<SPAN name="startofbook"></SPAN>
<h1 class="ac" style="margin-bottom:1.3ex;"><span class="xxx-larger">BIRDS.</span></h1>
<p class="ac" style="margin-bottom:1.3ex;"><span class="smaller">ILLUSTRATED BY</span> COLOR
PHOTOGRAPHY.</p>
<table class="sp2 mc w100" title="Edition header Vol. III. No. 5. MAY,
1898." summary="Edition header Vol. III. No. 5. MAY,
1898.">
<tr>
<td class="w33 al btd bbd"><span class="sc">Vol. III.</span></td>
<td class="w33 ac btd bbd">MAY, 1898.</td>
<td class="w33 ar btd bbd"><span class="sc">No. 5.</span></td>
</tr>
</table>
<h2 class="ac" style="margin-bottom:1.3ex;"><span class="larger">COLOR IN MUSIC.</span></h2>
<div class="poem poemc16 sp4">
<p style="margin-left:-0.40em">"No ladder needs the bird, but skies</p>
<p style="margin-left:0.70em">To situate its wings,</p>
<p>Nor any leader's grim baton</p>
<p style="margin-left:0.70em">Arraigns it as it sings.</p>
<p>The implements of bliss are few—</p>
<p style="margin-left:0.70em">As Jesus says of Him,</p>
<p style="margin-left:-0.20em">'Come unto me,' the moiety</p>
<p style="margin-left:0.70em">That wafts the cherubim."</p>
<p style="margin-left:2.45em">—<span class="sc">Emily Dickinson.</span></p>
</div>
<p><span class="handonly">O</span><ANTIMG src="images/initial_o.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="O"/>H, Music! voice inspired of all our
joys and sorrows, of all our hopes and disappointments, to thee we turn for life, for strength and
peace. The choristers of Nature—the birds—are our teachers. How free, how vital, how
unconstrained! The bird drops into song and delicious tones as easily as he drops from the bough
through the air to the twig or ground. To learn of the bird has been found to be a truthful means
whereby children's attention and interest may be held long enough to absorb the sense of intervals
in pitch, notation on the staff, and rythms.</p>
<p>In teaching a child, it is obvious that the desire to learn must be kept widely awake, and
heretofore black notes on five lines and four spaces, with heiroglyphics at the beginning to
denote clef, and figures to indicate the rhythm of the notes, have never interested children. But
now, color and the bird with its egg for a note, telegraph wires for the staff, and swinging the
pulsing rhythm instead of beating the time, has charmed children into accomplishment of sight
singing and sweet purity of tone. Formerly, and by the old method, this was a long and laborious
task, barely tolerated by the musical child and disliked by the little soul unawakened thereby to
its own silent music.</p>
<p>It may be questioned, what is the new method, and what its value? The method is this: In
recognizing tone, the finer and more sensitive musician has realized that certain intervals of
scale suggested to their minds or reminded them of certain colors. Thus the Doh, the opening and
closing tone of the scale, the foundation and cap stone, suggested Red, which is the strong, firm
color of colors, and on the ethical side suggested Love, which is the beginning and end, the Alpha
and Omega of Life. This firmness and strength is easy to recognize in the tune "America," where
the tonic Doh is so insistent, and colors the whole melody. "The Star-Spangled Banner" and "Hail
Columbia" are other strong examples.</p>
<p>The Dominant or fifth tone in the scale is clear and pure, which the blue of heaven represents,
and so also the quality of aspiration or exaltation is sounded. This is joyously clear in the
Palestrina "Victory," set to the Easter hymn, "The strife is o'er the battle done."</p>
<div><span class="pagenum" id="page162">{162}</span></div>
<p>The Mediant or third of the scale is peaceful and calm, and the color Yellow is suggested, with
its vital, radiating, sunshiny warmth and comfort. The "O, rest in the Lord" from "Elijah"
exemplifies this quality of restful and peaceful assurance. Of the tones of the Dominant chord
besides the Soh which we have considered, the Ti or seventh interval is full of irresolution and
unrest, crying for completion in the strong and resolute Doh. This unrest and yearning suggest the
mixed color Magenta. The quality is expressed in bits of an old English song entitled "Too Late."
The insistency of the seventh is felt in the strong measures with the words, "oh let us in, oh,
let us in."</p>
<p>The Ray or second of the scale which completes the Dominant chord is rousing and
expectant—quite in contrast to the eagerness and dispair of the seventh. This second is
represented by orange, the mixture of red and yellow between which it stands being equally related
to both, with the expectancy born of trust and rest which the Mediant expresses, and the rousing
hopefulness which is the outcome of the firm strength and conviction of the Doh. As a musical
example take Pleyel's hymn set to the words: "Children of the Heavenly King." In the remaining
tones of the sub-dominant chord Fah and Lah, we find Fah the fourth has a distinctively leaning
tendency, a solemnity which calls forth the direct opposite of the seventh or Ti which yearns
upward and cannot be otherwise satisfied, while Fah is a downward leaning, a protective and
even-solemnly grand, dependent tone. We hear this in the dead march in "Saul," and the almost
stern reproach in the two measures of "Too late, too late, ye cannot enter now." Fah's tonal
qualities suggest the protective green.</p>
<p>Lah, or the sixth tone is expresive of tender sympathy, and unlike Fah, is a variable tone
which may turn upward or downward for rest. It is found prominently in Minor music and is
represented by the half mourning color of lavender or violet. "By the sad sea-waves" is a good
illustration of this gentle wail.</p>
<p>While these emotional effects are certainly true, it may be well to remind the reader that when
modulation comes in, the character of the tones is necessarily changed; just as the appearance and
impression of an individual will be modified and altered by change of surroundings. Consequently
these effects are strong only in the pure unmodulated key.</p>
<p>In awakening the musical sensibility of the child, we are rescuing it from probable loss of
appreciation for the noble, and true, and fine. This loss is shown by such as are pleased with the
trash of the "popular" tunes of a day—tunes which express nothing worthy of the great gift
of expression. Music is life in all its moods and tenses, but we should be sensitive only to that
which is the expression of the best and most helpful.</p>
<p>Through the many percepts of sight of the birds which represent the intervals of the scale, of
touch in pasting the little colored discs on the staff, of ear in singing the tones of the Doh
bird, the Me bird, the Soh bird, etc., the child finds the symbols and mechanics of musical
notation entrancing instead of tedious.</p>
<p>In teaching the rythms and value of notes the imagination is called upon in marking off rooms
instead of measures, and putting one or more bird eggs into them, naming them with the time names
and swinging the rythm with a snap-tape measure.</p>
<p class="ar"><span class="sc">Agnes Stewart.</span></p>
<div class="bq1 sp3">
<p class="sp0">In charge of classes in Color Music and assistant teacher of Voice in The Mrs.
John Vance Cheney School, Steinway Hall, Chicago.</p>
</div>
<div><span class="pagenum" id="page163">{163}</span></div>
<hr style="width:10em"/>
<h2 class="ac" style="margin-bottom:1.3ex;"><span class="larger">CONTENTMENT.</span></h2>
<table class="sp3 mc" title="Poetry" summary="Poetry">
<tr>
<td class="pr0"><span class="handonly">O</span><ANTIMG src="images/initial_o.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="O"/></td>
<td class="pl0">
<div class="poem poemc20">
<p>NCE on a time an old red hen</p>
<p style="margin-left:0.70em">Went strutting around with pompous clucks,</p>
<p style="margin-left:0.70em">For she had little babies ten,</p>
<p style="margin-left:0.70em">A part of which were tiny ducks;</p>
<p style="margin-left:-0.40em">"'Tis very rare that hens," said she,</p>
<p style="margin-left:0.30em">"Have baby ducks, as well as chicks;</p>
<p>But I possess, as you can see,</p>
<p style="margin-left:0.70em">Of chickens four and ducklings six!"</p>
<p class="stanza">A season later, this old hen</p>
<p style="margin-left:0.70em">Appeared, still cackling of her luck,</p>
<p>For though she boasted babies ten,</p>
<p style="margin-left:0.70em">Not one among them was a duck!</p>
<p style="margin-left:-0.40em">"'Tis well," she murmured, brooding o'er</p>
<p style="margin-left:0.70em">The little chicks of fleecy down,</p>
<p style="margin-left:-0.40em">"My babies now will stay ashore,</p>
<p style="margin-left:0.70em">And, consequently, cannot drown!"</p>
<p class="stanza">The following spring the old red hen</p>
<p style="margin-left:0.70em">Clucked just as proudly as of yore;</p>
<p>But lo! her babies were ducklings ten,</p>
<p style="margin-left:0.70em">Instead of chickens, as before!</p>
<p style="margin-left:-0.40em">"'Tis better," said the old red hen,</p>
<p style="margin-left:0.70em">As she surveyed her waddling brood,</p>
<p style="margin-left:-0.40em">"A little water, now and then,</p>
<p style="margin-left:0.70em">Will surely do my darlings good!"</p>
<p class="stanza">But, oh! alas, how very sad!</p>
<p style="margin-left:0.70em">When gentle spring rolled round again,</p>
<p>The eggs eventuated bad,</p>
<p style="margin-left:0.70em">And childless was the old red hen!</p>
<p>Yet, patiently she bore her woe,</p>
<p style="margin-left:0.70em">And still she wore a cheerful air,</p>
<p>And said: "'Tis best these things are so,</p>
<p style="margin-left:0.70em">For babies are a dreadful care!"</p>
<p class="stanza">I half suspect that many men,</p>
<p style="margin-left:0.70em">And many, many women too,</p>
<p>Could learn a lesson from the hen,</p>
<p style="margin-left:0.70em">With foliage of vermilion hue.</p>
<p>She ne'er presumed to take offence</p>
<p style="margin-left:0.70em">At any fate that might befall,</p>
<p>But meekly bowed to Providence.—</p>
<p style="margin-left:0.70em">She was contented—that was all!</p>
<p style="margin-left:5.25em">—<span class="sc">Eugene Field.</span></p>
</div>
</td>
</tr>
</table>
<div><span class="pagenum" id="page164">{164}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE FASCINATION OF BIRD STUDY.</span></h2>
<p><span class="handonly">W</span><ANTIMG src="images/initial_w.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="W"/>HEN one knows six birds by sight or
sound, it has been said, he is lost. After that he cannot rest until he knows fifty, or a hundred,
or two hundred—in his back-door yard, or down in the orchard, or across the farm. It is not
easy to explain wherein lies the fascination of "naming the birds without a gun." The humility of
the scoffer, caught unawares, and taught his first six before he knows it, is something pathetic
and instructive. Few mortals are proof against the charm—when once the first half-dozen are
conquered. The first three come easy. Most of us know the Crow—and the Robin—and the
Bluebird—and—and—the Sparrow—until we discover that there are more than a
dozen varieties of Sparrow, and perceive that this common brown bird, hopping so cheerily in and
out of the bushes, may be a Song Sparrow or a Chipping Sparrow or a White-Throated or
White-Crowned or any one of the dozen—or even the Cocky English Sparrow, despised by
ornithologist and tyro alike. When to the Crow and Robin and Bluebird one has added the
Blackbird—both the Keel-tailed and the Redwing—and the Meadow Lark or the Highhole,
the charm begins to work. Armed with opera-glass and bird book, the victim casts convention to the
winds. He stands in the full glare of the public highway, his glass focused on an invisible spot,
an object of ridicule to men and dogs. He crawls on his hands and knees through underbrush, under
barbed fences and over stone walls. He sits by the hour waiting for a Vireo to come down from the
topmost branch within range of his glass. He forgets luncheon and engagements. And what does he
bring home? Certainly not the river and sky, and seldom even a feather.</p>
<p>Books on birds, continues the <i>Boston Evening Transcript</i>, like good wine, need no bush at
this season of the year; the Golden-winged Woodpecker drums announcement on every limb; the
Redwing Blackbird gurgles and chuckles and calls across the swamp; and the Lesser Sparrows and
Bluebirds and Robins wake the morning to the weaving of new song. The hand reaches out for the
familiar bird-book; that last note was a strange one. It is a new bird—or merely one
forgotten? The delight begins all over with the first Bluebird's call, "a mere wandering voice in
the air."</p>
<p>"The Department of Agriculture," Miss Merriam tells us, in her new book, "Birds of Village and
Field," "realizing the losses that often result from the ignorant sacrifice of useful birds,
constituted the Division of Ornithology, now a part of the Biological Survey, a court of appeal
where accusations against the birds could be received and investigated. The method used by the
division is the final one—the examination of stomach contents to prove the actual food of
the birds. After the examination of about eighty birds, the only one actually condemned to death
is the English Sparrow. Of all the accused Hawks, only three have been found guilty of the charges
made against them—the Goshawk, Cooper's, and the Sharp-Shinned—while the rest are
numbered among the best friends of the fruit-grower and farmer."</p>
<div><span class="pagenum" id="page166">{166}</span></div>
<table class="sp3 mc w50" title="SOUTH AMERICAN RHEA." summary="SOUTH AMERICAN RHEA.">
<tr>
<td colspan="3"><span class="ac w100 fcenter"><SPAN href="images/rhea.jpg"><img
style="width:100%" src="images/rhea.jpg" alt="" title=""/></SPAN></span></td>
</tr>
<tr>
<td class="xx-smaller ac w30">From col. Chi. Acad. Sciences.</td>
<td class="x-smaller ac w40">SOUTH AMERICAN RHEA.<br/>
⅛ Life-size.</td>
<td class="xx-smaller ac w30">Copyright by Nature Study<br/>
Pub. Co., 1898. Chicago.</td>
</tr>
</table>
<div><span class="pagenum" id="page167">{167}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE OSTRICH.</span></h2>
<p><span class="handonly">S</span><ANTIMG src="images/initial_s.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="S"/>OUTH AMERICAN Rhea is the name by
which this immense bird is known to science. It is a native of South America, and is especially
numerous along the river Plata. Usually seen in pairs, it sometimes associates in flocks of twenty
or thirty, and even more have been seen together. Like all the members of the family, it is a
swift-footed and wary bird, but possesses so little presence of mind that it becomes confused when
threatened with danger, runs aimlessly first in one direction and then in another, thus giving
time for the hunter to come up and shoot it, or bring it to the ground with his bolas—a
terrible weapon, consisting of a cord with a heavy ball at each end, which is flung at the bird,
and winds around its neck and legs so as to entangle it.</p>
<p>For our knowledge of the Rhea and its habits, we are chiefly indebted to Mr. Darwin, and we
shall use his language in this account of the bird. He says it is found also in Paraguay, but is
not common. The birds generally prefer running against the wind, yet, at the instant, they expand
their wings and, like a vessel, make all sail. "On one fine hot day I saw several Ostriches enter
a bed of tall rocks, where they squatted concealed till nearly approached."</p>
<p>It is not generally known that Ostriches readily take to the water. Mr. King says that at
Patagonia and at Pont Valdez he saw these birds swimming several times from island to island. They
ran into the water both when driven down to a point, and likewise of their own accord, when not
frightened.</p>
<p>Natives readily distinguish, even at a distance, the male bird from the female. The former is
larger and darker colored, and has a larger head. It emits a singular deep-toned hissing note.
Darwin, when he first heard it, thought it was made by some wild beast. It is such a sound that
one cannot tell whence it comes, nor from how far distant.</p>
<p>"When we were at Bahia Blanca, in the months of September and October, the eggs of the Rhea
were found in extraordinary numbers all over the country. They either lie scattered singly, in
which case they are never hatched, or they are collected together into a hollow excavation which
forms the nest. Out of the four nests which I saw, three contained twenty-two eggs each, and the
fourth twenty-seven. The Gauchos unanimously affirm, and there is no reason to doubt their
statement, that the male bird alone hatches the eggs, and that he for some time afterward,
accompanies the young. The cock while in the nest lies very close; I have myself almost ridden
over one. It is asserted that at such times they are occasionally fierce, and even dangerous, and
that they have been known to attack a man on horseback, trying to kick and leap on him."</p>
<p class="sp3">The skylight in the roof of the apartment in which two Ostriches were kept in the
Garden of Plants, Paris, having been broken, the glaziers were sent to repair it, and in the
course of their work let fall a piece of glass. Not long after this the female Ostrich was taken
ill, and died after an hour or two in great agony. The body was opened, and the throat and stomach
were, found to have been dreadfully cut by the sharp corners of the glass which she had swallowed.
From the moment his companion died the male bird had no rest; he appeared to be continually
searching for something, and daily wasted away. He was removed from the spot, in the hope that he
would forget his grief; he was even allowed more liberty, but in vain, and at length he mourned
himself to death.</p>
<div><span class="pagenum" id="page168">{168}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE SOUTH AMERICAN RHEA.</span></h2>
<p>I need'nt tell you I'm an Ostrich, for my picture speaks for itself. I'm a native of South
America, but members of my family have been caught and taken to the United States, so you have
seen some of them, probably, in a "Zoo."</p>
<p>We are swift-footed and wary birds, but unfortunately have no presence of mind, so that when
danger threatens us we become confused, run this way and that way, till the hunter comes up and
with gun or "bolas" brings us to the ground.</p>
<p>If your legs and neck were as long as mine, and an Indian should fling around you a cord with a
ball at each end and get your legs all tangled up, wouldn't you tumble to the ground, too? Of
course you would. That is the way they catch us with a "bolas."</p>
<p>I think we ought to be called "ship of the desert" as well as the camel, for when the wind
blows, we expand our great wings, and running against it, like a vessel under full sail, go
skimming along, happy as a bird, in truth.</p>
<p>You can never see us do that unless you come to South America. In captivity we act differently,
you know. Maybe you have seen us, when in an inclosure, holding our wings from our bodies and
running up and down as though we were being chased, appearing greatly alarmed. Well, that is all
fun. We have to do something to while the time away. Then, too, that is as near as we can come to
"sailing" as we did when wild and free.</p>
<p>You have heard so much about the mother-bird sitting on the nest, that I am sure you will be
interested in seeing a <i>father</i> who broods the eggs and hatches out the little ones. I have
five wives. They all lay their eggs in one and the same nest, which is a hollow pit scraped out by
their feet, the earth heaped up around to form a sort of wall. They lay the eggs, I have said,
sometimes thirty in a nest, and I—well, I do the rest.</p>
<p>We are dangerous fellows if disturbed when brooding; have been known to attack a man on
horseback, trying to kick and leap on him. Our kick is no love-tap, let me tell you, but being so
powerful we can easily kill a man.</p>
<p>When startled, or angry, we utter a kind of grunt as a warning; if it is not heeded, we then
hiss sharply, draw back our head, and get ready to strike.</p>
<div><span class="pagenum" id="page170">{170}</span></div>
<table class="sp3 mc w50" title="BAY BREASTED WARBLER." summary="BAY BREASTED WARBLER.">
<tr>
<td colspan="3"><span class="ac w100 fcenter"><SPAN href="images/bay_warbler.jpg"><img
style="width:100%" src="images/bay_warbler.jpg" alt="" title=""/></SPAN></span></td>
</tr>
<tr>
<td class="xx-smaller ac w30">From col. Chi. Acad. Sciences.</td>
<td class="x-smaller ac w40">BAY BREASTED WARBLER.<br/>
Life-size.</td>
<td class="xx-smaller ac w30">Copyright by Nature Study<br/>
Pub. Co., 1898. Chicago.</td>
</tr>
</table>
<div><span class="pagenum" id="page171">{171}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE BAY-BREASTED WARBLER.</span></h2>
<p><span class="handonly">A</span><ANTIMG src="images/initial_a.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="A"/>BOUT sixty species of Warblers are
known to ornithologists, no one of which can be considered a great singer, but their several
twitterings have a small family resemblance. The Bay-breasted, which is also popularly called
Autumnal Warbler, breeds from northern New England and northern Michigan northward, its nest being
found in low, swampy woods, where there is a mixture of evergreens, oak, birch, elm and other
trees. It is compact, cup-shaped, and usually placed in coniferous trees from five to fifteen or
even twenty feet above the ground. Fine shreds of bark, small twigs, fibrous roots, and pine hair
are used in its construction. Four eggs are laid, which are white, with a bluish tinge, finely
speckled on or round the larger end with reddish-brown.</p>
<p>Comparatively little is known of the habits of this species. It passes in spring and fall, on
its way to the north, being sometimes abundant at both seasons, but does not tarry long. In
general habits, at all times, it closely resembles other species of the genus. In Oxford County,
Maine, says Mr. Maynard, these birds are found in all the wooded sections of that region, where
they frequent the tops of tall trees. The species seems to be confined during the building season
to the region just north of the White Mountains range.</p>
<p class="sp3">Ridgway says: "Tanagers are splendid; Humming-birds are refulgent; other kinds are
brilliant, gaudy or magnificent, but Warblers alone are pretty in the proper and full sense of
that term. When the apple trees bloom, the Warblers revel among the flowers, vieing in activity
and in number with the bees; now probing the recesses of a blossom for an insect which has
effected lodgment there, then darting to another, where, poised daintily upon a slender twig, or
suspended from it, he explores hastily but carefully for another morsel. Every movement is the
personification of nervous activity, as if the time for their journey was short; and, indeed, such
appears to be the case, for two or three days at most suffice some species in a single locality; a
day spent in gleaning through the woods and orchards of one neighborhood, with occasional brief
siestas among the leafy bowers, then the following night in continuous flight toward its northern
destination, is probably the history of every individual of the moving throng."</p>
<div class="poem poemc23 sp3">
<p></p>
<p style="margin-left:-0.40em">"Have you walked beneath the blossoms in the spring?</p>
<p style="margin-left:4.20em">In the spring?</p>
<p>Beneath the apple blossoms in the spring?</p>
<p style="margin-left:1.40em">When the pink cascades are falling,</p>
<p style="margin-left:1.40em">And the silver brooklets bawling,</p>
<p style="margin-left:1.40em">And the Warbler bird soft calling,</p>
<p style="margin-left:4.20em">In the spring?"</p>
</div>
<div><span class="pagenum" id="page172">{172}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">BIRD SUPERSTITIONS AND WINGED PORTENTS.</span></h2>
<p><span class="handonly">T</span><ANTIMG src="images/initial_t.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="T"/>HE superstitions of the peasant folk
of any country are not only interesting with thought, feeling, and belief, says an intelligent
writer, but through them much of the inner history of a people can often be traced. Ireland is
peculiarly rich in these forgivable vagaries about birds. They often seem of a very savage and
grewsome character, but as we come to know that however grim-visaged the face of one confiding the
weird assertion of uncanny belief, that secretly the masses of the peasantry scout and flout them
all, save those of a tender and winsome character, we become reconciled to it. Thus the quaint and
weird things which might seem unaccountable and often repulsive to us, have become, in lieu of
book lore, a folk and fireside lore, out of which endless entertainment is secured; and underneath
much of this there is a deep and earnest tenderness, such as all hearts know, for many things
without apparent reason, that grow into life and ancestry, oft repeated homeside tale, beloved
custom and that mysterious hallowing which comes upon changeless places and objects to men.</p>
<p>Here are a few bird superstitions: If an Osprey be shot along any coast, all the herring and
mackerel will immediately disappear. If the Hen-harrier, which only hunts by twilight, is missed
from its accustomed raptorial haunt, some evil spirit is said to be hovering about the locality.
When Water-ousels appear in the spring time in unusual numbers in any unfrequented locality, it is
a sign of abundance of fresh-water fish, but also a token of the approach of malignant disease. On
the west coast in the early spring the poor fisherman watches early and late for the Gannet. He
calls it the Solan, or Swift-flying Goose. If it does not come his heart sinks, for there will be
no luck at fishing; but if great numbers wheel about the headlands of the coast, plenty will smile
in his cabin home that year. Great numbers of Jay or Missel Thrushes feeding upon the berries of
the hawthorn betoken the approach of a very cold winter, and their Grackle-like calls bring fear
to the heart if the meal be low and the peat be scant in the little tenants cabin. When the nest
of the Thrush or Mavis is built unusually high in the thorn-bush, this betokens a great calamity
to a neighborhood, for some distressing disturbance is under way among the fairies, who in happy
or friendly mood always see to it that these nests are built near their haunts in the grasses,
that they may more readily enjoy the music of the thrush's songs. The crops of sweet singing
Blackbirds are supposed to hold the souls of those in purgatory until the judgment day; and
whenever the Blackbird's notes are particularly shrill, these parched and burning souls are
imploring for rain, which never fails of coming in response to the bird cries for their relief.
The Wicklow mountains are notably the haunts of the Ring-Ousel or Mountain Stars. Whenever, after
singing his fine deep song, he hesitates for a time, and then is heard to utter a loud, shrill and
prolonged whistle, that night every human that has heard it will remain behind barred doors; for
that is a true fairy call, and the "wea folk of Wicklow" are sure to congregate in the mooonlit
mountain hollows and "dance rings round their swate selves" until dawn. Of course none of these
dire calamities ever occur, but the simple-minded folk continue to have faith in them, and the
innocent birds remain the supposed precursors of the, to them, mysterious misinterpreted
operations of nature.</p>
<div><span class="pagenum" id="page174">{174}</span></div>
<table class="sp3 mc w50" title="BLACK-NECKED STILT." summary="BLACK-NECKED STILT.">
<tr>
<td colspan="3"><span class="ac w100 fcenter"><SPAN href="images/stilt.jpg"><img
style="width:100%" src="images/stilt.jpg" alt="" title=""/></SPAN></span></td>
</tr>
<tr>
<td class="xx-smaller ac w30">From col. Chi. Acad. Sciences.</td>
<td class="x-smaller ac w40">BLACK-NECKED STILT.<br/>
½ Life-size.</td>
<td class="xx-smaller ac w30">Copyright by Nature Study<br/>
Pub. Co., 1898. Chicago.</td>
</tr>
</table>
<div><span class="pagenum" id="page175">{175}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE BLACK-NECKED STILT.</span></h2>
<p><span class="handonly">S</span><ANTIMG src="images/initial_s.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="S"/>TILT would be a peculiarly
appropriate name for this bird, with its excessively long legs, were it less graceful and
dignified in its walk, moving on land with easy and measured tread, not in a "tremulous manner,"
says Col. Goss, as stated by some writers.</p>
<p class="sp3">The Stilt is an inhabitant of temperate North America, from New Brunswick, Maine,
Minnesota and Oregon southward; south in winter to Peru, Brazil, and West Indies. It is rare in
the middle and western provinces, except Florida, also along the Pacific coast; breeding in
suitable localities and in abundance in western Texas, southern Colorado, Utah, eastern Colorado,
and southern Oregon. Extensive as is the range of the Stilt, we wonder how many of our readers
have ever had the pleasure of seeing even a picture of one. The specimen depicted in <span class="sc">Birds</span> is regarded by experts as about as nearly perfect as art can produce. It
will be observed that the eyes are alive in expression, as, indeed, are those of all our specimens
that have appeared in recent numbers.</p>
<p>This slender wader inhabits the shores of bays, ponds, and swales where scantily covered with
short grasses. It swims buoyantly and gracefully, and on land runs swiftly, with partially raised
wings, readily tacking or stopping in its chase after insect life. Its flight, says Goss, is not
very swift, but strong and steady, with sweeping strokes, legs fully extended and head partially
drawn back, after the manner of the Avocet, (see <span class="sc">Birds</span>, Vol. II, p. 15),
and like the latter, will often meet one a long distance from its nest, scolding and threatening.
At such times its legs are as fully extended as its legs, the latter often dangling as it
retreats.</p>
<p>The food of the Black-necked Stilt consists of insects, minute shell fish and larvae, and
various small forms of life. The birds are social, usually living and breeding in small
flocks.</p>
<p class="sp4">The nests of these birds—when placed on dry, sandy land—are slight
depressions worked out to fit the body; on wet lands they are upon bunches or masses of
vegetation. Eggs three or four, buff to brownish-olive, irregularly but rather thickly splashed
and spotted with blackish brown.</p>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE ENGLISH SPARROW.</span></h2>
<p>When the English Sparrow (see <span class="sc">Birds</span>, Vol. II, p. 208), was first
introduced into Canada, we are informed by Mr. Albert Webber, the city of Hamilton provided for
its protection by causing to be erected a large iron pole, on which was set a huge box containing
many apartments, the pole surrounded by a circular iron railing. Each day during the winter a
sheaf of oats was attached to the pole. In a year or two the Sparrows became so numerous that the
authorities were obliged to abandon the project of contributing to the support of the birds and
left them to shift for themselves. They soon found, however, that the little foreigners were quite
independent of the city fathers.</p>
<p>Indefatigable, persistent, industrious breeders—at once rebuilding their nests, if
destroyed by accident or otherwise—there is little hope of their extermination, if such
action should be desired in the future. Mr. Thomas Goodearl, an observer of these birds in their
nativity, predicts that the English Sparrow will be the survivor—though not the
fittest—of all English birds.</p>
<p class="sp3 ar">C. C. M.</p>
<div><span class="pagenum" id="page176">{176}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE PIN-TAIL DUCK.</span></h2>
<p>It was my cousin the <span class="sc">Teal</span> who said he was not born to sing and look
pretty flitting among the trees, but was a useful bird, born to be "done brown" and look pretty in
a dish. Well, I am one of that kind, too.</p>
<p><i>Pin-tail</i>, <i>Sprig-tail</i>, <i>Sharp-tail</i>, <i>Water Pheasant.</i> I am known by all
of these names, though people only use one at a time, I believe.</p>
<p>You will find us Pin-tails generally in fresh water. We move in very large flocks, in company
with our cousins the Mallards, feeding and traveling with them for days. But when it comes to
flying we distance them everytime. Our flight is rapid and graceful, the most graceful, they say,
of all the Duck tribe.</p>
<p>Instead of a song we have a call note, a low plaintive whistle which we repeat two or three
times. It is easily imitated, and often, thinking a companion calls us, we swim in the direction
of the sound, when "bang" goes a gun and over flops one or more <i>Pin-tails</i>.</p>
<p>We have other enemies beside man, and have to keep a sharp lookout all the time. Way up north
one day, a Fox stood on the borders of a lake and watched a flock of Ducks feeding among the
rushes. He was very hungry and the sight of them made his mouth water.</p>
<p>"How can I get one of those fine, fat fellows for my dinner," he muttered, and Mr. Fox, who is
very cunning, you know, remained very quiet, while he thought, and thought, and thought.</p>
<p>"Oh, I have it!" he presently exclaimed, and going to the windward of the Ducks, set afloat a
lot of dead rushes or grass, which drifted among the flock, causing no alarm or suspicion
whatever.</p>
<p>Then Mr. Fox, taking a bunch of grass in his mouth, slipped into the lake, and with nothing but
the tips of his ears and nose above the water, drifted down among the rushes and the Ducks,
too.</p>
<p>Such a squawking as there was, when Mr. Fox opened his red mouth, seized the largest of the
flock, and with a chuckle put back for the shore.</p>
<p>"Hm!" said he, after enjoying his dinner, "what stupid things Ducks are to be sure."</p>
<p>A mean trick, wasn't it? Nobody but a Fox—or a man—would have thought of such a
thing. I'd rather be an innocent Duck than either of them though my name is <i>Pin-tail</i>.
Wouldn't you?</p>
<div><span class="pagenum" id="page178">{178}</span></div>
<table class="sp3 mc w66" title="PIN-TAIL DUCK." summary="PIN-TAIL DUCK.">
<tr>
<td colspan="3"><span class="ac w100 fcenter"><SPAN href="images/pintail.jpg"><img
style="width:100%" src="images/pintail.jpg" alt="" title=""/></SPAN></span></td>
</tr>
<tr>
<td class="xx-smaller ac w30">From col. Chi. Acad. Sciences.</td>
<td class="x-smaller ac w40">PIN-TAIL DUCK.<br/>
⅓ Life-size.</td>
<td class="xx-smaller ac w30">Copyright by Nature Study<br/>
Pub. Co., 1898. Chicago.</td>
</tr>
</table>
<div><span class="pagenum" id="page179">{179}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE PINTAIL DUCK.</span></h2>
<p><span class="handonly">A</span><ANTIMG src="images/initial_a.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="A"/>LL the Ducks are interesting, and few
species of the feathered creation, in shape, color, beauty, and general variety of appearance
present more that is attractive to the student of ornithology. Aside from their utility as
destroyers of much that is obnoxious to vegetation and useful animal life, and as a desirable, if
not indispensable, food for man, they possess characteristics that render them interesting and
instructive subjects for investigation and study.</p>
<p>Among them this widely distributed fresh water Duck is one of the best known. Its name
describes it well. It is one of the first arrivals in the spring. The Pintail haunts wet prairies,
mud flats, and the edges of reedy, grassy waters, feeding largely upon bulbous roots, tender
shoots, insects and their larvae, worms and snails, and, on its return in the fall, upon various
seeds, water plants, and grain. Acorns have been frequently taken from the crops of these
Ducks.</p>
<p>The Pintail, according to Goss, seldom dives, and it never does so while feeding, but in
searching in the water for its food immerses not only the head but a large portion of the body. It
is an odd sight to see a flock thus tipped up and working their feet in the air, as if trying to
stand upon their heads. They move about with a graceful motion of the head, and with tail
partially erect, and upon the land step off with a dignity of carriage as if impressed with the
thought that they are no common Duck. In flight they are very swift.</p>
<p>The nest of the Pintail is placed on low but dry, grassy land and not far from water, usually
under the shelter of a bush, and is a mere depression in the ground, lined with grasses and down.
There are from seven to ten eggs, of pale green to olive buff, in form oval and ovate.</p>
<p>The habitat of the Pintail Duck is the northern hemisphere in general; in North America it
breeds from the northern United States northward to Iceland and south in winter to Cuba and
Panama.</p>
<p>Mr. George Northrup, of long experience on Calumet lake and river, Illinois, says that only a
few years ago there were to be seen on these waters during the seasons of migration as many as a
million, perhaps millions, of Ducks, among which were multitudes of Pintails. He has seen the lake
so covered with them that there seemed to be no room whatever for more, though others continued to
alight. The hunters were delighted with the great opportunities these vast flocks presented for
slaughter—sport, as they called it; mania, Mr. Northrup characterized it. He said the birds,
at the very earliest indication of day, hurried on swift wing to their feeding grounds to get
their breakfasts, where the sportsmen were usually awaiting them.</p>
<p>The Pintail Duck is not regarded as so great a delicacy as the Canvasback, the Red Head, or
even the Mallard, yet when fat, young, and tender it is a very palatable bird, and well esteemed
for its flavor. The cook probably has something to do with its acceptableness when served, for</p>
<div class="poem poemc14 sp3">
<p>No Duck is bad when appetite</p>
<p>Waits on digestion.</p>
</div>
<div><span class="pagenum" id="page180">{180}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">FEATHERS OR FLOWERS?</span></h2>
<p><span class="handonly">W</span><ANTIMG src="images/initial_w.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="W"/>AS the question which confronted the
fair sex this year when about to select their Easter hats or bonnets.</p>
<p>"Say flowers," pleaded the members of the Audubon Society, and from the many fair heads,
innocent of feather adornment, which bowed before the lily-decked altars on Easter morning, one
must believe that the plea was heeded.</p>
<p>Nearly every large house in Chicago, dealing wholly or in part in millinery goods, was visited
by a member of the Audubon Society, says the <i>Tribune</i>. One man who sells nothing but
millinery declared that the bird protective association was nothing but a fad, and that it would
soon be dead. He further said he would sell anything for hat trimming, be it flesh, fish, or fowl,
that a <i>woman would wear</i>.</p>
<p>Touching the question whether the beautiful Terns and Gulls, with their soft gray and white
coloring, were to be popular, it was said that they would not be used as much as formerly. One
salesman said that he would try, where a white bird was requested, to get the purchaser to accept
a domestic Pigeon, which was just as beautiful as the sea and lake birds named.</p>
<p>The milliners all agree that the Snowy Egret is doomed to extermination within a short time,
its plumes, so fairy-like in texture, rendering its use for trimming as desirable in summer as in
winter.</p>
<p>As to the birds of prey, people interested in our feathered friends are as desirous of saving
them from destruction as they are to shield the song birds. There are only a few of the Hawks and
Owls which are injurious, most of them in fact being beneficial. Hundreds of thousands of these
birds were killed for fashion's sake last fall, so that this coming season the farmer will note
the absence of these birds by the increased number of rat, mouse, and rabbit pests with which he
will have to deal.</p>
<p>It is a matter of congratulation, then, to the members of the Audubon Society to know that
their efforts in Chicago have not been wholly fruitless, inasmuch as the majority of dealers in
women's headgear are willing to confess that they have felt the effect of the bird protective
crusade.</p>
<p>Dr. H. M. Wharton, pastor of Brantly Baptist Church, Baltimore, has always been a bitter
opponent of those who slaughter birds for millinery purposes. "It is wholesale murder," said he,
"and I am delighted that a bill is to be offered in the Maryland legislature for the protection of
song birds. I have commented from the pulpit frequently upon the evil of women wearing birds'
wings or bodies of birds on their hats, for I have long considered it a cruel custom."</p>
<p>"Birds are our brothers and sisters," said the Rev. Hugh O. Pentecost before the Unity
Congregation at Carnegie Music Hall, Pittsburg, a few weeks ago. "If we are children of God, so
are they. The same intelligence, life, and love that is in us is in them. The difference between
us is not in kind, but in degree."</p>
<p class="sp3">"How is this murderous vanity of women to be overcome?" asks <i>Our Animal
Friends</i>. "We confess we do not know; but this we do know, that good women can make such
displays of vanity disreputable, and that good women <i>ought to do it</i>."</p>
<div><span class="pagenum" id="page181">{181}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE DOUBLE YELLOW-HEADED PARROT.</span></h2>
<p><span class="handonly">H</span><ANTIMG src="images/initial_h.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="H"/>ERE we have a picture of the best,
with possibly one exception, the African Gray, of the talking parrots. Its home is in Mexico,
about the wooded bottoms of La Cruz river, in the province of Taumaulipas, on the east coast. It
is a wild, picturesque region of swamps, jungles, and savannahs, with here and there a solitary
hacienda or farm-house, where three hundred or four hundred persons are at work in the fertile
soil. Here, three hundred miles south of Matamoras, the nearest American settlement, is the spot
where your pet Parrot, says an exchange, probably first opened its eyes to the light of day
stealing through the branches of the ebony and coma trees, amid surroundings that might to an
imaginary Polly suggest the first dawn of creation. The forests in this region abound in all kinds
of birds in rich plumage. Parrakeets are so abundant that what with the screeching and cawing of
the Parrots it is sometimes impossible to hear one's own voice. Hunters do not trouble themselves
to secure them, however, as they are not worth carrying to market. There is apparently a profit
only in the Double Yellow-head, for which the hunters get as much as $20.00. There are two kinds
of Mexican Parrots, both of which are held in far different esteem. The only Mexican Parrot that
is in general demand as a talking pet is the Double Yellow-head, which with age develops a yellow
hood that extends completely over its head and shoulders. In connection with the "speaking" of
Parrots, one of the most curious circumstances is that recorded by Humboldt, who in South America
met with a venerable bird which remained the sole possessor of a literally dead language, the
whole tribe of Indians who alone had spoken it having become extinct.</p>
<p>The Parrot builds no nest. The female selects a deep hollow in the highest tree trunk and there
lays two eggs. This occurs about the first of May. The young are hatched about the 15th of June,
ten days elapse before they can open their eyes, and several weeks must be allowed for the young
birds to outgrow their squab state and gain sufficient strength to be removed from the care of
their parents. The Parrot is a wily and wise bird. It lays its eggs safely out of reach of
ordinary danger and takes good care not to betray their whereabouts. When the young birds are
hatched they are fed twice a day by their elders, early in the morning and again about the close
of day. The birds in feeding their young give vent to a series of contented clucks and chuckles,
which is answered by the young ones. These birds live on mangoes and the nuts of the ebony
tree.</p>
<p>Newton observes, that considering the abundance of Parrots both as species and individuals, it
is surprising how little is known of their habits in a wild state.</p>
<p class="sp3">It is probable that no other bird has been more admired or more thoroughly
execrated. If it is good natured, is an interesting talker, and you happen to be in a mood to
listen to it with some pleasure, you will speak favorably of the bird, saying to it: "Pretty
Polly! pretty Polly!" but should your nerves be unstrung and every noise a source of irritation,
the rasping, high-pitched screech of a Parrot, which is a nuisance in any neighborhood, will be
beyond endurance. We shall always be satisfied with the possession of Polly's picture as she
was.</p>
<div><span class="pagenum" id="page182">{182}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE DOUBLE YELLOW-HEADED PARROT.</span></h2>
<p>I came from Mexico. Once I talked Spanish, but at the present time I speak the English language
altogether. Lucky, isn't it? My neck might be wrung did I cry "<i>Viva Espana!</i>" just now.</p>
<p>The reason why I spoke Spanish in Mexico was because I boarded with a Spaniard there; now I
live in the United States and make my home with an American family. As I only repeat what I hear I
must, of course, talk just as they do.</p>
<p>I was born, however, in the finest Parrot country in the world. My mother built her nest in a
deep hollow in the highest tree trunk in a swamp or jungle, and there laid just two eggs. She was
wise to choose a high tree, for there she thought her nest was out of danger.</p>
<p>When we were hatched, my brother and I, our parents fed us only twice a day, in the early
morning and late evening. Two meals a day was enough for little babies, my mother said.</p>
<p class="sp3">Well, maybe it was, but in our case it would have been better had she not fed us at
all. You see the Parrot hunters were about, and as my parents always kept up such a loud
"clucking" when feeding us, and we did the same, why, the hunters found out in which tall tree we
lived.</p>
<p>It was easy then for a "peon" or poor Mexican to climb the tree, and so all of our family were
made prisoners. Being Double Yellow-headed Parrots we were very valuable because we can talk. My
master paid $20.00 for me.</p>
<p>The gentleman who owns me now sells tickets in a theatre. My cage hangs near the window, and I
used to hear him say when there was a rush to buy tickets, "One at a time, gentlemen; one at a
time, please!" I hadn't learned to speak English very well, then, but I heard the sentence so
often that I stored it up for future use.</p>
<p>My master, one day, went to the country and took me with him. The sight of the trees made me
think of my old home, so I escaped from the cage and flew off to the woods.</p>
<p>They searched for me all day but not till nightfall did they find me. Such a sorry looking bird
as I was, sitting far out on the end of a limb of a tree, with my back humped, and half the gay
feathers plucked out of me. Around me were a flock of Crows, picking at me whenever they got a
chance.</p>
<p>"One at a time, gentlemen," I kept saying, hitching along the limb, "one at a time, please;"
but instead of tickets they each got a feather.</p>
<div><span class="pagenum" id="page183">{183}</span></div>
<table class="sp3 mc w50" title="DOUBLE YELLOW-HEADED PARROT."
summary="DOUBLE YELLOW-HEADED PARROT.">
<tr>
<td colspan="3"><span class="ac w100 fcenter"><SPAN href="images/double_yellow.jpg"><img
style="width:100%" src="images/double_yellow.jpg" alt="" title=""/></SPAN></span></td>
</tr>
<tr>
<td class="xx-smaller ac w30">From col. Chi. Acad. Sciences.</td>
<td class="x-smaller ac w40">DOUBLE YELLOW-HEADED PARROT.<br/>
½ Life-size.</td>
<td class="xx-smaller ac w30">Copyright by Nature Study<br/>
Pub. Co., 1898. Chicago.</td>
</tr>
</table>
<div><span class="pagenum" id="page185">{185}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">SPRING THOUGHTS.</span></h2>
<p><span class="handonly">A</span><ANTIMG src="images/initial_a.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="A"/>ND now there is such a fiddling in
the woods, such a viol creaking of bough on bough that you would think music was being born again
as in the days of Orpheus. Orpheus and Apollo are certainly there taking lessons; aye, and the Jay
and Blackbird, too, learn now where they stole their "thunder." They are perforce, silent,
meditating new strains.</p>
<p class="ac">*<span class="gap" style="width:3em"> </span>*<span class="gap"
style="width:3em"> </span>*<span class="gap" style="width:3em"> </span>*</p>
<p>Methinks I would share every creature's suffering for the sake of its experience and joy. The
Song Sparrow and the transient Fox-colored Sparrow, have they brought me no message this year? Is
not the coming of the Fox-colored Sparrow something more earnest and significant than I have
dreamed of? Have I heard what this tiny passenger has to say while it flits thus from tree to
tree? God did not make this world in jest, no, nor in indifference. These migratory Sparrows all
bear messages that concern my life. I love the birds and beasts because they are mythologically in
earnest. I see the Sparrow chirps, and flits, and sings adequately to the great design of the
universe, that man does not communicate with it, understand its language, because he is not alone
with nature. I reproach myself because I have regarded with indifference the passage of the birds.
I have thought them no better than I.</p>
<p class="ac">*<span class="gap" style="width:3em"> </span>*<span class="gap"
style="width:3em"> </span>*<span class="gap" style="width:3em"> </span>*</p>
<p>I hear the note of a Bobolink concealed in the top of an apple tree behind me. Though this
bird's full strain is ordinarily somewhat trivial, this one appears to be meditating a strain as
yet unheard in meadow or orchard. He is just touching the strings of his theorbo, his glassichord,
his water organ, and one or two notes globe themselves and fall in liquid bubbles from his tuning
throat. It is as if he touched his harp within a vase of liquid melody, and when he lifted it out
the notes fell like bubbles from the trembling strings. Methinks they are the most liquidly sweet
and melodious sounds I ever heard. They are as refreshing to my ear as the first distant tinkling
and gurgling of a rill to a thirsty man. Oh, never advance farther in your art; never let us hear
your full strain, sir! But away he launches, and the meadow is all bespattered with melody. Its
notes fall with the apple blossoms in the orchard. The very divinest part of his strain drops from
his overflowing breast <i>singultim</i>, in globes of melody. It is the foretaste of such strains
as never fell on mortal ears, to hear which we should rush to our doors and contribute all that we
possess and are. Or it seemed as if in that vase full of melody some notes sphered themselves, and
from time to time bubbled up to the surface, and were with difficulty repressed.</p>
<p class="sp3 ar">—<i>Thoreau.</i></p>
<div><span class="pagenum" id="page186">{186}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE MAGNOLIA WARBLER.</span></h2>
<p><span class="handonly">I</span><ANTIMG src="images/initial_i.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="I"/>N this number of <span class="sc">Birds</span> we present two very interesting specimens of the family of Warblers, the
Magnolia or Black and Yellow Warbler, ranking first in elegance. Its habitat is eastern North
America as far west as the base of the Rocky Mountains. It breeds commonly in northern New
England, New York, Michigan, and northward. According to Mr. William Brewster it is found
everywhere common throughout the White Mountains of New Hampshire. Its favorite resorts are little
clumps of firs and spruce shrubs, also willow thickets near streams and ponds and other damp
places. "Its gay colors and sprightly song will at once attract the attention of even the casual
observer. The nest is usually placed in the horizontal twigs of a fir or spruce at heights ranging
from four to six feet, five being the average elevation, and the favorite localities are the edges
of wood paths, clearings, or roads bordered by woods. Sometimes the nests are built in the tops of
young hemlocks ten or fifteen feet up, or in the heart of the forest thirty-five feet above the
ground." Mr. Brewster describes the nest as loosely put together, of fine twigs, preferredly
hemlock, coarse grasses and dry weed-stalks. The lining is fine black roots, closely resembling
horse-hair. The eggs are four, very rarely five, of creamy white, spotted and blotched with
various shades of reddish brown, hazel and chestnut. The markings are generally large and well
defined and often form wreaths about the larger ends.</p>
<p>Ridgway mentions the Magnolia Warbler as "one of the most agile of its tribe, its quick and
restless movements being more like those of the Redstart than those of its nearest kindred. The
tail is carried somewhat elevated and widely expanded, to display the broad white band across the
middle portion of the inner web of the feathers, which together with the bold contrasts of black,
yellow, and blue-gray of the plumage, render it both conspicuous and beautiful."</p>
<p class="sp4">Mr. Langille describes the song of the Magnolia Warbler as "a loud, clear whistle,
which may be imitated by the syllables <i>chee-to</i>, <i>chee-to</i>, <i>chee-tee-ee</i>, uttered
rapidly and ending in the falling inflection."</p>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">I CAN BUT SING.</span></h2>
<div class="poem poemc18">
<p style="margin-left:1.70em">"O little bird of restless wing,</p>
<p style="margin-left:0.70em">Why dost thou sing so sweet and loud?</p>
<p>Why dost thou sing so strong and proud?</p>
<p style="margin-left:2.10em">Why dost thou sing?"</p>
<p style="margin-left:1.70em" class="stanza">"Oh I have drunk the wine of spring,</p>
<p>My mate hath built a nest with me:</p>
<p>My hope flames out in song," said he,</p>
<p style="margin-left:1.70em">"I can but sing."</p>
</div>
<div><span class="pagenum" id="page187">{187}</span></div>
<table class="sp3 mc w50" title="MAGNOLIA WARBLER." summary="MAGNOLIA WARBLER.">
<tr>
<td colspan="3"><span class="ac w100 fcenter"><SPAN href="images/magnolia_warbler.jpg"><img
style="width:100%" src="images/magnolia_warbler.jpg" alt="" title=""/></SPAN></span></td>
</tr>
<tr>
<td class="xx-smaller ac w30">From col. Chi. Acad. Sciences.</td>
<td class="x-smaller ac w40">MAGNOLIA WARBLER.<br/>
Life-size.</td>
<td class="xx-smaller ac w30">Copyright by Nature Study<br/>
Pub. Co., 1898. Chicago.</td>
</tr>
</table>
<div><span class="pagenum" id="page189">{189}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">BIRDS PAIRING IN SPRING.</span></h2>
<table class="sp3 mc" title="Poetry" summary="Poetry">
<tr>
<td class="pr0"><span class="handonly">T</span><ANTIMG src="images/initial_t.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="T"/></td>
<td class="pl0">
<div class="poem poemc23">
<p>O the deep woods</p>
<p>They haste away, all as their fancy leads,</p>
<p>Pleasure, or food, or secret safety prompts;</p>
<p>That nature's great command may be obeyed,</p>
<p>Nor all the sweet sensations they perceive</p>
<p>Indulged in vain. Some to the holly hedge</p>
<p>Nestling, repair, and to the thicket, some;</p>
<p>Some to the rude protection of the thorn</p>
<p>Commit their feeble offspring; the cleft tree</p>
<p>Offers its kind concealment to a few,</p>
<p>Their food its insects, and its moss their nests;</p>
<p>Others apart, far in the grassy dale</p>
<p>Or roughening waste their humble texture weave;</p>
<p>But most in woodland solitudes delight,</p>
<p>In unfrequented glooms or shaggy banks,</p>
<p>Steep, and divided by a babbling brook,</p>
<p>Whose murmurs soothe them all the livelong day,</p>
<p>When by kind duty fixed. Among the roots</p>
<p>Of hazel pendent o'er the plaintive stream,</p>
<p>They frame the first foundation of their domes,</p>
<p>Dry sprigs of trees, in artful fabric laid,</p>
<p>And bound with clay together. Now 'tis nought</p>
<p>But restless hurry through the busy air,</p>
<p>Beat by unnumbered wings. The swallow sweeps</p>
<p>The slimy pool, to build his hanging house</p>
<p>Intent; and often from the careless back</p>
<p>Of herds and flocks a thousand tugging bills</p>
<p>Steal hair and wool; and oft when unobserved,</p>
<p>Pluck from the barn a straw; till soft and warm,</p>
<p>Clean and complete, their habitation grows.</p>
<p>As thus the patient dam assiduous sits,</p>
<p>Not to be tempted from her tender task</p>
<p>Or by sharp hunger or by smooth delight,</p>
<p>Though the whole loosened spring around her blows,</p>
<p>Her sympathizing lover takes his stand</p>
<p>High on the opponent bank, and ceaseless sings</p>
<p>The tedious time away; or else supplies</p>
<p>Her place a moment, while she suddenly flits</p>
<p>To pick the scanty meal.</p>
<p style="margin-left:6.65em">—<span class="sc">James Thomson.</span></p>
</div>
</td>
</tr>
</table>
<div><span class="pagenum" id="page190">{190}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE GREAT BLUE HERON.</span></h2>
<div class="poem poemc22 sp4">
<p>Grotesque and tall, he stands erect,</p>
<p style="margin-left:0.70em">Where the reed-riffle swirls and gleams.</p>
<p>Grave, melancholy, circumspect—</p>
<p style="margin-left:0.70em">A hermit of the streams.—<span class="sc">Ernest
McGaffey.</span></p>
</div>
<p><span class="handonly">E</span><ANTIMG src="images/initial_e.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="E"/>RRONEOUSLY called Sandhill Crane or
Blue Crane, by which names it is better known than by its proper name, this bird is well known as
one of the most characteristic of North America, breeding, as it does, singly and in colonies from
the Arctic regions southward to the West Indies and South America. In the warmer parts of the
country it breeds in vast heronries in company with other species of Herons, of which there are
eleven or twelve, to which places they resort year after year. It is a common bird, except in
localities far removed from streams or ponds which furnish its food supply.</p>
<p>This solitary and wary bird is usually seen standing in shallow water, often in mid-stream, but
it requires great caution and skill on the part of the person who would observe its movements to
get a view of him, as he usually first sees the intruder, and startles him by his harsh squawking
cries as he flies from his feeding place.</p>
<p>The nests are placed in trees along rivers, usually the largest. They are bulky structures of
sticks on the highest branches, a dozen or more nests sometimes being built in one tree. In
localities destitute of trees the nests are built on rocks. Sycamore trees are favorite resorts of
these birds, the light color of the limbs and the peculiar tint of the foliage harmonizing so well
with their plumage as to render their presence difficult of detection.</p>
<p>The Heron's food consists of fishes, frogs, crawfish, and the like, large quantities of which
must be sacrificed to appease its voracious appetite, as many as ten good-sized fishes having been
disgorged at one time by a Heron that was in haste to get away, a happy provision of nature which
often enables this family of birds to escape from the squirrel hunters and irresponsible
gun-carriers.</p>
<p>The eggs of this species are plain greenish-blue and three or four in number. The young are
without plumes, which develop gradually with maturity.</p>
<p>Dr. Neill mentions a curious instance of the Heron feeding on young Water-hens. A large old
willow tree has fallen down into the pond, and at the extremity, which is partly sunk in the
sludge and continues to vegetate, Water-hens breed. The old male Heron swims out to the nest and
takes the young if he can. He has to swim ten or twelve feet, where the water is between two and
three feet deep. His motion through the water is slow, but his carriage stately. He has been seen
to fell a rat at one blow on the back of the head, when the rat was munching at his dish of
fish.</p>
<p>While the Heron stands on the water's edge, it remains still as if carved out of rock, with its
neck retracted, and its head resting between the shoulders. In this attitude its sober plumage and
total stillness render it very inconspicuous, and as it prefers to stand under the shadow of a
tree, bush, or bank, it cannot be seen except by a practiced eye, in spite of its large size.</p>
<p>The flight of the Heron is grand and stately. The head, body, and legs are held in a line,
stiff and immovable, and the gently waving wings carry the bird through the air with a rapidity
that seems the effect of magic.</p>
<div><span class="pagenum" id="page191">{191}</span></div>
<table class="sp3 mc w50" title="GREAT BLUE HERON." summary="GREAT BLUE HERON.">
<tr>
<td colspan="3"><span class="ac w100 fcenter"><SPAN href="images/blue_heron.jpg"><img
style="width:100%" src="images/blue_heron.jpg" alt="" title=""/></SPAN></span></td>
</tr>
<tr>
<td class="xx-smaller ac w30">From col. Chi. Acad. Sciences.</td>
<td class="x-smaller ac w40">GREAT BLUE HERON.<br/>
<span class="spp">1</span>⁄<span class="suu">5</span> Life-size.</td>
<td class="xx-smaller ac w30">Copyright by Nature Study<br/>
Pub. Co., 1898. Chicago.</td>
</tr>
</table>
<div><span class="pagenum" id="page193">{193}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">THE GREAT BLUE HERON.</span></h2>
<p>I belong to a family that is fast disappearing, simply because my plumes are pretty. The ladies
must have them to trim their hats and bonnets, so the plume hunters visit our "rookeries" when our
mates are on their nest, and kill hundreds and hundreds of us.</p>
<p>Our nests are great flat, bulky affairs, made of sticks and lined with grasses. We build them
in high trees along the rivers, or way back in the swamps, a dozen or more in one tree.</p>
<p>We "go fishing" every day; but not for sport as you boys do. No, indeed, we must get a catch or
go hungry. Our long bills are better than a hook and line, and our long legs enable us to wade in
the water without getting our clothes—feathers, I mean,—wet. Fish, frogs, and crawfish
make up our diet, and as we have very healthy appetites it takes a great many of them to make a
meal.</p>
<p>Like some other birds I have more than one name. <i>Blue Crane</i>, <i>Little Blue</i>,
<i>Little Crane</i>, <i>Skimmer</i>, and <i>Scissorsbill</i>. Some people call me "gawky." Is that
a name, too?</p>
<p>To see us standing on one foot, by the margin of a stream, the very picture of loneliness, you
would little imagine what gay birds we are just before the mating season in the spring.</p>
<p>In order to show off our best points before the lady-birds, off we all go to some secluded
spot, form a circle or ring, in which each male bird in turn performs his showing off act. We
skip, flap our wings, curve our necks, and prance around, the lady-birds expressing their approval
by deep croaks, something like a bull-frog's, while the envious cocks keep up a running fire of
remarks in the rasping tones of a horse-fiddle.</p>
<p>Each performer when his act is done, resumes his place in the circle, and so it goes on, till
every male has displayed his accomplishments and good looks before the lady-birds. Then we return
to our feeding grounds, and nose around in the water for our supper.</p>
<p>It does sound odd to hear a bird of my size talk about flying, doesn't it? But in truth my body
is very light, weighing between four and five pounds. I am long from bill to tail, and my wings
are very long and curving.</p>
<p class="sp3">My legs? Oh that is a matter I dislike to talk about. They certainly speak for
themselves.</p>
<div><span class="pagenum" id="page194">{194}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">A FOSTER BROTHER'S KINDNESS.</span></h2>
<p class="sp3"><span class="handonly">A</span><ANTIMG src="images/initial_a.png" class="nothand"
style="float:left; height:5em; margin-right:0.5ex;" alt="A"/> YOUNG Oriole was rescued from the
water where it had evidently just fallen from the nest. When taken home it proved a ready pet and
was given full freedom of the place. Some weeks later a nestling from another brood was placed in
the same cage with the other. The newcomer had not yet learned to feed himself, and like a baby as
it was, cried incessantly for food. The first captive though but a fledgling himself, proceeded to
feed the orphan with all the tender solicitude of a parent.</p>
<p class="sp4">"It was irresistably cunning and heartsome, too," says the narrator, W. L. Dawson,
in the <i>Bulletin</i>, "to see the bird select with thoughtful kindness a morsel of food and hop
over toward the clamoring stranger and drop it in his mouth, looking at it afterward with an air
as much as to say, 'there, baby, how did you like that?' This trait was not shown by a chance
exhibition, but became a regular habit, and was still followed when the older bird had attained to
fly catching. It upset all ones notions about instinct and made one think of a Golden Rule for
birds."</p>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">A GOOSE THAT TAKES A HEN SAILING.</span></h2>
<p>The following remarkable instance of the communication of ideas among the lower animals is
narrated by the Rev. C. Otway:</p>
<p>"At the flour mills of Tubberakeena, near Clonmel, while in the possession of the late Mr.
Newbold, there was a Goose, which by some accident was left solitary, without mate or offspring,
gander or goslings. Now it happened, as is common, that the miller's wife had set a number of Duck
eggs under a hen, which in due time were incubated; and of course the ducklings, as soon as they
came forth, ran with natural instinct to the water, and the hen was in a sad pucker—her
maternity urging her to follow the brood, and her instinct disposing her to keep on dry land.</p>
<p>"In the meanwhile, up sailed the Goose, and with a noisy gabble, which certainly (being
interpreted) meant, 'Leave them to my care,' she swam up and down with the ducklings, and when
they were tired with their aquatic excursion, she consigned them to the care of the hen.</p>
<p>"The next morning, down came again the ducklings to the pond, and there was the Goose waiting
for them, and there stood the hen in her great flustration. On this occasion we are not at all
sure that the Goose invited the hen, observing her maternal trouble; but it is a fact that she
being near the shore, the hen jumped on her back, and there sat, the ducklings swimming and the
Goose and hen after them, up and down the pond.</p>
<p>"This was not a solitary event; day after day the hen was seen on board the Goose, attending
the ducklings up and down, in perfect contentedness and good humor—numbers of people coming
to witness the circumstance, which continued until the ducklings, coming to days of discretion,
required no longer the joint guardianship of the Goose and Hen."—<i>Witness.</i></p>
<div><span class="pagenum" id="page195">{195}</span></div>
<table class="sp2 mc w50" title="EGGS." summary="EGGS.">
<tr>
<td colspan="3"><span class="ac w100 fcenter"><SPAN href="images/eggs0305.jpg"><img
style="width:100%" src="images/eggs0305.jpg" alt="" title=""/></SPAN></span></td>
</tr>
<tr>
<td class="xx-smaller ac w30">From col. Chi. Acad. Sciences.</td>
<td class="x-smaller ac w40">EGGS.<br/>
Life-size.</td>
<td class="xx-smaller ac w30">Copyright by Nature Study<br/>
Pub. Co., 1898. Chicago.</td>
</tr>
</table>
<div class="poem poemc13 sp3">
<p>1. Great Crested Fly-catcher.</p>
<p>2. King Bird.</p>
<p>3. Night Hawk.</p>
<p>4. Crow.</p>
<p>5. Red-headed Woodpecker.</p>
<p>6. Yellow-billed Cuckoo.</p>
<p>7. Audubon's Caracara.</p>
<p>8. Black-billed Magpie.</p>
<p>9. Kingfisher.</p>
<p>10. Screech Owl.</p>
<p>11. Turkey Vulture.</p>
<p>12. Gamble's Partridge.</p>
<p>13. Bob White.</p>
</div>
<div><span class="pagenum" id="page197">{197}</span></div>
<hr style="width:10em"/>
<h2 class="ac" style="margin-bottom:1.3ex;"><span class="larger">THE NEW TENANTS.</span></h2>
<p class="sp3 ac"><span class="sc">By Elanora Kinsley Marble.</span></p>
<div class="poem poemc20 sp4">
<p>Under the eaves in an old tin pot,</p>
<p style="margin-left:0.70em">Six little birds lie in a nest;</p>
<p>The mother bird broods them with her wings,</p>
<p style="margin-left:0.70em">And her downy-feathered breast.</p>
<p>With "coos" and "chirps" she tells her love</p>
<p style="margin-left:0.70em">As human mothers do,</p>
<p>Says "tootsy, wootsy, mammy's dove,</p>
<p style="margin-left:0.70em">And papa's tootsy, too."</p>
</div>
<p>Pierre gazed after Bridget with a perplexed look.</p>
<p>"A-a-what?" he inquired: "I never heard that word before."</p>
<p>"Oh, you did'nt," returned Henry with a wise air, "if I'm not mistaken a Hornithologist has
reference to a Horned Owl. Has it not, Mama?"</p>
<p>"It might if there were such a word," she replied, with a laugh. "Bridget meant an
Ornithologist, the scientific name for students of birds and their ways. But come, Mrs. Wren shows
signs of uneasiness; we must not disturb her again to-day."</p>
<p>"I'm truly glad they are gone," said Mrs. Wren, as her spouse flew over to the tin pot. "It
makes me very nervous when they all stand about and stare at me so."</p>
<p>"Of course it does," sympathizingly replied Mr. Wren, "but now, let me get another peep at the
little darling. My, what a lovely little creature it is?" and Mr. Wren whisked his tail and
chirped to the baby in a truly papa-like fashion.</p>
<p>"And to think that moon-faced Bridget said it was the 'skinniest, ugliest little baste she iver
saw'," indignantly returned Mrs. Wren, mimicking Bridget's brogue to perfection. "The precious
little thing?" turning the birdling over with her bill, "why, he is the very image of his
father."</p>
<p>"Do you think so?" a little doubtfully, "It seems to me that—that——"</p>
<p>"Oh, you will see when his hair, or rather feathers grow out and his lovely black eyes open.
Just look at his dear little tootsy-wootsy's," kissing the long scrawny toes, "my, how glad I am
that the eldest is a boy. Little Dorothy will have a brother to protect her, you know."</p>
<p>"Don't count your chickens before they are hatched, my dear," warned Mr. Wren, never forgetful
of the many dangers surrounding a nest full of eggs, or young birds. "Mr. Jay, or Mr. Owl, or Mr.
Hawk, might yet pay us a visit and——"</p>
<p>"Or a collector might come along," said Mrs. Wren, "and carry off eggs, birdling, and all. Oh
how that thought frightens me," and the poor little mother cowered deeper down in the nest
uttering a plaintive, shuddering cry.</p>
<p>"There, there!" said Mr. Wren, caressing her with his bill, "time enough to cross the stream
when we come to it. Our landlord will protect <span class="pagenum" id="page198">{198}</span>his
tenants, I am sure, so sit here and croon a lullaby to the baby while I go to market. I heard of a
place yesterday where I can get some of those delicious thousand legs of which you are so fond.
Ta, ta, love," and away he flew, fully alive to the fact of another mouth in the home-nest to
feed.</p>
<p>Every day for six, a little yellow bill pecked its way out of the shell, and every day a
delighted and curious group of children peeked into the tin-pot at the nervous Mrs. Wren and her
family.</p>
<p>"Their eyes look so big, and so do their mouths," she lamented after one of these visits. "I am
always reminded of that story our landlady one afternoon told the children."</p>
<p>"What story?" tenderly inquired Mr. Wren.</p>
<p>"Of the wolf and Little Red Riding Hood. Ugh! imagine anything eating up our dear little
Dorothy!" and Mrs. Wren stood on her feet, fluffed her feathers in a pretty motherly way and
gathered her brood more closely under her.</p>
<p>Very little time, now, had Mr. Wren to spare for singing or flying about with his neighbors, so
occupied were he and Mrs. Wren in providing food for their family.</p>
<p>"There is precious little fun in this sort of thing," growled he one day when paying a brief
visit to Mr. John and his spouse. "One can never go near the nest but open fly six red mouths
asking for food. Its peep, peep, peep, from morning till night; hurry, hurry, hurry, eat and bring
up again; to cram, cram, cram down six long, red throats the whole day long. There are some days,"
with a sigh, "when I really long to be a bachelor again."</p>
<p>"Oh, you do," said Mrs. John, with a meaning glance at her husband, "There are other fathers of
families, I dare say, Mr. Wren, who, if they <i>dared</i> would say the same thing. But,"
smoothing her apron, "you have such a shiftless creature for a wife that I don't much wonder.
Jenny, I presume, stays at home and lets you do all the fetching and carrying."</p>
<p>"Indeed," replied Mr. Wren, who wished he had not complained at all, "you are very much
mistaken, Mrs. John. Jenny can find more grubs, worms, and beetles in one minute than I can in
ten. She is always on the go, and seldom complains, though I must admit she does a deal of
scolding."</p>
<p>"She wouldn't be a member of <i>our</i> family if she didn't," proudly said Mrs. John, "my
mother——" but Mr. Wren, who had heard that story a score of times, suddenly remembered
Mrs. Jenny would be expecting him at home, said "good-by" and hastily flew away.</p>
<p>Pierre, the first born, was now old enough to fly, but timidly stayed in the nest. Mrs. Wren
noted with great anxiety that no sooner did she leave the tin-pot but up popped six little heads,
and out upon a curious world gazed twelve little bead-like eyes.</p>
<p>"Do be good children while I am gone," she would entreat, when ready for market, "do keep your
heads inside of the house. Pierre, put your head down in the nest instantly, do <span class="pagenum" id="page199">{199}</span>you hear me!" and little Mrs. Wren would stand on the
edge of the tin-pot and fussily cry <i>krup</i>, <i>up</i>, <i>up</i>, which in Wren language
means, you naughty, naughty, birds.</p>
<p>"I think I am big enough to get out of here," said Pierre one day as he watched her fly away,
"bugs and worms must taste a heap better fresh from the ground. I'm tired of baby-food, I am."</p>
<p>"So am I," piped Emmett, "you try your wings first, Pierre, and if you can fly I will come
after."</p>
<p>"Well, here goes," said Pierre, poising himself on the rim of the pot as he had seen his
parents do, "watch me, boys, watch me fly."</p>
<p>"Well, we are watching you," they chorused, as he spread his wings and flapped them a number of
times, "why don't you go?"</p>
<p>"I—I—" stammered Pierre, "oh, there's a cat!" and into the pot he darted and down
they all huddled like so many frightened mice.</p>
<p>Presently Bobbie raised his head and peeped out.</p>
<p>"I don't see any cat," said he, "and I don't believe you did, either, Pierre. You were only
afraid to fly."</p>
<p>Pierre looked a little sheepish.</p>
<p class="sp3">"If you fellows think it so easy, try it," was the mocking reply. "There is nobody
here to hinder you."</p>
<p>"Well, I will," said Bobbie stoutly, and out he crawled onto the edge of the pot, spread his
wings, and with one preparatory flap rose in the air and down he came with a frightened "peep" to
the ground.</p>
<p>Bridget at this moment, broom in hand, came out upon the porch to do her daily sweeping.</p>
<p>"It's lucky for ye's, me darlint," said she, tenderly picking up the helpless bird, "that we do
be havin' no cats for tinents on these premises, so it is. A purty soft thing ye's now are in your
coat of feathers, and not an ugly little baste, at all, at all."</p>
<p>"It's quare," she continued, stroking the bird with her big red fingers, "what idees the
innocent crather do be puttin' into me head for sure. Me hand, for insthance, and the wings ov
this little bird! Two wonderful things, when wan comes to think of it, and very useful. It's sorra
crathers we'd both be without 'em, wudn't we, birdie? There now," placing it in the pot, "take an
owld woman's advice and don't ye's be so anxious after leavin' the home nest. Its many a hard
arned dollar, so it is, that Bridget O'Flaherty wud give to get back to her own," and with visions
before her humid eyes, of Old Ireland and the tumble-down cottage in which she was born, Bridget
fell vigorously to sweeping.</p>
<p class="sp3 ac">(TO BE CONCLUDED.)</p>
<div><span class="pagenum" id="page200">{200}</span></div>
<hr style="width:10em"/>
<h2 class="sp3 ac" style="margin-bottom:1.3ex;"><span class="larger">SUMMARY.</span></h2>
<p>Page <SPAN href="#page166">166</SPAN>.</p>
<p><b>SOUTH AMERICAN RHEA.</b>—<i>Rhea americana.</i> Other name: "Ostrich."</p>
<p><span class="sc">Range</span>—Paraguay and southern Brazil through the State of La Plata
to Patagonia.</p>
<p><span class="sc">Nest</span>—In the ground, dug by the female with her feet.</p>
<p><span class="sc">Eggs</span>—Twenty and upwards.</p>
<hr style="width:5em"/>
<p>Page <SPAN href="#page170">170</SPAN>.</p>
<p><b>BAY-BREASTED WARBLER.</b>—<i>Dendroica castanea.</i> Other name: "Autumnal
Warbler."</p>
<p><span class="sc">Range</span>—Eastern North America, westward to Hudson Bay; south in
winter to Central America.</p>
<p><span class="sc">Nest</span>—Of fine shreds of bark, small twigs, roots, and pine
hair.</p>
<p><span class="sc">Eggs</span>—Four, white, with bluish tinge, finely speckled on or round
the larger end.</p>
<hr style="width:5em"/>
<p>Page <SPAN href="#page174">174</SPAN>.</p>
<p><b>BLACK-NECKED STILT.</b>—<i>Himantopus mexicanus.</i> Other names: "Lawyer," "Long
Shanks," "Pink-Stockings."</p>
<p><span class="sc">Range</span>—The whole of temperate North America, middle America, and
northern South America, south to Peru and Brazil; West Indies in general, and Bermudas; north on
the Atlantic coast to Maine. More generally distributed and more abundant in the western than in
the eastern province.</p>
<p><span class="sc">Nest</span>—Small sticks and roots, in the grass on the margin of a lake
or river.</p>
<p><span class="sc">Eggs</span>—Three or four, greenish-yellow.</p>
<hr style="width:5em"/>
<p>Page <SPAN href="#page178">178</SPAN>.</p>
<p><b>PINTAIL.</b>—<i>Dafila acuta.</i> Other names: Sprig-tail; Spike-tail; Pike-tail;
Picket-tail; Pheasant Duck; Sea Pheasant; Water Pheasant; Long-neck.</p>
<p><span class="sc">Range</span>—Nearly the entire northern hemisphere, breeding chiefly far
northward, in North <span class="pagenum" id="page201">{201}</span>America, migrating south in
winter as far as Panama and Cuba.</p>
<p><span class="sc">Nest</span>—In tall bunches of prairie grass, seldom far from water.</p>
<p><span class="sc">Eggs</span>—Eight or nine, of a dull grayish olive.</p>
<hr style="width:5em"/>
<p>Page <SPAN href="#page183">183</SPAN>.</p>
<p><b>DOUBLE YELLOW-HEADED PARROT.</b>—<i>Conurus mexicanus.</i></p>
<p><span class="sc">Range</span>—Eastern coast of Mexico.</p>
<p><span class="sc">Nest</span>—In holes of trees.</p>
<p><span class="sc">Eggs</span>—Two.</p>
<hr style="width:5em"/>
<p>Page <SPAN href="#page187">187</SPAN>.</p>
<p><b>MAGNOLIA WARBLER.</b>—<i>Dendroica maculosa.</i> Other name: "Black and Yellow
Warbler."</p>
<p><span class="sc">Range</span>—Eastern North America, west to eastern base of Rocky
Mountains; winters in Bahamas, Cuba (rare), eastern Mexico and Central America.</p>
<p><span class="sc">Nest</span>—Loosely put together, of fine twigs, coarse grasses, and dry
weed-stalks, lined with fine black roots resembling horse hair.</p>
<p><span class="sc">Eggs</span>—Four, creamy white, spotted and blotched with various shades
of reddish-brown, hazel and chestnut.</p>
<hr style="width:5em"/>
<p>Page <SPAN href="#page191">191</SPAN>.</p>
<p><b>GREAT BLUE HERON.</b>—<i>Ardea herodias.</i> Other names: "Sand-hill Crane;" "Blue
Crane."</p>
<p><span class="sc">Range</span>—The whole of North and middle America, excepting Arctic
districts; north to Hudson's Bay, fur countries, and Sitka; south to Columbia, Venezuela;
Bermudas, and throughout the West Indies.</p>
<p><span class="sc">Nest</span>—In high trees along rivers, or in the depths of retired
swamps.</p>
<p class="sp0"><span class="sc">Eggs</span>—Commonly three or four, of a plain greenish
blue.</p>
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