<p><SPAN name="link2H_4_0003" id="link2H_4_0003"> </SPAN></p>
<br/>
<h2> III Ruins </h2>
<p>When you go into Rheims by the Epernay road, the life of the street seems
to be proceeding as usual, except that octroi formalities have been
abolished. Women, some young and beautiful, stare nonchalantly as the car
passes. Children are playing and shrieking in the sunshine; the little
cafes and shops keep open door; the baker is busy; middle-aged persons go
their ways in meditation upon existence. It is true there are soldiers;
but there are soldiers in every important French town at all seasons of
the year in peace-time. In short, the spectacle is just that ordinarily
presented to the poorer exterior thoroughfares leading towards the centre
of a city.</p>
<p>And yet, in two minutes, in less than two minutes, you may be in a quarter
where no life is left. This considerable quarter is not seriously damaged—it
is destroyed. Not many houses, but every house in it will have to be
rebuilt from the cellars. This quarter is desolation. Large shops, large
houses, small shops, and small houses have all been treated alike. The
facade may stand, the roof may have fallen in entirely or only partially,
floors may have disappeared altogether or may still be clinging at odd
angles to the walls—the middle of every building is the same: a vast
heap of what once was the material of a home or a business, and what now
is foul rubbish. In many instances the shells have revealed the
functioning of the home at its most intimate, and that is seen which none
should see. Indignation rises out of the heart. Amid stacks of refuse you
may distinguish a bath, a magnificent fragment of mirror, a piece of
tapestry, a saucepan. In a funeral shop wreaths still hang on their hooks
for sale. Telephone and telegraph wires depend in a loose tangle from the
poles. The clock of the Protestant church has stopped at a quarter to six.
The shells have been freakish. In one building a shell harmlessly made a
hole in the courtyard large enough to bury every commander of a German
army; another shell—a 210 mm.—went through an inner wall and
opened up the cellars by destroying 150 square feet of ground-floor: ten
people were in the cellars, and none was hurt. Uninjured signs of cafes
and shops, such as “The Good Hope,” “The Success of the Day,” meet your
gaze with sardonic calm.</p>
<p>The inhabitants of this quarter, and of other quarters in Rheims, have
gone. Some are dead. Others are picnicking in Epernay, Paris, elsewhere.
They have left everything behind them, and yet they have left nothing.
Each knows his lot in the immense tragedy. Nobody can realise the whole of
the tragedy. It defies the mind; and, moreover, the horror of it is
allayed somewhat by the beautiful forms which ruin—even the ruin of
modern ugly architecture—occasionally takes. The effect of the
pallor of a bedroom wall-paper against smoke-blackened masonry, where some
corner of a house sticks up like a tall, serrated column out of the
confusion, remains obstinately in the memory, symbolising, somehow, the
grand German deed.</p>
<p>For do not forget that this quarter accurately represents what the Germans
came out of Germany into France deliberately to do. This material
devastation, this annihilation of effort, hope, and love, this
substitution of sorrow for joy—is just what plans and guns were laid
for, what the worshipped leaders of the Fatherland prepared with the most
wanton and scientific solicitude. It is desperately cruel. But it is far
worse than cruel—it is idiotic in its immense futility. The perfect
idiocy of the thing overwhelms you. And to your reason it is monstrous
that one population should overrun another with murder and destruction
from political covetousness as that two populations should go to war
concerning a religious creed. Indeed, it is more monstrous. It is an
obscene survival, a phenomenon that has strayed through some negligence of
fate, into the wrong century.</p>
<p>Strange, in an adjoining quarter, partly but not utterly destroyed, a man
is coming home in a cab with luggage from the station, and the
servant-girl waits for him at the house-door. And I heard of a case where
a property-owner who had begun to build a house just before the war has
lately resumed building operations. In the Esplanade Ceres the fountain is
playing amid all the ravage; and the German trenches, in that direction,
are not more than two miles away.</p>
<p>It is quite impossible for any sane man to examine the geography of the
region of destruction which I have so summarily described without being
convinced that the Germans, in shelling it, were simply aiming at the
Cathedral. Tracing the streets affected, one can follow distinctly the
process of their searching for the precise range of the Cathedral.
Practically the whole of the damage is concentrated on the line of the
Cathedral.</p>
<p>But the Cathedral stands.</p>
<p>Its parvis is grass-grown; the hotels on the parvis are heavily battered,
and if they are not destroyed it is because the Cathedral sheltered them;
the Archbishop’s palace lies in fragments; all around is complete ruin.
But the Cathedral stands, high above the level of disaster, a unique
target, and a target successfully defiant. The outer roof is quite gone;
much masonry is smashed; some of the calcined statues have exactly the
appearance of tortured human flesh. But in its essence, and in its
splendid outlines, the building remains—apparently unconquerable.
The towers are particularly serene and impressive. The deterioration is,
of course, tremendously severe. Scores, if not hundreds, of statues, each
of which was a masterpiece, are spoilt; great quantities of carving are
defaced; quite half the glass is irremediably broken; the whole of the
interior non-structural decoration is destroyed. But the massiveness of
the Cathedral has withstood German shrapnel. The place will never be the
same again, or nearly the same. Nevertheless, Rheims Cathedral
triumphantly exists.</p>
<p>The Germans use it as a vent for their irritation. When things go wrong
for them at other parts of the front, they shell Rheims Cathedral. It has
absolutely no military interest, but it is beloved by civilised mankind,
and therefore is a means of offence. The French tried to remove some of
the glass, utilising an old scaffolding. At once the German shells came.
Nothing was to be saved that shrapnel could destroy. Shrapnel is futile
against the body of the Cathedral, as is proved by the fact that 3,000
shells have fallen on or near it in a day and a night. If the Germans used
high-explosive, one might believe that they had some deep religious aim
necessitating the non-existence of the Cathedral. But they do not use
high-explosive here. Shrapnel merely and uselessly torments.</p>
<p>When I first saw the Cathedral I was told that there had been calm for
several days. I know that German agents in neutral countries constantly
deny that the Cathedral is now shelled. When I saw the Cathedral again the
next morning, five shells had just been aimed at it. I inspected the hole
excavated by a 155-mm. shell at the foot of the eastern extremity, close
to the walls. This hole was certainly not there when I made the circuit of
the Cathedral on the previous evening. It came into existence at 6.40
a.m., and I inspected it at 8.20 a.m., and a newspaper boy offered me that
morning’s paper on the very edge of it. A fragment of shell, picked up
warm by the architect in charge of the Cathedral and given to me, is now
in my pocket.</p>
<p>We had a luncheon party at Rheims, in a certain hotel. This hotel had been
closed for a time, but the landlady had taken heart again. The personnel
appeared to consist solely of the landlady and a relative. Both women were
in mourning. They served us themselves, and the meal was excellent, though
one could get neither soda-water nor cigars. Shells had greeted the city a
few hours earlier, but their effect had been only material; they are
entirely ignored by the steadfast inhabitants, who do their primitive
business in the desolated, paralysed organism with an indifference which
is as resigned as it is stoic. Those ladies might well have been blown to
bits as they crossed the courtyard bearing a dish of cherries or a bottle
of wine. The sun shone steadily on the rich foliage of the street, and
dogs and children rollicked mildly beneath the branches. Several officers
were with us, including two Staff officers. These officers, not belonging
to the same unit, had a great deal to tell each other and us: so much,
that the luncheon lasted nearly two hours. Some of them had been in the
retreat, in the battles of the Marne and of the Aisne, and in the
subsequent trench fighting; none had got a scratch. Of an unsurpassed
urbanity and austerity themselves, forming part of the finest civilisation
which this world has yet seen, thoroughly appreciative of the subtle and
powerful qualities of the race to which they belong, they exhibited a
chill and restrained surprise at the manners of the invaders. One had seen
two thousand champagne bottles strewn around a chateau from which the
invaders had decamped, and the old butler of the house going carefully
through the grounds and picking up the bottles which by chance had not
been opened. The method of opening champagne, by the way, was a stroke of
the sabre on the neck of the bottle. The German manner was also to lay the
lighted cigar on the finest table-linen, so that by the burnt holes the
proprietors might count their guests. Another officer had seen a whole
countryside of villages littered with orchestrions and absinthe- bottles,
groundwork of an interrupted musical and bacchic fete whose details must
be imagined, like many other revolting and scabrous details, which no
compositor would consent to set up in type, but which, nevertheless, are
known and form a striking part of the unwritten history of the attack on
civilisation. You may have read hints of these things again and again, but
no amount of previous preparation will soften for you the shock of getting
them first-hand from eyewitnesses whose absolute reliability it would be
fatuous to question.</p>
<p>What these men with their vivid gestures, bright eyes, and perfect
phrasing most delight in is personal heroism. And be it remembered that,
though they do tell a funny story about German scouts who, in order to do
their work, painted themselves the green of trees—and then, to
complete the illusion, when they saw a Frenchman began to tremble like
leaves—they give full value to the courage of the invaders. But, of
course, it is the courage of Frenchmen that inspires their narrations. I
was ever so faintly surprised by their candid and enthusiastic
appreciation of the heroism of the auxiliary services. They were lyrical
about engine-drivers, telephone- repairers, stretcher-bearers, and so on.
The story which had the most success concerned a soldier (a schoolmaster)
who in an engagement got left between the opposing lines, a quite
defenceless mark for German rifles. When a bullet hit him, he cried, “Vive
la France!” When he was missed he kept silent. He was hit again and again,
and at each wound he cried, “Vive la France!” He could not be killed. At
last they turned a machine-gun on him and raked him from head to foot.
“Vive la———”</p>
<p>It was a long, windy, dusty drive to Arras. The straight, worn roads of
flinty chalk passed for many miles ARRAS through country where there was
no unmilitary activity save that of the crops pushing themselves up.
Everything was dedicated to the war. Only at one dirty little industrial
town did we see a large crowd of men waiting after lunch to go into a
factory. These male civilians had a very odd appearance; it was as though
they had been left out of the war by accident, or by some surprising
benevolence. One thought first, “There must be some mistake here.” But
there was probably no mistake. These men were doubtless in the immense
machine.</p>
<p>After we had traversed a more attractive agricultural town, with a town
hall whose architecture showed that Flanders was not very far off, the
soil changed and the country grew more sylvan and delectable. And the sun
shone hotly. Camps alternated with orchards, and cows roamed in the camps
and also in the orchards. And among the trees could be seen the blue
draperies of women at work. Then the wires of the field-telephones and
telegraphs on their elegantly slim bamboos were running alongside us. And
once or twice, roughly painted on a bit of bare wood, we saw the sign:
“Vers le Front.” Why any sign should be necessary for such a destination I
could not imagine. But perhaps humour had entered into the matter. At
length we perceived Arras in the distance, and at a few kilometres it
looked rather like itself: it might have been a living city.</p>
<p>When, however, you actually reach Arras you cannot be deceived for an
instant as to what has happened to the place. It offers none of the
transient illusion of Rheims. The first street you see is a desolation,
empty and sinister. Grimy curtains bulge out at smashed windows.
Everywhere the damage of shells is visible. The roadway and the pavements
are littered with bits of homes. Grass flourishes among the bits. You
proceed a little further to a large, circular place, once imposing. Every
house in it presents the same blighted aspect. There is no urban stir. But
in the brief intervals of the deafening cannonade can be heard one sound—blinds
and curtains fluttering against empty window-frames and perhaps the idle,
faint banging of a loose shutter. Not even a cat walks. We are alone, we
and the small group of Staff officers who are acting as our hosts. We feel
like thieves, like desecrators, impiously prying. At the other side of the
place a shell has dropped before a house and sliced away all its front. On
the ground floor is the drawing-room. Above that is the bedroom, with the
bed made and the white linen smoothly showing. The marvel is that the bed,
with all the other furniture, does not slide down the sloping floor into
the street. But everything remains moveless and placid. The bedroom is
like a show. It might be the bedroom of some famous man exposed to
worshipping tourists at sixpence a head. A few chairs have fallen out of
the house, and they lie topsy-turvy in the street amid the debris; no one
has thought to touch them. In all directions thoroughfares branch forth,
silent, grass-grown, and ruined.</p>
<p>“You see the strong fortress I have!” says the Commanding Officer with
genial sarcasm. “You notice its high military value. It is open at every
end. You can walk into it as easily as into a windmill. And yet they
bombard it. Yesterday they fired twenty projectiles a minute for an hour
into the town. A performance absolutely useless! Simple destruction! But
they are like that!”</p>
<p>So we went forward further into the city, and saw sights still stranger.
Of one house nothing but the roof was left, the roof made a triumphal
arch. Everywhere potted plants, boxed against walls or suspended from
window-frames, were freshly blooming. All the streets were covered with
powdered glass. In many streets telegraph and telephone wires hung in
thick festoons like abandoned webs of spiders, or curled themselves round
the feet; continually one had to be extricating oneself from them.
Continually came the hollow sound of things falling and slipping within
the smashed interiors behind the facades. And then came the sound of a
baby crying. For this city is not, after all, uninhabited. We saw a woman
coming out of her house and carefully locking the door behind her. Was she
locking it against shells, or against burglars? Observe those pipes rising
through gratings in the pavement, and blue smoke issuing therefrom. Those
pipes are the outward sign that such inhabitants as remain have
transformed their cellars into drawing-rooms and bedrooms. We descended
into one such home. The real drawing-room, on the ground-floor, had been
invaded by a shell. In that apartment richly-carved furniture was mixed up
with pieces of wall and pieces of curtain under a thick layer of white
dust. But this underground home, with its arched roof and aspect of
extreme solidity, was tidy and very snugly complete in all its
arrangements, and the dark entrance to it well protected against the
hazards of bombardment.</p>
<p>“Nevertheless,” said the master of the home, “a 210-mm. shell would
penetrate everything. It would be the end.”</p>
<p>He threw up his hands with a nonchalant gesture. He was a fatalist worthy
of his city, which is now being besieged and ruined not for the first
time. The Vandals (I mean the original Vandals) laid waste Arras again and
again. Then the Franks took it. Then, in the ninth century, the Normans
ravaged it; and then Charles the Simple; and then Lothair; and then Hugh
Capet. In the fifteenth century Charles VI. besieged it for seven weeks,
and did not take it. Under Louis XI. it was atrociously outraged. It
revolted, and was retaken by assault, its walls razed, its citizens
expatriated, and its name changed.</p>
<p>Useless! The name returned, and the citizens. At the end of the fifteenth
century it fell under Spanish rule, and had no kind of peace whatever
until after another siege by a large French army, it was regained by
France in 1640. Fourteen years later the House of Austria had yet another
try for it, and the Archduke Leopold laid siege to the city. He lost 7,000
men, 64 guns, 3,000 horses, and all his transport, and fled. (Last August
was the first August in two hundred and sixty years which has not
witnessed a municipal fete in celebration of this affair.) Since then
Arras has had a tolerably quiet time, except during the Revolution. It
suffered nothing in 1870. It now suffers. And apparently those inhabitants
who have stood fast have not forgotten how to suffer; history must be in
their veins.</p>
<p>In the street where we first noticed the stove-pipes sprouting from the
pavement, we saw a postman in the regulation costume of the French
postman, with the regulation black, shiny wallet-box hanging over his
stomach, and the regulation pen behind his ear, smartly delivering letters
from house to house. He did not knock at the doors; he just stuck the
letters through the empty window-frames. He was a truly remarkable sight.</p>
<p>Then we arrived by a curved street at the Cathedral of St. Vaast. St.
Vaast, who preached Christianity after it had been forgotten in Arras, is
all over the district in the nomenclature of places. Nobody among the
dilettanti has a good word to say for the Cathedral, which was built in
the latter half of the eighteenth and the first half of the nineteenth
centuries, and which exhibits a kind of simple baroque style, with
Corinthian pillars in two storeys. But Arras Cathedral is the most
majestic and striking ruin at the Front. It is superlatively well placed
on an eminence by itself, and its dimensions are tremendous. It towers
over the city far more imposingly than Chartres Cathedral towers over
Chartres. The pale simplicity of its enormous lines and surfaces renders
it better suited for the martyrdom of bombardment than any Gothic building
could possibly be. The wounds are clearly visible on its flat facades,
uncomplicated by much carving and statuary. They are terrible wounds, yet
they do not appreciably impair the ensemble of the fane. Photographs and
pictures of Arras Cathedral ought to be cherished by German commanders,
for they have accomplished nothing more austerely picturesque, more
religiously impressive, more idiotically sacrilegious, more exquisitely
futile than their achievement here. And they are adding to it weekly. As a
spectacle, the Cathedral of Rheims cannot compare with the Cathedral of
Arras.</p>
<p>In the north transept a 325-mm. shell has knocked a clean hole through
which a mastodon might wriggle. Just opposite this transept, amid
universal wreckage, a cafe is miraculously preserved. Its glass, mugs,
counters, chairs, and ornaments are all there, covered with white dust,
exactly as they were left one night. You could put your hand through a
window aperture and pick up a glass. Close by, the lovely rafter-work of
an old house is exposed, and, within, a beam has fallen from the roof to
the ground. This beam is burning. The flames are industriously eating away
at it, like a tiger gnawing in tranquil content at its prey which it has
dragged to a place of concealment. There are other fires in Arras, and
have been for some days. But what are you to do? A step further on is a
greengrocer’s shop, open and doing business.</p>
<p>We gradually circled round the Cathedral until we arrived at the Town
Hall, built in the sixteenth century, very carefully restored in the
nineteenth, and knocked to pieces in the twentieth. We approached it from
the back, and could not immediately perceive what had happened to it, for
later erections have clustered round it, and some of these still existed
in their main outlines. In a great courtyard stood an automobile, which
certainly had not moved for months. It was a wreck, overgrown with rust
and pustules. This automobile well symbolised the desolation, open and
concealed, by which it was surrounded. A touchingly forlorn thing, dead
and deaf to the never-ceasing, ever-reverberating chorus of the guns!</p>
<p>To the right of the Town Hall, looking at it from the rear, we saw a
curving double row of mounds of brick, stone, and refuse. Understand:
these had no resemblance to houses; they had no resemblance to anything
whatever except mounds of brick, stone, and refuse. The sight of them
acutely tickled my curiosity. “What is this?”</p>
<p>“It is the principal street in Arras.” The mind could picture it at once—
one of those narrow, winding streets which in ancient cities perpetuate
the most ancient habits of the citizens, maintaining their commercial
pre-eminence in the face of all town-planning; a street leading to the
Town Hall; a dark street full of jewellers’ shops and ornamented women and
correctness and the triumph of correctness; a street of the “best” shops,
of high rents, of famous names, of picturesque signs; a street where the
wheels of traffic were continually interlocking, but a street which would
not, under any consideration, have widened itself by a single foot,
because its narrowness was part of its prestige. Well, German gunnery has
brought that street to an end past all resuscitation. It may be rebuilt—
it will never be the same street.</p>
<p>“What’s the name of the street?” I asked.</p>
<p>None of the officers in the party could recall the name of the principal
business street in Arras, and there was no citizen within hail. The very
name had gone, like the forms of the houses. I have since searched for it
in guides, encyclopaedias, and plans; but it has escaped me—withdrawn
and lost, for me, in the depths of history.</p>
<p>The street had suffered, not at all on its own account, but because it
happened to be in the line of fire of the Town Hall. It merely received
some portion of the blessings which were intended for the Town Hall, but
which overshot their mark. The Town Hall (like the Cathedrals here and at
Rheims) had no military interest or value, but it was the finest thing in
Arras, the most loved thing, an irreplaceable thing; and therefore the
Germans made a set at it, as they made a set at the Cathedrals. It is just
as if, having got an aim on a soldier’s baby, they had started to pick off
its hands and feet, saying to the soldier: “Yield, or we will finish your
baby.” Either the military ratiocination is thus, or the deed is simple
lunacy.</p>
<p>When we had walked round to the front of the Town Hall we were able to
judge to what extent the beautiful building had monopolised the interest
of the Germans. The Town Hall stands at the head of a magnificent and
enormous arcaded square, uniform in architecture, and no doubt dating from
the Spanish occupation. Seeing this square, and its scarcely smaller
sister a little further on, you realise that indeed you are in a noble
city. The square had hardly been touched by the bombardment. There had
been no shells to waste on the square while the more precious Town Hall
had one stone left upon another. From the lower end of the square,
sheltered from the rain by the arcade, I made a rough sketch of what
remains of the Town Hall. Comparing this sketch with an engraved view
taken from exactly the same spot, one can see graphically what had
occurred. A few arches of the ground-floor colonnade had survived in
outline. Of the upper part of the facade nothing was left save a fragment
of wall showing two window-holes. The rest of the facade, and the whole of
the roof, was abolished. The later building attached to the left of the
facade had completely disappeared. The carved masonry of the earlier
building to the right of the facade had survived in a state of severe
mutilation. The belfry which, rising immediately behind the Town Hall, was
once the highest belfry in France (nearly 250 feet), had vanished. The
stump of it, jagged like the stump of a broken tooth, obstinately
persisted, sticking itself up to a level a few feet higher than the former
level of the crest of the roof. The vast ruin was heaped about with
refuse.</p>
<p>Arras is not in Germany. It is in France. I mention this fact because it
is notorious that Germany is engaged in a defensive war, and in a war for
the upholding of the highest civilisation. The Germans came all the way
across Belgium, and thus far into France, in order to defend themselves
against attack. They defaced and destroyed all the beauties of Arras, and
transformed it into a scene of desolation unsurpassed in France, so that
the highest civilisation might remain secure and their own hearths intact.
One wonders what the Germans would have done had they been fighting, not a
war of defence and civilisation, but a war of conquest and barbarism. The
conjecture may, perhaps, legitimately occupy the brains of citizens. In
any case, the French Government would do well to invite to such places as
Arras, Soissons, and Senlis groups of Mayors of the cities of all
countries, so that these august magistrates may behold for themselves and
realise in their souls what defensive war and the highest civilisation
actually do mean when they come to the point.</p>
<p>Personally, I am against a policy of reprisals, and yet I do not see how
Germany can truly appreciate what she has done unless an object-lesson is
created for her out of one of her own cities. And she emphatically ought
to appreciate what she has done. One city would suffice. If, at the end of
the war, Cologne were left as Arras was when I visited it, a definite
process of education would have been accomplished in the Teutonic mind.
The event would be hard on Cologne, but not harder than the other event
has been on Arras. Moreover, it is held, I believe, that the misfortunes
of war bring out all that is finest in the character of a nation, and that
therefore war, with its sweet accompaniments, is a good and a necessary
thing. I am against a policy of reprisals, and yet—such is human
nature— having seen Arras, I would honestly give a year’s income to
see Cologne in the same condition. And to the end of my life I shall feel
cheated if Cologne or some similar German town is not in fact ultimately
reduced to the same condition. This state of mind comes of seeing things
with your own eyes.</p>
<p>Proceeding, we walked through a mile or two of streets in which not one
house was inhabited nor undamaged. Some of these streets had been swept,
so that at the first glance they seemed to be streets where all the
citizens were indoors, reflecting behind drawn blinds and closed shutters
upon some incredible happening. But there was nobody indoors. There was
nobody in the whole quarter— only ourselves; and we were very
unhappy and unquiet in the solitude. Almost every window was broken; every
wall was chipped; chunks had been knocked out of walls, and at intervals
there was no wall. One house showed the different paperings of six rooms
all completely exposed to the gaze. The proprietor evidently had a passion
for anthracite stoves; in each of the six fireplaces was an anthracite
stove, and none had fallen. The post office was shattered.</p>
<p>Then the railway station of Arras! A comparatively new railway station,
built by the Compagnie du Nord in 1898. A rather impressive railway
station. The great paved place in front of it was pitted with shell-holes
of various sizes. A shell had just grazed the elaborate facade, shaving
ornaments and mouldings off it. Every pane of glass in it was smashed. All
the ironwork had a rich brown rust. The indications for passengers were
plainly visible. Here you must take your ticket; here you must register
your baggage; here you must wait. We could look through the station as
through the ribs of a skeleton. The stillness of it under the rain and
under the echoes of the tireless artillery was horrible. It was the most
unnatural, ghostly, ghastly railway station one could imagine. As within
the station, so on the platforms. All the glass of the shelters for
passengers was broken to little bits; the ironwork thickly encrusted. The
signals were unutterably forlorn in their ruin. And on the lines
themselves rampant vegetation had grown four feet high—a conquering
jungle. The defence of German soil is a mighty and a far-reaching affair.
This was on July 7th, 1915.</p>
<p><br/><br/></p>
<hr />
<div style="break-after:column;"></div><br />