any amount of struggling and perceptible
virtue.</p>
<p>Mildred was a true diplomatist by nature—most womanly women are. It was
from no want of sympathy, but an exercise of real judgment, that she now
quietly concluded the conversation by the suggestion that they should go
home.</p>
<p>Mildred had the satisfaction of hearing her brother preach that evening,
and, though some of the old fire and vigour were wanting, and there were
at times the languid utterances of failing strength, still it was
evident that, for the moment, sorrow was forgotten in the deep
earnestness of one who feels the immensity of the task before him—the
awful responsibility of the cure of souls.</p>
<p>The text was, 'Why halt ye between two opinions?' and afforded a rich
scope for persuasive argument; and Mildred's attention never wavered but
once, when her eyes rested for a moment accidentally on Richard. He and
Roy, with some other younger members of the congregation, occupied the
choir-stalls, or rather the seats appropriated for the purpose, the real
choir-stalls being occupied by some of the neighbouring farmers and
their families—an abuse that Mr. Lambert had not yet been able to
rectify.</p>
<p>Roy's sleepy blue eyes were half closed; but Richard's forehead was
deeply furrowed with the lines of intense thought, a heavy frown settled
over the brows, and the mouth was rigid; the immobility of feature and
fixed contraction of the pupils bespeaking some violent struggle within.</p>
<p>The sunset clouds were just waning into pallor and blue-gray
indistinctness, with a lightning-like breadth of gold on the outermost
edges, when Mildred stepped out from the dark porch, with Polly hanging
on her arm.</p>
<p>'Is that Jupiter or Venus, Aunt Milly?' she asked, pointing to the sky
above them. 'It looks large and grand enough for Jupiter; and oh, how
sweet the wet grass smells!'</p>
<p>'You are right, my little astronomer,' said a voice close behind them.
'There is the king of planets in all his majesty. Miss Lambert, I hope
you recognise an old acquaintance as well as a new friend. Ah, Polly!
Faithful, though a woman! I see you have not forgotten me.' And Dr.
Heriot laughed a low amused laugh at feeling his disengaged hand grasped
by Polly's soft little fingers.</p>
<p>The laugh nettled her.</p>
<p>'No, I have not forgotten, though other people have, it seems,' she
returned, with a little dignity, and dropping his hand. 'Three whole
days, and you have never been to see us or bid us welcome! Do you wonder
Aunt Milly and I are offended?'</p>
<p>Mildred coloured, but she had too much good sense to disclaim a share in
Polly's childish reproaches.</p>
<p>'I will make my apology to Miss Lambert when she feels it is needed; at
present she might rather look upon it in the light of a liberty,'
observed Dr. Heriot, coolly. 'Country practitioners are not very
punctual in paying mere visits of ceremony. I hope you have recovered
from the fatigues of settling down in a new place, Miss Lambert?'</p>
<p>Mildred smiled. 'It is a very bearable sort of fatigue. Polly and I
begin to look upon ourselves as old inhabitants. Novelty and strangeness
soon wear off.'</p>
<p>'And you are happy, Polly?'—repossessing himself of the little hand,
and speaking in a changed voice, at once grave and gentle.</p>
<p>'Very—at least, when I am not thinking of papa' (the last very softly).
'I like the vicarage, and I like Roy—oh, so much!—almost as much as
Aunt Milly.'</p>
<p>'That is well'—with a benign look, that somehow included Mildred—'but
how about Mr. Lambert and Richard and Olive? I hope my ward does not
mean to be exclusive in her likings.'</p>
<p>'Mr Lambert is good, but sad—so sad!' returned Polly, with a solemn
shake of her head. 'I try not to look at him; he makes me ache all over.
And Olive is dreadful; she has not a bit of life in her; and she has got
a stoop like the old woman before us in church.'</p>
<p>'Some one would be the better for some of Olive's charity, I think,'
observed her guardian, laughing. 'You must take care of this little
piece of originality, Miss Lambert; it has a trifle too much keenness.
"The pungent grains of titillating dust," as Pope has it, perceptible in
your discourse, Polly, have a certain sharpness of flavour. So handsome
Dick is under the lash, eh?'</p>
<p>Polly held her peace.</p>
<p>'Come, I am curious to hear your opinion of Mentor the younger, as Rex
calls him.'</p>
<p>'"Sternly he pronounced the rigid interdiction" <i>vide</i> Milton. Don't go
away, Dick; it will be wholesome discipline on the score of listeners
hearing no good of themselves.'</p>
<p>'What, are you behind us, lads? Polly's discernment was not at fault,
then.'</p>
<p>'It was not that,' she returned, indifferently. 'Richard knows I think
him cross and disagreeable. He and Chrissy put me in mind sometimes of
the Pharisees and Sadducees.'</p>
<p>The rest laughed; but her guardian ejaculated, half-seriously, 'Defend
me from such a Polly!'</p>
<p>'Well, am I not right?' she continued, pouting. 'Chrissy never believes
anything, and Richard is always measuring out rules for himself and
other people. You know you are tiresome sometimes,' she continued,
facing round on Richard, to the great amusement of the others; but the
rigid face hardly relaxed into a smile. He was in no mood for amusement
to-night.</p>
<p>'Come, I won't have fault found with our young Mentor. I am afraid my
ward is a little contumacious, Miss Lambert,' turning to her, as she
stood with the little group outside the vicarage.</p>
<p>'I don't understand your long words; but I see you are all laughing at
me,' returned Polly, in a tone of such pique that Dr. Heriot very wisely
changed the conversation.</p>
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