<p><SPAN name="link2HCH0002" id="link2HCH0002"></SPAN></p>
<h2> CHAPTER TWO. THE STORY OF THE NOTEBOOK </h2>
<p>It was warm and comfortable in the little room where Muller sat. He closed
the windows, lit the gas, took off his overcoat—Muller was a
pedantically careful person—smoothed his hair and sat down
comfortably at the table. Just as he took up the little book, the
attendant brought the tea, which he proceeded at once to enjoy. He did not
take up his little book again until he had lit himself a cigar. He looked
at the cover of the dainty little notebook for many minutes before he
opened it. It was a couple of inches long, of the usual form, and had a
cover of brown leather. In the left upper corner were the letters A. L. in
gold. The leaves of the book, about fifty in all, were of a fine quality
of paper and covered with close writing. On the first leaves the writing
was fine and delicate, calm and orderly, but later on it was irregular and
uncertain, as if penned by a trembling hand under stress of terror. This
change came in the leaves of the book which followed the strange and
terrible title, "How I was murdered."</p>
<p>Before Muller began to read he felt the covers of the book carefully. In
one of them there was a tiny pocket, in which he found a little piece of
wall paper of a noticeable and distinctly ugly pattern. The paper had a
dark blue ground with clumsy lines of gold on it. In the pocket he found
also a tramway ticket, which had been crushed and then carefully smoothed
out again. After looking at these papers, Muller replaced them in the
cover of the notebook. The book itself was strongly perfumed with the same
odour which had exhaled from the handkerchief.</p>
<p>The detective did not begin his reading in that part of the book which
followed the mysterious title, as the commissioner had done. He began
instead at the very first words.</p>
<p>"Ah! she is still young," he murmured, when he had read the first lines.
"Young, in easy circumstances, happy and contented."</p>
<p>These first pages told of pleasure trips, of visits from and to good
friends, of many little events of every-day life. Then came some accounts,
written in pencil, of shopping expeditions to the city. Costly laces and
jewels had been bought, and linen garments for children by the dozen. "She
is rich, generous, and charitable," thought the detective, for the book
showed that the considerable sums which had been spent here had not been
for the writer herself. The laces bore the mark, "For our church"; behind
the account for the linen stood the words, "For the charity school."</p>
<p>Muller began to feel a strong sympathy for the writer of these notices.
She showed an orderly, almost pedantic, character, mingled with generosity
of heart. He turned leaf after leaf until he finally came to the words,
written in intentionally heavy letters, "How I was murdered."</p>
<p>Muller's head sank down lower over these mysterious words, and his eyes
flew through the writing that followed. It was quite a different writing
here. The hand that penned these words must have trembled in deadly
terror. Was it terror of coming death, foreseen and not to be escaped? or
was it the trembling and the terror of an overthrown brain? It was
undoubtedly, in spite of the difference, the same hand that had penned the
first pages of the book. A few characteristic turns of the writing were
plainly to be seen in both parts of the story. But the ink was quite
different also. The first pages had been written with a delicate violet
ink, the later leaves were penned with a black ink of uneven quality, of
the kind used by poor people who write very seldom. The words of this
later portion of the book were blurred in many places, as if the writer
had not been able to dry them properly before she turned the leaves. She
therefore had had neither blotting paper nor sand at her disposal.</p>
<p>And then the weird title!</p>
<p>Was it written at the dictation of insanity? or did A. L. know, while she
wrote it, that it was too late for any help to reach her? Did she see her
doom approaching so clearly that she knew there was no escape?</p>
<p>Muller breathed a deep breath before he continued his reading. Later on
his breath came more quickly still, and he clinched his fist several
times, as if deeply moved. He was not a cold man, only thoroughly
self-controlled. In his breast there lived an unquenchable hatred of all
evil. It was this that awakened the talents which made him the celebrated
detective he had become.</p>
<p>"I fear that it will be impossible for any one to save me now, but perhaps
I may be avenged. Therefore I will write down here all that has happened
to me since I set out on my journey." These were the first words that were
written under the mysterious title. Muller had just read them when the
commissioner entered.</p>
<p>"Will you speak to Amster; he has just returned?" he asked.</p>
<p>Muller rose at once. "Certainly. Did you telegraph to all the railway
stations?"</p>
<p>"Yes," answered the commissioner, "and also to the other police stations."</p>
<p>"And to the hospitals?—asylums?"</p>
<p>"No, I did not do that." Commissioner von Mayringen blushed, a blush that
was as becoming to him as was his frank acknowledgment of his mistake. He
went out to remedy it at once, while Muller heard Amster's short and not
particularly important report. The workingman was evidently shivering, and
the detective handed him a glass of tea with a good portion of rum in it.</p>
<p>"Here, drink this; you are cold. Are you ill?" Amster smiled sadly. "No, I
am not ill, but I was discharged to-day and am out of work now—that's
almost as bad."</p>
<p>"Are you married?"</p>
<p>"No, but I have an old mother to support."</p>
<p>"Leave your address with the commissioner. He may be able to find work for
you; we can always use good men here. But now drink your tea." Amster
drank the glass in one gulp. "Well, now we have lost the trail in both
directions," said Muller calmly. "But we will find it again. You can help,
as you are free now anyway. If you have the talent for that sort of thing,
you may find permanent work here."</p>
<p>A gesture and a look from the workingman showed the detective that the
former did not think very highly of such occupation. Muller laid his hand
on the other's shoulder and said gravely: "You wouldn't care to take
service with us? This sort of thing doesn't rate very high, I know. But I
tell you that if we have our hearts in the right place, and our brains are
worth anything, we are of more good to humanity than many an honest
citizen who wouldn't shake hands with us. There—and now I am busy.
Goodnight."</p>
<p>With these words Muller pushed the astonished man out of the room, shut
the door, and sat down again with his little book. This is what he read:</p>
<p>"Wednesday—is it Wednesday? They brought me a newspaper to-day which
had the date of Wednesday, the 20th of November. The ink still smells
fresh, but it is so damp here, the paper may have been older. I do not
know surely on what day it is that I begin to write this narrative. I do
not know either whether I may not have been ill for days and weeks; I do
not know what may have been the matter with me—I know only that I
was unconscious, and that when I came to myself again, I was here in this
gloomy room. Did any physician see me? I have seen no one until to-day
except the old woman, whose name I do not know and who has so little to
say. She is kind to me otherwise, but I am afraid of her hard face and of
the smile with which she answers all my questions and entreaties. 'You are
ill.' These are the only words that she has ever said to me, and she
pointed to her forehead as she spoke them. She thinks I am insane,
therefore, or pretends to think so.</p>
<p>"What a hoarse voice she has. She must be ill herself, for she coughs all
night long. I can hear it through the wall—she sleeps in the next
room. But I am not ill, that is I am not ill in the way she says. I have
no fever now, my pulse is calm and regular. I can remember everything,
until I took that drink of tea in the railway station. What could there
have been in that tea? I suppose I should have noticed how anxious my
travelling companion was to have me drink it.</p>
<p>"Who could the man have been? He was so polite, so fatherly in his anxiety
about me. I have not seen him since then. And yet I feel that it is he who
has brought me into this trap, a trap from which I may never escape alive.
I will describe him. He is very tall, stout and blond, and wears a long
heavy beard, which is slightly mixed with grey. On his right cheek his
beard only partly hides a long scar. His eyes are hidden by large smoked
glasses. His voice is low and gentle, his manners most correct—except
for his giving people poison or whatever else it was in that tea.</p>
<p>"I did not suffer any—at least I do not remember anything except
becoming unconscious. And I seem to have felt a pain like an iron ring
around my head. But I am not insane, and this fear that I feel does not
spring from my imagination, but from the real danger by which I am
surrounded. I am very hungry, but I do not dare to eat anything except
eggs, which cannot be tampered with. I tasted some soup yesterday, and it
seemed to me that it had a queer taste. I will eat nothing that is at all
suspicious. I will be in my full senses when my murderers come; they shall
not kill me by poison at least.</p>
<p>"When I came to my senses again—it was the evening of the day before
yesterday—I found a letter on the little table beside my bed. It was
written in French, in a handwriting that I had never seen before, and
there was no signature.</p>
<p>"This strange letter demanded of me that I should write to my guardian,
calmly and clearly, to say that for reasons which I did not intend to
reveal, I had taken my own life. If I did this my present place of sojourn
would be exchanged for a far more agreeable one, and I would soon be quite
free. But if I did not do it, I would actually be put to death. A pen, ink
and paper were ready there for the answer.</p>
<p>"'Never,' I wrote. And then despair came over me, and I may have indeed
appeared insane. The old woman came in. I entreated and implored her to
tell me why this dreadful fate should have overtaken me. She remained
quite indifferent and I sank back, almost fainting, on the bed. She laid a
moist cloth over my face, a cloth that had a peculiar odour. I soon fell
asleep. It seemed to me that there was some one else besides the woman in
the room with me. Or was she talking to herself? Next morning the letter
and my answer had disappeared. It was as I thought; there was some one
else in my room. Some one who had come on the tramway. I found the ticket
on the carpet beside my bed. I took it and put it in my notebook!!!!!</p>
<p>"I believe that it is Sunday to-day. It is four days now since I have been
conscious. The first sound that I remember hearing was the blast of a
horn. It must come from a factory very near me. The old windows in my room
rattle at the sound. I hear it mornings and evenings and at noon, on week
days. I did not hear it to-day, so it must be Sunday. It was Monday, the
18th of November, that I set out on my trip, and reached here in the
evening—(here? I do not know where I am), that is, I set out for
Vienna, and I know that I reached the Northern Railway station there in
safety.</p>
<p>"I was cold and felt a little faint—and then he offered me the tea—and
what happened after that? Where am I? The paper that they gave me may have
been a day or two old or more. And to-day is Sunday—is it the first
Sunday since my departure from home? I do not know. I know only this, that
I set out on the 18th of November to visit my kind old guardian, and to
have a last consultation with him before my coming of age. And I know also
that I have fallen into the hands of some one who has an interest in my
disappearance.</p>
<p>"There is some one in the next room with the old woman. I hear a man's
voice and they are quarrelling. They are talking of me. He wants her to do
something which she will not do. He commands her to go away, but she
refuses. What does he mean to do? I do not want her to leave me alone. I
do not hate her any more; I know that she is not bad. When I listened I
heard her speaking of me as of an insane person. She really believes that
I am ill. When the man went away he must have been angry. He stamped down
the stairs until the steps creaked under his tread: I know it is a wooden
staircase therefore.</p>
<p>"I am safe from him to-day, but I am really ill of fright. Am I really
insane? There is one thing that I have forgotten to write down. When I
first came to myself I found a bit of paper beside me on which was
written, 'Beware of calling in help from outside. One scream will mean
death to you.' It was written in French like the letter. Why? Was it
because the old woman could not read it? She knew of the piece of paper,
for she took it away from me. It frightens me that I should have forgotten
to write this down. Am I really ill? If I am not yet ill, this terrible
solitude will make me so.</p>
<p>"What a gloomy room this is, this prison of mine. And such a strange ugly
wall-paper. I tore off a tiny bit of it and hid it in this little book.
Some one may find it some day and may discover from it this place where I
am suffering, and where I shall die, perhaps. There cannot be many who
would buy such a pattern, and it must be possible to find the factory
where it was made. And I will also write down here what I can see from my
barred window. Far down below me there is a rusty tin roof, it looks like
as if it might belong to a sort of shed. In front and to the right there
are windowless walls; to the left, at a little distance, I can see a
slender church spire, greenish in colour, probably covered with copper,
and before the church there are two poplar trees of different heights.</p>
<p>"Another day has passed, a day of torturing fear! Am I really insane? I
know that I see queer things. This morning I looked towards the window and
I saw a parrot sitting there! I saw it quite plainly. It ruffled up its
red and green feathers and stared at me. I stared back at it and suddenly
it was gone. I shivered. Finally I pulled myself together and went to the
window. There was no bird outside nor was there a trace of any in the snow
on the window sill. Could the wind have blown away the tracks so soon, or
was it really my sick brain that appeared to see this tropical bird in the
midst of the snow? It is Tuesday to-day; from now on I will carefully
count the days—the days that still remain to me.</p>
<p>"This morning I asked the old woman about the parrot. She only smiled and
her smile made me terribly afraid. The thought that this thing which is
happening to me, this thing that I took to be a crime, may be only a
necessity—the thought fills me with horror! Am I in a prison? or is
this the cell of an insane asylum? Am I the victim of a villain? or am I
really mad? My pulse is quickening, but my memory is quite clear; I can
look back over every incident in my life.</p>
<p>"She has just taken away my food. I asked her to bring me only eggs as I
was afraid of everything else. She promised that she would do it.</p>
<p>"Are they looking for me? My guardian is Theodore Fellner, Cathedral Lane,
14. My own name is Asta Langen.</p>
<p>"They took away my travelling bag, but they did not find this little book
and the tiny bottle of perfume which I had in the pocket of my dress. And
I found this old pen and a little ink in a drawer of the writing table in
my room.</p>
<p>"Wednesday. The stranger was here again to-day. I recognised his soft
voice. He spoke to the woman in the hall outside my room. I listened, but
I could catch only a few words. 'To-morrow evening—I will come
myself—no responsibility for you.' Were these words meant for me?
Are they going to take me away? Where will they take me? Then they do not
dare to kill me here? My head is burning hot. I have not dared to drink a
drop of liquid for four days. I dare not take anything into which they
might have put some drug or some poison.</p>
<p>"Who could have such an interest in my death? It cannot be because of the
fortune which is to be mine when I come of age; for if I die, my father
has willed it to various charitable institutions. I have no relatives, at
least none who could inherit my money. I had never harmed any one; who can
wish for my death?</p>
<p>"There is somebody with her, somebody was listening at the door. I have a
feeling as if I was being watched. And yet—I examined the door, but
there is no crack anywhere and the key is in the lock. Still I seem to
feel a burning glance resting on me. Ah! the parrot! is this another
delusion? Oh God, let it end soon! I am not yet quite insane, but all
these unknown dangers around me will drive me mad. I must fight against
them.</p>
<p>"Thursday. They brought me back my travelling bag. My attendant is uneasy.
She was longer in cleaning up the room than usual to-day. She seemed to
want to say something to me, and yet she did not dare to speak. Is
something to happen to-day then? I did not close my eyes all night. Can
one be made insane from a distance? hypnotised into it, as it were? I will
not allow fear alone to make me mad. My enemy shall not find it too easy.
He may kill my body, but that is all—"</p>
<p>These were the last words which Asta Langen had written in her notebook,
the little book which was the only confidant of her terrible need. When
the detective had finished reading it, he closed his eyes for a few
minutes to let the impression made by the story sink into his mind.</p>
<p>Then he rose and put on his overcoat. He entered the commissioner's room
and took up his hat and cane.</p>
<p>"Where are you going, Muller?" asked Herr Von Mayringen.</p>
<p>"To Cathedral Lane, if you will permit it."</p>
<p>"At this hour? it is quarter past eleven! Is there any such hurry, do you
think? There is no train from any of our stations until morning. And I
have already sent a policeman to watch the house. Besides, I know that
Fellner is a highly respected man.</p>
<p>"There is many a man who is highly respected until he is found out,"
remarked the detective.</p>
<p>"And you are going to find out about Fellner?" smiled the commissioner.
"And this evening, too?"</p>
<p>"This very evening. If he is asleep I shall wake him up. That is the best
time to get at the truth about a man."</p>
<p>The commissioner sat down at his desk and wrote out the necessary
credentials for the detective. A few moments later Muller was in the
street. He left the notebook with the commissioner. It was snowing
heavily, and an icy north wind was howling through the streets. Muller
turned up the collar of his coat and walked on quickly. It was just
striking a quarter to twelve when he reached Cathedral Lane. As he walked
slowly along the moonlit side of the pavement, a man stepped out of the
shadow to meet him. It was the policeman who had been sent to watch the
house. Like Muller, he wore plain clothes.</p>
<p>"Well?" the latter asked.</p>
<p>"Nothing new. Mr. Fellner has been ill in bed several days, quite
seriously ill, they tell me. The janitor seems very fond of him.</p>
<p>"Hm—we'll see what sort of a man he is. You can go back to the
station now, you must be nearly frozen standing here."</p>
<p>Muller looked carefully at the house which bore the number 14. It was a
handsome, old-fashioned building, a true patrician mansion which looked
worthy of all confidence. But Muller knew that the outside of a house has
very little to do with the honesty of the people who live in it. He rang
the bell carefully, as he wished no one but the janitor to hear him.</p>
<p>The latter did not seem at all surprised to find a stranger asking for the
owner of the house at so late an hour. "You come with a telegram, I
suppose? Come right up stairs then, I have orders to let you in."</p>
<p>These were the words with which the old janitor greeted Muller. The
detective could see from this that Mr. Theodore Fellner's conscience must
be perfectly clear. The expected telegram probably had something to do
with the non-appearance of Asta Langen, of whose terrible fate her
guardian evidently as yet knew nothing. The janitor knocked on one of the
doors, which was opened in a few moments by an old woman.</p>
<p>"Is it the telegram?" she asked sleepily.</p>
<p>"Yes," said the janitor.</p>
<p>"No," said Muller, "but I want to speak to Mr. Fellner."</p>
<p>The two old people stared at him in surprise.</p>
<p>"To speak to him?" said the woman, and shook her head as if in doubt. "Is
it about Miss Langen?"</p>
<p>"Yes, please wake him."</p>
<p>"But he is ill, and the doctor—"</p>
<p>"Please wake him up. I will take the responsibility."</p>
<p>"But who are you?" asked the janitor.</p>
<p>Muller smiled a little at this belated caution on the part of the old man,
and answered. "I will tell Mr. Fellner who I am. But please announce me at
once. It concerns the young lady." His expression was so grave that the
woman waited no longer, but let him in and then disappeared through
another door. The janitor stood and looked at Muller with half
distrustful, half anxious glances.</p>
<p>"It's no good news you bring," he said after a few minutes.</p>
<p>"You may be right."</p>
<p>"Has anything happened to our dear young lady?"</p>
<p>"Then you know Miss Asta Langen and her family?"</p>
<p>"Why, of course. I was in service on the estate when all the dreadful
things happened."</p>
<p>"What things?"</p>
<p>"Why the divorce—and—but you are a stranger and I shouldn't
talk about these family affairs to you. You had better tell me what has
happened to our young lady."</p>
<p>"I must tell that to your master first."</p>
<p>The woman came back at this moment and said to Muller, "Come with me,
please. Berner, you are to stay here until the gentleman goes out again."</p>
<p>Muller followed her through several rooms into a large bed-chamber where
he found an elderly man, very evidently ill, lying in bed.</p>
<p>"Who are you?" asked the sick man, raising his head from the pillow. The
woman had gone out and closed the door behind her.</p>
<p>"My name is Muller, police detective. Here are my credentials."</p>
<p>Fellner glanced hastily at the paper. "Why does the police send to me?"</p>
<p>"It concerns your ward."</p>
<p>Fellner sat upright in bed now. He leaned over towards his visitor as he
said, pointing to a letter on the table beside his bed, "Asta's overseer
writes me from her estate that she left home on the 18th of November to
visit me. She should have reached here on the evening of the 18th, and she
has not arrived yet. I did not receive this letter until to-day."</p>
<p>"Did you expect the young lady?"</p>
<p>"I knew only that she would arrive sometime before the third of December.
That date is her twenty-fourth birthday and she was to celebrate it here."</p>
<p>"Did she not usually announce her coming to you?"</p>
<p>"No, she liked to surprise me. Three days ago I sent her a telegram asking
her to bring certain necessary papers with her. This brought the answer
from the overseer of her estate, an answer which has caused me great
anxiety. Your coming makes it worse, for I fear—" The sick man broke
off and turned his eyes on Muller; eyes so full of fear and grief that the
detective's heart grew soft. He felt Fellner's icy hand on his as the sick
man murmured: "Tell me the truth! Is Asta dead?"</p>
<p>The detective shrugged his shoulders. "We do not know yet. She was alive
and able to send a message at half past eight this evening."</p>
<p>"A message? To whom?"</p>
<p>"To the nearest police station." Muller told the story as it had come to
him.</p>
<p>The old man listened with an expression of such utter dazed terror that
the detective dropped all suspicion of him at once.</p>
<p>"What a terrible riddle," stammered the sick man as the other finished the
story.</p>
<p>"Would you answer me several questions?" asked Muller. The old gentleman
answered quickly, "Any one, every one."</p>
<p>"Miss Langen is rich?"</p>
<p>"She has a fortune of over three hundred thousand guldens, and
considerable land."</p>
<p>"Has she any relatives?"</p>
<p>"No," replied Fellner harshly. But a thought must have flashed through his
brain for he started suddenly and murmured, "Yes, she has one relative, a
step-brother."</p>
<p>The detective gave an exclamation of surprise.</p>
<p>"Why are you astonished at this?" asked Fellner.</p>
<p>"According to her notebook, the young lady does not seem to know of this
step-brother."</p>
<p>"She does not know, sir. There was an ugly scandal in her family before
her birth. Her father turned his first wife and their son out of his house
on one and the same day. He had discovered that she was deceiving him, and
also that her son, who was studying medicine at the time, had stolen money
from his safe. What he had discovered about his wife made Langen doubt
whether the boy was his son at all. There was a terrible scene, and the
two disappeared from their home forever. The woman died soon after. The
young man went to Australia. He has never been heard of since and has
probably come to no good."</p>
<p>"Might he not possibly be here in Europe again, watching for an
opportunity to make a fortune?"</p>
<p>Fellner's hand grasped that of his visitor. The eyes of the two men gazed
steadily at each other. The old man's glance was full of sudden helpless
horror, the detective's eyes shone brilliantly. Muller spoke calmly: "This
is one clue. Is there no one else who could have an interest in the young
lady's death?"</p>
<p>"No one but Egon Langen, if he bear this name by right, and if he is still
alive."</p>
<p>"How old would he be now?"</p>
<p>"He must be nearly forty. It was many years before Langen married again."</p>
<p>"Do you know him personally?"</p>
<p>"Have you a picture of Miss Langen?"</p>
<p>Fellner rang a bell and Berner appeared. "Give this gentleman Miss Asta's
picture. Take the one in the silver frame on my desk;" the old gentleman's
voice was friendly but faint with fatigue. His old servant looked at him
in deep anxiety. Fellner smiled weakly and nodded to the man. "Sad news,
Berner! Sad news and bad news. Our poor Asta is being held a prisoner by
some unknown villain who threatens her with death."</p>
<p>"My God, is it possible? Can't we help the poor young lady?"</p>
<p>"We will try to help her, or if it is—too late, we will at least
avenge her. My entire fortune shall be given up for it. But bring her
picture now."</p>
<p>Berner brought the picture of a very pretty girl with a bright intelligent
face. Muller took the picture out of the frame and put it in his pocket.</p>
<p>"You will come again? soon? And remember, I will give ten thousand guldens
to the man who saves Asta, or avenges her. Tell the police to spare no
expense—I will go to headquarters myself to-morrow."</p>
<p>Fellner was a little surprised that Muller, although he had already taken
up his hat, did not go. The sick man had seen the light flash up in the
eyes of the other as he named the sum. He thought he understood this
excitement, but it touched him unpleasantly and he sank back, almost
frightened, in his cushions as the detective bent over him with the words
"Good. Do not forget your promise, for I will save Miss Langen or avenge
her. But I do not want the money for myself. It is to go to those who have
been unjustly convicted and thus ruined for life. It may give the one or
the other of them a better chance for the future."</p>
<p>"And you? what good do you get from that?" asked the old gentleman,
astonished. A soft smile illumined the detective's plain features and he
answered gently, "I know then that there will be some poor fellow who will
have an easier time of it than I have had."</p>
<p>He nodded to Fellner, who had already grasped his hand and pressed it
hard. A tear ran down his grey beard, and long after Muller had gone the
old gentleman lay pondering over his last words.</p>
<p>Berner led the visitor to the door. As he was opening it, Muller asked:
"Has Egon Langen a bad scar on his right cheek?"</p>
<p>Berner's eyes looked his astonishment. How did the stranger know this? And
how did he come to mention this forgotten name.</p>
<p>"Yes, he has, but how did you know it?" he murmured in surprise. He
received no answer, for Muller was already walking quickly down the
street. The old man stared after him for some few minutes, then suddenly
his knees began to tremble. He closed the door with difficulty, and sank
down on a bench beside it. The wind had blown out the light of his
lantern; Berner was sitting in the dark without knowing it, for a sudden
terrible light had burst upon his soul, burst upon it so sharply that he
hid his eyes with his hands, and his old lips murmured, "Horrible!
Horrible! The brother against the sister."</p>
<p>The next morning was clear and bright. Muller was up early, for he had
taken but a few hours sleep in one of the rooms of the station, before he
set out into the cold winter morning. At the next corner he found Amster
waiting for him. "What are you doing here?" he asked in astonishment.</p>
<p>"I have been thinking over what you said to me yesterday. Your profession
is as good and perhaps better than many another."</p>
<p>"And you come out here so early to tell me that?"</p>
<p>Amster smiled. "I have something else to say."</p>
<p>"Well?"</p>
<p>"The commissioner asked me yesterday if I knew of a church in the city
that had a slender spire with a green top and two poplars in front of it."</p>
<p>Muller looked his interest.</p>
<p>"I thought it might possibly be the Convent Church of the Grey Sisters,
but I wasn't quite sure, so I went there an hour ago. It's all right, just
as I thought. And I suppose it has something to do with the case of last
night, so I thought I had better report at once. I was on my way to the
station."</p>
<p>"That will do very well. You have saved us much time and you have shown
that you are eminently fitted for this business."</p>
<p>"If you really will try me, then—"</p>
<p>"We'll see. You can begin on this. Come to the church with me now." Muller
was no talker, particularly not when, as now, his brain was busy on a
problem.</p>
<p>The two men walked on quickly. In about half an hour they found themselves
in a little square in the middle of which stood an old church. In front of
the church, like giant sentinels, stood a pair of tall poplars. One of
them looked sickly and was a good deal shorter than its neighbour. Muller
nodded as if content.</p>
<p>"Is this the church the commissioner was talking about?" queried Amster.</p>
<p>"It is," was the answer. Muller walked on toward a little house built up
against the church, which was evidently the dwelling of the sexton.</p>
<p>The detective introduced himself to this official, who did not look
over-intelligent, as a stranger in the city who had been told that the
view from the tower of the church was particularly interesting. A bright
silver piece banished all distrust from the soul of the worthy man. With
great friendliness he inquired when the gentlemen would like to ascend the
tower. "At once," was the answer.</p>
<p>The sexton took a bunch of keys and told the strangers to follow him. A
few moments later Muller and his companion stood in the tiny belfry room
of the slender spire. The fat sexton, to his own great satisfaction, had
yielded to their request not to undertake the steep ascent. The cloudless
sky lay crystal clear over the still sleeping city and the wide spread
snow-covered fields which lay close at hand, beyond the church. On the one
side were gardens and the low rambling buildings of the convent, and on
the other were huddled high-piled dwellings of poverty.</p>
<p>Muller looked out of each of the four windows in turn. He spent some time
at each window, but evidently without discovering what he looked for, for
he shook his head in discontent. But when he went once more to the opening
in the East, into which the sun was just beginning to pour its light,
something seemed to attract his attention. He called Amster and pointed
from the window. "Your eyes are younger than mine, lend them to me. What
do you see over there to the right, below the tall factory chimney?"
Muller's voice was calm, but there was something in his manner that
revealed excitement. Amster caught the infection without knowing why. He
looked sharply in the direction towards which Muller pointed, and began:
"There is a tall house near the chimney, to the right of it, one wall
touching it. The house is crowded in between other newer buildings, and
looks to be very old and of a much better sort than its neighbours. The
other houses are plain stone, but this house has carvings and statues on
it, which are white with snow. But the house is in bad condition, one can
see cracks in the wall."</p>
<p>"And its windows?"</p>
<p>"I cannot see them. They must be on the other side of the house, towards
the courtyard which seems to be hemmed in by the blank walls of the other
houses."</p>
<p>"And at the front of the house?"</p>
<p>"There is a low wall in front which shuts off the courtyard from a narrow,
ill-kept street."</p>
<p>"Yes, I see it myself now. The street is bordered mainly by gardens and
vacant lots."</p>
<p>"Yes, sir, that is it." Muller nodded as if satisfied. Amster looked at
him in surprise, still more surprised, however, at the excitement he felt
himself. He did not understand it, but Muller understood it. He knew that
he had found in Amster a talent akin to his own, one of those natures who
once having taken up a trail cannot rest until they reach their goal. He
looked for a few moments in satisfaction at the assistant he had found by
such chance, then he turned and hastened down the stairs again.</p>
<p>"We're going to that house?" asked Amster when they were down in the
street. Muller nodded.</p>
<p>Without hesitation the two men made their way through a tangle of dingy,
uninteresting alleys, between modern tenements, until about ten minutes
later they stood before an old three-storied building, which had a
frontage of four windows on the street. "This is our place," said the
detective, looking up at the tall, handsome gateway and the rococo
carvings that ornamented the front of this decaying dwelling. It was very
evidently of a different age and class from those about it.</p>
<p>Muller had already raised his hand to pull the bell, when he stopped and
let it sink again. His eye caught sight of a placard pasted up on the wall
of the next house, and already half torn off by the wind. The detective
walked over, and raising the placard with his cane, read the words on it.
"That's right," he said to himself. Amster gave a look on the paper. But
he could not connect the contents of the notice with the case of the
kidnapped lady, and he shook his head in surprise when Muller turned to
him with the words: "The lady we are looking for is not insane." On the
paper was announced in large letters that a reward would be offered to the
finder of a red and green parrot which had escaped from a neighbouring
house.</p>
<p>Muller rang the bell and they had to wait some few minutes before the door
opened with great creakings, and the towsled head of an old woman peered
out.</p>
<p>"What do you want?" she asked hoarsely, with distrustful looks.</p>
<p>"Let us in, and then give us the keys of the upstairs rooms." Muller's
voice was friendly, but the woman grew perceptibly paler.</p>
<p>"Who are you?" she stammered. Muller threw back his overcoat and showed
her his badge. "But there is nobody here, the house is quite empty."</p>
<p>"There were a lady and gentleman here last evening." The woman threw a
frightened look at Muller, then she said hesitatingly: "The lady was
insane and has been taken to an asylum."</p>
<p>"That is what the man told you. He is a criminal and the police are
looking for him."</p>
<p>"Come with me," murmured the woman. She seemed to understand that further
resistance was useless. She carefully locked the outside door. Amster
remained down stairs in the corridor, while Muller followed the old woman
up the stairs. The staircase to the third story was made of wood. The
house was evidently very old, with low ceilings and many dark corners.</p>
<p>The woman led Muller into the room in which she had cared for the strange
lady at the order of the latter's "husband." He had told her that it was
only until he could take the lady to an asylum. One look at the wall
paper, a glance out of the window, and Muller knew that this was where
Asta Langen had been imprisoned. He sat down on a chair and looked at the
woman, who stood frightened before him.</p>
<p>"Do you know where they have taken the lady?"</p>
<p>"No, sir.</p>
<p>"Do you know the gentleman's name?"</p>
<p>"No, sir.</p>
<p>"You did not send the lady's name to the authorities?" *</p>
<p>"No, sir."</p>
<p>* Any stranger taking rooms in a hotel or lodging house must<br/>
be registered with the police authorities by the proprietor<br/>
of the house within forty-eight hours of arrival.<br/></p>
<p>"Were you not afraid you would get into trouble?"</p>
<p>"The gentleman paid me well, and I did not think that he meant anything
bad, and—and—"</p>
<p>"And you did not think that it would be found out?" said Muller sternly.</p>
<p>"I took good care of the lady."</p>
<p>"Yes, we know that."</p>
<p>"Did she escape from her husband?"</p>
<p>"He was not her husband. But now tell me all you know about these people;
the more truthful you are the better it will be for you."</p>
<p>The old woman was so frightened that she could scarcely find strength to
talk. When she finally got control of herself again she began: "He came
here on the first of November and rented this room for himself. But he was
here only twice before he brought the lady and left her alone here. She
was very ill when he brought her here—so ill that he had to carry
her upstairs. I wanted to go for a doctor, but he said he was a doctor
himself, and that he could take care of his wife, who often had such
attacks. He gave me some medicine for her after I had put her to bed. I
gave her the drops, but it was a long while before she came to herself
again.</p>
<p>"Then he told me that she had lost her mind, and that she believed
everybody was trying to harm her. She was so bad that he was taking her to
an asylum. But he hadn't found quite the right place yet, and wanted me to
keep her here until he knew where he could take her. Once he left a
revolver here by mistake. But I hid it so the lady wouldn't see it, and
gave it to the gentleman the next time he came. He was angry at that,
though I couldn't see why, and said I shouldn't have touched it."</p>
<p>The woman had told her story with much hesitation, and stopped altogether
at this point. She had evidently suddenly realised that the lady was not
insane, but only in great despair, and that people in such a state will
often seek death, particularly if any weapon is left conveniently within
their reach.</p>
<p>"What did this gentleman look like?" asked Muller, to start her talking
again. She described her tenant as very tall and stout with a long beard
slightly mixed with grey. She had never seen his eyes, for he wore smoked
glasses.</p>
<p>"Did you notice anything peculiar about his face?"</p>
<p>"No, nothing except that his beard was ver heavy and almost covered his
face."</p>
<p>"Could you see his cheeks at all?"</p>
<p>"No, or else I didn't notice."</p>
<p>"Did he leave nothing that might enable us to find him?"</p>
<p>"No, sir, nothing. Or yes, perhaps, but I don't suppose that will be any
good."</p>
<p>"What was it? What do you mean?"</p>
<p>"It gave him a good deal of trouble to get the lady into the wagon,
because she had fainted again. He lost his glove in doing it. I have it
down stairs in my room, for I sleep down stairs again since the lady has
gone."</p>
<p>Muller had risen from his chair and walked over to the old writing desk
which stood beside one window. There were several sheets of ordinary brown
paper on it and sharp pointed pencil and also something not usually found
on writing desks, a piece of bread from which some of the inside had been
taken. "Everything as I expected it," he said to himself. "The young lady
made up the package in the last few moments that she was left alone here."</p>
<p>He turned again to the old woman and commanded her to lead him down
stairs. "What sort of a carriage was it in which they took the lady away?"
he asked as they went down.</p>
<p>"A closed coupe."</p>
<p>"Did you see the number?"</p>
<p>"No, sir. But the carriage was very shabby and so was the driver."</p>
<p>"Was he an old man?"</p>
<p>"He was about forty years old, but he looked like a man who drank. He had
a light-coloured overcoat on."</p>
<p>"Good. Is this your room?"</p>
<p>"Yes, sir."</p>
<p>They were now in the lower corridor, where they found Amster walking up
and down. The woman opened the door of the little room, and took a glove
from a cupboard. Muller put it in his pocket and told the woman not to
leave the house for anything, as she might be sent for to come to the
police station at any moment. Then he went out into the street with
Amster. When they were outside in the sunlight, he looked at the glove. It
was a remarkably small size, made for a man with a slender, delicate hand,
not at all in accordance with the large stout body of the man described by
the landlady. Muller put his hand into the glove and found something
pushed up into the middle finger. He took it out and found that it was a
crumpled tramway ticket.</p>
<p>"Look out for a shabby old closed coupe, with a driver about forty years
old who looks like a drunkard and wears a light overcoat. If you find such
a cab, engage it and drive in it to the nearest police station. Tell them
there to hold the man until further notice. If the cab is not free, at
least take his number. And one thing more, but you will know that
yourself,—the cab we are looking for will have new glass in the
right-hand window." Thus Muller spoke to his companion as he put the glove
into his pocket and unfolded the tramway ticket. Amster understood that
they had found the starting point of the drive of the night before.</p>
<p>"I will go to all coupe stands," he said eagerly.</p>
<p>"Yes, but we may be able to find it quicker than that." Muller took the
little notebook, which he was now carrying in his pocket, and took from it
the tramway ticket which was in the cover. He compared it with the one he
had just found. They were both marked for the same hour of the day and for
the same ride.</p>
<p>"Did the man use them?" asked Amster. The detective nodded. "How can they
help us?"</p>
<p>"Somewhere on this stretch of the street railroad you will probably find
the stand of the cab we are looking for. The man who hired it evidently
arrived on the 6:30 train at the West Station—I have reason to
believe that he does not live here,—and then took the street car to
this corner. The last ticket is marked for yesterday. In the car he
probably made his plans to hire a cab. So you had better stay along the
line of the car tracks. You will find me in room seven, Police
Headquarters, at noon to-day. The authorities have already taken up the
case. You may have something to tell us then. Good luck to you."</p>
<p>Muller hurried on, after he had taken a quick breakfast in a little cafe.
He went at once to headquarters, made his report there and then drove to
Fellner's house. The latter was awaiting him with great impatience. There
the detective gathered much valuable information about the first marriage
of Asta Langen's long-dead father. It was old Berner who could tell him
the most about these long-vanished days.</p>
<p>When he reached his office at headquarters again, he found telegrams in
great number awaiting him. They were from all the hospitals and insane
asylums in the entire district. But in none of them had there been a
patient fitting the description of the vanished girl. Neither the
commissioner nor Muller was surprised at this negative result. They were
also not surprised at all that the other branches of the police department
had been able to discover so little about the disappearance of the young
lady. They were aware that they had to deal with a criminal of great
ability who would be careful not to fall into the usual slips made by his
kind.</p>
<p>There was no news from the cab either, although several detectives were
out looking for it. It was almost nightfall when Amster ran breathlessly
into room number seven. "I have him! he's waiting outside across the way!"
This was Amster's report.</p>
<p>Muller threw on his coat hastily. "You didn't pay him, did you? On a cold
day like this the drivers don't like to wait long in any one place."</p>
<p>"No danger. I haven't money enough for that," replied Amster with a sad
smile. Muller did not hear him as he was already outside. But the
commissioner with whom he had been talking and to whom Muller had already
spoken of his voluntary assistant, entered into a conversation with
Amster, and said to him finally: "I will take it upon myself to guarantee
your future, if you are ready to enter the secret service under Muller's
orders. If you wish to do this you can stay right on now, for I think we
will need you in this case."</p>
<p>Amster bowed in agreement. His life had been troubled, his reputation
darkened by no fault of his own, and the work he was doing now had
awakened, an interest and an ability that he did not know he possessed. He
was more than glad to accept the offer made by the official.</p>
<p>Muller was already across the street and had laid his hand upon the door
of the cab when the driver turned to him and said crossly, "Some one else
has ordered me. But I am not going to wait in this cold, get in if you
want to."</p>
<p>"All right. Now tell me first where you drove to last evening with the
sick lady and her companion?" The man looked astonished but found his
tongue again in a moment. "And who are you?" he asked calmly.</p>
<p>"We will tell you that upstairs in the police station," answered Muller
equally calmly, and ordered the man to drive through the gateway into the
inner courtyard. He himself got into the wagon, and in the course of the
short drive he had made a discovery. He had found a tiny glass stopper,
such as is used in perfume bottles. He could understand from this why the
odour of perfume which had now become familiar to him was still so strong
inside the old cab. Also why it was so strong on the delicate
handkerchief. Asta Langen had taken the stopper from the bottle in her
pocket, so as to leave a trail of odour behind her.</p>
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