<h2><SPAN name="CHAPTER_XXII" id="CHAPTER_XXII"></SPAN>CHAPTER XXII</h2>
<h3>DR. HERIOT'S WARD</h3>
<div class="poem"><div class="stanza">
<span class="i0">'I can pray with pureness<br/></span>
<span class="i0">For her welfare now—<br/></span>
<span class="i0">Since the yearning waters<br/></span>
<span class="i0">Bravely were pent in.<br/></span>
<span class="i0">God—He saw me cover,<br/></span>
<span class="i0">With a careless brow,<br/></span>
<span class="i0">Signs that might have told her<br/></span>
<span class="i0">Of the work within.'—<span class="smcap">Philip Stanhope Worsley.</span><br/></span></div>
</div>
<hr style="width: 65%;" />
<p>The pretty shaded lamps were lighted in the drawing-room; a large gray
moth had flown in through the open windows and brushed round them in
giddy circles. Polly was singing a little plaintive French air, Roy's
favourite. <i>Tra-la-la, Qui va la</i>, it went on, with odd little trills
and drawn-out chords. Olive's book had dropped to her lap, one long
braid of hair had fallen over her hot cheek. Mildred's entrance had
broken the thread of some quiet dream,—she uttered an exclamation and
Polly's music stopped.</p>
<p>'Dear Aunt Milly, how late you are, and how tired you look!'</p>
<p>'Yes, I am tired, children. I have been to Stenkrith, and Dr. Heriot
found me, and we have had a long talk. I think I have missed my tea,
and——'</p>
<p>'Aunt Milly, you look dreadful,' broke in Polly, impulsively; 'you must
sit there,' pushing her with gentle force into the low chair, 'and I
shall go and bring you some tea, and you are not to talk.'</p>
<p>Mildred was only too thankful to submit; she leant back wearily upon the
cushions Polly's thoughtfulness had provided, with an odd feeling of
thankfulness and unrest;—how good her girls were to her. She watched
Polly coming across the room, slim and tall, carrying the little
tea-tray, her long dress flowing out behind her with gentle undulating
movement. The lamplight shone on the purple cup, and the softly-tinted
peach lying beside it, placed there by Polly's soft little fingers; she
carried a little filagree-basket, a mere toy of a thing, heaped up with
queen's cakes; a large creamy rose detached itself from her dress and
fell on Mildred's lap.</p>
<p>'This is the second time you have shivered, and yet your hands are
warm—oh, so warm,' said the girl anxiously, as she hung over her.</p>
<p>Mildred smiled and roused herself, and tried to do justice to the little
feast.</p>
<p>'They had all had a busy day,' she said with a yawn, and stretching
herself.</p>
<p>The vicarage had been a Babel since early morning, with all those noisy
tongues. Yes, the tea had refreshed her, but her head still ached, and
she thought it would be wiser to go to bed.</p>
<p>'Please do go, Aunt Milly,' Olive had chimed in, and when she had bidden
them good-night, she heard Polly's flute-like voice bursting into
<i>Tra-la-la</i> again as she closed the door; <i>Qui va la</i> she hummed to
herself as she crept wearily along.</p>
<p>The storm had broken some miles below them, and only harmless summer
lightning played on the ragged edges of the clouds as they gleamed
fitfully, now here, now there; there were sudden glimpses of dark hills
and a gray, still river, with some cattle grouped under the bridge, and
then darkness.</p>
<p>'How strange to shiver in such heat,' thought Mildred, as she sat down
by the open window. She scarcely knew why she sat there—'Only for a few
minutes just to think it all out,' she said to herself, as she pressed
her aching forehead between her hands; but hours passed and still she
did not move.</p>
<p>Years afterwards Mildred was once asked which was the bitterest hour of
her life, and she had grown suddenly pale and the answer had died away
on her lips; the remembrance of this night had power to chill her even
then.</p>
<p>A singular conflict was raging in Mildred's gentle bosom, passions
hitherto unknown stirred and agitated it; the poor soul, dragged before
the tribunal of inexorable womanhood, had pleaded guilty to a crime that
was yet no crime—the sin of having loved unsought.</p>
<p>Unconsciousness could shield her no longer, the beneficent cloak of
friendship could not cover her; mutual sympathy, the united strength of
goodness and intellect, her own pitying woman's heart, had wrought the
mischief under which she was now writhing with an intolerable sense of
terror and shame.</p>
<p>And how intolerable can only be known by any pure-minded woman under the
same circumstances! It would not be too much to say that Mildred
absolutely cowered under it; tranquillity was broken up; the brain, calm
and reasonable no longer, grew feverish with the effort to piece
together tormenting fragments of recollection.</p>
<p>Had she betrayed herself? How had she sinned if she had so sinned? What
had she done that the agony of this humiliation had come upon her—she
who had thought of others, never of herself?</p>
<p>Was this the secret of her false peace? was her life indeed robbed of
its sweetest illusion—she who had hoped for nothing, expected nothing?
would she now go softly all her days as one who had lost her chief good?</p>
<p>And yet what had she desired—but to keep him as her friend? was not
this the sum and head of her offending?</p>
<p>'Oh, God, Thou knowest my integrity!' she cried from the depths of her
suffering soul.</p>
<p>Alas! was it her fault that she loved him? was it only her fancy that
some sympathy, subtle but profound, united them? was it not he who
deceived himself? Ah, there was the stab. She knew now that she was
nothing to him and he was everything to her.</p>
<p>Her very unconsciousness had prepared this snare for her. She had called
him her friend, but it had come to this, that his step was as music in
her ear, and the sunshine of his presence had glorified her days. How
she had looked for his coming, with what quiet welcoming smiles she had
received her friend; his silence had been as sweet to her as his words;
the very seat where he sat, the very reels of cotton on her little
work-table with which he had played, were as sacred as relics in her
eyes.</p>
<p>How she had leant on his counsel; his yea was yea to her, and his nay,
nay. How wise and gentle he had ever been with her; once she had been
ill, and the tenderness of his sympathy had made her almost love her
illness. 'You must get well; we cannot spare you,' he had said to her,
and she had thanked him with her sweetest smiles.</p>
<p>How happy they had been in those days: the thought of any change had
terrified her; sometimes she had imagined herself twenty years older,
but Mildred Lambert still, with a gray-haired friend coming quietly
across in the dusk to sit with her and Arnold when all the young ones
were gone—her friend, always her friend!</p>
<p>How pitiable had been her self-deception; she must have loved him even
then. The thought of Margaret's husband marrying another woman, and that
woman the girl that she had cherished as her own daughter, tormented her
with a sense of impossibility and pain. Good heavens, what if he
deceived himself! What if for the second time in his life he worked out
his own disappointment, passion and benevolence leading him equally
astray.</p>
<p>Sadness indescribable and profound steeped the soul of this noble woman;
pitiful efforts after prayer, wild searching for light, for her lost
calmness, for mental resolve and strength, broke the silence of her
anguish; but such a struggle could not long continue in one so meek, so
ordinarily self-controlled; then came the blessed relief of tears; then,
falling on her knees and bowed to the very dust, the poor creature
invoked the presence of the Great Sufferer, and laid the burden of her
sorrow on the broken heart of her Lord.</p>
<p>One who loved Mildred found, long afterwards, a few lines copied from
some book, and marked with a red marginal line, with the date of this
night affixed:—</p>
<div class="poem"><div class="stanza">
<span class="i0">'So out in the night on the wide, wild sea,<br/></span>
<span class="i0">When the wind was beating drearily,<br/></span>
<span class="i0">And the waters were moaning wearily,<br/></span>
<span class="i0">I met with Him who had died for me.'<br/></span></div>
</div>
<p>Had she met with Him? 'Had the wounded Hand touched hers in the dark?'
Who knows?</p>
<p>The lightnings ceased to play along the edges of the cloud, the moon
rose, the long shadows projected from the hills, the sound of cattle
hoofs came crisply up the dry channel of the beck, and still Mildred
knelt on, with her head buried on her outstretched arms. 'I will not go
unless Thou bless me'—was that her prayer?</p>
<p>Not in words, perhaps; but as the day broke, with faint gleams and tints
of ever-broadening glory, Mildred rose from her knees, and looked over
the hills with sad, steadfast eyes.</p>
<p>The conflict had ceased, the conqueror was only a woman—a woman no
longer young, with pale cheeks, with faded, weary eyes—but never did
braver hands gird on the cross that must henceforth be carried
unflinchingly.</p>
<p>'Mine be the pain, and his the happiness,' she whispered. Her knees were
trembling under her with weakness, she looked wan and bloodless, but her
soul was free at last. 'I am innocent; I have done no wrong. God is my
witness!' she cried in her inmost heart. 'I shall fear to look no man in
the face. God bless him—God bless them both! He is still my friend, for
I have done nothing to forfeit his friendship. God will take care of me.
I have duty, work, blessings innumerable, and a future heaven when this
long weariness is done.'</p>
<p>And again: 'He will never know it. He will never know that yesterday, as
I stood by his side, I longed to be lying at the bottom of the dark,
sunless pool. It was a wicked wish—God forgive me for it. I saw him
look at me once, and there was surprise in his eyes, and then he
stretched out his kind hand and led me away.'</p>
<p>And then once more: 'There is no trouble unendurable but sin, and I
thank my God that the shame and the terror has passed, and left me, weak
indeed, but innocent as a little child. If I had known—but no, His Hand
has been with me through it all. I am not afraid; I have not betrayed
myself; I can bear what God has willed.'</p>
<p>She had planned it all out. There must be no faltering, no flinching;
not a moment must be unoccupied. Work must be found, new interests
sought after, heart-sickness subdued by labour and fatigue; there was
only idleness to be dreaded, so she told herself.</p>
<p>It has been often said by cynical writers that women are better actors
than men; that they will at times play out a part in the dreary farce of
life that is quite foreign to their real character, dressing their face
with smiles while their heart is still sore within them.</p>
<p>But Mildred was not one of these; she had been taught in no ordinary
school of adversity. In the dimness of that seven years' seclusion she
had learnt lessons of fortitude and endurance that would have baffled
the patience of weaker women. Flesh and blood might shrink from the
unequal combat, but her courage would not fail; her strength, fed from
the highest sources, would still be found sufficient.</p>
<p>Henceforth for Mildred Lambert there should shine the light of a day
that was not 'clear nor dark;' she knew that for her no dazzling sunrise
of requited love should flood her woman's kingdom with brightness;
happiness must be replaced by duty, by the quiet contentment of a heart
'at leisure from itself.'</p>
<p>'There is no trouble unendurable but sin,' she had said to herself. Oh,
that other poor sufferers—sufferers in heart, in this world's good
things—would lay this truth to their souls! It would rob sorrow of its
sting, it would lift the deadly mists from the charnel-house itself. For
to the Mildreds of life religion is no Sunday garb, to be laid aside
when the week-day burdens press heaviest; no garbled mixture of
sentiment and symbolic rites, of lip-worship and heart freedom,
tolerated by 'the civilised heathenism' of the present day, for in their
heart they know that to the Christian, suffering is a privilege, not a
punishment; that from the days of Calvary 'Take up thy cross and follow
Me' is the literal command literally obeyed by the true followers of the
great Master of suffering.</p>
<p>Mildred was resolved to tolerate no weakness; she dressed herself
quickly, and was down at the usual time. 'How old and faded I look,' she
thought, as she caught the reflection of herself in the glass.</p>
<p>Her changed looks would excite comment, she knew, and she braced herself
to meet it with tolerable equanimity; a sleepless night could be pleaded
as an excuse for heavy eyes and swollen eyelids. Polly indeed seemed
disposed to renew her soft manipulations and girlish officiousness, but
Mildred contrived to put them aside. 'She was going down to the schools,
and after that there were the old women at the workhouse and at Nateby,'
she said, with the quiet firmness which always made Aunt Milly's decrees
unalterable. 'Her girls must take care of themselves until she
returned.'</p>
<p>'Charity begins at home, Aunt Milly. I am sure Olive and I are worth a
score of old women,' grumbled Polly, who in season and out of season was
given to clatter after Mildred in her little high-heeled shoes.</p>
<p>Dr. Heriot's ward was becoming a decidedly fashionable young lady; the
pretty feet were set off by silver buckles, Polly's heels tapped the
floor endlessly as she tripped hither and thither; Polly's long skirts,
always crisp and rustling, her fresh dainty muslins, her toy aprons and
shining ribbons, were the themes of much harmless criticism; the little
hands were always faultlessly gloved; London-marked boxes came to her
perpetually, with Roy's saucy compliments; wonderful ruby and
cream-coloured ribbons were purchased with the young artist's scanty
savings. Nor was Dr. Heriot less mindful of the innocent vanity that
somehow added to Polly's piquancy. The little watch that ticked at her
waist, the gold chain and locket, the girlish ring with its turquoise
heart, were all the gifts of the kind guardian and friend.</p>
<p>Dr. Heriot's bounty was unfailing. The newest books found their way to
Olive's and Mildred's little work-tables; Chriss was made happy by
additions to her menagerie of pets; a gray parrot, a Skye terrier whose
shaggy coat swept the ground, even pink-eyed rabbits found their way to
the vicarage; the grand silk dresses that Dr. Heriot had sent down on
Polly's last birthday for her and Olive were nothing in Chriss's eyes
compared to Fritter-my-wig, who could smoke, draw corks, bark like a
dog, and reduce Veteran Rag to desperation by a vision of concealed cats
on the stable wall. Chriss's oddities were not disappearing with her
years—indeed she was still the same captious little person as of old;
with her bright eyes and tawny-coloured mane she was decidedly
picturesque, though stooping shoulders, and the eye-glass her
short-sight required, detracted somewhat from her good looks.</p>
<p>On any sunny afternoon she could be seen sitting on the low step leading
to the lawn, her parrot, Fritter-my-wig, on her shoulder, and Tatters
and Witch at her feet, and most likely a volume of Euripides on her lap.
The quaint little figure, the red-brown touzle of curls, the short
striped skirt, and gold eye-glasses, struck Roy on one of his rare
visits home; one of his most charming pictures was painted from the
recollection. 'There was an Old Woman,' it was called. Chriss objected
indignantly to the dolls that were introduced, though Roy gravely
assured her that he had adhered to Hugh's beautiful idea of the twelve
months.</p>
<p>Polly had some reason for her discontent and grumbling. The weather had
changed, and heavy summer rains seemed setting in, and Mildred's plan
for her day did not savour of prudence. It suited Mildred's sombre
thoughts better than sunshine; she went upstairs almost cheerfully, and
took out a gray cloak that was Polly's favourite aversion on the score
that it reminded her of a Sister-of-Charity cloak. 'Not that I do not
love and honour Sisters,' she had added by way of excuse, 'but I should
not like you to be one, Aunt Milly,' and Mildred had hastened to assure
her that she had never felt it to be her vocation.</p>
<p>She remembered Polly's speech now as she shook out the creases; the
straight, long folds, the unobtrusive colour, somehow suited her. 'I
think people who are not young ought always to dress in black or gray,'
she said to herself; 'butterfly colours are only fit for girls. I should
like nothing better than to be allowed to hide all this hair under a cap
and Quaker's bonnet.' And yet, as she said this, Mildred remembered with
a sudden pang that Dr. Heriot had once observed in her hearing that she
had beautiful hair.</p>
<p>She went on bravely through the day—no work came amiss to her; after a
time she ceased even to feel fatigue. Once the crowded schoolroom would
have made her head ache after the first hour or so, but now she sat
quite passive, with the girls sewing round her, and the boys spelling
out their tasks with incessant buzz and movement.</p>
<p>The old women in the workhouse did not tire her with their complaints;
she sat for a long time by the side of one old creature who was
bedridden and palsied; the idiot girl—alas! she was forty years
old—blinked at her with small dazed eyes, as she showed her the
gaily-coloured pictures she had pasted on rag for her amusement, and
followed her contentedly up and down the long whitewashed wards.</p>
<p>In the cottages she was as warmly welcomed as ever; one sick child, whom
she had often visited, held out his little arms and ceased crying with
pain when he saw her. Mildred laid aside her damp cloak, and walked up
and down the flagged kitchen for a long time with the boy's head on her
shoulder; singing to him with her low sweet voice.</p>
<p>'Ay, but he's terrible fond of you, poor thing!' exclaimed the mother
gratefully. She was an invalid too, and lay on a board beside the empty
fireplace, looking out of the low latticed window crowded with
flower-pots. The other children gathered round her, plucking her skirt
shyly, and listening to Mildred's cooing voice; the little fellow's blue
eyes seemed closing drowsily, one small blackened hand stole very near
Mildred's neck.</p>
<div class="poem"><div class="stanza">
<span class="i0">'There's a home for little children<br/></span>
<span class="i0">Above the bright blue sky,'<br/></span></div>
</div>
<p>sang Mildred.</p>
<p>'Ay, Jock; but, thoo lile varment, thoo'll nivver gang oop if thou
bealst like a bargeist,' whispered the woman to a white-headed urchin
beside her, who seemed disposed for a roar.</p>
<p>'I cares lile—nay, I dunn't,' muttered Jock, contumaciously; to Jock's
unregenerated mind the white robes and the palms seemed less tempting
than the shouts of his little companions outside. 'There's lile Geordie
and Dawson's Sue,' he grumbled, rubbing his eyes with his dirty fists.</p>
<p>'Gang thee thy ways, or I'll fetch thee a skelp wi' my stick,' returned
the poor mother, weary of the discussion, and Jock scampered off,
nothing loth.</p>
<p>Mildred sang her little hymn all through as the boy's head drooped
heavily on her shoulder; as she walked up and down, her dreamy eyes had
a far-off look in them, and yet nothing escaped her notice. She saw the
long rafter over her head, with the Sunday boots and shoes neatly
arranged on it, with bunches of faint-smelling herbs hanging below them;
the adjoining door was open, the large bare room, with its round table
and bedstead, and heaped up coals on the floor, was plainly visible to
her, as well as its lonely occupant darning black stockings in the
window.</p>
<p>'After all, was she as lonely,' she thought, 'as Bett Hutchinson, who
lived by herself, with only a tabby cat for company, and kept her
coal-cellar in her bedroom? and yet, though Bett had weak eyes and weak
nerves, and was clean out of her wits on the subject of the boggle
family, from the "boggle with twa heeds" down to Jock's "bargheist ahint
the yat-stoop."'</p>
<p>Bett's superstition was a household word with her neighbours, 'daft Bett
and her boggles' affording a mine of entertainment to the gossips of
Nateby. Mildred, and latterly Hugh Marsden, had endeavoured to reason
Bett out of her fancies, but it was no use. 'I saw summut—nay, nay, I
saw summut,' she always persisted. 'I was a'most daft—'twas t'boggle,
and nought else,' she murmured.</p>
<p>Mildred was no weak girl, to go moaning about the world because her
heart must be emptied of its chief treasure. Bett's penurious loneliness
read her a salutary lesson; her own life, saddened as it was, grew rich
by comparison. '"If in mercy Thou wilt spare joys that yet are mine,"'
she whispered, as she laid the sleeping child down in the wooden cot and
spread the patched quilt lovingly over him.</p>
<p>Jock grinned at her from behind an oyster-shell and mud erection; lile
Geordie and Dawson's Sue were with him. 'Aw've just yan hawpenny left,'
she heard him say as she passed.</p>
<p>Mildred had finished the hardest day's work that she had ever done in
her life, but she knew that it was not yet over. Dr. Heriot was not one
to linger over a generous impulse; 'If it is worth doing at all, one
should do it at once,' was a favourite maxim of his.</p>
<p>Mildred knew well what she had to expect. She was only thankful that the
summer's dusk allowed her to slip past the long French window that
always stood open. They were lighting the lamp already—some one,
probably Olive, had asked for it. A voice, that struck Mildred cold with
a sudden anguish, railed playfully against bookworms who could not
afford a blind-man's holiday.</p>
<p>'He is here; of course I knew how it would be,' she murmured, as she
groped her way a little feebly up the stairs. She would have given much
for a quiet half-hour in her room, but it was not to be; the tapping
sound she dreaded already struck upon her ear, the crisp rustle of
garments in the passage, then the faint knock and timid entrance. 'I
knew it was Polly. Come in; do you want me, my dear?' the tired voice
striving bravely after cheerfulness.</p>
<p>'Aunt Milly—oh, Aunt Milly!—I thought you would never come;' and in
the dark two soft little hands clasped her tight, and a burning face hid
itself in her neck. 'Oh,' with a sort of gasp, 'I have wanted my Aunt
Milly so badly!'</p>
<p>Then the noble, womanly heart opened with a great rush of tenderness,
and took in the girl who had so unconsciously become a rival.</p>
<p>'What is this, my pet—not tears, surely?' for Polly had laid her head
down, and was sobbing hysterically with excitement and relief.</p>
<p>'I cannot help it. I was longing all the time for papa to know; and then
it was all so strange, and I thought you would never come. I shall be
more comfortable now,' sobbed Polly, with a girlish abandon of mingled
happiness and grief. 'Directly I heard your step outside the window I
made an excuse to get away to you.'</p>
<p>'I ought not to have left you—it was wrong; but, no, it could not be
helped,' returned Mildred, in a low voice. She pressed the girl to her,
and stroked the soft hair with cold, trembling fingers. 'Are those happy
tears, my pet? Hush, you must not cry any more now.'</p>
<p>'They do me good. I felt as though I were some one else downstairs, not
Polly at all. Oh, Aunt Milly, can you believe it?—do you think it is
all real?'</p>
<p>'What is real? You have told me nothing yet, remember. Shall I guess,
Polly? Is it a great secret—a very great secret, my darling?'</p>
<p>'Aunt Milly, as though you did not know, when he told me that you and he
had had a long talk about it yesterday!'</p>
<p>'He—Dr. Heriot, I suppose you mean?'</p>
<p>'He says I must call him something else now,' returned the girl in a
whisper, 'but I have told him I never shall. He will always be Dr.
Heriot to me—always. I don't like his other name, Aunt Milly; no one
does.'</p>
<p>'John—I think it beautiful!' with a certain sharp pain in her voice.
She remembered how he had once owned to her that no one had called him
by this name since he was a boy. He had been christened John
Heriot—John Heriot Heriot—and his wife had always called him Heriot.
'Only my mother ever called me John,' he had said in a regretful tone,
and Mildred had softly repeated the name after him.</p>
<p>'It has always been my favourite name,' she had owned with that
simplicity that was natural to her; and his eyes had glistened as though
he were well-pleased.</p>
<p>'It is beautiful; it reminds one of St. John. I have always liked it,'
she said a little quickly.</p>
<p>'His wife called him Heriot; yes, I know, he told me—but I am so young,
and he—well, he is not exactly old, Aunt Milly, but——'</p>
<p>'Do you love him, Polly?—child, do you really love him?' and for a
moment Mildred put the girl from her with a sort of impatience and
irritation of suspense. Polly's pretty face was suffused with hot
blushes when she came back to her place again.</p>
<p>'He asked me that question, and I told him yes. How can one help it, and
he so good? Aunt Milly, you have no idea how kind and gentle he was when
he saw he frightened me.'</p>
<p>'Frightened you, my child?'</p>
<p>'The strangeness of it all, I mean. I could not understand him for a
long time. He talked quite in his old way, and yet somehow he was
different; and all at once I found out what he meant.'</p>
<p>'Well?'</p>
<p>'And then I got frightened, I suppose. I thought how could I satisfy
him, and he so much older and cleverer. He is so immeasurably above all
my girlish silliness, and so I could not help crying a little.'</p>
<p>'Poor little Polly! but he comforted you.'</p>
<p>'Oh yes,' with more blushes, 'he talked to me so beautifully that I
could not be afraid any more. He said that for years this had been in
his mind, that he had never forgotten how I had wanted to live with him
and take care of him, and how he had always called me "his sweet little
heartsease" ever since. Oh, Aunt Milly, I know he wants me. It was so
sad to hear him talk about his loneliness.'</p>
<p>'You will not let him be lonely any longer. I have lost my Polly, I
see.'</p>
<p>'No, no, you must not say so,' throwing her arm round her, only with a
sort of bashful pride, very new in Polly; 'he has no one to take care of
him but me.'</p>
<p>'Then he shall have our Sunbeam—God bless her!' and Mildred kissed her
proudly. 'I hope you did not tell him he was old, Polly.'</p>
<p>'He asked me if I thought him so, and of course I said it was only I who
was too young.'</p>
<p>'And what did he say to that?'</p>
<p>'He laughed, and said it was a fault that I should soon mend, but that
he meant to be very proud as well as fond of his child-wife. Do you
know, he actually thinks me pretty, Aunt Milly.'</p>
<p>'He is right; you are pretty—very pretty, Polly,' she repeated,
absently. She was saying in her own heart 'Dr. Heriot's wife—John
Heriot's child-wife'—over and over again.</p>
<p>'Roy never would tell me so, because he said it would make me vain. Roy
will be glad about this, will he not, Aunt Milly?'</p>
<p>'I do not know; nay, I hope so, my darling.'</p>
<p>'And Richard, and all of them; they are so fond of Dr. Heriot. Do you
remember how often they have joked him about Heriot's Choice?'</p>
<p>'Yes, I remember.'</p>
<p>A sudden spasm crossed Mildred's gentle face, but she soon controlled
herself. She must get used to these sharp pangs, these recollections of
the happy, innocent past; she had misunderstood her friend, that was
all.</p>
<p>'Dear Aunt Milly, make me worthier of his love,' whispered the girl,
with tears in her eyes; 'he is so noble, my benefactor, my almost
father, and now he is going to make me his wife, and I am so young and
childish.'</p>
<p>And she clung to Mildred, quivering with vague irrepressible emotion.</p>
<p>'Hush, you will be his sunbeam, as you have been ours. What did he call
you—his heartsease? You must keep that name, my pet.'</p>
<p>'But—but you will teach me, he thinks so much of you; he says you are
the gentlest, and the wisest, and the dearest friend he has ever had.
Where are you going, Aunt Milly?' for Mildred had gently disengaged
herself from the girl's embrace.</p>
<p>'Hush, we ought to go down; you must not keep me any longer, dear Polly;
he will expect—it is my duty to see him.'</p>
<p>Mildred was adjusting her hair and dress with cold, shaking fingers,
while Polly stood by and shyly helped her.</p>
<p>'It does not matter how you look,' the girl had said, with innocent
unconscious sarcasm; 'you are so tired, the tumbled gray alpaca will do
for to-night.'</p>
<p>'No, it does not matter how I look,' replied Mildred, calmly.</p>
<p>A colourless weary face and eyes, with an odd shine and light in them,
were reflected between the dimly-burning candles. Polly stood beside her
slim and conscious; she had dried her tears, and a sweet honest blush
mantled her young cheeks. The little foot tapped half impatiently on the
floor.</p>
<p>'You have no ribbons or flowers, but perhaps after all it will not be
noticed,' she said, with pardonable egotism.</p>
<p>'No, he will have only eyes for you to-night. Come, Polly, I am ready;'
and as the girl turned coy and seemed disposed to linger, Mildred
quietly turned to the door.</p>
<p>'I thought I was to be dismissed without your saying good-night to me,'
was Dr. Heriot's greeting as he advanced to meet them. He was holding
Mildred's cold hand tightly, but his eyes rested on Polly's downcast
face as he spoke.</p>
<p>'We ought to have come before, but I knew you would understand.'</p>
<p>'Yes, I understand,' he returned, with an expression of proud
tenderness. 'You will give your child to me, Miss Lambert?'</p>
<p>'She has always seemed to belong to you more than to me,' and then she
looked up at him for a moment with her old beautiful smile. 'I need not
ask you to be good to her—you are good to every one; but she is so
young, little more than a child.'</p>
<p>'You may trust me,' he returned, putting his arm gently round the young
girl's shoulders; 'there shall not a hair of her head suffer harm if I
can prevent it. Polly is not afraid of me, is she?'</p>
<p>'No,' replied Polly, shyly; but the bright eyes lifted themselves with
difficulty.</p>
<p>She looked after him with a sort of perplexed pride, half-conscious,
half-confused, as he released her and bade them all good-night. When he
was gone she hovered round Mildred in the old childish way and seemed
unwilling to leave her.</p>
<p>'I have done the right thing. Bless her sweet face. I know I shall make
her happy,' thought Dr. Heriot as he walked with rapid strides across
the market-place; 'a man cannot love twice in his life as I loved my
Margaret, but the peaceful affection such as I can give my darling will
satisfy her I know. If only Philip could see into my heart to-night I
think he would be comforted for his motherless child.' And then
again—'How sweetly Mildred Lambert looked at me to-night; she is a good
woman, there are few like her. Her face reminded me of some Madonna I
have seen in a foreign gallery as she stood with the girl clinging to
her. I wonder she has never married; these ministering women lead lonely
lives sometimes. Sometimes I have fancied she knew what it is to love,
and suffered. I thought so yesterday and again to-day, there was such a
ring of sadness in her voice. Perhaps he died, but one cannot
tell—women never reveal these things.'</p>
<p>And so the benevolent heart sunned itself in pleasant dreams. The future
looked fair and peaceful, no brooding complications, no murky clouds
threatened the atmosphere, passion lay dormant, rest was the chief good
to be desired. Could benevolence play him false, could affection be
misplaced, would he ever come to own to himself that delusion had
cheated him, that husks and not bread had been given him to eat, that
his honest yearning heart had again betrayed him, that a kindly impulse,
a protecting tenderness, had blinded him to his true happiness?</p>
<p>'How good he is,' thought the young girl as she laid her head on the
pillow; 'how dearly I must love him: I ought to love him. I never
imagined any one could be half so gentle. I wonder if Roy will be glad
when I tell him—oh yes, I wonder if Roy will be glad?'</p>
<hr style="width: 65%;" />
<div style="break-after:column;"></div><br />