<h4 id="id00999" style="margin-top: 2em">XIII.—THAT YOU MUST LOVE ME, AND LOVE MY DOG</h4>
<p id="id01000">"Good sir, or madam, as it may be—we most willingly embrace the offer
of your friendship. We long have known your excellent qualities. We
have wished to have you nearer to us; to hold you within the very
innermost fold of our heart. We can have no reserve towards a person
of your open and noble nature. The frankness of your humour suits
us exactly. We have been long looking for such a friend. Quick—let
us disburthen our troubles into each other's bosom—let us make our
single joys shine by reduplication—But <i>yap, yap, yap!</i>—what is
this confounded cur? he has fastened his tooth, which is none of the
bluntest, just in the fleshy part of my leg."</p>
<p id="id01001">"It is my dog, sir. You must love him for my sake. Here,<br/>
Test—Test—Test!"<br/></p>
<p id="id01002">"But he has bitten me."</p>
<p id="id01003">"Ay, that he is apt to do, till you are better acquainted with him. I
have had him three years. He never bites me."</p>
<p id="id01004"><i>Yap, yap, yap!</i>—"He is at it again."</p>
<p id="id01005">"Oh, sir, you must not kick him. He does not like to be kicked. I
expect my dog to be treated with all the respect due to myself."</p>
<p id="id01006">"But do you always take him out with you, when you go a
friendship-hunting?"</p>
<p id="id01007">"Invariably. 'Tis the sweetest, prettiest, best-conditioned animal. I
call him my <i>test</i>—the touchstone by which I try a friend. No one can
properly be said to love me, who does not love him."</p>
<p id="id01008">"Excuse us, dear sir—or madam aforesaid—if upon further
consideration we are obliged to decline the otherwise invaluable offer
of your friendship. We do not like dogs."</p>
<p id="id01009">"Mighty well, sir—you know the conditions—you may have worse offers.<br/>
Come along, Test."<br/></p>
<p id="id01010">The above dialogue is not so imaginary, but that, in the intercourse
of life, we have had frequent occasions of breaking off an agreeable
intimacy by reason of these canine appendages. They do not always
come in the shape of dogs; they sometimes wear the more plausible and
human character of kinsfolk, near acquaintances, my friend's friend,
his partner, his wife, or his children. We could never yet form a
friendship—not to speak of more delicate correspondences—however
much to our taste, without the intervention of some third anomaly,
some impertinent clog affixed to the relation—the understood <i>dog</i>
in the proverb. The good things of life are not to be had singly, but
come to us with a mixture; like a schoolboy's holiday, with a task
affixed to the tail of it. What a delightful companion is ****, if he
did not always bring his tall cousin with him! He seems to grow with
him; like some of those double births, which we remember to have read
of with such wonder and delight in the old "Athenian Oracle," where
Swift commenced author by writing Pindaric Odes (what a beginning for
him!) upon Sir William Temple. There is the picture of the brother,
with the little brother peeping out at his shoulder; a species of
fraternity, which we have no name of kin close enough to comprehend.
When **** comes, poking in his head and shoulders into your room,
as if to feel his entry, you think, surely you have now got him to
yourself—what a three hours' chat we shall have!—but, ever in the
haunch of him, and before his diffident body is well disclosed in your
apartment, appears the haunting shadow of the cousin, over-peering his
modest kinsman, and sure to over-lay the expected good talk with his
insufferable procerity of stature, and uncorresponding dwarfishness of
observation. Misfortunes seldom come alone. 'Tis hard when a blessing
comes accompanied. Cannot we like Sempronia, without sitting down to
chess with her eternal brother? or know Sulpicia, without knowing all
the round of her card-playing relations? must my friend's brethren
of necessity be mine also? must we be hand and glove with Dick Selby
the parson, or Jack Selby the calico printer, because W.S., who is
neither, but a ripe wit and a critic, has the misfortune to claim a
common parentage with them? Let him lay down his brothers; and 'tis
odds but we will cast him in a pair of ours (we have a superflux) to
balance the concession. Let F.H. lay down his garrulous uncle; and
Honorius dismiss his vapid wife, and superfluous establishment of six
boys—things between boy and manhood—too ripe for play, too raw for
conversation—that come in, impudently staring their father's old
friend out of countenance; and will neither aid, nor let alone, the
conference: that we may once more meet upon equal terms, as we were
wont to do in the disengaged state of bachelorhood.</p>
<p id="id01011">It is well if your friend, or mistress, be content with these
canicular probations. Few young ladies but in this sense keep a dog.
But when Rutilia hounds at you her tiger aunt; or Ruspina expects you
to cherish and fondle her viper sister, whom she has preposterously
taken into her bosom, to try stinging conclusions upon your constancy;
they must not complain if the house be rather thin of suitors. Scylla
must have broken off many excellent matches in her time, if she
insisted upon all, that loved her, loving her dogs also.</p>
<p id="id01012">An excellent story to this moral is told of Merry, of Della Cruscan
memory. In tender youth, he loved and courted a modest appanage to
the Opera, in truth a dancer, who had won him by the artless contrast
between her manners and situation. She seemed to him a native violet,
that had been transplanted by some rude accident into that exotic and
artificial hotbed. Nor, in truth, was she less genuine and sincere
than she appeared to him. He wooed and won this flower. Only for
appearance' sake, and for due honour to the bride's relations, she
craved that she might have the attendance of her friends and kindred
at the approaching solemnity. The request was too amiable not to be
conceded; and in this solicitude for conciliating the good will of
mere relations, he found a presage of her superior attentions to
himself, when the golden shaft should have "killed the flock of all
affections else." The morning came; and at the Star and Garter,
Richmond—the place appointed for the breakfasting—accompanied with
one English friend, he impatiently awaited what reinforcements the
bride should bring to grace the ceremony. A rich muster she had made.
They came in six coaches—the whole corps du ballet—French, Italian,
men and women. Monsieur de B., the famous <i>pirouetter</i> of the day, led
his fair spouse, but craggy, from the banks of the Seine. The Prima
Donna had sent her excuse. But the first and second Buffa were there;
and Signor Sc——, and Signora Ch——, and Madame V——, with a
countless cavalcade besides of chorusers, figurantes, at the sight
of whom Merry afterwards declared, that "then for the first time it
struck him seriously, that he was about to marry—a dancer." But there
was no help for it. Besides, it was her day; these were, in fact, her
friends and kinsfolk. The assemblage, though whimsical, was all very
natural. But when the bride—handing out of the last coach a still
more extraordinary figure than the rest—presented to him as her
<i>father</i>—the gentleman that was to <i>give her away</i>—no less a person
than Signor Delpini himself—with a sort of pride, as much as to
say, See what I have brought to do us honour!—the thought of so
extraordinary a paternity quite overcame him; and slipping away under
some pretence from the bride and her motley adherents, poor Merry
took horse from the back yard to the nearest sea-coast, from which,
shipping himself to America, he shortly after consoled himself with a
more congenial match in the person of Miss Brunton; relieved from his
intended clown father, and a bevy of painted Buffas for bridemaids.</p>
<h4 id="id01013" style="margin-top: 2em">XIV.—THAT WE SHOULD RISE WITH THE LARK</h4>
<p id="id01014">At what precise minute that little airy musician doffs his night
gear, and prepares to tune up his unseasonable matins, we are not
naturalists enough to determine. But for a mere human gentleman—that
has no orchestra business to call him from his warm bed to such
preposterous exercises—We take ten, or half after ten (eleven, of
course, during this Christmas solstice), to be the very earliest hour,
at which he can begin to think of abandoning his pillow. To think of
it, we say; for to do it in earnest, requires another half hour's good
consideration. Not but there are pretty sun-risings, as we are told,
and such like gawds, abroad in the world, in summer time especially,
some hours before what we have assigned; which a gentleman may see,
as they say, only for getting up. But, having been tempted once or
twice, in earlier life, to assist at those ceremonies, we confess
our curiosity abated. We are no longer ambitious of being the sun's
courtiers, to attend at his morning levees. We hold the good hours of
the dawn too sacred to waste them upon such observances; which have
in them, besides, something Pagan and Persic. To say truth, we never
anticipated our usual hour, or got up with the sun (as 'tis called),
to go a journey, or upon a foolish whole day's pleasuring, but we
suffered for it all the long hours after in listlessness and headachs;
Nature herself sufficiently declaring her sense of our presumption,
in aspiring to regulate our frail waking courses by the measures of
that celestial and sleepless traveller. We deny not that there is
something sprightly and vigorous, at the outset especially, in these
break-of-day excursions. It is flattering to get the start of a lazy
world; to conquer death by proxy in his image. But the seeds of sleep
and mortality are in us; and we pay usually in strange qualms, before
night falls, the penalty of the unnatural inversion. Therefore, while
the busy part of mankind are fast huddling on their clothes, are
already up and about their occupations, content to have swallowed
their sleep by wholesale; we chose to linger a-bed, and digest our
dreams. It is the very time to recombine the wandering images, which
night in a confused mass presented; to snatch them from forgetfulness;
to shape, and mould them. Some people have no good of their dreams.
Like fast feeders, they gulp them too grossly, to taste them
curiously. We love to chew the cud of a foregone vision: to collect
the scattered rays of a brighter phantasm, or act over again, with
firmer nerves, the sadder nocturnal tragedies; to drag into day-light
a struggling and half-vanishing night-mare; to handle and examine
the terrors, or the airy solaces. We have too much respect for these
spiritual communications, to let them go so lightly. We are not so
stupid, or so careless, as that Imperial forgetter of his dreams, that
we should need a seer to remind us of the form of them. They seem to
us to have as much significance as our waking concerns; or rather to
import us more nearly, as more nearly we approach by years to the
shadowy world, whither we are hastening. We have shaken hands with the
world's business; we have done with it; we have discharged ourself
of it. Why should we get up? we have neither suit to solicit, nor
affairs to manage. The drama has shut in upon us at the fourth act.
We have nothing here to expect, but in a short time a sick bed, and
a dismissal. We delight to anticipate death by such shadows as night
affords. We are already half acquainted with ghosts. We were never
much in the world. Disappointment early struck a dark veil between us
and its dazzling illusions. Our spirits showed grey before our hairs.
The mighty changes of the world already appear as but the vain stuff
out of which dramas are composed. We have asked no more of life than
what the mimic images in play-houses present us with. Even those
types have waxed fainter. Our clock appears to have struck. We are
SUPERANNUATED. In this dearth of mundane satisfaction, we contract
politic alliances with shadows. It is good to have friends at court.
The abstracted media of dreams seem no ill introduction to that
spiritual presence, upon which, in no long time, we expect to be
thrown. We are trying to know a little of the usages of that colony;
to learn the language, and the faces we shall meet with there, that we
may be the less awkward at our first coming among them. We willingly
call a phantom our fellow, as knowing we shall soon be of their dark
companionship. Therefore, we cherish dreams. We try to spell in them
the alphabet of the invisible world; and think we know already, how it
shall be with us. Those uncouth shapes, which, while we clung to flesh
and blood, affrighted us, have become familiar. We feel attenuated
into their meagre essences, and have given the hand of half-way
approach to incorporeal being. We once thought life to be something;
but it has unaccountably fallen from us before its time. Therefore we
choose to dally with visions. The sun has no purposes of ours to light
us to. Why should we get up?</p>
<h4 id="id01015" style="margin-top: 2em">XV.—THAT WE SHOULD LIE DOWN WITH THE LAMB</h4>
<p id="id01016">We could never quite understand the philosophy of this arrangement,
or the wisdom of our ancestors in sending us for instruction to
these woolly bedfellows. A sheep, when it is dark, has nothing to do
but to shut his silly eyes, and sleep if he can. Man found out long
sixes.—Hail candle-light! without disparagement to sun or moon, the
kindliest luminary of the three—if we may not rather style thee their
radiant deputy, mild viceroy of the moon!—We love to read, talk, sit
silent, eat, drink, sleep, by candle-light. They are every body's sun
and moon. This is our peculiar and household planet. Wanting it, what
savage unsocial nights must our ancestors have spent, wintering in
caves and unillumined fastnesses! They must have lain about and
grumbled at one another in the dark. What repartees could have passed,
when you must have felt about for a smile, and handled a neighbour's
cheek to be sure that he understood it? This accounts for the
seriousness of the elder poetry. It has a sombre cast (try Hesiod or
Ossian), derived from the tradition of those unlantern'd nights. Jokes
came in with candles. We wonder how they saw to pick up a pin, if they
had any. How did they sup? what a melange of chance carving they must
have made of it!—here one had got a leg of a goat, when he wanted
a horse's shoulder—there another had dipt his scooped palm in a
kid-skin of wild honey, when he meditated right mare's milk. There
is neither good eating nor drinking in fresco. Who, even in these
civilised times, has never experienced this, when at some economic
table he has commenced dining after dusk, and waited for the
flavour till the lights came? The senses absolutely give and take
reciprocally. Can you tell pork from veal in the dark? or distinguish
Sherris from pure Malaga? Take away the candle from the smoking
man; by the glimmering of the left ashes, he knows that he is still
smoking, but he knows it only by an inference; till the restored
light, coming in aid of the olfactories, reveals to both senses the
full aroma. Then how he redoubles his puffs! how he burnishes!—There
is absolutely no such thing as reading, but by a candle. We have
tried the affectation of a book at noon-day in gardens, and in sultry
arbours; but it was labour thrown away. Those gay motes in the beam
come about you, hovering and teazing, like so many coquets, that will
have you all to their self, and are jealous of your abstractions. By
the midnight taper, the writer digests his meditations. By the same
light, we must approach to their perusal, if we would catch the flame,
the odour. It is a mockery, all that is reported of the influential
Phoebus. No true poem ever owed its birth to the sun's light. They are
abstracted works—</p>
<p id="id01017"> "Things that were born, when none but the still night,<br/>
And his dumb candle, saw his pinching throes."<br/></p>
<p id="id01018">Marry, daylight—daylight might furnish the images, the crude
material; but for the fine shapings, the true turning and filing (as
mine author hath it), they must be content to hold their inspiration
of the candle. The mild internal light, that reveals them, like fires
on the domestic hearth, goes out in the sunshine. Night and silence
call out the starry fancies, Milton's Morning Hymn on Paradise, we
would hold a good wager, was penned at midnight; and Taylor's richer
description of a sun-rise smells decidedly of the taper. Even ourself,
in these our humbler lucubrations, tune our best measured cadences
(Prose has her cadences) not unfrequently to the charm of the drowsier
watchman, "blessing the doors;" or the wild sweep of winds at
midnight. Even now a loftier speculation than we have yet attempted,
courts our endeavours. We would indite something about the Solar
System.—<i>Betty, bring the candles</i>.</p>
<h4 id="id01019" style="margin-top: 2em">XVI.—THAT A SULKY TEMPER IS A MISFORTUNE</h4>
<p id="id01020">We grant that it is, and a very serious one—to a man's friends, and
to all that have to do with him; but whether the condition of the man
himself is so much to be deplored, may admit of a question. We can
speak a little to it, being ourself but lately recovered—we whisper
it in confidence, reader—out of a long and desperate fit of the
sullens. Was the cure a blessing? The conviction which wrought it,
came too clearly to leave a scruple of the fanciful injuries—for
they were mere fancies—which had provoked the humour. But the humour
itself was too self-pleasing, while it lasted—we know how bare we
lay ourself in the confession—to be abandoned all at once with the
grounds of it. We still brood over wrongs which we know to have been
imaginary; and for our old acquaintance, N——, whom we find to
have been a truer friend than we took him for, we substitute some
phantom—a Caius or a Titius—as like him as we dare to form it, to
wreak our yet unsatisfied resentments on. It is mortifying to fall at
once from the pinnacle of neglect; to forego the idea of having been
ill-used and contumaciously treated by an old friend. The first thing
to aggrandise a man in his own conceit, is to conceive of himself as
neglected. There let him fix if he can. To undeceive him is to deprive
him of the most tickling morsel within the range of self-complacency.
No flattery can come near it. Happy is he who suspects his friend of
an injustice; but supremely blest, who thinks all his friends in a
conspiracy to depress and undervalue him. There is a pleasure (we
sing not to the profane) far beyond the reach of all that the world
counts joy—a deep, enduring satisfaction in the depths, where the
superficial seek it not, of discontent. Were we to recite one half of
this mystery, which we were let into by our late dissatisfaction, all
the world would be in love with disrespect; we should wear a slight
for a bracelet, and neglects and contumacies would be the only matter
for courtship. Unlike to that mysterious book in the Apocalypse, the
study of this mystery is unpalatable only in the commencement. The
first sting of a suspicion is grievous; but wait—out of that wound,
which to flesh and blood seemed so difficult, there is balm and honey
to be extracted. Your friend passed you on such or such a day,—having
in his company one that you conceived worse than ambiguously disposed
towards you,—passed you in the street without notice. To be sure he
is something shortsighted; and it was in your power to have accosted
<i>him</i>. But facts and sane inferences are trifles to a true adept in
the science of dissatisfaction. He must have seen you; and S——,
who was with him, must have been the cause of the contempt. It galls
you, and well it may. But have patience. Go home, and make the worst
of it, and you are a made man from this time. Shut yourself up,
and—rejecting, as an enemy to your peace, every whispering suggestion
that but insinuates there may be a mistake—reflect seriously upon the
many lesser instances which you had begun to perceive, in proof of
your friend's disaffection towards you. None of them singly was much
to the purpose, but the aggregate weight is positive; and you have
this last affront to clench them. Thus far the process is any thing
but agreeable. But now to your relief comes in the comparative
faculty. You conjure up all the kind feelings you have had for your
friend; what you have been to him, and what you would have been to
him, if he would have suffered you; how you defended him in this
or that place; and his good name—his literary reputation, and so
forth, was always dearer to you than your own! Your heart, spite of
itself, yearns towards him. You could weep tears of blood but for a
restraining pride. How say you? do you not yet begin to apprehend a
comfort? some allay of sweetness in the bitter waters? Stop not here,
nor penuriously cheat yourself of your reversions. You are on vantage
ground. Enlarge your speculations, and take in the rest of your
friends, as a spark kindles more sparks. Was there one among them, who
has not to you proved hollow, false, slippery as water? Begin to think
that the relation itself is inconsistent with mortality. That the very
idea of friendship, with its component parts, as honour, fidelity,
steadiness, exists but in your single bosom. Image yourself to
yourself, as the only possible friend in a world incapable of that
communion. Now the gloom thickens. The little star of self-love
twinkles, that is to encourage you through deeper glooms than this.
You are not yet at the half point of your elevation. You are not yet,
believe me, half sulky enough. Adverting to the world in general, (as
these circles in the mind will spread to infinity) reflect with what
strange injustice you have been treated in quarters where, (setting
gratitude and the expectation of friendly returns aside as chimeras,)
you pretended no claim beyond justice, the naked due of all men. Think
the very idea of right and fit fled from the earth, or your breast
the solitary receptacle of it, till you have swelled yourself into at
least one hemisphere; the other being the vast Arabia Stony of your
friends and the world aforesaid. To grow bigger every moment in your
own conceit, and the world to lessen: to deify yourself at the expense
of your species; to judge the world—this is the acme and supreme
point of your mystery—these the true PLEASURES of SULKINESS. We
profess no more of this grand secret than what ourself experimented
on one rainy afternoon in the last week, sulking in our study. We had
proceeded to the penultimate point, at which the true adept seldom
stops, where the consideration of benefit forgot is about to merge
in the meditation of general injustice—when a knock at the door was
followed by the entrance of the very friend, whose not seeing of us in
the morning, (for we will now confess the case our own), an accidental
oversight, had given rise to so much agreeable generalization!
To mortify us still more, and take down the whole flattering
superstructure which pride had piled upon neglect, he had brought in
his hand the identical S——, in whose favour we had suspected him of
the contumacy. Asseverations were needless, where the frank manner of
them both was convictive of the injurious nature of the suspicion. We
fancied that they perceived our embarrassment; but were too proud, or
something else, to confess to the secret of it. We had been but too
lately in the condition of the noble patient in Argos:</p>
<p id="id01021"> Qui se credebat miros audire tragoedos.<br/>
In vacuo lætus sessor plausorque theatro—<br/></p>
<p id="id01022">and could have exclaimed with equal reason against the friendly hands
that cured us—</p>
<p id="id01023"> Pol me occidistis, amici,<br/>
Non servâstis, ait; cui sic extorta voluptas,<br/>
Et demptus per vim mentis gratissimus error.<br/></p>
<h2 id="id01024" style="margin-top: 4em">APPENDIX</h2>
<h5 id="id01025">LAMB'S ESSAYS ON "THE OLD ACTORS" AS ORIGINALLY PRINTED IN THE <i>LONDON
MAGAZINE</i>. (SEE NOTE ON PAGE 444.)</h5>
<div style="break-after:column;"></div><br />